Invasion (2021) s01e02 Episode Script
Crash
1
[BREATHING HEAVILY.]
- [RUMBLING.]
- [GLASS SHATTERS.]
[DISTANT BLAST.]
[RUMBLING CONTINUES.]
[GLASS SHATTERS, DISTANT.]
Aneesha.
Aneesha.
We should get in the basement.
- Aneesha.
- Aneesha.
- Aneesha.
- [GASPS.]
- [SARAH WHIMPERS.]
- [BREATHING HEAVILY.]
We should get in the basement.
Come on, Luke.
Come here, buddy.
All right.
Come here, buddy.
Come over here.
Watch out, Lukey.
Watch out.
[SIREN WAILING IN DISTANCE.]
Shit.
All right.
[BEEPING.]
[BUSY SIGNAL BEEPING.]
Well, we'll wait it out down here.
All right? I'm gonna need some light.
Could be in the box.
Okay.
Was that a fucking tornado? Miss Finnegan says tornadoes only happen in other places.
[AHMED.]
Oh, probably she's right.
Right? [GRUNTS.]
All right.
Hey.
We're, uh We're safe here together.
With me.
[KISSES.]
You promise that we'll be fine? Yeah, I promise.
Promise, my love.
Would I ever lie to you, sweetheart? Ugh.
You smell good, Daddy.
Oh, thank you.
[GASPS.]
I-I-I'm going outside.
No, it's not safe outside.
- [PANTS.]
- Aneesha.
Aneesha.
Aneesha, please? I'll go.
You stay with them.
All right? Listen, do you wanna hate me right now? Fine.
But I'm not letting you go out there.
It's not safe.
Is it safe in here? Why are you fighting? Are you scared? N-No.
No, no, no.
No, baby.
Everything's gonna be fine.
Daddy's going outside to talk to our neighbors, and Mommy will keep you safe in here.
Right? Sarah? Ahmed? - [HELICOPTER WHIRRING.]
- [SIRENS WAILING.]
- [MAN.]
What's going on? - [WOMAN.]
I don't know.
[WOMAN.]
I can't find him.
[MAN.]
He's gotta be here.
Dylan? Dylan? - Where are you? - [WOMAN.]
Dylan? [SIREN WAILING.]
- [AHMED.]
Barbara! - Yeah? What happened? Everything.
C-Cell service.
The The The power's flickering.
O-Only the phone lines are working, but I can't get through to 911.
[MAN.]
J-Judy thinks it's a tornado.
[BARBARA.]
Oh.
Carl Carl said it was some kind of explosion.
[WOMAN.]
The Rothkrugs are leaving.
Do we need to leave? [AHMED.]
I don't know.
I don't know.
I don't know.
["DRAIN YOU" PLAYING.]
I got, I, got, I got loyalty Got royalty inside my DNA Cocaine quarter piece Got war and peace inside my DNA I got power, poison, pain and joy - Hey, hey! - inside my DNA - I got - Not bad, not bad.
- [CHEERING.]
- Holy balls, mate.
- Alfie saw some tit.
- What? Yeah.
In person.
Nip and all.
- You serious? - Yeah.
- One or two, man? - [ALFIE.]
Two, man.
So basically, yeah, I was out on the Lancaster bus, - minding my business, whatever.
- Yeah.
- And the sexiest girl jumped on.
- [ALL CHUCKLE.]
And while I was walking over towards her, yeah? I swear, the bus, it hits a bump.
- Shut up.
Shut up.
- No way.
Yes.
[CHUCKLES.]
And then, her tits flap out for dear life.
- [CHUCKLING, CHATTERING.]
- It was crazy.
- Ah, you're so lucky.
- I know, man.
And I was there, thinking to myself, the only other tits I saw in person were Fat Tommy's.
- [LAUGHING.]
- Yeah.
[TALL BOY.]
It's true.
[ALFIE.]
I was praising the Lord.
[CHATTERING.]
Hey, watch where you're going, neek.
[GRUNTS.]
Aw, did I make you piss your trousers again, Casp? Do you want me to call Mummy? I I wouldn't want another freak.
[IMITATES SEIZURE.]
[BOY.]
Stay where you are.
Hey! Hey! Mr.
Cuttermill! Is there a reason you're standing over Mr.
Morrow? What have I told you about leaving him alone? No, sir.
Caspar just dropped his belongings.
I was literally just helping him up.
Is that true, Caspar? [BREATHING SHAKILY.]
Yes, sir.
Okay.
Right, well, Mr.
Cuttermill, I think you've helped enough.
I want to see you on that bus.
Now.
Bus.
Now.
Move! Are you okay, Caspar? [BREATHING HEAVILY.]
[TEACHER.]
Move! Come on! - Yo, man, Casp, you all right? - All right, Casp? They're just tools, all right? Yo, you all right? Hey, man, they can't hurt you anymore - You okay, bruv? - and that's true.
[ALFIE.]
