Trust Fund (2016) Movie Script
1
(FILM REEL CLICKING)
("THE WAY THAT YOU ARE" BY DOTS)
I've got the taste of tin on my lips
Held by the clatter
of wood on your wrist
Mama, I like the way that you are
You're in the kitchen,
the morning comes softly
You won't wake me up,
but I smell your coffee
And you take our dollars
and change them to yen
I'll never forget what
you promised me then
Oh my darling
Won't you hold onto this verse
Wherever you go
I will love you first
(BIRDS CHIRPING)
(CELL PHONE BUZZING)
I gotta buy myself a time on my phone
Just to tolerate a day of the norm
So I don't
Get too much done
I bought a car that
barely knows how to start
And I should probably
work on sorting that out
But I don't
I'm surprised you're up.
REESE: So am I.
What are you gonna
say to your dad today?
Very little.
Ciao.
We're on the run from
the voice in our heads
I bought a house but
it came in while I slept
Throw it down
I burn it to the ground
And I got bored being with my new guy
I didn't know how I
could tell him goodbye
So I went
And told him I was dead
Hi Joe.
JOE: Hey, Reese, how's the book?
REESE: Almost finished.
Gonna want mine signed.
REESE: Oh.
When did you get back?
REESE: Yesterday.
Uh, Louise just called.
She pulled some things for me to see
before she puts them out.
For the charity event.
You should come with me and
help me pick something out. (LAUGHS)
Oh, no, it's okay.
I'm meeting up with dad.
You sure?
I haven't seen him.
Ya.
You go on.
(PHONES BEEPING)
Tall, non-fat, half-caff, sugar-free,
extra-hot vanilla latte.
You know me.
How was it?
(SIGHS) It was perfect.
And who is he?
How do you do that?
Don't tell my father,
you know how he gets.
(REESE LAUGHS)
Oh, is he here?
His appointment ran
late, he'll be here soon.
He's anxious to see you.
Go wait in his office.
REESE: Okay.
("WAITING" BY NATHAN MATTHEW DAVID)
GLORIA ON SPEAKERPHONE:
Your father just arrived.
He'll be up in a minute.
Can I get you anything?
REESE: Not unless you have a key.
GLORIA: What was that?
Nothing.
Hi doll.
Daddy.
How are you?
- Oh, I missed you.
- I missed you, too.
(LAUGHS)
Sorry you had to wait.
It's okay.
GRAYSON: So, how was it?
(SIGHS) It was amazing.
I can't wait to go back.
And I want to hear all about it,
but that's not why I wanted to see you.
It's not?
We need to talk about
what you're gonna be doing.
Dad, come on, can we
please do this later?
I am so jet-lagged.
Sweetheart, the bank
calling about your account
has become a routine.
I know, it's so annoying. (SIGHS)
It's time you start
thinking about a job.
Well, what about the advance on my book?
You really think that can sustain you?
No, but...
Reese, I'm making deposits
into your checking account every month.
Where's the money going?
I don't know.
GRAYSON: That's why you need a budget.
- Dad.
- Sweetheart,
even when I have disagreed
with your decisions
I have been supportive, you know that,
but this clearly isn't working.
Wait, dad.
When you were my age, did you
have everything figured out?
When I was your age I didn't live
in the most expensive part of the city.
So, what are you saying?
You want me to give up my loft?
No, I'm saying I want you
to consider other options
such as moving home while you work
and save up some of your money.
Dad, that's not fair.
I don't think you appreciate
how hard I've been trying.
- Just...
- We have a job opening here.
I can't.
Dad, I can't do that.
Honey, you'd still have plenty
of time to do your writing.
Daddy, I am so close.
(KNOCKING ON DOOR)
Yes?
Your 11 o'clock's waiting
in the conference room.
Thank you, Gloria.
Will you please make two copies of this
and leave them on my desk?
I've got to get to my next appointment.
How about you come by after work.
I'll take you out to dinner.
You can tell me all about your trip
and we can finish our conversation.
I already have plans.
Let me know when you have time.
(DOOR CLOSES)
("STEALING" BY NATHAN MATTHEW DAVID)
(REESE SIGHS)
(PHONE ALERTS)
REESE: Audrey and Reese Donahue,
10 million dollars.
(ELEVATOR DINGS)
Bye honey, have a good day.
REESE: Bye, you too.
(SOFT PIANO MUSIC)
Do you honestly think I would wear that?
Maybe the blue.
WOMAN: Okay.
Still harassing the help?
Try this.
I still don't understand
why I have to go.
Do you have any idea how
many girls would love to go?
No.
No, red doesn't suit you.
But I like red.
Well, I like orange,
but I don't wear it.
Have you ever seen mom's will?
What are you talking about?
REESE: Because I haven't.
So?
I was in dad's office and...
Put my name on that blue dress.
Let's go.
Why the sudden interest in mom's will?
She left us money, Audrey.
Where did you get that idea?
I saw it.
You saw what?
Saw the papers.
She left us 10 million dollars, Audrey.
Dad would've told us
that, of course he would.
I don't know.
Maybe he's afraid that we would've left?
You don't honestly believe that do you?
Wouldn't you?
Come on, would you really still be working
at Donahue Publishing?
I don't know.
I guess so.
I wouldn't.
You don't.
That's not the point.
I need your help.
Okay, show me the papers.
I don't have them.
They're still locked in dad's satch...
What, you broke into dad's
desk and you didn't take them?
No, I didn't break
in, I just, I saw them.
Well, do you at least have a picture?
No.
So are you gonna help me?
I didn't say that.
(REESE SIGHS)
Okay, I'll think about it.
So, how'd it go with your dad?
REESE: Fine.
Sam's in town.
You should come out with us.
No, you go ahead.
Maybe I'll come later.
I think you should,
he was asking about you.
MAN: Taxi.
Taxi.
Is that really necessary?
I stopped this cab.
- Come on, babe.
- I, I...
(PHONE RINGING)
AUDREY: Hello?
Hey, why didn't you call me back?
Look, I don't know what you saw,
but until he brings it up
there's nothing that we can do.
Mom wanted us to have it.
Well maybe he's saving
it as a wedding gift.
So what am I supposed to do, just wait?
I don't know. (LAUGHS)
Do you want to go to dad and say
by the way, I was pilfering
through your desk the other day.
Why are you trying to make it sound
like I did something wrong?
Because you were going through
his desk looking for money.
It's not like I was
looking for spare change.
You know what, forget it.
(PHONE BEEPS)
(GASPS)
She hung up on me.
What?
It's just like she thinks
that she is entitled to anything.
(SIGHS) I don't know why your
dad wants her there anyway.
We don't need the drama.
I wouldn't worry.
She'd be desperate to take that job.
("THINKING OF MILO" BY NATHAN MATTHEW)
MEREDITH: How's your dad?
Oh, he's really good.
Why don't you let him publish you?
I don't know.
I guess maybe I just wanted to prove
that someone else liked my work,
someone with a different last name.
You don't have to prove
that your work is good.
It is.
You think so?
Yes, I do.
I rarely sign a book deal
without a completed manuscript.
Um, actually, I was wondering.
Is it possible for me to
get another tiny advance?
Sure, as soon as you get me the rest.
Um, ya, of course, it's almost done.
I have a million things
to do this afternoon,
but this was nice.
Will you please say hi
to your father for me?
REESE: Of course.
It's been way too long.
REESE: Thanks for squeezing me in.
Any time.
(DINERS CHATTING)
(PHONE RINGING)
No no no, tonight is great.
Seven o'clock?
Alright.
See you then, I love you.
(SIGHS)
Gloria, will you change my
dinner plans for tonight?
I'm having dinner with Reese.
ALLIE: He made reservations for two.
I shouldn't be here.
REESE: I thought it would
be nice for you to have dinner
with me and my father.
- I also need you here.
- What's going on?
Nothing.
Hi.
- Allie, good to see you.
- Hi.
Good to see you.
(REESE AND GRAYSON GIGGLE)
Oh, I am wondering how I got so lucky
as to have two beautiful
women here at dinner.
Thank you.
How was Italy?
- It was amazing.
- Ya?
Well I'm glad that you
enjoyed the workshop.
It is one of the best in the world.
And Allie, what are you up to these days?
I'm still at the same place.
I'm hoping that something will open up
in the marketing department soon.
I'm sure something will.
You seem to know what you want.
ALLIE: I do.
Good.
Have you thought about the job offer?
Well, actually dad, um,
there was something I wanted
to talk about with you first.
GRAYSON: Alright.
It's about mom.
What about your mother?
Well,
I mean, you know how her foundation's name
is on pretty much every
charity event's donor list
for like the next century?
I don't know, it just seems strange
that she didn't leave
Audrey and me any money.
Reese,
as generous as your mother was,
it was more important to her
that you know who you are,
and money can't help you with that.
(SOFT PIANO MUSIC)
Excuse me, I need to use the restroom.
Allie, you need to go, too, right?
Ya.
(SOFT PIANO MUSIC)
Gosh, I just need to think.
Think about what?
Okay.
I need to talk to my dad about something,
but I know something that
he doesn't know that I know.
I have to go now.
I think your dad has a good point.
You should take the job.
I would jump at it.
GRAYSON: You're not gonna believe
what I ordered us for dessert.
I'll take the job.
ALLIE: Did I talk
you into taking the job?
I wasn't even sure you were listening.
Your dad is so generous.
You just get to step into that position.
Do you know how many people
would love to be you?
Ya.
I would love that job.
I'd probably be really good at it too.
("FIRST DAY" BY NATHAN MATTHEW DAVID)
(PHONE RINGING)
GRAYSON: Hi.
REESE: Sorry I'm a little late.
GRAYSON: That's alright.
(PHONE RINGING)
Good luck on your new job, Sam.
REESE: Hey.
Well who's Sam?
A guy.
A guy that sends you flowers at work?
Evidently.
Well I don't remember
you mentioning him.
There's not really anything to mention.
Well who is he, what does he do?
He's still at school.
Where?
Harvard.
(LAUGHS) No wonder
you're not interested.
Oh well.
Don't screw it up, okay?
What?
AUDREY: The job.
(phone rings)
(BIRDS CHIRPING)
REESE: I just didn't
choose any of this.
ALLIE: Oh, you mean work?
REESE: No, I mean my life.
ALLIE: Don't let Audrey get to you.
REESE: It's not just her.
I don't know, it's just...
ALLIE: Girl, you need
to forget about him.
REESE: Who?
ALLIE: Sexy, Italian guy.
REESE: (laughs) I'd rather
think about him than Audrey.
ALLIE: I can see why.
REESE: That makes me want gelato.
ALLIE: I'm known to get gelato.
(GRUNTS)
Looks like you're working hard.
REESE: My computer's not working.
- Call IT.
- I did.
No one has come yet.
Oh, just use mine.
We're leaving.
Thanks.
(KEYBOARD CLICKING)
("ACCOUNTING" BY NATHAN MATTHEW DAVID)
(PHONE RINGING)
Hello?
AUDREY ON PHONE: Lock
the door on your way out.
Yup.
Because I think that we're
missing that demographic
and I think that we need to reformat
or come at these things
from a different approach.
Right.
Right.
Reese, do you want to
join the conversation?
REESE: What?
Sorry, did I pull you
away from something?
REESE: I was listening.
Uh huh, sure, and you were just
whiling away the time in
your own little world.
REESE: You know what,
at least I have my world
that I go to, Audrey.
It's not me just being obsessed with work
all of the time like I
have nothing else to do.
Ya, you have nothing
else to do because you're...
REESE: Wait, Dad.
(AUDREY SIGHS)
I don't think she was ready for this.
Give her some time.
I didn't need time.
You have always been a doer.
You get things done.
Reese is a dreamer, a visionary.
You'll see.
Someday you'll need each other.
(ELEVATOR DINGS)
("DREAMER" BY NATHAN MATTHEW DAVID)
Do you have any idea
how much of your work
I have been doing?
I've been doing things.
- Why do you keep...
- You have not touched
one of these files.
Okay, I am carrying you this, this,
- this, this.
- No, that's not all of it.
That's not being fair.
AUDREY: How am I not being fair?
You can either fix this or you can leave.
Been a long day, hasn't it?
(GIRLS ARGUING)
Somehow I saw this
going very differently.
I don't see how.
You know, when they were kids...
They grown women now.
Ya, well I wish they would act like it.
(CRICKETS CHIRPING)
(VACUUM HUMMING)
("STEALING" BY NATHAN MATTHEW DAVID)
ALLIE: What's going on?
I'm leaving.
I'm going to Italy.
Reese, how much do you
actually know about this guy?
It's not about him.
Then why are you leaving?
This is just something I have to do.
("WHY WOULD YOU LEAVE"
BY NATHAN MATTHEW DAVID)
(MOVES INTO "ITALIA" BY
NATHAN MATTHEW DAVID)
Waiting for someone?
I am.
What brings you here?
I fell in love.
Ah yes, I was once in love.
I thought it was serious but
it didn't turn out that way.
She was not as committed
as I thought, sadly.
I'm sorry it didn't work out for you.
Don't be.
She was not nearly as beautiful as you.
I should've never let you go.
("HAPPY IN ITALY" BY NATHAN MATTHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
No, no.
