Flying Machine, The (2011) Movie Script
[ CLASSICAL MUSIC PLAYS ]
THAT'S ME -- JANE.
YOU'LL E-MAIL ME THE
CONTRACTS RIGHT AWAY?
YOU'LL E-MAIL ME THE
CONTRACTS RIGHT AWAY?
THAT'S OUR MUM.
CONTRACTS RIGHT AWAY?
THAT'S OUR MUM.
GREAT, UH, I'LL GET THEM BACK
THAT'S OUR MUM.
GREAT, UH, I'LL GET THEM BACK
TO YOU AS SOON AS POSSIBLE.
GREAT, UH, I'LL GET THEM BACK
TO YOU AS SOON AS POSSIBLE.
AND THAT'S MY LITTLE BROTH,
TO YOU AS SOON AS POSSIBLE.
AND THAT'S MY LITTLE BROTH,
FRED.
AND THAT'S MY LITTLE BROTH,
FRED.
REALLY?
FRED.
REALLY?
THIS IS US ON THE AMAZING
REALLY?
THIS IS US ON THE AMAZING
DAY.
THIS IS US ON THE AMAZING
DAY.
OKAY, I'LL TALK TO YOU LATER.
DAY.
OKAY, I'LL TALK TO YOU LATER.
THE DAY OUR MUM...CHANGED.
OKAY, I'LL TALK TO YOU LATER.
THE DAY OUR MUM...CHANGED.
OOH.
THE DAY OUR MUM...CHANGED.
OOH.
KIDS, WASN'T THAT FANTASTIC?
OOH.
KIDS, WASN'T THAT FANTASTIC?
IT'S GONNA BE OUR DREAM HOME.
KIDS, WASN'T THAT FANTASTIC?
IT'S GONNA BE OUR DREAM HOME.
BUT, MUM, NOW WE'RE NOT GONNA
IT'S GONNA BE OUR DREAM HOME.
BUT, MUM, NOW WE'RE NOT GONNA
BE IN TIME FOR THE SHOW.
BUT, MUM, NOW WE'RE NOT GONNA
BE IN TIME FOR THE SHOW.
YOU'LL HAVE A ROOM FOR YOUR
BE IN TIME FOR THE SHOW.
YOU'LL HAVE A ROOM FOR YOUR
PIANO.
YOU'LL HAVE A ROOM FOR YOUR
PIANO.
SOUND-PROOFED.
PIANO.
SOUND-PROOFED.
YOU'RE GONNA BE CLOSER TO YOUR
SOUND-PROOFED.
YOU'RE GONNA BE CLOSER TO YOUR
DAD AND HIS DELIGHTFUL NEW
YOU'RE GONNA BE CLOSER TO YOUR
DAD AND HIS DELIGHTFUL NEW
FRIEND.
DAD AND HIS DELIGHTFUL NEW
FRIEND.
[ CELLPHONE RINGS ]
FRIEND.
[ CELLPHONE RINGS ]
HI.
[ CELLPHONE RINGS ]
HI.
[ SIGHS ]
HI.
[ SIGHS ]
YEAH, I'M JUST TAKING MY KIDS
[ SIGHS ]
YEAH, I'M JUST TAKING MY KIDS
TO THIS PIANO THING.
YEAH, I'M JUST TAKING MY KIDS
TO THIS PIANO THING.
I DON'T KNOW.
TO THIS PIANO THING.
I DON'T KNOW.
UH-HUH.
I DON'T KNOW.
UH-HUH.
I'M DOWNLOADING THE FIRST ONE
UH-HUH.
I'M DOWNLOADING THE FIRST ONE
RIGHT NOW.
I'M DOWNLOADING THE FIRST ONE
RIGHT NOW.
MUM, THAT'S IT!
RIGHT NOW.
MUM, THAT'S IT!
WE'RE HERE.
MUM, THAT'S IT!
WE'RE HERE.
UH-HUH.
WE'RE HERE.
UH-HUH.
YOUR E-MAILS ARE JUST COMING
UH-HUH.
YOUR E-MAILS ARE JUST COMING
THROUGH RIGHT NOW.
YOUR E-MAILS ARE JUST COMING
THROUGH RIGHT NOW.
PLEASE TAKE YOUR SEATS.
THROUGH RIGHT NOW.
PLEASE TAKE YOUR SEATS.
THE SHOW IS ABOUT TO BEGIN.
PLEASE TAKE YOUR SEATS.
THE SHOW IS ABOUT TO BEGIN.
THAT'S $30,000 MORE THAN MY
THE SHOW IS ABOUT TO BEGIN.
THAT'S $30,000 MORE THAN MY
LAST OFFER.
THAT'S $30,000 MORE THAN MY
LAST OFFER.
THERE SHE IS.
LAST OFFER.
THERE SHE IS.
MUM, YOU'VE MADE US LATE.
THERE SHE IS.
MUM, YOU'VE MADE US LATE.
I'LL GO TO $750,000, BU
MUM, YOU'VE MADE US LATE.
I'LL GO TO $750,000, BU THAT'S IT -- THE FINAL OFFER.
I'LL GO TO $750,000, BU THAT'S IT -- THE FINAL OFFER.
OUR MUM IS SO PRETTY...
THAT'S IT -- THE FINAL OFFER.
OUR MUM IS SO PRETTY...
DON'T WORRY, SWEETIE.
OUR MUM IS SO PRETTY...
DON'T WORRY, SWEETIE.
YOU'RE GONNA THANK ME WHEN WE'RE
DON'T WORRY, SWEETIE.
YOU'RE GONNA THANK ME WHEN WE'RE
IN THIS DREAM HOUSE I'M GETTING
YOU'RE GONNA THANK ME WHEN WE'RE
IN THIS DREAM HOUSE I'M GETTING
US.
IN THIS DREAM HOUSE I'M GETTING
US.
...AND PRETTY ANNOYING.
US.
...AND PRETTY ANNOYING.
WELL, EXACTLY.
...AND PRETTY ANNOYING.
WELL, EXACTLY.
I'M PROPOSING A COORDINATED
WELL, EXACTLY.
I'M PROPOSING A COORDINATED
COMMUNICATIONS DRIVE...
I'M PROPOSING A COORDINATED
COMMUNICATIONS DRIVE...
THAT BAG OF HERS IS A MOBIE
COMMUNICATIONS DRIVE...
THAT BAG OF HERS IS A MOBIE
OFFICE.
THAT BAG OF HERS IS A MOBIE
OFFICE.
EVERYTHING WILL RUN...
OFFICE.
EVERYTHING WILL RUN...
[ GASPS ]
EVERYTHING WILL RUN...
[ GASPS ]
[ CHUCKLES ]
[ GASPS ]
[ CHUCKLES ]
THANK YOU, FRED.
[ CHUCKLES ]
THANK YOU, FRED.
...LIKE CLOCKWORK.
THANK YOU, FRED.
...LIKE CLOCKWORK.
WELL, WHERE DID THESE NEW PEOPLE
...LIKE CLOCKWORK.
WELL, WHERE DID THESE NEW PEOPLE
COME FROM?
WELL, WHERE DID THESE NEW PEOPLE
COME FROM?
THEY CAN'T START BIDDING OUT OF
COME FROM?
THEY CAN'T START BIDDING OUT OF
THE BLUE LIKE THAT.
THEY CAN'T START BIDDING OUT OF
THE BLUE LIKE THAT.
LANG LANG COULD PLAY ALL OF
THE BLUE LIKE THAT.
LANG LANG COULD PLAY ALL OF
CHOPIN'S TUDES WHEN HE WAS 13.
LANG LANG COULD PLAY ALL OF
CHOPIN'S TUDES WHEN HE WAS 13.
REALLY, HONEY?
CHOPIN'S TUDES WHEN HE WAS 13.
REALLY, HONEY?
$800,000?
REALLY, HONEY?
$800,000?
HERE.
$800,000?
HERE.
WELL, FORTUNATELY, I HAVE A
HERE.
WELL, FORTUNATELY, I HAVE A
NICE, NEW CLIENT, SO...I'LL GO
WELL, FORTUNATELY, I HAVE A
NICE, NEW CLIENT, SO...I'LL GO
TO $800,000.
NICE, NEW CLIENT, SO...I'LL GO
TO $800,000.
MUM, I HAVE TO GE
TO $800,000.
MUM, I HAVE TO GE LANG LANG'S AUTOGRAPH.
MUM, I HAVE TO GE LANG LANG'S AUTOGRAPH.
FRED.
LANG LANG'S AUTOGRAPH.
FRED.
[ HUMMING ]
SO THAT WE ALL ENJOY OUR TRIP
ON THE FLYING MACHINE, PLEASE
REMEMBER TO SWITCH OFF YOUR
ON THE FLYING MACHINE, PLEASE
REMEMBER TO SWITCH OFF YOUR
MOBILE PHONES.
REMEMBER TO SWITCH OFF YOUR
MOBILE PHONES.
MUM.
MOBILE PHONES.
MUM.
HONEY, THESE CONTRACTS THA
MUM.
HONEY, THESE CONTRACTS THA ARE COMING THROUGH ARE REALLY
HONEY, THESE CONTRACTS THA ARE COMING THROUGH ARE REALLY
IMPORTANT.
ARE COMING THROUGH ARE REALLY
IMPORTANT.
[ SIGHS ]
IMPORTANT.
[ SIGHS ]
IT'S ON SILENT.
[ SIGHS ]
IT'S ON SILENT.
I PROMISE YOU WE CAN GET YOU
IT'S ON SILENT.
I PROMISE YOU WE CAN GET YOU
YOUR AUTOGRAPH AFTER.
I PROMISE YOU WE CAN GET YOU
YOUR AUTOGRAPH AFTER.
[ GASPS ]
YOUR AUTOGRAPH AFTER.
[ GASPS ]
[ CHEERS AND APPLAUSE ]
[ WIND WHISTLING ]
[ BIRDS CHIRPING ]
[ CLATTERING ]
[ ELECTRICITY CRACKLES ]
[ BANGING ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ CHUCKLES ]
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ BELL RINGS ]
OW!
[ MUSIC INTENSIFIES ]
[ SIGHS ]
[ MUSIC SOFTENS ]
[ SIGHS ]
[ MUSIC STOPS ]
[ BIRDS CHIRPING ]
[ MID-TEMPO MUSIC PLAYS ]
[ GROWLS ]
[ GASPS ]
[ MUSIC INTENSIFIES ]
[ GRUNTS ]
[ DOOR CLOSES ]
[ MUSIC SOFTENS ]
[ CRYING ]
[ SIGHS ]
[ MUSIC INTENSIFIES ]
[ SIGHS ]
[ MUSIC SOFTENS ]
[ MUSIC FADES ]
[ MUSIC INTENSIFIES ]
[ GASPS ]
[ GRUNTS ]
[ WHIMPERS ]
[ MUSIC STOPS ]
[ WIND WHISTLING ]
[ UP-TEMPO MUSIC PLAYS ]
[ MUSIC STOPS ]
[ UP-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ WHIMPERING ]
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
[ BIRDS CHIRPING ]
[ WINGS FLAPPING ]
[ WHIMPERS ]
[ GRUNTS ]
[ GRUNTS ]
[ UP-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ GRUNTS ]
[ GASPS ]
[ MUSIC SOFTENS ]
[ MUSIC STOPS ]
[ CREAKING ]
[ WIND WHISTLING ]
[ CREAKING ]
[ WIND WHISTLING ]
[ WHIMPERING ]
[ COMPASS CHIMES ]
[ BELL TOLLING ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ GASPS ]
[ MUSIC INTENSIFIES ]
[ GRUNTS ]
[ MUSIC SOFTENS ]
[ BIRDS CHIRPING ]
[ COMPASS CHIMES ]
[ MUSIC STOPS ]
[ SIGHS ]
[ MUSIC STOPS ]
[ SIGHS ]
[ WINGS FLAPPING ]
[ SIGHS ]
[ WINGS FLAPPING ]
[ WIND WHISTLING ]
[ THUNDER RUMBLING ]
[ DRAMATIC MUSIC PLAYS ]
[ GRUNTS ]
[ COMPASS CHIMES ]
[ GLASS SHATTERS ]
[ MUSIC STOPS ]
[ BIRDS SQUAWKING ]
[ BELL TOLLS ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC STOPS ]
[ COMPASS CHIMES ]
[ SLOW-TEMPO MUSIC PLAYS ]
WE GLISTEN FREE
WE FLOAT ALONG
TOO HIGH TO CATCH
WE FLOAT ALONG
TOO HIGH TO CATCH
LIKE PETALS IN THE WIND
TOO HIGH TO CATCH
LIKE PETALS IN THE WIND
NOT COMING DOWN
LIKE PETALS IN THE WIND
NOT COMING DOWN
I PRINT YOU IN MY MIND
NOT COMING DOWN
I PRINT YOU IN MY MIND
WHERE I CAN SEE YOU
I PRINT YOU IN MY MIND
WHERE I CAN SEE YOU
UNTIL YOU'RE HOME AND STAY
WHERE I CAN SEE YOU
UNTIL YOU'RE HOME AND STAY
WITH ME
UNTIL YOU'RE HOME AND STAY
WITH ME
LEANING TOWARDS
WITH ME
LEANING TOWARDS
THE FADING DAWN
LEANING TOWARDS
THE FADING DAWN
WHERE WE'RE JUST PARTICLES
THE FADING DAWN
WHERE WE'RE JUST PARTICLES
OF DUST AND DREAMS
WHERE WE'RE JUST PARTICLES
OF DUST AND DREAMS
VELOCITY
OF DUST AND DREAMS
VELOCITY
MOVING SILENTLY
VELOCITY
MOVING SILENTLY
WE'RE CROSSING FASTER THAN THE
MOVING SILENTLY
WE'RE CROSSING FASTER THAN THE
SPEED OF THINKING
WE'RE CROSSING FASTER THAN THE
SPEED OF THINKING
WE ARE...WHERE WE CAN
SPEED OF THINKING
WE ARE...WHERE WE CAN
BE TOGETHER
WE ARE...WHERE WE CAN
BE TOGETHER
AND STAY THE PATH WE'RE ON
BE TOGETHER
AND STAY THE PATH WE'RE ON
KEEP THE FAITH IN WHA
AND STAY THE PATH WE'RE ON
KEEP THE FAITH IN WHA WE ALMOST TOUCHED
KEEP THE FAITH IN WHA WE ALMOST TOUCHED
NO MORE, NO LESS
TREATISE
[ THUNDER RUMBLING ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ THUNDER CRASHES ]
[ MUSIC INTENSIFIES ]
[ SCREAMS ]
[ MUSIC STOPS ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC ENDS ]
[ CHEERS AND APPLAUSE ]
HI, MURRAY.
DID I MISS A CALL FROM YOU?
OH! REALLY?
THEY ACCEPTED OUR $800,000?
THAT'S GOOD NEWS.
THEY ACCEPTED OUR $800,000?
THAT'S GOOD NEWS.
THAT'S FANTASTIC.
THAT'S GOOD NEWS.
THAT'S FANTASTIC.
OKAY, I'LL TALK TO YOU THEN.
THAT'S FANTASTIC.
OKAY, I'LL TALK TO YOU THEN.
WE GOT IT!
OKAY, I'LL TALK TO YOU THEN.
WE GOT IT!
WE GOT IT!
WE GOT IT!
WE GOT IT!
WE GOT OUR DREAM HOUSE!
WE GOT IT!
WE GOT OUR DREAM HOUSE!
WHOO-HOO!
WE GOT OUR DREAM HOUSE!
WHOO-HOO!
[ SIGHS ]
WHOO-HOO!
[ SIGHS ]
[ CELLPHONE RINGING ]
[ SIGHS ]
[ CELLPHONE RINGING ]
JAMES.
[ CELLPHONE RINGING ]
JAMES.
OH, WELL, THAT'S GREAT NEWS.
JAMES.
OH, WELL, THAT'S GREAT NEWS.
UM, BUT ACTUALLY, I NEED
OH, WELL, THAT'S GREAT NEWS.
UM, BUT ACTUALLY, I NEED
$800,000 NOW.
UM, BUT ACTUALLY, I NEED
$800,000 NOW.
[ CHUCKLES ]
BUT -- WELL, WHY NOT?
I HAVE EXCELLENT CREDIT HISTORY
AT YOUR BANK.
I HAVE EXCELLENT CREDIT HISTORY
AT YOUR BANK.
MUM, HURRY UP.
AT YOUR BANK.
MUM, HURRY UP.
[ SIGHS ]
MUM, HURRY UP.
[ SIGHS ]
MUM, I HAVE TO MEE
[ SIGHS ]
MUM, I HAVE TO MEE LANG LANG.
MUM, I HAVE TO MEE LANG LANG.
MUM, YOU PROMISED.
LANG LANG.
MUM, YOU PROMISED.
SHH!
MUM, YOU PROMISED.
SHH!
JUST DON'T GO ANYWHERE, AND LOOK
SHH!
JUST DON'T GO ANYWHERE, AND LOOK
AFTER YOUR BROTHER.
JUST DON'T GO ANYWHERE, AND LOOK
AFTER YOUR BROTHER.
WE--
AFTER YOUR BROTHER.
WE--
SO, THEY WON'T BUDGE ON THE
WE--
SO, THEY WON'T BUDGE ON THE
$770,000?
THIS IS SO UNFAIR.
[ NOTES PLAY ]
[ SIGHS ]
[ NOTES PLAY ]
[ SIGHS ]
SHE DIDN'T EVEN WANT US AROUND.
[ NOTES PLAYING ]
WELL, I'M ABOUT TO SIGN A
VERY LUCRATIVE CONTRACT, AND
THERE'S PLENTY OF OTHER BANKS IN
VERY LUCRATIVE CONTRACT, AND
THERE'S PLENTY OF OTHER BANKS IN
THE CITY.
THERE'S PLENTY OF OTHER BANKS IN
THE CITY.
SO, IF YOU WON'T GIVE ME WHAT I
THE CITY.
SO, IF YOU WON'T GIVE ME WHAT I
NEED, THEN I'LL GET IT SOMEWHERE
SO, IF YOU WON'T GIVE ME WHAT I
NEED, THEN I'LL GET IT SOMEWHERE
ELSE.
OH, NO.
KIDS?
[ GROANS ]
JANE? FRED?
WE HAVE TO GO NOW.
WE HAVE TO LEAVE.
