Criature (2024) Movie Script

Come on!
Come on!
Come on, come on, come on!
No, no!
Come here!
Come on!
Stop me!
Stop me here!
Kill him!
No, no, stop!
Ha!
Ha!
Ha!
Ha!
Spin it!
Oh my God, there's a riot!
Hey, you're getting a bit wet!
Easter!
Give me the money!
Raggi, give me the money, mom!
Give me!
Brucioia!
My school is too civilized!
I don't think about it!
I'm running late, I already...
I already have some shopping!
And if it rings...
I'm walking on my way...
I haven't learned anything... Oh, go!
Kill the quail, Brucio!
I'm walking on my way...
Sami... Pasquale Miranti hasn't come
to school for over a week.
A week?
Yes.
This morning I even saw him working.
His mom even hit him.
Does she want to take more?
But we're three weeks away from the middle school exam.
But are you sure you can do it?
Yes, Principal.
I don't know how I'll manage everything.
Here, between those who steal and those who work hard.
He places the spaces he has outside.
We need to remove the pearls for now.
Listen, Sannino.
At the end of the year...
a nice position in Caserta will open up.
But why don't you reconsider?
You would even get a fixed salary like
the one you used to get with us.
Thank you, Principal.
But we haven't talked much.
I'm fine where I am.
So... as you can see, there are many.
I would bet on Daniele Esposito.
Good.
Is Daniele good?
His father is a bit stubborn,
but I'll talk to him.
Listen, Sannino.
It pains me to say it.
But Pasquale Miranda won't be coming back here.
His mother is his only support.
And I know, it's unfair.
And on the other hand, you know the situation too.
But we'll try anyway.
Thank you, Principal.
Oh!
Hey, Diego.
I have something for you.
This is yours.
You can keep this thing.
You're making money, huh?
You need to make more.
This?
Remember how good you were?
You were better than me.
Show him how it's done.
I told you I won't break my damn neck.
As your majesty wishes.
And now, Diego...
don't listen to this scene.
I'm going!
Arrived!
All stupid!
Wow, professor.
Did you understand that he professed to me but got me pregnant?
Nothing less.
But I didn't understand the fraction.
Madonna, Carmenina, I've explained it to you a hundred times.
Come on, go.
Come on.
Now I'll make you understand with an example you like.
A nice cake.
And well?
Divided into four parts.
Fractional unit.
One quarter, one quarter, one quarter, and one quarter.
Now I ask you.
Color three quarters of this cake.
So... it's one, it's two, it's three.
I'll eat these, huh.
And I'll eat these.
When you eat, you understand.
But you stay, eh.
Surici.
Did you take a shower?
Come on, come here.
I'm making a lot of mistakes.
Eh, too many mistakes.
Did you eat?
I'm eating, but...
I need to read.
I won't disturb you anymore.
I won't disturb you anymore.
Eh, Pasquale.
Good evening.
Good evening.
What are you doing here?
Me?
Eh.
Or after school?
The word itself says it.
After school.
It means you have to go to school first,
right?
Yes.
Pasquale, you don't make any sense.
But how do you manage to do it?
If you have a problem, come here and tell me.
And we'll look each other in the face because we'll find the truth.
Don't zip me up.
And what the fuck are you looking at?
Pasquale.
Pasquale.
Come here.
Don't do it.
Pasquale.
Will you leave me?
Pasquale.
And what should I do?
Pasquale.
What the fuck is this?
Oh my God.
I want to do it now.
How long are you going to do this?
Guys, open the book, come on.
Baron Rampanti.
What page is it?
What page is it?
I'm reading page 43.
Page 43.
Go on, start Ciro.
Me?
Go.
Cosimo, standing on the pine tree, you realize that associations make man stronger and
highlight the best qualities of individuals.
Wait, go on and educate me.
And they give the joy that one rarely knows, staying on one's own, of seeing
how many people are honest, good, and capable and for
whom it is worth wanting only good things.
Wait, what are you doing here?
While living on one's own, it often happens the opposite,
of seeing the other side of people, the one for which
you must always keep your hand on the hilt of the sword.
But how beautiful are the children?
Do they grow so tall?
Do they even fall asleep the same way?
Oh my God, if you haven't understood, we'll fall here too.
..
The poet and I and Carmine who are behind, half each.
The Boschettieri?
Fast?
Go Ciruzzo, go.
A scratch grown on the ground.
This was a scratch... a scratched scratch.
A scratch grown on the ground, something special.
