Creep Nation (2019) Movie Script
1
(UNSETTLING MUSIC)
(FILM REEL RATTLING)
(MUSIC SWELLS)
(MUSIC TURNS INTENSIFIES)
In those rooms, you have
cameras in the strangest places,
cameras that are so
small you can't see them
and you won't know.
(PLANE ENGINE RUMBLING)
(INTERCOM BEEPING)
STEWARDESS:
Ladies and gentlemen,
we will shortly be landing.
We'll have to get
all hand baggage
stowed securely
beneath your seat.
We would also ask now
that all the electronic
equipment be switched off
and properly and safely
stowed for our landing.
(TENSE MUSIC)
(TRAFFIC WHOOSHING)
(CAR BEEPING)
(CROWD CHATTERING FAINTLY)
(CAR HORN HONKING)
(FAINT SPEAKING)
(FAINT SPEAKING)
RADIO HOST: You
know how with alcohol,
some people say it's become
(SPEECH DROWNED OUT BY MUSIC)
The trouble with smoking marijuana
is that most users really
do believe that after a
few marijuana cigarettes,
they're better soldiers,
believe they're sharper
and can shoot better.
They also believe their
reactions are faster as well.
They think it increases
(SPEECH DROWNED OUT BY MUSIC).
They think it does all
kinds of great things.
The trouble is that,
subjectively, the person feels
(SPEECH DROWNED OUT BY MUSIC).
(MUSIC SWELLS)
BARTENDER: Have a seat at
the bar, I'll be right with ya.
(LOW ROCK MUSIC)
Thank you.
BARTENDER: I'll let
him know you're here.
Thanks.
I'm workin'.
You're closed.
Give me 10 minutes.
Sophia, come on.
I just worked a double.
I'm tired and I wanna go home.
Let's just have a drink.
MAN IN GLASSES:
The bar is closed.
Then let's go somewhere else.
You didn't just cross an ocean
after how many whatever
years just to see me.
I wanted to see
some of my friends.
MAN IN GLASSES: None
of your friends live here.
I know why.
Because of this.
- That's...
- I wanna come.
No.
- Yeah.
- No.
It's not your thing.
It is my thing.
Adapted by Aaron
Campbell, it's my thing.
No, it's not your thing.
You won't like it.
Just cut the shit.
What the fuck is going on?
I need your help.
With?
What happened, is it dad?
No, it's not dad, he's fine.
(TENSE TONE THRUMMING)
I, uh,
I started seeing someone.
It wasn't serious,
and it was never gonna
work out or anything.
I mean, he's my teacher.
I know, and he's married.
And I didn't know
that part, okay.
I cut it off, and then
he started to follow me.
And then he, he
started to threaten me.
And then he got physical.
And Aaron, I'm really scared.
Do you have a place to stay?
I need to stay with you.
No.
- Aaron.
- No.
I don't have any room.
You don't have room for me?
AARON: No.
- Why?
- I'm sorry.
Bad shit happens.
But you can't just parachute in
and expect people to just
drop their lives to attend to
- whatever it is you're doing.
- Okay, okay.
You know what,
I'll just book BNB.
It'll be super simple.
Is that a little easier for you?
Lookit.
Here we go.
Ah, here we go.
Okay, yeah, this
place looks cool.
Ah, in like that.
I'm sorry.
We're gonna cross
paths at some point.
I flew all the way here.
Okay.
Thank you for talkin' to me.
(AARON LAUGHS SOFTLY)
("CHANGE YOUR MIND"
BY CASTLEBEAT)
Come on.
Come on.
(PATRONS LAUGHING)
(MUFFLED CHATTERING)
Thank you.
Change your mind
Change your mind
End your life
End your life
You'll understand
I'm looking out for you
And all I want to understand
Is you
How are you?
I'm good, how are you?
I'm good.
It's nice to see your face.
What has been, like
not even 24 hours?
Is that your brother's place?
Where are you?
No, I rented this place.
Oh, nice.
Lookit, they
left me wine, okay.
(LAUGHS) You're doing okay?
I thought you'd be
staying at your brother's.
Yeah, you know,
we're gonna hang out.
It's just, it's actually better
for me to have my own space.
He just doesn't like surprises,
and I think I shocked him
by just kind of coming home.
Hey, listen, I handed
in your paper for you.
Actually, Marco wasn't in.
But he send me a text asking
if I knew where you were.
Did you talk to him?
- Did you tell him where I was?
- He's not getting any info
- out of me, that piece of shit.
- Okay.
Listen, I'm really
glad you're back home
and you're taking a little
bit of time for yourself.
Um.
Yeah, thanks, thank you.
I wish I could
be there with you,
but I'm gonna be late for class.
Yeah, yeah, you go.
Um, thank you.
I'll call you tomorrow, okay?
(CHUCKLES) Bye.
(BAG SNAPS LOUDLY)
(UNSETTLING MUSIC)
(CAMERA CLICKING)
(SOFT KNOCKING)
(FLOORBOARDS CREAKING)
(MUFFLED SPEAKING)
(FAINT RATTLING)
(SOFT KNOCKING)
(DISTANT FOOTSTEPS THUDDING)
(EERIE MUSIC)
(BED CREAKING)
(DOOR CLICKING)
(MUSIC SWELLS)
(MUSIC INTENSIFIES)
(OMINOUS TONES ECHOING)
Hey, whoa, whoa,
whoa, excuse me!
- (GASPS) What are you doing?
- Whoa, whoa, whoa.
- Whoa, sorry.
- What are doing?
I was, I was just
makin' a phone call.
I didn't wanna disturb you,
I was tryin' to be quiet.
Sorry, there's a fire
escape in the back.
How did you get in here?
I know, you're
Sophia Campbell?
Yes.
I'm Glen.
SOPHIA: Okay.
This is, this is my place.
Why are you in here?
You chose shared space.
I don't know what that means.
Look at your
phone, the website.
You chose shared,
that's all this is.
I just would really
prefer if you left.
Okay, I'm gonna go.
- I'm just telling you...
- Yeah.
What happened, okay, I'm
not creeping in on you.
Everything's fine.
Tomorrow, we'll find
you somethin' new, okay.
Full refund.
This is just a misunderstanding.
This is just a mistake.
Okay.
If you need anything
else, you've got my number.
Listen, I've got a
couple properties.
- You can stay here tonight.
- I just need you to go.
Goodnight.
(SOPHIA SIGHS)
(UNSETTLING MUSIC)
(SOPHIA SIGHS DEEPLY)
(MUSIC SWELLS)
(UPBEAT MUSIC)
(MUFFLED CHATTERING)
Sophia.
Hey.
Hey.
I, uh, I didn't recognize
you with your pants on.
(SOPHIA LAUGHS)
I should have
given you a heads-up.
I mean, I'm sorry I barged
in on you like that.
I'm, I wasn't,
I'm, like, really embarrassed.
I was actually out
with a couple friends.
So it's a little blurry.
It's all good.
GLEN: Are you staying?
- Yeah.
- Yeah?
