Lost Voyage (2001) Movie Script
HERE YOU GO.
- THAT'S NICE.
- LIKE IT?
THAT'S GOOD.
RIGHT THIS WAY. HI.
HI, HOW ARE YOU?
- PERMISSION TO BOARD?
- HI, RIGHT THIS WAY.
NOW WE'LL BE BACK SUNDAY.
YOU LISTEN TO GRANDMA AND
DO YOUR CHORES, OKAY?
WHY CAN'T I GO WITH YOU?
AARON, WE TALKED ABOU THIS IN THE CAR.
NOW THIS IS OUR HONEYMOON.
IT'S OUR ALONE TIME.
AARON, I KNOW YOU'RE STILL
NOT USED TO ALL THIS,
BUT...
I CARE VERY MUCH FOR
YOU AND YOUR FATHER.
WE GOT YOU SOMETHING.
HERE.
WELL, AREN'T YOU
GOING TO OPEN IT?
- AARON, WHAT ARE YOU DOING?
- SHE'S NOT MY MOTHER!
THAT'S A TERRIBLE THING TO SAY.
WHAT'S THE MATTER WITH YOU?
SHE'S NOT MY MOTHER.
MY MOTHER'S DEAD.
HONEY, HOLD ON, HOLD ON.
AARON, WHY ARE YOU
ACTING LIKE THIS?
AARON, GET BACK HERE.
AARON SAID SOME
REALLY MEAN THINGS.
I'M SORRY YOU HAD
TO HEAR THAT.
HE'S YOUNG.
HE'LL ACCEPT ME WHEN
HE'S READY, HONEY.
THINK HE HATES ME?
OF COURSE NOT.
HE'S A LITTLE BOY...
WHO LOST HIS MOTHER.
PARKER,
GIVE IT TIME.
OKAY?
GIVE HIM TIME.
HE'LL COME AROUND.
COME HERE.
CAPTAIN ON THE BRIDGE.
- THAT A REFLECTIVE SIGNAL?
- YES, SIR.
SIR, THAT SIGNAL IS ADVANCING.
LESS THAN 400 YARDS
AND CLOSING.
- EVER SEE A SQUALL LINE GIVE OFF
A SIGNAL LIKE THAT? - NO, SIR.
SIR, IT LOOKS LIKE--
LIKE LAND.
NO, THAT'S IMPOSSIBLE. THERE'S
NO LAND FOR 200 MILES.
SIR, SIGNAL CLOSING NOW
AT LESS THAN 200 YARDS.
CAPTAIN, LOOK! STARBOARD BOW.
OH MY GOD.
ENGINE ROOM, FULL
REVERSE SCREWS.
- HARD STARBOARD!
- HARD STARBOARD, SIR.
- PARKER, WHAT'S HAPPENING?
- I DON'T KNOW.
- FULL AHEAD. HARD PORT!
- HARD PORT, AYE, SIR!
NOT COMING AROUND. WE'RE
NOT GOING TO MAKE IT!
CAPTAIN. HERE.
WHAT IS IT?
WHEN THE MARY CELESTE
WAS DISCOVERED
DISAPPEARANCE,
THE CAPTAIN, HIS
WIFE AND DAUGHTER
AND A CREW OF EIGHT SEEMED
TO VANISH INTO THIN AIR.
NOW THE BOAT WAS IN
REMARKABLY GOOD CONDITION,
AND SOME REPORTS INDICATE
THAT A MEAL WAS STILL COOKING
ON THE STOVE IN THE GALLEY,
AND THAT WARM COFFEE
CUPS REMAINED INTAC
IN THE MESS HALL.
THE MARY CELESTE REMAINS
ONE OF THE MOST BAFFLING
AND MYSTERIOUS CASES
IN THE HISTORY OF HUMANKIND.
THE MARY CELESTE REMAINS ONE OF THE
MOST BAFFLING AND MYSTERIOUS CASES
IN THE HISTORY OF THE REGION
KNOWN AS THE BERMUDA TRIANGLE.
THE MARY CELESTE IS ONE
OF THE MOST BAFFLING
AND TERRIFYING,
AND MYSTERIOUS, CONFUSING--
BAFFLING AND MYSTERIOUS!
THE MARY CELESTE IS...
ONE OF THE MOST--
AW, CRAP.
THAT'S ALWAYS BOTHERED
YOU, HASN'T IT?
I'M-- I'M SORRY.
DO I KNOW YOU?
THE SIMILARITIES BETWEEN THE
TWO CASES ARE REMARKABLE.
WHAT TWO CASES?
THE MARY CELESTE AND
THE CORONA QUEEN.
NO, NOT REALLY. THE CORONA
QUEEN'S NEVER BEEN FOUND.
NO, BUT WE HAVE TO GE ON WITH OUR LIVES.
- GOODBYE.
- EXCUSE ME, HOW DID YOU GET IN HERE?
HEY, I WAS JUS COMING TO SEE YOU.
DID YOU JUST SEE A GUY
COME OUT OF MY OFFICE?
JUST NOW. A TALL GUY.
NO.
ARE YOU ALL RIGHT?
YEAH, YEAH. I JUS THOUGHT I SAW SOMEONE.
UMM... YOU WANTED TO SEE ME?
- YEAH.
- COME ON.
- HAVE YOU HEARD?
- HEARD WHAT?
YOU REALLY NEED TO GE OUT OF THE OFFICE MORE.
I JUST HEARD ON THE RADIO.
THE COAST GUARD IS REPORTING
THAT A FISHING BOAT FOUND IT.
- FOUND WHAT?
- THE CORONA QUEEN.
NOT MANY DETAILS BU IT'S ALL OVER THE NEWS.
I'M REALLY SURPRISED
YOU HAVEN'T HEARD.
- WHERE?
- OFF THE BERMUDA ISLANDS.
IS THERE A STORM
BREWING OUT THERE?
YEAH. THAT'S ONE OF THE REASONS
THEY HAVEN'T GONE BACK OUT.
ARE YOU SURE YOU'RE OKAY?
YEAH, YEAH, YEAH.
SOMETIMES I JUS HATE BEING RIGHT.
YOU'RE TALKING ABOU THAT TRIANGLE THEORY?
DON'T LET HOLDSTEIN
GET WIND OF IT,
OR HE'LL RAKE YOU
OVER THE COALS AGAIN.
- REMEMBER LAST TIME?
- HOLDSTEIN IS AN IDIOT WITH NO IMAGINATION.
HE HAS NO BUSINESS
RUNNING THIS INSTITUTE.
MAYBE NOT.
BUT HE BRINGS IN THE FUNDING.
AND YOU HAVE TO ADMIT, SOME OF
YOUR STUFF IS A LITTLE OUT THERE.
MARY, QUANTUM PHYSICS ASIDE
WE STUDY PSYCHIC AND
PARANORMAL PHENOMENA.
EVERYTHING WE DO IS A
LITTLE BIT OUT THERE.
YOU REALLY NEED TO THINK
ABOUT TAKING A VACATION.
And then,
my dead husband returned
from the grave.
You think something like
that can't happen to you,
but it can.
Mabel, why do you think
you had this visitation
from your deceased husband?
I don't know. But there I was
in my kitchen, canning peaches
and I seen him there.
THIS IS REALLY BAD. I CAN' SHOW THIS TO THE NETWORK.
HEY, YOU PICK 'EM.
I JUST SHOOT 'EM.
- HEY, JULES.
- RANDALL.
- HERE ARE THE MORNING TRANSCRIPTS.
- THANK YOU.
DANA, YOU'RE STILL TAKING
YOUR VACATION NEXT MONTH?
YES. WHY?
I JUST WANTED TO ASK YOU
IF YOU WOULD CONSIDER
LETTING ME TAKE THE
BROWNSVILLE ASSIGNMENT?
I DON'T KNOW HOW COMFORTABLE
I AM WITH THAT.
OKAY,
BUT I ALREADY RAN
IT BY KAPLAN,
AND HE THOUGHT IT WAS
A REALLY GOOD IDEA.
OH.
YOU DON'T THINK I WEN BEHIND YOUR BACK?
NO.
NO, NO. IT'S ALL RIGHT.
JUST SLOW DOWN A LITTLE.
YOUR CHANCE WILL COME, OKAY?
THANKS, DANA. I APPRECIATE IT.
NO, NO, NO. REALLY,
IT'S ALL RIGHT.
HEY, WHAT YOU GOT THERE, DEE?
JULIE, GET EVERYTHING YOU
CAN ON THE BERMUDA TRIANGLE
AND A PASSENGER SHIP
CALLED THE CORONA QUEEN.
RANDALL, GET A FIELD
PACKAGE TOGETHER.
WHAT? BETACAM, COUPLE
OF RADIO MICS?
NO, NO. WHOLE ENCHILADA.
INFRARED, TIME-LAPSE.
- LOADING UP FOR BEAR?
- AND LIONS, AND TIGERS.
RIGHT ON.
WHERE ARE WE GOING?
RANDALL AND I ARE
CHECKING OUT A STORY.
COME IN.
- HEY.
- HELLO.
- HEAR YOU GOT A BIG ONE.
- LOOKS THAT WAY.
- I'M WORKING AN ANGLE RIGHT NOW.
- GREAT, GREAT.
- LISTEN, YOU GOT A MINUTE?
- SURE.
- I'VE BEEN TALKING TO THE SUITS.
- AND?
AND...
THERE SEEMS TO BE SOME
CONCERN ABOUT THE RATINGS,
TALK ABOUT NEW BLOOD.
JULIE.
SHE'S ATTRACTIVE,
SHE'S BRIGHT.
SHE FITS RIGHT INTO THE
- SO I'M TOO OLD NOW?
- NOBODY IS SAYING THAT.
THEY JUST WANT TO TRY
HER OUT ONCE IN AWHILE.
YOU KNOW, THROW HER A FIELD
ASSIGNMENT NOW AND THEN.
WHAT ABOUT ME? I HAVE SPEN THE PAST THREE YEARS
TRYING TO BUILD THIS SHOW
INTO SOMETHING RESPECTABLE.
AND YOU'VE DONE A GREAT JOB.
BUT JUST...
THEY FEEL IT'S
TIME FOR A CHANGE.
MIKE, I'M ONTO A BIG
STORY RIGHT NOW.
CAN WE DO THIS LATER?
WE CAN DO IT ANYTIME
YOU WANT, DANA.
BUT IT'S TIME FOR JULIE
TO START MOVING UP.
DON'T FIGHT ME ON THIS.
IS THAT A THREAT?
NO, IT'S GOOD CAREER ADVICE.
HI. AARON ROBERTS?
- I'M DANA.
- DANA ELWAY.
- NICE TO MEET YOU.
- YOU WATCH MY SHOW?
JOURNALS OF THE UNEXPLAINED?
SOMETIMES.
YOU LOOK BETTER IN PERSON.
OH, THANK YOU. I THINK.
I KNOW WHAT YOU'RE HERE FOR.
WOULD YOU LIKE TO COME IN?
THANKS.
MR. ROBERTS, I'M A
LITTLE PRESSED FOR TIME,
SO CAN I GET TO THE POINT?
I WOULD LIKE YOU TO
SEE SOMETHING FIRST.
OKAY.
THIS PICTURE WAS TAKEN WHEN
I WAS EIGHT YEARS OLD.
AND EVERY COUPLE OF YEARS
SOMEONE IS NOSING AROUND
LOOKING FOR A NEW ANGLE
ON AN OLD STORY.
BUT THIS TIME
THERE IS A STORY.
I'D REALLY LIKE AN EXCLUSIVE.
AND CONSIDERING
YOUR BACKGROUND,
YOU'RE A WONDERFUL CHOICE.
THIS IS BIG NEWS FOR US.
YEAH, RIGHT.
WILL IT AIR BEFORE THE
TWO-HEADED ALIEN BABY,
OR AFTER "I TOOK A
SHOWER WITH SATAN"?
THAT WAS ACTUALLY ONE OF
OUR HIGHEST-RATED SHOWS,
AND I DOUBT THAT THIS
WOULD EVEN COME CLOSE.
WOULD IT HELP IF I
HAD SOME HORNS?
VERY FUNNY.
LOOK, THINK ABOUT IT.
YOU... A YOUNG BOY...
SAYING GOODBYE TO YOUR PARENTS
BEFORE THE CORONA
QUEEN DISAPPEARS
INTO THE BERMUDA TRIANGLE.
AND THEN, YEARS LATER,
THE SHIP RETURNS,
AND YOU GO ABOARD TO SAY
YOUR FINAL GOODBYE.
GO ABOARD?
WE'RE FLYING OUT TO THE
SHIP IN FOUR HOURS.
WILL YOU GO?
I DON'T KNOW.
LOOK-- LOOK, MR. ROBERTS,
LET ME BE STRAIGHT WITH YOU.
I NEED THIS STORY.
I THINK IT WOULD BE
GOOD FOR BOTH OF US.
HOW'S THAT?
I'VE DONE MY HOMEWORK. I KNOW ABOU YOUR WORK IN PARAPSYCHOLOGY,
AND I KNOW ABOUT YOUR INTERES IN THE BERMUDA TRIANGLE.
WE TALK THE SAME LANGUAGE.
I DON'T THINK SO.
I SEE THE PARANORMAL AS A
FIELD OF SCIENTIFIC STUDY.
YOU SEE IT AS A WAY TO
EXPLOIT PEOPLE'S FEARS.
I'VE SPENT THE LAST 15
YEARS FIGHTING AGAINS
THE SORT OF STORIES
THE MEDIA FABRICATES.
AND BESIDES, MY INTERES IN THE TRIANGLE IS--
IT'S PURELY PERSONAL.
IT'S NOT SANCTIONED
BY THE INSTITUTE.
YOU CAN'T TELL ME THA YOU AREN'T INTRIGUED.
I WOULD BE LYING
IF I SAID I WASN' ITCHING TO GO WITH YOU.
THEN DO.
I'M SORRY.
I JUST DON'T FEEL COMFORTABLE WITH
YOU EXPLOITING MY FATHER'S DEATH
FOR TV RATINGS.
I UNDERSTAND.
UMM...
IF YOU CHANGE YOUR MIND.
YOU KNOW, I WAS KIND OF
EXPECTING THE HARD SELL.
NO, THAT'S DEAN LAWSON FROM "THE
ADVENTURES OF THE PARANORMAL."
WE'RE THE GOOD GUYS.
BYE.
I WANT TO THANK YOU,
YOU'VE HELPED ME SO MUCH.