WE HAVE TO GO NOW.
WE HAVE TO LEAVE.
I DON'T HAVE TIME FOR THIS.
WE HAVE TO LEAVE.
I DON'T HAVE TIME FOR THIS.
OH, UM, HAVE YOU SEEN AN
I DON'T HAVE TIME FOR THIS.
OH, UM, HAVE YOU SEEN AN
11-YEAR-OLD GIRL AND A
OH, UM, HAVE YOU SEEN AN
11-YEAR-OLD GIRL AND A
6-YEAR-OLD BOY?
11-YEAR-OLD GIRL AND A
6-YEAR-OLD BOY?
I THINK THEY WENT LOOKING FOR AN
6-YEAR-OLD BOY?
I THINK THEY WENT LOOKING FOR AN
AUTOGRAPH.
I THINK THEY WENT LOOKING FOR AN
AUTOGRAPH.
UH, I DON'T THINK THAT'S
AUTOGRAPH.
UH, I DON'T THINK THAT'S
WHERE THEY WENT.
UH, I DON'T THINK THAT'S
WHERE THEY WENT.
HMM.
WHERE THEY WENT.
HMM.
OKAY.
HMM.
OKAY.
JANE, FRED, THIS IS THE LAS
OKAY.
JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.
JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.
[ CHUCKLES ]
PIANO TRIP I'M TAKING YOU ON.
[ CHUCKLES ]
YOU THINK SO?
[ CHUCKLES ]
YOU THINK SO?
[ SCOFFS ]
YOU THINK SO?
[ SCOFFS ]
EXCUSE ME?
[ SCOFFS ]
EXCUSE ME?
TRY SEEING THINGS THEIR WAY.
EXCUSE ME?
TRY SEEING THINGS THEIR WAY.
HUH.
TRY SEEING THINGS THEIR WAY.
HUH.
IS THIS SOME KIND OF SILLY STUN
HUH.
IS THIS SOME KIND OF SILLY STUN THAT FRED PUT YOU UP TO?
OH.
OH.
[ UPBEAT MUSIC PLAYS ]
I THOUGHT THE SHOW WAS OVER.
[ UPBEAT MUSIC PLAYS ]
I THOUGHT THE SHOW WAS OVER.
THAT'S REALISTIC.
I THOUGHT THE SHOW WAS OVER.
THAT'S REALISTIC.
WHAT IS THAT?
THAT'S REALISTIC.
WHAT IS THAT?
[ IMITATING PLANE ENGINE ]
THE FLYING MACHINE.
HELLO.
HI.
UM, CAN YOU STOP THIS RIDE, OR
HI.
UM, CAN YOU STOP THIS RIDE, OR
WHATEVER IT IS?
UM, CAN YOU STOP THIS RIDE, OR
WHATEVER IT IS?
'CAUSE I HAVE IMPORTANT CALLS I
WHATEVER IT IS?
'CAUSE I HAVE IMPORTANT CALLS I
NEED TO MAKE AND CONTRACTS I
'CAUSE I HAVE IMPORTANT CALLS I
NEED TO MAKE AND CONTRACTS I
NEED TO BE STUDYING.
NEED TO MAKE AND CONTRACTS I
NEED TO BE STUDYING.
STUDYING?
NEED TO BE STUDYING.
STUDYING?
THIS IS THE WORLD OF CHOPIN'S
STUDYING?
THIS IS THE WORLD OF CHOPIN'S
STUDIES.
THIS IS THE WORLD OF CHOPIN'S
STUDIES.
THE TELESCOPE'S GONE.
STUDIES.
THE TELESCOPE'S GONE.
IT MUST HAVE BLOWN OFF IN THE
THE TELESCOPE'S GONE.
IT MUST HAVE BLOWN OFF IN THE
STORM.
IT MUST HAVE BLOWN OFF IN THE
STORM.
THE KIDS.
STORM.
THE KIDS.
WHERE ARE THE KIDS?
THE KIDS.
WHERE ARE THE KIDS?
[ TWINKLING ]
WHERE ARE THE KIDS?
[ TWINKLING ]
IT'S A MAP.
[ TWINKLING ]
IT'S A MAP.
"CHOPIN CAME TO LONDON NEAR THE
IT'S A MAP.
"CHOPIN CAME TO LONDON NEAR THE
END OF HIS LIFE.
"CHOPIN CAME TO LONDON NEAR THE
END OF HIS LIFE.
HERE, HE GAVE HIS VERY LAS
END OF HIS LIFE.
HERE, HE GAVE HIS VERY LAS CONCERT, ILL AND HOMESICK."
WARSAW.
[ COMPASS CHIMES ]
[ GASPS ]
[ COMPASS CHIMES ]
[ GASPS ]
THE FLYING MACHINE WANTS TO GO
[ GASPS ]
THE FLYING MACHINE WANTS TO GO
HOME.
THE FLYING MACHINE WANTS TO GO
HOME.
YEAH.
HOME.
YEAH.
WE HAVE TO GET HOME, TOO.
YOU'RE RIGHT.
MUM'S PROBABLY SOLD OUR HOME BY
NOW.
MUM'S PROBABLY SOLD OUR HOME BY
NOW.
OH, FRED, DON'T TOUCH THA
NOW.
OH, FRED, DON'T TOUCH THA THING.
OH, FRED, DON'T TOUCH THA THING.
YOU DON'T KNOW WHAT IT COULD --
THING.
YOU DON'T KNOW WHAT IT COULD --
[ CHUCKLES ]
YOU DON'T KNOW WHAT IT COULD --
[ CHUCKLES ]
[ BIRDS CHIRPING ]
THAT'S THE COAST.
FRED?
[ CHUCKLES ]
FRED?
[ CHUCKLES ]
HMM.
[ CHUCKLES ]
HMM.
ARE YOU SURE THIS IS THE RIGH
HMM.
ARE YOU SURE THIS IS THE RIGH THING TO DO?
ARE YOU SURE THIS IS THE RIGH THING TO DO?
UH-HUH.
[ IMITATING PLANE ENGINE ]
[ SIGHS ]
[ GASPS ]
HELLO.
[ GASPS ]
HELLO.
HELLO, THERE.
HELLO.
HELLO, THERE.
[ GASPS ]
HELLO, THERE.
[ GASPS ]
OKAY.
[ GASPS ]
OKAY.
THIS ISN'T JUST SOME KIND OF
OKAY.
THIS ISN'T JUST SOME KIND OF
RIDE, IS IT?
THIS ISN'T JUST SOME KIND OF
RIDE, IS IT?
UNH-UNH.
RIDE, IS IT?
UNH-UNH.
I DON'T KNOW WHAT'S GOING ON,
UNH-UNH.
I DON'T KNOW WHAT'S GOING ON,
BUT I DON'T THINK IT'S FUNNY.
I DON'T KNOW WHAT'S GOING ON,
BUT I DON'T THINK IT'S FUNNY.
[ CHOPIN'S "OCEAN TUDE" PLAYS ]
BUT I DON'T THINK IT'S FUNNY.
[ CHOPIN'S "OCEAN TUDE" PLAYS ]
I'M LATE.
[ CHOPIN'S "OCEAN TUDE" PLAYS ]
I'M LATE.
I'LL LOSE MY DEAL ON THE HOUSE.
I NEED TO MAKE CALLS.
NO SIGNAL.
THIS IS A DISASTER.
NO SIGNAL.
THIS IS A DISASTER.
WHERE ARE WE?
THIS IS A DISASTER.
WHERE ARE WE?
THIS IS THE OCEAN.
WHERE ARE WE?
THIS IS THE OCEAN.
I CAN SEE THAT.
THIS IS THE OCEAN.
I CAN SEE THAT.
IT'S THE "OCEAN TUDE."
[ SIGHING ]
"CHOPIN'S TRAVELS."
[ SIGHS ]
[ Chuckling ] ARE YOU FEELING
SICK?
"CHOPIN SOMETIMES TRAVELED ON
ACCOUNT OF HIS POOR HEALTH."
JANE, FRED.
ACCOUNT OF HIS POOR HEALTH."
JANE, FRED.
"MAJORCA, SPAIN."
JANE, FRED.
"MAJORCA, SPAIN."
OH, IT'S TAKING ME BACK.
"MAJORCA, SPAIN."
OH, IT'S TAKING ME BACK.
IS THIS IN MY HEAD?
OH, IT'S TAKING ME BACK.
IS THIS IN MY HEAD?
MAJORCA, THREE SHOWS A NIGHT,
IS THIS IN MY HEAD?
MAJORCA, THREE SHOWS A NIGHT,
PERMANENT BLISTERS ON MY FEET.
MAJORCA, THREE SHOWS A NIGHT,
PERMANENT BLISTERS ON MY FEET.
[ MUSIC INTENSIFIES ]
PERMANENT BLISTERS ON MY FEET.
[ MUSIC INTENSIFIES ]
COULDN'T HAVE BEEN ANY WORSE.
[ MUSIC INTENSIFIES ]
COULDN'T HAVE BEEN ANY WORSE.
"HERE, CHOPIN WAS DIAGNOSED
COULDN'T HAVE BEEN ANY WORSE.
"HERE, CHOPIN WAS DIAGNOSED
WITH THE LUNG DISEASE
"HERE, CHOPIN WAS DIAGNOSED
WITH THE LUNG DISEASE
TUBERCULOSIS."
WITH THE LUNG DISEASE
TUBERCULOSIS."
WELL, IT COULD'VE BEEN WORSE.
TUBERCULOSIS."
WELL, IT COULD'VE BEEN WORSE.
"SEVERAL TIMES, CHOPIN WEN
WELL, IT COULD'VE BEEN WORSE.
"SEVERAL TIMES, CHOPIN WEN TO HEALTH SPAS..."
"SEVERAL TIMES, CHOPIN WEN TO HEALTH SPAS..."
OH, MAYBE THIS IS MY
TO HEALTH SPAS..."
OH, MAYBE THIS IS MY
SUBCONSCIOUS TELLING ME THAT I
OH, MAYBE THIS IS MY
SUBCONSCIOUS TELLING ME THAT I
NEED TO TAKE A BREAK.
SUBCONSCIOUS TELLING ME THAT I
NEED TO TAKE A BREAK.
"...WHERE HE DRANK PINTS OF
NEED TO TAKE A BREAK.
"...WHERE HE DRANK PINTS OF
SULFUROUS WATER MIXED WITH
"...WHERE HE DRANK PINTS OF
SULFUROUS WATER MIXED WITH
GOAT'S MILK AND HERBS."
SULFUROUS WATER MIXED WITH
GOAT'S MILK AND HERBS."
NOT THAT KIND OF BREAK.
GOAT'S MILK AND HERBS."
NOT THAT KIND OF BREAK.
"HE ALSO HAD BLOODSUCKING
NOT THAT KIND OF BREAK.
"HE ALSO HAD BLOODSUCKING
LEECHES ATTACHED TO HIS THROAT."
"HE ALSO HAD BLOODSUCKING
LEECHES ATTACHED TO HIS THROAT."
BLEAGH!
LEECHES ATTACHED TO HIS THROAT."
BLEAGH!
THIS ISN'T A DREAM.
BLEAGH!
THIS ISN'T A DREAM.
IT'S A NIGHTMARE.
THIS ISN'T A DREAM.
IT'S A NIGHTMARE.
AM I HAVING A NERVOUS BREAKDOWN?
IT'S A NIGHTMARE.
AM I HAVING A NERVOUS BREAKDOWN?
[ SCREAMS ]
AM I HAVING A NERVOUS BREAKDOWN?
[ SCREAMS ]
JANE, FRED.
[ SCREAMS ]
JANE, FRED.
I NEED A HUG.
JANE, FRED.
I NEED A HUG.
[ WHIMPERS ]
I NEED A HUG.
[ WHIMPERS ]
HUH?
[ WHIMPERS ]
HUH?
[ WHIMPERING ]
HUH?
[ WHIMPERING ]
[ SCREAMS ]
[ WHIMPERING ]
[ SCREAMS ]
[ LAUGHS ]
[ MUSIC STOPS ]
[ Chuckling ] YEAH.
THAT WAS REALLY NICE.
[ Chuckling ] YEAH.
THAT WAS REALLY NICE.
YOU'VE DONE THAT BEFORE.
THAT WAS REALLY NICE.
YOU'VE DONE THAT BEFORE.
DON'T COMPLIMENT ME, OKAY?
YOU'VE DONE THAT BEFORE.
DON'T COMPLIMENT ME, OKAY?
[ SCOFFS ]
DON'T COMPLIMENT ME, OKAY?
[ SCOFFS ]
IF THIS IS REAL, THIS IS A
[ SCOFFS ]
IF THIS IS REAL, THIS IS A
KIDNAPPING, AND I KNOW ALL ABOU
IF THIS IS REAL, THIS IS A
KIDNAPPING, AND I KNOW ALL ABOU STOCKHOLM SYNDROME.
KIDNAPPING, AND I KNOW ALL ABOU STOCKHOLM SYNDROME.
[ SIGHS ]
STOCKHOLM SYNDROME.
[ SIGHS ]
BUT THIS ISN'T REAL.
[ SIGHS ]
BUT THIS ISN'T REAL.
I MEAN, IT REALLY DOES FEEL LIKE
BUT THIS ISN'T REAL.
I MEAN, IT REALLY DOES FEEL LIKE
WE'RE FLYING.
I MEAN, IT REALLY DOES FEEL LIKE
WE'RE FLYING.
[ SIGHS ]
WE'RE FLYING.
[ SIGHS ]
BUT, I MEAN, THAT CAN'T BE
[ SIGHS ]
BUT, I MEAN, THAT CAN'T BE
HAPPENING.
BUT, I MEAN, THAT CAN'T BE
HAPPENING.
CAN IT?
HAPPENING.
CAN IT?
AT LEAST TELL ME WHERE WE'RE
CAN IT?
AT LEAST TELL ME WHERE WE'RE
GOING.
AT LEAST TELL ME WHERE WE'RE
GOING.
ASK YOUR KIDS.
GOING.
ASK YOUR KIDS.
MY KIDS.
ASK YOUR KIDS.
MY KIDS.
WHOA!
MY KIDS.
WHOA!
WELL, IF FRED'S SETTING THE
WHOA!
WELL, IF FRED'S SETTING THE
COURSE, WE'RE TOAST.
WELL, IF FRED'S SETTING THE
COURSE, WE'RE TOAST.
WHOO-HOO!
OH, NO.
PARIS.
[ SLOW-TEMPO MUSIC PLAYS ]
ENOUGH WITH THE STUPID FACES.
THIS IS SERIOUS.
ISN'T IT BEAUTIFUL?
YEAH.
WHY HASN'T MUM EVER BROUGH
YEAH.
WHY HASN'T MUM EVER BROUGH US HERE?
WHY HASN'T MUM EVER BROUGH US HERE?
THAT'S WHERE I USED TO LIVE.
US HERE?
THAT'S WHERE I USED TO LIVE.
DOESN'T LOOK SO BAD FROM HERE.
THAT'S WHERE I USED TO LIVE.
DOESN'T LOOK SO BAD FROM HERE.
OH, THERE'S THAT FLOWER MARKET I
DOESN'T LOOK SO BAD FROM HERE.
OH, THERE'S THAT FLOWER MARKET I
USED TO GO TO.
WOW.
[ CHUCKLES ]
[ TWINKLING ]
"CHOPIN WAS A BIG STAR IN
[ TWINKLING ]
"CHOPIN WAS A BIG STAR IN
PARIS -- REALLY FASHIONABLE."
"HE ALSO HAD HIS HAIR DONE EVERY
DAY BY HIS OWN HAIRDRESSER."
[ Laughing ] THAT'S WORSE THAN
DAY BY HIS OWN HAIRDRESSER."
[ Laughing ] THAT'S WORSE THAN
MUM!
[ CHUCKLES ]
COOL.
FRED.
COOL.
FRED.
FRED, TAKE THAT OFF.
FRED.
FRED, TAKE THAT OFF.
THAT IS WRONG IN SO MANY WAYS.
FRED, TAKE THAT OFF.
THAT IS WRONG IN SO MANY WAYS.
[ SCREAMS ]
THAT IS WRONG IN SO MANY WAYS.
[ SCREAMS ]
[ PANTING ]
[ SCREAMS ]
[ GASPING ]
CHOPIN'S GRAVE.
HE WAS AWFULLY YOUNG WHEN HE
DIED.
"THERE WERE THOUSANDS OF
MOURNERS WHEN CHOPIN WAS BURIED
IN PARIS.
MOURNERS WHEN CHOPIN WAS BURIED
IN PARIS.
HIS GRAVE HAS BEEN COVERED IN
IN PARIS.
HIS GRAVE HAS BEEN COVERED IN
FLOWERS BY ADMIRERS EVER SINCE."
DID THEY COME ALL THIS WAY
JUST TO DO THAT?
"BUT ACCORDING TO HIS WISHES,
JUST TO DO THAT?
"BUT ACCORDING TO HIS WISHES,
HIS HEART WAS RETURNED TO
"BUT ACCORDING TO HIS WISHES,
HIS HEART WAS RETURNED TO
WARSAW."
HIS HEART WAS RETURNED TO
WARSAW."
REALLY?
WARSAW."
REALLY?
"AND SEALED IN A PILLAR OF THE
REALLY?
"AND SEALED IN A PILLAR OF THE
HOLY CROSS CHURCH."
"AND SEALED IN A PILLAR OF THE
HOLY CROSS CHURCH."
WE STILL HAVE QUITE A WAY TO GO.
HOLY CROSS CHURCH."
WE STILL HAVE QUITE A WAY TO GO.
MM-HMM.
WE STILL HAVE QUITE A WAY TO GO.
MM-HMM.
[ MUSIC STOPS ]
MM-HMM.
[ MUSIC STOPS ]
[ HUMMING ]
[ MUSIC STOPS ]
[ HUMMING ]
NO. THEY'RE LEAVING.
[ HUMMING ]
NO. THEY'RE LEAVING.
AND THAT'S NOT THE WAY HOME.
NO. THEY'RE LEAVING.
AND THAT'S NOT THE WAY HOME.
WE HAVE TO FOLLOW THEM.
AND THAT'S NOT THE WAY HOME.
WE HAVE TO FOLLOW THEM.
IT MIGHT BE A BUMPY RIDE.
WE HAVE TO FOLLOW THEM.
