You're All Gonna Die (2023) Movie Script
1
[CLOCK TICKING]
[SUSPENSEFUL MUSIC]
DR. DOUGLAS: So why do you
think you're so preoccupied
with all this morbid material?
MONSTER: Dammit.
ANA: What do you mean?
MONSTER: Do you hear
that clock ticking?
DR. DOUGLAS: You know
what I mean. Quit deflecting.
MONSTER: That's time running
out.
ANA: I'm not deflecting.
I just don't agree with the
premise of your question.
MONSTER: Fuck you!
Fuck you!
DR. DOUGLAS: I counsel a
lotta people in law enforcement.
ANA: I'm not law enforcement.
DR. DOUGLAS: Can I finish?
DONATELLA: If you fucking
touched her, I swear to God.
DR. DOUGLAS: The ones that do
find a way to compartmentalize.
AGENT: I don't give a
shit if you did it or not.
DR. DOUGLAS: The ones
that don't do so well ...
AGENT: You are going down.
DR. DOUGLAS: They remind me
of you
DONATELLA: Sometimes, you
have to kill the monster.
[BEEP]
[DRAMATIC MUSIC]
[DRAMATIC MUSIC CONTINUES]
[DRAMATIC MUSIC CONTINUES]
[DRAMATIC MUSIC CONTINUES]
[SUSPENSEFUL MUSIC]
[SUSPENSEFUL MUSIC CONTINUES]
[BIRDS SINGING]
- Hi, ladies, how are you?
- Good, good.
- Fine.
- I like these two
crystals.
Can I see the one with the
shell on it?
- Yeah.
[CAR ENGINE]
- It's beautiful.
[ENGINE ROARING]
It's hard to decide because
they're all so pretty.
- Yeah, they are.
[BEADS CLICKING]
[BIRDS SINGING]
[DRAMATIC MUSIC]
- What the fuck?
[DRAMATIC MUSIC]
[HORN BEEPING]
Fucking asshole.
[VEHICLE CRASHING]
[DRAMATIC MUSIC]
Hey, don't worry about it.
I'm calling 911 right now.
[DRAMATIC MUSIC]
CLARK: On an isolated
highway, fear dominated
the thoughts of its travelers
for nearly a decade.
That is, until an anonymous
tip helped the FBI capture
one of the most notorious
serial murderers
in recent history.
Today, I'll talk to a
group of young crusaders
determined to set the
innocent free
You all firmly believe
that John Michael Warbach
is not the Highway Killer.
- We wouldn't be here
right thought if we thought
that he had anything
to do with the murders.
- Even though he not only
confessed
but his DNA was recovered
from one of the victims?
- We highly question
the confession
- We've seen this same
type of scenario happen
dozens of times, where
someone is sequestered
in a room for 12 hours.
They don't have an attorney.
They're threatened.
Maybe they have a low IQ,
or they're just afraid.
But innocent people confess
a lot more often than
people think
- Is there any new evidence
supporting your claims?
- Well, it's not just the new
evidence
but yeah, there's plenty of
evidence
Any good court would exonerate
him today
- There isn't any evidence
proving his guilt.
Yes, he admitted to having
sex with one of the victims,
but she was a prostitute working
at a truck stop that he
frequented
- And that is the only crime
scene where his DNA was found.
Wasn't at any other crime scene.
No fingerprints, no
fiber transfers
It's questionable he was even an
near the other crime scenes.
- We've got affidavits
from witnesses who say
he was in a confrontation
with a state trooper
about two miles from
where Jane Doe
victim was last located.
- Do you think the police
set him up
- We don't think they set him up
We think that they just
rushed their investigation.
- So he's a truck driver,
which you know that, right?
He travels that highway
every month
as do hundreds of other truckers
Just because he's in the
area, I mean, other than that
what is the overwhelming
evidence pointing at Mr. Warbach
- There isn't any.
He got into an argument
with the state trooper
about his log book hours.
He started rattling off about
his constitutional rights,
so then they brought him in
and then they interrogated
him for 12 hours.
They were able to tag him with
one murder.
One murder led to two.
They were able to press him
to confess, and that was it.
- Case closed.
- Case closed.
- They got their man.
- They got their man, not
the right man.
- If what you say is true,
there is still a killer
out there
- Yes, an innocent man is on
death row
and there is still a serial
killer that can take more lives.
[DRAMATIC MUSIC]
[COUPLE MOANING]
[DRAMATIC MUSIC]
[PHONE BUZZING]
[PHONE PINGING]
[PHONE PINGING]
- Can't sleep?
- No, I have to work.
- Huh?
- You should go home.
- Wait.
Hey, are you serious?
- Yeah.
[LOVER SIGHING]
[KNOCKING ON DOOR]
LOVER: I'm out.
Text me.
DONATELLA: Fine, I'll just
move out.
MONSTER: Good! Get the fuck
out and take your shit!
[SHOWER RUNNING]
MOM: Baby, baby baby, just
go back upstairs, okay?
MONSTER: And you better get it
out before today!
You better get it out or
I will fucking burn it!
[HIGH PITCHED RINGING]
DONATELLA: I'm just gonna
call the sheriff. That's it.
And I'm just gonna [STUTTERS].
I'm gonna tell him all about you
MONSTER: [LAUGHS] You're gonna
call the sheriff
DONATELLA: Yes.
MONSTER: You're a crack whore!
You gonna tell him about all the
that you snort up in that
fucking nose of yours?
DONATELLA: I will fucking
kill you!
- Yeah, then kill me [ECHOES].
MONSTER: Do it bitch.
Kill me.
- What did you say?
TRAVIS: I asked if
you're going out tonight.
- No, I'm gonna keep going
over the psychological profile.
- You know it's the weekend?
You can take a break
every once in a while.
ANA: Could you pick up
the van?
- I will get Danny to do it.
He's into the mechanical
nature of this gig.
ANA: He most likely was
familiar with the area
before the murders took place.
- Danny?
- The killer.
- How the fuck do you know that?
- The killer would have been
covered with blood head to toe.
If he knew her, gained her trust
then he could have taken her
that way
but if he didn't know
her, he took her by force.
There's trace evidence
going back and forth,
but either way, he'd had
to have known the area.
He had to have known that he had
privacy and a safe point
of egress.
TRAVIS: Egress. You sound
like the FBI.
- Is that a good thing?
- I guess so. Is all this in the
report?
- Yeah.
TRAVIS: Does it say who the
killer is?
Make this a hell of a lot easier
Then you wouldn't have to go
on the serial killer tour.
ANA: Whether he knew her or
not, he knew the location.
It was, it was special to
him. It was sacred, maybe.
[TRAVIS COUGHING]
- Did you watch the show
last night?
- What?
TRAVIS: The show.
- No.
TRAVIS: Well, I recorded it.
Kinda made it look like you were
the team leader or something.
- Can you send the email to make
sure
that everyone's going
to be there tomorrow?
- I guess if I had nicer tits,
they would've given me
more screen time.
- Travis.
- Yeah, I got it.
I'll send the email. I know,
I'm a dick.
[TRAVIS SIGHING]
But I am talented.
- Are you trying to be famous,
or are you trying to save
a life?
- I'm trying to save a life,
of course.
I have to kill somebody
if I wanna be famous.
[TRAFFIC PASSING]
[PHONE RINGING]
[PHONE RINGING]
- You trying to get me
demoted, or just fired?
Maybe arrested?
ANA: None of the above.
I just need to know what you
know about
the latest Highway murder.
[SIGHS] Highway murder case
is closed.
You must be speaking of a
local homicide.
outside of FBI jurisdiction.
- My source says that this case
is identical to the others.
- Similar, not identical.
What are you doing with a source
I thought I was your source.
ANA: Why don't you just reopen
your case and save me
the trouble of having
to go above your head?
- You ever heard of finality
of judgement?
- Have you ever heard of fully
exonerated?
- What do you want from me?
ANA: I already told you. I just
need to know what you know.
- No, nothing has come to
the attention of the FBI
that would lead us to believe we
to reopen our previous
investigation
Is that official enough for you
and the Innocent Initiative?
Or are you guys gonna shit talk
the Bureau to the press again?
- Why are you so sure that
he's guilty?
- This may come as a shock
to you
but sometimes you don't
know every damn thing.
- And that's why I ask questions
- You ever stop to think there
might be more to the story?
- What is that supposed to mean?
- I'm just saying he's there for
a reason.
ANA: So because we're all
guilty of something,
that means we all get
what we deserve, right?
- You don't know what you're
looking for.
I think you should consider
another hobby.
Now that's all you need?
I've gotta go catch some
terrorists.
Ana?
Ana?
[ENGINE REVVING]
[SOFT DRAMATIC MUSIC]
ANA: If he annoys you
or gives you any shit,
just ignore him.
Talk to me if it gets to be
a problem.
Like he's, he means well.
- Apologies.
- I know, I know.
ANA: It's just his way.
DIERDRE: Okay, okay.
TRAVIS: Hello, everyone.
ANA: You're buying lunch today.
- I'm buying lunch today, I
know. I'll pay my penance.
You can flog me as punishment,
if you're into that kinda thing.
- No thank you.
- My loss.
DIERDRE: Hey, you wanna put your
bag in the back?
TRAVIS: No, I'll keep it with me
DANY: Ana?
- Yeah.
- It's supposed to rain
today in the high country.
Do you think we should consider-
TRAVIS: No [LAUGHS].
No, we're not calling this off.
- I'm not talking to you.
- I made plans.
It's the only weekend I
have available to do this.
We're gonna have to
proceed as fucking planned.
DIERDRE: Come on, everyone,
please. Just load up.
Get in the car. Let's go.
Come on, please. I don't have
all day.
- I'm in the car. Yell at
Suzie Seoul back there.
She got the OCD hitting on all
cylinders.
Everything packed yet?
- Hey, you know, you're an
asshole, and I don't have OCD.
- And I don't think you know
what OCD is.
- Take it easy.
[HATCH SLAMMING]
- That's right. You
two are having a thing.
My bad.
Serious question, for real.
- Uh-huh.
- Is it Deedra or Deardra?
Because I'm never sure if I'm
pronouncing your name right.
- It's, it's Dierdre.
- Dear, Deedra?
- Dierdre, yes.
- Got it.
I'm not buying lunch, by the way
- We're just one big
happy family, aren't we?
- You know we are.
[UPBEAT MUSIC]
AARON (VO): I gave you some
leeway on the Wahrbach case.
I wanna close this case and
move on
But you're on television,
you're on college campuses,
you're requisitioning vehicles.
ANA (VO): So you're saying
I can't use the van?
AARON (VO): I don't care about
the van.
I care about you continuing
a case.
I specifically told you
was dead in the water.
ANA (VO): I don't think that
the case is dead in the water.
I can trace everything back
to victim number three,
and it will either reaffirm
his guilt
or it will prove that he's
innocent
And either way we still look
good.
AARON (VO): Great, you have
until the next board meeting
to get it all settled,
and then I'm moving you
to something more urgent.
[ENGINE IDLING]
- This looks
bleak.
[CAR DINGING]
ANA: Travis, can you get
video?
- This is not a toy in my
hand. I am getting video.
- Thank you.
- Gonna look amazing, too.
ANA: It better.
TRAVIS: Hey, fearless leader.
- Hm.
- I'm gonna document the area,
you know, professionally.
- Please do. And I'm nobody's
leader, I'm just punctual.
TRAVIS: Never gonna live
that down.
ANA: All right, so ...
- We can use that later.
ANA: There's gonna be two
maps.
This one's of the general area.
ANA: This one, though ...
DANNY: Hey, we're gonna check
some cabins over here.
ANA: Okay, Umm, when you're over
there, can you listen?
- Listen for what?
- Anything that we can use.
- Right.
- Guys, don't just go back
there to fuck.
- No, y'all's dirty, perverted
souls
reflect more on you
guys than it does on us.
- There's bugs and shit. Just
be careful.
ANA: They're gonna fuck.
DIERDRE: They're totally fucking
[DRAMATIC MUSIC]
[BAG UNZIPPING]
- Don't fall.
How long do you think we have?
ANA: He must have camped
here when he was a kid.
DIERDRE: Well there was
probably thousands of kids
that came through this
camp during this timeline.