I promise.
(SPEAKS FOREIGN LANGUAGE)
Listen.
Okay.
(BIRDS CHIRPING)
Hey you.
Morning.
Is everything okay?
(SIGHS) Ya.
On the phone, you sounded pretty angry.
It's business.
REESE: You know, if
you ever need money.
I don't need your money.
What's wrong with my money?
If I took money from you...
You wouldn't be taking it.
I want you to have it.
You sure you know what you want?
REESE: I
know exactly what I want.
The bank called back and
they confirmed the transaction.
(SIGHS) I don't understand her.
Daddy,
you wanna see her as this
innocent child, but she's not.
We'll find her.
We'll get the money back.
We're not tracking your sister down
like she's some kind of criminal.
(SIGHS)
("PI" BY NATHAN MATTHEW DAVID)
(KEYBOARD CLICKING)
("BABY MOON" BY PAUL CLARK)
I was driving alone
Pulling my old Airstream
Are you the private investigator?
I am.
I need you to help me find my sister.
Are you with anyone?
No, it's just me.
And you don't know where your sister is?
If I knew, would I be
talking to you right now?
Well, are you gonna help me or not?
When I find your sister...
I just need to know what she's doing.
Okay.
I'd cover my shame
Under the shine of the chrome
Baby moon was a cover
To my cold heart of steel
Reflecting and protecting
the way that I feel
You can just pay when you're ready.
Baby moon
(PHONE RINGS)
GRAYSON: Hey?
Grayson, it's Jerry.
GRAYSON: How's it going?
What's going on with Reese?
What, did you hear something?
Well, Audrey called the
office and made an appointment
with one of the guys, but he got busy.
So she told you everything?
Not exactly.
Remember that time when you
handed me your car keys?
You thought I was the valet.
Well, I'm a lot more careful
who I give my keys to now.
Seriously, Grayson,
whatever you need, I'm here.
I appreciate that Jer.
Oh and uh, tell Audrey that uh,
next time, lunch is on me.
(KNOCKING ON DOOR)
Remember my old college
roommate, Jerry Peters?
No.
He's a private investigator.
Well, that's very interesting.
Audrey, why did you go behind my back
and meet him just now?
(SIGHS)
Because I don't
understand how you can just
stand by and do nothing.
Sweetheart, you are going
to have to trust me on this.
(SIGHS)
(DRAWER SLIDING)
(SIGHS)
("HAPPY IN ITALY" BY NATHAN MATTHEW DAVID)
SOPHIA: Buongiorno.
REESE: Buongiorno.
I'm just looking.
Sei Americana?
- Si.
- Si.
(LAUGHS)
(GASPS)
- Si?
- Me?
SOPHIA: Si.
You think I can wear red?
(SPEAKS FOREIGN LANGUAGE)
Come on, try it on.
Que bella, no?
Si, bella, bella.
SOPHIA: Come on.
Is there something
you've been waiting for
Is there something
you've been dreaming of
I really like it.
If I told you you can
make your dreams come true
Twist your mind around and you will find
Everything you touch will come to life
What if I told you it's all up to you
(LAUGHING)
SOPHIA: Take this off,
get out of this dress.
You bought so much!
(LAUGHS) I had to have it.
I know.
(SPEAKS FOREIGN LANGUAGE)
Okay, this.
What do we eat?
Find your fate
And you will see
This is your day
You can make it
What brought you back to Italy?
Well, I mean, I love the food.
(SPEAKS FOREIGN LANGUAGE)
Roberto.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
I don't know.
I couldn't write, couldn't think.
Everything I did was wrong.
Couldn't be me.
SOPHIA: Who is that?
I'm still trying to figure that out.
Grazie.
Oh, please, come dancing with us tonight.
- Oh, I can't.
- Si!
You have the perfect dress for it.
Roberto, what you doing tonight?
No, I can't, I already have plans.
(SPEAKS FOREIGN LANGUAGE)
I have plans.
What plans?
("WAITING ON MILO" BY
NATHAN MATTHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
(MOVES INTO "THE DIAMONDS"
BY NATHAN MATTHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
GRAYSON: I pushed her too hard.
It wasn't you.
Anne never would've let this happen.
You think she could've
kept them from growing up?
What if she needs me?
She's a smart girl.
She'll figure it out.
Gloria,
I don't know what I'd do without you.
No need to worry about that.
You know, it's funny,
I still can't remember
the day that I hired you.
You didn't.
Anne did.
I miss her, too.
Everyday.
She would've wanted you to be happy.
She wouldn't want for you to be alone.
("MILO'S FAMILIA" BY NATHAN MATTHEW DAVID)
REESE: Oh my gosh, it smells amazing.
MILO: Everybody, this is Reese.
Ah, mio Milo.
Buona sera.
Gosh, you must've cooked all day.
You don't like to cook?
MILO: Come, come come come.
(SPEAKS FOREIGN LANGUAGE)
Papa.
Milo, (SPEAKS FOREIGN LANGUAGE)
This is Reese.
Reese?
REESE: Buongiorno.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
Welcome to my house.
REESE: Thank you.
Prego.
So, Reese, where are you from?
Chicago.
Chicago?
You know the Marinos?
No.
The Bianchi?
MILO: Papa.
So your family, what kind
of business are they in?
Reese is a writer.
MARCELLO: Fabuloso.
- Your mother must be proud.
- Mama.
Oh, no, no it's fine.
My mother passed away when I was 16.
MARCELLO: How?
An accident.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
Salute, (SPEAKS FOREIGN LANGUAGE)
GROUP: Salute.
Salute.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
(CRICKETS CHIRPING)
Is it true?
About the Riviera Diamonds?
Haven't I taught you anything?
I know what I'm doing.
MARCELLO: Who gave you the money?
Reese.
She wanted to.
(SPEAKS FOREIGN LANGUAGE)
Reese?
She now tells you what to do?
Papa.
Emilio, you know diamonds can be traced.
I told you I know what I'm doing.
You're messing with the
Russo's family territory.
(SPEAKS FOREIGN LANGUAGE)
It's not worth it.
You hear me?
(SPEAKS FOREIGN LANGUAGE)
What do you want?
Do you want to end up in a box,
with your American girlfriend?
I'm getting too old for this.
- No.
- A little bite.
I couldn't possibly have another.
A little bite.
MILO: Mama, what are you doing?
She's so skinny, she needs to eat.
- I'm so stuffed.
- We should go.
Aww, Emilio, your papa needs you.
(SPEAKS FOREIGN LANGUAGE)
And don't let him down.
Grazie.
I had a wonderful evening.
I want to say thank you to your father.
No no, he's busy.
Ciao.
What were you and your dad talking about?
MILO: Papa wants to know
if we'd like in on their next deal.
(BOAT MOTOR HUMMING)
REESE: I think we should.
MILO: You do?
REESE: Ya.
Next time I want to be in on the meetings.
MILO: That's not a good idea.
REESE: It's my money we're investing,
I should understand
what we're investing in.
MARCELLO ON PHONE: Oh no no no.
(SPEAKS FOREIGN LANGUAGE)
It's the only way.
She wants to know what she's investing in.
(SPEAKS FOREIGN LANGUAGE)
You said it was her
who wanted the diamonds.
Not exactly.
But what happens when she finds out?
She won't find out.
Emilio, you don't know that.
Trust me, I know what I'm doing.
(SIGHS)
(SPEAKS FOREIGN LANGUAGE)
("UNCOMFORTABLE BUSINESS"
BY NATHAN MATHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
REESE: Do you know
anything about investing?
SOPHIA: (laughs) What would I invest?
Nevermind, it's probably nothing.
Reese?
Just say it, what's wrong?
I don't know.
Milo's being kind of distant.
He's not telling me where he's going
or who he's meeting with.
(SPEAKS FOREIGN LANGUAGE)
I'm probably just being really paranoid
or incredibly stupid or maybe both.
Speak, talk little slower.
I gave him
all of my money.
No.
Reese.
These numbers, they just don't add up.
What you mean, don't add up?
With investments you get returns,
but it doesn't make sense
that it would be this much.
What, you think 'cause you're in Italy,
everyone's a crook?
REESE: No, that's not what I said.
Okay, okay.
You give him some money.
How much?
I'd rather not say.
Then it's a lot?
What were you thinking?
This is Italy.
I don't know.
I just wanted to help him.
SOPHIA: Help him what?
What if he's doing something illegal?
What are we gonna do?
We?
No, no we, (LAUGHS) no we.
I no want in on this.
No no, I'm not in on it.
It's just my money.
Well that makes you in.
I went to a meeting,
I told them I wanted in.
(SIGHS) Oh no.
Okay, okay.
(SPEAKS FOREIGN LANGUAGE)
Maybe we're overreacting,
and maybe this is legit
and we're worrying about nothing.
You should follow him.
Maybe it's another
(SPEAKS FOREIGN LANGUAGE)
Another girl.
Believe me, Reese, this
would be better, no?
But you have to know.
Si?
(CRICKETS CHIRPING)
(CAR ENGINE STARTING)
(CAR DOOR SHUTS)
(SLOW INTENSE MUSIC)
(BRAKES SCREECHING)
(SPEAKS FOREIGN LANGUAGE)
(CAR DOOR SHUTS)
It does not look like another girl.
(CRICKETS CHIRPING)
Let's go.
(SIGHS)
You cannot say a word
about this to anyone.
Go upstairs, pack your bag,
go back to your familia.
- No, I can't...
- Si, Reese, si, you can.
And you have to.
But maybe it's not what it looks like.
I don't think you know
Milo like you think you do.
(SPEAKS FOREIGN LANGUAGE)
Okay, you be careful.
(DOOR SHUTS)
Ciao bella.
Ciao.
Headed somewhere?
REESE: Where've you been?
Hey, hey hey hey.
I was working.
REESE: I saw you.
You followed me?
What did you do with the money, Milo?
You don't trust me?
It's not gone.
We invested it.
REESE: Why didn't you just tell me?
I was trying to protect you.
Protect me from what?
Why would you leave?
You think you're better than this?
Than me?
No, that's not what I was saying.
Have you forgotten
where the money came from?
REESE: My mother wanted
me to have that money.
You didn't tell your
dad you were leaving.
REESE: He wouldn't understand. (weeps)
Why you took the money?
Or why you wanted to be with me?
Hmm?
(TRAIN CROSSING ALARM DINGING)
How much longer?
In a couple of hours, around midnight,
I will be sitting in the corner.
You will join me.
You will be sitting at the bar.
I will tell you when to bring it over.
You know what, I'm
actually not feeling well.
I think I'm gonna go lie down.
It's nerves, have a drink.
I'll see you later.
("WHY WOULD YOU LEAVE"
BY NATHAN MATTHEW DAVID)
(GIRLS LAUGHING)
(TRAIN WHISTLE BLOWS)
Excuse me, can you tell me
how long till the next stop?
Five minutes.
REESE: Thank you.
("ESCAPE FROM THE TRAIN"
BY NATHAN MATTHEW DAVID)
JERRY: This is your stop?
Reese!
It's me, Jerry Peters.
(TRAIN WHISTLE DROWNS OUT DIALOG)
What are you doing here.
Your father thought you
might be in over your head.
You can't tell him.
He just wants to know you're safe.
Let's figure out where we are.
Let's get you out of this rain, come on.
(THUNDER ROLLS)
You came a long way to spy on me.
You remind me of your mother.
I do?
(LAUGHS)
Your dad and I were
friends all through college.
And when he met your
mother, everything changed.
What do you mean?
Love changes people.
I'm not sure if he fell in love with her
or her writing first.
What about my mom?
Was it the same for her with my dad?
I don't think so, she was
so busy with her writing,
and she couldn't get
anyone to look at her work.
Because she was a first-time author.
So, your dad said, "If no
one will publish her, I will."
And he started a small publishing company.
With my mom.
No, it was your dad who went to the bank
and took out the loan.
I guess I just always thought
they started the company together.
It was still small and
struggling when they got married.
They were quite a team.
I checked out your friend Milo.
He's not.
I know.
And you're supposed to take me home.
Only if that's what you want.
Can I use your phone?
(INTENSE DRAMATIC MUSIC)
(THUNDER DISTANTLY ROLLS)
(SIGHS)
Daddy?
It's me.
Can I come home?
(PLANE ENGINE ROARING)
("REUNION" BY NATHAN MATTHEW DAVID)
GRAYSON: Crying?
REESE: Ya.
GRAYSON: Why?
You're okay.
You're home.
You're home. (LAUGHS)
(BIRDS CHIRPING)
Everything mom wanted
me to have, I lost it.
You're home, that's all that matters.
I don't know why I did it.
I'm so sorry, I promise I'll never...
I know.
What about Audrey?
She probably doesn't want to see me.
Well, we're having a
few friends over tonight.
I doubt anybody wants to see me.
Allie can't wait to see you.
Really?
Ya.
And Meredith will be stopping by.
I feel really awful about Meredith.
I wouldn't feel too badly.
She's doing just fine.
You talked to her?
Oh ya, she discovered this
new author, Mary Bridges.
Have you heard of her?
(LAUGHS)
She called me as soon as
she read your manuscript.
She knew it was you.
What did you think?
Well, I'm prejudiced,
but it is really good.