Yo, Casp! Yo, Casp! [CASPAR SPITS.]
[PANTING.]
[BREATHING HEAVILY.]
[PILLS RATTLING.]
- [CHATTERING.]
- [TEACHER.]
All right.
Just checking.
You got everything you need? Okay.
You got a little snack? - [BOY.]
Think he's all right? - [ALFIE.]
Yeah.
He's here.
- Oh, there you are.
- [SHORT BOY.]
He's here.
- You all right, man? - Yeah.
- Want a crisp? - I'm okay, thanks.
- [TALLEST BOY.]
You all right? - I'm good, man.
[ALFIE.]
Come on, cheer up.
My favorite guy in the world.
- [SHORT BOY.]
Oi! - What the fuck? [CHATTERING.]
- Hey, look.
It's the neeks! - Oh, wanker, wanker.
What are you gonna do, pussy? [CHATTERING.]
[CUTTERMILL.]
Oi, Jamila, wanna sit here, girl? You can show me where you got them other piercings.
Listen up, bruv, and listen good.
Unless you want me to kick your undescended balls up your throat [LAUGHS.]
I'd keep your lips shut.
[ALL LAUGHING.]
- Got it? - [LAUGHING CONTINUES.]
Hey, all right.
Settle down.
Jamila, sit down.
Okay, one last time.
- Has everyone gone to the toilet? - [ALL.]
Yes.
We don't want any mistakes like last time.
Do we, Monty? - Hey? Hey? - [STUDENTS CHEER.]
Hey! [TEACHER.]
All right, it's a joke.
It's a joke.
Seat belts, seat belts.
Everyone ready? - [STUDENTS.]
Yes! - [TEACHER.]
Let's go! [BUS ENGINE STARTS.]
[MITSUKI, IN JAPANESE.]
Day one.
You really piss me off, Hinata.
You take my ring.
[SIGHS.]
You drink all the beer.
You leave me here.
I reinstalled Tinder.
It's just to keep the bed warm until you're back.
It feels like the air is different somehow today.
The sunrise and the sky too.
It's like gravity is stronger.
It's like it's trying to keep me from floating up to you.
When you come back I'm making you watch all of these.
All 335 days' worth.
I realized the strangest thing.
It was that even though I'm still here on Earth my entire world has disappeared.
[KISSES.]
See you tomorrow.
- [CELL PHONE BUZZES.]
- [CELL PHONE BUZZES.]
Hi, this is Yamato.
[BOSS.]
Hi.
Can you come in right away? It looks like something happened with the Hoshi.
[MITSUKI.]
When did this happen? [BOSS.]
Three hours ago.
We tried resetting the system.
On what channels? 135, 473, 997, 545.
We tried all of them.
- [MITSUKI.]
Any transmissions to NASA? - [BOSS.]
Nothing.
- What about Roscosmos? - It seems like nothing there either.
- The space station? - No signal anywhere.
Why didn't you tell me this sooner? Sorry.
She just woke up.
- [MITSUKI SIGHS.]
- [TYPING.]
[MITSUKI.]
The system didn't malfunction.
No emergency call.
That means some debris or a meteorite could have crashed into the GS5 satellite.
That means some debris or a meteorite could have crashed into the GS5 satellite.
If something crashed into this at a speed of 75 km per hour and at an angle of 34 degrees, it would damage the satellite and could disrupt communications with Hoshi.
Call NASA.
Have them piggyback a message on the A75 Mars probe.
The thing is, NASA lost A75's signal too.
It looks like the Roscosmos's moon satellite signal went out too.
What are you saying? It could be a massive cosmic storm.
[TYPING.]
Connecting to the tracking and data relay satellite.
Triangulating a message to the ISS.
[ALARM SOUNDS.]
[BOSS.]
What is this? An automated distress call.
Unbelievable.
A master system error? [BOSS.]
From when? Three hours ago.
[BOSS.]
What do you mean, three hours ago? We just got them.
- Why now? - Why now? Why are they just coming in now, Yamato-san? - Did the system have some kind of - No.
- Then why weren't they running? - I don't know.
- They should have been running.
- Should have been? So we didn't receive the shuttle's distress signal? - Establish the connection! - [MITSUKI.]
Okay.
[TYPING.]
Captain Murai? Captain Murai? Hinata? Hinata! She's gone [MAN REPORTING.]
This just in.
Some tragic news.
Space shuttle Hoshi-12 has exploded.
At 14 hours, 17 minutes after the shuttle's launch from the Tokyo suburbs to the International Space Station, there was a serious accident.
According to JASA officials, contact was lost with the shuttle that was carrying three crew members when it ruptured suddenly and violently.
Astronauts Hinata Murai, Satoshi Matsuoka, and Ryusei Ito are believed to be dead.
What should have been a proud day for Japan, science, and space exploration, has ended in pain and sorrow.
- [SNIFFLING.]
- [SNIFFLING.]
[SNIFFLING.]
[CRYING.]