I don't even know if we can
find any records from that time.
ANA: If they do exist,
maybe we can get them.
- All right. You cold?
- Yes.
- Got my jacket.
[BAG UNZIPPING]
ANA: We need to get
around that red tape.
DIERDRE: I know, but that's
a lot easier said than done.
ANA: How would we get it
done though?
[SOFT SUSPENSEFUL MUSIC]
[CAMERA CLICKING]
[BAG ZIPPING]
[SOFT SUSPENSEFUL MUSIC]
- I would die if I had to
be out here all by myself.
I mean, you can't hear anything
man made.
When was the last time you
haven't heard something man-made
- Shoot, my mother's
womb, probably
- I'm being serious.
I mean, it's scary to think
that if you're screaming
for help no one on Earth can
hear you.
That's pretty fricking creepy.
DIERDRE: I mean this is
a fucking summer camp,
not a federal office.
I don't know.
ANA: You know, we could
get creative.
[DOOR CREAKING]
- So you wanna move on?
- Yeah, let's move on.
[DOOR CREAKING]
- I think the body was placed
there later.
Because we've got two
victims near Harkinsville,
one near Vegas, one near
Wickenburg
And Victim Three was over here.
[SOFT SUSPENSEFUL MUSIC]
- You're okay, right?
- Yeah.
- You think he killed them
and then dumped
the bodies in different spots?
- I do.
- No.
No, I think that's, that's
too far of a stretch.
- Yeah, that's why I
haven't said it out loud.
[SOFT SUSPENSEFUL MUSIC]
Turn around.
[SEOUL BREATHING HARD]
[DRAMATIC MUSIC]
[SEOUL MOANING]
[HAMMER STRIKING]
[SEOUL SCREAMING]
DIERDRE: No one even
brought that up at the trial.
[DRAMATIC MUSIC]
Dude, what's up?
[DRAMATIC MUSIC]
What?
[SEOUL COUGHING]
- Please don't.
[DRAMATIC MUSIC]
[FLESH TEARING]
[DRAMATIC MUSIC]
[PUNCHES STRIKING]
[DRAMATIC MUSIC]
[INSECTS CHIRPING]
DIERDRE: What?
ANA: Danny?
ANA: Danny, say something.
DIERDRE: What's wrong?
- What'd you fucking
do, smoke the whole bag?
[DRAMATIC MUSIC]
Dude, what the fuck is wrong?
[DRAMATIC MUSIC]
ANA: Where's the phone?
[DRAMATIC MUSIC]
Dierdre, our friends are back
there!
- No, no. Fuck that, we gotta
go get help.
[DRAMATIC MUSIC]
ANA: Where are you going?
Where are you going?
DIERDRE: Stop it!
[DRAMATIC MUSIC]
[HAMMER STRIKING TWICE]
We're not leaving them.
You have to go back.
DIERDRE: I'm scared, okay?
I'm scared and I'm sorry, but
I'm scared!
- Danny might be alive.
We have to go, we have to go
back. They're our friends.
DIERDRE: They don't fucking
know me.
They're not my friends.
They're your fucking friends!
- Stop, you need to turn.
DIERDRE: No.
ANA: Make the loop. Don't go
straight.
Turn right. We're going back.
- No, we can't. Ana, we can
get help.
- We have to go back.
DIERDRE: I'm sorry.
- I'm not leaving them.
- Please, please.
ANA: Turn.
- Please.
ANA: Dierdre, we need to go back
[DIERDRE BREATHING HARD]
ANA: Turn right.
- Fuck, fuck.
Fuck, fuck!
[ENGINE ROARING]
[SOFT SUSPENSEFUL MUSIC]
DIERDRE: Do you see him?
ANA: No.
DIERDRE: Do you see him?
ANA: No.
[SOFT SUSPENSEFUL MUSIC]
ANA: I'm going to go
to the trunk
Don't fucking leave me, Dierdre.
- Okay.
[ENGINE IDLING]
What are you getting?
- Dierdre, you can't
fucking leave me, okay?
DIERDRE: I promise.
- Okay.
- I promise.
[ENGINE IDLING]
[ANA BREATHING HARD]
[SUSPENSEFUL MUSIC]
- Danny, I'm so sorry.
[SUSPENSEFUL MUSIC]
[ANA SOBBING]
[SUSPENSEFUL MUSIC]
ANA: Danny, this is gonna be
like you're going underwater.
Your lungs are gonna burn,
but it won't last long.
It's just gonna get quiet,
and there's gonna be no
more pain.
[SUSPENSEFUL MUSIC]
[DIERDRE PANICKING]
[SOFT SUSPENSEFUL MUSIC]
- Shit.
Fuck.
Fuck.
[DIERDRE BREATHING HARD]
Fuck, come on, please. Please,
please, please, please.
Fuck, shit, shit.
[DRAMATIC MUSIC]
Fuck! Fuck!
[ENGINE ROARING]
[DRAMATIC MUSIC]
- Travis?
Seoul?
Fuck!
[DRAMATIC MUSIC]
[DOOR BANGING]
[DRAMATIC MUSIC]
[SOFT DRAMATIC MUSIC]
[DOOR CLOSING]
[SOFT DRAMATIC MUSIC]
[LID BANGING]
[SUSPENSEFUL MUSIC]
[CONTAINER BANGING]
[LID CLOSING]
[SUSPENSEFUL MUSIC]
[DOOR CLOSING]
[ENGINE STARTING]
[ENGINE HUMMING]
[VEHICLE SPEEDING]
[HORN HONKING]
[VEHICLE CRASHING]
[SUSPENSEFUL MUSIC]
[VEHICLE ROLLING]
VEHICLE THUMPING]
[SUSPENSEFUL MUSIC]
[ANA BREATHING HARD
[ANA COUGHING]
[SUSPENSEFUL MUSIC]
[ANA COUGHING]
[GENTLE PIANO MUSIC]
[GENTLE PIANO MUSIC]
MONSTER: God damn bitch!
- What did you do?
MONSTER: Fuck you!
Fuck you!
DONATELLA: If you fucking
touched her, I swear to God
I'm gonna motherfucking--
MONSTER: I told you not to
raise your voice at me!
Do you understand me now?
Because you don't want
this to come back to you!
You don't want it!
- I will fucking kill you!
MONSTER: Well come over here and
kill me! Kill me please!
Take me outta this!
You're not gonna do it with
that, are you
Because you need something a lot
bigger than that to kill me.
- You're a piece of shit.
MONSTER: [CHUCKLES] Then kill me
Come over
Here, come on.
MONSTER: Right here.
DONATELLA: Fuck you!
MONSTER: Put it.
DONATELLA: Fuck you!
Fuck you, fuck you!
- See, I knew you wouldn't
do it! I knew, you wouldn't.
I give you and your
bastard child
a roof over your head and
all the food you can eat!
You're not gonna do that!
You're not gonna fuck that up!
You just remember that you
need me
a lot more than I need you!
- Fuck you, I'm gonna leave.
- Good! Get the fuck out
and take your shit away!
Now! Go.
MONSTER: If you don't have it
out by today
I will stack it up in the
backyard
and burn your shit down,
do you hear me?
Do you hear me?
[SOFT SAD MUSIC]
[SOBS]
I'm gonna call the sheriff
And I'm gonna make sure
that your ass
goes to fucking prison!
- Oh, you're gonna call
the sheriff [LAUGHS].
You're a crack whore!
What are you gonna tell them
how much coke is up your nose?
I mean, you snort it every night
I mean, it's up and up and up.
I mean, you're not gonna
do that. You're not.
I think the only hope
maybe it goes to trial and,
you blow the judge.
Yeah, you got skills in
that department
I think that might wo--
that's a--
That might work out for you.
You know, I'm getting a
little worried, actually,
thinking, wow, she gives
good blow jobs
The judge might ...
[DONATELLA SNIFFING]
- I'm gonna go tell him
that you're a motherfucking
child molester.
MONSTER: Well, least you got a
plan! [LAUGHS]
Ah.
I'll deal with you in a minute.
[ANA COUGHING]
[ANA BREATHING SOFTLY]
[FOOTSTEPS CRUNCHING]
[CAN BANGING]
[BIRDS CHIRP]
[FOOTSTEPS CRUNCHING]
[VEHICLE DINGING]
[ENGINE STARTING]
[ENGINE REVVING]
DIERDRE: Please, please don't
go back.
Please, please don't go
back there.
You have to turn around.
[SPANISH]
MAN: What is she saying?
WOMAN: I don't know.
DIERDRE: You just have to...
Please go back.
WOMAN: [SPANISH] She's scared.
WOMAN: [SPANISH]
Calm down, you're safe
DIERDRE: He's there. He's up
front you have to go around.
Please, listen to me, please.
He's fucking crazy, please.
MAN: [SPANISH] I don't know what
she's afraid of.
DIERDRE: Please!
- No, you're going the wrong
way. You have to turn around.
You have to turn around.
MAN: [SPANISH] Whats a matter
with you? You're crazy!
DIERDRE: Please,
WOMAN: [SPANISH]
She hurt her head.
DIERDRE: Please, please turn
around, please.
We have to get help.
WOMAN: [SPANISH] Don't do that!
Sit Down.
DIERDRE: We have to get help. My
friends are dead, please.
MAN: [SPANISH]
I'll make her walk!
WOMAN: [SPANISH] Maybe she wants
to go back to her truck.
Please listen to me.
Please, please.
Please.
[SUSPENSEFUL MUSIC]
DIERDRE: Please don't go
through there. Please.
Please turn around.
Please turn around, please.
Please
Fuck.
Go back, go back! Go back!
Go back!
No, don't get out!
Please, please don't, don't
get out. Don't get out!
Please. No!
No, please, stay in the
car! No, we have to go back!
We have to go back! We have
to go back!
No, listen to me.
Please get back in the car!
Please, we have to go back!
[SPANISH]
Calm down, calm down, it's fine.
No, listen to me. You want to
listen to me, please.
DIERDRE: We have to go back! We
have to turn around.
DIERDRE: Get in the car!
WOMAN: Carlo!
[GUN FIRING]
[WOMEN SCREAMING]
DIERDRE: No!
[GUN FIRING]
[DRAMATIC MUSIC]
[FOOTSTEPS RUNNING]
[DRAMATIC MUSIC]
[ENGINE REVVING]
[VEHICLE THUDDING]
[DIERDRE SHOUTING]
[DIERDRE BREATHING HARD]
Ah!
Ah!
[DIERDRE CRYING]
[GUN CLICKING]
No!
Please, please, wait.
Wait.
Wait!
Please, no! Wait!
Please! Please! Please...
[GUN FIRING]
[SOFT SUSPENSEFUL MUSIC]
[VEHICLE JOSTLING]
[ENGINE HUMMING]
TRAVIS: Hey! Wait!
- How the fuck did I get
here? How am I back here?
How am I back here?
Travis. Travis, get in the car.
- Oh you. What the fuck?
ANA: Get in the car now!
- Why did you leave me here?
ANA: Travis, hurry up.
Hurry up, hurry up...
TRAVIS: Open the fucking door!
Seriously?!
ANA: Hurry up. Get in the car,
get in the car...
TRAVIS: What the fuck?
ANA: Travis, we need to go.
We need to--
TRAVIS: Why'd you fucking leave?
ANA: We weren't leaving
[TIRES BANGING]
Why the fuck did you leave?
ANA: Killer's out there, and he
got Danny
and I don't know where Seoul
is, and Dierdre left me.
- So you left to fuck with me?
We didn't leave. We ran.
- Yeah, there was a guy
in the woods, I got it.
You guys think it's so
fucking funny
to give me shit all the time.
You wouldn't even be here if
I didn't bring you this story.
- How did you get away?
TRAVIS: Get away from what?
I didn't see any dead
bodies or killers in trees
or whatever you're making up.
ANA: You think they got away?
- Ana, enough. It's not
funny anymore, okay.
I'm tired, and I wanna go home.
I'm done with whatever this is.
Can you call everybody
so we can get on with it
for fuck sake?
ANA: Where's your phone?
Do you have your phone?
- I left my phone in
the fucking cabin.
Can you turn around please?
- What's that?
- What's what?
- Is that blood on your hands?
- Yeah, probably.