- Is that cool?
- Yeah, that's fine.
- Okay.
- I mean,
I've got other properties.
Well, I mean, if there's
anything I can get ya,
just, you know, send me a text.
Okay.
I will.
GLEN: Enjoy your day.
You too.
Okay, bye.
Sophia?
Do you wanna grab a
drink or somethin'?
A drink?
Right now?
Yeah.
Are you, like,
sweaty, or, (LAUGHS)
are you gonna wear that?
Yeah, a drink for you, sure.
I'm almost done, and I still
kind of have a hangover.
So a drink would be awesome.
Um, yeah.
Okay.
Just one and I pick the spot.
Just one.
Okay.
So what're you doin'?
SOPHIA: I'm just
bummin' around.
GLEN: Bummin' around town.
SOPHIA: Yeah.
This is your running spot?
GLEN: Yeah.
So is this your go-to?
My brother works here.
Your brother works here?
Yeah.
He's off today, so you can
simmer right down. (CHUCKLES)
You said you're
visiting from somewhere?
Yeah, Italy.
Nice.
Yeah, I'm in my second year
of culinary school there.
Culinary school,
so, like a chef.
Yeah.
Not yet.
To be.
(GLEN LAUGHS)
So you have properties,
you rent properties.
That's your thing?
Yes.
Yeah, that's my thing.
Yeah.
You know, it's self-made
with a partner.
But you know...
(CELLPHONE CHIMING)
I'm sorry, I gotta go out.
Can I, I gotta check this.
- Totally.
- I'm sorry.
No, yeah, totally.
(LOW UPBEAT MUSIC)
(PEOPLE CHATTERING FAINTLY)
GLEN: Sorry.
That's okay.
Business.
SOPHIA: Everything's okay?
Oh, yeah, everything's good.
Cool.
So do you take all
your renters on dates?
You know, I don't, I
don't really do this a lot.
Just, I've kinda got a thing
for pretty redheaded girls.
Do you wanna eat?
Should we eat something?
I'm not, I'm not hungry.
- Oh?
- No.
Do you not eat on first dates.
I don't.
GLEN: Anything else you
don't do on first dates?
Um, I'm not gonna
sleep with you,
if that's what you're asking.
You're not gonna
sleep with me?
I have a boyfriend
- back home.
- You have a boyfriend?
I do have one, yeah.
Good, what's your
boyfriend's name?
Ben.
Italian Ben?
- Italian Ben. (LAUGHS)
- Italian Ben, good.
- Thank you.
- Nice.
WAITER: Would you
like somethin' to eat?
No, yeah, that's fine, thanks.
So do you have dinner plans?
Yeah, with you, I hope.
But not here again.
Again?
Yeah, you ate here last night.
Um, I'm sorry.
How do you know that
I ate here last night?
- Relax.
- Relax?
How do you know that
- I ate here last night.
- I looked at your Instagram.
You posted here last night.
You creeped me?
Of course I creeped you.
You're staying at my place.
Did you creep me?
No.
I bet I tried.
(SCOFFS) Okay, I
couldn't find you.
You're probably under some weird
alias, fuckin' Running Man.
No, I mean, listen, I just,
I wanted to check
out who you were.
And you just happened
to be beautiful.
Maybe I wanna see your
jacket on my bedroom floor.
Wow. (LAUGHS)
do you say that to
all your renters, too?
Only the redheads. (CHUCKLES)
(GLASSES CLINKING)
(BOTH LAUGHING)
("THESE DAYS" BY CASTLEBEAT)
We're growing up
We're growing up
These are the days
These are the days
So tell me, friend
Last night I was asleep,
when I started hearing
these weird noises.
Out of nowhere, the owner of
this place barges in on me.
I grab a pan, and
he's like, whoa, easy.
Like, I'll give you a refund.
Like, it's all good.
And I'm like, get out of here.
And then I'm shopping today,
and he, like,
randomly runs by me.
And then we ended
up going for a beer.
Okay, (LAUGHS) that is
the most random story ever.
I don't know, he's cute.
And he's like, he's
funny, and I don't know.
We kind of left it open-ended.
Like, I think we're gonna
have dinner tonight.
Go out, have fun.
That's exactly what you're
supposed to be doing back home.
That's why you're there.
Call me tomorrow, let
me know how it goes.
Bye, love you.
Mirror, mirror on the wall
I don't know what
my life is for
Take some time
What's on your mind
Always on the other side
Mirror, mirror on the wall
I don't know what
my life is for
Take some time
What's on your mind
Always on the other side
Do you like movies?
Yeah, sure, I like movies.
Okay, what's your fave?
Um, Casablanca.
What?
- Mm-hmm.
- Okay.
I've never seen Casablanca.
(BOTH LAUGHING)
Have you seen Casablanca?
- No.
- Yeah, you have.
(SOPHIA LAUGHS)
Um, I have this thing later.
It's a play.
The White Devil.
Yeah, do you
wanna come with me?
Tonight?
Yeah, my brother wrote it.
Your brother wrote this play?
Yeah.
Sure, yeah.
Sounds frightening.
A revenge tragedy.
I've never been to a play.
What?
Yeah, you know,
it's a nice night.
Why not get out?
I found your little,
uh, your little stash.
You did?
Your little collection.
Well, if you're so inclined,
I happen to make a
fantastic cocktail.
- Yes?
- One drink.
And that's it.
And then we go watch your
brother's stupid play.
You don't have to go with me.
- I have someone else lined up.
- Is this,
no, you do not.
I do.
KAL: Hey, what's up, dude?
AARON: Hey Kal,
what's goin' on?
(AARON SIGHS)
(SPEAKER SCREECHING)
SOPHIA: Are you
trying to get me drunk?
Maybe.
Whoo.
(GENTLE MUSIC)
I feel like, um, you're trouble.
(GLEN LAUGHS SOFTLY)
(TENSE MUSIC)
GLEN: Cheers.
SOPHIA: Cheers.
(GLASSES CLINKING)
You don't even know me.
I don't wanna know you.
Hmm.
Let's try harder.
(MUSIC SWELLS)
So what's this?
- These are just like...
- They're just...
Your pants too loose, or what?
Well, I gotta hold
my pants up somehow.
Yeah, I mean, what's a belt?
It does?
Go, do it.
(SUSPENDER SNAPS)
- (GLEN GROANS)
- Ooh.
Do the other one, balance
it out. (INHALES SHARPLY)
(SUSPENDER SNAPS)
(GLEN GROANS)
It's like an instrument.
It hit my nipple.
(LAUGHTER ECHOING)
This is a lovely dress.
Thank you.
You look good in white.
It's your color.
SOPHIA: Is it a color?
No.
(MUSIC SWELLS)
House is open.
Okay.
What mockery hath
death made of thee?
(EERIE TONE REVERBERATING)
Huh.
My love, why have
you forsaken me?
(MUSIC GROWS SINISTER)
I miss you.
(SOFT RITUALISTIC VOCALIZING)
Guilty men (SPEECH
DROWNED OUT BY MUSIC).