[BREATHING HEAVILY.]
[SIGHS.]
["SWEET ROCK AND ROLL" PLAYING.]
Paulson! - Yo! - What's that you got, huh? A love letter to me from your mom? [CHUCKLES.]
Yeah, I think my mother would give a lot more than a love letter to my guardian fuckin' angel.
- Oh, you are sick, bro.
- [CHUCKLES.]
Yo! - [MAN.]
What's good, baby? - Temple! Hey! - [CHUCKLES.]
- See the Temp? That's the man.
Now, do me a favor, gimme a double-double, medium rare, but burn one for this guy.
- Oh, the Hurricane's hungry, huh? - You already know.
Oh, shit.
Action Jackson.
- Ba-dum, ba-dum, ba-dum.
- [CHUCKLING.]
Oh! Yeah.
- [IMITATES DRUMS.]
- [CHUCKLING.]
- Yes, sir.
- [FARTING.]
- How you doing, chief? - How you doing, chief? - [GROANS.]
Jesus fucking Christ, Temple.
- Yeah.
[GROANS.]
[JACKSON.]
Not around the food, man.
Can that shit up, drop it on Daesh, win the war.
I'm serious.
We can't win the war yet.
Paulson would miss the translator too much to go home.
[CHUCKLES.]
Paulson, you're banging the translator? I don't know.
He's kinda hot, bro.
[LAUGHING.]
Hey, what I miss? Yo, Zem, you know that new translator joined the army fuckers? - Yeah, he sucks.
- Yeah, that's what I heard.
- [LAUGHS.]
- [ZEM.]
Smells like shit in here.
[TEMPLE.]
Yo, suck it up.
Stop fucking up my food, man.
Yo! - Hut! - All right.
Learn how to throw, bro.
Go long.
Go long.
- My people play baseball, dawg.
- Mmm.
Trev, can you believe this motherfucker thinks that pro wrestling is real? Didn't you go to some rich people shit? Harvard or something? Yeah.
I studied macro and biology.
And I know any dude with that much muscle mass can legitimately kick any man's ass in the ring.
Madden, what the fuck do you know about ass-kicking, son? [BOTH GRUNT.]
Okay.
Oh, what, you're an expert at fighting now? - Yeah, I got my MBA in that.
- Oh, really? Come on.
Come on, white boy.
- [CHUCKLES.]
- Let's go.
Let's go.
[GRUNTING, CHUCKLING.]
Don't make me embarrass you in front of these white people.
- [LAUGHS.]
Oh, no.
- Come on! Come on! [ONLOOKERS LAUGHING, CHEERING.]
[ALL CHEER, LAUGH.]
Come on, man.
That's my nice hat! [MAN.]
Yo, Chavez! Hey! You guys all trying to bust ACLs out here? Come on.
[CHAVEZ.]
Sorry, sir.
Hey, boss.
Your chat's blowin' up like a motherfucker.
- Hey.
Satphone's up.
- Thanks, sir.
[MADDEN.]
Oh, shit.
That reminds me.
I gotta call Coates's sister.
Ah, Madden, go back to your PlayStation.
[LAUGHS.]
[MADDEN LAUGHS.]
[BREATHES HEAVILY.]
All right, all right.
[WOMAN.]
Hey.
It's been a minute.
Yeah, I know.
I just, um Um [INHALES SHARPLY.]
How are you? Good.
[SIGHS.]
Uh, got a draft deadline at noon.
I just was calling I mean, I should have called first, but, uh [SIGHS.]
I I didn't think we'd be talking today, so Shit.
- What? - I mean Nothing.
I gotta go to work.
So do you.
So, uh Okay.
Bye, Trev.
Bye Oh, hey [LOUDLY.]
Yeah, okay.
All right, baby, I miss you too.
Counting down the days, okay? [CHUCKLES.]
Yeah.
All right.
I gotta go.
All right, baby.
Love you, babe! Yo! - [COATES.]
You lookin' after mommy? - [TREV CHUCKLES.]
- You the boss of her? - Stop it.
[TREV.]
Oh, Rosa.
Hola.
- [ROSA.]
Oh, my God.
My hero.
- [ROSA.]
Oh, my God.
My hero.
Alvie, you tell Trevante I'll cook him my stew next time he's home.
Is that right, Rosa? Maybe I'll go AWOL [CHUCKLES.]
just to get a taste sooner.
Oh, honey, you'll be happy you did.
[CHUCKLES.]
You continue to keep all them safe, I'll cook the world, honey.
- Yeah.
SÃ.
- [ROSA CHUCKLES.]
[CHUCKLES.]
Um [IN SPANISH.]
Good night? - Good night.
- [TREVANTE.]
Good night.
[ROSA.]
We miss you so much, Alvie.
We can't wait for you to be home, sweetheart.
I miss you too, Grandma.
Take care of yourself.
- Ciao.
- Ciao.
You learning.
You pickin' that shit up.