ANA: Travis, why is there
blood on your hands?
- I don't know. It was
barbed wire or something.
Can we go back for my
phone please?
- There's not a lot of
barbed wire out here, Travis.
There's not a lot of anything
out here.
- You saying I'm lying
about fucking barbed wire?
- I'm saying why the fuck is
there blood on your hands?
- Do you wanna see where
I've been all morning?
Turn the truck around.
Let's go back!
It's a real pleasant place.
I'll show you.
- Travis, I need you to
get out of the truck.
- What the fuck are you talking
- Get out of the truck.
- Ana, I don't know what's
going on
or what you think I did,
but you're sitting there
looking at me
with judgmental eyes, the
way you always look at me,
and I don't fucking like it.
Turn the truck around so I
can get my fucking phone!
ANA: Get outta the fucking truck
[DOOR DINGING]
TRAVIS: Where are you going?
Ana, Ana.
ANA: Get away from me.
- Get in the truck.
ANA: No.
- Ana, I'm not gonna leave you
out here the way you left me.
- Travis, what did you do?
- I forgive you.
Just get in the truck.
- No.
- Get in the fucking truck!
Get in the fucking truck!
[FOOTSTEPS RUNNING]
[SOFT SUSPENSEFUL MUSIC]
[ANA BREATHING HARD]
[WATER LAPPING]
[ANA BREATHING HARD]
[TWIGS SNAPPING]
[SOFT SUSPENSEFUL MUSIC]
[GUN FIRING]
[FOOTSTEPS THUDDING]
[SOFT SUSPENSEFUL MUSIC]
DR. DOUGLAS: Why do you
think you're so preoccupied
with all this morbid material?
ANA: What do you mean?
DR. DOUGLAS: You know
what I mean. Quit deflecting.
[GUN FIRING]
ANA: I'm not deflecting.
I just don't agree with the
premise of your question.
DR. DOUGLAS: I counsel a
lotta people in law enforcement.
ANA: I'm not law enforcement.
DR. DOUGLAS: Can I finish?
The ones that do well find
a way to compartmentalize.
The ones that don't do so
well, they remind me of you.
[SOFT MUSIC]
[ANA SNIFFING]
[SOFT MUSIC]
DONATELLA: Sometimes you
have to kill the monster.
[ANA SCREAMING]
[GUN FIRING]
[DONATELLA SCREAMING]
DONATELLA: Don't be afraid!
Don't be afraid!
Can you hear me? Can you hear me
ANA: Is he dead?
DONATELLA: It's okay. It's okay.
You did good.
Sometimes, sometimes you
gotta kill the monster.
You're such a brave girl.
I'm so sorry [SNIFFS].
[DONATELLA CRYING]
I'm sorry.
ANA: Have you been eating?
- What?
ANA: Have you been eating?
- No, I have not been eating,
because you didn't put
no money in my commissary
this month
but they did actually, wait,
hold up, they did give me
two bologna sandwiches
today for lunch
so I should be good
till tomorrow
- Were they good?
- They were bologna sandwiches.
- They might switch over
to video visitation.
- What the fuck is that?
ANA: Be like this but on
a screen.
Trying to join the 21st century.
DONATELLA: Yay, I guess.
- Did you get the care package
I sent you?
- Okay, you know what,
this is the part
where we stop doing the
small talk thing
[PHONE CRASHING]
[DONATELLA SNIFFING]
Go.
- Could we just ...
I can't stand seeing you in here
- I belong in here.
ANA: No you don't.
- See everything out there?
Where you are, where you live?
It's not out there for me.
This, this is where I
deserve to be
See all this right here?
This is my house.
- You say it like you
believe it, but you don't.
- You know what I fucking need
you to do?
I need you to stop coming
here and bothering me
and wasting your life,
this life that I fucking
gave you!
ANA: What does that mean?
[PHONE BANGING]
- Justice, do you know the
fucking meaning
of the word justice?
ANA: Yeah.
- Justice, you know what
that mens?
ANA: Yes.
- You know the Webster
definition of that fucking word?
ANA: Yes, I know the Webster's
definition.
- Okay, I need you to tell me.
I know the Webster definition--
- Mom, stop.
DONATELLA: Do you know it? Do
you know it?
- Stop, stop, yes!
[PHONE BANGING]
[DONATELLA EXHAILING]
[DONATELLA SNIFFING]
[SOFT PIANO MUSIC]
When did you get so fucking weak
It's fucking disgusting!
You've gotta be stronger!
You're not gonna fucking make it
ANA: And what if I can't?
- You can't fucking say that!
You can't fucking say that to me
[SOFT PIANO MUSIC]
- I didn't get to choose this
life mom.
DONATELLA: [LAUGHS] Yeah, you're
so fucking stupid.
Nobody chooses shit.
Nobody chooses their life.
That's some shit that we
just make up
so we can get outta bed every
morning.
It's a lie. Stop lying!
You just do your fucking
best and get on with it!
- I'm trying.
- Try fucking harder.
[PHONE SLAMMING]
[FOOTSTEPS THUMPING]
[GENTLE PIANO MUSIC]
[FOOTSTEPS CRUNCHING]
[GENTLE PIANO MUSIC]
[WIND BLOWING]
[FOOTSTEPS CRUNCHING]
[SUSPENSEFUL MUSIC]
[FOOTSTEPS CRUNCHING]
[SUSPENSEFUL MUSIC]
[SUSPENSEFUL MUSIC]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
[BIRDS CHIRPING]
[GENTLE PIANO MUSIC]
[FOOTSTEPS CRUNCHING]
[GENTLE PIANO MUSIC]
[THUNDER RUMBLING]
[RAIN PETLING]
- Travis?
[RAIN PELTING]
[HANDLE THUMPING]
[RAIN PELTING]
ANA: Oh.
[ANA BREATHING HARD]
[RAIN PELTING]
[HEAVY RAIN]
[SUSPENSEFUL MUSIC
- Sometimes you have to kill
the monster.
[SUSPENSEFUL MUSIC]
CONVICT: I didn't do anything.
OFFICER: I don't give a shit
if you did it or not.
[DIERDRE LAUGHING]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
- Sometimes you have to kill
the monster.
[SUSPENSEFUL MUSIC]
ANA: I'm trying.
- DONATELLA: Try fucking harder
[SUSPENSEFUL MUSIC]
[TRUCK BEEPING]
[ENGINE IDLING]
[CHAIN SCRAPING]
ANA: Hey!
- Holy shit.
- Sorry, sorry sorry.
EARL: You scared me.
What are you doing in
there? Is that your truck?
- I need help. I need
you to call the cops.
- The cops? What happened?
- There's a, there's a
killer out there
My friends are missing.
- Whoa, whoa, whoa. What
are you talking about?
ANA: I can explain everything.
Just call the cops.
- Look, phones don't really
work out here, sorry to say.
We're a small community, not
much crime.
I've got a landline back at my
garage.
I can call the sheriff,
wake her up at home.
Okay.
- Wait.
- What?
Uh.
Just wait in your truck, and
I'll be right back, okay?
Here.
Take my gun.
[ENGINE IDLING]
You know how to fire a gun,
righ?
ANA: I, I hate guns.
- What are you, a liberal?
[ENGINE IDLING]
EARL: What am I doing?
I can't leave you out here alone
Look, come with me. I'll
get you outta the cold.
You can talk to the sheriff
yourself
Uh.
[GUN CLICKING]
EARL: Here.
[ENGINE IDLING]
You take the gun. I keep the
bullets.
That way we're equal, okay?
ANA: Okay.
- Get in.
[ENGINE IDLING]
[DOORS SLAMMING]
Aw!
- What?
EARL: Damn. I left the
chains out.
I'll be right back.
ANA: Okay.
[ENGINE IDLING]
[DOOR SLAMMING]
[ENGINE IDLING]
[CHAIN SCRAPING]
[ENGINE IDLING]
[ANA EXHAILING]
[ENGINE IDLING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR OPENING]
[DOOR SLAMMING]
EARL: It's cold out there.
ANA: Mm-hm.
- Put your seat belt on.
[ENGINE IDLING]
[BELT SLIDING]
EARL: Here we go.
Safety first.
[ENGINE REVVING]
EARL: Basically, I've lived
here my entire life.
Huh.
Some folks wanna move to
the city
Not me! No way.
I like the big trees,
changing seasons,
wide-open spaces.
This is really living, you know?
My mother used to say I talk
too much.
Sorry about that.
- No, it's not you. I'm just
worried about my friends.
- I'm sure everything's gonna
be okay
when we get back to the garage.
Sheriff is really sharp.
EARL: She'll help you figure
everything out
ANA: Can you drop me off at
the police station instead?
EARL: No, there's nobody
there. I already told you.
This is a one-horse town.
Sheriff's office closes at
sundown.
Doesn't open again until break
of dawn.
I'll do whatever you want.
It's just well ...
It's just I feel bad about
leaving you
out there alone at night.
ANA: I'm armed.
EARL: Empty.
But armed.
How about this?
Let's get you bandaged up,
maybe put some food in
your belly
While we wait for the sheriff.
I was deputized.
When that Indian boy went
missing a couple years ago.
You remember that?
- No, I never heard about that.
- No?
Shame.
It made the news.
[VEHICLE SQUEAKING]
[ENGINE HUMMING]
[ENGINE IDLING]
[CHAIN RATTLING]
[GATE SLIDING]
[ENGINE IDLING]
[DOOR OPENING AND CLOSING]
[ENGINE PURRING]
[SOFT SUSPENSEFUL MUSIC]
Why don't you go in and get
some water.
I'll be right back in a
second, okay?
[DOOR OPENING]
[DOOR SLAMMING]
[ENGINE REVVING]
[SOFT SUSPENSEFUL MUSIC]
[ANA EXHAILING]
[SOFT KNOCKING]
[SOFT SUSPENSEFUL MUSIC]
[GRAVEL CRUNCHING]
[ENGINE IDLING]
[SOFT SUSPENSEFUL MUSIC]
[ANA GASPING]
[SUSPENSEFUL MUSIC]
[MUSIC STOPS]
- Did Earl Lee get back to
you yet?
DISPATCHER: Not yet.
I can call him again.
- Na, I'll head over there.
DISPATCHER: You want me
to wake up the deputies?
HOLCOMB: Let them
get their beauty sleep.
[SOFT SUSPENSEFUL MUSIC]
[LID BANGING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR OPENING]
[SOFT SUSPENSEFUL MUSIC]
EARL: I don't know what
to say.
I thought you'd have
been outta here by now.
I don't even have to chase you.
[SOFT SUSPENSEFUL MUSIC]
You gonna ask me why I do
what I do?
Beg for mercy?
You just gonna stand
there, breathing at me?
You must be terrified.
[SOFT SUSPENSEFUL MUSIC]
It's hard.
Facing this thing death.
[SOFT SUSPENSEFUL MUSIC]
I know one thing for sure.
[SOFT SUSPENSEFUL MUSIC]
You're gonna die today.
[GUN CLICKING]
EARL: You've got fight in
you. I'll give you that.
There was a hooker outside
of Reno.
Oh, she put up a hell of a fight
[EARL INHAILING]
I respected her for that.
I don't want you to think
this is a sex thing.
This has nothing to do
with sexual deviance.
[GUN CLICKING]
EARL: You'll still be awake
when I push the blade in.
[SOFT SUSPENSEFUL MUSIC]
It'll feel like an electric
shock through your whole body.
[GUN CLICKING]
EARL: You'll go into
hypovolemic shock.
[GUN CLICKING]
[SOFT SUSPENSEFUL MUSIC]
EARL: I don't want you to
be afraid.
Just close your eyes.
[GUN FIRING]
[DRAMATIC MUSIC]
EARL: You shot me.
[DRAMATIC MUSIC]
[BAR STRIKING]
EARL: No! Please no!
Please no!
[ANA GRUNTING]
[EARL WHIMPERING]
EARL: Please stop!
EARL: Please stop!
[SIREN BLARING]
HOLCOMB: Drop the weapon!
Drop it!
[BAR RATTLING]
EARL: She's trying to kill me!
HOLCOMB: Hands on your head!
EARL: Shoot her! She's
got a gun.
HOLCOMB: Shut up, Earl!