So short a life.
(SORROWFUL STRING MUSIC)
This is beyond melancholy.
I dare my fate to do its worst.
The pain has passed.
(SPEECH DROWN OUT BY MUSIC)
Of all these horrors.
At last,
this terrible vision,
I will drown my
weapon in their blood.
With this, her bounty
shall turn to good.
(MUSIC SWELLS OMINOUSLY)
(AUDIENCE APPLAUDING)
Thank you.
(MUSIC CRESCENDOS)
You fucking loser.
(MUSIC INTENSIFIES)
(DISTANT FOOTSTEPS THUDDING)
(DOOR CREAKING)
(DOOR SLAMMING)
(FOOTSTEPS THUDDING)
Glen?
(LOW EERIE MUSIC)
(FLOORBOARDS CREAKING)
(FLOORBOARDS CREAKING)
(ZIPPER SCRATCHING)
Hello?
(MUSIC GROWS MORE TENSE)
Hey, it's Sophia,
leave a message.
(VOICEMAIL BEEPS)
AARON: Soph, I didn't
see you at the show.
I'm goin' out for a drink.
SOPHIA: Hey, it's
Sophia, leave a message.
- (VOICEMAIL BEEPS)
- Sophia, it's me.
Call me as soon as you get this.
(MUSIC SWELLS)
(CELLPHONE DIALING BEEPING)
(EERIE MUSIC)
Yeah.
Martha, this is Aaron.
Listen, I can't get
a hold of Sophia.
And her phone is out of service.
I can't leave a voicemail.
She's not responding
to my texts.
She was gonna come see this
play that I had goin' on,
and she didn't show up.
I just wanna know if
she's been in touch.
I'm just worried about her.
(FAINT UPBEAT MUSIC)
(TIMER BEEPING)
I got this.
You got table eight?
We need table six.
(CELLPHONE CHIMES)
Hang on.
How's my table eight?
Table eight, two minutes.
KEV: Okay, good.
Listen, Kev, I
gotta leave early.
- Tonight?
- Yeah, is that okay?
Yeah, I'm sure Steve
can cover for you.
Yeah, my sister,
she's in town.
And I can't get ahold of her.
I don't know where she is.
Your sister was
here yesterday.
She was, Sophia
was here yesterday?
She was here.
She was sitting in the
front with some guy.
Who was it, someone
regular or some random?
KEV: Random guy, it looked
like they were on a date.
Okay, all right, all right.
So, you got this?
- Yeah, I'm good.
- Thanks, buddy, you're a pal.
All right.
Thank you.
MAN IN BLUE:
How can I help you?
AARON: Sorry, I'm
looking for somebody.
Okay.
I'm looking for
my sister, Sophia.
She stayed in this house.
She booked this place
last time I saw her and...
Nobody was here
when we got here.
AARON: Nobody was here?
No.
Are you are owner
of this house?
No, no, we're renting.
My wife rented
over the internet.
Is there somethin' wrong?
If you see her, can
you please tell her
to call her brother,
if she comes back here
- for any reason?
- It would be my pleasure.
Sure.
Wish I could help.
Okay.
Thank you.
Okay.
(TENSE MUSIC)
(MUSIC TURNS UNSETTLING)
(CELLPHONE CHIMES)
(MUSIC INTENSIFIES)
(THUDDING ECHOING)
AARON: My sister, she's
gone missing, Sophia Campbell.
OFFICER: And
you're her brother?
AARON: Yes.
OFFICER: And then
what's goin' on here?
She just got off
a plane from Italy.
And there was this
guy, some married guy.
And he was stalking her, and
she wanted to stay at my place.
I told her that she couldn't.
And so she booked
an online rental.
I went to the house, and
I can't find the owner.
I can't track him down.
And there's somebody
else renting there,
and they haven't seen my sister.
Does she have a
drinking problem,
or does she do anything
stronger, harder?
She's a partier, she's 25.
That's what they do.
There's something not
right about that place.
I don't know what it is, but
there's something not right.
Can you come with, why
don't we just go there?
OFFICER: Relax,
you have to file this
with the crime officer,
who's gonna look into
this further, all right.
We're gonna do our best
to find your sister.
(HORNS HONKING)
(TRAFFIC THRUMMING)
(DISTANT SIREN WAILING)
(TENSE MUSIC)
(CROWD CHATTERING)
(MUSIC GROWS UNSETTLING)
(MUSIC TURNS FOREBODING)
(MESSAGE TONE CHIMING)
OPERATOR: We're sorry,
you have reached a number
that has been disconnected
or is no longer...
(CELLPHONE BEEPS)
(MUSIC GROWS EERIE)
(ALARM BEEPING)
(ALARM RINGING)
(ALARM CRASHING LOUDLY)
(LOW UNSETTLING MUSIC)
(GAME TWITTERING)
I'm looking for
some kind of device
that can detect cameras,
like hidden cameras.
Do you have anything like that?
Yeah, of course.
Gimme a second.
Frequency detector,
straight out of China.
It'll detect any wireless
camera in short range.
Looks like it has red
light scanning, too.
Can you tell me
how this works?
(TENSE MUSIC)
(DETECTOR CRACKLING)
(MUSIC INTENSIFIES)
(DETECTOR CRACKLING)
Oh, fuck you.
(AARON MUTTERS)
(HOLLOW KNOCKING)
Kal, listen, I'm sorry,
I need your help.
KAL: Yeah, what's
goin' on, you all right?
AARON: I'm in a house,
it's Sophia, she's missing.
KAL: Your sister's missing?
AARON: Yeah.
KAL: Did she rent
the house you're in?
AARON: Yes.
Kal, there are cameras
all over this house,
little pinhole
cameras everywhere,
in the smoke alarm, in the
bedroom, in the bathroom.
I'm in the basement,
and I've found a network
connecting all these cameras.
- It's looking right at me.
- Pinhole cameras?
Yeah, I think they're
watching me right now.
KAL: Wait, what the fuck?
I had to tear the wall down.
Somebody did not want
this to be found.
KAL: Send me some pictures.
I need to see the setup.
AARON:
Professionals did this.
(CAMERA CLICKING)
KAL: Can you grab
the IP address off it?
AARON: Yeah.
KAL: All right,
turn on the monitor.
Is it on?
- Yeah.
- Hit Command + Enter.
You'll see the
DOS window pop up.
Type in ipconfig.
(EERIE MUSIC)
AARON: You get it?
KAL: Just got it.
Can you access any files?
AARON: The home
screen says ZIPPER HOLE.
KAL: ZIPPER HOLE?
AARON: PROPERTY 003, Online.
KAL: I got a guy who sells
fake IDs on the dark web.
Let me talk to him.
AARON: Okay.
KAL: Call you soon.
(OMINOUS MUSIC)
(FLOORBOARD CREAKS)
(FOOTSTEPS THUDDING)
(GUN CLICKING)
(MUSIC GROWS TENSE)
(TRUCK BEEPS)
(CELLPHONE DINGS)
(CELLPHONE CHIMING)
(SPEAKING IN FOREIGN LANGUAGE)
Problem?