See, you're starting.
The arms.
A bit further from the body.
Again, again, again.
Tighten well.
I want strength, because in two weeks we have the show at Borgo Marinari.
Professor?
Oh my God.
I have many games at school.
Ancioletta?
Go, go, go, go, go.
Slow, slow, slow, slow.
All students vote, no one learns to walk alone.
Pasqua, come here.
Come here, Pasqua.
Slow, slow.
Leave him.
What happened?
Watch out for Ciro.
Maybe they cut off the music.
These pieces of shit.
Everyone home?
Home?
Bye, professor.
Go to school tomorrow.
Bye.
Bye, professor.
What's happening?
It seems that even Mrs. Mari doesn't have electricity.
Little monkey, sir.
You?
Nothing.
Tell us.
There's nothing.
Ciro?
I'm going to America.
They definitely have electricity.
And they even have hot water to make fresh water.
Maybe if I came back...
I'm moving.
Eh.
Is the lady sleeping here tonight?
Please.
Eh Ciro, you know I want more than hunger.
But not always.
And then at home, your brother is waiting for you.
But who is waiting for me?
Who is waiting for me?
No one is waiting for me.
I'm moving.
Hi Russo.
Hi Bru.
Did you see what I learned?
What did I learn?
I learned.
How did you do it?
Have you already seen Dad on YouTube?
Look here.
Bruno, Bruno.
Wait, wait a moment.
Have you talked to your father?
Russo, my father doesn't even want to hear about parkour.
And I find the courage to face him, Bru.
Yes Dad, Russo, can you talk to your father?
I can't keep hiding from you.
Either you talk to him, or you can't train at home anymore.
Russo, for now, we have to do this.
Russo, did you know I'm reading the book you recommended?
The baron worked hard to bring people together.
Both to defend the village against wolves and for anything else.
From practical matters, he then moved on to projects for a world republic.
Where equality, freedom, and justice would be the rules.
Russo, this baron, even though attacked in Coppanalbero, still wanted more.
Poor thing, you do...
I have to go, Russo.
See you tomorrow?
Bye, Russo.
The government removed it, I already told you.
Eh, there's the income for... Blame them!
But you also went to the wrong floor, you need to go to Sardini's floor.
Sannino, you were the only one missing today.
Good morning, director.
Good morning, what do you want now?
An appointment with Dr. Sardini.
Doctor, Sannino is here, what does he want?
Wait a moment, behind.
Yes, yes.
So, what does Sannino want?
Mr. Sannino would like to expand his clientele.
Ah, say, but quickly, quickly.
I wanted to inform you about the progress of the kids.
As you know, in eight months I've brought back many, the results at school are good.
But now that we are close to the exam, we should
move together, intervene where there's more need.
Alright, let's get to the point.
Sannino, what do you think we should do?
Stay close to the families, director.
Don't lose the kids.
To prevent them from going to work
like dogs, stealing, or doing whatever in the square.
Things like that, understood?
But it's us who lose the kids, it's us.
What are you saying, Sannino?
Not only have we allowed you to use the
library, you come here to make these choices.
But you left me the library, but they cut off my electricity, director.
Come on, Sannino.
You deal with it, be patient.
Don't you want to finish?
What do you have to tell me, Dr. Sardini?
Stop acting like a clown.
That wasn't too hard.
It's done.
So, Margherita Santone.
This is risky.
She's not going to school.
It seems she's gone back to work.
Check with the president too.
What about Ciro Borriello's situation?
He will definitely be monitored.
But Ciro is doing well at school.
See you next time, Sannino.
Thank you, Dr. Sardini.
Ciro's coffee, professor.
Greetings to you.
Good morning.
Greetings to my son.
Guys, whatever I need, professor, Margherita is available.
Yes, yes.
Good evening.
Look what I brought you.
Come, come.
If you could fix this place.
If you could reconnect the electricity.
Sure, the place is ugly, but it works.
But if I didn't come, who would bring you this?
I take the fridge, go.
A nice beer, come.
But aren't you afraid to stay here?
Isn't it dangerous to stay alone?
I like it.
Here is everything I need.
I think.
Anna, there's a world here.
There are so many possibilities.
I got an idea.
What idea?
A circus tent in the park.
But 8-12 meters high.
Imagine if we rehabilitated the library.
The oven warehouse for tools, but new, proper ones.
In 3-4 years we'll have 100, 200, 300, 400, whatever.
But you're crazy.
Yes, I'm crazy.