Ma'am, do you have any other
weapons?
- No, I do not.
EARL: She said she
was gonna kill somebody.
She's crazy.
HOLCOMB: Earl, shut the fuck up!
Do not move unless I tell
you to. Do you understand?
ANA: Yes, I understand.
HOLCOMB: If you do anything
that makes me feel like
you're gonna hurt Earl or
me, I will put you down.
Do you understand?
ANA: Yes, I understand.
HOLCOMB: Do you wanna
die tonight?
ANA: No, ma'am, I do not.
HOLCOMB: Neither do I.
So let's be calm and figure
this out.
Walk backwards toward my voice.
Keep coming, keep coming.
Keep coming. Stop.
- Be careful, Sheriff.
- I'm gonna put these cuffs
on you.
Hold your arm up.
HOLCOMB: No, keep it up,
keep it up.
[HANDCUFFS CLICKING]
Bring your other arm down.
[ENGINE IDLING]
EARL: Okay, now can we
call Doc Roberts?
I've got a bullet in me.
HOLCOMB: Are you a
prostitute?
- No.
HOLCOMB: What I'm trying to
say is, if he was trying
to rape you, you have the
right to protect yourself.
- No, ma'am, I'm not a
prostitute.
- Well then this is one
hell of a misunderstanding.
- He killed my friends.
He's been chasing me
through the woods.
He has one of my friends
stuffed in a barrel.
HOLCOMB: You know what that
sounds like, right?
- I know it sounds crazy,
but he's also gonna tell you
a crazy story, and you're
gonna have to decide
which one of us to believe,
and I'm at a disadvantage
because you don't know me.
- Not too much of a disadvantage
I know him, but I don't like him
ANA: Her name is Suzanne Kim.
She's stuffed in a barrel.
She is probably 19. I don't know
what he's done with the rest
of them.
But her body is in there
disintegrating.
HOLCOMB: Watch your head.
ANA: Whatever you do,
whatever he says,
just look in that barrel,
look through his place.
Please be careful, though,
when you do it.
[DOOR SLAMMING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR SLAMMING]
[ENGINE IDDLING]
[SOFT SUSPENSEFUL MUSIC]
[ANA SNIFFING]
[SOFT SUSPENSEFUL MUSIC]
- All right, I asked him
if could give his place
a once-over, and he
said okay, so
A few minutes, one way
or another
you're gonna be outta here.
[HOLCOMB GROANING]
[ANA SHRIEKING]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
- Look what you made me do.
[DRAMATIC MUSIC]
You're a real pain in the ass.
EARL: You know that?
Run.
Go on.
[HAND BANGING ON ROOF]
Run!
[SOFT SUSPENSEFUL MUSIC]
Last chance.
Remember that. I gave you
a chance.
[SOFT SUSPENSEFUL MUSIC]
[DOOR SLAMMING]
[SOFT SUSPENSEFUL MUSIC]
EARL: You're putting me in a
bit of a pickle
[SOFT SUSPENSEFUL MUSIC]
EARL: I could kill you right now
Or I could let you go.
And they would blame you for
everything that happened.
- Get away from me.
[EARL GROANING]
EARL: There's gotta be a way
outta this.
[SOFT SUSPENSEFUL MUSIC]
We need to think.
[EARL HUMMING]
[SOFT SUSPENSEFUL MUSIC]
There's been a lotta death today
- Are they all dead?
EARL: We can work something out.
- Are they all dead?
EARL: Are you listening to me?
[SOFT SUSPENSEFUL MUSIC]
I don't wanna go to jail.
And I'm pretty sure you don't
wanna go
to jail for shooting me.
So I think we should just ...
Wait a minute. Wait a goddam
minute.
You're a fucking liar.
ANA: What?
EARL: You're not trying
to help me!
ANA: I can.
[SOFT SUSPENSEFUL MUSIC]
EARL: Liar.
Liar!
[GUN FIRING]
[GLASS SMASHING]
You all lie!
ANA: I can't hear you.
- Every time a bitch
opens her bitch mouth,
it's one lie after another!
ANA: I can't hear you.
EARL: I'm so good.
I'm so righteous.
ANA: I can't hear you.
I can't hear you.
EARL: You don't know
what's happened to me.
You can't judge me.
[SOFT SUSPENSEFUL MUSIC]
EARL: You came to me.
This is all your fault.
- Kill me.
- Shut up.
ANA: Kill me.
- Shut up!
ANA: Kill me!
EARL: You wanna die?
ANA: Kill me!
[EARL GROANING]
[GUN FIRING TWICE]
[DRAMATIC MUSIC]
[EARL GROANING]
[SOFT SUSPENSEFUL MUSIC]
ANA: Get the fuck out here.
EARL: I'm sorry.
ANA: Shut up.
EARL: I should be in a prison.
Or,
in a hospital.
ANA: Get on your knees.
EARL: You're not a murderer.
You can't do this.
ANA: You don't know what
I'm capable of.
[DRAMATIC MUSIC]
EARL: Take me to the police.
I'll tell them everything.
ANA: No. No police, no
confession.
You're gonna die right here,
right now.
EARL: Wait, wait, wait.
[BODY THUDDING]
Please!
Don't kill me.
I'm sick.
I need help.
ANA: You're gonna confess
to everything.
EARL: Yes!
Yes, I'll confess.
ANA: You're gonna confess to
every murder, everything.
EARL: Yes.
Yes, I'll confess. Yes.
ANA: Get up.
EARL: No.
[DRAMATIC MUSIC]
[GUN FIRING TWICE]
ANA: Ah fuck!
[SOFT SUSPENSEFUL MUSIC]
[BIRDS SINGING]
[FOOT SLIDING]
[EARL BREATHING HARD]
[ENGINE ROARING]
EARL: Oh.
Help, help.
Help. Wait.
Wait.
Yes.
[ENGINE ROARING]
Wait wait wait!
Help, help, help! What the fuck?
[ENGINE FADING]
[ENGINE REVVING]
[BODY THUDDING]
[BOOT DROPPING]
MONSTER: I told you not
to raise your voice at me.
DONATELLA: If you fucking
touched her
I swear to God, I'm gonna
mother--
MONSTER: What are you
gonna do?
DONATELLA: I'm gonna
motherfucking kill you!
MONSTER: You're gonna kill me?
DONATELLA: Yeah!
MONSTER: Well come over
here and kill me. Come on.
Come on over. You gonna
use that?
You're gonna need something
a lot bigger
than that to kill me.
[SOFT SUSPENSEFUL MUSIC]
DONATELLA: You're a piece
of shit.
MONSTER: Kill me then.
Come on.
DONATELLA: Fuck you!
MONSTER: Kill me.
DONATELLA: Fuck you!
MONSTER: Go ahead, do it.
DONATELLA: Fuck you!
DONATELLA: I'm gonna call
the sheriff.
MONSTER: Well at least
you got a plan now [LAUGHS].
[GUN FIRING]
[GUN CLATTERING]
[SOFT PIANO MUSIC]
DONATELLA: Don't be afraid!
Don't be afraid!
Can you hear me? Can you
hear me?
- Is he dead?
- It's okay. It's okay.
- Did I kill him?
- It's okay, baby, because
sometimes
sometimes you gotta kill
the monster.
[SOFT PIANO MUSIC]
You're such a brave girl.
I'm so sorry.
[SOFT PIANO MUSIC]
[DONATELLA WEEPING]
I'm so sorry.
[DONATELLA SNIFFING]
[SOFT PIANO MUSIC]
[GUN CLICKING]
[MONSTER GASPING]
- Where's Anastasia?
DONATELLA: She's fine.
- Where is she?
DONATELLA: She's upstairs, she's
in her room, she's fine.
[MONSTER GURGLING]
[PETERSON SIGHING]
[MONSTER COUGHING]
PETERSON: Put her in the car.
I'll be right there.
I'll call it in.
DONATELLA: No, wait.
PETERSON: What?
- He's gonna murder us.
- He's got a bullet in his neck.
He's not gonna murder anybody.
- Just shoot him!
Just, just say that he went
for your gun
and then you had to shoot him!
- Are you outta your mind?
I'm gonna call an ambulance
and then get a unit
down here to take your statement
I'm not gonna help you
murder this guy, okay?
Nobody's gonna cry because
you shot
an abusive piece of shit
like him
Take Anastasia and put her
in the car--
DONATELLA: Ana shot him!
She shot him!
He was beating me.
[SNIFFS] He was, he was
beating me.
and he was touching her.
And we can't have them
take her away from us.
- You motherfucker.
DONATELLA: So shoot him!
Shoot him!
DONATELLA: If he goes to prison,
they are just gonna let him out!
And then he's gonna kill Ana,
and he's gonna make me watch.
If he lives,
then she dies.
[SOFT SUSPENSEFUL MUSIC]
[DONATELLA BREATHING HARD]
- It's Peterson. I got a
901 here
No, he's dead.
[DONATELLA BREATHING HARD]
[GENTLE PIANO MUSIC]
[BODY THUDDING]
[GENTLE PIANO MUSIC]
ANA: It's Earl Lee
Byrd's Scrapyard and Towing.
It's about 40 to 50 miles south
of where victim number
three was found.
- Are you there now? Where
are you?
ANA: Did he suffer?
- Who? What, what are you
talking about?
- The Monster.
- I don't know. I don't
really care.
You don't need to think
about that right now.
Where are you?
- It's my fault.
PETERSON: It's not your fault.
- She's in there because
of what I did.
- Tell me where you are
so I can come get you.
- She's, she's there
because of me.
- She's there because we
love you.
Do you hear me?
I love you.
- I love you too, Daddy.
[GENTLE UPBEAT MUSIC]
Starry night, she's watching
[INDISTINCT SINGING]
Of all he's forgotten
New day on the horizon
Midnight calls, the
wind comes
In through windows and
all doors
She says time is a rerun
Playing God for a season
We go down to the river
Whether a saint or a sinner
We've all got ties to
the giver
But we all go down to
the river
Lay me down when the
night falls
Give our bones when the
time calls
Oh my brother, my sister
We all go down to the river
[GENTLE UPBEAT MUSIC]
It's the salt in resister
It's the burnn in the liquor
In the heart of a drifter
Is a sting, is a splinter
Is a piece that a dreamer
Settles into sweet hum
It is there for a rewind
For all time, for a reason
We go down to the river
Whether a saint or a sinner
We've all got ties to
the giver
We go down to the river
Lay me down when the
night falls
Give our bones when the
time calls
Oh my brother, my sister
We all go down to the river
To the river
Down to the river
- Okay, ready to head
into the real crime show.
It's pretty exciting. Got
a pretty sweet setup here.
Through this door here, okay.
So, I think they've got it all
set up.
This is kinda like,
kinda like the big moment
to be on TV.
Called my family, they're
gonna be watching.
That's exciting.
And, let's see what it
looks like in there.
We'll get a shot.
All right.
I'm excited. Okay, here we go.
This is our sound guy for
the TV show.
He looks exactly like
Milo Ventimiglia
(group laughing)
There's Danny.
There's Seoul.
Dammit, what the fuck.
What is your problem with
the GoPro.
- I want you to save it
for the actual, stop.
TRAVIS: Hey, fearless leader.
I'll go document the area,
professionally.
ANA: I'm nobody's
leader. I'm just punctual.
- Never gonna live that down.
I'm nobody's leader. I'm
just punctual.
[WIND WHIPPING]
Okay.
There are a few things that
I want to be
extremely clear about this
documentary.
[WIND WHIPPING]
They fucking left me.
Don't really know why, and
I don't think it's funny.
Out in the middle of fucking
nowhere.
And I don't really think I did
anything to deserve this.
I know I joke around a little
bit but um,
Like seriously, what
the fuck? You guys left?
Still trying to find everybody.
And, just wanna say ahead
of time, when I do find you,
that you may all come together
as a group
and blow me.
Here I am pissing in the woods,
taking a small break from
driving around
in the middle of fucking
nowhere looking for Ana.
When I'm done with this,
I'll go back to that,
and, I don't know, I guess
I'm going to
stay here till I find her,
because I can't leave.
We're here, so ...
Great, awesome trip so
far. Really having a blast.
Success, thanks.