- [TREVANTE IN SPANISH.]
"Good night.
" - [CHAVEZ.]
"Good night.
" ["WHEN I COME AROUND" PLAYING THROUGH EARPHONES.]
[STUDENTS CHATTERING.]
[ELECTRONIC BEEPING, BUZZING.]
- Oh, my God.
- This only gets better.
- ["WHEN I COME AROUND" CONTINUES.]
- [BEEPING, BUZZING CONTINUES.]
[CUTTERMILL.]
What the hell, man? Yeah, that's what I've got as well.
[STUDENTS MURMURING.]
[TEACHER.]
What's going on? [GRUNTING, CLAMORING.]
[TEACHER.]
Oh, sorry! Jesus.
Sorry, sorry.
- Learn how to drive.
- It's just a pothole.
- Everyone all right? - [STUDENTS MUTTERING.]
[TEACHER.]
Okay, settle down.
Uh, that's that's mine.
[STUDENTS CHATTERING.]
You draw that? Yeah.
- Is she supposed to be - She's the Xylon queen.
Um, she's the savior of seven planets and the ruler of the far side of the galaxy.
[SCOFFS, LAUGHS.]
And him? Um He Uh, he's nobody.
Just Just an alien.
Well, I like how he's drawn.
- What you got? - It's just old stuff.
I like old stuff.
What is it? I-I got nothing.
[CHUCKLES.]
Can I listen? Yeah.
["WHEN I COME AROUND" PLAYING.]
[WHISPERING.]
third base! [CELL PHONES VIBRATING.]
[BARBARA.]
"Emergency alert.
This is not a test.
" What does this mean? I don't know.
- What What the hell is going on? - [MAN.]
I'm not getting a signal.
This is like 9/11.
I'll bet you it's a dirty bomb.
It must be.
A dirty bomb? [WOMAN.]
You have a better explanation? You have any explanation? [SIREN WAILING IN DISTANCE.]
[HELICOPTER WHIRRING.]
Manny? What? W-Why didn't it hit your house? Huh.
I don't know.
I guess we got lucky.
[DOOR OPENS.]
- [LUKE SCREAMING.]
Mom! - [SARAH SCREAMING.]
Mommy! - Luke? Luke! Stop! - [LUKE.]
Stop, stop, stop! - What happened? - [SCREAMING.]
- What happened? Luke, what happened? - My ears! My ears! - [AHMED.]
What is it? - Stop! Stop! - Come here.
- [ANEESHA.]
Take him to the kitchen.
[CONTINUES SCREAMING.]
[AHMED.]
Shh.
[ANEESHA.]
Tell me where it hurts.
Need to see - Make it stop! - You need to let me see.
- [AHMED.]
You're hurting him! - I need to see to help him.
Please stop! Open your eyes.
Open your eyes.
[PANTING.]
- Stop! Stop! Stop! Stop! - [AHMED.]
Shh.
Shh.
[BREATHES HEAVILY.]
There's nothing.
There's nothing.
There's nothing in there, sweetie.
Calm down, breathe.
[LUKE PANTING.]
[ALL BREATHING HEAVILY.]
[AHMED SIGHS.]
- It's all right.
Breathe.
Good.
- [AHMED.]
Okay.
I'll It's your ears, huh? Inside, there's nothing in there.
- There's nothing in there.
- I'll call 911.
All right? - Yeah.
- I'll try them again.
Okay.
- I wanna go too.
- Stay here, Sarah.
Stay here.
Can't you hear it? [BREATHING HEAVILY.]
Hear what? Hear what? What it said.
What what said? It's a voice.
A voice? It's talking.
- It's talking.
- S-Saying what? What is it saying? Huh? [PANTS.]
"Wajo.
" Sweetheart, I don't understand.
What? Wajo.
Wajo.
Wajo.
Wajo.
- It's all right.
It's all right.
- Wajo.
Wajo.
- It's all right.
It's all right.
Shh.
- Wajo.
Wajo.
Wajo.
- [AHMED.]
Hello? My darling - It's gonna be okay.
Yeah.
I've been trying to reach you.
I've been thinking about you.
It's been so crazy, what's happening here.
You doing okay? You still have power over there? - What's happening? [CONTINUES, INDISTINCT.]
- [BREATHING SHAKILY.]
[BREATHES HEAVILY.]
[BEEPS.]
[AMANDA.]
I wish you were here.
[AHMED.]
I've been thinking about you.
[AMANDA SIGHS.]
I have to go.
I love you.
[AHMED.]
I love you too.
[WHIMPERS.]
["TWENTY FOUR HOURS" PLAYING THROUGH EARPHONES.]
[STUDENTS CHATTERING.]
[ELECTRONIC BEEPING.]
[STUDENTS SHOUTING, CHATTERING.]
Casp? Casp? You okay? Casp? - [STUDENTS SHOUTING.]
- [TEACHER.]
What's going on? - [MUFFLED.]