IT MIGHT BE A BUMPY RIDE.
[ PLAYS CHOPIN'S
IT MIGHT BE A BUMPY RIDE.
[ PLAYS CHOPIN'S
"REVOLUTIONARY TUDE ]
[ SCREAMS ]
I THINK I'VE HEARD THIS ONE
BEFORE.
IT'S THE
BEFORE.
IT'S THE
"REVOLUTIONARY TUDE."
IT'S THE
"REVOLUTIONARY TUDE."
SO, WHY WAS CHOPIN REVOLTING?
"REVOLUTIONARY TUDE."
SO, WHY WAS CHOPIN REVOLTING?
FOR THE FREEDOM OF HIS
SO, WHY WAS CHOPIN REVOLTING?
FOR THE FREEDOM OF HIS
COUNTRY, POLAND.
FOR THE FREEDOM OF HIS
COUNTRY, POLAND.
I THOUGHT HE LIVED IN PARIS.
COUNTRY, POLAND.
I THOUGHT HE LIVED IN PARIS.
HE LIVED THERE AS AN EXILE.
[ GASPS ]
THIS IS DANGEROUS.
THE KIDS ARE HERE?
[ SCREAMS ]
MY PHONE!
[ GASPING ]
MY PHONE!
[ GASPING ]
WE HAVE TO FIND OUR WAY OUT OF
[ GASPING ]
WE HAVE TO FIND OUR WAY OUT OF
THIS.
WE HAVE TO FIND OUR WAY OUT OF
THIS.
YOU KNOW WHAT SCHUMANN SAID
THIS.
YOU KNOW WHAT SCHUMANN SAID
ABOUT CHOPIN'S MUSIC?
YOU KNOW WHAT SCHUMANN SAID
ABOUT CHOPIN'S MUSIC?
HE SAID IT WAS, "CANNONS HIDDEN
ABOUT CHOPIN'S MUSIC?
HE SAID IT WAS, "CANNONS HIDDEN
AMONG FLOWERS."
[ GASPS ]
WE STILL NEED TO GET HIGHER.
[ CHUCKLES ]
THAT'S NOT SO EASY.
PROBABLY BLOWN EVERYTHING BY
NOW, ANYWAY.
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
FRED, I'M REALLY NOT SURE WE
HAVE TIME FOR A FOOD STOP.
[ TWINKLING ]
HAVE TIME FOR A FOOD STOP.
[ TWINKLING ]
VIENNA.
[ TWINKLING ]
VIENNA.
"TO MAKE A CAREER AS AN ARTIST,
VIENNA.
"TO MAKE A CAREER AS AN ARTIST,
CHOPIN HAD TO LEAVE HIS HOME IN
"TO MAKE A CAREER AS AN ARTIST,
CHOPIN HAD TO LEAVE HIS HOME IN
POLAND.
CHOPIN HAD TO LEAVE HIS HOME IN
POLAND.
HE STARTED HERE, WHERE ALL THE
POLAND.
HE STARTED HERE, WHERE ALL THE
GREAT COMPOSERS HAD LIVED."
HE STARTED HERE, WHERE ALL THE
GREAT COMPOSERS HAD LIVED."
[ DOG BARKS ]
GREAT COMPOSERS HAD LIVED."
[ DOG BARKS ]
IT'S PRETTY DARK.
[ DOG BARKS ]
IT'S PRETTY DARK.
[ BELL TOLLING ]
IT'S PRETTY DARK.
[ BELL TOLLING ]
MUM WOULDN'T WANT US TO GO DOWN
[ BELL TOLLING ]
MUM WOULDN'T WANT US TO GO DOWN
THERE.
MUM WOULDN'T WANT US TO GO DOWN
THERE.
[ TOLLING CONTINUES ]
FRED, I JUST THOUGHT -- WE DON' HAVE ANY MONEY.
MAYBE THEY'D HAVE SOMETHING TO
HAVE ANY MONEY.
MAYBE THEY'D HAVE SOMETHING TO
EAT.
MAYBE THEY'D HAVE SOMETHING TO
EAT.
HELLO?
EAT.
HELLO?
[ MID-TEMPO MUSIC PLAYS ]
HELLO?
[ MID-TEMPO MUSIC PLAYS ]
SOUNDS LIKE ALL THOSE COMPOSERS
[ MID-TEMPO MUSIC PLAYS ]
SOUNDS LIKE ALL THOSE COMPOSERS
ARE STILL HERE.
SOUNDS LIKE ALL THOSE COMPOSERS
ARE STILL HERE.
HMM.
ARE STILL HERE.
HMM.
MAYBE THEY'RE GHOSTS.
HMM.
MAYBE THEY'RE GHOSTS.
WOULD ANY OF YOU HAVE SOME SPARE
MAYBE THEY'RE GHOSTS.
WOULD ANY OF YOU HAVE SOME SPARE
FOOD?
WOULD ANY OF YOU HAVE SOME SPARE
FOOD?
HELLO?
FOOD?
HELLO?
[ BELL TOLLING ]
HELLO?
[ BELL TOLLING ]
YOU IN THERE.
[ BELL TOLLING ]
YOU IN THERE.
I'M TALKING TO YOU.
[ SIGHS ]
I THINK CHOPIN MUST'VE HAD HIS
WORK CUT OUT TRYING TO GET HEARD
I THINK CHOPIN MUST'VE HAD HIS
WORK CUT OUT TRYING TO GET HEARD
AROUND HERE.
WORK CUT OUT TRYING TO GET HEARD
AROUND HERE.
[ GRUNTING ]
AROUND HERE.
[ GRUNTING ]
FRED, STOP IT.
[ GRUNTING ]
FRED, STOP IT.
FRED! FRED!
FRED, STOP IT.
FRED! FRED!
STOP IT.
FRED! FRED!
STOP IT.
WHAT IF THEY REALLY ARE GHOSTS?
STOP IT.
WHAT IF THEY REALLY ARE GHOSTS?
HMPH!
WHAT IF THEY REALLY ARE GHOSTS?
HMPH!
[ TOLLING CONTINUES ]
[ SIGHS ]
[ DOG BARKING IN DISTANCE ]
[ SIGHS ]
THANK GOODNESS.
WE FOUND THEM.
THANK GOODNESS.
WE FOUND THEM.
[ SLOW-TEMPO MUSIC PLAYS ]
WE FOUND THEM.
[ SLOW-TEMPO MUSIC PLAYS ]
WOULD YOU RATHER WE JUST TURN
[ SLOW-TEMPO MUSIC PLAYS ]
WOULD YOU RATHER WE JUST TURN
AROUND AND GO HOME?
WOULD YOU RATHER WE JUST TURN
AROUND AND GO HOME?
[ TWINKLING ]
[ TWINKLING ]
"CHOPIN COULDN'T GO BACK TO
POLAND BECAUSE OF THE UPRISING
THERE.
POLAND BECAUSE OF THE UPRISING
THERE.
HE NEVER RETURNED HOME TO HIS
THERE.
HE NEVER RETURNED HOME TO HIS
FAMILY."
HE NEVER RETURNED HOME TO HIS
FAMILY."
WOW.
FAMILY."
WOW.
NEVER?
WOW.
NEVER?
SHH.
NEVER?
SHH.
I'M TRYING TO LISTEN.
SHH.
I'M TRYING TO LISTEN.
I HAD TO LEAVE MY HOME, TOO,
I'M TRYING TO LISTEN.
I HAD TO LEAVE MY HOME, TOO,
WHEN I WAS VERY YOUNG -- TO
I HAD TO LEAVE MY HOME, TOO,
WHEN I WAS VERY YOUNG -- TO
FOLLOW MY STUDIES.
WHEN I WAS VERY YOUNG -- TO
FOLLOW MY STUDIES.
I HAD TO LEAVE MY HOME AND MY
FOLLOW MY STUDIES.
I HAD TO LEAVE MY HOME AND MY
MOM.
[ SIGHS ]
DO YOU THINK MUM'S MISSING US?
OF COURSE, I'M MISSING YOU.
DO YOU THINK MUM'S MISSING US?
OF COURSE, I'M MISSING YOU.
UNH-UNH.
OF COURSE, I'M MISSING YOU.
UNH-UNH.
YOU'RE RIGHT.
UNH-UNH.
YOU'RE RIGHT.
ALL SHE THINKS ABOUT IS HER
YOU'RE RIGHT.
ALL SHE THINKS ABOUT IS HER
WORK...AND THAT NEW DREAM HOME.
ALL SHE THINKS ABOUT IS HER
WORK...AND THAT NEW DREAM HOME.
WELL, THAT'S NOT FAIR.
WORK...AND THAT NEW DREAM HOME.
WELL, THAT'S NOT FAIR.
I'M DOING IT ALL FOR YOU.
WELL, THAT'S NOT FAIR.
I'M DOING IT ALL FOR YOU.
I HAVE TO WORK.
I'M DOING IT ALL FOR YOU.
I HAVE TO WORK.
WE CAN'T JUST DO WHATEVER WE
I HAVE TO WORK.
WE CAN'T JUST DO WHATEVER WE
WANT.
WE CAN'T JUST DO WHATEVER WE
WANT.
EVER SINCE I WAS A LITTLE GIRL,
WANT.
EVER SINCE I WAS A LITTLE GIRL,
I WANTED TO BE IN THE
EVER SINCE I WAS A LITTLE GIRL,
I WANTED TO BE IN THE
CORPS DE BALLET, ALL IN WHITE --
I WANTED TO BE IN THE
CORPS DE BALLET, ALL IN WHITE --
LES SYLPHIDES.
CORPS DE BALLET, ALL IN WHITE --
LES SYLPHIDES.
BUT THERE WAS NEVER ENOUGH MONEY
LES SYLPHIDES.
BUT THERE WAS NEVER ENOUGH MONEY
FOR THE LESSONS.
BUT THERE WAS NEVER ENOUGH MONEY
FOR THE LESSONS.
SO I SCRIMPED AND I SAVED AND
FOR THE LESSONS.
SO I SCRIMPED AND I SAVED AND
WHEN I WAS OLD ENOUGH, I FLEW TO
SO I SCRIMPED AND I SAVED AND
WHEN I WAS OLD ENOUGH, I FLEW TO
PARIS.
WHEN I WAS OLD ENOUGH, I FLEW TO
PARIS.
I LIVED IN A TINY, FREEZING
PARIS.
I LIVED IN A TINY, FREEZING
APARTMENT.
I LIVED IN A TINY, FREEZING
APARTMENT.
I DID JOBS I HATED.
APARTMENT.
I DID JOBS I HATED.
BUT I GUESS I JUST WASN'T GOOD
I DID JOBS I HATED.
BUT I GUESS I JUST WASN'T GOOD
ENOUGH.
BUT I GUESS I JUST WASN'T GOOD
ENOUGH.
THEN, ONE DAY, I CAME HOME, AND
ENOUGH.
THEN, ONE DAY, I CAME HOME, AND
IT WAS FLOODED, AND WORSE, THERE
THEN, ONE DAY, I CAME HOME, AND
IT WAS FLOODED, AND WORSE, THERE
WERE RATS.
IT WAS FLOODED, AND WORSE, THERE
WERE RATS.
I'D BEEN OFFERED A REAL JOB IN
WERE RATS.
I'D BEEN OFFERED A REAL JOB IN
LONDON, SO I TOOK IT.
I'D BEEN OFFERED A REAL JOB IN
LONDON, SO I TOOK IT.
AND I DECIDED THAT NO KIDS OF
LONDON, SO I TOOK IT.
AND I DECIDED THAT NO KIDS OF
MINE WOULD EVER GO THROUGH THA
AND I DECIDED THAT NO KIDS OF
MINE WOULD EVER GO THROUGH THA HARDSHIP AND THAT HEARTACHE.
I MUST HAVE A TISSUE SOMEWHERE.
HUH?
[ TWINKLING ]
HUH?
[ TWINKLING ]
HMM.
[ TWINKLING ]
HMM.
[ MUSIC INTENSIFIES ]
[ GASPS ]
[ BOTH CHUCKLE ]
A MANGO TREE...IN VIENNA?
[ BOTH CHUCKLE ]
A MANGO TREE...IN VIENNA?
THAT'S PRETTY RANDOM.
[ CHUCKLES ]
DO YOU WANT TO GO HOME?
WITHOUT MY CHILDREN?
OF COURSE NOT.
WITHOUT MY CHILDREN?
OF COURSE NOT.
I DIDN'T MEAN YOUR HOME.
OF COURSE NOT.
I DIDN'T MEAN YOUR HOME.
OH.
I DIDN'T MEAN YOUR HOME.
OH.
THEY'RE TAKING THE FLYING
OH.
THEY'RE TAKING THE FLYING
MACHINE HOME.
[ MUSIC STOPS ]
[ BIRDS CHIRPING ]
THIS IS POLAND?
THAT'S RIGHT.
WHATEVER.
[ TWINKLING ]
CHOPIN'S BIRTHDAYS.
Z-- ZE-- ZEL--
CHOPIN'S BIRTHDAYS.
Z-- ZE-- ZEL--
[ SPEAKS POLISH ]
Z-- ZE-- ZEL--
[ SPEAKS POLISH ]
[ CHUCKLES ]
[ SPEAKS POLISH ]
[ CHUCKLES ]
WOW.
[ CHUCKLES ]
WOW.
CHOPIN USED TO COME HERE ON
WOW.
CHOPIN USED TO COME HERE ON
HOLIDAY WHEN HE WAS A BOY.
CHOPIN USED TO COME HERE ON
HOLIDAY WHEN HE WAS A BOY.
HE LOVED TO PLAY JOKES.
HOLIDAY WHEN HE WAS A BOY.
HE LOVED TO PLAY JOKES.
AND HE LOVED DRAWING CARTOONS.
HE LOVED TO PLAY JOKES.
AND HE LOVED DRAWING CARTOONS.
HE EVEN MADE A STORYBOOK OF ALL
AND HE LOVED DRAWING CARTOONS.
HE EVEN MADE A STORYBOOK OF ALL
THE CRAZY THINGS HE SAW.
HE EVEN MADE A STORYBOOK OF ALL
THE CRAZY THINGS HE SAW.
[ SIGHS ]
THE CRAZY THINGS HE SAW.
[ SIGHS ]
WHERE ARE THE KIDS?
[ SIGHS ]
WHERE ARE THE KIDS?
DID YOU SEE WHERE THEY WENT?
WHERE ARE THE KIDS?
DID YOU SEE WHERE THEY WENT?
THEY'RE REALLY GETTING INTO
DID YOU SEE WHERE THEY WENT?
THEY'RE REALLY GETTING INTO
CHOPIN.
JANE?
FRED.
[ UP-TEMPO MUSIC PLAYS ]
IT'S CHOPIN.
BYE.
[ MUSIC STOPS ]
WHERE ARE THEY?
[ MUSIC STOPS ]
WHERE ARE THEY?
THEY'RE WHERE YOU THINK.
WHERE ARE THEY?
THEY'RE WHERE YOU THINK.
[ UP-TEMPO MUSIC PLAYS ]
WARSAW!
THIS IS WHERE CHOPIN'S HEART WAS
BROUGHT HOME.
THIS IS WHERE CHOPIN'S HEART WAS
BROUGHT HOME.
[ GASPS ]
OH, MY GOD.
THEY'RE GONNA CRASH.
FRED?
THEY'RE GONNA CRASH.
FRED?
WE HAVE TO GET DOWN THERE.
FRED?
WE HAVE TO GET DOWN THERE.
[ GASPS ]
[ MUSIC STOPS ]
[ SIGHS ]
JANE?
FRED?
THEY DID IT.
FRED?
THEY DID IT.
THEY BROUGHT THE FLYING MACHINE
THEY DID IT.
THEY BROUGHT THE FLYING MACHINE
BACK HOME.
THEY BROUGHT THE FLYING MACHINE
BACK HOME.
ISN'T THAT GREAT?
BACK HOME.
ISN'T THAT GREAT?
GREAT?
ISN'T THAT GREAT?
GREAT?
THEY'RE STATUES.
GREAT?
THEY'RE STATUES.
THEY'RE LIFELESS.
THEY'RE STATUES.
THEY'RE LIFELESS.
[ SIGHS ]
THEY'RE LIFELESS.
[ SIGHS ]
OH, I NEVER SHOULD'VE TAKEN THEM
[ SIGHS ]
OH, I NEVER SHOULD'VE TAKEN THEM
TO THIS PIANO THING.
OH, I NEVER SHOULD'VE TAKEN THEM
TO THIS PIANO THING.
DO SOMETHING.
TO THIS PIANO THING.
DO SOMETHING.
BRING THEM BACK TO LIFE.
DO SOMETHING.
BRING THEM BACK TO LIFE.
ME?
BRING THEM BACK TO LIFE.
ME?
WELL, WHAT AM I SUPPOSED TO
ME?
WELL, WHAT AM I SUPPOSED TO
DO?
WELL, WHAT AM I SUPPOSED TO
DO?
[ TWINKLING ]
"CHOPIN LOVED THE DANCES OF HIS
HOMELAND, AND THROUGHOUT HIS
LIFE, HE NEVER FORGOT THE SPIRI
HOMELAND, AND THROUGHOUT HIS
LIFE, HE NEVER FORGOT THE SPIRI OF DANCE."
OH, NO, NO, NO, NO, NO, NO.
[ SLOW-TEMPO MUSIC PLAYS ]
[ SIGHS ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ SIGHS ]
IT'S WHAT YOU ALWAYS DREAMED
[ SIGHS ]
IT'S WHAT YOU ALWAYS DREAMED
OF DOING.
IT'S WHAT YOU ALWAYS DREAMED
OF DOING.
IF YOU WANT THEIR SPIRITS BACK,
OF DOING.
IF YOU WANT THEIR SPIRITS BACK,
WHY NOT SHOW THEM SOME OF YOURS?
IF YOU WANT THEIR SPIRITS BACK,
WHY NOT SHOW THEM SOME OF YOURS?
ON THREE.
WHY NOT SHOW THEM SOME OF YOURS?
ON THREE.
ONE...
ON THREE.
ONE...
IF THIS ENDS UP ON YouTube,
ONE...
IF THIS ENDS UP ON YouTube,
YOU'RE HISTORY.
IF THIS ENDS UP ON YouTube,
YOU'RE HISTORY.
...TWO...
YOU'RE HISTORY.
...TWO...