[CLOCK TICKING]
[SUSPENSEFUL MUSIC]
DR. DOUGLAS: So why do you
think you're so preoccupied
with all this morbid material?
MONSTER: Dammit.
ANA: What do you mean?
MONSTER: Do you hear
that clock ticking?
DR. DOUGLAS: You know
what I mean. Quit deflecting.
MONSTER: That's time running
out.
ANA: I'm not deflecting.
I just don't agree with the
premise of your question.
MONSTER: Fuck you!
Fuck you!
DR. DOUGLAS: I counsel a
lotta people in law enforcement.
ANA: I'm not law enforcement.
DR. DOUGLAS: Can I finish?
DONATELLA: If you fucking
touched her, I swear to God.
DR. DOUGLAS: The ones that do
find a way to compartmentalize.
AGENT: I don't give a
shit if you did it or not.
DR. DOUGLAS: The ones
that don't do so well ...
AGENT: You are going down.
DR. DOUGLAS: They remind me
of you
DONATELLA: Sometimes, you
have to kill the monster.
[BEEP]
[DRAMATIC MUSIC]
[DRAMATIC MUSIC CONTINUES]
[DRAMATIC MUSIC CONTINUES]
[DRAMATIC MUSIC CONTINUES]
[SUSPENSEFUL MUSIC]
[SUSPENSEFUL MUSIC CONTINUES]
[BIRDS SINGING]
- Hi, ladies, how are you?
- Good, good.
- Fine.
- I like these two
crystals.
Can I see the one with the
shell on it?
- Yeah.
[CAR ENGINE]
- It's beautiful.
[ENGINE ROARING]
It's hard to decide because
they're all so pretty.
- Yeah, they are.
[BEADS CLICKING]
[BIRDS SINGING]
[DRAMATIC MUSIC]
- What the fuck?
[DRAMATIC MUSIC]
[HORN BEEPING]
Fucking asshole.
[VEHICLE CRASHING]
[DRAMATIC MUSIC]
Hey, don't worry about it.
I'm calling 911 right now.
[DRAMATIC MUSIC]
CLARK: On an isolated
highway, fear dominated
the thoughts of its travelers
for nearly a decade.
That is, until an anonymous
tip helped the FBI capture
one of the most notorious
serial murderers
in recent history.
Today, I'll talk to a
group of young crusaders
determined to set the
innocent free
You all firmly believe
that John Michael Warbach
is not the Highway Killer.
- We wouldn't be here
right thought if we thought
that he had anything
to do with the murders.
- Even though he not only
confessed
but his DNA was recovered
from one of the victims?
- We highly question
the confession
- We've seen this same
type of scenario happen
dozens of times, where
someone is sequestered
in a room for 12 hours.
They don't have an attorney.
They're threatened.
Maybe they have a low IQ,
or they're just afraid.
But innocent people confess
a lot more often than
people think
- Is there any new evidence
supporting your claims?
- Well, it's not just the new
evidence
but yeah, there's plenty of
evidence
Any good court would exonerate
him today
- There isn't any evidence
proving his guilt.
Yes, he admitted to having
sex with one of the victims,
but she was a prostitute working
at a truck stop that he
frequented
- And that is the only crime
scene where his DNA was found.
Wasn't at any other crime scene.
No fingerprints, no
fiber transfers
It's questionable he was even an
near the other crime scenes.
- We've got affidavits
from witnesses who say
he was in a confrontation
with a state trooper
about two miles from
where Jane Doe
victim was last located.
- Do you think the police
set him up
- We don't think they set him up
We think that they just
rushed their investigation.
- So he's a truck driver,
which you know that, right?
He travels that highway
every month
as do hundreds of other truckers
Just because he's in the
area, I mean, other than that
what is the overwhelming
evidence pointing at Mr. Warbach
- There isn't any.
He got into an argument
with the state trooper
about his log book hours.
He started rattling off about
his constitutional rights,
so then they brought him in
and then they interrogated
him for 12 hours.
They were able to tag him with
one murder.
One murder led to two.
They were able to press him
to confess, and that was it.
- Case closed.
- Case closed.
- They got their man.
- They got their man, not
the right man.
- If what you say is true,
there is still a killer
out there
- Yes, an innocent man is on
death row
and there is still a serial
killer that can take more lives.
[DRAMATIC MUSIC]
[COUPLE MOANING]
[DRAMATIC MUSIC]
[PHONE BUZZING]
[PHONE PINGING]
[PHONE PINGING]
- Can't sleep?
- No, I have to work.
- Huh?
- You should go home.
- Wait.
Hey, are you serious?
- Yeah.
[LOVER SIGHING]
[KNOCKING ON DOOR]
LOVER: I'm out.
Text me.
DONATELLA: Fine, I'll just
move out.
MONSTER: Good! Get the fuck
out and take your shit!
[SHOWER RUNNING]
MOM: Baby, baby baby, just
go back upstairs, okay?
MONSTER: And you better get it
out before today!
You better get it out or
I will fucking burn it!
[HIGH PITCHED RINGING]
DONATELLA: I'm just gonna
call the sheriff. That's it.
And I'm just gonna [STUTTERS].
I'm gonna tell him all about you
MONSTER: [LAUGHS] You're gonna
call the sheriff
DONATELLA: Yes.
MONSTER: You're a crack whore!
You gonna tell him about all the
that you snort up in that
fucking nose of yours?
DONATELLA: I will fucking
kill you!
- Yeah, then kill me [ECHOES].
MONSTER: Do it bitch.
Kill me.
- What did you say?
TRAVIS: I asked if
you're going out tonight.
- No, I'm gonna keep going
over the psychological profile.
- You know it's the weekend?
You can take a break
every once in a while.
ANA: Could you pick up
the van?
- I will get Danny to do it.
He's into the mechanical
nature of this gig.
ANA: He most likely was
familiar with the area
before the murders took place.
- Danny?
- The killer.
- How the fuck do you know that?
- The killer would have been
covered with blood head to toe.
If he knew her, gained her trust
then he could have taken her
that way
but if he didn't know
her, he took her by force.
There's trace evidence
going back and forth,
but either way, he'd had
to have known the area.
He had to have known that he had
privacy and a safe point
of egress.
TRAVIS: Egress. You sound
like the FBI.
- Is that a good thing?
- I guess so. Is all this in the
report?
- Yeah.
TRAVIS: Does it say who the
killer is?
Make this a hell of a lot easier
Then you wouldn't have to go
on the serial killer tour.
ANA: Whether he knew her or
not, he knew the location.
It was, it was special to
him. It was sacred, maybe.
[TRAVIS COUGHING]
- Did you watch the show
last night?
- What?
TRAVIS: The show.
- No.
TRAVIS: Well, I recorded it.
Kinda made it look like you were
the team leader or something.
- Can you send the email to make
sure
that everyone's going
to be there tomorrow?
- I guess if I had nicer tits,
they would've given me
more screen time.
- Travis.
- Yeah, I got it.
I'll send the email. I know,
I'm a dick.
[TRAVIS SIGHING]
But I am talented.
- Are you trying to be famous,
or are you trying to save
a life?
- I'm trying to save a life,
of course.
I have to kill somebody
if I wanna be famous.
[TRAFFIC PASSING]
[PHONE RINGING]
[PHONE RINGING]
- You trying to get me
demoted, or just fired?
Maybe arrested?
ANA: None of the above.
I just need to know what you
know about
the latest Highway murder.
[SIGHS] Highway murder case
is closed.
You must be speaking of a
local homicide.
outside of FBI jurisdiction.
- My source says that this case
is identical to the others.
- Similar, not identical.
What are you doing with a source
I thought I was your source.
ANA: Why don't you just reopen
your case and save me
the trouble of having
to go above your head?
- You ever heard of finality
of judgement?
- Have you ever heard of fully
exonerated?
- What do you want from me?
ANA: I already told you. I just
need to know what you know.
- No, nothing has come to
the attention of the FBI
that would lead us to believe we
to reopen our previous
investigation
Is that official enough for you
and the Innocent Initiative?
Or are you guys gonna shit talk
the Bureau to the press again?
- Why are you so sure that
he's guilty?
- This may come as a shock
to you
but sometimes you don't
know every damn thing.
- And that's why I ask questions
- You ever stop to think there
might be more to the story?
- What is that supposed to mean?
- I'm just saying he's there for
a reason.
ANA: So because we're all
guilty of something,
that means we all get
what we deserve, right?
- You don't know what you're
looking for.
I think you should consider
another hobby.
Now that's all you need?
I've gotta go catch some
terrorists.
Ana?
Ana?
[ENGINE REVVING]
[SOFT DRAMATIC MUSIC]
ANA: If he annoys you
or gives you any shit,
just ignore him.
Talk to me if it gets to be
a problem.
Like he's, he means well.
- Apologies.
- I know, I know.
ANA: It's just his way.
DIERDRE: Okay, okay.
TRAVIS: Hello, everyone.
ANA: You're buying lunch today.
- I'm buying lunch today, I
know. I'll pay my penance.
You can flog me as punishment,
if you're into that kinda thing.
- No thank you.
- My loss.
DIERDRE: Hey, you wanna put your
bag in the back?
TRAVIS: No, I'll keep it with me
DANY: Ana?
- Yeah.
- It's supposed to rain
today in the high country.
Do you think we should consider-
TRAVIS: No [LAUGHS].
No, we're not calling this off.
- I'm not talking to you.
- I made plans.
It's the only weekend I
have available to do this.
We're gonna have to
proceed as fucking planned.
DIERDRE: Come on, everyone,
please. Just load up.
Get in the car. Let's go.
Come on, please. I don't have
all day.
- I'm in the car. Yell at
Suzie Seoul back there.
She got the OCD hitting on all
cylinders.
Everything packed yet?
- Hey, you know, you're an
asshole, and I don't have OCD.
- And I don't think you know
what OCD is.
- Take it easy.
[HATCH SLAMMING]
- That's right. You
two are having a thing.
My bad.
Serious question, for real.
- Uh-huh.
- Is it Deedra or Deardra?
Because I'm never sure if I'm
pronouncing your name right.
- It's, it's Dierdre.
- Dear, Deedra?
- Dierdre, yes.
- Got it.
I'm not buying lunch, by the way
- We're just one big
happy family, aren't we?
- You know we are.
[UPBEAT MUSIC]
AARON (VO): I gave you some
leeway on the Wahrbach case.
I wanna close this case and
move on
But you're on television,
you're on college campuses,
you're requisitioning vehicles.
ANA (VO): So you're saying
I can't use the van?
AARON (VO): I don't care about
the van.
I care about you continuing
a case.
I specifically told you
was dead in the water.
ANA (VO): I don't think that
the case is dead in the water.
I can trace everything back
to victim number three,
and it will either reaffirm
his guilt
or it will prove that he's
innocent
And either way we still look
good.
AARON (VO): Great, you have
until the next board meeting
to get it all settled,
and then I'm moving you
to something more urgent.
[ENGINE IDLING]
- This looks
bleak.
[CAR DINGING]
ANA: Travis, can you get
video?
- This is not a toy in my
hand. I am getting video.
- Thank you.
- Gonna look amazing, too.
ANA: It better.
TRAVIS: Hey, fearless leader.
- Hm.
- I'm gonna document the area,
you know, professionally.
- Please do. And I'm nobody's
leader, I'm just punctual.
TRAVIS: Never gonna live
that down.
ANA: All right, so ...
- We can use that later.
ANA: There's gonna be two
maps.
This one's of the general area.
ANA: This one, though ...
DANNY: Hey, we're gonna check
some cabins over here.
ANA: Okay, Umm, when you're over
there, can you listen?
- Listen for what?
- Anything that we can use.
- Right.
- Guys, don't just go back
there to fuck.
- No, y'all's dirty, perverted
souls
reflect more on you
guys than it does on us.
- There's bugs and shit. Just
be careful.
ANA: They're gonna fuck.
DIERDRE: They're totally fucking
[DRAMATIC MUSIC]
[BAG UNZIPPING]
- Don't fall.
How long do you think we have?
ANA: He must have camped
here when he was a kid.
DIERDRE: Well there was
probably thousands of kids
that came through this
camp during this timeline.
I don't even know if we can
find any records from that time.
ANA: If they do exist,
maybe we can get them.