THANK YOU SO MUCH.
IT'S BEEN GREAT. I'M
REALLY EXCITED.
I CAN'T WAIT TO START.
- GOODBYE.
- BYE BYE.
- SO, HOW'S THE STORY GOING?
- WE'VE GOT A HELICOPTER.
JUST A FEW OF THE
DETAILS TO WORK OUT.
- WE LEAVE IN A COUPLE OF HOURS.
- GOOD, GOOD, GOOD.
- YEAH.
- LISTEN,
ONE THING.
JULIE'S GOING WITH YOU.
WHY? RANDALL AND I
CAN HANDLE THIS.
I KNOW, I KNOW, I KNOW.
BUT SHE'S GOT TO GET SOME
EXPERIENCE IN THE FIELD
IF SHE'S GOING TO
TAKE OVER FOR YOU
WHILE YOU'RE ON
VACATION NEXT MONTH.
IT IS JUST A VACATION,
MIKE, ISN'T IT?
OR DO I NEED TO STAR WORKING ON MY RESUME?
WHAT'S THE MATTER? YOU WORRIED SHE
MAY GET BETTER RATINGS THAN YOU?
WHAT KIND OF RATINGS
ARE WE TALKING ABOUT?
THE ONLY KIND THAT MATTER.
COME ON, THIS IS BUSINESS.
IT'S NOT PERSONAL.
FINE.
I HOPE SHE'S READY.
There she blows!
Are you guys out
of your minds?
Hey! What's going on in there?
For Christ's sake, we
could all die here!
HELLO.
HELLO?
- MR. SHAW?
- YOU'RE LATE.
RANDALL, THIS IS DAVID SHAW, HE
WORKS WITH CRESCENT CRUISES.
THEY OPERATED THE
CORONA QUEEN.
RANDALL BANKS, CAMERAMAN.
JULIE LARGO, FIELD
CORRESPONDENT.
HI.
THIS IS HIM AND THAT'S HIM.
MY TWO BEST SALVAGE OPERATORS.
RANDALL, JULIE, WHY DON'T YOU
START LOADING THE EQUIPMENT?
- SURE.
- YEAH.
THANKS FOR HELPING OU ON SUCH SHORT NOTICE.
NO PROBLEM. DID YOU HOLD UP
WITH YOUR END OF
THE ARRANGEMENT?
YEAH.
HALF NOW,
HALF WHEN WE GET BACK.
WHAT ARE YOU WAITING FOR?
- WE'VE GOT ONE MORE PERSON.
- NO, WE'VE GOT TO TAKE OFF.
- THE STORM IS GETTING WORSE.
- COME ON, JUST GIVE ME TWO MORE MINUTES.
THIS STORM'S GOING TO
BE A BITCH AND A HALF.
WE'RE NOT GOING TO MAKE
IT IF WE DON'T LEAVE NOW.
GREAT TIMING. ONE MORE MINUTE
AND YOU WOULD HAVE MISSED US.
- COME ON.
- WAIT, WAIT, WAIT.
WE'RE GOING TO DO THIS
ON MY TERMS, RIGHT?
NO THEATRICS, NO MELODRAMA.
OTHERWISE, I'M JUST-- I'M
GOING TO STAY HERE, OKAY?
OKAY.
I'M TRUSTING YOU.
ALL RIGHT. LET'S GO.
OKAY.
HI, MY NAME IS DAVID
SHAW, CRESCENT CRUISES.
AARON ROBERTS.
YOU LOOK FAMILIAR.
COULD BE.
MY FAMILY SUED YOUR COMPANY.
MY FATHER AND STEPMOTHER
WERE ON THE CORONA.
THAT WAS BEFORE MY TIME.
WHAT'S ALL THAT STUFF?
IT'S MY FIELD GEAR.
WHAT SORT OF GEAR?
PARANORMAL RESEARCH STUFF.
MEASURES ALL KINDS
OF PHENOMENA.
WHAT SORT OF PHENOMENA?
WE'LL HAVE TO FIND THAT OU WHEN WE GET THERE, WON'T WE?
THIS IS OUR THIRD PASS.
SO WHAT'S YOUR POINT?
I DON'T HAVE THE FUEL FOR AN
EXTENDED SEARCH IN THESE WINDS.
DO WE MATCH THE COAS GUARD COORDINATES?
I DON'T KNOW, WIND AND CURRENTS
MIGHT HAVE MOVED THE SHIP.
JUST FIND THE SHIP, PLEASE.
YOU WANT IN ON THIS?
THIRSTY?
NO, THANKS.
I WENT SOBER THREE YEARS AGO.
WOW.
YEAH.
SO WHAT DO YOU GUYS THINK ABOU THIS BERMUDA TRIANGLE STUFF?
WIVES' TALE, OR THE REAL DEAL?
WHAT'S BEHIND ALL THE PILOTS
AND PLANES DISAPPEARING?
YEAH.
STORMS.
BAD NAVIGATION.
FAULTY INSTRUMENTS.
IT'S A BIG POND.
PEOPLE GET LOST.
UNLESS YOU BELIEVE THE LEGEND.
WHAT LEGEND?
SOME PEOPLE SAY THE TRIANGLE
IS LIKE A DOOR TO
SOMEPLACE ELSE.
SOMETIMES THE DOOR
OPENS ONE WAY.
SOMETIMES THE OTHER.
A DOOR TO WHERE?
THAT'S THE QUESTION, ISN'T IT?
SOME PEOPLE SAY THE DOOR OPENS
TO THE VERY BOWELS
OF HELL ITSELF.
THERE IS SOME RESEARCH
THAT SEEMS TO
SUBSTANTIATE THAT THEORY.
THEN AGAIN,
IT MAY JUST BE A
BOATLOAD OF BULLSHIT.
- WHAT THE HELL WAS THAT?
- THAT WOULD BE TURBULENCE.
NO SHIT.
WHAT THE HELL IS
THIS, A PAGER?
PAGER, NO. BUT IT GETS
THE MESSAGE ACROSS.
GIVE ME TWO.
SO, MR. ROBERTS,
YOUR PARENTS WAS ON THIS
TUB 25 YEARS AGO, EH?
YEAH.
PARENTS GOT ON THE SHIP,
SHIP DISAPPEARS,
SHIP COMES BACK.
TOUGH BREAK.
YEAH.
YOU GOT ANYTHING?
I GOT SOMETHING OUT HERE.
THAT'S IT. THAT'S
THE CORONA QUEEN!
- DON'T GET EXCITED ABOUT IT.
- WHAT ELSE COULD IT BE?
- IT MIGHT BE A NAVAL TARGET.
- THAT'S THE CORONA QUEEN.
WISH ME LUCK.
THAT'S IT.
GET HIM OUT.
GET BACK.
DROP OUR SUPPLIES.
I CAN'T HOLD HER MUCH LONGER.
JUST HOVER OVER LONG ENOUGH
TO DROP OUR GODDAMN SUPPLIES!
HEADS UP, HEADS UP.
LET'S TAKE THIS STUFF
AND GET INSIDE.
YOU TWO, UNLOAD IT.
WHAT DO YOU THINK
HAPPENED IN HERE?
DAS?
SMALL EXPLOSION OR CHARGE
COULD'VE TAKEN THOSE OUT.
ALMOST LOOKS LIKE
THEY WERE ATTACKED.
ATTACKED BY WHAT?
THERE WAS A LOT OF
PIRACY IN THE '70S.
NOT USUALLY ON CRUISE
SHIPS, THOUGH.
AH, HIJACKING MORE LIKELY.
TERRORISTS.
LOOKS LIKE THEY
JUST CAME IN HERE
AND BLEW EVERYONE ALL TO HELL.
WHAT DO YOU SUPPOSE HAPPENED
TO THE BODIES THEN?
FIELDS, LET'S GET SOME KIND
OF COVER OVER THESE WINDOWS.
WE'LL SAVE WHAT'S LEF OF THIS EQUIPMENT.
WHY DON'T WE SET UP IN THE...
CREW'S MESS, DOWN BELOW?
WE'RE STANDING ON
THE CORONA QUEEN,
A PASSENGER SHIP
THAT HAS REAPPEARED
AFTER BEING OFFICIALLY LISTED
AS MISSING FOR 25 YEARS.
THE LAST TIME AARON ROBERTS
SAW HIS PARENTS ALIVE,
THEY WERE BOARDING
THIS VERY SHIP.
AARON, WHAT ARE YOU FEELING?
AARON?
WHAT AM I FEELING?
- YEAH.
- I FEEL...
WET, A LITTLE HUNGRY...
AND A LITTLE CONCERNED
YOUR PILOT FLEW OFF
WITH ONE OF MY BAGS.
I THOUGHT YOU CAME WITH US
TO BE PART OF THE STORY.
AND I THOUGHT WE
HAD AN AGREEMENT.
I CAN'T GET INSIDE OF YOUR HEAD IF
YOU DON'T GIVE ME A STRAIGHT ANSWER.
I DON'T REMEMBER INVITING
YOU INSIDE MY HEAD.
I'M SORRY.
IT MUST BE DIFFICUL BEING HERE.
I'M GLAD I BROUGH THIS DOWN FIRST,
OTHERWISE THIS WHOLE TRIP WOULD
BE ONE BIG WASTE OF TIME.
THIS HERE IS A STANDARD
WITCH-HUNT PACKAGE.
THREE HIGH-8 DIGICAMS,
TWO INFRARED CCD CAMERAS,
ONE FULL SPECTRUM CAM,
TWO SENNHEISER 416 MICS,
AND A PARABOLIC DISH.
- WHAT'S THAT THING?
- IT MEASURES ATMOSPHERIC VARIANCES.
WHEN A SPIRIT OR ENTITY
PASSES THROUGH A ROOM,
IT LEAVES BEHIND A SORT OF
A FOOTPRINT IN THE AIR.
ATMOSPHERIC VARIANCE, HUH?
EMG IMAGER.
THIS LETS US SEE RIPPLES
OR DISPLACEMEN
CAUSED BY AN ENTITY
IN THE AREA.
THAT'S THE OLD MODEL.
THIS IS THE LATEST.
TOTALLY CLEAN. NO MORE
FALSE POSITIVE READINGS.
COOL.
HEY.
WE COVERED UP THE WINDOWS. I DON' KNOW HOW MUCH GOOD IT WILL DO.
MOST OF THE PANELS ARE
ALREADY RUSTED THROUGH.
ASIDE FROM THE BRIDGE...
THERE'S NO DAMAGE OR
CORROSION SO FAR.
AFTER 25 YEARS AT SEA,
SHE'S LOOKING PRETTY GOOD.
PRETTY WEIRD.
THIS TUB HASN'T AGED A DAY
SINCE SHE DISAPPEARED.
NEVER SEEN ANYTHING LIKE IT.
ALL RIGHT, LET'S GE DOWN TO BUSINESS.
WHILE WE'RE ABOARD THIS
SHIP, I'M YOUR CAPTAIN.
NO QUESTIONS, NO ARGUMENTS,
NO BULLSHIT.
NOBODY GOES OFF BY THEMSELVES
WITHOUT TELLING OTHERS.
WE DON'T KNOW WHA HAPPENED HERE.
I WOULD STAY OUT OF THE
PASSENGER AREA FOR AWHILE.
YOU CAN GET YOUR STORY,
BUT WE DON'T WANT ANYBODY
HURT ON THIS TRIP.
ALL RIGHT?
DAS, FIELDS, SEE IF YOU
CAN GET SOME POWER ON.
WE NEED SOME LIGHT.
OKAY, WE'RE ON A
TIME CRUNCH HERE.
WE GOT 24 HOURS TO
GET THIS SHIP READY
TO BE TOWED BY
MY SALVAGE CREW.
OTHERWISE WE LOSE IT TO THE
US-GODDAMN-COAST GUARD.
OKAY. CLOCK'S TICKING.
- WE'D BETTER GO FIND THE GENNY.
- ALL RIGHT.
YOU GUYS MIND IF I TAG ALONG? I
JUST WANT TO GET SOME READINGS.
IT'S FINE WITH ME.
I'D LIKE TO GET SOME
BACKGROUND ON THE SHIP FIRST.
- HISTORY, THAT KIND OF STUFF.
- I'LL HELP YOU ANY WAY I CAN.
- JUST REMEMBER WHAT I SAID.
- YEAH.
OKAY, CLOCK'S TICKING.
LET'S GO.
THIS IS NOT THE
MOST LUXURIOUS SHIP
I'VE EVER SEEN.
YEAH, I KNOW WHAT YOU MEAN.
THE NEW ONES ARE LIKE
FLOATING CASINOS AND SUCH.
IT WAS A BIT DIFFEREN BACK IN THE DAY.
WHAT KIND OF A
SALVAGE OPERATION
IS SHAW HAVING YOU RUN?
THE ILLEGAL KIND.
- WHAT DO YOU MEAN?
- WE'RE LIKE THE MILITARY.
DON'T ASK, DON'T TELL.
YOU SEE, MR. ROBERTS,
WE AIN'T EXACTLY
SUPPOSED TO BE ON
THIS SHIP RIGHT NOW.
BUT MONEY TALKS.
AND BULLSHIT WALKS.
HOW MUCH YOU THINK
SHAW'S GETTING?
IT'S GOT TO BE SOMETHING TO
GET US OUT HERE SO FAST,
I'LL TELL YOU ONE THING.
THE SALVAGE ON THIS TUB'S
GOING TO BE WORTH A
HELL OF A LOT MORE
THAN THE FIVE BILLS
HE'S PAYING US.
DAMN STRAIGHT, DAS.
DAMN STRAIGHT.
YEAH, HERE WE GO.
HEY, HOLD ON.
WHAT'S DOWN THERE?
THAT BE THE CREW GALLEY.
OKAY, I'LL MEET UP
WITH YOU LATER.
- OH, THANKS.
- I WOULDN'T OPEN ANY FREEZERS.
WHY?
STINK, I'D IMAGINE.
DAS, TELL HIM ABOUT THE
TUNA TENDER OFF MALAYSIA.
THIS SHIP HAD ONLY BEEN
STRANDED OUT THERE
FIVE OR SIX MONTHS,
AND WE JUMPED INTO THE HOLD
WHERE THEY KEEP THE FISH.
RIGHT UP TO OUR
DICKS IN MAGGOTS.
- HAVE FUN.
- THANKS.
MAGGOTS.
I'D BE SURPRISED IF THIS PIECE
OF SHIT EVEN TURNS OVER.