What the fuck did you do?
I don't understand,
why is he there?
Calm down?
Listen, I'm your
front man, okay.
I book the guests,
and that's it.
What did you do to her?
Did you hurt her?
Stay low?
What the fuck?
Am I in danger?
Police?
Listen, man, you pay
me really well, okay.
I appreciate that, but
I don't wanna know.
I don't with know.
(CHILLING MUSIC)
(WIND WHOOSHING)
(JARRING MUSIC)
(SOPHIA SCREAMING)
Shh.
(COMPUTER CHIMING)
Look, man, this
took some time.
There's a little, small sector
of the deep web
called the dark web,
where a lot of the drug rings,
you know, like
human trafficking,
all takes place on the dark web.
You don't wanna be messing
with this shit, dude.
So what, I mean...
Look, I've already
called the cops.
I mean, I took a peak,
and it had some, like,
hidden camera shit that,
I sent you an email with a link.
Install the software,
and then click on the link
I sent you in the email.
You'll see for yourself.
(SOPHIA SCREAMING)
(EERIE MUSIC)
(SOPHIA HYPERVENTILATING)
(LOUD THUDDING)
(SOPHIA SCREAMS)
(MUFFLED SPEAKING
IN FOREIGN LANGUAGE)
(SOPHIA SCREAMING)
Look, man, we've known
each other a long time, so.
Kal, wait.
I really hope you
find your sister.
I did all I could.
This shit's way too sketchy.
(TENSE MUSIC)
(AARON BREATHES HEAVILY)
(MUSIC TURNS EERIE)
(JARRING MUSIC)
(SOPHIA SCREAMING)
(SOPHIA GASPING)
Oh, no.
(SOPHIA GASPING)
(MUSIC SWELLS)
(AARON SCREAMS)
(METALLIC CLANGING)
(SOFT THUDDING)
(OMINOUS MUSIC)
(AARON BREATHING RAGGEDLY)
(AARON GROANING)
(PUNCH CRACKING)
(ATTACKER GROWLING)
(KITCHENWARE CRASHING)
(ATTACKER GURGLING)
(AARON SHOUTS)
(AARON PANTING)
(AARON GRUNTING)
(TENSE TONES REVERBERATING)
INSTRUCTOR: A lesson
on suturing an open wound.
Hold the needle holder in the
palm of your dominant hand
with your index finger extended.
This position allows
for maximum control
and proper angle of entry.
You should insert the
needle into the skin
at a 90-degree angle and
take a curvilinear path
through the dermis and
subcutaneous tissues.
(FLESH SQUELCHING)
(AARON HISSES)
By following these principles,
you will create sutures
that follow a curvilinear
path through the tissue
and result in inversion
of the wound edges.
(AARON GROANING)
No steadfast rules exist
regarding the number
of sutures required
for a given length
of laceration.
Instruct the patient
to keep the wound dry
for 12 to 24 hours.
Seek medical attention
as soon as possible
to have the wound assessed
by a medical professional.
(AARON BREATHES HEAVILY)
(GRUNTS) Fuck.
(TRAFFIC RUMBLING)
(HORNS HONKING)
(TENSE MUSIC)
(CELLPHONE BUZZES)
(UNEASY MUSIC)
(CELLPHONE BUZZING)
(MUSIC SWELLS)
(CAR BEEPING)
(HORN HONKS)
(SIREN WAILS)
(FAINT CHATTERING)
(EERIE MUSIC)
(HORN BLARING)
(MAN GROANING)
MAN: What the hell?
(METALLIC RATTLING)
(FOOTSTEPS CRUNCHING)
(GLASS CRASHING)
Life ruined all.
(DRAMATIC MUSIC)
(CELLPHONE THUDDING)
Who are you?
(CHILLING MUSIC)
I'm John Webster.
Sophia's brother.
Are you Sophia's brother?
I was.
Where is he?
He's dead.
I never touched her.
Bullshit.
I saw your site,
ZIPPER HOLE.
I found the cameras, all of 'em.
I found your network.
You watch people.
You take away their privacy.
And you show it to perverts.
- Did you get off on it?
- I'd provide the place,
and that's it.
That's not it.
I'm not involved in this.
You watched it, didn't you?
No.
You watched him put
his hands on her throat.
You watched her screaming.
I didn't want this.
How many others?
This is over now.
No, no, it's not over yet.
It's just starting.
What do you want?
I want her body.
I wanna see her.
I don't know where she is.
Do you watch?
You sick fuck.
Did you watch all those people?
- No.
- Yes, you did.
No, I didn't watch.
Say her name.
Say her name, you
fucking coward.
WOMAN: Bartholomew.
She had red hair.
I liked her.
Where's her body?
I don't know.
Where is she?
I don't know.
AARON: We're
walking out of here,
and we're gonna go on a drive.
- This is done.
- You fucking coward.
- You're coming with me.
- This is...
Get up.
(FLESH SQUELCHING)
Damnit.
(TENSE MUSIC)
(AARON GROANING)
(MUSIC TURNS MELANCHOLY)
(AARON SCREAMS)
(UNSETTLING MUSIC)
(BELL CHIMING)
(SIREN WAILING)
(MUSIC SWELLS)
(CAR BEEPING)
(DOOR SCREECHING)
(GLEN PANTING)
(DOOR RATTLING)
(TENSE MUSIC)
(KEYS JINGLING)
(DOOR THUDS)
(MUSIC TURNS SINISTER)
(MUSIC SWELLS)
(AARON GROANING)
Come on.
(GLEN GRUNTS)
(FIST SLAMS)
(KEYS JINGLING)
(MUSIC INTENSIFIES)
(TENSE MUSIC)
(MUSIC QUIKENS)
(GUN BANGING)
(AARON GRUNTING)
(GLASS CRASHING)
(MUSIC GROWS FRANTIC)
(GUN BANGING)
(GUN BANGING)
(AARON GROANING)
(GLEN GASPING)
(THUD ECHOING)
(AARON COUGHS)
(GLEN SPUTTERS)
(AARON GRUNTING)
I hope this is streaming.
This is the (SPEAKS FAINTLY),
dark website, ZIPPER HOLE.
They killed my sister.
(MEN PANTING)
(AARON MUTTERS)
(GUN CLICKING)
(EERIE MUSIC)
(GLEN GURGLING)
(AARON GRUNTS)
("ALL THE GOOD TIMES
ARE OVER" BY JOEY TYLER)
Gone are the good times
We once knew
And gone are my chances
Of loving you
Gone is the laughter
Gone is the fun
All the good times
Are over
Are over and done
Whoa
Where has our love gone
Love we had then
And where are the dreams now
That might have been
Like leaves with the wind
Gone, they'll be one
All the good times
Are over
Are over and done
Whoa
No one to need me
Now that you're gone
I'm little boy lonely
With nowhere to love
I only loved once
And you were the one
All the good times
Are over
Over and done
(TENSE GRITTY MUSIC)
(UNSETTLING MUSIC)
(FILM REEL RATTLING)
(MUSIC SWELLS)
(MUSIC TURNS INTENSIFIES)
In those rooms, you have
cameras in the strangest places,
cameras that are so
small you can't see them
and you won't know.