I knew you could do it.
(BIRDS CHIRPING)
I don't think she was
ready for the party yet.
I told her two places would be set
and the door was always open.
Kind of nice that Allie
to bring your summer camp friend, Sam.
I'm glad you're back, I
have so much to tell you.
Oh my gosh, I was so afraid
you we're gonna hate me.
I just missed you, that's all.
Sam, what are you gonna
be doing after you graduate?
I'll be taking the bar exam this summer.
GRAYSON: And then
where will you be working?
Eventually I'd like to
start my own practice.
I'd like to be able to work for those
who really need legal help,
not just those that can afford it.
GRAYSON: Good man.
I think you'll do very well.
Meredith, I am so so sorry.
Oh, I'm just glad
that you sent it to me.
It's doing really well.
GRAYSON: Seems like I
paid for a hundred of them.
How did you know it was me?
It's nothing like what
I've sent you before.
I kept my eye on every
piece that came in.
And whether you want to
call yourself Miss Donahue
or Miss Bridges, I know your work.
Is there something going on here?
(SIGHS)
Your father and I have been...
I can see that.
(LAUGHS)
Are you working on a new book?
Hey, you know what?
Let's not talk about
publishing, just for tonight.
Okay.
But I want to talk soon.
I used to love summer
camp; sailing and swimming.
Can I come back to work?
Well, I didn't give your cubicle away.
First thing Monday morning.
Be early.
(PHONE RINGS)
(REESE KNOCKS)
I'm...
Listen, I understand why you
didn't come to the party.
I mean, I probably wouldn't
have either, but, um,
but can we talk about it?
I'm busy.
Audrey, I'm really sorry.
I know that what I did was wrong.
GRAYSON: Morning, my beautiful girls.
Morning, Dad.
I'm really excited to get back to work.
Good.
Audrey, please, try to be nice.
I am.
REESE: I'm sorry.
Don't worry about it.
Meeting in my office in 15 minutes.
We've a lot of catching up to do,
and just give her some
time, she'll come around.
ALLIE: Don't worry,
she knew it was temporary
when she moved in.
REESE: Thanks, but, you know what,
I think I'm gonna stay home for a while.
ALLIE: Your dad's
been paying your rent.
REESE: He has?
ALLIE: Ya.
(DOG BARKING)
REESE: Audrey's not talking to me.
ALLIE: Don't let Audrey get to you.
REESE: I'm trying.
ALLIE: It was nice
to see Sam, wasn't it?
REESE: I know you brought him,
I assumed you guys were together.
(ALLIE SIGHS)
(BIRDS CHIRPING)
(CHILDREN PLAYING)
You know, he's different than I remember.
ALLIE: Ya.
So are you.
I would like to propose
that we start a program for new writers.
I really think that we can make
the submission process easier, less scary.
If we support and encourage them
we could find a fresh
voice, that new talent
that otherwise might be
lost in the slush pile.
Alright.
I think that wraps up
everything for this week anyway.
Thank you everyone, have a great weekend.
Hey, thank you for sharing
some of your ideas.
I was really impressed with
all the work you've been doing.
Thanks.
Ya.
I thought your sister had some good ideas.
You could've given her a few
minutes of your attention.
Well, the entire time that
she was gone I was working.
So, forgive me if I don't
share in your enthusiasm.
She's trying.
Why aren't you?
(LAWN MOWER HUMMING)
(AUDREY FRUSTRATINGLY SIGHS)
JONATHAN: Bad day?
AUDREY: He has done everything
but throw her a parade.
JONATHAN: What are you talking about?
AUDREY: She steals from the company,
runs away with her boyfriend,
and when she decides to come home
he just gives her a pat on the head.
(LAUGHS) I think she's
even getting a promotion.
Wait, Reese actually
stole from the company?
How much?
Well, she said she only
took what mom left us,
but it doesn't matter.
He covered for her like he always does.
When your dad retires,
who's he gonna leave the company to?
When Reese decides to actually
make another withdrawal,
that's less for us.
She wouldn't do that.
Why wouldn't she
if there's nothing to stop her?
Think about it.
(TOILET FLUSHES)
Boy, I am glad it's you who's responsible
for all this and not me.
What do you mean?
Well, if the IRS or who knows
gets wind of what happened
while Reese was in Italy,
wouldn't look too good for you.
What are you saying?
I'm saying we should help each other.
We both have a lot invested
and I think we both want
what's best for everyone.
(CLASSICAL PIANO MUSIC)
Why is it never chocolate?
We're not here for the food.
I know.
We are here to smile
and give them a check,
so let's get it over with.
Here, I'll do it.
So, how's everything
since Reese got back?
Is everything okay?
It's fine.
We could hardly believe it.
I mean, your poor father.
(LAUGHS) I don't know
what you're talking about.
We ran into Jonathan
at the club yesterday
and he mentioned it.
He didn't want to, but when we asked
if you had set a date yet, he said
that there were family issues.
Sounds truly awful.
AUDREY: Would you excuse me?
Oh, oh sorry, would you excuse me?
What's wrong?
We're leaving.
(KNOCKING ON DOOR)
Jonathan, come on in, have a seat.
Steven tells me that you are concerned
about some bookkeeping matters?
Where might be a better word.
I only told him to keep his eyes open.
There have been some problems in the past
we wouldn't want to deal with again.
I'm sorry, I was unaware that you
had to deal with anything.
I realize you took care of it,
but I'm not sure it was
the most appropriate action
since it did nothing to
ensure it won't happen again.
There should've been retribution.
You've done nothing to take
control of the situation
and that affects us all.
I'm simply trying to look
out for your business
which you seem to have forgotten about,
letting Reese just waltz
back in after everything.
("VALSE" FROM SWAN LAKE)
Where have you been?
- Another meeting.
- Shh!
Why would you feel
that it was your place
to take to Bridget and
Lauren about my family?
I can't even open my mouth.
Do you mind?
I can't hear.
They're dancing,
there's nothing to hear.
I told you dad wanted to
keep that inside the family.
Apparently I'm not
part of the inner circle.
Oh, you're being dramatic.
I'm just saying there's
more that he's hiding,
more than you know.
Or maybe you do.
Do you mind?
You don't really think that, do you?
I'm just saying it's the behavior
of somebody who has something to hide.
Why don't you just forget
that I told you anything.
Awesome.
I have some good news for you.
Dad fired Jonathan.
There's an opening in
marketing, you'd be perfect.
Do you think I should call your dad?
My dad loves you.
That would be amazing.
I don't even know what
Audrey sees in him anyway.
Tough to say.
What one person might see in someone,
someone else can completely ignore.
I'm not ignoring him.
Then you're stringing him
along and that's even worse.
Why didn't you and
Sam ever get together?
Mmm,
maybe it's because every time I see him
he asks how my friend Reese is doing.
Really?
ALLIE: Call him.
You know what, I'm gonna text him,
that way he won't see my interest.
I think you're safe.
Oh gosh, we were just kids.
Everybody has their first crush at camp.
Remember yours? (LAUGHS)
Evan McMillan.
Okay, okay, um...
(PHONE BEEPS)
(PHONE BEEPS)
You have a date.
You should come.
Seriously?
("LET ME IN AGAIN" BY
PARIS O'NEILL CARNEY)
What if it's not a date and I thought
that he thinks it's a
date and it's not a date?
Oh it's a date.
How do you know that it's a date?
Trust me.
Hey.
WOMEN: Hey.
How's it going?
WOMEN: Good.
What can I get you.
Um, you know what actually,
I think that Allie was going
to get her coffee to go.
ALLIE: Ya, I've got a thing.
What would you like?
Oh, just a coffee, thanks.
I don't wanna scare you off
Is it too late
ALLIE: Can I have a
latte with non-fat milk?
BARISTA: Of course.
What can I get for you?
SAM: Just two coffees, please.
- Awesome.
- Thanks.
Baby you're driving me crazy
- You're driving me crazy
- Thank you.
With thoughts inside your head
This was a nice surprise, your text.
Ya well, I mean, Allie and
I were just having sushi and.
Well, I'm glad you did.
Do you wanna go for a walk?
Would you let me in again
Baby you're driving me crazy
You're driving me crazy with
Thoughts inside your head
Baby I promise to save you
So, I'm gonna be uh,
studying for the bar exam,
but after that I'd like to
take you on a real date.
If you ever need a study break
or some caffeine you can call me.
Deal.
We can work it through if you let me in
Would you let me in again
Let me in again
- Let me in again
- Bye.
See you soon.
Let me in again
Let me in again
Hey, what's going on?
What does it look like?
Why, because of Jonathan?
Because of you.
It is your fault that dad fired him.
Dad can't fire my fiance.
I mean, have you talked to dad?
Jonathan told me everything.
It's your fault.
Dad always takes your side.
You're leaving?
What do you want me to do?
Jonathan left him no choice.
Oh really?
Your father cant' stand by
and watch him rip the
company and the family apart.
You are not a part of this family.
You are nothing like my mother.
Neither are you.
(SOFT MUSIC)
SAM: I didn't think I was
gonna see you till tomorrow?
I know, I got an early flight.
SAM: So good to see you.
How've you been?
I've been so good, ya,
things have been busy.
SAM: Look who tracked us down. (laughs)
Hi.
Reese, this is Jill, my sister.
Oh, it's so nice to finally meet you.
Ya, Jill's in town
for our grandmother's birthday tomorrow.
You should come.
SAM: Ya, she is.
I want her to meet everyone.
See you later?
Yes.
JILL: It's so good to see you.
SAM: You too, you too.
Nice to meet you.
REESE: It's so nice to meet you.
JILL: I'll see you.
Thank you.
(LAUGHS)
("REESE AND SAM" BY NATHAN MATTHEW DAVID)
(REESE LAUGHS)
When you said you'd plan dinner...
SAM: I wanted it to be
something you wouldn't forget.
I won't.
It's perfect.
You know that summer my
parents sent me to camp,
I really didn't want to go.
I wanted to stay in
London with my friends.
Ended up being my favorite summer.
Mine too.
(CRICKETS CHIRPING)
It was so long ago.
SAM: You're still the same girl.
You don't know that.
Well, (SIGHS)
your eyes are still blue.
Your favorite color, red.
Your favorite dessert is
anything chocolate (LAUGHS).
- Your favorite book.
- Jane Eyre.
Charlotte Bronte.
But she didn't use her real name.
SAM: Like you.
Like Charlotte.
Tell me something else about you.
I,
I passed my bar exam.
Sam!
Oh my goodness, that's so amazing.
- Congratulations.
- Thank you.
(REESE LAUGHS)
And the law firm where I've been working,
they have an office in London,
and they've offered me a job there.
That's wonderful. (SIGHS)
It is?
Well ya, I mean, isn't
that what you want?
I don't know.
I've been wondering if there
wasn't a reason to stay here.
Just,
I don't know, it seems like
a really good opportunity.
There are all kind of opportunities.
You just have to choose what you want
and what's worth waiting for.
(CRICKETS CHIRPING)
("FINALLY IN LOVE" BY PAUL
ETT AND SCOTT LIGGETT)
Oh, there's something about you
You gave me a chance
There's something about you
SAM: This is Reese.
Hi, Reese.
Thank you for coming.
May we dance together?
Yes.
A rainbow or a pot of gold or a legend
So often told
He packed all of this food
and we drove out into a field,
under the stars; it
was just the two of us.
Really?
Ya.
JILL: That was Sam's idea?
REESE: Ya. (laughs)
That's not my brother.
What did you do to him?
That's good.
("CARRIED AWAY" BY PARIS O'NEILL CARNEY)
Go dance with her.
Go on.
You are so sincere
- Just what I was thinkin'
- They're playing our song.
We don't have a song.
We do now.
You are such a dear
Just what I was hopin' for
And I see your heart shine through
Everything that you do
And you don't even notice
And now I'm so caught up
In the idea of your love but
I don't even know you
'Cause I get carried
Ya, I get carried away
GRAYSON: It's so embarrassing.
I should've kept you longer.
I'm fine.
Gray, that's not what the doctor said.
I'm okay.
They wouldn't let me go home if I wasn't.
It's just embarrassing.
Are you sure you don't
want me to call the girls?
I do not want you to tell them.
Promise me you won't.
They don't need to worry.
I'll be fine, I just need a few days.
To get a cat or not.
REESE: Maybe they found one.
Maybe.
I'm here.
Hi sweetheart.
This better be important.
Please, sit down.
(AUDREY SIGHS)
I've decided to sell Donahue Publishing,
and Audrey, I would like you
to come back and run the
company until I find a buyer.
Well, you can't just up and leave.
I bought a little place up on a lake,
and it's beautiful this time of year.
What if I don't want to come back?
Sweetheart, I can't think of anyone
that I would trust more with
this responsibility than you.
(KEYBOARD CLICKING)
You took my office.
REESE: Just wait.
What do you think?
(SIGHS)
(LAUGHS)
Don't you think it's weird?
I mean, he's here one day
and then he's gone the next.
It already feels so
different without him here.
(SIGHS)
So, when are we gonna release your book?
Audrey, we're not releasing it.
I'm staying with Meredith.
You're what?
She took a chance on me.
I don't know, I just, I really feel
like it's the right thing to do.