BE A BLEEDING MIRACLE.
JESUS.
THERE'S DEFINITELY
SOMETHING GOING ON HERE.
David, tell us about the history of
the ship before her disappearance.
All right, I'll try.
The Corona Queen
was the sixth ship
in the Crescent fleet.
Her maiden voyage was on
January 22nd of 1968.
Her first captain
was Willard Townes
and the second was Stan Moore.
She carried 325
passengers and crew.
She had twin turbine
engines built in England.
And then in July of 1972,
she disappeared...
without a trace until now.
HEY, ROBERTS. EXCUSE ME.
Randall, cut it.
We'll pick it up later.
ALL RIGHT.
I THOUGHT I TOLD YOU NO TO WANDER OFF ALONE.
I'M JUST TAKING SOME READINGS.
LET ME REITERATE.
I DON'T GIVE A SHIT.
WHEN YOU'RE ON THIS SHIP,
YOU DO WHAT I TELL YOU,
- YOU UNDERSTAND?
- YES.
OKAY...
HEY, DAS, GOOD WORK.
GENNY CAME RIGHT UP.
PRETTY FUCKING WEIRD.
WE'RE FIRING THE
ELECTRICAL PANELS UP NOW.
- WHAT'S WITH THE MUSIC?
- SORRY ABOUT THE MUSIC.
WE'LL HAVE IT OFF IN A MINUTE.
OOOH.
JUST TURN IT OFF.
- COULD WE CONTINUE?
- YEAH.
ALL RIGHT.
WAIT. WAIT, SHH.
IT'S AS THOUGH THE MIC'S
PICKING UP SOMETHING.
WHERE'S IT COMING FROM?
THINK IT'S COMING
FROM OVER HERE.
IT'S LIKE A SQUEAKING.
THERE. RIGHT THERE.
- NOBODY TOUCH IT.
- WE ARE ON WATER.
THINGS MOVE WHEN
THE SHIP MOVES.
I DON'T THINK SO.
THAT SEEMS MORE LIKE...
OH, MAN.
SEEMS MORE LIKE WHAT?
LIKE SOMEONE IS RIDING IT.
HEY, GUYS, IF I'M
READING THIS RIGHT,
THIS ROOM IS HOT.
HOT?
LOTS OF PSYCHOKINETIC ENERGY.
OKAY, WHY THIS ROOM?
SOMETIMES CHILDREN ARE MORE
SUSCEPTIBLE TO PARANORMAL ACTIVITIES.
OH, COME ON.
YOU SHOULD TAKE A LOOK
AT THESE DRAWINGS.
LOOK AT THE EYES.
WHAT IS THAT?
I DON'T KNOW. SOMETHING--
SOMETHING HAPPENED IN HERE.
OKAY, WHAT THE HELL WAS THAT?
I WANT TO GET SOME
GEAR IN HERE NOW.
I AIN'T GOT TIME
FOR THIS CRAP.
THIS IS WHAT WE CAME FOR.
The Corona Queen was
the sixth ship.
All right, there's no leakage
or structural damage
I wouldn't count on
the engines though.
They're wrecked.
HALF THE LIGHTS ARE DOWN. YOU GO ENOUGH POWER TO RUN THE PUMPS?
We're working on it.
GOOD.
- DID YOU SEE THAT?
- WHAT?
- GO BACK.
- WHAT?
- HEY, SHAW?
- YEAH.
YOU MIGHT WAN TO LOOK AT THIS.
WHAT?
OH MY GOD.
NOW.
I'LL TRY THE SUBSTATION
PANEL ON A DECK.
DON'T BOTHER. I CAN GE IT FROM DOWN HERE.
BET I CAN GET THIS
WHOLE TUB LI
BEFORE YOU CAN GET A
SINGLE BULB HOT, DAS.
CASE OF SCOTCH SAYS YOU DON'T.
YOU'RE ON.
HEY, CAN I ASK YOU SOMETHING?
SURE.
UMM...
HAVE YOU EVER SEEN
ANYTHING LIKE THAT BEFORE?
NOPE.
NOTHING LIKE THAT.
MOST OF MY WORK IS CLINICAL.
GHOSTS ARE A SIDE INTEREST.
IT'S JUST THAT...
YOU SEEM AWFULLY DAMN CALM.
I MEAN, I FEEL FREAKY,
LIKE MY STOMACH
JUST DROPPED OUT.
YOU SHOULD BE HAPPY.
I KNOW PEOPLE THAT WOULD KILL
FOR WHAT YOU SHOT TODAY.
IF WE MAKE IT BACK
WITH THE FOOTAGE.
YEAH.
DANA, I'VE GOT ONE CAMERA UP.
I'LL HAVE THE OTHERS
UP IN A MINUTE.
OVER.
OKAY, COPY THAT.
WHY'D YOU DO THAT?!
I'M SO SORRY.
SHIT.
I'VE ALREADY GOT HALF MY JUNCTION BOXES UP.
YOU'RE GETTING OLD, DAS.
YEAH? I ALREADY GO DECKS B THROUGH D LIT.
I'D SAY IT LOOKS LIKE YOU'RE
GETTING SLOW, FIELDSY.
I'LL HAVE THIS CRATE PASSED
faster than prune juice
through your grandma.
COME ON, COME ON.
COME ON.
I'M GOING TO HIT THE RELAYS
ON THE MAIN BREAKER AGAIN.
COME ON. COME ON, BABY.
OKAY, HERE WE GO.
ALL RIGHT.
HOLD ON, I'M--
WHAT WAS THAT FIELDS?
I SAID, HOLD--
SAY AGAIN?
YOU'RE MESSING WITH ME. I
CANNOT AFFORD A CASE OF SCOTCH.
I SAID HOLD--
FIELDS?
--REWIRING THE
CONNECTOR PANEL.
FUCKING RADIOS.
FIELDS?!
FIELDS!
Das, what's going on?
IT'S FIELDS.
SOMETHING'S HAPPENED.
On my way.
FIELDS?
OHHH.
JESUS CHRIST.
AW, JEEZ.
- NO WAY.
- WE'VE GOT TO GET OFF THIS SHIP.
I TRIED THE COAST GUARD, BU THE RADIOS ARE ALL DOWN.
- YOU TRIED THE COAST GUARD?
- THERE'S A MAN DEAD ON THIS SHIP.
THEY'RE GOING TO WAN TO INTERVIEW EVERYBODY.
WE ARE NOT SUPPOSED TO
BE HERE, YOU KNOW THAT.
- WHAT ARE YOU TALKING ABOUT?
- I'M SAYING THE COAST GUARD DOESN'T KNOW WE'RE HERE,
AND IF THEY DID, THEY
WOULDN'T LIKE IT.
THAT'S TOO GODDAMN BAD. MY BES FRIEND'S LAYING DOWN THERE DEAD,
AND YOU'RE WORRIED ABOU THE FUCKING COAST GUARD.
- I'M SORRY ABOUT YOUR FRIEND--
- BULLSHIT.
WE ONLY CAME HERE FOR
A STORY, ALL RIGHT?
A MAN IS DEAD. WE ARE
IN DEEP SHIT, LADY.
- WE DIDN'T KILL HIM!
- I'M NOT POINTING ANY FINGERS!
- I BET YOU LIKE THIS, DON'T YOU, JULIE?
- DON'T PUT YOUR SHIT ON ME!
SHUT UP!
SHUT UP, ALL OF YOU!
CHRIST, FIELDS IS DEAD.
THAT'S IT.
NO ARGUMENTS, NO BULLSHIT.
IT'S TIME TO GO.
WHAT THE FUCK?
HELLO?
IT'S FOR YOU.
HELLO?
WHERE?
WHAT?
HELLO?
HELLO?
IT WAS FIELDS.
WHAT DID HE SAY?
WHAT DID HE SAY?
THERE'S-- THERE'S SOMETHING WE
SHOULD SEE UP ON THE BRIDGE.
WAIT, SHOULD WE BE DOING THIS?
- PROBABLY NOT.
- I DON'T GIVE A RAT'S ASS,
I'M GOING IN.
WHAT ARE WE SUPPOSED
TO FIND HERE?
YOU GOT ME.
WHAT IS THAT?
I DON'T KNOW, BUT IT'S HUGE.
DISTANCE AT THAT RATE IS CLOSING
AT A FAIRLY CONSTANT SPEED.
IT'S MOVING STRAIGHT FOR US.
HOW LONG BEFORE IT'S HERE?
I DON'T KNOW, THREE,
FOUR HOURS TOPS.
SO FIELDS WAS
TRYING TO WARN US.
YEAH, BUT FROM WHAT?
SEE IF YOU CAN GE THAT RADIO WORKING.
I'M GOING TO SICKBAY,
THERE'LL BE BODY BAGS THERE.
THE REST OF YOU GE YOUR GEAR TOGETHER.
- WHAT FOR?
- BECAUSE WE'RE LEAVING.
- ROBERTS, WHY DON'T YOU COME WITH ME?
- WHERE ARE WE GOING?
TO GET FIELDS' BODY.
DAMN IT, HE WAS RIGHT HERE.
- YOU SURE HE WAS DEAD?
- YES, I'M SURE.
THEN WHERE IS HE?
I DON'T KNOW, BUT DEAD MEN DON' GET UP AND WALK AWAY, DO THEY?
- AND YOU'RE SURE ABOUT THAT?
- COME ON, ROBERTS.
LET'S NOT TALK IN CIRCLES. YOU'RE
SUPPOSED TO BE THE EXPERT.
WHY DON'T YOU HELP ME HERE?
IT PROBABLY WAS AN ACCIDENT.
A HORRIBLE ACCIDENT.
- BUT THERE ARE OTHER POSSIBILITIES.
- SUCH AS?
- HOW LONG HAVE YOU BEEN IN THIS BUSINESS?
- ALL MY LIFE, WHY?
THEN YOU'VE HEARD STORIES
ABOUT THE TRIANGLE,
ABOUT THE SHIPS
THAT COME BACK.
- YEAH, IT'S ALL HORSESHIT.
- IS IT?
- YEAH.
- LOOK AROUND.
I'VE SPENT A LONG TIME TRYING TO
EXPLAIN WHAT HAPPENED TO THIS SHIP,
WHAT HAPPENED TO MY FATHER.
BUT WHAT WE'VE SEEN TODAY--
- IT DEFIES EXPLANATION.
- THAT'S IT. THAT'S IT.
I'VE HEARD ENOUGH
OF THIS CRAP.
- SHAW!
- WHAT?
HAVE YOU LOOKED FOR THE
CAPTAIN'S LOG YET?
NO.
WHY?
FIND IT.
WHAT FOR? WHAT FOR?
I DON'T KNOW EXACTLY.
IT'S JUST A FEELING,
BUT YOU'RE GIVING THE ORDERS.
GODDAMN IT, DAS, WHY DON' YOU KEEP THE WALKIE ON?
- I GOT THE RADIO UP.
- I'M LOOKING FOR YOU EVERYWHERE!
I GOT THE RADIO UP! LISTEN.
GO AHEAD, SALVAGE.
It's going to be
three hours at least
before I can make it
back, more like four.
I just got refueled and that
storm front is building.
- FOUR HOURS? WE HAVE A SITUATION HERE.
- COME ON, COME ON.
I copy that, Corona, but in
case you hadn't noticed,
there's a hurricane
heading your direction.
- SHIT.
- JUST GET OUT HERE AND GET US OFF THIS SHIP!
SALVAGE, DO YOU COPY?
SALVAGE, COME BACK.
- GET HIM BACK.
- SALVAGE, COME BACK.
- DID YOU TAKE CARE OF FIELDS?
- NO, I DIDN'T.
BECAUSE THE BODY'S GONE!
WHAT THE HELL ARE
YOU TALKING ABOUT?
THIS ISN'T A STORM. WHATEVER
THIS IS, IT'S MOVING IN FAST.
I DON'T GIVE A SHIT ABOUT THIS!
WHAT ABOUT FIELDS?
YOU GOT HIM KILLED,
NOW THE REST OF US?
HE KNEW WHAT HE SIGNED ON FOR!
- I OUGHT TO KILL YOU RIGHT NOW!
- YOU'VE CROSSED THE LINE.
- HAVE I?
- YOU'RE FIRED!
YEAH, YOU'RE FIRED.
- I'M FIRED?
- YEAH, GET OUT!
AND YOU'VE BEEN
DRINKING TOO, HAVE YOU?
- YEAH? WELL, FUCK YOU!
- GET OUT!
THAT'S GOOD. YOU
FUCKING THINK I CARE?
YOU'RE FIRED!
YOU KNOW WHAT? I QUIT.
YOU POMPOUS COCKSUCKER.
- YOU GODDAMN NEANDERTHAL.
- FUCK YOU!
- GET OUT! YOU'RE FIRED. - HA!
FUCK YOU... PRICK!
- WHAT'S UP, J?
- HEY.
- WHERE'VE YOU BEEN?
- I WAS IN THE...
PLAYROOM CHECKING THE GEAR.
I DIDN'T SEE YOU IN THERE.
HMM.
MAYBE THE VIDEO FEED
GOT SCREWED UP.
WORKS FINE NOW, RIGHT?
RANDALL BANKS,
YOU'VE BEEN DRINKING.
- NO, I HAVEN'T.
- YEAH, YOU HAVE.
- NO, I HAVEN'T.
- YOU HAVE.
- I CAN SMELL IT ON YOU.
- NO, I HAVEN'T.
- YEAH, YOU HAVE.
- NO, I HAVEN'T!
COME ON, RANDALL. GIVE IT UP.
ALL RIGHT, AT LEAS TELL ME THAT I'M RIGHT.
OKAY, FINE. YOU'RE RIGHT.
I'VE BEEN DRINKING.
B-F-D.
AND AFTER THE NETWORK
PAID FOR YOUR REHAB.
COME ON.
WELL, DON'T WORRY.
IT WILL BE OUR LITTLE SECRET.
OH, REALLY?
YEAH, ON ONE CONDITION.
AND WHAT COULD
THAT BE, I WONDER?
DANA SCREWED THIS
WHOLE THING UP.
IT'S GOING TO BLOW
UP IN HER FACE.
- UH, JULES?
- ALL I NEED YOU TO DO
IS BACK ME UP.
DANA BROUGHT US OUT HERE,
AND PUT US ALL IN DANGER.
GOT THAT SALVAGE GUY KILLED.
THE NETWORK IS GOING TO FIRE HER FASTER
THAN YOU CAN SAY, "GROSS NEGLIGENCE."