(PLANE ENGINE RUMBLING)
(INTERCOM BEEPING)
STEWARDESS:
Ladies and gentlemen,
we will shortly be landing.
We'll have to get
all hand baggage
stowed securely
beneath your seat.
We would also ask now
that all the electronic
equipment be switched off
and properly and safely
stowed for our landing.
(TENSE MUSIC)
(TRAFFIC WHOOSHING)
(CAR BEEPING)
(CROWD CHATTERING FAINTLY)
(CAR HORN HONKING)
(FAINT SPEAKING)
(FAINT SPEAKING)
RADIO HOST: You
know how with alcohol,
some people say it's become
(SPEECH DROWNED OUT BY MUSIC)
The trouble with smoking marijuana
is that most users really
do believe that after a
few marijuana cigarettes,
they're better soldiers,
believe they're sharper
and can shoot better.
They also believe their
reactions are faster as well.
They think it increases
(SPEECH DROWNED OUT BY MUSIC).
They think it does all
kinds of great things.
The trouble is that,
subjectively, the person feels
(SPEECH DROWNED OUT BY MUSIC).
(MUSIC SWELLS)
BARTENDER: Have a seat at
the bar, I'll be right with ya.
(LOW ROCK MUSIC)
Thank you.
BARTENDER: I'll let
him know you're here.
Thanks.
I'm workin'.
You're closed.
Give me 10 minutes.
Sophia, come on.
I just worked a double.
I'm tired and I wanna go home.
Let's just have a drink.
MAN IN GLASSES:
The bar is closed.
Then let's go somewhere else.
You didn't just cross an ocean
after how many whatever
years just to see me.
I wanted to see
some of my friends.
MAN IN GLASSES: None
of your friends live here.
I know why.
Because of this.
- That's...
- I wanna come.
No.
- Yeah.
- No.
It's not your thing.
It is my thing.
Adapted by Aaron
Campbell, it's my thing.
No, it's not your thing.
You won't like it.
Just cut the shit.
What the fuck is going on?
I need your help.
With?
What happened, is it dad?
No, it's not dad, he's fine.
(TENSE TONE THRUMMING)
I, uh,
I started seeing someone.
It wasn't serious,
and it was never gonna
work out or anything.
I mean, he's my teacher.
I know, and he's married.
And I didn't know
that part, okay.
I cut it off, and then
he started to follow me.
And then he, he
started to threaten me.
And then he got physical.
And Aaron, I'm really scared.
Do you have a place to stay?
I need to stay with you.
No.
- Aaron.
- No.
I don't have any room.
You don't have room for me?
AARON: No.
- Why?
- I'm sorry.
Bad shit happens.
But you can't just parachute in
and expect people to just
drop their lives to attend to
- whatever it is you're doing.
- Okay, okay.
You know what,
I'll just book BNB.
It'll be super simple.
Is that a little easier for you?
Lookit.
Here we go.
Ah, here we go.
Okay, yeah, this
place looks cool.
Ah, in like that.
I'm sorry.
We're gonna cross
paths at some point.
I flew all the way here.
Okay.
Thank you for talkin' to me.
(AARON LAUGHS SOFTLY)
("CHANGE YOUR MIND"
BY CASTLEBEAT)
Come on.
Come on.
(PATRONS LAUGHING)
(MUFFLED CHATTERING)
Thank you.
Change your mind
Change your mind
End your life
End your life
You'll understand
I'm looking out for you
And all I want to understand
Is you
How are you?
I'm good, how are you?
I'm good.
It's nice to see your face.
What has been, like
not even 24 hours?
Is that your brother's place?
Where are you?
No, I rented this place.
Oh, nice.
Lookit, they
left me wine, okay.
(LAUGHS) You're doing okay?
I thought you'd be
staying at your brother's.
Yeah, you know,
we're gonna hang out.
It's just, it's actually better
for me to have my own space.
He just doesn't like surprises,
and I think I shocked him
by just kind of coming home.
Hey, listen, I handed
in your paper for you.
Actually, Marco wasn't in.
But he send me a text asking
if I knew where you were.
Did you talk to him?
- Did you tell him where I was?
- He's not getting any info
- out of me, that piece of shit.
- Okay.
Listen, I'm really
glad you're back home
and you're taking a little
bit of time for yourself.
Um.
Yeah, thanks, thank you.
I wish I could
be there with you,
but I'm gonna be late for class.
Yeah, yeah, you go.
Um, thank you.
I'll call you tomorrow, okay?
(CHUCKLES) Bye.
(BAG SNAPS LOUDLY)
(UNSETTLING MUSIC)
(CAMERA CLICKING)
(SOFT KNOCKING)
(FLOORBOARDS CREAKING)
(MUFFLED SPEAKING)
(FAINT RATTLING)
(SOFT KNOCKING)
(DISTANT FOOTSTEPS THUDDING)
(EERIE MUSIC)
(BED CREAKING)
(DOOR CLICKING)
(MUSIC SWELLS)
(MUSIC INTENSIFIES)
(OMINOUS TONES ECHOING)
Hey, whoa, whoa,
whoa, excuse me!
- (GASPS) What are you doing?
- Whoa, whoa, whoa.
- Whoa, sorry.
- What are doing?
I was, I was just
makin' a phone call.
I didn't wanna disturb you,
I was tryin' to be quiet.
Sorry, there's a fire
escape in the back.
How did you get in here?
I know, you're
Sophia Campbell?
Yes.
I'm Glen.
SOPHIA: Okay.
This is, this is my place.
Why are you in here?
You chose shared space.
I don't know what that means.
Look at your
phone, the website.
You chose shared,
that's all this is.
I just would really
prefer if you left.
Okay, I'm gonna go.
- I'm just telling you...
- Yeah.
What happened, okay, I'm
not creeping in on you.
Everything's fine.
Tomorrow, we'll find
you somethin' new, okay.
Full refund.
This is just a misunderstanding.
This is just a mistake.
Okay.
If you need anything
else, you've got my number.
Listen, I've got a
couple properties.
- You can stay here tonight.
- I just need you to go.
Goodnight.
(SOPHIA SIGHS)
(UNSETTLING MUSIC)
(SOPHIA SIGHS DEEPLY)
(MUSIC SWELLS)
(UPBEAT MUSIC)
(MUFFLED CHATTERING)
Sophia.
Hey.
Hey.
I, uh, I didn't recognize
you with your pants on.
(SOPHIA LAUGHS)
I should have
given you a heads-up.
I mean, I'm sorry I barged
in on you like that.
I'm, I wasn't,
I'm, like, really embarrassed.
I was actually out
with a couple friends.
So it's a little blurry.
It's all good.
GLEN: Are you staying?
- Yeah.
- Yeah?
- Is that cool?