- All right. You cold?
- Yes.
- Got my jacket.
[BAG UNZIPPING]
ANA: We need to get
around that red tape.
DIERDRE: I know, but that's
a lot easier said than done.
ANA: How would we get it
done though?
[SOFT SUSPENSEFUL MUSIC]
[CAMERA CLICKING]
[BAG ZIPPING]
[SOFT SUSPENSEFUL MUSIC]
- I would die if I had to
be out here all by myself.
I mean, you can't hear anything
man made.
When was the last time you
haven't heard something man-made
- Shoot, my mother's
womb, probably
- I'm being serious.
I mean, it's scary to think
that if you're screaming
for help no one on Earth can
hear you.
That's pretty fricking creepy.
DIERDRE: I mean this is
a fucking summer camp,
not a federal office.
I don't know.
ANA: You know, we could
get creative.
[DOOR CREAKING]
- So you wanna move on?
- Yeah, let's move on.
[DOOR CREAKING]
- I think the body was placed
there later.
Because we've got two
victims near Harkinsville,
one near Vegas, one near
Wickenburg
And Victim Three was over here.
[SOFT SUSPENSEFUL MUSIC]
- You're okay, right?
- Yeah.
- You think he killed them
and then dumped
the bodies in different spots?
- I do.
- No.
No, I think that's, that's
too far of a stretch.
- Yeah, that's why I
haven't said it out loud.
[SOFT SUSPENSEFUL MUSIC]
Turn around.
[SEOUL BREATHING HARD]
[DRAMATIC MUSIC]
[SEOUL MOANING]
[HAMMER STRIKING]
[SEOUL SCREAMING]
DIERDRE: No one even
brought that up at the trial.
[DRAMATIC MUSIC]
Dude, what's up?
[DRAMATIC MUSIC]
What?
[SEOUL COUGHING]
- Please don't.
[DRAMATIC MUSIC]
[FLESH TEARING]
[DRAMATIC MUSIC]
[PUNCHES STRIKING]
[DRAMATIC MUSIC]
[INSECTS CHIRPING]
DIERDRE: What?
ANA: Danny?
ANA: Danny, say something.
DIERDRE: What's wrong?
- What'd you fucking
do, smoke the whole bag?
[DRAMATIC MUSIC]
Dude, what the fuck is wrong?
[DRAMATIC MUSIC]
ANA: Where's the phone?
[DRAMATIC MUSIC]
Dierdre, our friends are back
there!
- No, no. Fuck that, we gotta
go get help.
[DRAMATIC MUSIC]
ANA: Where are you going?
Where are you going?
DIERDRE: Stop it!
[DRAMATIC MUSIC]
[HAMMER STRIKING TWICE]
We're not leaving them.
You have to go back.
DIERDRE: I'm scared, okay?
I'm scared and I'm sorry, but
I'm scared!
- Danny might be alive.
We have to go, we have to go
back. They're our friends.
DIERDRE: They don't fucking
know me.
They're not my friends.
They're your fucking friends!
- Stop, you need to turn.
DIERDRE: No.
ANA: Make the loop. Don't go
straight.
Turn right. We're going back.
- No, we can't. Ana, we can
get help.
- We have to go back.
DIERDRE: I'm sorry.
- I'm not leaving them.
- Please, please.
ANA: Turn.
- Please.
ANA: Dierdre, we need to go back
[DIERDRE BREATHING HARD]
ANA: Turn right.
- Fuck, fuck.
Fuck, fuck!
[ENGINE ROARING]
[SOFT SUSPENSEFUL MUSIC]
DIERDRE: Do you see him?
ANA: No.
DIERDRE: Do you see him?
ANA: No.
[SOFT SUSPENSEFUL MUSIC]
ANA: I'm going to go
to the trunk
Don't fucking leave me, Dierdre.
- Okay.
[ENGINE IDLING]
What are you getting?
- Dierdre, you can't
fucking leave me, okay?
DIERDRE: I promise.
- Okay.
- I promise.
[ENGINE IDLING]
[ANA BREATHING HARD]
[SUSPENSEFUL MUSIC]
- Danny, I'm so sorry.
[SUSPENSEFUL MUSIC]
[ANA SOBBING]
[SUSPENSEFUL MUSIC]
ANA: Danny, this is gonna be
like you're going underwater.
Your lungs are gonna burn,
but it won't last long.
It's just gonna get quiet,
and there's gonna be no
more pain.
[SUSPENSEFUL MUSIC]
[DIERDRE PANICKING]
[SOFT SUSPENSEFUL MUSIC]
- Shit.
Fuck.
Fuck.
[DIERDRE BREATHING HARD]
Fuck, come on, please. Please,
please, please, please.
Fuck, shit, shit.
[DRAMATIC MUSIC]
Fuck! Fuck!
[ENGINE ROARING]
[DRAMATIC MUSIC]
- Travis?
Seoul?
Fuck!
[DRAMATIC MUSIC]
[DOOR BANGING]
[DRAMATIC MUSIC]
[SOFT DRAMATIC MUSIC]
[DOOR CLOSING]
[SOFT DRAMATIC MUSIC]
[LID BANGING]
[SUSPENSEFUL MUSIC]
[CONTAINER BANGING]
[LID CLOSING]
[SUSPENSEFUL MUSIC]
[DOOR CLOSING]
[ENGINE STARTING]
[ENGINE HUMMING]
[VEHICLE SPEEDING]
[HORN HONKING]
[VEHICLE CRASHING]
[SUSPENSEFUL MUSIC]
[VEHICLE ROLLING]
VEHICLE THUMPING]
[SUSPENSEFUL MUSIC]
[ANA BREATHING HARD
[ANA COUGHING]
[SUSPENSEFUL MUSIC]
[ANA COUGHING]
[GENTLE PIANO MUSIC]
[GENTLE PIANO MUSIC]
MONSTER: God damn bitch!
- What did you do?
MONSTER: Fuck you!
Fuck you!
DONATELLA: If you fucking
touched her, I swear to God
I'm gonna motherfucking--
MONSTER: I told you not to
raise your voice at me!
Do you understand me now?
Because you don't want
this to come back to you!
You don't want it!
- I will fucking kill you!
MONSTER: Well come over here and
kill me! Kill me please!
Take me outta this!
You're not gonna do it with
that, are you
Because you need something a lot
bigger than that to kill me.
- You're a piece of shit.
MONSTER: [CHUCKLES] Then kill me
Come over
Here, come on.
MONSTER: Right here.
DONATELLA: Fuck you!
MONSTER: Put it.
DONATELLA: Fuck you!
Fuck you, fuck you!
- See, I knew you wouldn't
do it! I knew, you wouldn't.
I give you and your
bastard child
a roof over your head and
all the food you can eat!
You're not gonna do that!
You're not gonna fuck that up!
You just remember that you
need me
a lot more than I need you!
- Fuck you, I'm gonna leave.
- Good! Get the fuck out
and take your shit away!
Now! Go.
MONSTER: If you don't have it
out by today
I will stack it up in the
backyard
and burn your shit down,
do you hear me?
Do you hear me?
[SOFT SAD MUSIC]
[SOBS]
I'm gonna call the sheriff
And I'm gonna make sure
that your ass
goes to fucking prison!
- Oh, you're gonna call
the sheriff [LAUGHS].
You're a crack whore!
What are you gonna tell them
how much coke is up your nose?
I mean, you snort it every night
I mean, it's up and up and up.
I mean, you're not gonna
do that. You're not.
I think the only hope
maybe it goes to trial and,
you blow the judge.
Yeah, you got skills in
that department
I think that might wo--
that's a--
That might work out for you.
You know, I'm getting a
little worried, actually,
thinking, wow, she gives
good blow jobs
The judge might ...
[DONATELLA SNIFFING]
- I'm gonna go tell him
that you're a motherfucking
child molester.
MONSTER: Well, least you got a
plan! [LAUGHS]
Ah.
I'll deal with you in a minute.
[ANA COUGHING]
[ANA BREATHING SOFTLY]
[FOOTSTEPS CRUNCHING]
[CAN BANGING]
[BIRDS CHIRP]
[FOOTSTEPS CRUNCHING]
[VEHICLE DINGING]
[ENGINE STARTING]
[ENGINE REVVING]
DIERDRE: Please, please don't
go back.
Please, please don't go
back there.
You have to turn around.
[SPANISH]
MAN: What is she saying?
WOMAN: I don't know.
DIERDRE: You just have to...
Please go back.
WOMAN: [SPANISH] She's scared.
WOMAN: [SPANISH]
Calm down, you're safe
DIERDRE: He's there. He's up
front you have to go around.
Please, listen to me, please.
He's fucking crazy, please.
MAN: [SPANISH] I don't know what
she's afraid of.
DIERDRE: Please!
- No, you're going the wrong
way. You have to turn around.
You have to turn around.
MAN: [SPANISH] Whats a matter
with you? You're crazy!
DIERDRE: Please,
WOMAN: [SPANISH]
She hurt her head.
DIERDRE: Please, please turn
around, please.
We have to get help.
WOMAN: [SPANISH] Don't do that!
Sit Down.
DIERDRE: We have to get help. My
friends are dead, please.
MAN: [SPANISH]
I'll make her walk!
WOMAN: [SPANISH] Maybe she wants
to go back to her truck.
Please listen to me.
Please, please.
Please.
[SUSPENSEFUL MUSIC]
DIERDRE: Please don't go
through there. Please.
Please turn around.
Please turn around, please.
Please
Fuck.
Go back, go back! Go back!
Go back!
No, don't get out!
Please, please don't, don't
get out. Don't get out!
Please. No!
No, please, stay in the
car! No, we have to go back!
We have to go back! We have
to go back!
No, listen to me.
Please get back in the car!
Please, we have to go back!
[SPANISH]
Calm down, calm down, it's fine.
No, listen to me. You want to
listen to me, please.
DIERDRE: We have to go back! We
have to turn around.
DIERDRE: Get in the car!
WOMAN: Carlo!
[GUN FIRING]
[WOMEN SCREAMING]
DIERDRE: No!
[GUN FIRING]
[DRAMATIC MUSIC]
[FOOTSTEPS RUNNING]
[DRAMATIC MUSIC]
[ENGINE REVVING]
[VEHICLE THUDDING]
[DIERDRE SHOUTING]
[DIERDRE BREATHING HARD]
Ah!
Ah!
[DIERDRE CRYING]
[GUN CLICKING]
No!
Please, please, wait.
Wait.
Wait!
Please, no! Wait!
Please! Please! Please...
[GUN FIRING]
[SOFT SUSPENSEFUL MUSIC]
[VEHICLE JOSTLING]
[ENGINE HUMMING]
TRAVIS: Hey! Wait!
- How the fuck did I get
here? How am I back here?
How am I back here?
Travis. Travis, get in the car.
- Oh you. What the fuck?
ANA: Get in the car now!
- Why did you leave me here?
ANA: Travis, hurry up.
Hurry up, hurry up...
TRAVIS: Open the fucking door!
Seriously?!
ANA: Hurry up. Get in the car,
get in the car...
TRAVIS: What the fuck?
ANA: Travis, we need to go.
We need to--
TRAVIS: Why'd you fucking leave?
ANA: We weren't leaving
[TIRES BANGING]
Why the fuck did you leave?
ANA: Killer's out there, and he
got Danny
and I don't know where Seoul
is, and Dierdre left me.
- So you left to fuck with me?
We didn't leave. We ran.
- Yeah, there was a guy
in the woods, I got it.
You guys think it's so
fucking funny
to give me shit all the time.
You wouldn't even be here if
I didn't bring you this story.
- How did you get away?
TRAVIS: Get away from what?
I didn't see any dead
bodies or killers in trees
or whatever you're making up.
ANA: You think they got away?
- Ana, enough. It's not
funny anymore, okay.
I'm tired, and I wanna go home.
I'm done with whatever this is.
Can you call everybody
so we can get on with it
for fuck sake?
ANA: Where's your phone?
Do you have your phone?
- I left my phone in
the fucking cabin.
Can you turn around please?
- What's that?
- What's what?
- Is that blood on your hands?
- Yeah, probably.
ANA: Travis, why is there
blood on your hands?
- I don't know. It was
barbed wire or something.