Casp? - [TEACHER.]
Hey, hey, hey! - [MUFFLED.]
Where's his pills? - [SHOUTING CONTINUES.]
Caspar? [SHOUTING.]
Caspar? Caspar? [CLAMORING, SCREAMING.]
- Hold on! - [SCREAMING.]
[ANEESHA SHUDDERS.]
The line was busy.
I couldn't reach 'em.
[LUKE WHIMPERS.]
He's okay? Don't touch him.
Don't touch him.
- [ANEESHA.]
Stay here, sweetie.
- [LUKE PANTING.]
You saw the way that they were looking at me.
And you didn't say anything.
What did you want me to say, Manny? I'm your husband.
Something.
I don't know.
That you're one of them? That's how they always look at us.
You're just seeing it for the first time.
I'm here.
I'm here now.
Mommy's got you.
I promise.
- [SONIC DRONING.]
- [ANEESHA.]
Keep your head up.
[GASPS.]
- [BREATHING HEAVILY.]
- [CAR ALARM BLARING IN DISTANCE.]
[PANTING.]
[AHMED GRUNTS.]
Come on.
Come on, Sarah.
[PEOPLE SHOUTING, SCREAMING OUTSIDE.]
- Feeling better? - Yeah, I'm fine.
- Stay here.
- Okay.
Hey, it's going to be okay.
Right? All right.
All right.
[BREATHES HEAVILY.]
Okay.
All right.
[BREATHING HEAVILY.]
Listen to me.
Go to your room.
Grab the one thing you wanna take with you.
Okay? Go now! The hell is wrong with you? Come on! - Luke! Sarah! - [LUKE SHOUTS.]
- What happened? What happened? - [LUKE SHOUTS.]
Do you [GROANS.]
Calm down! [IN JAPANESE.]
It's very clean.
I'm sorry.
[SIGHS.]
It was her.
[BREATHES SHAKILY.]
It was her.
She was the one.
Hinata Murai was my I'm sorry, Mi.
But perhaps it's for the best.
Now you can have a clean start, Mitsuki.
You can meet a nice man.
Fall in love.
You have a fresh start.
How can you say that? It's just that I - Maybe this was fate.
- [INHALES SHARPLY.]
Like a present from heaven.
A present? I only want what's best for you.
For me? How is this good for me? This is just what's best for you! Now you can live without the shame your daughter brings to you? This matter involves your soul.
If you damage your soul, that's it.
It's ruined.
Don't you understand what I'm saying? [SNIFFS.]
[BREATHES SHAKILY.]
Get out.
I never should have asked you here.
- Mitsuki - Get out! [BREATHES SHAKILY.]
[DOOR OPENS, CLOSES.]
[ELECTRONIC DANCE MUSIC PLAYING.]
[MUSIC CONTINUES.]
[MUSIC FADES, ENDS.]
[HINATA.]
This is your fault, Mitsuki.
- [GASPS.]
No! - [GASPS.]
No! [BOTH BREATHING HEAVILY.]
What? What's wrong? I'm sorry.
Get out.
Why? - What's wrong? - [CRYING.]
Get out.
What's wrong with you? [MITSUKI SOBBING.]
Chavez, get me something.
It's still dark.
Zero contact with the TOC, sir.
Radio? It's not like they were in a helo.
Nothing coulda wiped 'em all out, man.
A whole squad doesn't just go dark for that long.
I don't know about y'all, but I've always had a lot of fun in the dark.
Yeah, except we're going out in broad daylight.
Any of y'all watch Moana? What? Like the Disney movie? - Yeah.
- [MADDEN.]
I know Paulson's seen it.
- [CHUCKLES.]
- Yeah.
Only ten times.
- I know everybody on this island's - [CHUCKLES.]
Got a role on this island Maybe I can roll with mine [OFFICER.]
How about we don't sing on the intersquad? I know everybody on this island [ALL.]
Has got a role on this island Maybe I can roll with mine Everybody! - [SINGING CONTINUES.]
- You know, she's single, my abuela.
What? - My abuela.
She's single.
- Shut up.
Like 'em young too.
[CHUCKLES.]
[ALL LAUGHING.]
[OFFICER.]
The hell's Maretti's squad? The channel's jammed.
All I got's noise.
[MADDEN, ON RADIO.]
Hey, where are our guys? [MADDEN.]
The fuck? [MUTTERING, BREATHING HEAVILY.]
[SPEAKING PASHTO.]
- Twelve o'clock, sir.
- [SPEAKING PASHTO.]
- Madden, you clock these guys? - [PEOPLE SPEAKING PASHTO.]
[SPEAKS PASHTO.]
No, no, no.
Don't come close.
Stay back.
- Stay back.
- [PAULSON.]
Calm 'em down, Zem.
[OFFICER.]
Hey, Zemar, ask him.
Careful.
- [ZEMAR SPEAKING PASHTO.]
- [COATES.]
Back up.
- [SPEAKING PASHTO.]