And now?
The admirer?
Is he coming to school every day?
When were you planning to tell me he's not coming anymore?
Tomorrow.
You have to tell me these things, though.
You're right, sorry.
Don't you ever feel like leaving?
Going...
far away.
I don't know, seeing new places.
To understand how things work.
Don't you feel like it?
Anna, you don't see it, but I do.
What?
The beauty.
The beer warms you up.
Drink.
Cheers.
For you, it's not about 40 degrees.
Anyway, it's hot, huh?
I have the fridge cleaned up, though.
I call it four you.
Me?
Hey, it's a salary.
It's a good salary.
Yes, yes.
Laura... last year four foundations arrived.
But there were huge carts, 8 meters.
No less.
San Sebastiano, it seems they really bring the blood.
Eh, but they say they're in the window and making the cart that's going.
They say... there's this real pig.
Real pig.
Have you seen Paluccio's son?
He's helping a bit with the cart.
It scares you, huh?
Good morning Mario.
Good morning.
On the famous popular festival... the shadow of the dogs now extends.
Four Fountains... area under the control of the criminal family...
of Paolo Brusciani... and Fenestrelle... neighborhood controlled by the rival boss...
Alessio Antone.
In my opinion, they're with Brusciani... and they're making a scary cart.
Listen Mario... by any chance are you related to Margherita Santone?
Who is she?
What do you mean who?
Does she have a pole in the middle of her head?
No, I don't know, there's nothing.
Good day.
Let's go to dinner, I want to.
Between the clan of Paoluccio Brusciani... and that of Alessio Martone...
another showdown could be on the horizon.
Good morning, Mr. Esposito.
How are you?
So?
We don't hurt ourselves, we're in Stavaglione.
School is not your thing.
In my opinion, it is.
Your daughter is good.
She has to take the exam.
She's involved in social services here.
Why do you want to sing to me?
You already know.
Mr. Esposito... look at me.
I was stuck at school.
I couldn't read or write.
But now... the couple is this, not the cimberata.
The couple is mine, understood?
I believe... we'll do it together.
And Danilo will become number one.
And what does she do?
Will she take the exam?
I wanted to do it.
Alright... are you happy?
You see well what I have to do.
Thank you, have a good day.
Daniela...
Where is Margarita?
I don't know.
I don't know where she is.
Margarita?
Margarita?
Margarita?
I believe you.
I have things to do.
Professor, please... I don't have time to waste.
Margarita... what a shame.
You give up three weeks before the exam... it makes you look weak.
Don't tell me anymore.
I've already worked hard.
You're good.
You can even get a diploma.
And how many dreams you have.
I'm so beautiful.
Margarita!
Do you want to touch the seat?
Oh!
What's gotten into you?
You can't do anything with this girl.
Who needs to work hard?
No, who needs to wake up the third half.
This is the little half of beauty with this nonsense.
Understood?
I understand.
I have to do what you say, right?
Work all week for 30 euros a month.
It's fair.
But I'm going to do something crazy.
I'm going.
And go down.
And what do you want to do?
I don't know.
I don't even understand how much.
You can't, I don't know.
I don't know, I don't know.
Oh, wait a moment.
What do you want to do?
I don't understand.
What do you want to do?
I don't understand, I don't understand.
What do you want to do?
What do you want to do?
What do you want to do?
I'm going to do something crazy.
I don't even understand how much.
Oh, it's me.
Let's go, Ciro.
Ciro, go away.
And what are you doing here?
We accompanied Salvatore home and now I'm accompanying your brother.
And you?
When do you sleep at home?
I'm already here.
Let's go, Ciro.
Professor?
Eh?
Is it true that if dad doesn't come back from America and Genninger
stays at home, will he take me aside?
Ciro, what are you saying?
You haven't thought about these things.
Go home, go.
Bye, professor.
I'll watch you from here.
Considering the accounts of some affiliates to the police, the historic feud
between the Borussiani and Martone clans, sparked by territorial control,
could reignite in the coming days.
Investigators fear that the construction of the floats serves as a cover for
the laundering of illicit proceeds linked to drug trafficking.
Regions of suspicion... What do I do with the bad?
Can't you transfer me?
Everyone's just messing around.
What the hell do you want to find here, bro?
Aren't you stupid?
What the hell are you saying?
Are you the social worker with my brothers?
The social worker?
Make me understand?
The social worker came to my house.
They say Ciro can't stay with me, that mom is in jail and dad is dead.