Can we go back for my
phone please?
- There's not a lot of
barbed wire out here, Travis.
There's not a lot of anything
out here.
- You saying I'm lying
about fucking barbed wire?
- I'm saying why the fuck is
there blood on your hands?
- Do you wanna see where
I've been all morning?
Turn the truck around.
Let's go back!
It's a real pleasant place.
I'll show you.
- Travis, I need you to
get out of the truck.
- What the fuck are you talking
- Get out of the truck.
- Ana, I don't know what's
going on
or what you think I did,
but you're sitting there
looking at me
with judgmental eyes, the
way you always look at me,
and I don't fucking like it.
Turn the truck around so I
can get my fucking phone!
ANA: Get outta the fucking truck
[DOOR DINGING]
TRAVIS: Where are you going?
Ana, Ana.
ANA: Get away from me.
- Get in the truck.
ANA: No.
- Ana, I'm not gonna leave you
out here the way you left me.
- Travis, what did you do?
- I forgive you.
Just get in the truck.
- No.
- Get in the fucking truck!
Get in the fucking truck!
[FOOTSTEPS RUNNING]
[SOFT SUSPENSEFUL MUSIC]
[ANA BREATHING HARD]
[WATER LAPPING]
[ANA BREATHING HARD]
[TWIGS SNAPPING]
[SOFT SUSPENSEFUL MUSIC]
[GUN FIRING]
[FOOTSTEPS THUDDING]
[SOFT SUSPENSEFUL MUSIC]
DR. DOUGLAS: Why do you
think you're so preoccupied
with all this morbid material?
ANA: What do you mean?
DR. DOUGLAS: You know
what I mean. Quit deflecting.
[GUN FIRING]
ANA: I'm not deflecting.
I just don't agree with the
premise of your question.
DR. DOUGLAS: I counsel a
lotta people in law enforcement.
ANA: I'm not law enforcement.
DR. DOUGLAS: Can I finish?
The ones that do well find
a way to compartmentalize.
The ones that don't do so
well, they remind me of you.
[SOFT MUSIC]
[ANA SNIFFING]
[SOFT MUSIC]
DONATELLA: Sometimes you
have to kill the monster.
[ANA SCREAMING]
[GUN FIRING]
[DONATELLA SCREAMING]
DONATELLA: Don't be afraid!
Don't be afraid!
Can you hear me? Can you hear me
ANA: Is he dead?
DONATELLA: It's okay. It's okay.
You did good.
Sometimes, sometimes you
gotta kill the monster.
You're such a brave girl.
I'm so sorry [SNIFFS].
[DONATELLA CRYING]
I'm sorry.
ANA: Have you been eating?
- What?
ANA: Have you been eating?
- No, I have not been eating,
because you didn't put
no money in my commissary
this month
but they did actually, wait,
hold up, they did give me
two bologna sandwiches
today for lunch
so I should be good
till tomorrow
- Were they good?
- They were bologna sandwiches.
- They might switch over
to video visitation.
- What the fuck is that?
ANA: Be like this but on
a screen.
Trying to join the 21st century.
DONATELLA: Yay, I guess.
- Did you get the care package
I sent you?
- Okay, you know what,
this is the part
where we stop doing the
small talk thing
[PHONE CRASHING]
[DONATELLA SNIFFING]
Go.
- Could we just ...
I can't stand seeing you in here
- I belong in here.
ANA: No you don't.
- See everything out there?
Where you are, where you live?
It's not out there for me.
This, this is where I
deserve to be
See all this right here?
This is my house.
- You say it like you
believe it, but you don't.
- You know what I fucking need
you to do?
I need you to stop coming
here and bothering me
and wasting your life,
this life that I fucking
gave you!
ANA: What does that mean?
[PHONE BANGING]
- Justice, do you know the
fucking meaning
of the word justice?
ANA: Yeah.
- Justice, you know what
that mens?
ANA: Yes.
- You know the Webster
definition of that fucking word?
ANA: Yes, I know the Webster's
definition.
- Okay, I need you to tell me.
I know the Webster definition--
- Mom, stop.
DONATELLA: Do you know it? Do
you know it?
- Stop, stop, yes!
[PHONE BANGING]
[DONATELLA EXHAILING]
[DONATELLA SNIFFING]
[SOFT PIANO MUSIC]
When did you get so fucking weak
It's fucking disgusting!
You've gotta be stronger!
You're not gonna fucking make it
ANA: And what if I can't?
- You can't fucking say that!
You can't fucking say that to me
[SOFT PIANO MUSIC]
- I didn't get to choose this
life mom.
DONATELLA: [LAUGHS] Yeah, you're
so fucking stupid.
Nobody chooses shit.
Nobody chooses their life.
That's some shit that we
just make up
so we can get outta bed every
morning.
It's a lie. Stop lying!
You just do your fucking
best and get on with it!
- I'm trying.
- Try fucking harder.
[PHONE SLAMMING]
[FOOTSTEPS THUMPING]
[GENTLE PIANO MUSIC]
[FOOTSTEPS CRUNCHING]
[GENTLE PIANO MUSIC]
[WIND BLOWING]
[FOOTSTEPS CRUNCHING]
[SUSPENSEFUL MUSIC]
[FOOTSTEPS CRUNCHING]
[SUSPENSEFUL MUSIC]
[SUSPENSEFUL MUSIC]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
[BIRDS CHIRPING]
[GENTLE PIANO MUSIC]
[FOOTSTEPS CRUNCHING]
[GENTLE PIANO MUSIC]
[THUNDER RUMBLING]
[RAIN PETLING]
- Travis?
[RAIN PELTING]
[HANDLE THUMPING]
[RAIN PELTING]
ANA: Oh.
[ANA BREATHING HARD]
[RAIN PELTING]
[HEAVY RAIN]
[SUSPENSEFUL MUSIC
- Sometimes you have to kill
the monster.
[SUSPENSEFUL MUSIC]
CONVICT: I didn't do anything.
OFFICER: I don't give a shit
if you did it or not.
[DIERDRE LAUGHING]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
- Sometimes you have to kill
the monster.
[SUSPENSEFUL MUSIC]
ANA: I'm trying.
- DONATELLA: Try fucking harder
[SUSPENSEFUL MUSIC]
[TRUCK BEEPING]
[ENGINE IDLING]
[CHAIN SCRAPING]
ANA: Hey!
- Holy shit.
- Sorry, sorry sorry.
EARL: You scared me.
What are you doing in
there? Is that your truck?
- I need help. I need
you to call the cops.
- The cops? What happened?
- There's a, there's a
killer out there
My friends are missing.
- Whoa, whoa, whoa. What
are you talking about?
ANA: I can explain everything.
Just call the cops.
- Look, phones don't really
work out here, sorry to say.
We're a small community, not
much crime.
I've got a landline back at my
garage.
I can call the sheriff,
wake her up at home.
Okay.
- Wait.
- What?
Uh.
Just wait in your truck, and
I'll be right back, okay?
Here.
Take my gun.
[ENGINE IDLING]
You know how to fire a gun,
righ?
ANA: I, I hate guns.
- What are you, a liberal?
[ENGINE IDLING]
EARL: What am I doing?
I can't leave you out here alone
Look, come with me. I'll
get you outta the cold.
You can talk to the sheriff
yourself
Uh.
[GUN CLICKING]
EARL: Here.
[ENGINE IDLING]
You take the gun. I keep the
bullets.
That way we're equal, okay?
ANA: Okay.
- Get in.
[ENGINE IDLING]
[DOORS SLAMMING]
Aw!
- What?
EARL: Damn. I left the
chains out.
I'll be right back.
ANA: Okay.
[ENGINE IDLING]
[DOOR SLAMMING]
[ENGINE IDLING]
[CHAIN SCRAPING]
[ENGINE IDLING]
[ANA EXHAILING]
[ENGINE IDLING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR OPENING]
[DOOR SLAMMING]
EARL: It's cold out there.
ANA: Mm-hm.
- Put your seat belt on.
[ENGINE IDLING]
[BELT SLIDING]
EARL: Here we go.
Safety first.
[ENGINE REVVING]
EARL: Basically, I've lived
here my entire life.
Huh.
Some folks wanna move to
the city
Not me! No way.
I like the big trees,
changing seasons,
wide-open spaces.
This is really living, you know?
My mother used to say I talk
too much.
Sorry about that.
- No, it's not you. I'm just
worried about my friends.
- I'm sure everything's gonna
be okay
when we get back to the garage.
Sheriff is really sharp.
EARL: She'll help you figure
everything out
ANA: Can you drop me off at
the police station instead?
EARL: No, there's nobody
there. I already told you.
This is a one-horse town.
Sheriff's office closes at
sundown.
Doesn't open again until break
of dawn.
I'll do whatever you want.
It's just well ...
It's just I feel bad about
leaving you
out there alone at night.
ANA: I'm armed.
EARL: Empty.
But armed.
How about this?
Let's get you bandaged up,
maybe put some food in
your belly
While we wait for the sheriff.
I was deputized.
When that Indian boy went
missing a couple years ago.
You remember that?
- No, I never heard about that.
- No?
Shame.
It made the news.
[VEHICLE SQUEAKING]
[ENGINE HUMMING]
[ENGINE IDLING]
[CHAIN RATTLING]
[GATE SLIDING]
[ENGINE IDLING]
[DOOR OPENING AND CLOSING]
[ENGINE PURRING]
[SOFT SUSPENSEFUL MUSIC]
Why don't you go in and get
some water.
I'll be right back in a
second, okay?
[DOOR OPENING]
[DOOR SLAMMING]
[ENGINE REVVING]
[SOFT SUSPENSEFUL MUSIC]
[ANA EXHAILING]
[SOFT KNOCKING]
[SOFT SUSPENSEFUL MUSIC]
[GRAVEL CRUNCHING]
[ENGINE IDLING]
[SOFT SUSPENSEFUL MUSIC]
[ANA GASPING]
[SUSPENSEFUL MUSIC]
[MUSIC STOPS]
- Did Earl Lee get back to
you yet?
DISPATCHER: Not yet.
I can call him again.
- Na, I'll head over there.
DISPATCHER: You want me
to wake up the deputies?
HOLCOMB: Let them
get their beauty sleep.
[SOFT SUSPENSEFUL MUSIC]
[LID BANGING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR OPENING]
[SOFT SUSPENSEFUL MUSIC]
EARL: I don't know what
to say.
I thought you'd have
been outta here by now.
I don't even have to chase you.
[SOFT SUSPENSEFUL MUSIC]
You gonna ask me why I do
what I do?
Beg for mercy?
You just gonna stand
there, breathing at me?
You must be terrified.
[SOFT SUSPENSEFUL MUSIC]
It's hard.
Facing this thing death.
[SOFT SUSPENSEFUL MUSIC]
I know one thing for sure.
[SOFT SUSPENSEFUL MUSIC]
You're gonna die today.
[GUN CLICKING]
EARL: You've got fight in
you. I'll give you that.
There was a hooker outside
of Reno.
Oh, she put up a hell of a fight
[EARL INHAILING]
I respected her for that.
I don't want you to think
this is a sex thing.
This has nothing to do
with sexual deviance.
[GUN CLICKING]
EARL: You'll still be awake
when I push the blade in.
[SOFT SUSPENSEFUL MUSIC]
It'll feel like an electric
shock through your whole body.
[GUN CLICKING]
EARL: You'll go into
hypovolemic shock.
[GUN CLICKING]
[SOFT SUSPENSEFUL MUSIC]
EARL: I don't want you to
be afraid.
Just close your eyes.
[GUN FIRING]
[DRAMATIC MUSIC]
EARL: You shot me.
[DRAMATIC MUSIC]
[BAR STRIKING]
EARL: No! Please no!
Please no!
[ANA GRUNTING]
[EARL WHIMPERING]
EARL: Please stop!
EARL: Please stop!
[SIREN BLARING]
HOLCOMB: Drop the weapon!
Drop it!
[BAR RATTLING]
EARL: She's trying to kill me!
HOLCOMB: Hands on your head!
EARL: Shoot her! She's
got a gun.
HOLCOMB: Shut up, Earl!
Ma'am, do you have any other
weapons?
- No, I do not.
EARL: She said she
was gonna kill somebody.