You know that she was just trying
to start something up with dad?
And that's the reason you got that deal.
You don't owe her anything.
Why do you care?
Because it's good.
It's really good.
I saw it on the desk and I read it,
and I think it'd be really good for us.
And we've fallen away from
a young adult audience.
I really appreciate that but...
You know what, sit in
on the marketing meeting,
see how you feel.
I think you're gonna love
what we can do with it.
REESE: This one?
AUDREY: No, it doesn't
pop, doesn't say something.
(MUSIC DROWNS OUT DIALOG)
(SOFT SLOW MUSIC)
REESE: Oh oh, I really like this one.
So, I want you guys to think
about big client relationships for you
if you come work with us.
Why don't you say something?
She's just doing her job.
Why don't you talk to your dad?
I don't want to bother him.
ALLIE: Then call Meredith
'cause somebody needs to do something.
(SOFT SLOW MUSIC)
(KNOCKING ON DOOR)
MEREDITH: Audrey.
Dad's not here,
but I'm surprised you didn't know that.
I was talking with Reese
about the progress on her book.
There wasn't a contract.
There was a verbal agreement.
Well she changed her mind.
That's fine,
but she's a talented writer
and I would hate to see...
You don't think that I'm
capable of handling this?
I think the goal is to reach
the largest number of people quickly.
I'm not sure it's your audience.
Well that can change.
You really want to take that chance
on your sister's book?
It has so much potential.
I've got this.
Thank you.
(SIGHS)
(SLOW SOFT MUSIC)
Hey!
I heard Meredith came by yesterday.
AUDREY: Ya.
And how did it go?
She thinks that she knows everything.
So...
Audrey, I know that you don't like her,
but she's really smart, she
knows this business so well.
I think if you just...
She doesn't like me.
Have you given her a chance?
A chance to what?
To take over?
To take dad?
Audrey, she's not taking anything.
(GASPS)
Where are you going?
I'm meeting someone.
Where's your ring?
Look, I don't want to talk about it.
Is that what you're wearing?
What is wrong with this?
Why don't you come over to the house?
Okay, maybe I could
pick out something fun.
You know, you can loosen
up a little bit. (LAUGHS)
This is who I am.
And if he doesn't like it.
No, I'm sorry.
That came out wrong.
I just,
I just thought maybe you'd want
to put something more
comfortable on, that's all.
No.
I'm fine.
Okay.
Um,
have fun tonight, okay?
See you later.
(CLEARS THROAT)
(CRICKETS CHIRPING)
(DOOR CREAKS)
(SIGHS)
(GASPS)
MILO: I didn't mean to frighten you.
What are you doing here?
MILO: (laughs) That was
not the greeting I expected.
When the Policia couldn't
find the diamonds,
I knew why you left.
You saved me.
Where are they?
Where are what?
MILO: The diamonds.
I don't have them.
But you took them.
No, I didn't.
I didn't take anything.
MILO: You took the statue.
The statue you gave me?
Where is it?
(SOFT INTENSE MUSIC)
(SIGHS)
I almost lost it all.
(SIGHS)
I have a buyer.
It's more than I'd hoped for.
(MILO GRUNTS)
("THE DIAMONDS" BY NATHAN MATTHEW DAVID)
Those are stolen.
They're ours.
No, no, I want to forget
I ever had anything to do with that.
How can you say that?
You have no idea what
you're giving up yet.
I don't care, it doesn't matter.
MILO: Of course it matters.
No, not if you get caught.
I won't.
How can you be sure?
("THE DIAMONDS" BY NATHAN MATTHEW DAVID)
If I got caught,
all of the evidence
leads right back to you.
I tried to protect you.
(REESE GASPING)
AUDREY: Don't make
a big deal out of it,
just find me something to wear.
Are you okay?
(REESE CRYING)
REESE: Milo. (weeping)
Milo.
Milo what?
What did he do, did he hurt you?
I had millions of dollars
worth of diamonds in my closet.
AUDREY: What?
Where is he?
On his way back to Italy.
Okay, did you call the police?
Wait, so after everything that he's done
you're still protecting him?
But if he gets caught,
all of the evidence leads back to me.
He told you that?
I mean, it's true.
It was my money and then I
smuggled the diamonds in,
and then I was hiding them
this whole time. (WEEPING)
No one has to know.
REESE: But I do. (weeping)
You're a bad judge of character
and you make some bad decisions,
but you're not a thief.
Oh, you're not.
(REESE WEEPING)
Oh.
But if I don't call the police
then everything they
said about me is true.
No it's not.
(REESE CRYING)
(SIRENS BLARING)
REESE: Do you ever
wonder what it would be like
if mom was still here?
You mean, would we be
sitting in a police station?
(REESE LAUGHS)
I don't know how I got here.
Hey,
I haven't done much that you
should be proud of either.
What are you talking about?
You've accomplished so much.
Doesn't mean anything.
I think that I'm the reason that dad left.
That's not true.
(SIGHS) Think about.
Why would he just drop everything?
I mean, he loves his work.
Yes, thank you sergeant.
Well, they picked him up.
They found the diamonds
just like you said.
What's gonna happen to him?
He's gonna go back to Italy.
He'll be charged there.
AUDREY: And what about Reese?
There's nothing, no
evidence against you.
(SIGHS)
You'll have to come in
and sign some reports,
but after that you're free to go.
Thank you, Charlie.
CHARLIE: You're welcome.
(REESE AND AUDREY LAUGHING)
(UPBEAT MUSIC)
(LAUGHS) You always
got to push the button.
I know, 'cause I'm
better at it than you.
You always got the wrong floor. (LAUGHS)
Oh, hey, listen.
AUDREY: Mmm hmm.
I called Meredith, I'm gonna
bring her on as a consultant.
Wait, did I miss something?
It's the only way if
you wanna keep my book.
(SIGHS) Okay,
but if she tries to get over she is out.
(LAUGHS)
Good morning, Allie.
Hey.
I got caught up with some work.
It's gonna keep me busy for a while.
REESE: Oh.
SAM: I'll um, I'll
call you when I have time.
Ya, ya, of course, um.
Okay, well, bye.
Audrey's even warming up to me.
I should come back.
No, you're not coming back.
You're gonna stay there and do
exactly what the doctor says.
My heart is fine, I promise.
What if I take a long weekend
and come out for a visit?
GRAYSON: Well, I'm
feeling better already.
How soon can you get here?
MEREDITH: I'm already packing.
Stop worrying, I think you're doing great.
AUDREY: Thank you.
MEREDITH: Your dad would be proud.
(SIGHS) Thank you.
(SIGHS)
Leaving early?
Ya, I'm taking a long weekend.
Will you, will you tell
him that we miss him.
(LAUGHS) Yes, I will.
ALLIE: What's your deal?
REESE: No deal.
I'm not leaving.
What's going on?
Nothing. (SIGHS)
Okay, listen, I know that you think
that you're helping,
but you're really not.
You should just call him.
You're both miserable.
You talked to him?
He's going to London.
(GROANS) I don't know why I
let you talk me into anything.
Allie?
Allie, I'm sorry.
To.
Thank you so much for coming.
(SIGHS)
Well that was quite a turnout.
It was worth it.
Why don't you just call him?
I don't know what to say.
Well, I don't know either,
but the worst thing
you can say is nothing.
I don't know, I just thought that
maybe he would come say
goodbye before he left.
She's right, call him.
Just tell him you miss
him and you wanna talk.
REESE: You think?
MEREDITH AND AUDREY: Yes.
What if he doesn't want to talk to me?
What if he does?
All of the stories I was told
Couldn't prepare me for my own
I am a history of mess
You were my perfect second chance
But I gave you up for so much less
All my secrets I can't help keeping
Oh please believe when I say
I take it back
I change my fate
To be
With you
To make you stay
I take it all back
Ladies, your dad called.
The papers are ready to sign
and he'll be here on Friday.
Thank you.
I was hoping he
wouldn't find a buyer yet.
(SIGHS) I'm sure he knows what's best.
We're gonna miss you, Gloria.
Well, if you don't want
me to show up at your door
you better come and see me.
You think just because
we're not working together
you're gonna get rid of me?
(AUDREY LAUGHS)
(SOFT PIANO MUSIC)
So has Charlie explained
what this is all about?
CHARLIE: We were waiting for you.
So, who's the buyer.
GRAYSON: Well, it's more of a merger.
Wait, you're not selling?
I've realized that
I'm not ready to retire,
I just needed a partner.
So, Meredith and I have
been in discussions
and we recognize that
our respective businesses
have their own strengths, but
they would be better together
rather than apart.
Uh huh, and is...
And we got married the last
time she came out to visit.
I know, it sounds crazy,
but we couldn't think
of a good reason to wait.
We've been friends for so long
and I really love her,
so we did it. (LAUGHS)
(AUDREY LAUGHS)
Dad, we are so happy for you.
(LAUGHS) Thank you, thank you both.
So now, when you were little girls
your mother and I put some
stock in your respective names.
We just need your signatures
and Charlie will do all the paperwork.
What if we wanted to stay?
And work with you and Meredith?
Are you sure?
AUDREY: Ya.
Charlie, my girls want to
stay in the family business.
Will you please convert
their old stock into new?
Yes, sir.
We have one last bit of business
which is your mother's will.
Charlie, will you please
read the part that pertains
to Audrey and Reese?
I, Anne Donahue, with sound mind,
bequest 10 million dollars
to be divided equally
among my two daughters,
Audrey and Reese Donahue.
I'll leave their father, Grayson Donahue,
with absolute discretion
as to when Audrey and Reese
are of an appropriate age
and should receive the money
that has been placed
in the trust for them.
Charlie, I think they're ready.
Dad, there's been a mistake.
No, Charlie didn't make a mistake.
Nobody's touched your trust.
But,
how could it be this much?
Compound interest is an
amazing thing, isn't it Charlie?
Certainly is.
I love you both.
Our house tonight.
We're celebrating.
("FINALLY IN LOVE" BY ALAN
PAUL ETT AND SCOTT LIGGETT)
There I was not feeling good, not bad
Walkin' 'round not happy, but not sad
(MUSIC DROWNS OUT DIALOG)
Hey, look how beautiful you are.
AUDREY: Do you mind if I cut in?
Not at all.
Have fun you two.
See you later.
She's good for you, I like her.
It's so amazing, I
just wanna like squee...
What?
It wasn't me.
You look beautiful.
You smiled, you sang me your song
You told me you'd hold me and
show me what life is made of
Unable to see beyond
herself, her desires,
her past clung to her,
dragging her to a place that.
COUPLE: Was called an unknown.
Awakening beside the one she's loved,
he whispered softly, "Come away with me."
You read my book.
You're not over him.
No, it's everything else.
Forget everything else.
Forget the past.
What do you want?
You remember summer camp?
The summer we met?
I still feel like that 13 year old boy
trying to get your attention.
I'm sorry.
You know how I feel about you.
Every time I think I
should give up on you,
you give me just enough
hope that I can't let go,
and I don't want that anymore.
You're on, let's go.
I just wanted to start
off by thanking all of you
for coming here tonight
to celebrate my dad
and his new wife, Meredith.
I've been really lucky to learn
what love is from my father.
The way that he loved my mom (WEEPS)
and the way that he
loves my sister and me,
and now the way that he
loves Meredith. (LAUGHS)
You really wouldn't think
it would take me so long
to figure out what love looked like.
Sam,
I love you, please don't
give up on me. (GASPS)
("WHAT LOVE LOOKS LIKE"
BY NATHAN MATTHEW DAVID)
I think what she was going to say was,
to Daddy and Meredith.
(CROWD LAUGHS)
GLORIA: Here, here.
(CROWD CLAPPING)
I'm so sorry I pushed you away.
No, I was trying to say earlier,
we've known each other a long time,
and although we've not dated long,
I have loved you half of my life.
I turned down the job in
London, I'm staying here.
Marry me.
REESE: (gasps) Oh, it's
so beautiful. (laughs)
It's my grandmother's.
She thought you had the
perfect hand for it.
I do.
("LET ME IN AGAIN" BY
PARIS O'NEILL CARNEY)
You don't know how you changed my life
The moment you told
me what was on your mind
You're so quick to change your ideas
If things get hard
So I just keep my mouth shut
'Cause I don't want to scare you off
Is it too late
Is it too late
Baby, you're driving me crazy
You're driving me crazy
With the thoughts inside your head
Baby, I promise to save you
But it only works if you let me in
Would you let me in again
By the time you get this note
You'll be on the road
to somewhere far away
I pray every time you hear our song
That you see my face
I never thought that
I could meet someone
That freaks out as much as I do
Till I met you
'Cause baby, you're driving me crazy
You're driving me crazy
With the thoughts inside your head
Baby, I promise to save you
But it only works if you let me in
Would you let me in again
And maybe it's time to stop
thinking 'bout the future
And notice what's right in front of you
I realize it can be scary
But I'll right here with you
Baby, you're driving me crazy
You're driving me crazy
You're driving me crazy with
the thoughts inside your head
Baby, I promise I've been there too
And we can work it
through if you let me in
Would you let me in again
Let me in again
Let me in again
Let me in again
(FILM REEL CLICKING)
("THE WAY THAT YOU ARE" BY DOTS)
I've got the taste of tin on my lips
Held by the clatter
of wood on your wrist
Mama, I like the way that you are
You're in the kitchen,
the morning comes softly
You won't wake me up,
but I smell your coffee
And you take our dollars
and change them to yen
I'll never forget what
you promised me then
Oh my darling
Won't you hold onto this verse
Wherever you go
I will love you first
(BIRDS CHIRPING)
(CELL PHONE BUZZING)
I gotta buy myself a time on my phone
Just to tolerate a day of the norm
So I don't
Get too much done
I bought a car that
barely knows how to start
And I should probably
work on sorting that out
But I don't
I'm surprised you're up.