AND THEN, DANA
EL-WEIRD IS OUT,
AND JULIE LARGO... IS IN.
AND YOU'RE GOING TO
BE MY CAMERAMAN.
UMM... HI, GUYS.
JULIE... HMM.
I HAVE TO GIVE YOU CREDIT,
I THOUGHT YOU WERE
SCREWING KAPLAN,
BUT I HAD NO IDEA YOU WERE
TRYING TO SCREW ME, TOO.
NO, NO, DANA,
YOU SCREWED YOURSELF.
IF YOU'LL EXCUSE ME, I'M GOING
TO GO OUT AND GET A REAL STORY.
- JULIE, GET BACK HERE.
- COME ON, JULIE.
MAKE ME. LET GO OF ME!
- JUST TAKE IT EASY.
- LET GO OF ME, RANDALL.
CALM DOWN, JULIE.
- HEY!
- DON'T YOU TRY TO STOP ME.
- HEY, YOU ALL RIGHT?
- NEVER BEEN BETTER.
THIS IS JULIE LARGO,
PROCEEDING THROUGH
THE DARKEST...
unexplored parts of
the Corona Queen,
attempting to
bring you answers
to the mystery of her fate.
ONE CAN ALMOST HEAR
THE SCREAMS OF THE PASSENGERS.
AND IMAGINE--
IMAGINE THE HORROR OF THEIR
LAST FEW MINUTES ALIVE.
- WHAT HAPPENED TO HIM?
- THE LITTLE BITCH TAZED ME.
- WHO?
- JULIE!
- WHERE'S JULIE?
- WHO KNOWS? WHO CARES?
WE'VE GOT TO FIND HER.
THE CHOPPER'S ON ITS WAY, AND
WE'VE GOT ANOTHER PROBLEM.
- I'LL GO FIND HER.
- NO, NO.
DAS, WHY DON' YOU GO WITH HIM?
YOU TAKE THE FORWARD
SECTION AND I'LL TAKE AFT.
EXCUSE ME, MR. SHAW, SIR,
BUT IF YOU REMEMBER,
YOU FIRED ME.
I APOLOGIZE.
ROBERTS, SHALL WE GO
FORWARD AND FIND JULIE?
- YOU GUYS GO AHEAD.
- SHUT UP.
HELLO?
WHO'S THERE?
HELLO?
TOO BAD ABOUT DANA.
REAL TRAGEDY.
JULIE, JULIE, JULIE,
SO GLAD TO SEE YOU.
- YOU'RE ON THE AIR IN 10 MINUTES.
- I AM?
- WHAT IS ALL THIS?
- WHAT IS ALL THIS?
- JULIE, IT'S YOUR SHOW.
- MY SHOW?
IT IS NOW.
YOUR NEW CONTRACT.
NOW, COME ON, WE
HAVE TO HURRY.
MAKE-UP.
SEE HOW GORGEOUS YOU ARE?
JULIE,
WE ALWAYS KNEW...
YOU WERE THE ONE WHO SHOULD'VE
BEEN HOSTING THIS SHOW.
COME ON.
THE WORLD IS WAITING.
- MISS LARGO, MISS LARGO.
- YEAH?
- YOU HAVE A PHONE CALL.
- THANK YOU.
HERE.
MISS LARGO IS ON A
VERY TIGHT SCHEDULE,
SOMEONE WILL GET BACK TO YOU.
PROCEED.
AS I WAS SAYING,
ALL THIS TIME...
YOU SHOULD HAVE BEEN THE
ONE HOSTING THIS SHOW.
NOW...
SIGN YOUR CONTRACT...
AND BE THE STAR
PLAYER ON OUR TEAM.
GO ON.
ATTAGIRL.
GOOD.
NOW... IT'S SHOW TIME.
WE ARE ROLLING IN...
FIVE, FOUR,
THREE.
JULIE?
YOU DOWN THERE?
COME ON.
DAS, COME ON. ANYTHING?
Naw, nothing yet.
MISS LARGO?
WHAT IS IT?
WHAT IS IT?
THERE'S SOMEONE UP THERE.
HEY, DAS, WAIT UP.
FIELDS?
FIELDS, IS THAT YOU?
DAS? IT'S LOCKED!
OPEN IT!
OH, SHIT! DAS, WAIT!
DAS! DAS! WAIT!
WAIT!
MOVE AWAY FROM THE CHAIN!
DA-AS!
HELP ME!
ROBERTS! COME ON!
MOTHERFUCKER!
HELP!
WHAT CAN I DO? WHAT CAN I DO?
- KILL SWITCH.
- WHERE IS IT?
- ON THE RIGHT OF THE PANEL!
- OKAY!
I GOT IT, DAS!
OH.
OH GOD.
OH SHIT. OH.
THIS IS ALL I FOUND.
- WHAT ABOUT JULIE?
- THIS IS ALL I FOUND.
WHERE'S DAS?
HE'S DEAD.
WHAT?
HE THOUGHT HE SAW FIELDS
IN THE CHAIN LOCKER.
HE WENT RUNNING IN AFTER HIM.
THE CHAIN STARTED TO
FALL AND IT CRUSHED HIM.
SOMEONE RAISED THE ANCHOR.
NO, SOMEBODY DIDN' RAISE THE ANCHOR.
DON'T YOU GET IT?
THIS SHIP IS KILLING
US OFF ONE BY ONE.
- DID YOU FIND JULIE?
- NO, JUST HER FRIGGIN' CAMERA.
- SHE'S PROBABLY DEAD, TOO.
- DAMN IT, RANDALL.
- JUST-- PLEASE.
- WE HAVE TO GET OFF THIS SHIP.
IF IT MEANS TAKING OUR
CHANCES IN THOSE LIFEBOATS,
- THEN THAT IS WHAT WE HAVE TO DO.
- THAT'S GREAT.
- WE DIE HERE OR WE GO DROWN OUT THERE.
- SHUT UP.
NO, YOU GUYS ARE SUPPOSED TO
BE THE ONES WITH ANSWERS!
- SHUT UP!
- YOU DON'T KNOW WHAT THE FUCK YOU'RE TALKING ABOUT!
I ORDER YOU TO SHUT UP!
DON'T MAKE ME CUT YOUR
FUCKING TONGUE OUT.
GO ON.
A LOT OF MY RESEARCH SHOWS THAT THE
TRIANGLE IS SOME SORT OF DOORWAY.
- TO WHERE?
- TO SOMEWHERE ELSE.
HELL, ANOTHER DIMENSION.
A PLACE WHERE WE DON'T BELONG.
THE PLACE WHERE THIS SHIP
WENT TO WHEN IT DISAPPEARED.
BUT IT CAME BACK, DIDN'T IT?
- YOU FOUND IT?
- YEAH.
MAYBE YOU CAN HELP ME
UNDERSTAND SOME OF THIS.
FIRST ENTRY,
MAY 13th, 1972.
"I DON'T KNOW WHA THIS PLACE IS.
WE HAVE NO RADIO,
NO NAVIGATION.
I HAVE NO CONTROL OF THE SHIP.
THEY HAVE SLAUGHTERED
MOST OF THE CREW AND
THE PASSENGERS.
THE REST HAVE SIMPLY VANISHED.
THE CHILDREN WERE THE LAST TO
GO." I READ THAT 20 TIMES.
"SOMETHING IS COMING FOR ME.
I CAN HEAR I OUTSIDE THE DOOR."
WHAT IS THIS "THEY"?
WHO IS "THEY"?
HOW THE HELL AM I
SUPPOSED TO KNOW?
"I CAN HEAR I OUTSIDE MY DOOR."
AND THERE'S SOMETHING ELSE.
- WHAT?
- WHAT?
THE SHIP...
IT WAS ON THE OTHER
SIDE FOR A LONG TIME.
AND?
- DO YOU KNOW WHAT A CAPACITOR IS?
- OF COURSE.
I THINK THE CORONA QUEEN
HAS SOMEHOW BECOME
A CAPACITOR,
STORING ENERGY FROM
THE OTHER SIDE.
WE CAN CALL IT WHATEVER WE WANT,
BUT THERE'S AN INTELLIGENCE HERE,
AND IT'S AN INTELLIGENCE
THAT'S BEEN LOCKED
ON THE OTHER SIDE FOR
A VERY LONG TIME.
SO NOW WE CAN NO LONGER
TRUST WHAT WE SEE OR HEAR.
THE SHIP IS PREYING
ON OUR FEARS.
IT IS CREATING THINGS
FOR US TO SEE.
ONE WAY OR ANOTHER, WE
HAVE TO GET OFF THIS SHIP
AND AWAY FROM THA LINE ON THE RADAR.
WHAT IS THAT THING? WHAT,
IS IT A STORM, OR WHAT?
MAYBE THE PHYSICAL BOUNDARIES
BETWEEN OUR WORLD...
AND ANOTHER.
MAYBE IT'S THE PHYSICAL BOUNDARIES
OF THE TRIANGLE ITSELF.
OH, OKAY. THAT'S PHENOMENAL.
A DOORWAY TO HELL.
WE ARE FUCKED.
I CAME ON THE SHIP-- I WAS TO DO A STORY, MAN.
I DID NOT SIGN ON
FOR THIS BULLSHIT!
LISTEN, WE ARE GOING
TO GET OFF THIS SHIP.
BUT WE HAVE GOT TO
GET THOSE TAPES.
DANA, FUCK THE TAPES. WE
GOT TO GET OFF THE SHIP!
YOU KNOW HE'S RIGHT. WE
CAN'T TAKE ANY CHANCES.
LISTEN TO ME. THIS IS THE
STORY OF A LIFETIME.
WE HAVE COME TOO FAR TO
GO BACK EMPTY-HANDED.
SO WE HAVE GOT TO
GET THOSE TAPES.
SO WE GET THE TAPES, THEN
WE GET OFF THE SHIP.
OKAY, FINE. DOES ANYBODY
HAVE A PROBLEM WITH THAT?
YOU GO GET THE TAPES, AND
WE'LL ALL MEET UP ON DECK.
IF THE CHOPPER'S THERE WE FLY.
IF IT'S NOT,
WE GET IN THE BOATS.
- I'LL BE BACK.
- WHERE THE HELL ARE YOU GOING?
THERE'S SOMETHING I GOT TO DO.
DON'T LEAVE WITHOUT ME!
RANDALL, GO TO THE PLAYROOM.
I'LL GET EVERYTHING HERE.
WHERE WILL IT BE...
JESUS, COME ON.
WHAT THE HELL IS HE DOING?
WHAT THE FUCK IS WRONG
WITH THIS PIECE OF SHIT?
COME ON.
OKAY.
THAT'S FUCKED UP.
JEEZ, YOU SCARED THE
SHIT OUT OF ME.
WHERE THE HELL HAVE YOU BEEN?
RANDALL--
RANDALL, WHO ARE
YOU TALKING TO?
WE'VE BEEN LOOKING ALL OVER
THIS SHIP FOR YOUR BUTT.
WHAT? HEY, JULES?
RANDALL!
RANDALL!
RANDALL? RANDALL!
SHAW, IS THERE ANY SIGN
OF THE HELICOPTER?
THE CHOPPER'S ON ITS WAY!
LET'S GO!
The winds are too strong!
Go aft, I don't want to get
caught in the rigging!
HE SAYS WE'VE GOT TO GO
AFT, THERE'S TOO MUCH WIND.
HE'S GOING TO GE CAUGHT IN THE RIGGING.
OH GOD.
HERE.
WHAT'S HAPPENING?
GOOD GOD.
OH, BABY.
DANA, LET'S GO!
DANA! COME ON, COME ON!
CORONA QUEEN TO CHOPPER.
CORONA QUEEN TO CHOPPER.
What the hell is going on?
DO NOT LEAVE WITHOUT US!
COME ON, DANA, LET'S GO.
DANA! DANA!
I'LL BE RIGHT BACK.
MOM.
OKAY. DANA?
I'M SORRY.
GRAB IT.
DANA?
I ONLY WANTED TO HELP YOU.
I DIDN'T--
I NEVER WANTED TO HURT YOU.
OH, SHIT!
I COULDN'T STAND TO SEE
YOU IN SO MUCH PAIN.
DANA, ARE YOU ALL RIGHT?
MY MOM...
I KILLED HER.
I'M SURE THAT'S NOT TRUE.
LISTEN TO ME. WHA YOU'RE SEEING
IS NOT REAL!
SNAP OUT OF IT!
WE'VE GOT TO GO!
LET ME GET THE TAPES.
COME ON. YOU OKAY?
LET'S GO!
OH MY GOD.
- WHAT IS THIS?
- LET'S GO, LET'S GO.
QUICK. QUICK!
COME ON!
- COME ON, GO!
- COME ON!
THIS IS STEEP NOW.
- YOU OKAY? GO AHEAD.
- YEAH.
- COME ON.
- OKAY.
GO.
LOWER THE BASKET!
LOWER THE BASKET! LOWER!
HURRY UP DOWN THERE.
WELL, WELL, WELL.
CONGRATULATIONS.
YOU GOT THE STORY
OF THE CENTURY.
I DON'T KNOW IF IT WAS WORTH
THE DEATHS OF FIVE PEOPLE.
YEAH, WELL,
WELCOME TO TELEVISION.
That's always bothered
you, hasn't it?
I'm-- I'm sorry, do I know you?
The similarities between the
two cases are remarkable.
- What two cases?
- The Mary Celeste and the Corona Queen.
Not really. The Corona
Queen's never been found.
No, but we have to get
on with our lives.
Goodbye, son.
But we have to get
on with our lives.
Goodbye, son.
Goodbye, son.
Goodbye, son.
HI.
YOU OKAY?
YEAH, YEAH. FINALLY.
YOU?
YEAH, I'M OKAY.
IT'S BEEN AN INTERESTING
COUPLE OF DAYS.
I'M THROUGH CARRYING GUILT FOR
SOMETHING THAT WASN'T MY FAULT.
YOU READY?
- READY?
- YEAH.
OH, I FORGOT, DIDN'T I?
MR. ROBERTS, YOU HAVE A LOT TO
LEARN ABOUT DEALING WITH WOMEN.
FOOD IS CRITICAL.
I KNOW A GREAT CHINESE PLACE
ABOUT TWO BLOCKS FROM HERE.
CHINESE IS GREAT. LE ME JUST GET MY COAT.
WE'LL LET THE
MACHINE PICK IT UP.
...2364. At the tone,
please leave your message.
