CinLock: Love, Camera, Action! (2023) s01e01 Episode Script

1
Excuse me! Coming through!
-Hey, watch it!
-Coming through!
-Excuse me!
-Watch where you're going!
Excuse me, Sir!
You know how it feels, don't you?
You should've been doing
something more meaningful.
Well, you know
you feel like taking a dump,
but you just can't get it out.
Movies can change the world.
Well, at least, my world.
Hey!
Hey!
-Hey!
-What the hell?
No way! I'm Lala, your junior.
I booked this dolly first,
for my class' film shoot.
Why are you taking it?
So what? You're only doing your shoot
for Mr. Yandy!
-It's not important!
-No! The dolly's mine!
Hey, Teletubby, can you just shut up?
We're taking this! We're making a movie
to be sent to Saskara!
No way! It's mine!
-Ouch!
-Just leave her!
Go, go!
Let's go! Hurry up!
Hey!
La, why are you still here?
Let's shoot!
The guys are waiting for you!
Excuse me, Ma'am.
Sir.
There she is, my producer.
Guys! Let's go. Let's shoot some movie.
What time is it now?
How do you turn this thing on?
You can't even turn the lighting on.
How do you want to enter Saskara?
My gosh!
You should've listened more in class.
-Art, art!
-Yeah?
Change this glass vase
with the plastic one.
The choreography won't
even go near the table.
The talent even said they'd be careful.
-Just do what I say. Okay?
-Okay, right.
-Swap the vase with the plastic one.
-La?
Where's the dolly?
The dolly
Hey, buddy,
let me borrow this for a while.
Can anyone help push me around?
What are you doing?
Just push me, to the right.
One, two, three.
Good.
Cut!
There you go!
See?
We can use this, right?
-To substitute the dolly?
-It's a bit shaky, but
somehow you can feel the emotion more.
It is shaky, but it's okay, right?
-Nice, eh?
-Nice.
Alright. Let's do this.
Slowly, to the left, let's try it.
This is what cinema looks like!
Nice!
Let's go!
As an aspiring producer,
I always hone my judgment
by assessing the situation,
assessing other people.
Do it faster.
That's right. One more time.
Okay, good.
La!
My judgmental nature
does not apply to Jessica.
She's a talented writer.
But sometimes her insecurities
cloud her potential.
-My producer!
-Jess!
-So, how are you doing?
-Fine.
I'm just watching the guys working.
That's good.
I just can't wait for our first project
together as writer and producer.
You've put it on your lock screen already!
Of course! Just take a look.
It's cool, isn't it?
That's nice.
The concept's okay.
So is the wardrobe.
What do you think, Rey?
That's Reyhan.
The manic, pixie, dream boy.
Just like Rangga from AADC.
He's my most genius senior.
He's a teacher's assistant,
an ace director on campus,
and the son of Jagad Dewantoro,
an Indonesian movie maestro.
He's also one of the founders of
Akar Semesta,
the role model
production house on campus.
What are you looking at?
What are you talking about?
I'm looking at Mr. Yandy.
Okay, Sir! Nice!
You're silly!
Jess, let's go!
We're going to start the take!
They're calling me.
Catch you later, here, okay?
-Alright, good luck!
-Bye, thank you!
Slate 27, scene 3, shot 1, take 1.
-Camera.
-Roll.
Take.
And action!
Cut! Okay!
Guys. That was good.
Just push, okay?
Do that again later, alright?
Alright, reset!
-La, wait up!
-Hurry up, Jess!
Why are walking so fast?
I still have to take care of the payment.
Help me open the door.
I'll close the door.
-La.
-Just wake him up.
-Me?
-Or should I?
No. Don't. I'll do it.
Jun.
What is it, Jess?
Jun.
Let me.
-Halo? Jun.
-What is it?
We need the place for the Cinebox.
Wake up!
The Cinebox is still
another five minutes, right?
It is, but you're taking up some space.
No, no, what Lala meant was,
we're just asking you, please.
Jun, we really need the room. Please.
And we're really in a hurry.
Do you want this?
When we were shooting,
we had some surplus.
Thanks.
Dang! No manners
and acting so cool like Dilan!
But Dilan is handsome and romantic.
Brain 0, beauty 0, behavior 0!
Zero points all around!
Just forget it.
Why do you have to go
through all of this each semester?
Jess.
What do you think?
Try to blur the font a little bit.