She's crazy.
HOLCOMB: Earl, shut the fuck up!
Do not move unless I tell
you to. Do you understand?
ANA: Yes, I understand.
HOLCOMB: If you do anything
that makes me feel like
you're gonna hurt Earl or
me, I will put you down.
Do you understand?
ANA: Yes, I understand.
HOLCOMB: Do you wanna
die tonight?
ANA: No, ma'am, I do not.
HOLCOMB: Neither do I.
So let's be calm and figure
this out.
Walk backwards toward my voice.
Keep coming, keep coming.
Keep coming. Stop.
- Be careful, Sheriff.
- I'm gonna put these cuffs
on you.
Hold your arm up.
HOLCOMB: No, keep it up,
keep it up.
[HANDCUFFS CLICKING]
Bring your other arm down.
[ENGINE IDLING]
EARL: Okay, now can we
call Doc Roberts?
I've got a bullet in me.
HOLCOMB: Are you a
prostitute?
- No.
HOLCOMB: What I'm trying to
say is, if he was trying
to rape you, you have the
right to protect yourself.
- No, ma'am, I'm not a
prostitute.
- Well then this is one
hell of a misunderstanding.
- He killed my friends.
He's been chasing me
through the woods.
He has one of my friends
stuffed in a barrel.
HOLCOMB: You know what that
sounds like, right?
- I know it sounds crazy,
but he's also gonna tell you
a crazy story, and you're
gonna have to decide
which one of us to believe,
and I'm at a disadvantage
because you don't know me.
- Not too much of a disadvantage
I know him, but I don't like him
ANA: Her name is Suzanne Kim.
She's stuffed in a barrel.
She is probably 19. I don't know
what he's done with the rest
of them.
But her body is in there
disintegrating.
HOLCOMB: Watch your head.
ANA: Whatever you do,
whatever he says,
just look in that barrel,
look through his place.
Please be careful, though,
when you do it.
[DOOR SLAMMING]
[SOFT SUSPENSEFUL MUSIC]
[DOOR SLAMMING]
[ENGINE IDDLING]
[SOFT SUSPENSEFUL MUSIC]
[ANA SNIFFING]
[SOFT SUSPENSEFUL MUSIC]
- All right, I asked him
if could give his place
a once-over, and he
said okay, so
A few minutes, one way
or another
you're gonna be outta here.
[HOLCOMB GROANING]
[ANA SHRIEKING]
[GUN FIRING]
[SUSPENSEFUL MUSIC]
- Look what you made me do.
[DRAMATIC MUSIC]
You're a real pain in the ass.
EARL: You know that?
Run.
Go on.
[HAND BANGING ON ROOF]
Run!
[SOFT SUSPENSEFUL MUSIC]
Last chance.
Remember that. I gave you
a chance.
[SOFT SUSPENSEFUL MUSIC]
[DOOR SLAMMING]
[SOFT SUSPENSEFUL MUSIC]
EARL: You're putting me in a
bit of a pickle
[SOFT SUSPENSEFUL MUSIC]
EARL: I could kill you right now
Or I could let you go.
And they would blame you for
everything that happened.
- Get away from me.
[EARL GROANING]
EARL: There's gotta be a way
outta this.
[SOFT SUSPENSEFUL MUSIC]
We need to think.
[EARL HUMMING]
[SOFT SUSPENSEFUL MUSIC]
There's been a lotta death today
- Are they all dead?
EARL: We can work something out.
- Are they all dead?
EARL: Are you listening to me?
[SOFT SUSPENSEFUL MUSIC]
I don't wanna go to jail.
And I'm pretty sure you don't
wanna go
to jail for shooting me.
So I think we should just ...
Wait a minute. Wait a goddam
minute.
You're a fucking liar.
ANA: What?
EARL: You're not trying
to help me!
ANA: I can.
[SOFT SUSPENSEFUL MUSIC]
EARL: Liar.
Liar!
[GUN FIRING]
[GLASS SMASHING]
You all lie!
ANA: I can't hear you.
- Every time a bitch
opens her bitch mouth,
it's one lie after another!
ANA: I can't hear you.
EARL: I'm so good.
I'm so righteous.
ANA: I can't hear you.
I can't hear you.
EARL: You don't know
what's happened to me.
You can't judge me.
[SOFT SUSPENSEFUL MUSIC]
EARL: You came to me.
This is all your fault.
- Kill me.
- Shut up.
ANA: Kill me.
- Shut up!
ANA: Kill me!
EARL: You wanna die?
ANA: Kill me!
[EARL GROANING]
[GUN FIRING TWICE]
[DRAMATIC MUSIC]
[EARL GROANING]
[SOFT SUSPENSEFUL MUSIC]
ANA: Get the fuck out here.
EARL: I'm sorry.
ANA: Shut up.
EARL: I should be in a prison.
Or,
in a hospital.
ANA: Get on your knees.
EARL: You're not a murderer.
You can't do this.
ANA: You don't know what
I'm capable of.
[DRAMATIC MUSIC]
EARL: Take me to the police.
I'll tell them everything.
ANA: No. No police, no
confession.
You're gonna die right here,
right now.
EARL: Wait, wait, wait.
[BODY THUDDING]
Please!
Don't kill me.
I'm sick.
I need help.
ANA: You're gonna confess
to everything.
EARL: Yes!
Yes, I'll confess.
ANA: You're gonna confess to
every murder, everything.
EARL: Yes.
Yes, I'll confess. Yes.
ANA: Get up.
EARL: No.
[DRAMATIC MUSIC]
[GUN FIRING TWICE]
ANA: Ah fuck!
[SOFT SUSPENSEFUL MUSIC]
[BIRDS SINGING]
[FOOT SLIDING]
[EARL BREATHING HARD]
[ENGINE ROARING]
EARL: Oh.
Help, help.
Help. Wait.
Wait.
Yes.
[ENGINE ROARING]
Wait wait wait!
Help, help, help! What the fuck?
[ENGINE FADING]
[ENGINE REVVING]
[BODY THUDDING]
[BOOT DROPPING]
MONSTER: I told you not
to raise your voice at me.
DONATELLA: If you fucking
touched her
I swear to God, I'm gonna
mother--
MONSTER: What are you
gonna do?
DONATELLA: I'm gonna
motherfucking kill you!
MONSTER: You're gonna kill me?
DONATELLA: Yeah!
MONSTER: Well come over
here and kill me. Come on.
Come on over. You gonna
use that?
You're gonna need something
a lot bigger
than that to kill me.
[SOFT SUSPENSEFUL MUSIC]
DONATELLA: You're a piece
of shit.
MONSTER: Kill me then.
Come on.
DONATELLA: Fuck you!
MONSTER: Kill me.
DONATELLA: Fuck you!
MONSTER: Go ahead, do it.
DONATELLA: Fuck you!
DONATELLA: I'm gonna call
the sheriff.
MONSTER: Well at least
you got a plan now [LAUGHS].
[GUN FIRING]
[GUN CLATTERING]
[SOFT PIANO MUSIC]
DONATELLA: Don't be afraid!
Don't be afraid!
Can you hear me? Can you
hear me?
- Is he dead?
- It's okay. It's okay.
- Did I kill him?
- It's okay, baby, because
sometimes
sometimes you gotta kill
the monster.
[SOFT PIANO MUSIC]
You're such a brave girl.
I'm so sorry.
[SOFT PIANO MUSIC]
[DONATELLA WEEPING]
I'm so sorry.
[DONATELLA SNIFFING]
[SOFT PIANO MUSIC]
[GUN CLICKING]
[MONSTER GASPING]
- Where's Anastasia?
DONATELLA: She's fine.
- Where is she?
DONATELLA: She's upstairs, she's
in her room, she's fine.
[MONSTER GURGLING]
[PETERSON SIGHING]
[MONSTER COUGHING]
PETERSON: Put her in the car.
I'll be right there.
I'll call it in.
DONATELLA: No, wait.
PETERSON: What?
- He's gonna murder us.
- He's got a bullet in his neck.
He's not gonna murder anybody.
- Just shoot him!
Just, just say that he went
for your gun
and then you had to shoot him!
- Are you outta your mind?
I'm gonna call an ambulance
and then get a unit
down here to take your statement
I'm not gonna help you
murder this guy, okay?
Nobody's gonna cry because
you shot
an abusive piece of shit
like him
Take Anastasia and put her
in the car--
DONATELLA: Ana shot him!
She shot him!
He was beating me.
[SNIFFS] He was, he was
beating me.
and he was touching her.
And we can't have them
take her away from us.
- You motherfucker.
DONATELLA: So shoot him!
Shoot him!
DONATELLA: If he goes to prison,
they are just gonna let him out!
And then he's gonna kill Ana,
and he's gonna make me watch.
If he lives,
then she dies.
[SOFT SUSPENSEFUL MUSIC]
[DONATELLA BREATHING HARD]
- It's Peterson. I got a
901 here
No, he's dead.
[DONATELLA BREATHING HARD]
[GENTLE PIANO MUSIC]
[BODY THUDDING]
[GENTLE PIANO MUSIC]
ANA: It's Earl Lee
Byrd's Scrapyard and Towing.
It's about 40 to 50 miles south
of where victim number
three was found.
- Are you there now? Where
are you?
ANA: Did he suffer?
- Who? What, what are you
talking about?
- The Monster.
- I don't know. I don't
really care.
You don't need to think
about that right now.
Where are you?
- It's my fault.
PETERSON: It's not your fault.
- She's in there because
of what I did.
- Tell me where you are
so I can come get you.
- She's, she's there
because of me.
- She's there because we
love you.
Do you hear me?
I love you.
- I love you too, Daddy.
[GENTLE UPBEAT MUSIC]
Starry night, she's watching
[INDISTINCT SINGING]
Of all he's forgotten
New day on the horizon
Midnight calls, the
wind comes
In through windows and
all doors
She says time is a rerun
Playing God for a season
We go down to the river
Whether a saint or a sinner
We've all got ties to
the giver
But we all go down to
the river
Lay me down when the
night falls
Give our bones when the
time calls
Oh my brother, my sister
We all go down to the river
[GENTLE UPBEAT MUSIC]
It's the salt in resister
It's the burnn in the liquor
In the heart of a drifter
Is a sting, is a splinter
Is a piece that a dreamer
Settles into sweet hum
It is there for a rewind
For all time, for a reason
We go down to the river
Whether a saint or a sinner
We've all got ties to
the giver
We go down to the river
Lay me down when the
night falls
Give our bones when the
time calls
Oh my brother, my sister
We all go down to the river
To the river
Down to the river
- Okay, ready to head
into the real crime show.
It's pretty exciting. Got
a pretty sweet setup here.
Through this door here, okay.
So, I think they've got it all
set up.
This is kinda like,
kinda like the big moment
to be on TV.
Called my family, they're
gonna be watching.
That's exciting.
And, let's see what it
looks like in there.
We'll get a shot.
All right.
I'm excited. Okay, here we go.
This is our sound guy for
the TV show.
He looks exactly like
Milo Ventimiglia
(group laughing)
There's Danny.
There's Seoul.
Dammit, what the fuck.
What is your problem with
the GoPro.
- I want you to save it
for the actual, stop.
TRAVIS: Hey, fearless leader.
I'll go document the area,
professionally.
ANA: I'm nobody's
leader. I'm just punctual.
- Never gonna live that down.
I'm nobody's leader. I'm
just punctual.
[WIND WHIPPING]
Okay.
There are a few things that
I want to be
extremely clear about this
documentary.
[WIND WHIPPING]
They fucking left me.
Don't really know why, and
I don't think it's funny.
Out in the middle of fucking
nowhere.
And I don't really think I did
anything to deserve this.
I know I joke around a little
bit but um,
Like seriously, what
the fuck? You guys left?
Still trying to find everybody.
And, just wanna say ahead
of time, when I do find you,
that you may all come together
as a group
and blow me.
Here I am pissing in the woods,
taking a small break from
driving around
in the middle of fucking
nowhere looking for Ana.
When I'm done with this,
I'll go back to that,
and, I don't know, I guess
I'm going to
stay here till I find her,
because I can't leave.
We're here, so ...
Great, awesome trip so
far. Really having a blast.
Success, thanks.