THREE.
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ TWINKLING ]
[ TWINKLING ]
[ MUSIC STOPS ]
[ CHUCKLES ]
MUM?
[ CHUCKLES ]
MUM?
IS IT REALLY YOU?
MUM?
IS IT REALLY YOU?
YES.
IS IT REALLY YOU?
YES.
[ CHUCKLES ]
YES.
[ CHUCKLES ]
BUT YOU WERE DANCING.
[ CHUCKLES ]
BUT YOU WERE DANCING.
I KNOW.
BUT YOU WERE DANCING.
I KNOW.
[ CHUCKLES ]
I KNOW.
[ CHUCKLES ]
[ CHUCKLES ]
[ CHUCKLES ]
[ CHUCKLES ]
MUM, WE FLEW ACROSS EUROPE.
[ CHUCKLES ]
MUM, WE FLEW ACROSS EUROPE.
I KNOW.
MUM, WE FLEW ACROSS EUROPE.
I KNOW.
YOU COULD'VE GOT YOURSELF
I KNOW.
YOU COULD'VE GOT YOURSELF
KILLED.
YOU COULD'VE GOT YOURSELF
KILLED.
HOW MANY TIMES HAVE I TOLD YOU
KILLED.
HOW MANY TIMES HAVE I TOLD YOU
NOT TO GO WHOOSHING OFF ON
HOW MANY TIMES HAVE I TOLD YOU
NOT TO GO WHOOSHING OFF ON
STRANGE FLYING MACHINES?
NOT TO GO WHOOSHING OFF ON
STRANGE FLYING MACHINES?
[ CHUCKLES ]
STRANGE FLYING MACHINES?
[ CHUCKLES ]
BUT YOU BROUGHT IT HOME.
[ CHUCKLES ]
BUT YOU BROUGHT IT HOME.
I'M SO PROUD OF YOU.
BUT YOU BROUGHT IT HOME.
I'M SO PROUD OF YOU.
[ ALL CHUCKLE ]
I'M SO PROUD OF YOU.
[ ALL CHUCKLE ]
BUT HOW ARE WE GOING TO GE
[ ALL CHUCKLE ]
BUT HOW ARE WE GOING TO GE HOME?
BUT HOW ARE WE GOING TO GE HOME?
WELL, DID YOU THINK YOU'RE
HOME?
WELL, DID YOU THINK YOU'RE
THE ONLY ONE WITH A FLYING
WELL, DID YOU THINK YOU'RE
THE ONLY ONE WITH A FLYING
PIANO?
HI.
SO, WHAT'S THE MAXIMUM WEIGH LIMIT ON THIS THING?
SO, WHAT'S THE MAXIMUM WEIGH LIMIT ON THIS THING?
HOLD ON. NO.
LIMIT ON THIS THING?
HOLD ON. NO.
THIS IS NOT A TAXI.
HOLD ON. NO.
THIS IS NOT A TAXI.
WITHOUT INSPIRATION, IT CAN'T DO
THIS IS NOT A TAXI.
WITHOUT INSPIRATION, IT CAN'T DO
ANYTHING.
WITHOUT INSPIRATION, IT CAN'T DO
ANYTHING.
YEAH, I HAD A STATION WAGON
ANYTHING.
YEAH, I HAD A STATION WAGON
LIKE THAT.
YEAH, I HAD A STATION WAGON
LIKE THAT.
[ SIGHS ]
LIKE THAT.
[ SIGHS ]
IT'S YOUR KIDS WHO BROUGHT US ON
[ SIGHS ]
IT'S YOUR KIDS WHO BROUGHT US ON
THIS TRIP.
IT'S YOUR KIDS WHO BROUGHT US ON
THIS TRIP.
HEY.
THIS TRIP.
HEY.
YOU LIKE TUDES?
HEY.
YOU LIKE TUDES?
I LOVE THEM.
YOU LIKE TUDES?
I LOVE THEM.
BUT THEY'RE TOO HARD.
I LOVE THEM.
BUT THEY'RE TOO HARD.
WITHOUT A CHALLENGE, WE'D
BUT THEY'RE TOO HARD.
WITHOUT A CHALLENGE, WE'D
NEVER LEARN ANYTHING.
WITHOUT A CHALLENGE, WE'D
NEVER LEARN ANYTHING.
ACTUALLY, I WANTED TO ASK...
NEVER LEARN ANYTHING.
ACTUALLY, I WANTED TO ASK...
SURE.
ACTUALLY, I WANTED TO ASK...
SURE.
I DON'T SEE HOW YOU CAN
SURE.
I DON'T SEE HOW YOU CAN
SPREAD A 2.5 OCTAVE CHORD.
I DON'T SEE HOW YOU CAN
SPREAD A 2.5 OCTAVE CHORD.
AHH, LIKE IN THE
SPREAD A 2.5 OCTAVE CHORD.
AHH, LIKE IN THE
"BLACK KEYS TUDE."
AHH, LIKE IN THE
"BLACK KEYS TUDE."
MM-HMM.
"BLACK KEYS TUDE."
MM-HMM.
YOU WANT TO TRY A DUET WITH
MM-HMM.
YOU WANT TO TRY A DUET WITH
ME?
YOU WANT TO TRY A DUET WITH
ME?
I CAN'T.
ME?
I CAN'T.
YES, YOU CAN.
I CAN'T.
YES, YOU CAN.
I KNOW YOU CAN DO IT.
YES, YOU CAN.
I KNOW YOU CAN DO IT.
ALL IT TAKES IS DETERMINATION
I KNOW YOU CAN DO IT.
ALL IT TAKES IS DETERMINATION
AND A GOOD TEACHER.
ALL IT TAKES IS DETERMINATION
AND A GOOD TEACHER.
[ TWINKLING ]
[ CHOPIN'S "BLACK KEYS TUDE"
PLAYS ]
WOW.
[ CHUCKLES ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ SIGHS ]
[ MUSIC INTENSIFIES ]
WHOO!
YEAH!
OOH.
YEAH!
OOH.
WHOO!
OOH.
WHOO!
[ CHUCKLES ]
WHOO!
[ CHUCKLES ]
THAT WAS GREAT.
[ CHUCKLES ]
THAT WAS GREAT.
GOOD JOB.
THAT WAS GREAT.
GOOD JOB.
THANK YOU SO MUCH FOR
GOOD JOB.
THANK YOU SO MUCH FOR
EVERYTHING.
THANK YOU SO MUCH FOR
EVERYTHING.
AND, UM, I DIDN'T MEAN IT ABOU
EVERYTHING.
AND, UM, I DIDN'T MEAN IT ABOU THE HAIR.
AND, UM, I DIDN'T MEAN IT ABOU THE HAIR.
LOOK WHO IT IS.
THE HAIR.
LOOK WHO IT IS.
[ CHUCKLES ]
LOOK WHO IT IS.
[ CHUCKLES ]
[ LAUGHS ]
[ TWINKLING ]
[ WHISTLES ]
[ SLOW-TEMPO MUSIC PLAYS ]
IT WORKED.
COME ON.
WE DID IT.
COME ON.
WE DID IT.
COME ON.
[ TWINKLING ]
[ ALL GASP ]
[ MUSIC INTENSIFIES ]
THAT'S THE BIGGEST CHOPIN
MONUMENT IN THE WORLD, IN
SHANGHAI, CHINA -- MY COUNTRY.
MONUMENT IN THE WORLD, IN
SHANGHAI, CHINA -- MY COUNTRY.
CHINA?
SHANGHAI, CHINA -- MY COUNTRY.
CHINA?
[ GASPS ]
THIS PIANO STUFF IS PRETTY
AMAZING.
IF YOU REALLY LET IT, IT CAN
AMAZING.
IF YOU REALLY LET IT, IT CAN
TAKE YOU ANYWHERE.
IF YOU REALLY LET IT, IT CAN
TAKE YOU ANYWHERE.
ANYWHERE.
TAKE YOU ANYWHERE.
ANYWHERE.
EVEN HOME.
TOO LOW.
TOO LOW.
[ WHISTLES ]
TOO HIGH.
TOO HIGH.
IT'S LES SYLPHIDES.
WOW.
OH, THAT'S CHOPIN, TOO, ISN'
WOW.
OH, THAT'S CHOPIN, TOO, ISN' IT?
[ SNORTS ]
[ LAUGHS ]
WHOA!
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
[ SIGHS ]
HELLO?
[ INDISTINCT CONVERSATIONS ]
HELLO?
[ INDISTINCT CONVERSATIONS ]
HELLO?
[ INDISTINCT CONVERSATIONS ]
HELLO?
FRED, SHE WAS FANTASTIC.
HELLO?
FRED, SHE WAS FANTASTIC.
[ LAUGHTER ]
FRED, SHE WAS FANTASTIC.
[ LAUGHTER ]
UH-OH.
[ LAUGHTER ]
UH-OH.
[ SIGHS ]
UH-OH.
[ SIGHS ]
[ CHUCKLES ]
[ SIGHS ]
[ CHUCKLES ]
OH.
[ CHUCKLES ]
OH.
THAT WAS INCREDIBLE.
OH.
THAT WAS INCREDIBLE.
[ LAUGHS ]
THAT WAS INCREDIBLE.
[ LAUGHS ]
YOU ENJOYED THE SHOW?
[ LAUGHS ]
YOU ENJOYED THE SHOW?
UM, YES.
YOU ENJOYED THE SHOW?
UM, YES.
I PARTICULARLY LIKE YOUR SPREAD
UM, YES.
I PARTICULARLY LIKE YOUR SPREAD
2.5 OCTAVE CHORDS.
I PARTICULARLY LIKE YOUR SPREAD
2.5 OCTAVE CHORDS.
WHAT?
2.5 OCTAVE CHORDS.
WHAT?
LANG LANG JUST SHOWED ME HOW TO
WHAT?
LANG LANG JUST SHOWED ME HOW TO
PRACTICE THEM.
LANG LANG JUST SHOWED ME HOW TO
PRACTICE THEM.
SHE'S PRETTY GOOD.
PRACTICE THEM.
SHE'S PRETTY GOOD.
SHE SHOULD KEEP IT UP.
SHE'S PRETTY GOOD.
SHE SHOULD KEEP IT UP.
SHE'S FANTASTIC, AND SHE
SHE SHOULD KEEP IT UP.
SHE'S FANTASTIC, AND SHE
WILL.
SHE'S FANTASTIC, AND SHE
WILL.
FRED.
WILL.
FRED.
"TO JANE AND FRED."
FRED.
"TO JANE AND FRED."
JUST AS LONG AS HE DOESN'T TURN
"TO JANE AND FRED."
JUST AS LONG AS HE DOESN'T TURN
TUDES INTO PAPER PLANES AGAIN.
THE PIANO.
WHERE -- WHERE'S THE TELESCOPE
GONE?
WHERE -- WHERE'S THE TELESCOPE
GONE?
[ Chuckling ] MUM.
GONE?
[ Chuckling ] MUM.
IT WAS THE FLYING MACHINE THA
[ Chuckling ] MUM.
IT WAS THE FLYING MACHINE THA HAD A TELESCOPE -- IN THE FILM.
IT WAS THE FLYING MACHINE THA HAD A TELESCOPE -- IN THE FILM.
[ CHUCKLES ]
HAD A TELESCOPE -- IN THE FILM.
[ CHUCKLES ]
[ CELLPHONE RINGTONE PLAYS ]
[ CHUCKLES ]
[ CELLPHONE RINGTONE PLAYS ]
IS THAT ME?
[ CELLPHONE RINGTONE PLAYS ]
IS THAT ME?
FRED, DID YOU DOWNLOAD THIS
IS THAT ME?
FRED, DID YOU DOWNLOAD THIS
RINGTONE?
FRED, DID YOU DOWNLOAD THIS
RINGTONE?
I LOVE IT.
RINGTONE?
I LOVE IT.
AREN'T YOU GOING TO ANSWER
I LOVE IT.
AREN'T YOU GOING TO ANSWER
IT?
AREN'T YOU GOING TO ANSWER
IT?
YOU KNOW WHAT?
IT?
YOU KNOW WHAT?
I DON'T THINK I WILL.
YOU KNOW WHAT?
I DON'T THINK I WILL.
WASN'T IT IMPORTANT?
I DON'T THINK I WILL.
WASN'T IT IMPORTANT?
THE NEW HOUSE -- YOUR DREAM
WASN'T IT IMPORTANT?
THE NEW HOUSE -- YOUR DREAM
HOME?
THE NEW HOUSE -- YOUR DREAM
HOME?
YOU TWO ARE MY HOME, SILLY.
HOME?
YOU TWO ARE MY HOME, SILLY.
YOU KNOW WHAT'S IMPORTANT -- IS
YOU TWO ARE MY HOME, SILLY.
YOU KNOW WHAT'S IMPORTANT -- IS
THAT I TAKE YOU GUYS OUT FOR AN
YOU KNOW WHAT'S IMPORTANT -- IS
THAT I TAKE YOU GUYS OUT FOR AN
ICE CREAM.
THAT I TAKE YOU GUYS OUT FOR AN
ICE CREAM.
[ ALL CHUCKLE ]
ICE CREAM.
[ ALL CHUCKLE ]
MANGO.
[ ALL CHUCKLE ]
MANGO.
[ CHUCKLES ]
MANGO.
[ CHUCKLES ]
WHOA!
[ CHUCKLES ]
WHOA!
YOU CAN TELL ME ALL ABOUT THE
WHOA!
YOU CAN TELL ME ALL ABOUT THE
FLYING MACHINE.
YOU CAN TELL ME ALL ABOUT THE
FLYING MACHINE.
LANG LANG SAID I WAS GOOD A
FLYING MACHINE.
LANG LANG SAID I WAS GOOD A PIANO.
LANG LANG SAID I WAS GOOD A PIANO.
HE DID?
PIANO.
HE DID?
YOU ARE.
HE DID?
YOU ARE.
YOU'RE SO GOOD.
YOU ARE.
YOU'RE SO GOOD.
PRACTICE ALL YOU WANT.
YOU'RE SO GOOD.
PRACTICE ALL YOU WANT.
I CAN'T WAIT TO HEAR YOU.
AND THAT WAS THE DAY MUM
CHANGED.
I THOUGHT WE WERE GOING TO THE
CHANGED.
I THOUGHT WE WERE GOING TO THE
SHOW JUST FOR ME.
I THOUGHT WE WERE GOING TO THE
SHOW JUST FOR ME.
BUT IT TURNED OUT CHOPIN WAS
SHOW JUST FOR ME.
BUT IT TURNED OUT CHOPIN WAS
FOR ALL OF US.
WHEN WE WENT ON OUR WAY
ACROSS THE OCEAN
ACROSS THE OCEAN
WHEN WE LOST OUR GROUND AND
WHEN WE LOST OUR GROUND AND
HIT THE SKY
HIT THE SKY
WHEN WE LOST OUR VISION TO OUR
WHEN WE LOST OUR VISION TO OUR
EMOTIONS
EMOTIONS
WE HURT OURSELVES TO FEEL
WE HURT OURSELVES TO FEEL
ALIVE
ALIVE
IF WE OPEN UP THE WINDOWS
IF WE OPEN UP THE WINDOWS
AND SEE WHAT'S IN FRONT OF OUR
AND SEE WHAT'S IN FRONT OF OUR
EYES
EYES
'CAUSE WITHOUT TOUCHING YOU,
'CAUSE WITHOUT TOUCHING YOU,
WE'RE LIKE SHADOWS
WE'RE LIKE SHADOWS
RUNNING FREE LIKE GHOSTS
RUNNING FREE LIKE GHOSTS
DANCING AWAY
DANCING AWAY
DANCING AWAY
DANCING AWAY
CAN'T YOU SEE THEM COMING
CAN'T YOU SEE THEM COMING
OUT?
OUT?
DANCING AWAY
DANCING AWAY
DANCING AWAY
DANCING AWAY
IF WE DON'T GET BACK
IF WE DON'T GET BACK
TOGETHER
TOGETHER
THE LOVE
THE LOVE
WE ALMOST TOUCHED
WHY DON'T WE GET LOST WITHOU DIRECTIONS?
DIRECTIONS?
CAN WE PUT OUR FAITH IN THIS
CAN WE PUT OUR FAITH IN THIS
MACHINE?
MACHINE?
I CAN'T PROMISE YOU
I CAN'T PROMISE YOU
PROTECTION
PROTECTION
BUT I CAN GIVE YOU ALL MY
BUT I CAN GIVE YOU ALL MY
DREAMS
DREAMS
IF WE OPEN UP THE WINDOWS
IF WE OPEN UP THE WINDOWS
AND SEE WHAT'S IN FRONT OF OUR
AND SEE WHAT'S IN FRONT OF OUR
EYES
EYES
'CAUSE WITHOUT TOUCHING YOU,
'CAUSE WITHOUT TOUCHING YOU,
WE'RE LIKE SHADOWS
WE'RE LIKE SHADOWS
RUNNING FREE LIKE GHOSTS
RUNNING FREE LIKE GHOSTS
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
CAN'T YOU SEE THEM COMING
CAN'T YOU SEE THEM COMING
OUT?
OUT?
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
IF WE DON'T GET BACK
IF WE DON'T GET BACK
TOGETHER
TOGETHER
THE LOVE
THE LOVE
WE ALMOST TOUCHED
WE ALMOST TOUCHED
OOOOOOH
OOOOOOH
OOOOOOH
OOOOOOH
OOOOOOH
OOOOOOH
OOH OOH OOOOOOH
IF WE OPEN UP THE WINDOWS
AND SEE WHAT'S IN FRONT OF OUR
AND SEE WHAT'S IN FRONT OF OUR
EYES
EYES
'CAUSE WITHOUT TOUCHING YOU,
'CAUSE WITHOUT TOUCHING YOU,
WE'RE LIKE SHADOWS
WE'RE LIKE SHADOWS
RUNNING FREE LIKE GHOSTS
RUNNING FREE LIKE GHOSTS
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
CAN'T YOU SEE THEM COMING
CAN'T YOU SEE THEM COMING
OUT?
OUT?
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
IF WE DON'T GET BACK
IF WE DON'T GET BACK
TOGETHER
TOGETHER
THE LOVE
THE LOVE
WE ALMOST TOUCHED
WE ALMOST TOUCHED
[ CLASSICAL MUSIC PLAYS ]
THAT'S ME -- JANE.