REESE: So am I.
What are you gonna
say to your dad today?
Very little.
Ciao.
We're on the run from
the voice in our heads
I bought a house but
it came in while I slept
Throw it down
I burn it to the ground
And I got bored being with my new guy
I didn't know how I
could tell him goodbye
So I went
And told him I was dead
Hi Joe.
JOE: Hey, Reese, how's the book?
REESE: Almost finished.
Gonna want mine signed.
REESE: Oh.
When did you get back?
REESE: Yesterday.
Uh, Louise just called.
She pulled some things for me to see
before she puts them out.
For the charity event.
You should come with me and
help me pick something out. (LAUGHS)
Oh, no, it's okay.
I'm meeting up with dad.
You sure?
I haven't seen him.
Ya.
You go on.
(PHONES BEEPING)
Tall, non-fat, half-caff, sugar-free,
extra-hot vanilla latte.
You know me.
How was it?
(SIGHS) It was perfect.
And who is he?
How do you do that?
Don't tell my father,
you know how he gets.
(REESE LAUGHS)
Oh, is he here?
His appointment ran
late, he'll be here soon.
He's anxious to see you.
Go wait in his office.
REESE: Okay.
("WAITING" BY NATHAN MATTHEW DAVID)
GLORIA ON SPEAKERPHONE:
Your father just arrived.
He'll be up in a minute.
Can I get you anything?
REESE: Not unless you have a key.
GLORIA: What was that?
Nothing.
Hi doll.
Daddy.
How are you?
- Oh, I missed you.
- I missed you, too.
(LAUGHS)
Sorry you had to wait.
It's okay.
GRAYSON: So, how was it?
(SIGHS) It was amazing.
I can't wait to go back.
And I want to hear all about it,
but that's not why I wanted to see you.
It's not?
We need to talk about
what you're gonna be doing.
Dad, come on, can we
please do this later?
I am so jet-lagged.
Sweetheart, the bank
calling about your account
has become a routine.
I know, it's so annoying. (SIGHS)
It's time you start
thinking about a job.
Well, what about the advance on my book?
You really think that can sustain you?
No, but...
Reese, I'm making deposits
into your checking account every month.
Where's the money going?
I don't know.
GRAYSON: That's why you need a budget.
- Dad.
- Sweetheart,
even when I have disagreed
with your decisions
I have been supportive, you know that,
but this clearly isn't working.
Wait, dad.
When you were my age, did you
have everything figured out?
When I was your age I didn't live
in the most expensive part of the city.
So, what are you saying?
You want me to give up my loft?
No, I'm saying I want you
to consider other options
such as moving home while you work
and save up some of your money.
Dad, that's not fair.
I don't think you appreciate
how hard I've been trying.
- Just...
- We have a job opening here.
I can't.
Dad, I can't do that.
Honey, you'd still have plenty
of time to do your writing.
Daddy, I am so close.
(KNOCKING ON DOOR)
Yes?
Your 11 o'clock's waiting
in the conference room.
Thank you, Gloria.
Will you please make two copies of this
and leave them on my desk?
I've got to get to my next appointment.
How about you come by after work.
I'll take you out to dinner.
You can tell me all about your trip
and we can finish our conversation.
I already have plans.
Let me know when you have time.
(DOOR CLOSES)
("STEALING" BY NATHAN MATTHEW DAVID)
(REESE SIGHS)
(PHONE ALERTS)
REESE: Audrey and Reese Donahue,
10 million dollars.
(ELEVATOR DINGS)
Bye honey, have a good day.
REESE: Bye, you too.
(SOFT PIANO MUSIC)
Do you honestly think I would wear that?
Maybe the blue.
WOMAN: Okay.
Still harassing the help?
Try this.
I still don't understand
why I have to go.
Do you have any idea how
many girls would love to go?
No.
No, red doesn't suit you.
But I like red.
Well, I like orange,
but I don't wear it.
Have you ever seen mom's will?
What are you talking about?
REESE: Because I haven't.
So?
I was in dad's office and...
Put my name on that blue dress.
Let's go.
Why the sudden interest in mom's will?
She left us money, Audrey.
Where did you get that idea?
I saw it.
You saw what?
Saw the papers.
She left us 10 million dollars, Audrey.
Dad would've told us
that, of course he would.
I don't know.
Maybe he's afraid that we would've left?
You don't honestly believe that do you?
Wouldn't you?
Come on, would you really still be working
at Donahue Publishing?
I don't know.
I guess so.
I wouldn't.
You don't.
That's not the point.
I need your help.
Okay, show me the papers.
I don't have them.
They're still locked in dad's satch...
What, you broke into dad's
desk and you didn't take them?
No, I didn't break
in, I just, I saw them.
Well, do you at least have a picture?
No.
So are you gonna help me?
I didn't say that.
(REESE SIGHS)
Okay, I'll think about it.
So, how'd it go with your dad?
REESE: Fine.
Sam's in town.
You should come out with us.
No, you go ahead.
Maybe I'll come later.
I think you should,
he was asking about you.
MAN: Taxi.
Taxi.
Is that really necessary?
I stopped this cab.
- Come on, babe.
- I, I...
(PHONE RINGING)
AUDREY: Hello?
Hey, why didn't you call me back?
Look, I don't know what you saw,
but until he brings it up
there's nothing that we can do.
Mom wanted us to have it.
Well maybe he's saving
it as a wedding gift.
So what am I supposed to do, just wait?
I don't know. (LAUGHS)
Do you want to go to dad and say
by the way, I was pilfering
through your desk the other day.
Why are you trying to make it sound
like I did something wrong?
Because you were going through
his desk looking for money.
It's not like I was
looking for spare change.
You know what, forget it.
(PHONE BEEPS)
(GASPS)
She hung up on me.
What?
It's just like she thinks
that she is entitled to anything.
(SIGHS) I don't know why your
dad wants her there anyway.
We don't need the drama.
I wouldn't worry.
She'd be desperate to take that job.
("THINKING OF MILO" BY NATHAN MATTHEW)
MEREDITH: How's your dad?
Oh, he's really good.
Why don't you let him publish you?
I don't know.
I guess maybe I just wanted to prove
that someone else liked my work,
someone with a different last name.
You don't have to prove
that your work is good.
It is.
You think so?
Yes, I do.
I rarely sign a book deal
without a completed manuscript.
Um, actually, I was wondering.
Is it possible for me to
get another tiny advance?
Sure, as soon as you get me the rest.
Um, ya, of course, it's almost done.
I have a million things
to do this afternoon,
but this was nice.
Will you please say hi
to your father for me?
REESE: Of course.
It's been way too long.
REESE: Thanks for squeezing me in.
Any time.
(DINERS CHATTING)
(PHONE RINGING)
No no no, tonight is great.
Seven o'clock?
Alright.
See you then, I love you.
(SIGHS)
Gloria, will you change my
dinner plans for tonight?
I'm having dinner with Reese.
ALLIE: He made reservations for two.
I shouldn't be here.
REESE: I thought it would
be nice for you to have dinner
with me and my father.
- I also need you here.
- What's going on?
Nothing.
Hi.
- Allie, good to see you.
- Hi.
Good to see you.
(REESE AND GRAYSON GIGGLE)
Oh, I am wondering how I got so lucky
as to have two beautiful
women here at dinner.
Thank you.
How was Italy?
- It was amazing.
- Ya?
Well I'm glad that you
enjoyed the workshop.
It is one of the best in the world.
And Allie, what are you up to these days?
I'm still at the same place.
I'm hoping that something will open up
in the marketing department soon.
I'm sure something will.
You seem to know what you want.
ALLIE: I do.
Good.
Have you thought about the job offer?
Well, actually dad, um,
there was something I wanted
to talk about with you first.
GRAYSON: Alright.
It's about mom.
What about your mother?
Well,
I mean, you know how her foundation's name
is on pretty much every
charity event's donor list
for like the next century?
I don't know, it just seems strange
that she didn't leave
Audrey and me any money.
Reese,
as generous as your mother was,
it was more important to her
that you know who you are,
and money can't help you with that.
(SOFT PIANO MUSIC)
Excuse me, I need to use the restroom.
Allie, you need to go, too, right?
Ya.
(SOFT PIANO MUSIC)
Gosh, I just need to think.
Think about what?
Okay.
I need to talk to my dad about something,
but I know something that
he doesn't know that I know.
I have to go now.
I think your dad has a good point.
You should take the job.
I would jump at it.
GRAYSON: You're not gonna believe
what I ordered us for dessert.
I'll take the job.
ALLIE: Did I talk
you into taking the job?
I wasn't even sure you were listening.
Your dad is so generous.
You just get to step into that position.
Do you know how many people
would love to be you?
Ya.
I would love that job.
I'd probably be really good at it too.
("FIRST DAY" BY NATHAN MATTHEW DAVID)
(PHONE RINGING)
GRAYSON: Hi.
REESE: Sorry I'm a little late.
GRAYSON: That's alright.
(PHONE RINGING)
Good luck on your new job, Sam.
REESE: Hey.
Well who's Sam?
A guy.
A guy that sends you flowers at work?
Evidently.
Well I don't remember
you mentioning him.
There's not really anything to mention.
Well who is he, what does he do?
He's still at school.
Where?
Harvard.
(LAUGHS) No wonder
you're not interested.
Oh well.
Don't screw it up, okay?
What?
AUDREY: The job.
(phone rings)
(BIRDS CHIRPING)
REESE: I just didn't
choose any of this.
ALLIE: Oh, you mean work?
REESE: No, I mean my life.
ALLIE: Don't let Audrey get to you.
REESE: It's not just her.
I don't know, it's just...
ALLIE: Girl, you need
to forget about him.
REESE: Who?
ALLIE: Sexy, Italian guy.
REESE: (laughs) I'd rather
think about him than Audrey.
ALLIE: I can see why.
REESE: That makes me want gelato.
ALLIE: I'm known to get gelato.
(GRUNTS)
Looks like you're working hard.
REESE: My computer's not working.
- Call IT.
- I did.
No one has come yet.
Oh, just use mine.
We're leaving.
Thanks.
(KEYBOARD CLICKING)
("ACCOUNTING" BY NATHAN MATTHEW DAVID)
(PHONE RINGING)
Hello?
AUDREY ON PHONE: Lock
the door on your way out.
Yup.
Because I think that we're
missing that demographic
and I think that we need to reformat
or come at these things
from a different approach.
Right.
Right.
Reese, do you want to
join the conversation?
REESE: What?
Sorry, did I pull you
away from something?
REESE: I was listening.
Uh huh, sure, and you were just
whiling away the time in
your own little world.
REESE: You know what,
at least I have my world
that I go to, Audrey.
It's not me just being obsessed with work
all of the time like I
have nothing else to do.
Ya, you have nothing
else to do because you're...
REESE: Wait, Dad.
(AUDREY SIGHS)
I don't think she was ready for this.
Give her some time.
I didn't need time.
You have always been a doer.
You get things done.
Reese is a dreamer, a visionary.
You'll see.
Someday you'll need each other.
(ELEVATOR DINGS)
("DREAMER" BY NATHAN MATTHEW DAVID)
Do you have any idea
how much of your work
I have been doing?
I've been doing things.
- Why do you keep...
- You have not touched
one of these files.
Okay, I am carrying you this, this,
- this, this.
- No, that's not all of it.
That's not being fair.
AUDREY: How am I not being fair?
You can either fix this or you can leave.
Been a long day, hasn't it?
(GIRLS ARGUING)
Somehow I saw this
going very differently.
I don't see how.
You know, when they were kids...
They grown women now.
Ya, well I wish they would act like it.
(CRICKETS CHIRPING)
(VACUUM HUMMING)
("STEALING" BY NATHAN MATTHEW DAVID)
ALLIE: What's going on?
I'm leaving.
I'm going to Italy.
Reese, how much do you
actually know about this guy?
It's not about him.
Then why are you leaving?
This is just something I have to do.
("WHY WOULD YOU LEAVE"
BY NATHAN MATTHEW DAVID)
(MOVES INTO "ITALIA" BY
NATHAN MATTHEW DAVID)
Waiting for someone?
I am.
What brings you here?
I fell in love.
Ah yes, I was once in love.
I thought it was serious but
it didn't turn out that way.
She was not as committed
as I thought, sadly.
I'm sorry it didn't work out for you.
Don't be.
She was not nearly as beautiful as you.
I should've never let you go.
("HAPPY IN ITALY" BY NATHAN MATTHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
No, no.
I promise.
(SPEAKS FOREIGN LANGUAGE)
Listen.
Okay.