They say they've started the process for custody.
When I came, Ciro was at home.
I challenged myself because of you!
Sponge, it's important.
When I came, Ciro was at home.
It's certain that it happened.
This mess is your fault.
See what you do?
I won't let them take him away.
Ciro must stay with me.
I didn't know anything about it.
Mom is dead, but you don't give a damn.
Nothing dangerous.
Ciro!
Good morning, Ciro.
Director.
Sannino.
Do we have an appointment today too?
No, but it's urgent.
Excuse me.
I wanted to talk about Ciro Borriello.
Who?
Borriello, director.
Borriello.
The boy you want to put up for adoption.
This boy has to finish the third month, yes or no?
For once.
This boy really puts in the effort.
You, who are supposed to help, are pushing him away.
Sannino.
We are on the same side.
If we are on the same side, then entrust him to me.
That's impossible.
Excuse me.
And where will you put him?
In the library where you organized your circus.
What the hell was I supposed to do?
Is it possible that you don't understand anything?
Ciro, in six months, reads, writes, even dreams.
Damn.
Do you have the list of kids who don't go to school?
Huh?
Since the last time I came, you've done nothing.
Nothing.
Then do me a favor.
You've been with the cup and chair.
Go yourselves, house by house.
To all those who don't go to school, and do what I do.
Why the hell are you doing all this, director?
Sannino.
Out.
Because I decided.
After I decided, out.
But you're really a dickhead.
You keep him like this?
You knew it too, huh?
I was looking for a solution.
For you, they're just numbers, Anna, numbers.
Memo, enough.
Everyone here is doing their part.
And now what do we do, Anna?
What do we do?
Hey, professor.
Good morning.
Hi, Memo.
Hi, professor.
Good morning.
Good morning.
I'm glad you came.
But if you're here...
you have to wear this.
No, professor, not the red nose.
And why not?
Because it's a shitty look.
A shitty look?
And why?
Because if I wear the red nose, everyone will look at me.
Oh really?
Let me hear.
If ten of us have red noses and one doesn't, who will people look at?
Ten with red noses or one without?
Come with me, come.
I'm going to pair up and tumble.
Hey, professor, don't you think I'm already in it?
Actually.
Yes?
Now Madonna Margherita is going to tumble.
Hey, professor.
Carmenetta, everything okay?
Everything's fine, professor.
Guys, sorry, but did you see Ciro at school this morning?
No, professor, he wasn't there.
Tight, tight, huh?
Yes.
Angelo, come here.
Angelo, come here.
Everything okay?
Ciro is here.
Alright.
Come here.
Hey, let me know, though.
Margherita, I'm glad you went to school this morning.
Tight, tight.
But where did he go up there?
Let's say, well... Tight here, if it doesn't fall.
Ciro!
Ciro!
Ciro!
Hi, professor.
Hi, Bruno.
Are you here?
Long time.
Have you talked to your father?
Ah, I see.
Listen, Bruno, the town wants you.
And you have the courage to face it.
The courage to face it?
Of course.
You make it sound easy.
Professor, the town is even easier.
Put your hand here, put your hand here, put your hand here.
And boom.
Do you know how to do it, professor?
Do you know how?
No.
Really?
Every man must die alone, professor.
Your father already told me something.
Better for who?
Better for who?
What do you want to do?
Do you want to be just like him?
For me, things must be clear.
Alright.
Do you understand?
Wait, Bruno.
Me.
Yes, Anna, but not right now.
Listen, now...
When there are close relatives.
Grandma and aunt are around here in the neighborhood.
Anna, the aunt is desperate.
It will take some time to convince the aunt.
Until the exams.
And you... first, step back.
You need to create some distance.
And how do you do that?
Do you know how to do it?
Anna?
Hm?
Is there a lime?
Now?
Yeah.
And where am I supposed to be?
Nuregna?
What is that?
Actually, this is a prize.
For the best social worker in the neighborhood.
On the jury, Anna.
What are you doing?
What are you doing?
Are you crazy?
What are they saying?
Where is Ciro?
Ciro?
Ciro?
Oh, damn!
Ciro!
Bro, where is he?
What the hell do you want?
He told me he was coming to sleep at your place.
Wait.
What do I want?
I want to crush your head.
I want to crush your head.
Crush my head.
Crush my head.
Hold a gun and learn to shoot.
Did he say he was coming to sleep at your place?
Mine found it.
Gennaro... Did you understand that you put it there?
Mimmo!
Umi!