Thank you.
- THAT'S NICE.
- LIKE IT?
THAT'S GOOD.
RIGHT THIS WAY. HI.
HI, HOW ARE YOU?
- PERMISSION TO BOARD?
- HI, RIGHT THIS WAY.
NOW WE'LL BE BACK SUNDAY.
YOU LISTEN TO GRANDMA AND
DO YOUR CHORES, OKAY?
WHY CAN'T I GO WITH YOU?
AARON, WE TALKED ABOU THIS IN THE CAR.
NOW THIS IS OUR HONEYMOON.
IT'S OUR ALONE TIME.
AARON, I KNOW YOU'RE STILL
NOT USED TO ALL THIS,
BUT...
I CARE VERY MUCH FOR
YOU AND YOUR FATHER.
WE GOT YOU SOMETHING.
HERE.
WELL, AREN'T YOU
GOING TO OPEN IT?
- AARON, WHAT ARE YOU DOING?
- SHE'S NOT MY MOTHER!
THAT'S A TERRIBLE THING TO SAY.
WHAT'S THE MATTER WITH YOU?
SHE'S NOT MY MOTHER.
MY MOTHER'S DEAD.
HONEY, HOLD ON, HOLD ON.
AARON, WHY ARE YOU
ACTING LIKE THIS?
AARON, GET BACK HERE.
AARON SAID SOME
REALLY MEAN THINGS.
I'M SORRY YOU HAD
TO HEAR THAT.
HE'S YOUNG.
HE'LL ACCEPT ME WHEN
HE'S READY, HONEY.
THINK HE HATES ME?
OF COURSE NOT.
HE'S A LITTLE BOY...
WHO LOST HIS MOTHER.
PARKER,
GIVE IT TIME.
OKAY?
GIVE HIM TIME.
HE'LL COME AROUND.
COME HERE.
CAPTAIN ON THE BRIDGE.
- THAT A REFLECTIVE SIGNAL?
- YES, SIR.
SIR, THAT SIGNAL IS ADVANCING.
LESS THAN 400 YARDS
AND CLOSING.
- EVER SEE A SQUALL LINE GIVE OFF
A SIGNAL LIKE THAT? - NO, SIR.
SIR, IT LOOKS LIKE--
LIKE LAND.
NO, THAT'S IMPOSSIBLE. THERE'S
NO LAND FOR 200 MILES.
SIR, SIGNAL CLOSING NOW
AT LESS THAN 200 YARDS.
CAPTAIN, LOOK! STARBOARD BOW.
OH MY GOD.
ENGINE ROOM, FULL
REVERSE SCREWS.
- HARD STARBOARD!
- HARD STARBOARD, SIR.
- PARKER, WHAT'S HAPPENING?
- I DON'T KNOW.
- FULL AHEAD. HARD PORT!
- HARD PORT, AYE, SIR!
NOT COMING AROUND. WE'RE
NOT GOING TO MAKE IT!
CAPTAIN. HERE.
WHAT IS IT?
WHEN THE MARY CELESTE
WAS DISCOVERED
DISAPPEARANCE,
THE CAPTAIN, HIS
WIFE AND DAUGHTER
AND A CREW OF EIGHT SEEMED
TO VANISH INTO THIN AIR.
NOW THE BOAT WAS IN
REMARKABLY GOOD CONDITION,
AND SOME REPORTS INDICATE
THAT A MEAL WAS STILL COOKING
ON THE STOVE IN THE GALLEY,
AND THAT WARM COFFEE
CUPS REMAINED INTAC
IN THE MESS HALL.
THE MARY CELESTE REMAINS
ONE OF THE MOST BAFFLING
AND MYSTERIOUS CASES
IN THE HISTORY OF HUMANKIND.
THE MARY CELESTE REMAINS ONE OF THE
MOST BAFFLING AND MYSTERIOUS CASES
IN THE HISTORY OF THE REGION
KNOWN AS THE BERMUDA TRIANGLE.
THE MARY CELESTE IS ONE
OF THE MOST BAFFLING
AND TERRIFYING,
AND MYSTERIOUS, CONFUSING--
BAFFLING AND MYSTERIOUS!
THE MARY CELESTE IS...
ONE OF THE MOST--
AW, CRAP.
THAT'S ALWAYS BOTHERED
YOU, HASN'T IT?
I'M-- I'M SORRY.
DO I KNOW YOU?
THE SIMILARITIES BETWEEN THE
TWO CASES ARE REMARKABLE.
WHAT TWO CASES?
THE MARY CELESTE AND
THE CORONA QUEEN.
NO, NOT REALLY. THE CORONA
QUEEN'S NEVER BEEN FOUND.
NO, BUT WE HAVE TO GE ON WITH OUR LIVES.
- GOODBYE.
- EXCUSE ME, HOW DID YOU GET IN HERE?
HEY, I WAS JUS COMING TO SEE YOU.
DID YOU JUST SEE A GUY
COME OUT OF MY OFFICE?
JUST NOW. A TALL GUY.
NO.
ARE YOU ALL RIGHT?
YEAH, YEAH. I JUS THOUGHT I SAW SOMEONE.
UMM... YOU WANTED TO SEE ME?
- YEAH.
- COME ON.
- HAVE YOU HEARD?
- HEARD WHAT?
YOU REALLY NEED TO GE OUT OF THE OFFICE MORE.
I JUST HEARD ON THE RADIO.
THE COAST GUARD IS REPORTING
THAT A FISHING BOAT FOUND IT.
- FOUND WHAT?
- THE CORONA QUEEN.
NOT MANY DETAILS BU IT'S ALL OVER THE NEWS.
I'M REALLY SURPRISED
YOU HAVEN'T HEARD.
- WHERE?
- OFF THE BERMUDA ISLANDS.
IS THERE A STORM
BREWING OUT THERE?
YEAH. THAT'S ONE OF THE REASONS
THEY HAVEN'T GONE BACK OUT.
ARE YOU SURE YOU'RE OKAY?
YEAH, YEAH, YEAH.
SOMETIMES I JUS HATE BEING RIGHT.
YOU'RE TALKING ABOU THAT TRIANGLE THEORY?
DON'T LET HOLDSTEIN
GET WIND OF IT,
OR HE'LL RAKE YOU
OVER THE COALS AGAIN.
- REMEMBER LAST TIME?
- HOLDSTEIN IS AN IDIOT WITH NO IMAGINATION.
HE HAS NO BUSINESS
RUNNING THIS INSTITUTE.
MAYBE NOT.
BUT HE BRINGS IN THE FUNDING.
AND YOU HAVE TO ADMIT, SOME OF
YOUR STUFF IS A LITTLE OUT THERE.
MARY, QUANTUM PHYSICS ASIDE
WE STUDY PSYCHIC AND
PARANORMAL PHENOMENA.
EVERYTHING WE DO IS A
LITTLE BIT OUT THERE.
YOU REALLY NEED TO THINK
ABOUT TAKING A VACATION.
And then,
my dead husband returned
from the grave.
You think something like
that can't happen to you,
but it can.
Mabel, why do you think
you had this visitation
from your deceased husband?
I don't know. But there I was
in my kitchen, canning peaches
and I seen him there.
THIS IS REALLY BAD. I CAN' SHOW THIS TO THE NETWORK.
HEY, YOU PICK 'EM.
I JUST SHOOT 'EM.
- HEY, JULES.
- RANDALL.
- HERE ARE THE MORNING TRANSCRIPTS.
- THANK YOU.
DANA, YOU'RE STILL TAKING
YOUR VACATION NEXT MONTH?
YES. WHY?
I JUST WANTED TO ASK YOU
IF YOU WOULD CONSIDER
LETTING ME TAKE THE
BROWNSVILLE ASSIGNMENT?
I DON'T KNOW HOW COMFORTABLE
I AM WITH THAT.
OKAY,
BUT I ALREADY RAN
IT BY KAPLAN,
AND HE THOUGHT IT WAS
A REALLY GOOD IDEA.
OH.
YOU DON'T THINK I WEN BEHIND YOUR BACK?
NO.
NO, NO. IT'S ALL RIGHT.
JUST SLOW DOWN A LITTLE.
YOUR CHANCE WILL COME, OKAY?
THANKS, DANA. I APPRECIATE IT.
NO, NO, NO. REALLY,
IT'S ALL RIGHT.
HEY, WHAT YOU GOT THERE, DEE?
JULIE, GET EVERYTHING YOU
CAN ON THE BERMUDA TRIANGLE
AND A PASSENGER SHIP
CALLED THE CORONA QUEEN.
RANDALL, GET A FIELD
PACKAGE TOGETHER.
WHAT? BETACAM, COUPLE
OF RADIO MICS?
NO, NO. WHOLE ENCHILADA.
INFRARED, TIME-LAPSE.
- LOADING UP FOR BEAR?
- AND LIONS, AND TIGERS.
RIGHT ON.
WHERE ARE WE GOING?
RANDALL AND I ARE
CHECKING OUT A STORY.
COME IN.
- HEY.
- HELLO.
- HEAR YOU GOT A BIG ONE.
- LOOKS THAT WAY.
- I'M WORKING AN ANGLE RIGHT NOW.
- GREAT, GREAT.
- LISTEN, YOU GOT A MINUTE?
- SURE.
- I'VE BEEN TALKING TO THE SUITS.
- AND?
AND...
THERE SEEMS TO BE SOME
CONCERN ABOUT THE RATINGS,
TALK ABOUT NEW BLOOD.
JULIE.
SHE'S ATTRACTIVE,
SHE'S BRIGHT.
SHE FITS RIGHT INTO THE
- SO I'M TOO OLD NOW?
- NOBODY IS SAYING THAT.
THEY JUST WANT TO TRY
HER OUT ONCE IN AWHILE.
YOU KNOW, THROW HER A FIELD
ASSIGNMENT NOW AND THEN.
WHAT ABOUT ME? I HAVE SPEN THE PAST THREE YEARS
TRYING TO BUILD THIS SHOW
INTO SOMETHING RESPECTABLE.
AND YOU'VE DONE A GREAT JOB.
BUT JUST...
THEY FEEL IT'S
TIME FOR A CHANGE.
MIKE, I'M ONTO A BIG
STORY RIGHT NOW.
CAN WE DO THIS LATER?
WE CAN DO IT ANYTIME
YOU WANT, DANA.
BUT IT'S TIME FOR JULIE
TO START MOVING UP.
DON'T FIGHT ME ON THIS.
IS THAT A THREAT?
NO, IT'S GOOD CAREER ADVICE.
HI. AARON ROBERTS?
- I'M DANA.
- DANA ELWAY.
- NICE TO MEET YOU.
- YOU WATCH MY SHOW?
JOURNALS OF THE UNEXPLAINED?
SOMETIMES.
YOU LOOK BETTER IN PERSON.
OH, THANK YOU. I THINK.
I KNOW WHAT YOU'RE HERE FOR.
WOULD YOU LIKE TO COME IN?
THANKS.
MR. ROBERTS, I'M A
LITTLE PRESSED FOR TIME,
SO CAN I GET TO THE POINT?
I WOULD LIKE YOU TO
SEE SOMETHING FIRST.
OKAY.
THIS PICTURE WAS TAKEN WHEN
I WAS EIGHT YEARS OLD.
AND EVERY COUPLE OF YEARS
SOMEONE IS NOSING AROUND
LOOKING FOR A NEW ANGLE
ON AN OLD STORY.
BUT THIS TIME
THERE IS A STORY.
I'D REALLY LIKE AN EXCLUSIVE.
AND CONSIDERING
YOUR BACKGROUND,
YOU'RE A WONDERFUL CHOICE.
THIS IS BIG NEWS FOR US.
YEAH, RIGHT.
WILL IT AIR BEFORE THE
TWO-HEADED ALIEN BABY,
OR AFTER "I TOOK A
SHOWER WITH SATAN"?
THAT WAS ACTUALLY ONE OF
OUR HIGHEST-RATED SHOWS,
AND I DOUBT THAT THIS
WOULD EVEN COME CLOSE.
WOULD IT HELP IF I
HAD SOME HORNS?
VERY FUNNY.
LOOK, THINK ABOUT IT.
YOU... A YOUNG BOY...
SAYING GOODBYE TO YOUR PARENTS
BEFORE THE CORONA
QUEEN DISAPPEARS
INTO THE BERMUDA TRIANGLE.
AND THEN, YEARS LATER,
THE SHIP RETURNS,
AND YOU GO ABOARD TO SAY
YOUR FINAL GOODBYE.
GO ABOARD?
WE'RE FLYING OUT TO THE
SHIP IN FOUR HOURS.
WILL YOU GO?
I DON'T KNOW.
LOOK-- LOOK, MR. ROBERTS,
LET ME BE STRAIGHT WITH YOU.
I NEED THIS STORY.
I THINK IT WOULD BE
GOOD FOR BOTH OF US.
HOW'S THAT?
I'VE DONE MY HOMEWORK. I KNOW ABOU YOUR WORK IN PARAPSYCHOLOGY,
AND I KNOW ABOUT YOUR INTERES IN THE BERMUDA TRIANGLE.
WE TALK THE SAME LANGUAGE.
I DON'T THINK SO.
I SEE THE PARANORMAL AS A
FIELD OF SCIENTIFIC STUDY.
YOU SEE IT AS A WAY TO
EXPLOIT PEOPLE'S FEARS.
I'VE SPENT THE LAST 15
YEARS FIGHTING AGAINS
THE SORT OF STORIES
THE MEDIA FABRICATES.
AND BESIDES, MY INTERES IN THE TRIANGLE IS--
IT'S PURELY PERSONAL.
IT'S NOT SANCTIONED
BY THE INSTITUTE.
YOU CAN'T TELL ME THA YOU AREN'T INTRIGUED.
I WOULD BE LYING
IF I SAID I WASN' ITCHING TO GO WITH YOU.
THEN DO.
I'M SORRY.
I JUST DON'T FEEL COMFORTABLE WITH
YOU EXPLOITING MY FATHER'S DEATH
FOR TV RATINGS.
I UNDERSTAND.
UMM...
IF YOU CHANGE YOUR MIND.
YOU KNOW, I WAS KIND OF
EXPECTING THE HARD SELL.
NO, THAT'S DEAN LAWSON FROM "THE
ADVENTURES OF THE PARANORMAL."
WE'RE THE GOOD GUYS.
BYE.
I WANT TO THANK YOU,
YOU'VE HELPED ME SO MUCH.