(BIRDS CHIRPING)
Hey you.
Morning.
Is everything okay?
(SIGHS) Ya.
On the phone, you sounded pretty angry.
It's business.
REESE: You know, if
you ever need money.
I don't need your money.
What's wrong with my money?
If I took money from you...
You wouldn't be taking it.
I want you to have it.
You sure you know what you want?
REESE: I
know exactly what I want.
The bank called back and
they confirmed the transaction.
(SIGHS) I don't understand her.
Daddy,
you wanna see her as this
innocent child, but she's not.
We'll find her.
We'll get the money back.
We're not tracking your sister down
like she's some kind of criminal.
(SIGHS)
("PI" BY NATHAN MATTHEW DAVID)
(KEYBOARD CLICKING)
("BABY MOON" BY PAUL CLARK)
I was driving alone
Pulling my old Airstream
Are you the private investigator?
I am.
I need you to help me find my sister.
Are you with anyone?
No, it's just me.
And you don't know where your sister is?
If I knew, would I be
talking to you right now?
Well, are you gonna help me or not?
When I find your sister...
I just need to know what she's doing.
Okay.
I'd cover my shame
Under the shine of the chrome
Baby moon was a cover
To my cold heart of steel
Reflecting and protecting
the way that I feel
You can just pay when you're ready.
Baby moon
(PHONE RINGS)
GRAYSON: Hey?
Grayson, it's Jerry.
GRAYSON: How's it going?
What's going on with Reese?
What, did you hear something?
Well, Audrey called the
office and made an appointment
with one of the guys, but he got busy.
So she told you everything?
Not exactly.
Remember that time when you
handed me your car keys?
You thought I was the valet.
Well, I'm a lot more careful
who I give my keys to now.
Seriously, Grayson,
whatever you need, I'm here.
I appreciate that Jer.
Oh and uh, tell Audrey that uh,
next time, lunch is on me.
(KNOCKING ON DOOR)
Remember my old college
roommate, Jerry Peters?
No.
He's a private investigator.
Well, that's very interesting.
Audrey, why did you go behind my back
and meet him just now?
(SIGHS)
Because I don't
understand how you can just
stand by and do nothing.
Sweetheart, you are going
to have to trust me on this.
(SIGHS)
(DRAWER SLIDING)
(SIGHS)
("HAPPY IN ITALY" BY NATHAN MATTHEW DAVID)
SOPHIA: Buongiorno.
REESE: Buongiorno.
I'm just looking.
Sei Americana?
- Si.
- Si.
(LAUGHS)
(GASPS)
- Si?
- Me?
SOPHIA: Si.
You think I can wear red?
(SPEAKS FOREIGN LANGUAGE)
Come on, try it on.
Que bella, no?
Si, bella, bella.
SOPHIA: Come on.
Is there something
you've been waiting for
Is there something
you've been dreaming of
I really like it.
If I told you you can
make your dreams come true
Twist your mind around and you will find
Everything you touch will come to life
What if I told you it's all up to you
(LAUGHING)
SOPHIA: Take this off,
get out of this dress.
You bought so much!
(LAUGHS) I had to have it.
I know.
(SPEAKS FOREIGN LANGUAGE)
Okay, this.
What do we eat?
Find your fate
And you will see
This is your day
You can make it
What brought you back to Italy?
Well, I mean, I love the food.
(SPEAKS FOREIGN LANGUAGE)
Roberto.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
I don't know.
I couldn't write, couldn't think.
Everything I did was wrong.
Couldn't be me.
SOPHIA: Who is that?
I'm still trying to figure that out.
Grazie.
Oh, please, come dancing with us tonight.
- Oh, I can't.
- Si!
You have the perfect dress for it.
Roberto, what you doing tonight?
No, I can't, I already have plans.
(SPEAKS FOREIGN LANGUAGE)
I have plans.
What plans?
("WAITING ON MILO" BY
NATHAN MATTHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
(MOVES INTO "THE DIAMONDS"
BY NATHAN MATTHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
GRAYSON: I pushed her too hard.
It wasn't you.
Anne never would've let this happen.
You think she could've
kept them from growing up?
What if she needs me?
She's a smart girl.
She'll figure it out.
Gloria,
I don't know what I'd do without you.
No need to worry about that.
You know, it's funny,
I still can't remember
the day that I hired you.
You didn't.
Anne did.
I miss her, too.
Everyday.
She would've wanted you to be happy.
She wouldn't want for you to be alone.
("MILO'S FAMILIA" BY NATHAN MATTHEW DAVID)
REESE: Oh my gosh, it smells amazing.
MILO: Everybody, this is Reese.
Ah, mio Milo.
Buona sera.
Gosh, you must've cooked all day.
You don't like to cook?
MILO: Come, come come come.
(SPEAKS FOREIGN LANGUAGE)
Papa.
Milo, (SPEAKS FOREIGN LANGUAGE)
This is Reese.
Reese?
REESE: Buongiorno.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
Welcome to my house.
REESE: Thank you.
Prego.
So, Reese, where are you from?
Chicago.
Chicago?
You know the Marinos?
No.
The Bianchi?
MILO: Papa.
So your family, what kind
of business are they in?
Reese is a writer.
MARCELLO: Fabuloso.
- Your mother must be proud.
- Mama.
Oh, no, no it's fine.
My mother passed away when I was 16.
MARCELLO: How?
An accident.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
Salute, (SPEAKS FOREIGN LANGUAGE)
GROUP: Salute.
Salute.
(SPEAKS FOREIGN LANGUAGE)
(SPEAKS FOREIGN LANGUAGE)
(CRICKETS CHIRPING)
Is it true?
About the Riviera Diamonds?
Haven't I taught you anything?
I know what I'm doing.
MARCELLO: Who gave you the money?
Reese.
She wanted to.
(SPEAKS FOREIGN LANGUAGE)
Reese?
She now tells you what to do?
Papa.
Emilio, you know diamonds can be traced.
I told you I know what I'm doing.
You're messing with the
Russo's family territory.
(SPEAKS FOREIGN LANGUAGE)
It's not worth it.
You hear me?
(SPEAKS FOREIGN LANGUAGE)
What do you want?
Do you want to end up in a box,
with your American girlfriend?
I'm getting too old for this.
- No.
- A little bite.
I couldn't possibly have another.
A little bite.
MILO: Mama, what are you doing?
She's so skinny, she needs to eat.
- I'm so stuffed.
- We should go.
Aww, Emilio, your papa needs you.
(SPEAKS FOREIGN LANGUAGE)
And don't let him down.
Grazie.
I had a wonderful evening.
I want to say thank you to your father.
No no, he's busy.
Ciao.
What were you and your dad talking about?
MILO: Papa wants to know
if we'd like in on their next deal.
(BOAT MOTOR HUMMING)
REESE: I think we should.
MILO: You do?
REESE: Ya.
Next time I want to be in on the meetings.
MILO: That's not a good idea.
REESE: It's my money we're investing,
I should understand
what we're investing in.
MARCELLO ON PHONE: Oh no no no.
(SPEAKS FOREIGN LANGUAGE)
It's the only way.
She wants to know what she's investing in.
(SPEAKS FOREIGN LANGUAGE)
You said it was her
who wanted the diamonds.
Not exactly.
But what happens when she finds out?
She won't find out.
Emilio, you don't know that.
Trust me, I know what I'm doing.
(SIGHS)
(SPEAKS FOREIGN LANGUAGE)
("UNCOMFORTABLE BUSINESS"
BY NATHAN MATHEW DAVID)
(SPEAKS FOREIGN LANGUAGE)
REESE: Do you know
anything about investing?
SOPHIA: (laughs) What would I invest?
Nevermind, it's probably nothing.
Reese?
Just say it, what's wrong?
I don't know.
Milo's being kind of distant.
He's not telling me where he's going
or who he's meeting with.
(SPEAKS FOREIGN LANGUAGE)
I'm probably just being really paranoid
or incredibly stupid or maybe both.
Speak, talk little slower.
I gave him
all of my money.
No.
Reese.
These numbers, they just don't add up.
What you mean, don't add up?
With investments you get returns,
but it doesn't make sense
that it would be this much.
What, you think 'cause you're in Italy,
everyone's a crook?
REESE: No, that's not what I said.
Okay, okay.
You give him some money.
How much?
I'd rather not say.
Then it's a lot?
What were you thinking?
This is Italy.
I don't know.
I just wanted to help him.
SOPHIA: Help him what?
What if he's doing something illegal?
What are we gonna do?
We?
No, no we, (LAUGHS) no we.
I no want in on this.
No no, I'm not in on it.
It's just my money.
Well that makes you in.
I went to a meeting,
I told them I wanted in.
(SIGHS) Oh no.
Okay, okay.
(SPEAKS FOREIGN LANGUAGE)
Maybe we're overreacting,
and maybe this is legit
and we're worrying about nothing.
You should follow him.
Maybe it's another
(SPEAKS FOREIGN LANGUAGE)
Another girl.
Believe me, Reese, this
would be better, no?
But you have to know.
Si?
(CRICKETS CHIRPING)
(CAR ENGINE STARTING)
(CAR DOOR SHUTS)
(SLOW INTENSE MUSIC)
(BRAKES SCREECHING)
(SPEAKS FOREIGN LANGUAGE)
(CAR DOOR SHUTS)
It does not look like another girl.
(CRICKETS CHIRPING)
Let's go.
(SIGHS)
You cannot say a word
about this to anyone.
Go upstairs, pack your bag,
go back to your familia.
- No, I can't...
- Si, Reese, si, you can.
And you have to.
But maybe it's not what it looks like.
I don't think you know
Milo like you think you do.
(SPEAKS FOREIGN LANGUAGE)
Okay, you be careful.
(DOOR SHUTS)
Ciao bella.
Ciao.
Headed somewhere?
REESE: Where've you been?
Hey, hey hey hey.
I was working.
REESE: I saw you.
You followed me?
What did you do with the money, Milo?
You don't trust me?
It's not gone.
We invested it.
REESE: Why didn't you just tell me?
I was trying to protect you.
Protect me from what?
Why would you leave?
You think you're better than this?
Than me?
No, that's not what I was saying.
Have you forgotten
where the money came from?
REESE: My mother wanted
me to have that money.
You didn't tell your
dad you were leaving.
REESE: He wouldn't understand. (weeps)
Why you took the money?
Or why you wanted to be with me?
Hmm?
(TRAIN CROSSING ALARM DINGING)
How much longer?
In a couple of hours, around midnight,
I will be sitting in the corner.
You will join me.
You will be sitting at the bar.
I will tell you when to bring it over.
You know what, I'm
actually not feeling well.
I think I'm gonna go lie down.
It's nerves, have a drink.
I'll see you later.
("WHY WOULD YOU LEAVE"
BY NATHAN MATTHEW DAVID)
(GIRLS LAUGHING)
(TRAIN WHISTLE BLOWS)
Excuse me, can you tell me
how long till the next stop?
Five minutes.
REESE: Thank you.
("ESCAPE FROM THE TRAIN"
BY NATHAN MATTHEW DAVID)
JERRY: This is your stop?
Reese!
It's me, Jerry Peters.
(TRAIN WHISTLE DROWNS OUT DIALOG)
What are you doing here.
Your father thought you
might be in over your head.
You can't tell him.
He just wants to know you're safe.
Let's figure out where we are.
Let's get you out of this rain, come on.
(THUNDER ROLLS)
You came a long way to spy on me.
You remind me of your mother.
I do?
(LAUGHS)
Your dad and I were
friends all through college.
And when he met your
mother, everything changed.
What do you mean?
Love changes people.
I'm not sure if he fell in love with her
or her writing first.
What about my mom?
Was it the same for her with my dad?
I don't think so, she was
so busy with her writing,
and she couldn't get
anyone to look at her work.
Because she was a first-time author.
So, your dad said, "If no
one will publish her, I will."
And he started a small publishing company.
With my mom.
No, it was your dad who went to the bank
and took out the loan.
I guess I just always thought
they started the company together.
It was still small and
struggling when they got married.
They were quite a team.
I checked out your friend Milo.
He's not.
I know.
And you're supposed to take me home.
Only if that's what you want.
Can I use your phone?
(INTENSE DRAMATIC MUSIC)
(THUNDER DISTANTLY ROLLS)
(SIGHS)
Daddy?
It's me.
Can I come home?
(PLANE ENGINE ROARING)
("REUNION" BY NATHAN MATTHEW DAVID)
GRAYSON: Crying?
REESE: Ya.
GRAYSON: Why?
You're okay.
You're home.
You're home. (LAUGHS)
(BIRDS CHIRPING)
Everything mom wanted
me to have, I lost it.
You're home, that's all that matters.
I don't know why I did it.
I'm so sorry, I promise I'll never...
I know.
What about Audrey?
She probably doesn't want to see me.
Well, we're having a
few friends over tonight.
I doubt anybody wants to see me.
Allie can't wait to see you.
Really?
Ya.
And Meredith will be stopping by.
I feel really awful about Meredith.
I wouldn't feel too badly.
She's doing just fine.
You talked to her?
Oh ya, she discovered this
new author, Mary Bridges.
Have you heard of her?
(LAUGHS)
She called me as soon as
she read your manuscript.