YOU'LL E-MAIL ME THE
CONTRACTS RIGHT AWAY?
YOU'LL E-MAIL ME THE
CONTRACTS RIGHT AWAY?
THAT'S OUR MUM.
CONTRACTS RIGHT AWAY?
THAT'S OUR MUM.
GREAT, UH, I'LL GET THEM BACK
THAT'S OUR MUM.
GREAT, UH, I'LL GET THEM BACK
TO YOU AS SOON AS POSSIBLE.
GREAT, UH, I'LL GET THEM BACK
TO YOU AS SOON AS POSSIBLE.
AND THAT'S MY LITTLE BROTH,
TO YOU AS SOON AS POSSIBLE.
AND THAT'S MY LITTLE BROTH,
FRED.
AND THAT'S MY LITTLE BROTH,
FRED.
REALLY?
FRED.
REALLY?
THIS IS US ON THE AMAZING
REALLY?
THIS IS US ON THE AMAZING
DAY.
THIS IS US ON THE AMAZING
DAY.
OKAY, I'LL TALK TO YOU LATER.
DAY.
OKAY, I'LL TALK TO YOU LATER.
THE DAY OUR MUM...CHANGED.
OKAY, I'LL TALK TO YOU LATER.
THE DAY OUR MUM...CHANGED.
OOH.
THE DAY OUR MUM...CHANGED.
OOH.
KIDS, WASN'T THAT FANTASTIC?
OOH.
KIDS, WASN'T THAT FANTASTIC?
IT'S GONNA BE OUR DREAM HOME.
KIDS, WASN'T THAT FANTASTIC?
IT'S GONNA BE OUR DREAM HOME.
BUT, MUM, NOW WE'RE NOT GONNA
IT'S GONNA BE OUR DREAM HOME.
BUT, MUM, NOW WE'RE NOT GONNA
BE IN TIME FOR THE SHOW.
BUT, MUM, NOW WE'RE NOT GONNA
BE IN TIME FOR THE SHOW.
YOU'LL HAVE A ROOM FOR YOUR
BE IN TIME FOR THE SHOW.
YOU'LL HAVE A ROOM FOR YOUR
PIANO.
YOU'LL HAVE A ROOM FOR YOUR
PIANO.
SOUND-PROOFED.
PIANO.
SOUND-PROOFED.
YOU'RE GONNA BE CLOSER TO YOUR
SOUND-PROOFED.
YOU'RE GONNA BE CLOSER TO YOUR
DAD AND HIS DELIGHTFUL NEW
YOU'RE GONNA BE CLOSER TO YOUR
DAD AND HIS DELIGHTFUL NEW
FRIEND.
DAD AND HIS DELIGHTFUL NEW
FRIEND.
[ CELLPHONE RINGS ]
FRIEND.
[ CELLPHONE RINGS ]
HI.
[ CELLPHONE RINGS ]
HI.
[ SIGHS ]
HI.
[ SIGHS ]
YEAH, I'M JUST TAKING MY KIDS
[ SIGHS ]
YEAH, I'M JUST TAKING MY KIDS
TO THIS PIANO THING.
YEAH, I'M JUST TAKING MY KIDS
TO THIS PIANO THING.
I DON'T KNOW.
TO THIS PIANO THING.
I DON'T KNOW.
UH-HUH.
I DON'T KNOW.
UH-HUH.
I'M DOWNLOADING THE FIRST ONE
UH-HUH.
I'M DOWNLOADING THE FIRST ONE
RIGHT NOW.
I'M DOWNLOADING THE FIRST ONE
RIGHT NOW.
MUM, THAT'S IT!
RIGHT NOW.
MUM, THAT'S IT!
WE'RE HERE.
MUM, THAT'S IT!
WE'RE HERE.
UH-HUH.
WE'RE HERE.
UH-HUH.
YOUR E-MAILS ARE JUST COMING
UH-HUH.
YOUR E-MAILS ARE JUST COMING
THROUGH RIGHT NOW.
YOUR E-MAILS ARE JUST COMING
THROUGH RIGHT NOW.
PLEASE TAKE YOUR SEATS.
THROUGH RIGHT NOW.
PLEASE TAKE YOUR SEATS.
THE SHOW IS ABOUT TO BEGIN.
PLEASE TAKE YOUR SEATS.
THE SHOW IS ABOUT TO BEGIN.
THAT'S $30,000 MORE THAN MY
THE SHOW IS ABOUT TO BEGIN.
THAT'S $30,000 MORE THAN MY
LAST OFFER.
THAT'S $30,000 MORE THAN MY
LAST OFFER.
THERE SHE IS.
LAST OFFER.
THERE SHE IS.
MUM, YOU'VE MADE US LATE.
THERE SHE IS.
MUM, YOU'VE MADE US LATE.
I'LL GO TO $750,000, BU
MUM, YOU'VE MADE US LATE.
I'LL GO TO $750,000, BU THAT'S IT -- THE FINAL OFFER.
I'LL GO TO $750,000, BU THAT'S IT -- THE FINAL OFFER.
OUR MUM IS SO PRETTY...
THAT'S IT -- THE FINAL OFFER.
OUR MUM IS SO PRETTY...
DON'T WORRY, SWEETIE.
OUR MUM IS SO PRETTY...
DON'T WORRY, SWEETIE.
YOU'RE GONNA THANK ME WHEN WE'RE
DON'T WORRY, SWEETIE.
YOU'RE GONNA THANK ME WHEN WE'RE
IN THIS DREAM HOUSE I'M GETTING
YOU'RE GONNA THANK ME WHEN WE'RE
IN THIS DREAM HOUSE I'M GETTING
US.
IN THIS DREAM HOUSE I'M GETTING
US.
...AND PRETTY ANNOYING.
US.
...AND PRETTY ANNOYING.
WELL, EXACTLY.
...AND PRETTY ANNOYING.
WELL, EXACTLY.
I'M PROPOSING A COORDINATED
WELL, EXACTLY.
I'M PROPOSING A COORDINATED
COMMUNICATIONS DRIVE...
I'M PROPOSING A COORDINATED
COMMUNICATIONS DRIVE...
THAT BAG OF HERS IS A MOBIE
COMMUNICATIONS DRIVE...
THAT BAG OF HERS IS A MOBIE
OFFICE.
THAT BAG OF HERS IS A MOBIE
OFFICE.
EVERYTHING WILL RUN...
OFFICE.
EVERYTHING WILL RUN...
[ GASPS ]
EVERYTHING WILL RUN...
[ GASPS ]
[ CHUCKLES ]
[ GASPS ]
[ CHUCKLES ]
THANK YOU, FRED.
[ CHUCKLES ]
THANK YOU, FRED.
...LIKE CLOCKWORK.
THANK YOU, FRED.
...LIKE CLOCKWORK.
WELL, WHERE DID THESE NEW PEOPLE
...LIKE CLOCKWORK.
WELL, WHERE DID THESE NEW PEOPLE
COME FROM?
WELL, WHERE DID THESE NEW PEOPLE
COME FROM?
THEY CAN'T START BIDDING OUT OF
COME FROM?
THEY CAN'T START BIDDING OUT OF
THE BLUE LIKE THAT.
THEY CAN'T START BIDDING OUT OF
THE BLUE LIKE THAT.
LANG LANG COULD PLAY ALL OF
THE BLUE LIKE THAT.
LANG LANG COULD PLAY ALL OF
CHOPIN'S TUDES WHEN HE WAS 13.
LANG LANG COULD PLAY ALL OF
CHOPIN'S TUDES WHEN HE WAS 13.
REALLY, HONEY?
CHOPIN'S TUDES WHEN HE WAS 13.
REALLY, HONEY?
$800,000?
REALLY, HONEY?
$800,000?
HERE.
$800,000?
HERE.
WELL, FORTUNATELY, I HAVE A
HERE.
WELL, FORTUNATELY, I HAVE A
NICE, NEW CLIENT, SO...I'LL GO
WELL, FORTUNATELY, I HAVE A
NICE, NEW CLIENT, SO...I'LL GO
TO $800,000.
NICE, NEW CLIENT, SO...I'LL GO
TO $800,000.
MUM, I HAVE TO GE
TO $800,000.
MUM, I HAVE TO GE LANG LANG'S AUTOGRAPH.
MUM, I HAVE TO GE LANG LANG'S AUTOGRAPH.
FRED.
LANG LANG'S AUTOGRAPH.
FRED.
[ HUMMING ]
SO THAT WE ALL ENJOY OUR TRIP
ON THE FLYING MACHINE, PLEASE
REMEMBER TO SWITCH OFF YOUR
ON THE FLYING MACHINE, PLEASE
REMEMBER TO SWITCH OFF YOUR
MOBILE PHONES.
REMEMBER TO SWITCH OFF YOUR
MOBILE PHONES.
MUM.
MOBILE PHONES.
MUM.
HONEY, THESE CONTRACTS THA
MUM.
HONEY, THESE CONTRACTS THA ARE COMING THROUGH ARE REALLY
HONEY, THESE CONTRACTS THA ARE COMING THROUGH ARE REALLY
IMPORTANT.
ARE COMING THROUGH ARE REALLY
IMPORTANT.
[ SIGHS ]
IMPORTANT.
[ SIGHS ]
IT'S ON SILENT.
[ SIGHS ]
IT'S ON SILENT.
I PROMISE YOU WE CAN GET YOU
IT'S ON SILENT.
I PROMISE YOU WE CAN GET YOU
YOUR AUTOGRAPH AFTER.
I PROMISE YOU WE CAN GET YOU
YOUR AUTOGRAPH AFTER.
[ GASPS ]
YOUR AUTOGRAPH AFTER.
[ GASPS ]
[ CHEERS AND APPLAUSE ]
[ WIND WHISTLING ]
[ BIRDS CHIRPING ]
[ CLATTERING ]
[ ELECTRICITY CRACKLES ]
[ BANGING ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ CHUCKLES ]
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ BELL RINGS ]
OW!
[ MUSIC INTENSIFIES ]
[ SIGHS ]
[ MUSIC SOFTENS ]
[ SIGHS ]
[ MUSIC STOPS ]
[ BIRDS CHIRPING ]
[ MID-TEMPO MUSIC PLAYS ]
[ GROWLS ]
[ GASPS ]
[ MUSIC INTENSIFIES ]
[ GRUNTS ]
[ DOOR CLOSES ]
[ MUSIC SOFTENS ]
[ CRYING ]
[ SIGHS ]
[ MUSIC INTENSIFIES ]
[ SIGHS ]
[ MUSIC SOFTENS ]
[ MUSIC FADES ]
[ MUSIC INTENSIFIES ]
[ GASPS ]
[ GRUNTS ]
[ WHIMPERS ]
[ MUSIC STOPS ]
[ WIND WHISTLING ]
[ UP-TEMPO MUSIC PLAYS ]
[ MUSIC STOPS ]
[ UP-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ WHIMPERING ]
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
[ BIRDS CHIRPING ]
[ WINGS FLAPPING ]
[ WHIMPERS ]
[ GRUNTS ]
[ GRUNTS ]
[ UP-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ GRUNTS ]
[ GASPS ]
[ MUSIC SOFTENS ]
[ MUSIC STOPS ]
[ CREAKING ]
[ WIND WHISTLING ]
[ CREAKING ]
[ WIND WHISTLING ]
[ WHIMPERING ]
[ COMPASS CHIMES ]
[ BELL TOLLING ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ GASPS ]
[ MUSIC INTENSIFIES ]
[ GRUNTS ]
[ MUSIC SOFTENS ]
[ BIRDS CHIRPING ]
[ COMPASS CHIMES ]
[ MUSIC STOPS ]
[ SIGHS ]
[ MUSIC STOPS ]
[ SIGHS ]
[ WINGS FLAPPING ]
[ SIGHS ]
[ WINGS FLAPPING ]
[ WIND WHISTLING ]
[ THUNDER RUMBLING ]
[ DRAMATIC MUSIC PLAYS ]
[ GRUNTS ]
[ COMPASS CHIMES ]
[ GLASS SHATTERS ]
[ MUSIC STOPS ]
[ BIRDS SQUAWKING ]
[ BELL TOLLS ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC STOPS ]
[ COMPASS CHIMES ]
[ SLOW-TEMPO MUSIC PLAYS ]
WE GLISTEN FREE
WE FLOAT ALONG
TOO HIGH TO CATCH
WE FLOAT ALONG
TOO HIGH TO CATCH
LIKE PETALS IN THE WIND
TOO HIGH TO CATCH
LIKE PETALS IN THE WIND
NOT COMING DOWN
LIKE PETALS IN THE WIND
NOT COMING DOWN
I PRINT YOU IN MY MIND
NOT COMING DOWN
I PRINT YOU IN MY MIND
WHERE I CAN SEE YOU
I PRINT YOU IN MY MIND
WHERE I CAN SEE YOU
UNTIL YOU'RE HOME AND STAY
WHERE I CAN SEE YOU
UNTIL YOU'RE HOME AND STAY
WITH ME
UNTIL YOU'RE HOME AND STAY
WITH ME
LEANING TOWARDS
WITH ME
LEANING TOWARDS
THE FADING DAWN
LEANING TOWARDS
THE FADING DAWN
WHERE WE'RE JUST PARTICLES
THE FADING DAWN
WHERE WE'RE JUST PARTICLES
OF DUST AND DREAMS
WHERE WE'RE JUST PARTICLES
OF DUST AND DREAMS
VELOCITY
OF DUST AND DREAMS
VELOCITY
MOVING SILENTLY
VELOCITY
MOVING SILENTLY
WE'RE CROSSING FASTER THAN THE
MOVING SILENTLY
WE'RE CROSSING FASTER THAN THE
SPEED OF THINKING
WE'RE CROSSING FASTER THAN THE
SPEED OF THINKING
WE ARE...WHERE WE CAN
SPEED OF THINKING
WE ARE...WHERE WE CAN
BE TOGETHER
WE ARE...WHERE WE CAN
BE TOGETHER
AND STAY THE PATH WE'RE ON
BE TOGETHER
AND STAY THE PATH WE'RE ON
KEEP THE FAITH IN WHA
AND STAY THE PATH WE'RE ON
KEEP THE FAITH IN WHA WE ALMOST TOUCHED
KEEP THE FAITH IN WHA WE ALMOST TOUCHED
NO MORE, NO LESS
TREATISE
[ THUNDER RUMBLING ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ THUNDER CRASHES ]
[ MUSIC INTENSIFIES ]
[ SCREAMS ]
[ MUSIC STOPS ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC ENDS ]
[ CHEERS AND APPLAUSE ]
HI, MURRAY.
DID I MISS A CALL FROM YOU?
OH! REALLY?
THEY ACCEPTED OUR $800,000?
THAT'S GOOD NEWS.
THEY ACCEPTED OUR $800,000?
THAT'S GOOD NEWS.
THAT'S FANTASTIC.
THAT'S GOOD NEWS.
THAT'S FANTASTIC.
OKAY, I'LL TALK TO YOU THEN.
THAT'S FANTASTIC.
OKAY, I'LL TALK TO YOU THEN.
WE GOT IT!
OKAY, I'LL TALK TO YOU THEN.
WE GOT IT!
WE GOT IT!
WE GOT IT!
WE GOT IT!
WE GOT OUR DREAM HOUSE!
WE GOT IT!
WE GOT OUR DREAM HOUSE!
WHOO-HOO!
WE GOT OUR DREAM HOUSE!
WHOO-HOO!
[ SIGHS ]
WHOO-HOO!
[ SIGHS ]
[ CELLPHONE RINGING ]
[ SIGHS ]
[ CELLPHONE RINGING ]
JAMES.
[ CELLPHONE RINGING ]
JAMES.
OH, WELL, THAT'S GREAT NEWS.
JAMES.
OH, WELL, THAT'S GREAT NEWS.
UM, BUT ACTUALLY, I NEED
OH, WELL, THAT'S GREAT NEWS.
UM, BUT ACTUALLY, I NEED
$800,000 NOW.
UM, BUT ACTUALLY, I NEED
$800,000 NOW.
[ CHUCKLES ]
BUT -- WELL, WHY NOT?
I HAVE EXCELLENT CREDIT HISTORY
AT YOUR BANK.
I HAVE EXCELLENT CREDIT HISTORY
AT YOUR BANK.
MUM, HURRY UP.
AT YOUR BANK.
MUM, HURRY UP.
[ SIGHS ]
MUM, HURRY UP.
[ SIGHS ]
MUM, I HAVE TO MEE
[ SIGHS ]
MUM, I HAVE TO MEE LANG LANG.
MUM, I HAVE TO MEE LANG LANG.
MUM, YOU PROMISED.
LANG LANG.
MUM, YOU PROMISED.
SHH!
MUM, YOU PROMISED.
SHH!
JUST DON'T GO ANYWHERE, AND LOOK
SHH!
JUST DON'T GO ANYWHERE, AND LOOK
AFTER YOUR BROTHER.
JUST DON'T GO ANYWHERE, AND LOOK
AFTER YOUR BROTHER.
WE--
AFTER YOUR BROTHER.
WE--
SO, THEY WON'T BUDGE ON THE
WE--
SO, THEY WON'T BUDGE ON THE
$770,000?
THIS IS SO UNFAIR.
[ NOTES PLAY ]
[ SIGHS ]
[ NOTES PLAY ]
[ SIGHS ]
SHE DIDN'T EVEN WANT US AROUND.
[ NOTES PLAYING ]
WELL, I'M ABOUT TO SIGN A
VERY LUCRATIVE CONTRACT, AND
THERE'S PLENTY OF OTHER BANKS IN
VERY LUCRATIVE CONTRACT, AND
THERE'S PLENTY OF OTHER BANKS IN
THE CITY.
THERE'S PLENTY OF OTHER BANKS IN
THE CITY.
SO, IF YOU WON'T GIVE ME WHAT I
THE CITY.
SO, IF YOU WON'T GIVE ME WHAT I
NEED, THEN I'LL GET IT SOMEWHERE
SO, IF YOU WON'T GIVE ME WHAT I
NEED, THEN I'LL GET IT SOMEWHERE
ELSE.
OH, NO.
KIDS?
[ GROANS ]
JANE? FRED?
WE HAVE TO GO NOW.
WE HAVE TO LEAVE.
WE HAVE TO GO NOW.
WE HAVE TO LEAVE.
I DON'T HAVE TIME FOR THIS.