- [COATES.]
Back.
Back.
Back.
Hey, hey, hey.
[ZEMAR, MAN SPEAKING PASHTO.]
Back up.
[SPEAKING PASHTO.]
Another one to the right.
- [COATES.]
Back up.
- [SPEAKING PASHTO.]
Hey! Back him up.
Take it easy.
[SPEAKING PASHTO.]
- [SHOUTING.]
- [SPEAKING PASHTO.]
- Zemar, what is she saying? - [WOMAN SPEAKING PASHTO.]
She says others like us were here.
Sounds like Maretti's squad.
- She says an attack.
- Taliban? Daesh? [SPEAKING PASHTO.]
[ZEMAR.]
An attack.
Something.
- She's not making any sense.
- [TREVANTE.]
Daesh? She's not making any sense.
[WOMAN SPEAKING PASHTO.]
[ZEMAR.]
They all say an attack.
They came They went to a school.
Find a channel we can use.
Get comms back up.
Find a fucking landline.
Anything.
- [SHOUTING IN PASHTO.]
- Copy you, sir.
[SHOUTING IN PASHTO.]
It sounds like Maretti's squad.
They went to a school.
A school.
A school, sir.
That's it, boys! Head to target.
We're moving to the school.
Let's go.
- [CHAVEZ.]
Get back! - [TREVANTE.]
Back up! [SPEAKING PASHTO.]
[CLAMORING, SPEAKING PASHTO.]
Move back! All of you, move back! Move back! Move, move, move! [CLAMORING, SPEAKING PASHTO.]
[SHOUTING IN PASHTO.]
[OFFICER ON RADIO.]
Got movement upstairs.
Third floor.
[DISTANT THUD.]
[CHILDREN MURMURING, CRYING.]
[CHAVEZ.]
Clear! It's okay, guys.
Stay calm.
Stay calm.
Candy? Yeah? [BREATHING SHAKILY.]
[EXHALES.]
Hey, Zem? Zem, get over here.
Ask this kid what happened.
[ZEMAR SPEAKING PASHTO.]
ISIS? Daesh? [SPEAKS PASHTO.]
Hey.
Hey.
Hey.
[CHUCKLES.]
See anybody that look like us? Huh? Americans.
- Tell him.
- [ZEMAR SPEAKS PASHTO.]
It's okay.
It's okay.
You know? [WHISPERING IN PASHTO.]
- [SPEAKS PASHTO.]
- [CHILDREN SHOUTING IN PASHTO.]
- [SHOUTS IN PASHTO.]
- [CHILDREN CONTINUE SHOUTING IN PASHTO.]
[SIREN WAILING IN DISTANCE.]
[CAR ALARM CHIRPS.]
Come on.
Shit.
- We have to cross the bridge.
- [LUKE.]
Where are we going? I told you we should've never lived where we had to cross a bridge.
[CLICKING.]
- [SARAH.]
I'm scared.
- Are you doing it right? Daddy? [GROANS.]
- [CLICKING.]
- You had to get a Tesla.
Wanted to impress her.
[CLICKING.]
Where are we going? [SARAH.]
Daddy! Hey, Mark.
Mark.
Mark.
Come on, Mark! - Please, Mark? - We can't - Come on, please? - We We can't fit you all! Not them.
Just me.
- Come on, Mark.
Please? - We can't.
Please.
Come on.
Take just me.
Take me with you.
Come on, Mark! Oh, come on.
Take me with you! - Oh, come on, man! Fuck! - Ahmed.
Ahmed! You coward.
Get in the car.
What is wrong with you? What are you? I was gonna leave you.
I was gonna tell you this week.
[CHUCKLES.]
Well sorry you chose the wrong week to abandon your family, Ahmed.
Now get in the fucking car, you child.
Give me your phone.
- I'm driving.
- I'm driving.
- [CRASH.]
- [CAR ALARM BLARES.]
What's happening? [LUKE, SARAH CRYING.]
Everybody stop crying.
Everything's going to be fine.
[SIGHS.]
Everyone got their belts on? [STATIC ON RADIO.]
Check up.
Sir.
Make entry.
Go.
[GOATS BLEATING.]
- [RADIO SCRATCHES, WHINES.]
- [GROANS.]
- [HIGH-PITCHED WHINE ON RADIO.]
- Ow, shit.
My comms.
Do you hear that? [GRUNTING.]
[WIND GUSTING.]
- [CHAVEZ COUGHING.]
- [TREVANTE.]
What is that? [CHAVEZ.]
Chief, where are you? - Chavez? - Chief! - Chavez! - Where are you? Chavez? Anyone? Chavez? Chief, where are you? Chavez! Chavez! Hold up.
Madden? Chief? Anyone? - Chief! - Chavez.
Chief, where are you? [TREVANTE SPEAKS INDISTINCTLY.]
Trev! What the fuck is going on, man? Chavez! Just follow my voice.
Sir! Trevante! [SCREAMING.]