THANK YOU SO MUCH.
IT'S BEEN GREAT. I'M
REALLY EXCITED.
I CAN'T WAIT TO START.
- GOODBYE.
- BYE BYE.
- SO, HOW'S THE STORY GOING?
- WE'VE GOT A HELICOPTER.
JUST A FEW OF THE
DETAILS TO WORK OUT.
- WE LEAVE IN A COUPLE OF HOURS.
- GOOD, GOOD, GOOD.
- YEAH.
- LISTEN,
ONE THING.
JULIE'S GOING WITH YOU.
WHY? RANDALL AND I
CAN HANDLE THIS.
I KNOW, I KNOW, I KNOW.
BUT SHE'S GOT TO GET SOME
EXPERIENCE IN THE FIELD
IF SHE'S GOING TO
TAKE OVER FOR YOU
WHILE YOU'RE ON
VACATION NEXT MONTH.
IT IS JUST A VACATION,
MIKE, ISN'T IT?
OR DO I NEED TO STAR WORKING ON MY RESUME?
WHAT'S THE MATTER? YOU WORRIED SHE
MAY GET BETTER RATINGS THAN YOU?
WHAT KIND OF RATINGS
ARE WE TALKING ABOUT?
THE ONLY KIND THAT MATTER.
COME ON, THIS IS BUSINESS.
IT'S NOT PERSONAL.
FINE.
I HOPE SHE'S READY.
There she blows!
Are you guys out
of your minds?
Hey! What's going on in there?
For Christ's sake, we
could all die here!
HELLO.
HELLO?
- MR. SHAW?
- YOU'RE LATE.
RANDALL, THIS IS DAVID SHAW, HE
WORKS WITH CRESCENT CRUISES.
THEY OPERATED THE
CORONA QUEEN.
RANDALL BANKS, CAMERAMAN.
JULIE LARGO, FIELD
CORRESPONDENT.
HI.
THIS IS HIM AND THAT'S HIM.
MY TWO BEST SALVAGE OPERATORS.
RANDALL, JULIE, WHY DON'T YOU
START LOADING THE EQUIPMENT?
- SURE.
- YEAH.
THANKS FOR HELPING OU ON SUCH SHORT NOTICE.
NO PROBLEM. DID YOU HOLD UP
WITH YOUR END OF
THE ARRANGEMENT?
YEAH.
HALF NOW,
HALF WHEN WE GET BACK.
WHAT ARE YOU WAITING FOR?
- WE'VE GOT ONE MORE PERSON.
- NO, WE'VE GOT TO TAKE OFF.
- THE STORM IS GETTING WORSE.
- COME ON, JUST GIVE ME TWO MORE MINUTES.
THIS STORM'S GOING TO
BE A BITCH AND A HALF.
WE'RE NOT GOING TO MAKE
IT IF WE DON'T LEAVE NOW.
GREAT TIMING. ONE MORE MINUTE
AND YOU WOULD HAVE MISSED US.
- COME ON.
- WAIT, WAIT, WAIT.
WE'RE GOING TO DO THIS
ON MY TERMS, RIGHT?
NO THEATRICS, NO MELODRAMA.
OTHERWISE, I'M JUST-- I'M
GOING TO STAY HERE, OKAY?
OKAY.
I'M TRUSTING YOU.
ALL RIGHT. LET'S GO.
OKAY.
HI, MY NAME IS DAVID
SHAW, CRESCENT CRUISES.
AARON ROBERTS.
YOU LOOK FAMILIAR.
COULD BE.
MY FAMILY SUED YOUR COMPANY.
MY FATHER AND STEPMOTHER
WERE ON THE CORONA.
THAT WAS BEFORE MY TIME.
WHAT'S ALL THAT STUFF?
IT'S MY FIELD GEAR.
WHAT SORT OF GEAR?
PARANORMAL RESEARCH STUFF.
MEASURES ALL KINDS
OF PHENOMENA.
WHAT SORT OF PHENOMENA?
WE'LL HAVE TO FIND THAT OU WHEN WE GET THERE, WON'T WE?
THIS IS OUR THIRD PASS.
SO WHAT'S YOUR POINT?
I DON'T HAVE THE FUEL FOR AN
EXTENDED SEARCH IN THESE WINDS.
DO WE MATCH THE COAS GUARD COORDINATES?
I DON'T KNOW, WIND AND CURRENTS
MIGHT HAVE MOVED THE SHIP.
JUST FIND THE SHIP, PLEASE.
YOU WANT IN ON THIS?
THIRSTY?
NO, THANKS.
I WENT SOBER THREE YEARS AGO.
WOW.
YEAH.
SO WHAT DO YOU GUYS THINK ABOU THIS BERMUDA TRIANGLE STUFF?
WIVES' TALE, OR THE REAL DEAL?
WHAT'S BEHIND ALL THE PILOTS
AND PLANES DISAPPEARING?
YEAH.
STORMS.
BAD NAVIGATION.
FAULTY INSTRUMENTS.
IT'S A BIG POND.
PEOPLE GET LOST.
UNLESS YOU BELIEVE THE LEGEND.
WHAT LEGEND?
SOME PEOPLE SAY THE TRIANGLE
IS LIKE A DOOR TO
SOMEPLACE ELSE.
SOMETIMES THE DOOR
OPENS ONE WAY.
SOMETIMES THE OTHER.
A DOOR TO WHERE?
THAT'S THE QUESTION, ISN'T IT?
SOME PEOPLE SAY THE DOOR OPENS
TO THE VERY BOWELS
OF HELL ITSELF.
THERE IS SOME RESEARCH
THAT SEEMS TO
SUBSTANTIATE THAT THEORY.
THEN AGAIN,
IT MAY JUST BE A
BOATLOAD OF BULLSHIT.
- WHAT THE HELL WAS THAT?
- THAT WOULD BE TURBULENCE.
NO SHIT.
WHAT THE HELL IS
THIS, A PAGER?
PAGER, NO. BUT IT GETS
THE MESSAGE ACROSS.
GIVE ME TWO.
SO, MR. ROBERTS,
YOUR PARENTS WAS ON THIS
TUB 25 YEARS AGO, EH?
YEAH.
PARENTS GOT ON THE SHIP,
SHIP DISAPPEARS,
SHIP COMES BACK.
TOUGH BREAK.
YEAH.
YOU GOT ANYTHING?
I GOT SOMETHING OUT HERE.
THAT'S IT. THAT'S
THE CORONA QUEEN!
- DON'T GET EXCITED ABOUT IT.
- WHAT ELSE COULD IT BE?
- IT MIGHT BE A NAVAL TARGET.
- THAT'S THE CORONA QUEEN.
WISH ME LUCK.
THAT'S IT.
GET HIM OUT.
GET BACK.
DROP OUR SUPPLIES.
I CAN'T HOLD HER MUCH LONGER.
JUST HOVER OVER LONG ENOUGH
TO DROP OUR GODDAMN SUPPLIES!
HEADS UP, HEADS UP.
LET'S TAKE THIS STUFF
AND GET INSIDE.
YOU TWO, UNLOAD IT.
WHAT DO YOU THINK
HAPPENED IN HERE?
DAS?
SMALL EXPLOSION OR CHARGE
COULD'VE TAKEN THOSE OUT.
ALMOST LOOKS LIKE
THEY WERE ATTACKED.
ATTACKED BY WHAT?
THERE WAS A LOT OF
PIRACY IN THE '70S.
NOT USUALLY ON CRUISE
SHIPS, THOUGH.
AH, HIJACKING MORE LIKELY.
TERRORISTS.
LOOKS LIKE THEY
JUST CAME IN HERE
AND BLEW EVERYONE ALL TO HELL.
WHAT DO YOU SUPPOSE HAPPENED
TO THE BODIES THEN?
FIELDS, LET'S GET SOME KIND
OF COVER OVER THESE WINDOWS.
WE'LL SAVE WHAT'S LEF OF THIS EQUIPMENT.
WHY DON'T WE SET UP IN THE...
CREW'S MESS, DOWN BELOW?
WE'RE STANDING ON
THE CORONA QUEEN,
A PASSENGER SHIP
THAT HAS REAPPEARED
AFTER BEING OFFICIALLY LISTED
AS MISSING FOR 25 YEARS.
THE LAST TIME AARON ROBERTS
SAW HIS PARENTS ALIVE,
THEY WERE BOARDING
THIS VERY SHIP.
AARON, WHAT ARE YOU FEELING?
AARON?
WHAT AM I FEELING?
- YEAH.
- I FEEL...
WET, A LITTLE HUNGRY...
AND A LITTLE CONCERNED
YOUR PILOT FLEW OFF
WITH ONE OF MY BAGS.
I THOUGHT YOU CAME WITH US
TO BE PART OF THE STORY.
AND I THOUGHT WE
HAD AN AGREEMENT.
I CAN'T GET INSIDE OF YOUR HEAD IF
YOU DON'T GIVE ME A STRAIGHT ANSWER.
I DON'T REMEMBER INVITING
YOU INSIDE MY HEAD.
I'M SORRY.
IT MUST BE DIFFICUL BEING HERE.
I'M GLAD I BROUGH THIS DOWN FIRST,
OTHERWISE THIS WHOLE TRIP WOULD
BE ONE BIG WASTE OF TIME.
THIS HERE IS A STANDARD
WITCH-HUNT PACKAGE.
THREE HIGH-8 DIGICAMS,
TWO INFRARED CCD CAMERAS,
ONE FULL SPECTRUM CAM,
TWO SENNHEISER 416 MICS,
AND A PARABOLIC DISH.
- WHAT'S THAT THING?
- IT MEASURES ATMOSPHERIC VARIANCES.
WHEN A SPIRIT OR ENTITY
PASSES THROUGH A ROOM,
IT LEAVES BEHIND A SORT OF
A FOOTPRINT IN THE AIR.
ATMOSPHERIC VARIANCE, HUH?
EMG IMAGER.
THIS LETS US SEE RIPPLES
OR DISPLACEMEN
CAUSED BY AN ENTITY
IN THE AREA.
THAT'S THE OLD MODEL.
THIS IS THE LATEST.
TOTALLY CLEAN. NO MORE
FALSE POSITIVE READINGS.
COOL.
HEY.
WE COVERED UP THE WINDOWS. I DON' KNOW HOW MUCH GOOD IT WILL DO.
MOST OF THE PANELS ARE
ALREADY RUSTED THROUGH.
ASIDE FROM THE BRIDGE...
THERE'S NO DAMAGE OR
CORROSION SO FAR.
AFTER 25 YEARS AT SEA,
SHE'S LOOKING PRETTY GOOD.
PRETTY WEIRD.
THIS TUB HASN'T AGED A DAY
SINCE SHE DISAPPEARED.
NEVER SEEN ANYTHING LIKE IT.
ALL RIGHT, LET'S GE DOWN TO BUSINESS.
WHILE WE'RE ABOARD THIS
SHIP, I'M YOUR CAPTAIN.
NO QUESTIONS, NO ARGUMENTS,
NO BULLSHIT.
NOBODY GOES OFF BY THEMSELVES
WITHOUT TELLING OTHERS.
WE DON'T KNOW WHA HAPPENED HERE.
I WOULD STAY OUT OF THE
PASSENGER AREA FOR AWHILE.
YOU CAN GET YOUR STORY,
BUT WE DON'T WANT ANYBODY
HURT ON THIS TRIP.
ALL RIGHT?
DAS, FIELDS, SEE IF YOU
CAN GET SOME POWER ON.
WE NEED SOME LIGHT.
OKAY, WE'RE ON A
TIME CRUNCH HERE.
WE GOT 24 HOURS TO
GET THIS SHIP READY
TO BE TOWED BY
MY SALVAGE CREW.
OTHERWISE WE LOSE IT TO THE
US-GODDAMN-COAST GUARD.
OKAY. CLOCK'S TICKING.
- WE'D BETTER GO FIND THE GENNY.
- ALL RIGHT.
YOU GUYS MIND IF I TAG ALONG? I
JUST WANT TO GET SOME READINGS.
IT'S FINE WITH ME.
I'D LIKE TO GET SOME
BACKGROUND ON THE SHIP FIRST.
- HISTORY, THAT KIND OF STUFF.
- I'LL HELP YOU ANY WAY I CAN.
- JUST REMEMBER WHAT I SAID.
- YEAH.
OKAY, CLOCK'S TICKING.
LET'S GO.
THIS IS NOT THE
MOST LUXURIOUS SHIP
I'VE EVER SEEN.
YEAH, I KNOW WHAT YOU MEAN.
THE NEW ONES ARE LIKE
FLOATING CASINOS AND SUCH.
IT WAS A BIT DIFFEREN BACK IN THE DAY.
WHAT KIND OF A
SALVAGE OPERATION
IS SHAW HAVING YOU RUN?
THE ILLEGAL KIND.
- WHAT DO YOU MEAN?
- WE'RE LIKE THE MILITARY.
DON'T ASK, DON'T TELL.
YOU SEE, MR. ROBERTS,
WE AIN'T EXACTLY
SUPPOSED TO BE ON
THIS SHIP RIGHT NOW.
BUT MONEY TALKS.
AND BULLSHIT WALKS.
HOW MUCH YOU THINK
SHAW'S GETTING?
IT'S GOT TO BE SOMETHING TO
GET US OUT HERE SO FAST,
I'LL TELL YOU ONE THING.
THE SALVAGE ON THIS TUB'S
GOING TO BE WORTH A
HELL OF A LOT MORE
THAN THE FIVE BILLS
HE'S PAYING US.
DAMN STRAIGHT, DAS.
DAMN STRAIGHT.
YEAH, HERE WE GO.
HEY, HOLD ON.
WHAT'S DOWN THERE?
THAT BE THE CREW GALLEY.
OKAY, I'LL MEET UP
WITH YOU LATER.
- OH, THANKS.
- I WOULDN'T OPEN ANY FREEZERS.
WHY?
STINK, I'D IMAGINE.
DAS, TELL HIM ABOUT THE
TUNA TENDER OFF MALAYSIA.
THIS SHIP HAD ONLY BEEN
STRANDED OUT THERE
FIVE OR SIX MONTHS,
AND WE JUMPED INTO THE HOLD
WHERE THEY KEEP THE FISH.
RIGHT UP TO OUR
DICKS IN MAGGOTS.
- HAVE FUN.
- THANKS.
MAGGOTS.
I'D BE SURPRISED IF THIS PIECE
OF SHIT EVEN TURNS OVER.