WE HAVE TO LEAVE.
I DON'T HAVE TIME FOR THIS.
OH, UM, HAVE YOU SEEN AN
I DON'T HAVE TIME FOR THIS.
OH, UM, HAVE YOU SEEN AN
11-YEAR-OLD GIRL AND A
OH, UM, HAVE YOU SEEN AN
11-YEAR-OLD GIRL AND A
6-YEAR-OLD BOY?
11-YEAR-OLD GIRL AND A
6-YEAR-OLD BOY?
I THINK THEY WENT LOOKING FOR AN
6-YEAR-OLD BOY?
I THINK THEY WENT LOOKING FOR AN
AUTOGRAPH.
I THINK THEY WENT LOOKING FOR AN
AUTOGRAPH.
UH, I DON'T THINK THAT'S
AUTOGRAPH.
UH, I DON'T THINK THAT'S
WHERE THEY WENT.
UH, I DON'T THINK THAT'S
WHERE THEY WENT.
HMM.
WHERE THEY WENT.
HMM.
OKAY.
HMM.
OKAY.
JANE, FRED, THIS IS THE LAS
OKAY.
JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.
JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.
[ CHUCKLES ]
PIANO TRIP I'M TAKING YOU ON.
[ CHUCKLES ]
YOU THINK SO?
[ CHUCKLES ]
YOU THINK SO?
[ SCOFFS ]
YOU THINK SO?
[ SCOFFS ]
EXCUSE ME?
[ SCOFFS ]
EXCUSE ME?
TRY SEEING THINGS THEIR WAY.
EXCUSE ME?
TRY SEEING THINGS THEIR WAY.
HUH.
TRY SEEING THINGS THEIR WAY.
HUH.
IS THIS SOME KIND OF SILLY STUN
HUH.
IS THIS SOME KIND OF SILLY STUN THAT FRED PUT YOU UP TO?
OH.
OH.
[ UPBEAT MUSIC PLAYS ]
I THOUGHT THE SHOW WAS OVER.
[ UPBEAT MUSIC PLAYS ]
I THOUGHT THE SHOW WAS OVER.
THAT'S REALISTIC.
I THOUGHT THE SHOW WAS OVER.
THAT'S REALISTIC.
WHAT IS THAT?
THAT'S REALISTIC.
WHAT IS THAT?
[ IMITATING PLANE ENGINE ]
THE FLYING MACHINE.
HELLO.
HI.
UM, CAN YOU STOP THIS RIDE, OR
HI.
UM, CAN YOU STOP THIS RIDE, OR
WHATEVER IT IS?
UM, CAN YOU STOP THIS RIDE, OR
WHATEVER IT IS?
'CAUSE I HAVE IMPORTANT CALLS I
WHATEVER IT IS?
'CAUSE I HAVE IMPORTANT CALLS I
NEED TO MAKE AND CONTRACTS I
'CAUSE I HAVE IMPORTANT CALLS I
NEED TO MAKE AND CONTRACTS I
NEED TO BE STUDYING.
NEED TO MAKE AND CONTRACTS I
NEED TO BE STUDYING.
STUDYING?
NEED TO BE STUDYING.
STUDYING?
THIS IS THE WORLD OF CHOPIN'S
STUDYING?
THIS IS THE WORLD OF CHOPIN'S
STUDIES.
THIS IS THE WORLD OF CHOPIN'S
STUDIES.
THE TELESCOPE'S GONE.
STUDIES.
THE TELESCOPE'S GONE.
IT MUST HAVE BLOWN OFF IN THE
THE TELESCOPE'S GONE.
IT MUST HAVE BLOWN OFF IN THE
STORM.
IT MUST HAVE BLOWN OFF IN THE
STORM.
THE KIDS.
STORM.
THE KIDS.
WHERE ARE THE KIDS?
THE KIDS.
WHERE ARE THE KIDS?
[ TWINKLING ]
WHERE ARE THE KIDS?
[ TWINKLING ]
IT'S A MAP.
[ TWINKLING ]
IT'S A MAP.
"CHOPIN CAME TO LONDON NEAR THE
IT'S A MAP.
"CHOPIN CAME TO LONDON NEAR THE
END OF HIS LIFE.
"CHOPIN CAME TO LONDON NEAR THE
END OF HIS LIFE.
HERE, HE GAVE HIS VERY LAS
END OF HIS LIFE.
HERE, HE GAVE HIS VERY LAS CONCERT, ILL AND HOMESICK."
WARSAW.
[ COMPASS CHIMES ]
[ GASPS ]
[ COMPASS CHIMES ]
[ GASPS ]
THE FLYING MACHINE WANTS TO GO
[ GASPS ]
THE FLYING MACHINE WANTS TO GO
HOME.
THE FLYING MACHINE WANTS TO GO
HOME.
YEAH.
HOME.
YEAH.
WE HAVE TO GET HOME, TOO.
YOU'RE RIGHT.
MUM'S PROBABLY SOLD OUR HOME BY
NOW.
MUM'S PROBABLY SOLD OUR HOME BY
NOW.
OH, FRED, DON'T TOUCH THA
NOW.
OH, FRED, DON'T TOUCH THA THING.
OH, FRED, DON'T TOUCH THA THING.
YOU DON'T KNOW WHAT IT COULD --
THING.
YOU DON'T KNOW WHAT IT COULD --
[ CHUCKLES ]
YOU DON'T KNOW WHAT IT COULD --
[ CHUCKLES ]
[ BIRDS CHIRPING ]
THAT'S THE COAST.
FRED?
[ CHUCKLES ]
FRED?
[ CHUCKLES ]
HMM.
[ CHUCKLES ]
HMM.
ARE YOU SURE THIS IS THE RIGH
HMM.
ARE YOU SURE THIS IS THE RIGH THING TO DO?
ARE YOU SURE THIS IS THE RIGH THING TO DO?
UH-HUH.
[ IMITATING PLANE ENGINE ]
[ SIGHS ]
[ GASPS ]
HELLO.
[ GASPS ]
HELLO.
HELLO, THERE.
HELLO.
HELLO, THERE.
[ GASPS ]
HELLO, THERE.
[ GASPS ]
OKAY.
[ GASPS ]
OKAY.
THIS ISN'T JUST SOME KIND OF
OKAY.
THIS ISN'T JUST SOME KIND OF
RIDE, IS IT?
THIS ISN'T JUST SOME KIND OF
RIDE, IS IT?
UNH-UNH.
RIDE, IS IT?
UNH-UNH.
I DON'T KNOW WHAT'S GOING ON,
UNH-UNH.
I DON'T KNOW WHAT'S GOING ON,
BUT I DON'T THINK IT'S FUNNY.
I DON'T KNOW WHAT'S GOING ON,
BUT I DON'T THINK IT'S FUNNY.
[ CHOPIN'S "OCEAN TUDE" PLAYS ]
BUT I DON'T THINK IT'S FUNNY.
[ CHOPIN'S "OCEAN TUDE" PLAYS ]
I'M LATE.
[ CHOPIN'S "OCEAN TUDE" PLAYS ]
I'M LATE.
I'LL LOSE MY DEAL ON THE HOUSE.
I NEED TO MAKE CALLS.
NO SIGNAL.
THIS IS A DISASTER.
NO SIGNAL.
THIS IS A DISASTER.
WHERE ARE WE?
THIS IS A DISASTER.
WHERE ARE WE?
THIS IS THE OCEAN.
WHERE ARE WE?
THIS IS THE OCEAN.
I CAN SEE THAT.
THIS IS THE OCEAN.
I CAN SEE THAT.
IT'S THE "OCEAN TUDE."
[ SIGHING ]
"CHOPIN'S TRAVELS."
[ SIGHS ]
[ Chuckling ] ARE YOU FEELING
SICK?
"CHOPIN SOMETIMES TRAVELED ON
ACCOUNT OF HIS POOR HEALTH."
JANE, FRED.
ACCOUNT OF HIS POOR HEALTH."
JANE, FRED.
"MAJORCA, SPAIN."
JANE, FRED.
"MAJORCA, SPAIN."
OH, IT'S TAKING ME BACK.
"MAJORCA, SPAIN."
OH, IT'S TAKING ME BACK.
IS THIS IN MY HEAD?
OH, IT'S TAKING ME BACK.
IS THIS IN MY HEAD?
MAJORCA, THREE SHOWS A NIGHT,
IS THIS IN MY HEAD?
MAJORCA, THREE SHOWS A NIGHT,
PERMANENT BLISTERS ON MY FEET.
MAJORCA, THREE SHOWS A NIGHT,
PERMANENT BLISTERS ON MY FEET.
[ MUSIC INTENSIFIES ]
PERMANENT BLISTERS ON MY FEET.
[ MUSIC INTENSIFIES ]
COULDN'T HAVE BEEN ANY WORSE.
[ MUSIC INTENSIFIES ]
COULDN'T HAVE BEEN ANY WORSE.
"HERE, CHOPIN WAS DIAGNOSED
COULDN'T HAVE BEEN ANY WORSE.
"HERE, CHOPIN WAS DIAGNOSED
WITH THE LUNG DISEASE
"HERE, CHOPIN WAS DIAGNOSED
WITH THE LUNG DISEASE
TUBERCULOSIS."
WITH THE LUNG DISEASE
TUBERCULOSIS."
WELL, IT COULD'VE BEEN WORSE.
TUBERCULOSIS."
WELL, IT COULD'VE BEEN WORSE.
"SEVERAL TIMES, CHOPIN WEN
WELL, IT COULD'VE BEEN WORSE.
"SEVERAL TIMES, CHOPIN WEN TO HEALTH SPAS..."
"SEVERAL TIMES, CHOPIN WEN TO HEALTH SPAS..."
OH, MAYBE THIS IS MY
TO HEALTH SPAS..."
OH, MAYBE THIS IS MY
SUBCONSCIOUS TELLING ME THAT I
OH, MAYBE THIS IS MY
SUBCONSCIOUS TELLING ME THAT I
NEED TO TAKE A BREAK.
SUBCONSCIOUS TELLING ME THAT I
NEED TO TAKE A BREAK.
"...WHERE HE DRANK PINTS OF
NEED TO TAKE A BREAK.
"...WHERE HE DRANK PINTS OF
SULFUROUS WATER MIXED WITH
"...WHERE HE DRANK PINTS OF
SULFUROUS WATER MIXED WITH
GOAT'S MILK AND HERBS."
SULFUROUS WATER MIXED WITH
GOAT'S MILK AND HERBS."
NOT THAT KIND OF BREAK.
GOAT'S MILK AND HERBS."
NOT THAT KIND OF BREAK.
"HE ALSO HAD BLOODSUCKING
NOT THAT KIND OF BREAK.
"HE ALSO HAD BLOODSUCKING
LEECHES ATTACHED TO HIS THROAT."
"HE ALSO HAD BLOODSUCKING
LEECHES ATTACHED TO HIS THROAT."
BLEAGH!
LEECHES ATTACHED TO HIS THROAT."
BLEAGH!
THIS ISN'T A DREAM.
BLEAGH!
THIS ISN'T A DREAM.
IT'S A NIGHTMARE.
THIS ISN'T A DREAM.
IT'S A NIGHTMARE.
AM I HAVING A NERVOUS BREAKDOWN?
IT'S A NIGHTMARE.
AM I HAVING A NERVOUS BREAKDOWN?
[ SCREAMS ]
AM I HAVING A NERVOUS BREAKDOWN?
[ SCREAMS ]
JANE, FRED.
[ SCREAMS ]
JANE, FRED.
I NEED A HUG.
JANE, FRED.
I NEED A HUG.
[ WHIMPERS ]
I NEED A HUG.
[ WHIMPERS ]
HUH?
[ WHIMPERS ]
HUH?
[ WHIMPERING ]
HUH?
[ WHIMPERING ]
[ SCREAMS ]
[ WHIMPERING ]
[ SCREAMS ]
[ LAUGHS ]
[ MUSIC STOPS ]
[ Chuckling ] YEAH.
THAT WAS REALLY NICE.
[ Chuckling ] YEAH.
THAT WAS REALLY NICE.
YOU'VE DONE THAT BEFORE.
THAT WAS REALLY NICE.
YOU'VE DONE THAT BEFORE.
DON'T COMPLIMENT ME, OKAY?
YOU'VE DONE THAT BEFORE.
DON'T COMPLIMENT ME, OKAY?
[ SCOFFS ]
DON'T COMPLIMENT ME, OKAY?
[ SCOFFS ]
IF THIS IS REAL, THIS IS A
[ SCOFFS ]
IF THIS IS REAL, THIS IS A
KIDNAPPING, AND I KNOW ALL ABOU
IF THIS IS REAL, THIS IS A
KIDNAPPING, AND I KNOW ALL ABOU STOCKHOLM SYNDROME.
KIDNAPPING, AND I KNOW ALL ABOU STOCKHOLM SYNDROME.
[ SIGHS ]
STOCKHOLM SYNDROME.
[ SIGHS ]
BUT THIS ISN'T REAL.
[ SIGHS ]
BUT THIS ISN'T REAL.
I MEAN, IT REALLY DOES FEEL LIKE
BUT THIS ISN'T REAL.
I MEAN, IT REALLY DOES FEEL LIKE
WE'RE FLYING.
I MEAN, IT REALLY DOES FEEL LIKE
WE'RE FLYING.
[ SIGHS ]
WE'RE FLYING.
[ SIGHS ]
BUT, I MEAN, THAT CAN'T BE
[ SIGHS ]
BUT, I MEAN, THAT CAN'T BE
HAPPENING.
BUT, I MEAN, THAT CAN'T BE
HAPPENING.
CAN IT?
HAPPENING.
CAN IT?
AT LEAST TELL ME WHERE WE'RE
CAN IT?
AT LEAST TELL ME WHERE WE'RE
GOING.
AT LEAST TELL ME WHERE WE'RE
GOING.
ASK YOUR KIDS.
GOING.
ASK YOUR KIDS.
MY KIDS.
ASK YOUR KIDS.
MY KIDS.
WHOA!
MY KIDS.
WHOA!
WELL, IF FRED'S SETTING THE
WHOA!
WELL, IF FRED'S SETTING THE
COURSE, WE'RE TOAST.
WELL, IF FRED'S SETTING THE
COURSE, WE'RE TOAST.
WHOO-HOO!
OH, NO.
PARIS.
[ SLOW-TEMPO MUSIC PLAYS ]
ENOUGH WITH THE STUPID FACES.
THIS IS SERIOUS.
ISN'T IT BEAUTIFUL?
YEAH.
WHY HASN'T MUM EVER BROUGH
YEAH.
WHY HASN'T MUM EVER BROUGH US HERE?
WHY HASN'T MUM EVER BROUGH US HERE?
THAT'S WHERE I USED TO LIVE.
US HERE?
THAT'S WHERE I USED TO LIVE.
DOESN'T LOOK SO BAD FROM HERE.
THAT'S WHERE I USED TO LIVE.
DOESN'T LOOK SO BAD FROM HERE.
OH, THERE'S THAT FLOWER MARKET I
DOESN'T LOOK SO BAD FROM HERE.
OH, THERE'S THAT FLOWER MARKET I
USED TO GO TO.
WOW.
[ CHUCKLES ]
[ TWINKLING ]
"CHOPIN WAS A BIG STAR IN
[ TWINKLING ]
"CHOPIN WAS A BIG STAR IN
PARIS -- REALLY FASHIONABLE."
"HE ALSO HAD HIS HAIR DONE EVERY
DAY BY HIS OWN HAIRDRESSER."
[ Laughing ] THAT'S WORSE THAN
DAY BY HIS OWN HAIRDRESSER."
[ Laughing ] THAT'S WORSE THAN
MUM!
[ CHUCKLES ]
COOL.
FRED.
COOL.
FRED.
FRED, TAKE THAT OFF.
FRED.
FRED, TAKE THAT OFF.
THAT IS WRONG IN SO MANY WAYS.
FRED, TAKE THAT OFF.
THAT IS WRONG IN SO MANY WAYS.
[ SCREAMS ]
THAT IS WRONG IN SO MANY WAYS.
[ SCREAMS ]
[ PANTING ]
[ SCREAMS ]
[ GASPING ]
CHOPIN'S GRAVE.
HE WAS AWFULLY YOUNG WHEN HE
DIED.
"THERE WERE THOUSANDS OF
MOURNERS WHEN CHOPIN WAS BURIED
IN PARIS.
MOURNERS WHEN CHOPIN WAS BURIED
IN PARIS.
HIS GRAVE HAS BEEN COVERED IN
IN PARIS.
HIS GRAVE HAS BEEN COVERED IN
FLOWERS BY ADMIRERS EVER SINCE."
DID THEY COME ALL THIS WAY
JUST TO DO THAT?
"BUT ACCORDING TO HIS WISHES,
JUST TO DO THAT?
"BUT ACCORDING TO HIS WISHES,
HIS HEART WAS RETURNED TO
"BUT ACCORDING TO HIS WISHES,
HIS HEART WAS RETURNED TO
WARSAW."
HIS HEART WAS RETURNED TO
WARSAW."
REALLY?
WARSAW."
REALLY?
"AND SEALED IN A PILLAR OF THE
REALLY?
"AND SEALED IN A PILLAR OF THE
HOLY CROSS CHURCH."
"AND SEALED IN A PILLAR OF THE
HOLY CROSS CHURCH."
WE STILL HAVE QUITE A WAY TO GO.
HOLY CROSS CHURCH."
WE STILL HAVE QUITE A WAY TO GO.
MM-HMM.
WE STILL HAVE QUITE A WAY TO GO.
MM-HMM.
[ MUSIC STOPS ]
MM-HMM.
[ MUSIC STOPS ]
[ HUMMING ]
[ MUSIC STOPS ]
[ HUMMING ]
NO. THEY'RE LEAVING.
[ HUMMING ]
NO. THEY'RE LEAVING.
AND THAT'S NOT THE WAY HOME.
NO. THEY'RE LEAVING.
AND THAT'S NOT THE WAY HOME.
WE HAVE TO FOLLOW THEM.
AND THAT'S NOT THE WAY HOME.
WE HAVE TO FOLLOW THEM.
IT MIGHT BE A BUMPY RIDE.
WE HAVE TO FOLLOW THEM.
IT MIGHT BE A BUMPY RIDE.
[ PLAYS CHOPIN'S
IT MIGHT BE A BUMPY RIDE.