So it'll look close enough.
Okay.
Whatever it takes,
our film has to be in Saskara, Jess.
La.
I actually want the script
to be well-written first,
before we start to shoot.
So, you don't want to get into Saskara?
It's not like that.
What I mean is
let's just get on with it
if the script is done.
I just don't want to force it.
Because, the story that I'm writing
right now is important to me.
I'll be right over there.
You're home quite late, La.
Yeah, as usual.
"Busmac" assignment.
Business management accounting.
No wonder you got home so late.
But, it's okay.
When you graduate
big companies will surely
recruit you immediately.
My friend's child goes there.
Got recruited in the big four,
right after graduation.
The salary is great.
We have to be tough, La.
So that we don't have to depend on anyone.
Have you paid your semester tuition?
I already transferred the money
this afternoon.
Yes, I have paid it.
Campuses these days are raising
their tuition by ridiculous amounts.
Payment slip.
Okay.
-La.
-Yeah?
What's in the other envelope?
Just a campus event flyer.
Don't forget, you have lunch
with your father tomorrow.
-Sure.
-Have a good night rest.
-Waiter.
-Yes, Miss?
Please wrap these to go.
Alright.
-Please wait a moment.
-Sure. Thanks.
Here you go.
-Thank you.
-You're welcome.
They knew the singer was coming.
-Your love embraces me in
-Stop it! I'm embarrassed, Dad!
Why should you be ashamed?
I wrote this song!
-But, I'm embarrassed!
-Why should you be?
-You're always late!
-Sorry.
A customer lost track of time
playing music in my studio.
If I left the studio,
someone would steal my studio!
Yeah.
How's your mom?
Well, nothing new.
And how's school?
I'm sick and tired of lying to mom.
Well, I've offered you help
with talking to your mom,
to tell her that you're
not happy studying management.
You're happier studying film.
But you told me not to.
So, there's nothing I can do about it.
You know what kind of person she is.
She needs proof, Dad.
If I do exactly what you just said,
she would just tell me to go back
to studying management!
Do you remember the film festival
that I told you about?
Yeah. What was it? Sas
Saskara.
Sure, I remember.
My friend and I
are planning to make a short film.
Okay.
If my short film gets accepted
to the Saskara Festival
I promise I will be honest with mom.
I will tell her that
I'm really serious about studying film.
Well, alright.
But, just try not to
be all serious about it.
Try to enjoy it.
Just don't be too uptight about it!
If you're too serious,
you'll turn into a panda.
Just look at your eyes.
You'll have black eyes
and turn into vampire.
Dad, stop it!
I should be going.
What are you talking about?
I haven't even order anything!
There you go!
I already wrapped it for you.
I was only
We were just talking for a little while.
You got here late.
Now I'm late, and I've got to go.
No! I don't want to!
Bye!
GRAN'S WOVEN GOODS
Guys.
For the film analysis assignment,
pick one movie
and analyze the use of semiotics
in that movie.
To be submitted next week.
Yes, Sir.
By the way,
do you know that Saskara
is opened for submissions this year?
Yes, Sir!
It just so happens
I've been appointed as one of
the committee board members
for the Saskara Film Festival this year.
So hurry up and register
your project for Saskara.
If there are UCN representatives
whose films make it into Saskara,
it will benefit your future career a lot.
For example,
your very own teacher's assistant.
Reyhan!
Hi.
I'm Lala, sorry to bother you.
I want to volunteer to help
your latest project.
Would you accept me onto your project?
So far Gepeng and I have been
recruiting people from our own class.
But I'm a fast learner.
You can see it yourself,
what I'm like in class.
Sorry, I have to go.
I have to prepare your screening.
Is there anyone here that
wants to ask some questions
about the movie Cangkem?
Please.
Okay, the person in green.
I was going to ask about
the production process of Cangkem,
but because Gepeng is not here right now
Sorry, unfortunately Gepeng
is not available today.
It's okay, let's just ask
Reyhan Dewantoro
and Ute, our power couple.
Reyhan, what will your next project be,
and will it also be featuring Ute?
If you will, Mr. Director.
I can't say much yet
about the future project.
But, surely, it will be
very personal to me.
Okay.
We're really looking forward to it.
Hopefully it will also
be featured in Saskara.
Are you happy with the answer?
So, who's next?
La, what are you doing?
Looks like it's coming
from our own organizing committee.
Go ahead, La.