She knew it was you.
What did you think?
Well, I'm prejudiced,
but it is really good.
I knew you could do it.
(BIRDS CHIRPING)
I don't think she was
ready for the party yet.
I told her two places would be set
and the door was always open.
Kind of nice that Allie
to bring your summer camp friend, Sam.
I'm glad you're back, I
have so much to tell you.
Oh my gosh, I was so afraid
you we're gonna hate me.
I just missed you, that's all.
Sam, what are you gonna
be doing after you graduate?
I'll be taking the bar exam this summer.
GRAYSON: And then
where will you be working?
Eventually I'd like to
start my own practice.
I'd like to be able to work for those
who really need legal help,
not just those that can afford it.
GRAYSON: Good man.
I think you'll do very well.
Meredith, I am so so sorry.
Oh, I'm just glad
that you sent it to me.
It's doing really well.
GRAYSON: Seems like I
paid for a hundred of them.
How did you know it was me?
It's nothing like what
I've sent you before.
I kept my eye on every
piece that came in.
And whether you want to
call yourself Miss Donahue
or Miss Bridges, I know your work.
Is there something going on here?
(SIGHS)
Your father and I have been...
I can see that.
(LAUGHS)
Are you working on a new book?
Hey, you know what?
Let's not talk about
publishing, just for tonight.
Okay.
But I want to talk soon.
I used to love summer
camp; sailing and swimming.
Can I come back to work?
Well, I didn't give your cubicle away.
First thing Monday morning.
Be early.
(PHONE RINGS)
(REESE KNOCKS)
I'm...
Listen, I understand why you
didn't come to the party.
I mean, I probably wouldn't
have either, but, um,
but can we talk about it?
I'm busy.
Audrey, I'm really sorry.
I know that what I did was wrong.
GRAYSON: Morning, my beautiful girls.
Morning, Dad.
I'm really excited to get back to work.
Good.
Audrey, please, try to be nice.
I am.
REESE: I'm sorry.
Don't worry about it.
Meeting in my office in 15 minutes.
We've a lot of catching up to do,
and just give her some
time, she'll come around.
ALLIE: Don't worry,
she knew it was temporary
when she moved in.
REESE: Thanks, but, you know what,
I think I'm gonna stay home for a while.
ALLIE: Your dad's
been paying your rent.
REESE: He has?
ALLIE: Ya.
(DOG BARKING)
REESE: Audrey's not talking to me.
ALLIE: Don't let Audrey get to you.
REESE: I'm trying.
ALLIE: It was nice
to see Sam, wasn't it?
REESE: I know you brought him,
I assumed you guys were together.
(ALLIE SIGHS)
(BIRDS CHIRPING)
(CHILDREN PLAYING)
You know, he's different than I remember.
ALLIE: Ya.
So are you.
I would like to propose
that we start a program for new writers.
I really think that we can make
the submission process easier, less scary.
If we support and encourage them
we could find a fresh
voice, that new talent
that otherwise might be
lost in the slush pile.
Alright.
I think that wraps up
everything for this week anyway.
Thank you everyone, have a great weekend.
Hey, thank you for sharing
some of your ideas.
I was really impressed with
all the work you've been doing.
Thanks.
Ya.
I thought your sister had some good ideas.
You could've given her a few
minutes of your attention.
Well, the entire time that
she was gone I was working.
So, forgive me if I don't
share in your enthusiasm.
She's trying.
Why aren't you?
(LAWN MOWER HUMMING)
(AUDREY FRUSTRATINGLY SIGHS)
JONATHAN: Bad day?
AUDREY: He has done everything
but throw her a parade.
JONATHAN: What are you talking about?
AUDREY: She steals from the company,
runs away with her boyfriend,
and when she decides to come home
he just gives her a pat on the head.
(LAUGHS) I think she's
even getting a promotion.
Wait, Reese actually
stole from the company?
How much?
Well, she said she only
took what mom left us,
but it doesn't matter.
He covered for her like he always does.
When your dad retires,
who's he gonna leave the company to?
When Reese decides to actually
make another withdrawal,
that's less for us.
She wouldn't do that.
Why wouldn't she
if there's nothing to stop her?
Think about it.
(TOILET FLUSHES)
Boy, I am glad it's you who's responsible
for all this and not me.
What do you mean?
Well, if the IRS or who knows
gets wind of what happened
while Reese was in Italy,
wouldn't look too good for you.
What are you saying?
I'm saying we should help each other.
We both have a lot invested
and I think we both want
what's best for everyone.
(CLASSICAL PIANO MUSIC)
Why is it never chocolate?
We're not here for the food.
I know.
We are here to smile
and give them a check,
so let's get it over with.
Here, I'll do it.
So, how's everything
since Reese got back?
Is everything okay?
It's fine.
We could hardly believe it.
I mean, your poor father.
(LAUGHS) I don't know
what you're talking about.
We ran into Jonathan
at the club yesterday
and he mentioned it.
He didn't want to, but when we asked
if you had set a date yet, he said
that there were family issues.
Sounds truly awful.
AUDREY: Would you excuse me?
Oh, oh sorry, would you excuse me?
What's wrong?
We're leaving.
(KNOCKING ON DOOR)
Jonathan, come on in, have a seat.
Steven tells me that you are concerned
about some bookkeeping matters?
Where might be a better word.
I only told him to keep his eyes open.
There have been some problems in the past
we wouldn't want to deal with again.
I'm sorry, I was unaware that you
had to deal with anything.
I realize you took care of it,
but I'm not sure it was
the most appropriate action
since it did nothing to
ensure it won't happen again.
There should've been retribution.
You've done nothing to take
control of the situation
and that affects us all.
I'm simply trying to look
out for your business
which you seem to have forgotten about,
letting Reese just waltz
back in after everything.
("VALSE" FROM SWAN LAKE)
Where have you been?
- Another meeting.
- Shh!
Why would you feel
that it was your place
to take to Bridget and
Lauren about my family?
I can't even open my mouth.
Do you mind?
I can't hear.
They're dancing,
there's nothing to hear.
I told you dad wanted to
keep that inside the family.
Apparently I'm not
part of the inner circle.
Oh, you're being dramatic.
I'm just saying there's
more that he's hiding,
more than you know.
Or maybe you do.
Do you mind?
You don't really think that, do you?
I'm just saying it's the behavior
of somebody who has something to hide.
Why don't you just forget
that I told you anything.
Awesome.
I have some good news for you.
Dad fired Jonathan.
There's an opening in
marketing, you'd be perfect.
Do you think I should call your dad?
My dad loves you.
That would be amazing.
I don't even know what
Audrey sees in him anyway.
Tough to say.
What one person might see in someone,
someone else can completely ignore.
I'm not ignoring him.
Then you're stringing him
along and that's even worse.
Why didn't you and
Sam ever get together?
Mmm,
maybe it's because every time I see him
he asks how my friend Reese is doing.
Really?
ALLIE: Call him.
You know what, I'm gonna text him,
that way he won't see my interest.
I think you're safe.
Oh gosh, we were just kids.
Everybody has their first crush at camp.
Remember yours? (LAUGHS)
Evan McMillan.
Okay, okay, um...
(PHONE BEEPS)
(PHONE BEEPS)
You have a date.
You should come.
Seriously?
("LET ME IN AGAIN" BY
PARIS O'NEILL CARNEY)
What if it's not a date and I thought
that he thinks it's a
date and it's not a date?
Oh it's a date.
How do you know that it's a date?
Trust me.
Hey.
WOMEN: Hey.
How's it going?
WOMEN: Good.
What can I get you.
Um, you know what actually,
I think that Allie was going
to get her coffee to go.
ALLIE: Ya, I've got a thing.
What would you like?
Oh, just a coffee, thanks.
I don't wanna scare you off
Is it too late
ALLIE: Can I have a
latte with non-fat milk?
BARISTA: Of course.
What can I get for you?
SAM: Just two coffees, please.
- Awesome.
- Thanks.
Baby you're driving me crazy
- You're driving me crazy
- Thank you.
With thoughts inside your head
This was a nice surprise, your text.
Ya well, I mean, Allie and
I were just having sushi and.
Well, I'm glad you did.
Do you wanna go for a walk?
Would you let me in again
Baby you're driving me crazy
You're driving me crazy with
Thoughts inside your head
Baby I promise to save you
So, I'm gonna be uh,
studying for the bar exam,
but after that I'd like to
take you on a real date.
If you ever need a study break
or some caffeine you can call me.
Deal.
We can work it through if you let me in
Would you let me in again
Let me in again
- Let me in again
- Bye.
See you soon.
Let me in again
Let me in again
Hey, what's going on?
What does it look like?
Why, because of Jonathan?
Because of you.
It is your fault that dad fired him.
Dad can't fire my fiance.
I mean, have you talked to dad?
Jonathan told me everything.
It's your fault.
Dad always takes your side.
You're leaving?
What do you want me to do?
Jonathan left him no choice.
Oh really?
Your father cant' stand by
and watch him rip the
company and the family apart.
You are not a part of this family.
You are nothing like my mother.
Neither are you.
(SOFT MUSIC)
SAM: I didn't think I was
gonna see you till tomorrow?
I know, I got an early flight.
SAM: So good to see you.
How've you been?
I've been so good, ya,
things have been busy.
SAM: Look who tracked us down. (laughs)
Hi.
Reese, this is Jill, my sister.
Oh, it's so nice to finally meet you.
Ya, Jill's in town
for our grandmother's birthday tomorrow.
You should come.
SAM: Ya, she is.
I want her to meet everyone.
See you later?
Yes.
JILL: It's so good to see you.
SAM: You too, you too.
Nice to meet you.
REESE: It's so nice to meet you.
JILL: I'll see you.
Thank you.
(LAUGHS)
("REESE AND SAM" BY NATHAN MATTHEW DAVID)
(REESE LAUGHS)
When you said you'd plan dinner...
SAM: I wanted it to be
something you wouldn't forget.
I won't.
It's perfect.
You know that summer my
parents sent me to camp,
I really didn't want to go.
I wanted to stay in
London with my friends.
Ended up being my favorite summer.
Mine too.
(CRICKETS CHIRPING)
It was so long ago.
SAM: You're still the same girl.
You don't know that.
Well, (SIGHS)
your eyes are still blue.
Your favorite color, red.
Your favorite dessert is
anything chocolate (LAUGHS).
- Your favorite book.
- Jane Eyre.
Charlotte Bronte.
But she didn't use her real name.
SAM: Like you.
Like Charlotte.
Tell me something else about you.
I,
I passed my bar exam.
Sam!
Oh my goodness, that's so amazing.
- Congratulations.
- Thank you.
(REESE LAUGHS)
And the law firm where I've been working,
they have an office in London,
and they've offered me a job there.
That's wonderful. (SIGHS)
It is?
Well ya, I mean, isn't
that what you want?
I don't know.
I've been wondering if there
wasn't a reason to stay here.
Just,
I don't know, it seems like
a really good opportunity.
There are all kind of opportunities.
You just have to choose what you want
and what's worth waiting for.
(CRICKETS CHIRPING)
("FINALLY IN LOVE" BY PAUL
ETT AND SCOTT LIGGETT)
Oh, there's something about you
You gave me a chance
There's something about you
SAM: This is Reese.
Hi, Reese.
Thank you for coming.
May we dance together?
Yes.
A rainbow or a pot of gold or a legend
So often told
He packed all of this food
and we drove out into a field,
under the stars; it
was just the two of us.
Really?
Ya.
JILL: That was Sam's idea?
REESE: Ya. (laughs)
That's not my brother.
What did you do to him?
That's good.
("CARRIED AWAY" BY PARIS O'NEILL CARNEY)
Go dance with her.
Go on.
You are so sincere
- Just what I was thinkin'
- They're playing our song.
We don't have a song.
We do now.
You are such a dear
Just what I was hopin' for
And I see your heart shine through
Everything that you do
And you don't even notice
And now I'm so caught up
In the idea of your love but
I don't even know you
'Cause I get carried
Ya, I get carried away
GRAYSON: It's so embarrassing.
I should've kept you longer.
I'm fine.
Gray, that's not what the doctor said.
I'm okay.
They wouldn't let me go home if I wasn't.
It's just embarrassing.
Are you sure you don't
want me to call the girls?
I do not want you to tell them.
Promise me you won't.
They don't need to worry.
I'll be fine, I just need a few days.
To get a cat or not.
REESE: Maybe they found one.
Maybe.
I'm here.
Hi sweetheart.
This better be important.
Please, sit down.
(AUDREY SIGHS)
I've decided to sell Donahue Publishing,
and Audrey, I would like you
to come back and run the
company until I find a buyer.
Well, you can't just up and leave.
I bought a little place up on a lake,
and it's beautiful this time of year.
What if I don't want to come back?
Sweetheart, I can't think of anyone
that I would trust more with
this responsibility than you.
(KEYBOARD CLICKING)
You took my office.
REESE: Just wait.
What do you think?
(SIGHS)
(LAUGHS)
Don't you think it's weird?
I mean, he's here one day
and then he's gone the next.
It already feels so
different without him here.
(SIGHS)
So, when are we gonna release your book?
Audrey, we're not releasing it.
I'm staying with Meredith.
You're what?