BE A BLEEDING MIRACLE.
JESUS.
THERE'S DEFINITELY
SOMETHING GOING ON HERE.
David, tell us about the history of
the ship before her disappearance.
All right, I'll try.
The Corona Queen
was the sixth ship
in the Crescent fleet.
Her maiden voyage was on
January 22nd of 1968.
Her first captain
was Willard Townes
and the second was Stan Moore.
She carried 325
passengers and crew.
She had twin turbine
engines built in England.
And then in July of 1972,
she disappeared...
without a trace until now.
HEY, ROBERTS. EXCUSE ME.
Randall, cut it.
We'll pick it up later.
ALL RIGHT.
I THOUGHT I TOLD YOU NO TO WANDER OFF ALONE.
I'M JUST TAKING SOME READINGS.
LET ME REITERATE.
I DON'T GIVE A SHIT.
WHEN YOU'RE ON THIS SHIP,
YOU DO WHAT I TELL YOU,
- YOU UNDERSTAND?
- YES.
OKAY...
HEY, DAS, GOOD WORK.
GENNY CAME RIGHT UP.
PRETTY FUCKING WEIRD.
WE'RE FIRING THE
ELECTRICAL PANELS UP NOW.
- WHAT'S WITH THE MUSIC?
- SORRY ABOUT THE MUSIC.
WE'LL HAVE IT OFF IN A MINUTE.
OOOH.
JUST TURN IT OFF.
- COULD WE CONTINUE?
- YEAH.
ALL RIGHT.
WAIT. WAIT, SHH.
IT'S AS THOUGH THE MIC'S
PICKING UP SOMETHING.
WHERE'S IT COMING FROM?
THINK IT'S COMING
FROM OVER HERE.
IT'S LIKE A SQUEAKING.
THERE. RIGHT THERE.
- NOBODY TOUCH IT.
- WE ARE ON WATER.
THINGS MOVE WHEN
THE SHIP MOVES.
I DON'T THINK SO.
THAT SEEMS MORE LIKE...
OH, MAN.
SEEMS MORE LIKE WHAT?
LIKE SOMEONE IS RIDING IT.
HEY, GUYS, IF I'M
READING THIS RIGHT,
THIS ROOM IS HOT.
HOT?
LOTS OF PSYCHOKINETIC ENERGY.
OKAY, WHY THIS ROOM?
SOMETIMES CHILDREN ARE MORE
SUSCEPTIBLE TO PARANORMAL ACTIVITIES.
OH, COME ON.
YOU SHOULD TAKE A LOOK
AT THESE DRAWINGS.
LOOK AT THE EYES.
WHAT IS THAT?
I DON'T KNOW. SOMETHING--
SOMETHING HAPPENED IN HERE.
OKAY, WHAT THE HELL WAS THAT?
I WANT TO GET SOME
GEAR IN HERE NOW.
I AIN'T GOT TIME
FOR THIS CRAP.
THIS IS WHAT WE CAME FOR.
The Corona Queen was
the sixth ship.
All right, there's no leakage
or structural damage
I wouldn't count on
the engines though.
They're wrecked.
HALF THE LIGHTS ARE DOWN. YOU GO ENOUGH POWER TO RUN THE PUMPS?
We're working on it.
GOOD.
- DID YOU SEE THAT?
- WHAT?
- GO BACK.
- WHAT?
- HEY, SHAW?
- YEAH.
YOU MIGHT WAN TO LOOK AT THIS.
WHAT?
OH MY GOD.
NOW.
I'LL TRY THE SUBSTATION
PANEL ON A DECK.
DON'T BOTHER. I CAN GE IT FROM DOWN HERE.
BET I CAN GET THIS
WHOLE TUB LI
BEFORE YOU CAN GET A
SINGLE BULB HOT, DAS.
CASE OF SCOTCH SAYS YOU DON'T.
YOU'RE ON.
HEY, CAN I ASK YOU SOMETHING?
SURE.
UMM...
HAVE YOU EVER SEEN
ANYTHING LIKE THAT BEFORE?
NOPE.
NOTHING LIKE THAT.
MOST OF MY WORK IS CLINICAL.
GHOSTS ARE A SIDE INTEREST.
IT'S JUST THAT...
YOU SEEM AWFULLY DAMN CALM.
I MEAN, I FEEL FREAKY,
LIKE MY STOMACH
JUST DROPPED OUT.
YOU SHOULD BE HAPPY.
I KNOW PEOPLE THAT WOULD KILL
FOR WHAT YOU SHOT TODAY.
IF WE MAKE IT BACK
WITH THE FOOTAGE.
YEAH.
DANA, I'VE GOT ONE CAMERA UP.
I'LL HAVE THE OTHERS
UP IN A MINUTE.
OVER.
OKAY, COPY THAT.
WHY'D YOU DO THAT?!
I'M SO SORRY.
SHIT.
I'VE ALREADY GOT HALF MY JUNCTION BOXES UP.
YOU'RE GETTING OLD, DAS.
YEAH? I ALREADY GO DECKS B THROUGH D LIT.
I'D SAY IT LOOKS LIKE YOU'RE
GETTING SLOW, FIELDSY.
I'LL HAVE THIS CRATE PASSED
faster than prune juice
through your grandma.
COME ON, COME ON.
COME ON.
I'M GOING TO HIT THE RELAYS
ON THE MAIN BREAKER AGAIN.
COME ON. COME ON, BABY.
OKAY, HERE WE GO.
ALL RIGHT.
HOLD ON, I'M--
WHAT WAS THAT FIELDS?
I SAID, HOLD--
SAY AGAIN?
YOU'RE MESSING WITH ME. I
CANNOT AFFORD A CASE OF SCOTCH.
I SAID HOLD--
FIELDS?
--REWIRING THE
CONNECTOR PANEL.
FUCKING RADIOS.
FIELDS?!
FIELDS!
Das, what's going on?
IT'S FIELDS.
SOMETHING'S HAPPENED.
On my way.
FIELDS?
OHHH.
JESUS CHRIST.
AW, JEEZ.
- NO WAY.
- WE'VE GOT TO GET OFF THIS SHIP.
I TRIED THE COAST GUARD, BU THE RADIOS ARE ALL DOWN.
- YOU TRIED THE COAST GUARD?
- THERE'S A MAN DEAD ON THIS SHIP.
THEY'RE GOING TO WAN TO INTERVIEW EVERYBODY.
WE ARE NOT SUPPOSED TO
BE HERE, YOU KNOW THAT.
- WHAT ARE YOU TALKING ABOUT?
- I'M SAYING THE COAST GUARD DOESN'T KNOW WE'RE HERE,
AND IF THEY DID, THEY
WOULDN'T LIKE IT.
THAT'S TOO GODDAMN BAD. MY BES FRIEND'S LAYING DOWN THERE DEAD,
AND YOU'RE WORRIED ABOU THE FUCKING COAST GUARD.
- I'M SORRY ABOUT YOUR FRIEND--
- BULLSHIT.
WE ONLY CAME HERE FOR
A STORY, ALL RIGHT?
A MAN IS DEAD. WE ARE
IN DEEP SHIT, LADY.
- WE DIDN'T KILL HIM!
- I'M NOT POINTING ANY FINGERS!
- I BET YOU LIKE THIS, DON'T YOU, JULIE?
- DON'T PUT YOUR SHIT ON ME!
SHUT UP!
SHUT UP, ALL OF YOU!
CHRIST, FIELDS IS DEAD.
THAT'S IT.
NO ARGUMENTS, NO BULLSHIT.
IT'S TIME TO GO.
WHAT THE FUCK?
HELLO?
IT'S FOR YOU.
HELLO?
WHERE?
WHAT?
HELLO?
HELLO?
IT WAS FIELDS.
WHAT DID HE SAY?
WHAT DID HE SAY?
THERE'S-- THERE'S SOMETHING WE
SHOULD SEE UP ON THE BRIDGE.
WAIT, SHOULD WE BE DOING THIS?
- PROBABLY NOT.
- I DON'T GIVE A RAT'S ASS,
I'M GOING IN.
WHAT ARE WE SUPPOSED
TO FIND HERE?
YOU GOT ME.
WHAT IS THAT?
I DON'T KNOW, BUT IT'S HUGE.
DISTANCE AT THAT RATE IS CLOSING
AT A FAIRLY CONSTANT SPEED.
IT'S MOVING STRAIGHT FOR US.
HOW LONG BEFORE IT'S HERE?
I DON'T KNOW, THREE,
FOUR HOURS TOPS.
SO FIELDS WAS
TRYING TO WARN US.
YEAH, BUT FROM WHAT?
SEE IF YOU CAN GE THAT RADIO WORKING.
I'M GOING TO SICKBAY,
THERE'LL BE BODY BAGS THERE.
THE REST OF YOU GE YOUR GEAR TOGETHER.
- WHAT FOR?
- BECAUSE WE'RE LEAVING.
- ROBERTS, WHY DON'T YOU COME WITH ME?
- WHERE ARE WE GOING?
TO GET FIELDS' BODY.
DAMN IT, HE WAS RIGHT HERE.
- YOU SURE HE WAS DEAD?
- YES, I'M SURE.
THEN WHERE IS HE?
I DON'T KNOW, BUT DEAD MEN DON' GET UP AND WALK AWAY, DO THEY?
- AND YOU'RE SURE ABOUT THAT?
- COME ON, ROBERTS.
LET'S NOT TALK IN CIRCLES. YOU'RE
SUPPOSED TO BE THE EXPERT.
WHY DON'T YOU HELP ME HERE?
IT PROBABLY WAS AN ACCIDENT.
A HORRIBLE ACCIDENT.
- BUT THERE ARE OTHER POSSIBILITIES.
- SUCH AS?
- HOW LONG HAVE YOU BEEN IN THIS BUSINESS?
- ALL MY LIFE, WHY?
THEN YOU'VE HEARD STORIES
ABOUT THE TRIANGLE,
ABOUT THE SHIPS
THAT COME BACK.
- YEAH, IT'S ALL HORSESHIT.
- IS IT?
- YEAH.
- LOOK AROUND.
I'VE SPENT A LONG TIME TRYING TO
EXPLAIN WHAT HAPPENED TO THIS SHIP,
WHAT HAPPENED TO MY FATHER.
BUT WHAT WE'VE SEEN TODAY--
- IT DEFIES EXPLANATION.
- THAT'S IT. THAT'S IT.
I'VE HEARD ENOUGH
OF THIS CRAP.
- SHAW!
- WHAT?
HAVE YOU LOOKED FOR THE
CAPTAIN'S LOG YET?
NO.
WHY?
FIND IT.
WHAT FOR? WHAT FOR?
I DON'T KNOW EXACTLY.
IT'S JUST A FEELING,
BUT YOU'RE GIVING THE ORDERS.
GODDAMN IT, DAS, WHY DON' YOU KEEP THE WALKIE ON?
- I GOT THE RADIO UP.
- I'M LOOKING FOR YOU EVERYWHERE!
I GOT THE RADIO UP! LISTEN.
GO AHEAD, SALVAGE.
It's going to be
three hours at least
before I can make it
back, more like four.
I just got refueled and that
storm front is building.
- FOUR HOURS? WE HAVE A SITUATION HERE.
- COME ON, COME ON.
I copy that, Corona, but in
case you hadn't noticed,
there's a hurricane
heading your direction.
- SHIT.
- JUST GET OUT HERE AND GET US OFF THIS SHIP!
SALVAGE, DO YOU COPY?
SALVAGE, COME BACK.
- GET HIM BACK.
- SALVAGE, COME BACK.
- DID YOU TAKE CARE OF FIELDS?
- NO, I DIDN'T.
BECAUSE THE BODY'S GONE!
WHAT THE HELL ARE
YOU TALKING ABOUT?
THIS ISN'T A STORM. WHATEVER
THIS IS, IT'S MOVING IN FAST.
I DON'T GIVE A SHIT ABOUT THIS!
WHAT ABOUT FIELDS?
YOU GOT HIM KILLED,
NOW THE REST OF US?
HE KNEW WHAT HE SIGNED ON FOR!
- I OUGHT TO KILL YOU RIGHT NOW!
- YOU'VE CROSSED THE LINE.
- HAVE I?
- YOU'RE FIRED!
YEAH, YOU'RE FIRED.
- I'M FIRED?
- YEAH, GET OUT!
AND YOU'VE BEEN
DRINKING TOO, HAVE YOU?
- YEAH? WELL, FUCK YOU!
- GET OUT!
THAT'S GOOD. YOU
FUCKING THINK I CARE?
YOU'RE FIRED!
YOU KNOW WHAT? I QUIT.
YOU POMPOUS COCKSUCKER.
- YOU GODDAMN NEANDERTHAL.
- FUCK YOU!
- GET OUT! YOU'RE FIRED. - HA!
FUCK YOU... PRICK!
- WHAT'S UP, J?
- HEY.
- WHERE'VE YOU BEEN?
- I WAS IN THE...
PLAYROOM CHECKING THE GEAR.
I DIDN'T SEE YOU IN THERE.
HMM.
MAYBE THE VIDEO FEED
GOT SCREWED UP.
WORKS FINE NOW, RIGHT?
RANDALL BANKS,
YOU'VE BEEN DRINKING.
- NO, I HAVEN'T.
- YEAH, YOU HAVE.
- NO, I HAVEN'T.
- YOU HAVE.
- I CAN SMELL IT ON YOU.
- NO, I HAVEN'T.
- YEAH, YOU HAVE.
- NO, I HAVEN'T!
COME ON, RANDALL. GIVE IT UP.
ALL RIGHT, AT LEAS TELL ME THAT I'M RIGHT.
OKAY, FINE. YOU'RE RIGHT.
I'VE BEEN DRINKING.
B-F-D.
AND AFTER THE NETWORK
PAID FOR YOUR REHAB.
COME ON.
WELL, DON'T WORRY.
IT WILL BE OUR LITTLE SECRET.
OH, REALLY?
YEAH, ON ONE CONDITION.
AND WHAT COULD
THAT BE, I WONDER?
DANA SCREWED THIS
WHOLE THING UP.
IT'S GOING TO BLOW
UP IN HER FACE.
- UH, JULES?
- ALL I NEED YOU TO DO
IS BACK ME UP.
DANA BROUGHT US OUT HERE,
AND PUT US ALL IN DANGER.
GOT THAT SALVAGE GUY KILLED.
THE NETWORK IS GOING TO FIRE HER FASTER
THAN YOU CAN SAY, "GROSS NEGLIGENCE."