And what do you know?
You know, there was a season.
What the hell are you talking about?
Where is he?
What are you doing?
What are you doing?
See how they make fools of us, these strangers?
Hey!
No, no, no!
Hey!
Oh!
What are we doing?
Stop!
I put you in front of a school, four schools to one.
Ciro.
Ciro.
Come.
Come here, Ciro, come.
What are you doing?
Ciro!
Go away!
Are you worried?
No!
What are you doing here?
Who is this?
What are you doing here?
Ciro, come here.
Come, Ciro, come.
Did these four idiots hurt him?
Yeah.
Do we understand each other?
Do we understand each other or not?
And do it like this, understand?
When you talk, do you do this?
Yes, do it!
But where am I?
Where are you?
Down at the station.
Easy, easy, Ciro, easy, easy.
Easy.
Easy.
Ciro?
What did they do to you?
Ciro?
Did you go?
Please.
You need to talk to your aunt.
And what can she do?
She just wants to ask for the rent.
But do you know why I sent you?
Because he gave it to me.
Do you understand?
Why did I send you?
Thank you, Bruno.
Thank you, Famarone.
I was wrong.
I talked to my father.
Do you know today?
Why?
They gave me a gift.
A gift?
What does that mean?
Nothing, let it go.
You come tomorrow.
Now I feel better.
I feel better.
Now I feel better.
Are you looking?
Yes.
And this?
This?
Oh my, Bruno, what are you doing here?
But once I could drag the relationship with Battuto Guadalapese.
What kind of joke is this?
Come, come.
How are you?
Does it hurt?
No.
Sure?
Yes.
This helped me.
But you... want to do a show with a marinated pig?
A marinated pig?
But can I?
Everyone has their favorite wells.
Yeah, the mud workers.
Shall we show ourselves?
From here?
Yes.
But Paolo, today!
Oh Bruno, the door is open.
Or not, today?
Can he come or not?
One, two... And three!
Easy.
Careful, huh.
What kind of joke is this?
Ricci!
Oh Bruno!
Look, Margherita... I like this photo.
And if Totoro knows that Margherita is the girlfriend... will he be upset?
If someone dares... come up and see with us.
Come with me.
No, no, with both of you.
What madness are you chasing there?
Carmine... be careful, huh.
Let me see.
Careful, huh.
What do you want?
And you?
What are you doing with this?
Everyone does well for the prisoners.
Take this too.
Good job.
Ciruzzo.
Thank you.
Thank you.
Angiolette.
The trick.
The trick.
Shall we trick ourselves?
Go.
How would I like?
This one?
Go.
Make me beautiful.
Close your eyes, huh.
Ok.
No.
Stay still.
Are you scared?
Are you talking to me?
You...
do a shitty job all week to earn a few bucks.
If you do like me...
Yeah.
What do we know how to do?
Not much, professor.
Not much, but well.
Very well.
But first, we had fun ourselves.
Right?
We sang so loud, guys.
So loud.
And we brought it all here.
When they came to see our show... we rehearsed it five times.
Do you know how to do it?
Then, big applause.
Ladies and gentlemen...
ladies and gentlemen...
for the first time on Neapolitan soil...
my show of jugglers, stilt walkers, tightrope walkers... and hunter-herders...
for the first time after an international tour...
in places like Agnano, Bugnano, Bresciano, and Secondigliano...
I have the honor to present to my right...
the man of iron... and to my left... the man of steel.
But now, enough chatter.
First act, mine.
Great juggling.
I did this once in the Low Countries.
It was too low and...
Hey!
Hey!
Hey!
Hey!
Great juggling, ladies and gentlemen.
Attention!
Shine!
What?
Shine.
Shine.
Shine!
Shine!
Shine!
Shine!
Now, ladies and gentlemen, my great juggling act.
And one... and two...
and three!
Ladies and gentlemen, if you enjoyed the show... we accept everything.
Wine, a little wine... but mostly money!
Thank you!
Ciro, you did great.
But I want you to do it with five balls.
Yeah, come on with five.
Yeah, five balls.
But while I'm doing my show,
I don't have time to check his heart rate.
Get down, they're staying.
Get down, they're staying.
And I get down a lot.
Oh my God.
Then down.
The evening went well.
How much did we make?
How much money do you have?
20 euros each.
20 euros each.
The stuff was done.
Everyone here.
Easter.
Professor, I don't want the money.
And why?
Because if I take it, mom.
Ah, if you take it, mom.