- Yeah, that's fine.
- Okay.
- I mean,
I've got other properties.
Well, I mean, if there's
anything I can get ya,
just, you know, send me a text.
Okay.
I will.
GLEN: Enjoy your day.
You too.
Okay, bye.
Sophia?
Do you wanna grab a
drink or somethin'?
A drink?
Right now?
Yeah.
Are you, like,
sweaty, or, (LAUGHS)
are you gonna wear that?
Yeah, a drink for you, sure.
I'm almost done, and I still
kind of have a hangover.
So a drink would be awesome.
Um, yeah.
Okay.
Just one and I pick the spot.
Just one.
Okay.
So what're you doin'?
SOPHIA: I'm just
bummin' around.
GLEN: Bummin' around town.
SOPHIA: Yeah.
This is your running spot?
GLEN: Yeah.
So is this your go-to?
My brother works here.
Your brother works here?
Yeah.
He's off today, so you can
simmer right down. (CHUCKLES)
You said you're
visiting from somewhere?
Yeah, Italy.
Nice.
Yeah, I'm in my second year
of culinary school there.
Culinary school,
so, like a chef.
Yeah.
Not yet.
To be.
(GLEN LAUGHS)
So you have properties,
you rent properties.
That's your thing?
Yes.
Yeah, that's my thing.
Yeah.
You know, it's self-made
with a partner.
But you know...
(CELLPHONE CHIMING)
I'm sorry, I gotta go out.
Can I, I gotta check this.
- Totally.
- I'm sorry.
No, yeah, totally.
(LOW UPBEAT MUSIC)
(PEOPLE CHATTERING FAINTLY)
GLEN: Sorry.
That's okay.
Business.
SOPHIA: Everything's okay?
Oh, yeah, everything's good.
Cool.
So do you take all
your renters on dates?
You know, I don't, I
don't really do this a lot.
Just, I've kinda got a thing
for pretty redheaded girls.
Do you wanna eat?
Should we eat something?
I'm not, I'm not hungry.
- Oh?
- No.
Do you not eat on first dates.
I don't.
GLEN: Anything else you
don't do on first dates?
Um, I'm not gonna
sleep with you,
if that's what you're asking.
You're not gonna
sleep with me?
I have a boyfriend
- back home.
- You have a boyfriend?
I do have one, yeah.
Good, what's your
boyfriend's name?
Ben.
Italian Ben?
- Italian Ben. (LAUGHS)
- Italian Ben, good.
- Thank you.
- Nice.
WAITER: Would you
like somethin' to eat?
No, yeah, that's fine, thanks.
So do you have dinner plans?
Yeah, with you, I hope.
But not here again.
Again?
Yeah, you ate here last night.
Um, I'm sorry.
How do you know that
I ate here last night?
- Relax.
- Relax?
How do you know that
- I ate here last night.
- I looked at your Instagram.
You posted here last night.
You creeped me?
Of course I creeped you.
You're staying at my place.
Did you creep me?
No.
I bet I tried.
(SCOFFS) Okay, I
couldn't find you.
You're probably under some weird
alias, fuckin' Running Man.
No, I mean, listen, I just,
I wanted to check
out who you were.
And you just happened
to be beautiful.
Maybe I wanna see your
jacket on my bedroom floor.
Wow. (LAUGHS)
do you say that to
all your renters, too?
Only the redheads. (CHUCKLES)
(GLASSES CLINKING)
(BOTH LAUGHING)
("THESE DAYS" BY CASTLEBEAT)
We're growing up
We're growing up
These are the days
These are the days
So tell me, friend
Last night I was asleep,
when I started hearing
these weird noises.
Out of nowhere, the owner of
this place barges in on me.
I grab a pan, and
he's like, whoa, easy.
Like, I'll give you a refund.
Like, it's all good.
And I'm like, get out of here.
And then I'm shopping today,
and he, like,
randomly runs by me.
And then we ended
up going for a beer.
Okay, (LAUGHS) that is
the most random story ever.
I don't know, he's cute.
And he's like, he's
funny, and I don't know.
We kind of left it open-ended.
Like, I think we're gonna
have dinner tonight.
Go out, have fun.
That's exactly what you're
supposed to be doing back home.
That's why you're there.
Call me tomorrow, let
me know how it goes.
Bye, love you.
Mirror, mirror on the wall
I don't know what
my life is for
Take some time
What's on your mind
Always on the other side
Mirror, mirror on the wall
I don't know what
my life is for
Take some time
What's on your mind
Always on the other side
Do you like movies?
Yeah, sure, I like movies.
Okay, what's your fave?
Um, Casablanca.
What?
- Mm-hmm.
- Okay.
I've never seen Casablanca.
(BOTH LAUGHING)
Have you seen Casablanca?
- No.
- Yeah, you have.
(SOPHIA LAUGHS)
Um, I have this thing later.
It's a play.
The White Devil.
Yeah, do you
wanna come with me?
Tonight?
Yeah, my brother wrote it.
Your brother wrote this play?
Yeah.
Sure, yeah.
Sounds frightening.
A revenge tragedy.
I've never been to a play.
What?
Yeah, you know,
it's a nice night.
Why not get out?
I found your little,
uh, your little stash.
You did?
Your little collection.
Well, if you're so inclined,
I happen to make a
fantastic cocktail.
- Yes?
- One drink.
And that's it.
And then we go watch your
brother's stupid play.
You don't have to go with me.
- I have someone else lined up.
- Is this,
no, you do not.
I do.
KAL: Hey, what's up, dude?
AARON: Hey Kal,
what's goin' on?
(AARON SIGHS)
(SPEAKER SCREECHING)
SOPHIA: Are you
trying to get me drunk?
Maybe.
Whoo.
(GENTLE MUSIC)
I feel like, um, you're trouble.
(GLEN LAUGHS SOFTLY)
(TENSE MUSIC)
GLEN: Cheers.
SOPHIA: Cheers.
(GLASSES CLINKING)
You don't even know me.
I don't wanna know you.
Hmm.
Let's try harder.
(MUSIC SWELLS)
So what's this?
- These are just like...
- They're just...
Your pants too loose, or what?
Well, I gotta hold
my pants up somehow.
Yeah, I mean, what's a belt?
It does?
Go, do it.
(SUSPENDER SNAPS)
- (GLEN GROANS)
- Ooh.
Do the other one, balance
it out. (INHALES SHARPLY)
(SUSPENDER SNAPS)
(GLEN GROANS)
It's like an instrument.
It hit my nipple.
(LAUGHTER ECHOING)
This is a lovely dress.
Thank you.
You look good in white.
It's your color.
SOPHIA: Is it a color?
No.
(MUSIC SWELLS)
House is open.
Okay.
What mockery hath
death made of thee?
(EERIE TONE REVERBERATING)
Huh.
My love, why have
you forsaken me?
(MUSIC GROWS SINISTER)
I miss you.
(SOFT RITUALISTIC VOCALIZING)
Guilty men (SPEECH
DROWNED OUT BY MUSIC).