[ PLAYS CHOPIN'S
"REVOLUTIONARY TUDE ]
[ SCREAMS ]
I THINK I'VE HEARD THIS ONE
BEFORE.
IT'S THE
BEFORE.
IT'S THE
"REVOLUTIONARY TUDE."
IT'S THE
"REVOLUTIONARY TUDE."
SO, WHY WAS CHOPIN REVOLTING?
"REVOLUTIONARY TUDE."
SO, WHY WAS CHOPIN REVOLTING?
FOR THE FREEDOM OF HIS
SO, WHY WAS CHOPIN REVOLTING?
FOR THE FREEDOM OF HIS
COUNTRY, POLAND.
FOR THE FREEDOM OF HIS
COUNTRY, POLAND.
I THOUGHT HE LIVED IN PARIS.
COUNTRY, POLAND.
I THOUGHT HE LIVED IN PARIS.
HE LIVED THERE AS AN EXILE.
[ GASPS ]
THIS IS DANGEROUS.
THE KIDS ARE HERE?
[ SCREAMS ]
MY PHONE!
[ GASPING ]
MY PHONE!
[ GASPING ]
WE HAVE TO FIND OUR WAY OUT OF
[ GASPING ]
WE HAVE TO FIND OUR WAY OUT OF
THIS.
WE HAVE TO FIND OUR WAY OUT OF
THIS.
YOU KNOW WHAT SCHUMANN SAID
THIS.
YOU KNOW WHAT SCHUMANN SAID
ABOUT CHOPIN'S MUSIC?
YOU KNOW WHAT SCHUMANN SAID
ABOUT CHOPIN'S MUSIC?
HE SAID IT WAS, "CANNONS HIDDEN
ABOUT CHOPIN'S MUSIC?
HE SAID IT WAS, "CANNONS HIDDEN
AMONG FLOWERS."
[ GASPS ]
WE STILL NEED TO GET HIGHER.
[ CHUCKLES ]
THAT'S NOT SO EASY.
PROBABLY BLOWN EVERYTHING BY
NOW, ANYWAY.
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
FRED, I'M REALLY NOT SURE WE
HAVE TIME FOR A FOOD STOP.
[ TWINKLING ]
HAVE TIME FOR A FOOD STOP.
[ TWINKLING ]
VIENNA.
[ TWINKLING ]
VIENNA.
"TO MAKE A CAREER AS AN ARTIST,
VIENNA.
"TO MAKE A CAREER AS AN ARTIST,
CHOPIN HAD TO LEAVE HIS HOME IN
"TO MAKE A CAREER AS AN ARTIST,
CHOPIN HAD TO LEAVE HIS HOME IN
POLAND.
CHOPIN HAD TO LEAVE HIS HOME IN
POLAND.
HE STARTED HERE, WHERE ALL THE
POLAND.
HE STARTED HERE, WHERE ALL THE
GREAT COMPOSERS HAD LIVED."
HE STARTED HERE, WHERE ALL THE
GREAT COMPOSERS HAD LIVED."
[ DOG BARKS ]
GREAT COMPOSERS HAD LIVED."
[ DOG BARKS ]
IT'S PRETTY DARK.
[ DOG BARKS ]
IT'S PRETTY DARK.
[ BELL TOLLING ]
IT'S PRETTY DARK.
[ BELL TOLLING ]
MUM WOULDN'T WANT US TO GO DOWN
[ BELL TOLLING ]
MUM WOULDN'T WANT US TO GO DOWN
THERE.
MUM WOULDN'T WANT US TO GO DOWN
THERE.
[ TOLLING CONTINUES ]
FRED, I JUST THOUGHT -- WE DON' HAVE ANY MONEY.
MAYBE THEY'D HAVE SOMETHING TO
HAVE ANY MONEY.
MAYBE THEY'D HAVE SOMETHING TO
EAT.
MAYBE THEY'D HAVE SOMETHING TO
EAT.
HELLO?
EAT.
HELLO?
[ MID-TEMPO MUSIC PLAYS ]
HELLO?
[ MID-TEMPO MUSIC PLAYS ]
SOUNDS LIKE ALL THOSE COMPOSERS
[ MID-TEMPO MUSIC PLAYS ]
SOUNDS LIKE ALL THOSE COMPOSERS
ARE STILL HERE.
SOUNDS LIKE ALL THOSE COMPOSERS
ARE STILL HERE.
HMM.
ARE STILL HERE.
HMM.
MAYBE THEY'RE GHOSTS.
HMM.
MAYBE THEY'RE GHOSTS.
WOULD ANY OF YOU HAVE SOME SPARE
MAYBE THEY'RE GHOSTS.
WOULD ANY OF YOU HAVE SOME SPARE
FOOD?
WOULD ANY OF YOU HAVE SOME SPARE
FOOD?
HELLO?
FOOD?
HELLO?
[ BELL TOLLING ]
HELLO?
[ BELL TOLLING ]
YOU IN THERE.
[ BELL TOLLING ]
YOU IN THERE.
I'M TALKING TO YOU.
[ SIGHS ]
I THINK CHOPIN MUST'VE HAD HIS
WORK CUT OUT TRYING TO GET HEARD
I THINK CHOPIN MUST'VE HAD HIS
WORK CUT OUT TRYING TO GET HEARD
AROUND HERE.
WORK CUT OUT TRYING TO GET HEARD
AROUND HERE.
[ GRUNTING ]
AROUND HERE.
[ GRUNTING ]
FRED, STOP IT.
[ GRUNTING ]
FRED, STOP IT.
FRED! FRED!
FRED, STOP IT.
FRED! FRED!
STOP IT.
FRED! FRED!
STOP IT.
WHAT IF THEY REALLY ARE GHOSTS?
STOP IT.
WHAT IF THEY REALLY ARE GHOSTS?
HMPH!
WHAT IF THEY REALLY ARE GHOSTS?
HMPH!
[ TOLLING CONTINUES ]
[ SIGHS ]
[ DOG BARKING IN DISTANCE ]
[ SIGHS ]
THANK GOODNESS.
WE FOUND THEM.
THANK GOODNESS.
WE FOUND THEM.
[ SLOW-TEMPO MUSIC PLAYS ]
WE FOUND THEM.
[ SLOW-TEMPO MUSIC PLAYS ]
WOULD YOU RATHER WE JUST TURN
[ SLOW-TEMPO MUSIC PLAYS ]
WOULD YOU RATHER WE JUST TURN
AROUND AND GO HOME?
WOULD YOU RATHER WE JUST TURN
AROUND AND GO HOME?
[ TWINKLING ]
[ TWINKLING ]
"CHOPIN COULDN'T GO BACK TO
POLAND BECAUSE OF THE UPRISING
THERE.
POLAND BECAUSE OF THE UPRISING
THERE.
HE NEVER RETURNED HOME TO HIS
THERE.
HE NEVER RETURNED HOME TO HIS
FAMILY."
HE NEVER RETURNED HOME TO HIS
FAMILY."
WOW.
FAMILY."
WOW.
NEVER?
WOW.
NEVER?
SHH.
NEVER?
SHH.
I'M TRYING TO LISTEN.
SHH.
I'M TRYING TO LISTEN.
I HAD TO LEAVE MY HOME, TOO,
I'M TRYING TO LISTEN.
I HAD TO LEAVE MY HOME, TOO,
WHEN I WAS VERY YOUNG -- TO
I HAD TO LEAVE MY HOME, TOO,
WHEN I WAS VERY YOUNG -- TO
FOLLOW MY STUDIES.
WHEN I WAS VERY YOUNG -- TO
FOLLOW MY STUDIES.
I HAD TO LEAVE MY HOME AND MY
FOLLOW MY STUDIES.
I HAD TO LEAVE MY HOME AND MY
MOM.
[ SIGHS ]
DO YOU THINK MUM'S MISSING US?
OF COURSE, I'M MISSING YOU.
DO YOU THINK MUM'S MISSING US?
OF COURSE, I'M MISSING YOU.
UNH-UNH.
OF COURSE, I'M MISSING YOU.
UNH-UNH.
YOU'RE RIGHT.
UNH-UNH.
YOU'RE RIGHT.
ALL SHE THINKS ABOUT IS HER
YOU'RE RIGHT.
ALL SHE THINKS ABOUT IS HER
WORK...AND THAT NEW DREAM HOME.
ALL SHE THINKS ABOUT IS HER
WORK...AND THAT NEW DREAM HOME.
WELL, THAT'S NOT FAIR.
WORK...AND THAT NEW DREAM HOME.
WELL, THAT'S NOT FAIR.
I'M DOING IT ALL FOR YOU.
WELL, THAT'S NOT FAIR.
I'M DOING IT ALL FOR YOU.
I HAVE TO WORK.
I'M DOING IT ALL FOR YOU.
I HAVE TO WORK.
WE CAN'T JUST DO WHATEVER WE
I HAVE TO WORK.
WE CAN'T JUST DO WHATEVER WE
WANT.
WE CAN'T JUST DO WHATEVER WE
WANT.
EVER SINCE I WAS A LITTLE GIRL,
WANT.
EVER SINCE I WAS A LITTLE GIRL,
I WANTED TO BE IN THE
EVER SINCE I WAS A LITTLE GIRL,
I WANTED TO BE IN THE
CORPS DE BALLET, ALL IN WHITE --
I WANTED TO BE IN THE
CORPS DE BALLET, ALL IN WHITE --
LES SYLPHIDES.
CORPS DE BALLET, ALL IN WHITE --
LES SYLPHIDES.
BUT THERE WAS NEVER ENOUGH MONEY
LES SYLPHIDES.
BUT THERE WAS NEVER ENOUGH MONEY
FOR THE LESSONS.
BUT THERE WAS NEVER ENOUGH MONEY
FOR THE LESSONS.
SO I SCRIMPED AND I SAVED AND
FOR THE LESSONS.
SO I SCRIMPED AND I SAVED AND
WHEN I WAS OLD ENOUGH, I FLEW TO
SO I SCRIMPED AND I SAVED AND
WHEN I WAS OLD ENOUGH, I FLEW TO
PARIS.
WHEN I WAS OLD ENOUGH, I FLEW TO
PARIS.
I LIVED IN A TINY, FREEZING
PARIS.
I LIVED IN A TINY, FREEZING
APARTMENT.
I LIVED IN A TINY, FREEZING
APARTMENT.
I DID JOBS I HATED.
APARTMENT.
I DID JOBS I HATED.
BUT I GUESS I JUST WASN'T GOOD
I DID JOBS I HATED.
BUT I GUESS I JUST WASN'T GOOD
ENOUGH.
BUT I GUESS I JUST WASN'T GOOD
ENOUGH.
THEN, ONE DAY, I CAME HOME, AND
ENOUGH.
THEN, ONE DAY, I CAME HOME, AND
IT WAS FLOODED, AND WORSE, THERE
THEN, ONE DAY, I CAME HOME, AND
IT WAS FLOODED, AND WORSE, THERE
WERE RATS.
IT WAS FLOODED, AND WORSE, THERE
WERE RATS.
I'D BEEN OFFERED A REAL JOB IN
WERE RATS.
I'D BEEN OFFERED A REAL JOB IN
LONDON, SO I TOOK IT.
I'D BEEN OFFERED A REAL JOB IN
LONDON, SO I TOOK IT.
AND I DECIDED THAT NO KIDS OF
LONDON, SO I TOOK IT.
AND I DECIDED THAT NO KIDS OF
MINE WOULD EVER GO THROUGH THA
AND I DECIDED THAT NO KIDS OF
MINE WOULD EVER GO THROUGH THA HARDSHIP AND THAT HEARTACHE.
I MUST HAVE A TISSUE SOMEWHERE.
HUH?
[ TWINKLING ]
HUH?
[ TWINKLING ]
HMM.
[ TWINKLING ]
HMM.
[ MUSIC INTENSIFIES ]
[ GASPS ]
[ BOTH CHUCKLE ]
A MANGO TREE...IN VIENNA?
[ BOTH CHUCKLE ]
A MANGO TREE...IN VIENNA?
THAT'S PRETTY RANDOM.
[ CHUCKLES ]
DO YOU WANT TO GO HOME?
WITHOUT MY CHILDREN?
OF COURSE NOT.
WITHOUT MY CHILDREN?
OF COURSE NOT.
I DIDN'T MEAN YOUR HOME.
OF COURSE NOT.
I DIDN'T MEAN YOUR HOME.
OH.
I DIDN'T MEAN YOUR HOME.
OH.
THEY'RE TAKING THE FLYING
OH.
THEY'RE TAKING THE FLYING
MACHINE HOME.
[ MUSIC STOPS ]
[ BIRDS CHIRPING ]
THIS IS POLAND?
THAT'S RIGHT.
WHATEVER.
[ TWINKLING ]
CHOPIN'S BIRTHDAYS.
Z-- ZE-- ZEL--
CHOPIN'S BIRTHDAYS.
Z-- ZE-- ZEL--
[ SPEAKS POLISH ]
Z-- ZE-- ZEL--
[ SPEAKS POLISH ]
[ CHUCKLES ]
[ SPEAKS POLISH ]
[ CHUCKLES ]
WOW.
[ CHUCKLES ]
WOW.
CHOPIN USED TO COME HERE ON
WOW.
CHOPIN USED TO COME HERE ON
HOLIDAY WHEN HE WAS A BOY.
CHOPIN USED TO COME HERE ON
HOLIDAY WHEN HE WAS A BOY.
HE LOVED TO PLAY JOKES.
HOLIDAY WHEN HE WAS A BOY.
HE LOVED TO PLAY JOKES.
AND HE LOVED DRAWING CARTOONS.
HE LOVED TO PLAY JOKES.
AND HE LOVED DRAWING CARTOONS.
HE EVEN MADE A STORYBOOK OF ALL
AND HE LOVED DRAWING CARTOONS.
HE EVEN MADE A STORYBOOK OF ALL
THE CRAZY THINGS HE SAW.
HE EVEN MADE A STORYBOOK OF ALL
THE CRAZY THINGS HE SAW.
[ SIGHS ]
THE CRAZY THINGS HE SAW.
[ SIGHS ]
WHERE ARE THE KIDS?
[ SIGHS ]
WHERE ARE THE KIDS?
DID YOU SEE WHERE THEY WENT?
WHERE ARE THE KIDS?
DID YOU SEE WHERE THEY WENT?
THEY'RE REALLY GETTING INTO
DID YOU SEE WHERE THEY WENT?
THEY'RE REALLY GETTING INTO
CHOPIN.
JANE?
FRED.
[ UP-TEMPO MUSIC PLAYS ]
IT'S CHOPIN.
BYE.
[ MUSIC STOPS ]
WHERE ARE THEY?
[ MUSIC STOPS ]
WHERE ARE THEY?
THEY'RE WHERE YOU THINK.
WHERE ARE THEY?
THEY'RE WHERE YOU THINK.
[ UP-TEMPO MUSIC PLAYS ]
WARSAW!
THIS IS WHERE CHOPIN'S HEART WAS
BROUGHT HOME.
THIS IS WHERE CHOPIN'S HEART WAS
BROUGHT HOME.
[ GASPS ]
OH, MY GOD.
THEY'RE GONNA CRASH.
FRED?
THEY'RE GONNA CRASH.
FRED?
WE HAVE TO GET DOWN THERE.
FRED?
WE HAVE TO GET DOWN THERE.
[ GASPS ]
[ MUSIC STOPS ]
[ SIGHS ]
JANE?
FRED?
THEY DID IT.
FRED?
THEY DID IT.
THEY BROUGHT THE FLYING MACHINE
THEY DID IT.
THEY BROUGHT THE FLYING MACHINE
BACK HOME.
THEY BROUGHT THE FLYING MACHINE
BACK HOME.
ISN'T THAT GREAT?
BACK HOME.
ISN'T THAT GREAT?
GREAT?
ISN'T THAT GREAT?
GREAT?
THEY'RE STATUES.
GREAT?
THEY'RE STATUES.
THEY'RE LIFELESS.
THEY'RE STATUES.
THEY'RE LIFELESS.
[ SIGHS ]
THEY'RE LIFELESS.
[ SIGHS ]
OH, I NEVER SHOULD'VE TAKEN THEM
[ SIGHS ]
OH, I NEVER SHOULD'VE TAKEN THEM
TO THIS PIANO THING.
OH, I NEVER SHOULD'VE TAKEN THEM
TO THIS PIANO THING.
DO SOMETHING.
TO THIS PIANO THING.
DO SOMETHING.
BRING THEM BACK TO LIFE.
DO SOMETHING.
BRING THEM BACK TO LIFE.
ME?
BRING THEM BACK TO LIFE.
ME?
WELL, WHAT AM I SUPPOSED TO
ME?
WELL, WHAT AM I SUPPOSED TO
DO?
WELL, WHAT AM I SUPPOSED TO
DO?
[ TWINKLING ]
"CHOPIN LOVED THE DANCES OF HIS
HOMELAND, AND THROUGHOUT HIS
LIFE, HE NEVER FORGOT THE SPIRI
HOMELAND, AND THROUGHOUT HIS
LIFE, HE NEVER FORGOT THE SPIRI OF DANCE."
OH, NO, NO, NO, NO, NO, NO.
[ SLOW-TEMPO MUSIC PLAYS ]
[ SIGHS ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ SIGHS ]
IT'S WHAT YOU ALWAYS DREAMED
[ SIGHS ]
IT'S WHAT YOU ALWAYS DREAMED
OF DOING.
IT'S WHAT YOU ALWAYS DREAMED
OF DOING.
IF YOU WANT THEIR SPIRITS BACK,
OF DOING.
IF YOU WANT THEIR SPIRITS BACK,
WHY NOT SHOW THEM SOME OF YOURS?
IF YOU WANT THEIR SPIRITS BACK,
WHY NOT SHOW THEM SOME OF YOURS?
ON THREE.
WHY NOT SHOW THEM SOME OF YOURS?
ON THREE.
ONE...
ON THREE.
ONE...
IF THIS ENDS UP ON YouTube,
ONE...
IF THIS ENDS UP ON YouTube,
YOU'RE HISTORY.
IF THIS ENDS UP ON YouTube,
YOU'RE HISTORY.
...TWO...
YOU'RE HISTORY.
...TWO...
THREE.
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ TWINKLING ]
[ TWINKLING ]
[ MUSIC STOPS ]
[ CHUCKLES ]
MUM?