Thank you. Check.
Hello, Reyhan and all of his team.
Congrats on your movie, Cangkem,
it's a very cool movie.
I have one question,
especially for Reyhan.
What I noticed,
from the production team to creative team
is that they all seem to
consist of male crews.
Is there no opportunity
for female crew members?
Well, we didn't do it on purpose.
It just so happens
that the team on Cangkem
always makes movies with me.
Regardless of gender,
whether male or female,
if you as an individual
can prove yourself to me,
Gepeng, or any other team member,
that you have the skills
then, why not?
Thank you.
My god, you were so girl-bossy!
My heart was pounding!
No way, Rey.
There's no way we can build
the set from scratch.
Peng, you know that
the set is an important part
of our narrative in Larung.
Yes, I know that.
But try to see it
from a budgeting point of view.
It's just impossible.
The best way is if we shoot
in an Omah Sopo.
Then we could just dress it up
to suit your vision.
There's nothing wrong with you
being an idealist.
But just don't forget
to be realistic, Rey.
I'm so tired of his stubbornness.
Hi, Gepeng!
Hello. I'm Lala.
Lala, the producer from the junior class?
Yes. What does it matter if I'm a junior?
Oh, nothing.
I want to give you something.
What's that?
My CV. Maybe you could take a look at it.
I want to express my interest
in helping out on the production team
for your latest project with Reyhan.
So you're the one Rey said
asked about female crew.
Yes, that was me.
Nice, I like your style.
Actually, I do need some help
to handle Rey's bad mood.
Do you have some time tomorrow
to discuss it with me and Reyhan?
Sure.
Okay, I'll send you our deck project,
so can review it.
The project is called "Larung."
But, try to keep confidential.
Sure, will do.
Tomorrow, just tell me what you think,
and tell us what
you can offer for us on Larung.
Alright.
Okay.
-I'll take these.
-Alright.
-Thank you.
-You're welcome.
Thank you, thank you.
Jess.
-What do you want to say?
-What do you want to talk about?
Crosstalk.
You go first.
Okay.
I'm sorry I haven't told you about this.
So, I submitted a proposal
to take part in the production
of Reyhan and Gepeng's latest film.
But don't worry,
if they accept my proposal
I will still be the producer
for our movie.
What do you think?
It's okay, of course.
You have my full support.
Besides, if you are involved
in Reyhan and Gepeng's film
you have more of a chance
to be accepted in Saskara,
and to prove to your mother
that you are serious about filmmaking.
You are the best, Jess!
What are you going to talk about?
I was about to show you the synopsis
for our Saskara film.
Really? What's it about?
Family drama, La.
Family drama again, Jess?
I think that theme is less interesting
to submit to Saskara this year.
What if we talk about
a more promising issue?
For example
gender.
Or maybe social inequality.
I see.
Okay.
I'll try to find another idea.
Chin up. You got this.
Okay, so what can you improve?
I think we can extend the budget
by submitting a better offer
for equipment rental.
On my last shoot,
I got 70 percent off regular rental.
And also, the potential location.
What's wrong with the potential location?
Look wise, it's close enough.
But in my opinion,
the look of an Omah Sopo is too modern.
If we tone it down,
it won't be believable.
If we build the set from scratch,
it's not cost effective.
It takes a lot of time and money.
What is your suggestion?
I've done my research on Airbnb,
and I found this.
Rumah Tajoe.
This house is inhabited,
but it's right as a shooting location.
I think that an inhabited house
has more soul and texture
compare to a set built from scratch,
and the rental price is good.
Not bad, La.
Why?
Why are you so interested
in joining our team?
Because I like your film.
I want you to make the best film
according to your vision.
And I
I want to prove myself to someone.
Lala!
Hi.
I've talked to Gepeng,
and we were impressed
with what you had to offer to us.
You can join the production of Larung.
What do you say?
-Are you serious?
-Of course.
But, before you get your position,
I have one task for you.
We haven't found an art director yet.
So I need you to find an art director.
Can you do that?
-Yes, I can.
-Okay, see you.
ART DIRECTOR CANDIDATES
ART DIRECTOR CANDIDATES
Hey, Teletubby. Give me back my shoes.
Your shoes? I've dumped them in the bin.
You rascal!
-I haven't finished talking.
-What's this?
You took the dolly that I booked,
now you touch me without permission.
What do you want?
TO BE CONTINUED
What's going on?