So short a life.
(SORROWFUL STRING MUSIC)
This is beyond melancholy.
I dare my fate to do its worst.
The pain has passed.
(SPEECH DROWN OUT BY MUSIC)
Of all these horrors.
At last,
this terrible vision,
I will drown my
weapon in their blood.
With this, her bounty
shall turn to good.
(MUSIC SWELLS OMINOUSLY)
(AUDIENCE APPLAUDING)
Thank you.
(MUSIC CRESCENDOS)
You fucking loser.
(MUSIC INTENSIFIES)
(DISTANT FOOTSTEPS THUDDING)
(DOOR CREAKING)
(DOOR SLAMMING)
(FOOTSTEPS THUDDING)
Glen?
(LOW EERIE MUSIC)
(FLOORBOARDS CREAKING)
(FLOORBOARDS CREAKING)
(ZIPPER SCRATCHING)
Hello?
(MUSIC GROWS MORE TENSE)
Hey, it's Sophia,
leave a message.
(VOICEMAIL BEEPS)
AARON: Soph, I didn't
see you at the show.
I'm goin' out for a drink.
SOPHIA: Hey, it's
Sophia, leave a message.
- (VOICEMAIL BEEPS)
- Sophia, it's me.
Call me as soon as you get this.
(MUSIC SWELLS)
(CELLPHONE DIALING BEEPING)
(EERIE MUSIC)
Yeah.
Martha, this is Aaron.
Listen, I can't get
a hold of Sophia.
And her phone is out of service.
I can't leave a voicemail.
She's not responding
to my texts.
She was gonna come see this
play that I had goin' on,
and she didn't show up.
I just wanna know if
she's been in touch.
I'm just worried about her.
(FAINT UPBEAT MUSIC)
(TIMER BEEPING)
I got this.
You got table eight?
We need table six.
(CELLPHONE CHIMES)
Hang on.
How's my table eight?
Table eight, two minutes.
KEV: Okay, good.
Listen, Kev, I
gotta leave early.
- Tonight?
- Yeah, is that okay?
Yeah, I'm sure Steve
can cover for you.
Yeah, my sister,
she's in town.
And I can't get ahold of her.
I don't know where she is.
Your sister was
here yesterday.
She was, Sophia
was here yesterday?
She was here.
She was sitting in the
front with some guy.
Who was it, someone
regular or some random?
KEV: Random guy, it looked
like they were on a date.
Okay, all right, all right.
So, you got this?
- Yeah, I'm good.
- Thanks, buddy, you're a pal.
All right.
Thank you.
MAN IN BLUE:
How can I help you?
AARON: Sorry, I'm
looking for somebody.
Okay.
I'm looking for
my sister, Sophia.
She stayed in this house.
She booked this place
last time I saw her and...
Nobody was here
when we got here.
AARON: Nobody was here?
No.
Are you are owner
of this house?
No, no, we're renting.
My wife rented
over the internet.
Is there somethin' wrong?
If you see her, can
you please tell her
to call her brother,
if she comes back here
- for any reason?
- It would be my pleasure.
Sure.
Wish I could help.
Okay.
Thank you.
Okay.
(TENSE MUSIC)
(MUSIC TURNS UNSETTLING)
(CELLPHONE CHIMES)
(MUSIC INTENSIFIES)
(THUDDING ECHOING)
AARON: My sister, she's
gone missing, Sophia Campbell.
OFFICER: And
you're her brother?
AARON: Yes.
OFFICER: And then
what's goin' on here?
She just got off
a plane from Italy.
And there was this
guy, some married guy.
And he was stalking her, and
she wanted to stay at my place.
I told her that she couldn't.
And so she booked
an online rental.
I went to the house, and
I can't find the owner.
I can't track him down.
And there's somebody
else renting there,
and they haven't seen my sister.
Does she have a
drinking problem,
or does she do anything
stronger, harder?
She's a partier, she's 25.
That's what they do.
There's something not
right about that place.
I don't know what it is, but
there's something not right.
Can you come with, why
don't we just go there?
OFFICER: Relax,
you have to file this
with the crime officer,
who's gonna look into
this further, all right.
We're gonna do our best
to find your sister.
(HORNS HONKING)
(TRAFFIC THRUMMING)
(DISTANT SIREN WAILING)
(TENSE MUSIC)
(CROWD CHATTERING)
(MUSIC GROWS UNSETTLING)
(MUSIC TURNS FOREBODING)
(MESSAGE TONE CHIMING)
OPERATOR: We're sorry,
you have reached a number
that has been disconnected
or is no longer...
(CELLPHONE BEEPS)
(MUSIC GROWS EERIE)
(ALARM BEEPING)
(ALARM RINGING)
(ALARM CRASHING LOUDLY)
(LOW UNSETTLING MUSIC)
(GAME TWITTERING)
I'm looking for
some kind of device
that can detect cameras,
like hidden cameras.
Do you have anything like that?
Yeah, of course.
Gimme a second.
Frequency detector,
straight out of China.
It'll detect any wireless
camera in short range.
Looks like it has red
light scanning, too.
Can you tell me
how this works?
(TENSE MUSIC)
(DETECTOR CRACKLING)
(MUSIC INTENSIFIES)
(DETECTOR CRACKLING)
Oh, fuck you.
(AARON MUTTERS)
(HOLLOW KNOCKING)
Kal, listen, I'm sorry,
I need your help.
KAL: Yeah, what's
goin' on, you all right?
AARON: I'm in a house,
it's Sophia, she's missing.
KAL: Your sister's missing?
AARON: Yeah.
KAL: Did she rent
the house you're in?
AARON: Yes.
Kal, there are cameras
all over this house,
little pinhole
cameras everywhere,
in the smoke alarm, in the
bedroom, in the bathroom.
I'm in the basement,
and I've found a network
connecting all these cameras.
- It's looking right at me.
- Pinhole cameras?
Yeah, I think they're
watching me right now.
KAL: Wait, what the fuck?
I had to tear the wall down.
Somebody did not want
this to be found.
KAL: Send me some pictures.
I need to see the setup.
AARON:
Professionals did this.
(CAMERA CLICKING)
KAL: Can you grab
the IP address off it?
AARON: Yeah.
KAL: All right,
turn on the monitor.
Is it on?
- Yeah.
- Hit Command + Enter.
You'll see the
DOS window pop up.
Type in ipconfig.
(EERIE MUSIC)
AARON: You get it?
KAL: Just got it.
Can you access any files?
AARON: The home
screen says ZIPPER HOLE.
KAL: ZIPPER HOLE?
AARON: PROPERTY 003, Online.
KAL: I got a guy who sells
fake IDs on the dark web.
Let me talk to him.
AARON: Okay.
KAL: Call you soon.
(OMINOUS MUSIC)
(FLOORBOARD CREAKS)
(FOOTSTEPS THUDDING)
(GUN CLICKING)
(MUSIC GROWS TENSE)
(TRUCK BEEPS)
(CELLPHONE DINGS)
(CELLPHONE CHIMING)
(SPEAKING IN FOREIGN LANGUAGE)
Problem?