AND THEN, DANA
EL-WEIRD IS OUT,
AND JULIE LARGO... IS IN.
AND YOU'RE GOING TO
BE MY CAMERAMAN.
UMM... HI, GUYS.
JULIE... HMM.
I HAVE TO GIVE YOU CREDIT,
I THOUGHT YOU WERE
SCREWING KAPLAN,
BUT I HAD NO IDEA YOU WERE
TRYING TO SCREW ME, TOO.
NO, NO, DANA,
YOU SCREWED YOURSELF.
IF YOU'LL EXCUSE ME, I'M GOING
TO GO OUT AND GET A REAL STORY.
- JULIE, GET BACK HERE.
- COME ON, JULIE.
MAKE ME. LET GO OF ME!
- JUST TAKE IT EASY.
- LET GO OF ME, RANDALL.
CALM DOWN, JULIE.
- HEY!
- DON'T YOU TRY TO STOP ME.
- HEY, YOU ALL RIGHT?
- NEVER BEEN BETTER.
THIS IS JULIE LARGO,
PROCEEDING THROUGH
THE DARKEST...
unexplored parts of
the Corona Queen,
attempting to
bring you answers
to the mystery of her fate.
ONE CAN ALMOST HEAR
THE SCREAMS OF THE PASSENGERS.
AND IMAGINE--
IMAGINE THE HORROR OF THEIR
LAST FEW MINUTES ALIVE.
- WHAT HAPPENED TO HIM?
- THE LITTLE BITCH TAZED ME.
- WHO?
- JULIE!
- WHERE'S JULIE?
- WHO KNOWS? WHO CARES?
WE'VE GOT TO FIND HER.
THE CHOPPER'S ON ITS WAY, AND
WE'VE GOT ANOTHER PROBLEM.
- I'LL GO FIND HER.
- NO, NO.
DAS, WHY DON' YOU GO WITH HIM?
YOU TAKE THE FORWARD
SECTION AND I'LL TAKE AFT.
EXCUSE ME, MR. SHAW, SIR,
BUT IF YOU REMEMBER,
YOU FIRED ME.
I APOLOGIZE.
ROBERTS, SHALL WE GO
FORWARD AND FIND JULIE?
- YOU GUYS GO AHEAD.
- SHUT UP.
HELLO?
WHO'S THERE?
HELLO?
TOO BAD ABOUT DANA.
REAL TRAGEDY.
JULIE, JULIE, JULIE,
SO GLAD TO SEE YOU.
- YOU'RE ON THE AIR IN 10 MINUTES.
- I AM?
- WHAT IS ALL THIS?
- WHAT IS ALL THIS?
- JULIE, IT'S YOUR SHOW.
- MY SHOW?
IT IS NOW.
YOUR NEW CONTRACT.
NOW, COME ON, WE
HAVE TO HURRY.
MAKE-UP.
SEE HOW GORGEOUS YOU ARE?
JULIE,
WE ALWAYS KNEW...
YOU WERE THE ONE WHO SHOULD'VE
BEEN HOSTING THIS SHOW.
COME ON.
THE WORLD IS WAITING.
- MISS LARGO, MISS LARGO.
- YEAH?
- YOU HAVE A PHONE CALL.
- THANK YOU.
HERE.
MISS LARGO IS ON A
VERY TIGHT SCHEDULE,
SOMEONE WILL GET BACK TO YOU.
PROCEED.
AS I WAS SAYING,
ALL THIS TIME...
YOU SHOULD HAVE BEEN THE
ONE HOSTING THIS SHOW.
NOW...
SIGN YOUR CONTRACT...
AND BE THE STAR
PLAYER ON OUR TEAM.
GO ON.
ATTAGIRL.
GOOD.
NOW... IT'S SHOW TIME.
WE ARE ROLLING IN...
FIVE, FOUR,
THREE.
JULIE?
YOU DOWN THERE?
COME ON.
DAS, COME ON. ANYTHING?
Naw, nothing yet.
MISS LARGO?
WHAT IS IT?
WHAT IS IT?
THERE'S SOMEONE UP THERE.
HEY, DAS, WAIT UP.
FIELDS?
FIELDS, IS THAT YOU?
DAS? IT'S LOCKED!
OPEN IT!
OH, SHIT! DAS, WAIT!
DAS! DAS! WAIT!
WAIT!
MOVE AWAY FROM THE CHAIN!
DA-AS!
HELP ME!
ROBERTS! COME ON!
MOTHERFUCKER!
HELP!
WHAT CAN I DO? WHAT CAN I DO?
- KILL SWITCH.
- WHERE IS IT?
- ON THE RIGHT OF THE PANEL!
- OKAY!
I GOT IT, DAS!
OH.
OH GOD.
OH SHIT. OH.
THIS IS ALL I FOUND.
- WHAT ABOUT JULIE?
- THIS IS ALL I FOUND.
WHERE'S DAS?
HE'S DEAD.
WHAT?
HE THOUGHT HE SAW FIELDS
IN THE CHAIN LOCKER.
HE WENT RUNNING IN AFTER HIM.
THE CHAIN STARTED TO
FALL AND IT CRUSHED HIM.
SOMEONE RAISED THE ANCHOR.
NO, SOMEBODY DIDN' RAISE THE ANCHOR.
DON'T YOU GET IT?
THIS SHIP IS KILLING
US OFF ONE BY ONE.
- DID YOU FIND JULIE?
- NO, JUST HER FRIGGIN' CAMERA.
- SHE'S PROBABLY DEAD, TOO.
- DAMN IT, RANDALL.
- JUST-- PLEASE.
- WE HAVE TO GET OFF THIS SHIP.
IF IT MEANS TAKING OUR
CHANCES IN THOSE LIFEBOATS,
- THEN THAT IS WHAT WE HAVE TO DO.
- THAT'S GREAT.
- WE DIE HERE OR WE GO DROWN OUT THERE.
- SHUT UP.
NO, YOU GUYS ARE SUPPOSED TO
BE THE ONES WITH ANSWERS!
- SHUT UP!
- YOU DON'T KNOW WHAT THE FUCK YOU'RE TALKING ABOUT!
I ORDER YOU TO SHUT UP!
DON'T MAKE ME CUT YOUR
FUCKING TONGUE OUT.
GO ON.
A LOT OF MY RESEARCH SHOWS THAT THE
TRIANGLE IS SOME SORT OF DOORWAY.
- TO WHERE?
- TO SOMEWHERE ELSE.
HELL, ANOTHER DIMENSION.
A PLACE WHERE WE DON'T BELONG.
THE PLACE WHERE THIS SHIP
WENT TO WHEN IT DISAPPEARED.
BUT IT CAME BACK, DIDN'T IT?
- YOU FOUND IT?
- YEAH.
MAYBE YOU CAN HELP ME
UNDERSTAND SOME OF THIS.
FIRST ENTRY,
MAY 13th, 1972.
"I DON'T KNOW WHA THIS PLACE IS.
WE HAVE NO RADIO,
NO NAVIGATION.
I HAVE NO CONTROL OF THE SHIP.
THEY HAVE SLAUGHTERED
MOST OF THE CREW AND
THE PASSENGERS.
THE REST HAVE SIMPLY VANISHED.
THE CHILDREN WERE THE LAST TO
GO." I READ THAT 20 TIMES.
"SOMETHING IS COMING FOR ME.
I CAN HEAR I OUTSIDE THE DOOR."
WHAT IS THIS "THEY"?
WHO IS "THEY"?
HOW THE HELL AM I
SUPPOSED TO KNOW?
"I CAN HEAR I OUTSIDE MY DOOR."
AND THERE'S SOMETHING ELSE.
- WHAT?
- WHAT?
THE SHIP...
IT WAS ON THE OTHER
SIDE FOR A LONG TIME.
AND?
- DO YOU KNOW WHAT A CAPACITOR IS?
- OF COURSE.
I THINK THE CORONA QUEEN
HAS SOMEHOW BECOME
A CAPACITOR,
STORING ENERGY FROM
THE OTHER SIDE.
WE CAN CALL IT WHATEVER WE WANT,
BUT THERE'S AN INTELLIGENCE HERE,
AND IT'S AN INTELLIGENCE
THAT'S BEEN LOCKED
ON THE OTHER SIDE FOR
A VERY LONG TIME.
SO NOW WE CAN NO LONGER
TRUST WHAT WE SEE OR HEAR.
THE SHIP IS PREYING
ON OUR FEARS.
IT IS CREATING THINGS
FOR US TO SEE.
ONE WAY OR ANOTHER, WE
HAVE TO GET OFF THIS SHIP
AND AWAY FROM THA LINE ON THE RADAR.
WHAT IS THAT THING? WHAT,
IS IT A STORM, OR WHAT?
MAYBE THE PHYSICAL BOUNDARIES
BETWEEN OUR WORLD...
AND ANOTHER.
MAYBE IT'S THE PHYSICAL BOUNDARIES
OF THE TRIANGLE ITSELF.
OH, OKAY. THAT'S PHENOMENAL.
A DOORWAY TO HELL.
WE ARE FUCKED.
I CAME ON THE SHIP-- I WAS TO DO A STORY, MAN.
I DID NOT SIGN ON
FOR THIS BULLSHIT!
LISTEN, WE ARE GOING
TO GET OFF THIS SHIP.
BUT WE HAVE GOT TO
GET THOSE TAPES.
DANA, FUCK THE TAPES. WE
GOT TO GET OFF THE SHIP!
YOU KNOW HE'S RIGHT. WE
CAN'T TAKE ANY CHANCES.
LISTEN TO ME. THIS IS THE
STORY OF A LIFETIME.
WE HAVE COME TOO FAR TO
GO BACK EMPTY-HANDED.
SO WE HAVE GOT TO
GET THOSE TAPES.
SO WE GET THE TAPES, THEN
WE GET OFF THE SHIP.
OKAY, FINE. DOES ANYBODY
HAVE A PROBLEM WITH THAT?
YOU GO GET THE TAPES, AND
WE'LL ALL MEET UP ON DECK.
IF THE CHOPPER'S THERE WE FLY.
IF IT'S NOT,
WE GET IN THE BOATS.
- I'LL BE BACK.
- WHERE THE HELL ARE YOU GOING?
THERE'S SOMETHING I GOT TO DO.
DON'T LEAVE WITHOUT ME!
RANDALL, GO TO THE PLAYROOM.
I'LL GET EVERYTHING HERE.
WHERE WILL IT BE...
JESUS, COME ON.
WHAT THE HELL IS HE DOING?
WHAT THE FUCK IS WRONG
WITH THIS PIECE OF SHIT?
COME ON.
OKAY.
THAT'S FUCKED UP.
JEEZ, YOU SCARED THE
SHIT OUT OF ME.
WHERE THE HELL HAVE YOU BEEN?
RANDALL--
RANDALL, WHO ARE
YOU TALKING TO?
WE'VE BEEN LOOKING ALL OVER
THIS SHIP FOR YOUR BUTT.
WHAT? HEY, JULES?
RANDALL!
RANDALL!
RANDALL? RANDALL!
SHAW, IS THERE ANY SIGN
OF THE HELICOPTER?
THE CHOPPER'S ON ITS WAY!
LET'S GO!
The winds are too strong!
Go aft, I don't want to get
caught in the rigging!
HE SAYS WE'VE GOT TO GO
AFT, THERE'S TOO MUCH WIND.
HE'S GOING TO GE CAUGHT IN THE RIGGING.
OH GOD.
HERE.
WHAT'S HAPPENING?
GOOD GOD.
OH, BABY.
DANA, LET'S GO!
DANA! COME ON, COME ON!
CORONA QUEEN TO CHOPPER.
CORONA QUEEN TO CHOPPER.
What the hell is going on?
DO NOT LEAVE WITHOUT US!
COME ON, DANA, LET'S GO.
DANA! DANA!
I'LL BE RIGHT BACK.
MOM.
OKAY. DANA?
I'M SORRY.
GRAB IT.
DANA?
I ONLY WANTED TO HELP YOU.
I DIDN'T--
I NEVER WANTED TO HURT YOU.
OH, SHIT!
I COULDN'T STAND TO SEE
YOU IN SO MUCH PAIN.
DANA, ARE YOU ALL RIGHT?
MY MOM...
I KILLED HER.
I'M SURE THAT'S NOT TRUE.
LISTEN TO ME. WHA YOU'RE SEEING
IS NOT REAL!
SNAP OUT OF IT!
WE'VE GOT TO GO!
LET ME GET THE TAPES.
COME ON. YOU OKAY?
LET'S GO!
OH MY GOD.
- WHAT IS THIS?
- LET'S GO, LET'S GO.
QUICK. QUICK!
COME ON!
- COME ON, GO!
- COME ON!
THIS IS STEEP NOW.
- YOU OKAY? GO AHEAD.
- YEAH.
- COME ON.
- OKAY.
GO.
LOWER THE BASKET!
LOWER THE BASKET! LOWER!
HURRY UP DOWN THERE.
WELL, WELL, WELL.
CONGRATULATIONS.
YOU GOT THE STORY
OF THE CENTURY.
I DON'T KNOW IF IT WAS WORTH
THE DEATHS OF FIVE PEOPLE.
YEAH, WELL,
WELCOME TO TELEVISION.
That's always bothered
you, hasn't it?
I'm-- I'm sorry, do I know you?
The similarities between the
two cases are remarkable.
- What two cases?
- The Mary Celeste and the Corona Queen.
Not really. The Corona
Queen's never been found.
No, but we have to get
on with our lives.
Goodbye, son.
But we have to get
on with our lives.
Goodbye, son.
Goodbye, son.
Goodbye, son.
HI.
YOU OKAY?
YEAH, YEAH. FINALLY.
YOU?
YEAH, I'M OKAY.
IT'S BEEN AN INTERESTING
COUPLE OF DAYS.
I'M THROUGH CARRYING GUILT FOR
SOMETHING THAT WASN'T MY FAULT.
YOU READY?
- READY?
- YEAH.
OH, I FORGOT, DIDN'T I?
MR. ROBERTS, YOU HAVE A LOT TO
LEARN ABOUT DEALING WITH WOMEN.
FOOD IS CRITICAL.
I KNOW A GREAT CHINESE PLACE
ABOUT TWO BLOCKS FROM HERE.
CHINESE IS GREAT. LE ME JUST GET MY COAT.
WE'LL LET THE
MACHINE PICK IT UP.
...2364. At the tone,
please leave your message.
Thank you.