[ CHUCKLES ]
MUM?
IS IT REALLY YOU?
MUM?
IS IT REALLY YOU?
YES.
IS IT REALLY YOU?
YES.
[ CHUCKLES ]
YES.
[ CHUCKLES ]
BUT YOU WERE DANCING.
[ CHUCKLES ]
BUT YOU WERE DANCING.
I KNOW.
BUT YOU WERE DANCING.
I KNOW.
[ CHUCKLES ]
I KNOW.
[ CHUCKLES ]
[ CHUCKLES ]
[ CHUCKLES ]
[ CHUCKLES ]
MUM, WE FLEW ACROSS EUROPE.
[ CHUCKLES ]
MUM, WE FLEW ACROSS EUROPE.
I KNOW.
MUM, WE FLEW ACROSS EUROPE.
I KNOW.
YOU COULD'VE GOT YOURSELF
I KNOW.
YOU COULD'VE GOT YOURSELF
KILLED.
YOU COULD'VE GOT YOURSELF
KILLED.
HOW MANY TIMES HAVE I TOLD YOU
KILLED.
HOW MANY TIMES HAVE I TOLD YOU
NOT TO GO WHOOSHING OFF ON
HOW MANY TIMES HAVE I TOLD YOU
NOT TO GO WHOOSHING OFF ON
STRANGE FLYING MACHINES?
NOT TO GO WHOOSHING OFF ON
STRANGE FLYING MACHINES?
[ CHUCKLES ]
STRANGE FLYING MACHINES?
[ CHUCKLES ]
BUT YOU BROUGHT IT HOME.
[ CHUCKLES ]
BUT YOU BROUGHT IT HOME.
I'M SO PROUD OF YOU.
BUT YOU BROUGHT IT HOME.
I'M SO PROUD OF YOU.
[ ALL CHUCKLE ]
I'M SO PROUD OF YOU.
[ ALL CHUCKLE ]
BUT HOW ARE WE GOING TO GE
[ ALL CHUCKLE ]
BUT HOW ARE WE GOING TO GE HOME?
BUT HOW ARE WE GOING TO GE HOME?
WELL, DID YOU THINK YOU'RE
HOME?
WELL, DID YOU THINK YOU'RE
THE ONLY ONE WITH A FLYING
WELL, DID YOU THINK YOU'RE
THE ONLY ONE WITH A FLYING
PIANO?
HI.
SO, WHAT'S THE MAXIMUM WEIGH LIMIT ON THIS THING?
SO, WHAT'S THE MAXIMUM WEIGH LIMIT ON THIS THING?
HOLD ON. NO.
LIMIT ON THIS THING?
HOLD ON. NO.
THIS IS NOT A TAXI.
HOLD ON. NO.
THIS IS NOT A TAXI.
WITHOUT INSPIRATION, IT CAN'T DO
THIS IS NOT A TAXI.
WITHOUT INSPIRATION, IT CAN'T DO
ANYTHING.
WITHOUT INSPIRATION, IT CAN'T DO
ANYTHING.
YEAH, I HAD A STATION WAGON
ANYTHING.
YEAH, I HAD A STATION WAGON
LIKE THAT.
YEAH, I HAD A STATION WAGON
LIKE THAT.
[ SIGHS ]
LIKE THAT.
[ SIGHS ]
IT'S YOUR KIDS WHO BROUGHT US ON
[ SIGHS ]
IT'S YOUR KIDS WHO BROUGHT US ON
THIS TRIP.
IT'S YOUR KIDS WHO BROUGHT US ON
THIS TRIP.
HEY.
THIS TRIP.
HEY.
YOU LIKE TUDES?
HEY.
YOU LIKE TUDES?
I LOVE THEM.
YOU LIKE TUDES?
I LOVE THEM.
BUT THEY'RE TOO HARD.
I LOVE THEM.
BUT THEY'RE TOO HARD.
WITHOUT A CHALLENGE, WE'D
BUT THEY'RE TOO HARD.
WITHOUT A CHALLENGE, WE'D
NEVER LEARN ANYTHING.
WITHOUT A CHALLENGE, WE'D
NEVER LEARN ANYTHING.
ACTUALLY, I WANTED TO ASK...
NEVER LEARN ANYTHING.
ACTUALLY, I WANTED TO ASK...
SURE.
ACTUALLY, I WANTED TO ASK...
SURE.
I DON'T SEE HOW YOU CAN
SURE.
I DON'T SEE HOW YOU CAN
SPREAD A 2.5 OCTAVE CHORD.
I DON'T SEE HOW YOU CAN
SPREAD A 2.5 OCTAVE CHORD.
AHH, LIKE IN THE
SPREAD A 2.5 OCTAVE CHORD.
AHH, LIKE IN THE
"BLACK KEYS TUDE."
AHH, LIKE IN THE
"BLACK KEYS TUDE."
MM-HMM.
"BLACK KEYS TUDE."
MM-HMM.
YOU WANT TO TRY A DUET WITH
MM-HMM.
YOU WANT TO TRY A DUET WITH
ME?
YOU WANT TO TRY A DUET WITH
ME?
I CAN'T.
ME?
I CAN'T.
YES, YOU CAN.
I CAN'T.
YES, YOU CAN.
I KNOW YOU CAN DO IT.
YES, YOU CAN.
I KNOW YOU CAN DO IT.
ALL IT TAKES IS DETERMINATION
I KNOW YOU CAN DO IT.
ALL IT TAKES IS DETERMINATION
AND A GOOD TEACHER.
ALL IT TAKES IS DETERMINATION
AND A GOOD TEACHER.
[ TWINKLING ]
[ CHOPIN'S "BLACK KEYS TUDE"
PLAYS ]
WOW.
[ CHUCKLES ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ SIGHS ]
[ MUSIC INTENSIFIES ]
WHOO!
YEAH!
OOH.
YEAH!
OOH.
WHOO!
OOH.
WHOO!
[ CHUCKLES ]
WHOO!
[ CHUCKLES ]
THAT WAS GREAT.
[ CHUCKLES ]
THAT WAS GREAT.
GOOD JOB.
THAT WAS GREAT.
GOOD JOB.
THANK YOU SO MUCH FOR
GOOD JOB.
THANK YOU SO MUCH FOR
EVERYTHING.
THANK YOU SO MUCH FOR
EVERYTHING.
AND, UM, I DIDN'T MEAN IT ABOU
EVERYTHING.
AND, UM, I DIDN'T MEAN IT ABOU THE HAIR.
AND, UM, I DIDN'T MEAN IT ABOU THE HAIR.
LOOK WHO IT IS.
THE HAIR.
LOOK WHO IT IS.
[ CHUCKLES ]
LOOK WHO IT IS.
[ CHUCKLES ]
[ LAUGHS ]
[ TWINKLING ]
[ WHISTLES ]
[ SLOW-TEMPO MUSIC PLAYS ]
IT WORKED.
COME ON.
WE DID IT.
COME ON.
WE DID IT.
COME ON.
[ TWINKLING ]
[ ALL GASP ]
[ MUSIC INTENSIFIES ]
THAT'S THE BIGGEST CHOPIN
MONUMENT IN THE WORLD, IN
SHANGHAI, CHINA -- MY COUNTRY.
MONUMENT IN THE WORLD, IN
SHANGHAI, CHINA -- MY COUNTRY.
CHINA?
SHANGHAI, CHINA -- MY COUNTRY.
CHINA?
[ GASPS ]
THIS PIANO STUFF IS PRETTY
AMAZING.
IF YOU REALLY LET IT, IT CAN
AMAZING.
IF YOU REALLY LET IT, IT CAN
TAKE YOU ANYWHERE.
IF YOU REALLY LET IT, IT CAN
TAKE YOU ANYWHERE.
ANYWHERE.
TAKE YOU ANYWHERE.
ANYWHERE.
EVEN HOME.
TOO LOW.
TOO LOW.
[ WHISTLES ]
TOO HIGH.
TOO HIGH.
IT'S LES SYLPHIDES.
WOW.
OH, THAT'S CHOPIN, TOO, ISN'
WOW.
OH, THAT'S CHOPIN, TOO, ISN' IT?
[ SNORTS ]
[ LAUGHS ]
WHOA!
[ MUSIC INTENSIFIES ]
[ MUSIC STOPS ]
[ SIGHS ]
HELLO?
[ INDISTINCT CONVERSATIONS ]
HELLO?
[ INDISTINCT CONVERSATIONS ]
HELLO?
[ INDISTINCT CONVERSATIONS ]
HELLO?
FRED, SHE WAS FANTASTIC.
HELLO?
FRED, SHE WAS FANTASTIC.
[ LAUGHTER ]
FRED, SHE WAS FANTASTIC.
[ LAUGHTER ]
UH-OH.
[ LAUGHTER ]
UH-OH.
[ SIGHS ]
UH-OH.
[ SIGHS ]
[ CHUCKLES ]
[ SIGHS ]
[ CHUCKLES ]
OH.
[ CHUCKLES ]
OH.
THAT WAS INCREDIBLE.
OH.
THAT WAS INCREDIBLE.
[ LAUGHS ]
THAT WAS INCREDIBLE.
[ LAUGHS ]
YOU ENJOYED THE SHOW?
[ LAUGHS ]
YOU ENJOYED THE SHOW?
UM, YES.
YOU ENJOYED THE SHOW?
UM, YES.
I PARTICULARLY LIKE YOUR SPREAD
UM, YES.
I PARTICULARLY LIKE YOUR SPREAD
2.5 OCTAVE CHORDS.
I PARTICULARLY LIKE YOUR SPREAD
2.5 OCTAVE CHORDS.
WHAT?
2.5 OCTAVE CHORDS.
WHAT?
LANG LANG JUST SHOWED ME HOW TO
WHAT?
LANG LANG JUST SHOWED ME HOW TO
PRACTICE THEM.
LANG LANG JUST SHOWED ME HOW TO
PRACTICE THEM.
SHE'S PRETTY GOOD.
PRACTICE THEM.
SHE'S PRETTY GOOD.
SHE SHOULD KEEP IT UP.
SHE'S PRETTY GOOD.
SHE SHOULD KEEP IT UP.
SHE'S FANTASTIC, AND SHE
SHE SHOULD KEEP IT UP.
SHE'S FANTASTIC, AND SHE
WILL.
SHE'S FANTASTIC, AND SHE
WILL.
FRED.
WILL.
FRED.
"TO JANE AND FRED."
FRED.
"TO JANE AND FRED."
JUST AS LONG AS HE DOESN'T TURN
"TO JANE AND FRED."
JUST AS LONG AS HE DOESN'T TURN
TUDES INTO PAPER PLANES AGAIN.
THE PIANO.
WHERE -- WHERE'S THE TELESCOPE
GONE?
WHERE -- WHERE'S THE TELESCOPE
GONE?
[ Chuckling ] MUM.
GONE?
[ Chuckling ] MUM.
IT WAS THE FLYING MACHINE THA
[ Chuckling ] MUM.
IT WAS THE FLYING MACHINE THA HAD A TELESCOPE -- IN THE FILM.
IT WAS THE FLYING MACHINE THA HAD A TELESCOPE -- IN THE FILM.
[ CHUCKLES ]
HAD A TELESCOPE -- IN THE FILM.
[ CHUCKLES ]
[ CELLPHONE RINGTONE PLAYS ]
[ CHUCKLES ]
[ CELLPHONE RINGTONE PLAYS ]
IS THAT ME?
[ CELLPHONE RINGTONE PLAYS ]
IS THAT ME?
FRED, DID YOU DOWNLOAD THIS
IS THAT ME?
FRED, DID YOU DOWNLOAD THIS
RINGTONE?
FRED, DID YOU DOWNLOAD THIS
RINGTONE?
I LOVE IT.
RINGTONE?
I LOVE IT.
AREN'T YOU GOING TO ANSWER
I LOVE IT.
AREN'T YOU GOING TO ANSWER
IT?
AREN'T YOU GOING TO ANSWER
IT?
YOU KNOW WHAT?
IT?
YOU KNOW WHAT?
I DON'T THINK I WILL.
YOU KNOW WHAT?
I DON'T THINK I WILL.
WASN'T IT IMPORTANT?
I DON'T THINK I WILL.
WASN'T IT IMPORTANT?
THE NEW HOUSE -- YOUR DREAM
WASN'T IT IMPORTANT?
THE NEW HOUSE -- YOUR DREAM
HOME?
THE NEW HOUSE -- YOUR DREAM
HOME?
YOU TWO ARE MY HOME, SILLY.
HOME?
YOU TWO ARE MY HOME, SILLY.
YOU KNOW WHAT'S IMPORTANT -- IS
YOU TWO ARE MY HOME, SILLY.
YOU KNOW WHAT'S IMPORTANT -- IS
THAT I TAKE YOU GUYS OUT FOR AN
YOU KNOW WHAT'S IMPORTANT -- IS
THAT I TAKE YOU GUYS OUT FOR AN
ICE CREAM.
THAT I TAKE YOU GUYS OUT FOR AN
ICE CREAM.
[ ALL CHUCKLE ]
ICE CREAM.
[ ALL CHUCKLE ]
MANGO.
[ ALL CHUCKLE ]
MANGO.
[ CHUCKLES ]
MANGO.
[ CHUCKLES ]
WHOA!
[ CHUCKLES ]
WHOA!
YOU CAN TELL ME ALL ABOUT THE
WHOA!
YOU CAN TELL ME ALL ABOUT THE
FLYING MACHINE.
YOU CAN TELL ME ALL ABOUT THE
FLYING MACHINE.
LANG LANG SAID I WAS GOOD A
FLYING MACHINE.
LANG LANG SAID I WAS GOOD A PIANO.
LANG LANG SAID I WAS GOOD A PIANO.
HE DID?
PIANO.
HE DID?
YOU ARE.
HE DID?
YOU ARE.
YOU'RE SO GOOD.
YOU ARE.
YOU'RE SO GOOD.
PRACTICE ALL YOU WANT.
YOU'RE SO GOOD.
PRACTICE ALL YOU WANT.
I CAN'T WAIT TO HEAR YOU.
AND THAT WAS THE DAY MUM
CHANGED.
I THOUGHT WE WERE GOING TO THE
CHANGED.
I THOUGHT WE WERE GOING TO THE
SHOW JUST FOR ME.
I THOUGHT WE WERE GOING TO THE
SHOW JUST FOR ME.
BUT IT TURNED OUT CHOPIN WAS
SHOW JUST FOR ME.
BUT IT TURNED OUT CHOPIN WAS
FOR ALL OF US.
WHEN WE WENT ON OUR WAY
ACROSS THE OCEAN
ACROSS THE OCEAN
WHEN WE LOST OUR GROUND AND
WHEN WE LOST OUR GROUND AND
HIT THE SKY
HIT THE SKY
WHEN WE LOST OUR VISION TO OUR
WHEN WE LOST OUR VISION TO OUR
EMOTIONS
EMOTIONS
WE HURT OURSELVES TO FEEL
WE HURT OURSELVES TO FEEL
ALIVE
ALIVE
IF WE OPEN UP THE WINDOWS
IF WE OPEN UP THE WINDOWS
AND SEE WHAT'S IN FRONT OF OUR
AND SEE WHAT'S IN FRONT OF OUR
EYES
EYES
'CAUSE WITHOUT TOUCHING YOU,
'CAUSE WITHOUT TOUCHING YOU,
WE'RE LIKE SHADOWS
WE'RE LIKE SHADOWS
RUNNING FREE LIKE GHOSTS
RUNNING FREE LIKE GHOSTS
DANCING AWAY
DANCING AWAY
DANCING AWAY
DANCING AWAY
CAN'T YOU SEE THEM COMING
CAN'T YOU SEE THEM COMING
OUT?
OUT?
DANCING AWAY
DANCING AWAY
DANCING AWAY
DANCING AWAY
IF WE DON'T GET BACK
IF WE DON'T GET BACK
TOGETHER
TOGETHER
THE LOVE
THE LOVE
WE ALMOST TOUCHED
WHY DON'T WE GET LOST WITHOU DIRECTIONS?
DIRECTIONS?
CAN WE PUT OUR FAITH IN THIS
CAN WE PUT OUR FAITH IN THIS
MACHINE?
MACHINE?
I CAN'T PROMISE YOU
I CAN'T PROMISE YOU
PROTECTION
PROTECTION
BUT I CAN GIVE YOU ALL MY
BUT I CAN GIVE YOU ALL MY
DREAMS
DREAMS
IF WE OPEN UP THE WINDOWS
IF WE OPEN UP THE WINDOWS
AND SEE WHAT'S IN FRONT OF OUR
AND SEE WHAT'S IN FRONT OF OUR
EYES
EYES
'CAUSE WITHOUT TOUCHING YOU,
'CAUSE WITHOUT TOUCHING YOU,
WE'RE LIKE SHADOWS
WE'RE LIKE SHADOWS
RUNNING FREE LIKE GHOSTS
RUNNING FREE LIKE GHOSTS
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
CAN'T YOU SEE THEM COMING
CAN'T YOU SEE THEM COMING
OUT?
OUT?
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
IF WE DON'T GET BACK
IF WE DON'T GET BACK
TOGETHER
TOGETHER
THE LOVE
THE LOVE
WE ALMOST TOUCHED
WE ALMOST TOUCHED
OOOOOOH
OOOOOOH
OOOOOOH
OOOOOOH
OOOOOOH
OOOOOOH
OOH OOH OOOOOOH
IF WE OPEN UP THE WINDOWS
AND SEE WHAT'S IN FRONT OF OUR
AND SEE WHAT'S IN FRONT OF OUR
EYES
EYES
'CAUSE WITHOUT TOUCHING YOU,
'CAUSE WITHOUT TOUCHING YOU,
WE'RE LIKE SHADOWS
WE'RE LIKE SHADOWS
RUNNING FREE LIKE GHOSTS
RUNNING FREE LIKE GHOSTS
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
CAN'T YOU SEE THEM COMING
CAN'T YOU SEE THEM COMING
OUT?
OUT?
FLYING AWAY
FLYING AWAY
FLYING AWAY
FLYING AWAY
IF WE DON'T GET BACK
IF WE DON'T GET BACK
TOGETHER
TOGETHER
THE LOVE
THE LOVE
WE ALMOST TOUCHED
WE ALMOST TOUCHED
[ CLASSICAL MUSIC PLAYS ]