[OTHERWORLDLY BELLOW.]
- Contact, front! - [GUNFIRE.]
[SHOUTS.]
[GUNFIRE CONTINUES.]
- [RUMBLING.]
- [GLASS SHATTERS.]
[DISTANT BLAST.]
[RUMBLING CONTINUES.]
[GLASS SHATTERS, DISTANT.]
Aneesha.
Aneesha.
We should get in the basement.
- Aneesha.
- Aneesha.
- Aneesha.
- [GASPS.]
- [SARAH WHIMPERS.]
- [BREATHING HEAVILY.]
We should get in the basement.
Come on, Luke.
Come here, buddy.
All right.
Come here, buddy.
Come over here.
Watch out, Lukey.
Watch out.
[SIREN WAILING IN DISTANCE.]
Shit.
All right.
[BEEPING.]
[BUSY SIGNAL BEEPING.]
Well, we'll wait it out down here.
All right? I'm gonna need some light.
Could be in the box.
Okay.
Was that a fucking tornado? Miss Finnegan says tornadoes only happen in other places.
[AHMED.]
Oh, probably she's right.
Right? [GRUNTS.]
All right.
Hey.
We're, uh We're safe here together.
With me.
[KISSES.]
You promise that we'll be fine? Yeah, I promise.
Promise, my love.
Would I ever lie to you, sweetheart? Ugh.
You smell good, Daddy.
Oh, thank you.
[GASPS.]
I-I-I'm going outside.
No, it's not safe outside.
- [PANTS.]
- Aneesha.
Aneesha.
Aneesha, please? I'll go.
You stay with them.
All right? Listen, do you wanna hate me right now? Fine.
But I'm not letting you go out there.
It's not safe.
Is it safe in here? Why are you fighting? Are you scared? N-No.
No, no, no.
No, baby.
Everything's gonna be fine.
Daddy's going outside to talk to our neighbors, and Mommy will keep you safe in here.
Right? Sarah? Ahmed? - [HELICOPTER WHIRRING.]
- [SIRENS WAILING.]
- [MAN.]
What's going on? - [WOMAN.]
I don't know.
[WOMAN.]
I can't find him.
[MAN.]
He's gotta be here.
Dylan? Dylan? - Where are you? - [WOMAN.]
Dylan? [SIREN WAILING.]
- [AHMED.]
Barbara! - Yeah? What happened? Everything.
C-Cell service.
The The The power's flickering.
O-Only the phone lines are working, but I can't get through to 911.
[MAN.]
J-Judy thinks it's a tornado.
[BARBARA.]
Oh.
Carl Carl said it was some kind of explosion.
[WOMAN.]
The Rothkrugs are leaving.
Do we need to leave? [AHMED.]
I don't know.
I don't know.
I don't know.
["DRAIN YOU" PLAYING.]
I got, I, got, I got loyalty Got royalty inside my DNA Cocaine quarter piece Got war and peace inside my DNA I got power, poison, pain and joy - Hey, hey! - inside my DNA - I got - Not bad, not bad.
- [CHEERING.]
- Holy balls, mate.
- Alfie saw some tit.
- What? Yeah.
In person.
Nip and all.
- You serious? - Yeah.
- One or two, man? - [ALFIE.]
Two, man.
So basically, yeah, I was out on the Lancaster bus, - minding my business, whatever.
- Yeah.
- And the sexiest girl jumped on.
- [ALL CHUCKLE.]
And while I was walking over towards her, yeah? I swear, the bus, it hits a bump.
- Shut up.
Shut up.
- No way.
Yes.
[CHUCKLES.]
And then, her tits flap out for dear life.
- [CHUCKLING, CHATTERING.]
- It was crazy.
- Ah, you're so lucky.
- I know, man.
And I was there, thinking to myself, the only other tits I saw in person were Fat Tommy's.
- [LAUGHING.]
- Yeah.
[TALL BOY.]
It's true.
[ALFIE.]
I was praising the Lord.
[CHATTERING.]
Hey, watch where you're going, neek.
[GRUNTS.]
Aw, did I make you piss your trousers again, Casp? Do you want me to call Mummy? I I wouldn't want another freak.
[IMITATES SEIZURE.]
[BOY.]
Stay where you are.
Hey! Hey! Mr.
Cuttermill! Is there a reason you're standing over Mr.
Morrow? What have I told you about leaving him alone? No, sir.
Caspar just dropped his belongings.
I was literally just helping him up.
Is that true, Caspar? [BREATHING SHAKILY.]
Yes, sir.
Okay.
Right, well, Mr.
Cuttermill, I think you've helped enough.
I want to see you on that bus.
Now.
Bus.
Now.
Move! Are you okay, Caspar? [BREATHING HEAVILY.]
[TEACHER.]
Move! Come on! - Yo, man, Casp, you all right? - All right, Casp? They're just tools, all right? Yo, you all right? Hey, man, they can't hurt you anymore - You okay, bruv? - and that's true.