Then mom takes us.
So you understand it's better to go to school
than to make coffee.
Really, Gubi?
Let's go do the show.
Do you agree?
Let's go do the show.
Let's go do the show.
Let's go do the show.
Let's go do the show.
Let's go do the show.
Aren't you going to take a bath?
I don't like this nonsense.
And indeed.
That's how feminine you are.
What does she do?
Into the water.
You want a fun night.
But why?
Why?
Really, but why?
Eh, why?
Today, today, today.
I have to treat you like a fish in a low voice.
You took your hand off in the past and they caught him.
It's true.
Today I'm going to talk to my wife.
But I'm not in school.
I look bad.
Oh, Carmine, Carmine.
Today I'm crazy.
Today I'm not in school.
And you want to come close to talk to a girl?
What are you doing, poop and disturb?
Carmine.
A coffee.
Thank you.
It's nice when it's like this, huh?
Calm.
It looks like a normal town.
It seems.
There's something I haven't told you.
Ciro.
Borriello.
You ran away because you thought I reported you to social services.
So to help me find him, Bruno Brusciani gave me a hand.
Bruno Brusciani?
Paolucci's son?
Do you know he's really good at parkour?
He jumps, gets angry, does the deer.
Of course, his father would like him to do something else.
So I have him come to Nascosta's garden to train.
Yes, but he's Paolo Brusciani's son.
And he's also in the third grade.
And so?
You do something else to me.
You.
Us.
We take care of those who have to do the third grade.
What do you say?
To remove the pearls and the pigs.
You don't have a pearl.
You're going piggy.
I got it.
I got the pig's head.
Did you forget to threaten me?
I don't want you to lower it into a vehicle.
Make me split.
Anna.
I came back.
I can't do it.
No, don't do that, Anna.
Anna, don't do that.
Don't do that.
Anna.
I fight.
Fight.
Don't
make me call.
Don't make me call.
You mix me with this, I don't believe it.
They call me.
...
... Five.
Five.
Listen to my song, Anna.
Five.
Five.
Do the real part.
Oh, what's with this face?
Second there.
Oh, me, quietly, but
also to me... Everyone to me!
Everyone to me!
Everyone to me!
Everyone to me!
Everyone to me!
Everyone to me!
Everyone to me!
Everyone to me!
What's going on here?
What's going on here?
What happened?
What happened?
You're a child!
Calm down, calm down, what's going on here?
What?
Did you see?
Then you understood everything.
You didn't understand anything.
Oh no!
Ciro!
Ciro, did you dry it?
I draw myself.
Because if you do it, you make me look ugly.
But I realized not to put the camera in a couple of branches that break.
Dalia, do you agree?
Otherwise, I'll make you draw a fish.
I can spend some time watching The Tree of Dreams.
So, how's it going?
Everything's fine.
But you know what I do?
While you draw, I read The Baron in the Trees.
A hot air balloon appeared in the sky.
The anchor flew silver in the sky, hanging from a long rope and following obliquely the
path of the balloon, now passing over the square and almost at the height
of the top of the walnut tree, so much so that we feared it would hit Cosimo, but we couldn't imagine
what our eyes would see a moment later.
At the moment the anchor's rope passed near him, the Baron made one of those leaps
that were customary in his youth, grabbed the rope with his feet
on the anchor and his body curled up, and so we saw him fly away, dragged by the
wind, barely slowing the balloon's course, and disappear towards the sea.
The hot air balloon crossed the gulf and managed to land on the other shore, but
hanging from the rope was only the anchor.
But can I understand what happened?
I didn't understand anything.
Ciro called me,
they say that above two
policemen, he has the assistant
with a paper in hand.
They say he's taking him.
But where?
To Benevento.
And go, go, go!
Good morning.
Good morning.
San Diego, finally.
Can I know what's happening?
In Benevento, we found a foster home.
I'm not giving him to you.
My brother doesn't exist.
There's also the professor, he was put to the test.
Listen, don't make us follow the affidavit by force.
By force?
Are you stupid?
What do you want to do?
Make me understand.
But I, calm down.
I have a problem here, they're not moving.
Calm down with me.
But how do you want to do it?
Would you give me?
Would you even give me to a friar?
Do you want to calm down a bit?
No.
Go inside.
Until I tell you, stay inside.
Enough, I got it.
Why didn't you stay there?
Why didn't you stay there?
Anna, it's not like that, where is he?
What's happening here?
Anna, you're worried.