She took a chance on me.
I don't know, I just, I really feel
like it's the right thing to do.
You know that she was just trying
to start something up with dad?
And that's the reason you got that deal.
You don't owe her anything.
Why do you care?
Because it's good.
It's really good.
I saw it on the desk and I read it,
and I think it'd be really good for us.
And we've fallen away from
a young adult audience.
I really appreciate that but...
You know what, sit in
on the marketing meeting,
see how you feel.
I think you're gonna love
what we can do with it.
REESE: This one?
AUDREY: No, it doesn't
pop, doesn't say something.
(MUSIC DROWNS OUT DIALOG)
(SOFT SLOW MUSIC)
REESE: Oh oh, I really like this one.
So, I want you guys to think
about big client relationships for you
if you come work with us.
Why don't you say something?
She's just doing her job.
Why don't you talk to your dad?
I don't want to bother him.
ALLIE: Then call Meredith
'cause somebody needs to do something.
(SOFT SLOW MUSIC)
(KNOCKING ON DOOR)
MEREDITH: Audrey.
Dad's not here,
but I'm surprised you didn't know that.
I was talking with Reese
about the progress on her book.
There wasn't a contract.
There was a verbal agreement.
Well she changed her mind.
That's fine,
but she's a talented writer
and I would hate to see...
You don't think that I'm
capable of handling this?
I think the goal is to reach
the largest number of people quickly.
I'm not sure it's your audience.
Well that can change.
You really want to take that chance
on your sister's book?
It has so much potential.
I've got this.
Thank you.
(SIGHS)
(SLOW SOFT MUSIC)
Hey!
I heard Meredith came by yesterday.
AUDREY: Ya.
And how did it go?
She thinks that she knows everything.
So...
Audrey, I know that you don't like her,
but she's really smart, she
knows this business so well.
I think if you just...
She doesn't like me.
Have you given her a chance?
A chance to what?
To take over?
To take dad?
Audrey, she's not taking anything.
(GASPS)
Where are you going?
I'm meeting someone.
Where's your ring?
Look, I don't want to talk about it.
Is that what you're wearing?
What is wrong with this?
Why don't you come over to the house?
Okay, maybe I could
pick out something fun.
You know, you can loosen
up a little bit. (LAUGHS)
This is who I am.
And if he doesn't like it.
No, I'm sorry.
That came out wrong.
I just,
I just thought maybe you'd want
to put something more
comfortable on, that's all.
No.
I'm fine.
Okay.
Um,
have fun tonight, okay?
See you later.
(CLEARS THROAT)
(CRICKETS CHIRPING)
(DOOR CREAKS)
(SIGHS)
(GASPS)
MILO: I didn't mean to frighten you.
What are you doing here?
MILO: (laughs) That was
not the greeting I expected.
When the Policia couldn't
find the diamonds,
I knew why you left.
You saved me.
Where are they?
Where are what?
MILO: The diamonds.
I don't have them.
But you took them.
No, I didn't.
I didn't take anything.
MILO: You took the statue.
The statue you gave me?
Where is it?
(SOFT INTENSE MUSIC)
(SIGHS)
I almost lost it all.
(SIGHS)
I have a buyer.
It's more than I'd hoped for.
(MILO GRUNTS)
("THE DIAMONDS" BY NATHAN MATTHEW DAVID)
Those are stolen.
They're ours.
No, no, I want to forget
I ever had anything to do with that.
How can you say that?
You have no idea what
you're giving up yet.
I don't care, it doesn't matter.
MILO: Of course it matters.
No, not if you get caught.
I won't.
How can you be sure?
("THE DIAMONDS" BY NATHAN MATTHEW DAVID)
If I got caught,
all of the evidence
leads right back to you.
I tried to protect you.
(REESE GASPING)
AUDREY: Don't make
a big deal out of it,
just find me something to wear.
Are you okay?
(REESE CRYING)
REESE: Milo. (weeping)
Milo.
Milo what?
What did he do, did he hurt you?
I had millions of dollars
worth of diamonds in my closet.
AUDREY: What?
Where is he?
On his way back to Italy.
Okay, did you call the police?
Wait, so after everything that he's done
you're still protecting him?
But if he gets caught,
all of the evidence leads back to me.
He told you that?
I mean, it's true.
It was my money and then I
smuggled the diamonds in,
and then I was hiding them
this whole time. (WEEPING)
No one has to know.
REESE: But I do. (weeping)
You're a bad judge of character
and you make some bad decisions,
but you're not a thief.
Oh, you're not.
(REESE WEEPING)
Oh.
But if I don't call the police
then everything they
said about me is true.
No it's not.
(REESE CRYING)
(SIRENS BLARING)
REESE: Do you ever
wonder what it would be like
if mom was still here?
You mean, would we be
sitting in a police station?
(REESE LAUGHS)
I don't know how I got here.
Hey,
I haven't done much that you
should be proud of either.
What are you talking about?
You've accomplished so much.
Doesn't mean anything.
I think that I'm the reason that dad left.
That's not true.
(SIGHS) Think about.
Why would he just drop everything?
I mean, he loves his work.
Yes, thank you sergeant.
Well, they picked him up.
They found the diamonds
just like you said.
What's gonna happen to him?
He's gonna go back to Italy.
He'll be charged there.
AUDREY: And what about Reese?
There's nothing, no
evidence against you.
(SIGHS)
You'll have to come in
and sign some reports,
but after that you're free to go.
Thank you, Charlie.
CHARLIE: You're welcome.
(REESE AND AUDREY LAUGHING)
(UPBEAT MUSIC)
(LAUGHS) You always
got to push the button.
I know, 'cause I'm
better at it than you.
You always got the wrong floor. (LAUGHS)
Oh, hey, listen.
AUDREY: Mmm hmm.
I called Meredith, I'm gonna
bring her on as a consultant.
Wait, did I miss something?
It's the only way if
you wanna keep my book.
(SIGHS) Okay,
but if she tries to get over she is out.
(LAUGHS)
Good morning, Allie.
Hey.
I got caught up with some work.
It's gonna keep me busy for a while.
REESE: Oh.
SAM: I'll um, I'll
call you when I have time.
Ya, ya, of course, um.
Okay, well, bye.
Audrey's even warming up to me.
I should come back.
No, you're not coming back.
You're gonna stay there and do
exactly what the doctor says.
My heart is fine, I promise.
What if I take a long weekend
and come out for a visit?
GRAYSON: Well, I'm
feeling better already.
How soon can you get here?
MEREDITH: I'm already packing.
Stop worrying, I think you're doing great.
AUDREY: Thank you.
MEREDITH: Your dad would be proud.
(SIGHS) Thank you.
(SIGHS)
Leaving early?
Ya, I'm taking a long weekend.
Will you, will you tell
him that we miss him.
(LAUGHS) Yes, I will.
ALLIE: What's your deal?
REESE: No deal.
I'm not leaving.
What's going on?
Nothing. (SIGHS)
Okay, listen, I know that you think
that you're helping,
but you're really not.
You should just call him.
You're both miserable.
You talked to him?
He's going to London.
(GROANS) I don't know why I
let you talk me into anything.
Allie?
Allie, I'm sorry.
To.
Thank you so much for coming.
(SIGHS)
Well that was quite a turnout.
It was worth it.
Why don't you just call him?
I don't know what to say.
Well, I don't know either,
but the worst thing
you can say is nothing.
I don't know, I just thought that
maybe he would come say
goodbye before he left.
She's right, call him.
Just tell him you miss
him and you wanna talk.
REESE: You think?
MEREDITH AND AUDREY: Yes.
What if he doesn't want to talk to me?
What if he does?
All of the stories I was told
Couldn't prepare me for my own
I am a history of mess
You were my perfect second chance
But I gave you up for so much less
All my secrets I can't help keeping
Oh please believe when I say
I take it back
I change my fate
To be
With you
To make you stay
I take it all back
Ladies, your dad called.
The papers are ready to sign
and he'll be here on Friday.
Thank you.
I was hoping he
wouldn't find a buyer yet.
(SIGHS) I'm sure he knows what's best.
We're gonna miss you, Gloria.
Well, if you don't want
me to show up at your door
you better come and see me.
You think just because
we're not working together
you're gonna get rid of me?
(AUDREY LAUGHS)
(SOFT PIANO MUSIC)
So has Charlie explained
what this is all about?
CHARLIE: We were waiting for you.
So, who's the buyer.
GRAYSON: Well, it's more of a merger.
Wait, you're not selling?
I've realized that
I'm not ready to retire,
I just needed a partner.
So, Meredith and I have
been in discussions
and we recognize that
our respective businesses
have their own strengths, but
they would be better together
rather than apart.
Uh huh, and is...
And we got married the last
time she came out to visit.
I know, it sounds crazy,
but we couldn't think
of a good reason to wait.
We've been friends for so long
and I really love her,
so we did it. (LAUGHS)
(AUDREY LAUGHS)
Dad, we are so happy for you.
(LAUGHS) Thank you, thank you both.
So now, when you were little girls
your mother and I put some
stock in your respective names.
We just need your signatures
and Charlie will do all the paperwork.
What if we wanted to stay?
And work with you and Meredith?
Are you sure?
AUDREY: Ya.
Charlie, my girls want to
stay in the family business.
Will you please convert
their old stock into new?
Yes, sir.
We have one last bit of business
which is your mother's will.
Charlie, will you please
read the part that pertains
to Audrey and Reese?
I, Anne Donahue, with sound mind,
bequest 10 million dollars
to be divided equally
among my two daughters,
Audrey and Reese Donahue.
I'll leave their father, Grayson Donahue,
with absolute discretion
as to when Audrey and Reese
are of an appropriate age
and should receive the money
that has been placed
in the trust for them.
Charlie, I think they're ready.
Dad, there's been a mistake.
No, Charlie didn't make a mistake.
Nobody's touched your trust.
But,
how could it be this much?
Compound interest is an
amazing thing, isn't it Charlie?
Certainly is.
I love you both.
Our house tonight.
We're celebrating.
("FINALLY IN LOVE" BY ALAN
PAUL ETT AND SCOTT LIGGETT)
There I was not feeling good, not bad
Walkin' 'round not happy, but not sad
(MUSIC DROWNS OUT DIALOG)
Hey, look how beautiful you are.
AUDREY: Do you mind if I cut in?
Not at all.
Have fun you two.
See you later.
She's good for you, I like her.
It's so amazing, I
just wanna like squee...
What?
It wasn't me.
You look beautiful.
You smiled, you sang me your song
You told me you'd hold me and
show me what life is made of
Unable to see beyond
herself, her desires,
her past clung to her,
dragging her to a place that.
COUPLE: Was called an unknown.
Awakening beside the one she's loved,
he whispered softly, "Come away with me."
You read my book.
You're not over him.
No, it's everything else.
Forget everything else.
Forget the past.
What do you want?
You remember summer camp?
The summer we met?
I still feel like that 13 year old boy
trying to get your attention.
I'm sorry.
You know how I feel about you.
Every time I think I
should give up on you,
you give me just enough
hope that I can't let go,
and I don't want that anymore.
You're on, let's go.
I just wanted to start
off by thanking all of you
for coming here tonight
to celebrate my dad
and his new wife, Meredith.
I've been really lucky to learn
what love is from my father.
The way that he loved my mom (WEEPS)
and the way that he
loves my sister and me,
and now the way that he
loves Meredith. (LAUGHS)
You really wouldn't think
it would take me so long
to figure out what love looked like.
Sam,
I love you, please don't
give up on me. (GASPS)
("WHAT LOVE LOOKS LIKE"
BY NATHAN MATTHEW DAVID)
I think what she was going to say was,
to Daddy and Meredith.
(CROWD LAUGHS)
GLORIA: Here, here.
(CROWD CLAPPING)
I'm so sorry I pushed you away.
No, I was trying to say earlier,
we've known each other a long time,
and although we've not dated long,
I have loved you half of my life.
I turned down the job in
London, I'm staying here.
Marry me.
REESE: (gasps) Oh, it's
so beautiful. (laughs)
It's my grandmother's.
She thought you had the
perfect hand for it.
I do.
("LET ME IN AGAIN" BY
PARIS O'NEILL CARNEY)
You don't know how you changed my life
The moment you told
me what was on your mind
You're so quick to change your ideas
If things get hard
So I just keep my mouth shut
'Cause I don't want to scare you off
Is it too late
Is it too late
Baby, you're driving me crazy
You're driving me crazy
With the thoughts inside your head
Baby, I promise to save you
But it only works if you let me in
Would you let me in again
By the time you get this note
You'll be on the road
to somewhere far away
I pray every time you hear our song
That you see my face
I never thought that
I could meet someone
That freaks out as much as I do
Till I met you
'Cause baby, you're driving me crazy
You're driving me crazy
With the thoughts inside your head
Baby, I promise to save you
But it only works if you let me in
Would you let me in again
And maybe it's time to stop
thinking 'bout the future
And notice what's right in front of you
I realize it can be scary
But I'll right here with you
Baby, you're driving me crazy
You're driving me crazy
You're driving me crazy with
the thoughts inside your head
Baby, I promise I've been there too
And we can work it
through if you let me in
Would you let me in again
Let me in again
Let me in again
Let me in again