What the fuck did you do?
I don't understand,
why is he there?
Calm down?
Listen, I'm your
front man, okay.
I book the guests,
and that's it.
What did you do to her?
Did you hurt her?
Stay low?
What the fuck?
Am I in danger?
Police?
Listen, man, you pay
me really well, okay.
I appreciate that, but
I don't wanna know.
I don't with know.
(CHILLING MUSIC)
(WIND WHOOSHING)
(JARRING MUSIC)
(SOPHIA SCREAMING)
Shh.
(COMPUTER CHIMING)
Look, man, this
took some time.
There's a little, small sector
of the deep web
called the dark web,
where a lot of the drug rings,
you know, like
human trafficking,
all takes place on the dark web.
You don't wanna be messing
with this shit, dude.
So what, I mean...
Look, I've already
called the cops.
I mean, I took a peak,
and it had some, like,
hidden camera shit that,
I sent you an email with a link.
Install the software,
and then click on the link
I sent you in the email.
You'll see for yourself.
(SOPHIA SCREAMING)
(EERIE MUSIC)
(SOPHIA HYPERVENTILATING)
(LOUD THUDDING)
(SOPHIA SCREAMS)
(MUFFLED SPEAKING
IN FOREIGN LANGUAGE)
(SOPHIA SCREAMING)
Look, man, we've known
each other a long time, so.
Kal, wait.
I really hope you
find your sister.
I did all I could.
This shit's way too sketchy.
(TENSE MUSIC)
(AARON BREATHES HEAVILY)
(MUSIC TURNS EERIE)
(JARRING MUSIC)
(SOPHIA SCREAMING)
(SOPHIA GASPING)
Oh, no.
(SOPHIA GASPING)
(MUSIC SWELLS)
(AARON SCREAMS)
(METALLIC CLANGING)
(SOFT THUDDING)
(OMINOUS MUSIC)
(AARON BREATHING RAGGEDLY)
(AARON GROANING)
(PUNCH CRACKING)
(ATTACKER GROWLING)
(KITCHENWARE CRASHING)
(ATTACKER GURGLING)
(AARON SHOUTS)
(AARON PANTING)
(AARON GRUNTING)
(TENSE TONES REVERBERATING)
INSTRUCTOR: A lesson
on suturing an open wound.
Hold the needle holder in the
palm of your dominant hand
with your index finger extended.
This position allows
for maximum control
and proper angle of entry.
You should insert the
needle into the skin
at a 90-degree angle and
take a curvilinear path
through the dermis and
subcutaneous tissues.
(FLESH SQUELCHING)
(AARON HISSES)
By following these principles,
you will create sutures
that follow a curvilinear
path through the tissue
and result in inversion
of the wound edges.
(AARON GROANING)
No steadfast rules exist
regarding the number
of sutures required
for a given length
of laceration.
Instruct the patient
to keep the wound dry
for 12 to 24 hours.
Seek medical attention
as soon as possible
to have the wound assessed
by a medical professional.
(AARON BREATHES HEAVILY)
(GRUNTS) Fuck.
(TRAFFIC RUMBLING)
(HORNS HONKING)
(TENSE MUSIC)
(CELLPHONE BUZZES)
(UNEASY MUSIC)
(CELLPHONE BUZZING)
(MUSIC SWELLS)
(CAR BEEPING)
(HORN HONKS)
(SIREN WAILS)
(FAINT CHATTERING)
(EERIE MUSIC)
(HORN BLARING)
(MAN GROANING)
MAN: What the hell?
(METALLIC RATTLING)
(FOOTSTEPS CRUNCHING)
(GLASS CRASHING)
Life ruined all.
(DRAMATIC MUSIC)
(CELLPHONE THUDDING)
Who are you?
(CHILLING MUSIC)
I'm John Webster.
Sophia's brother.
Are you Sophia's brother?
I was.
Where is he?
He's dead.
I never touched her.
Bullshit.
I saw your site,
ZIPPER HOLE.
I found the cameras, all of 'em.
I found your network.
You watch people.
You take away their privacy.
And you show it to perverts.
- Did you get off on it?
- I'd provide the place,
and that's it.
That's not it.
I'm not involved in this.
You watched it, didn't you?
No.
You watched him put
his hands on her throat.
You watched her screaming.
I didn't want this.
How many others?
This is over now.
No, no, it's not over yet.
It's just starting.
What do you want?
I want her body.
I wanna see her.
I don't know where she is.
Do you watch?
You sick fuck.
Did you watch all those people?
- No.
- Yes, you did.
No, I didn't watch.
Say her name.
Say her name, you
fucking coward.
WOMAN: Bartholomew.
She had red hair.
I liked her.
Where's her body?
I don't know.
Where is she?
I don't know.
AARON: We're
walking out of here,
and we're gonna go on a drive.
- This is done.
- You fucking coward.
- You're coming with me.
- This is...
Get up.
(FLESH SQUELCHING)
Damnit.
(TENSE MUSIC)
(AARON GROANING)
(MUSIC TURNS MELANCHOLY)
(AARON SCREAMS)
(UNSETTLING MUSIC)
(BELL CHIMING)
(SIREN WAILING)
(MUSIC SWELLS)
(CAR BEEPING)
(DOOR SCREECHING)
(GLEN PANTING)
(DOOR RATTLING)
(TENSE MUSIC)
(KEYS JINGLING)
(DOOR THUDS)
(MUSIC TURNS SINISTER)
(MUSIC SWELLS)
(AARON GROANING)
Come on.
(GLEN GRUNTS)
(FIST SLAMS)
(KEYS JINGLING)
(MUSIC INTENSIFIES)
(TENSE MUSIC)
(MUSIC QUIKENS)
(GUN BANGING)
(AARON GRUNTING)
(GLASS CRASHING)
(MUSIC GROWS FRANTIC)
(GUN BANGING)
(GUN BANGING)
(AARON GROANING)
(GLEN GASPING)
(THUD ECHOING)
(AARON COUGHS)
(GLEN SPUTTERS)
(AARON GRUNTING)
I hope this is streaming.
This is the (SPEAKS FAINTLY),
dark website, ZIPPER HOLE.
They killed my sister.
(MEN PANTING)
(AARON MUTTERS)
(GUN CLICKING)
(EERIE MUSIC)
(GLEN GURGLING)
(AARON GRUNTS)
("ALL THE GOOD TIMES
ARE OVER" BY JOEY TYLER)
Gone are the good times
We once knew
And gone are my chances
Of loving you
Gone is the laughter
Gone is the fun
All the good times
Are over
Are over and done
Whoa
Where has our love gone
Love we had then
And where are the dreams now
That might have been
Like leaves with the wind
Gone, they'll be one
All the good times
Are over
Are over and done
Whoa
No one to need me
Now that you're gone
I'm little boy lonely
With nowhere to love
I only loved once
And you were the one
All the good times
Are over
Over and done
(TENSE GRITTY MUSIC)