They asked me to follow the affidavit.
And why didn't you lose me?
Borrello, I followed him too.
I know, Anna.
My aunt first told me yes, then she
told me I couldn't handle the job.
I even called him, he didn't answer.
Anna, but not like this.
He's already not taking the exam with the others.
Come, come.
But can't we have a little time?
To organize things, let him say goodbye to his friends, a little time.
24 hours, though.
Take him to the address on this paper.
Mimmo, you're responsible.
Is it okay for everyone?
We're done here.
Ok, let's go.
See you tomorrow.
You'll see, I'll be fine.
Love.
But what do you know?
Come here, come.
I'll say goodbye.
Can I draw you a show?
So we can pass the exam.
Thank you.
I... I could give you this.
But what do you know?
Ciro, without telling you, the Baron, read it.
I think he's still on that page from three years ago.
Yes, I think so.
But it's not that he's not coming back.
He'll come back.
You don't want us to give it to you, but he'll come back.
I'll do it well, thank you.
Today I thought of something.
Let's make a nice place for Ciruzza?
Place?
Place.
But you don't know how to make a place, how do we do it?
What do you mean?
You don't know how to make a place?
How do you do it?
Shall we do it?
Let's do it.
So, can it be done?
Can it be done?
It can be done.
And how do we do it?
I took him to the cemetery to see dad.
There's the agreement in America, it doesn't exist.
She was good.
Mimo, I exploited him there at the foster home.
It's right.
Let's go, huh?
But this is perfect.
This is perfect.
Look at you.
Oh, Pignano, look.
Where is he?
Oh my God, how is it?
Oh, this is more.
But I'm getting married soon, look at this.
It's all mine.
But I keep it open.
Watch out there, watch out.
Cirusso, this little beam is fine, you figure it out.
Wait, mom.
Slowly, slowly.
One, two.
Attention, attention.
There's the agreement, see?
Yes.
Slowly.
I want to wait.
Wait, mom.
Attention.
What do we want to put together?
Maybe a little more of this, a little more of that.
Isn't there anything green there?
So we'll do it from four.
Do the scene a bit, mom.
Yes, I think she's good, she's better.
Do you like this object too?
It stays like this, it stays like this.
No, no, it has to go over there.
Who wets them Who wets them Who wets them Who
wets them Here I have meat and baths Who wets them Who wets them
wets them Here I have meat
and baths Who wets
them You didn't say
where we need to go.
Are there only three?
And there, please.
Professor, listen, but do you want this float to parade?
What do you say?
No, professor.
The float festival went like this.
Each family has to parade in that neighborhood, if you want.
Do you want, professor, not to parade?
No, I haven't paraded in years.
With how many floats they make them so big, serious, I don't like it.
Then there are those families there.
Professor... we
would like to color.
But...
but we can't cultivate.
Instead, I think it's already a problem.
I think they have paraded.
So, mom, stop.
Mom, finally you ask for the mess, right?
It's normal that we make a mess.
So?
We would like to stay to understand how we did it.
No, Margheri.
I have a neighborhood, a neighborhood paraded me.
But two of us paraded, until last year.
Then you'll parade next year too.
Exactly.
So what do you do if only they are parading with us?
I think with this neighborhood we could take this festival.
It's not that easy, Margheri.
You're the ones making it difficult.
Or not, professor?
Don't look at me.
Look at each other.
You've reached the point where everyone can decide.
Everyone is aware of making a choice.
Is there democracy?
It's just that sometimes making the right choice is difficult.
Bye, professor.
Bye, mom.
Thank you, professor.
Bye, Dani.
Bye, professor.
Bye, Dani.
Bye, mom.
Oh, let's talk.
Investigators are advancing the hypothesis of the raid promoted by the Martone clan and
aimed at weakening the rival clan of Paoluccio Luciano.
At dawn this morning, the police raided a warehouse of Alessio Martone
and seized weapons and drugs.
No one is coming, Angele.
Too many things have happened to me.
First, he came with us.
Second, he left.
This thing about the parade.
This exile to Siropo.
It's too many things.
Give him time, though.
They are strong.
They are really strong, Mimmo.
But the families are scared.
But aren't you scared?
I'm not scared.
I'm not invisible, Mimmo.
The families consider me less than nothing.
And I behave as they consider me.
I'm here, I'm not here.
No one notices.
I notice.
But do you understand what's happening?
Mimmo...
Are you careful?
Good evening, Mrs. Ascala.
Usto, what did you clean?
I was looking for Carmi, where is he?
Usto, I couldn't tell you anything.
Good evening, Mrs. Espo.
Good morning.
It's not in the eyes, understand?
But why?
What happened?
My family was checked by Quattro Fontane.
What is Quattro Fontane doing messing around like this?
Good evening!
Wait!
Wait!
Ciro!
Ciro!
What are you doing here?
I thought about running away.
How did you run away?
I wanted to go to the parade.
Damn it!
Ciro, Ciro, stop!
Oh, it's useless.
Because this is the world of the countryside?
Enough!
Ciro, Ciro!
Oh!
Let's do something.
Do you want to go to the foster home?
Shall I take you there?
So you can do the stuff for me too.
Ah, you find it too?
Then there's nothing that deserves it.
You can't live in a treehouse.
What are you doing?
You run away and then you find yourself?
Anna!
Anna!
Anna!
Mia, what are you doing here?
They told me we're going to Mrs. Rosina's.
I'm going to talk for a moment.
I waited a moment, sir.
What?
Something bad happened.
Ciro ran away from the foster home.
You were right.
He will never be here again.
I don't work like that.
You can't always decide alone.
It's not the right way.
We have to stay here.
Let's go get him.
Professor!
Professor!
Professor!
Professor!
Professor, we're looking for you!
Professor, come get him!
She did it!
She did it to me!
Let's go, Ciro, let's go!
Once upon a time, there was a
clown who went around the
neighborhood and just tried
to make people dream a little.
He just tried to make people dream a little.
And sometimes a little friend would
tease him.
Come and get the clowns!
Look how beautiful the clown tree is!
So these clowns
and these little friends
all lived together
in a treehouse!
And how beautiful it was, who knows!
Since we've been here, we've never been sick!
And the voices of people reached far, and
they didn't hear them!
And no one could do any harm anymore!
And every day that passed, they built a float!
But still, this float was missing someone.
This float was beautiful, but tiny, tiny!
But even tiny, tiny!
It had a shadow that scared people!
And then one night I got angry!
But dreams can't be studied!
Don't be scared!
Come out!
Come and provoke the clowns, how beautiful!
You too, feel the head of the tree!
Come!
Come and get the clowns!
To get the clowns!
Everything's fine!
But you can't do this to me, please!
Open your eyes!
Listen!
Please!
Open your eyes!
Can you hear me?
Please!
Oh no!
Answer me!
Please answer me!
You can't do this to me!
No!
Answer me!
Answer me!
He won't let you go!
He won't let you go!
Where is the answer to every day that only begins at the start?
Come, people, this magic you've never seen before, who eats fire, who
flies like this so quickly, what are you waiting for, come here, come, people, this magic you've never seen before
who eats fire, who flies, we're back home, make some amber if you had waited for me, come here.
We're back home, make some amber if you had waited for me, come here.
And what we have in mind, we already knew, but freedom is like a wave,
that takes a bath and can't be dragged away.
We have too many questions,
no frog answers,
and every day that begins
is only the start.
Come to the center, to Friesa, to us,
this magic we've never seen before.
Who eats fire, who wants to fly,
make some amber if you had waited for me,
come here.
Make some amber if you had waited for me,
come here.
Make some amber if you had waited for me.
Every step I've walked,
I haven't served to understand who's with me.
Maybe it was a distracted moment,
the crown left me alone.
It spins until I see the past,
walking and making pasta with me.
If I've passed, there's nothing that hurts,
and not even my future makes me do it.
Every time I take myself, people pay me.
I don't know how I do well, just because
I don't pay myself.
And I don't remember if there's sadness,
sadness, sadness in life with someone.
As for
the posts, all of ours
didn't answer,
maybe it didn't happen.
I've already seen that I was happy.
I'm walking on my path.
I didn't know anything.
I'm walking on my path.
One day I realized that the war was coming to me.
That I always went alone with men and
without companions.
But can you understand that this is the first thing you're doing to me.
Make sure you do everything and after everything buy a wall.
My death is not my life.
Maybe what I've lived, he didn't understand.
It doesn't matter if you didn't succeed.
I did the same thing if you succeeded.
Make sure who you are and what you are.
You're a life indemnified without doing it.
Come to overdo it without giving it.
But clean your conscience and bye bye.
I've already seen that I was happy.
I'm going on my path.
I didn't know anything.
I'm going on my path.
All the nights, the lights are on.
I'm going on my path.
It's useless.
I'm going on my path.