[ALFIE.]
Yo, Casp! Yo, Casp! [CASPAR SPITS.]
[PANTING.]
[BREATHING HEAVILY.]
[PILLS RATTLING.]
- [CHATTERING.]
- [TEACHER.]
All right.
Just checking.
You got everything you need? Okay.
You got a little snack? - [BOY.]
Think he's all right? - [ALFIE.]
Yeah.
He's here.
- Oh, there you are.
- [SHORT BOY.]
He's here.
- You all right, man? - Yeah.
- Want a crisp? - I'm okay, thanks.
- [TALLEST BOY.]
You all right? - I'm good, man.
[ALFIE.]
Come on, cheer up.
My favorite guy in the world.
- [SHORT BOY.]
Oi! - What the fuck? [CHATTERING.]
- Hey, look.
It's the neeks! - Oh, wanker, wanker.
What are you gonna do, pussy? [CHATTERING.]
[CUTTERMILL.]
Oi, Jamila, wanna sit here, girl? You can show me where you got them other piercings.
Listen up, bruv, and listen good.
Unless you want me to kick your undescended balls up your throat [LAUGHS.]
I'd keep your lips shut.
[ALL LAUGHING.]
- Got it? - [LAUGHING CONTINUES.]
Hey, all right.
Settle down.
Jamila, sit down.
Okay, one last time.
- Has everyone gone to the toilet? - [ALL.]
Yes.
We don't want any mistakes like last time.
Do we, Monty? - Hey? Hey? - [STUDENTS CHEER.]
Hey! [TEACHER.]
All right, it's a joke.
It's a joke.
Seat belts, seat belts.
Everyone ready? - [STUDENTS.]
Yes! - [TEACHER.]
Let's go! [BUS ENGINE STARTS.]
[MITSUKI, IN JAPANESE.]
Day one.
You really piss me off, Hinata.
You take my ring.
[SIGHS.]
You drink all the beer.
You leave me here.
I reinstalled Tinder.
It's just to keep the bed warm until you're back.
It feels like the air is different somehow today.
The sunrise and the sky too.
It's like gravity is stronger.
It's like it's trying to keep me from floating up to you.
When you come back I'm making you watch all of these.
All 335 days' worth.
I realized the strangest thing.
It was that even though I'm still here on Earth my entire world has disappeared.
[KISSES.]
See you tomorrow.
- [CELL PHONE BUZZES.]
- [CELL PHONE BUZZES.]
Hi, this is Yamato.
[BOSS.]
Hi.
Can you come in right away? It looks like something happened with the Hoshi.
[MITSUKI.]
When did this happen? [BOSS.]
Three hours ago.
We tried resetting the system.
On what channels? 135, 473, 997, 545.
We tried all of them.
- [MITSUKI.]
Any transmissions to NASA? - [BOSS.]
Nothing.
- What about Roscosmos? - It seems like nothing there either.
- The space station? - No signal anywhere.
Why didn't you tell me this sooner? Sorry.
She just woke up.
- [MITSUKI SIGHS.]
- [TYPING.]
[MITSUKI.]
The system didn't malfunction.
No emergency call.
That means some debris or a meteorite could have crashed into the GS5 satellite.
That means some debris or a meteorite could have crashed into the GS5 satellite.
If something crashed into this at a speed of 75 km per hour and at an angle of 34 degrees, it would damage the satellite and could disrupt communications with Hoshi.
Call NASA.
Have them piggyback a message on the A75 Mars probe.
The thing is, NASA lost A75's signal too.
It looks like the Roscosmos's moon satellite signal went out too.
What are you saying? It could be a massive cosmic storm.
[TYPING.]
Connecting to the tracking and data relay satellite.
Triangulating a message to the ISS.
[ALARM SOUNDS.]
[BOSS.]
What is this? An automated distress call.
Unbelievable.
A master system error? [BOSS.]
From when? Three hours ago.
[BOSS.]
What do you mean, three hours ago? We just got them.
- Why now? - Why now? Why are they just coming in now, Yamato-san? - Did the system have some kind of - No.
- Then why weren't they running? - I don't know.
- They should have been running.
- Should have been? So we didn't receive the shuttle's distress signal? - Establish the connection! - [MITSUKI.]
Okay.
[TYPING.]
Captain Murai? Captain Murai? Hinata? Hinata! She's gone [MAN REPORTING.]
This just in.
Some tragic news.
Space shuttle Hoshi-12 has exploded.
At 14 hours, 17 minutes after the shuttle's launch from the Tokyo suburbs to the International Space Station, there was a serious accident.
According to JASA officials, contact was lost with the shuttle that was carrying three crew members when it ruptured suddenly and violently.
Astronauts Hinata Murai, Satoshi Matsuoka, and Ryusei Ito are believed to be dead.
What should have been a proud day for Japan, science, and space exploration, has ended in pain and sorrow.
- [SNIFFLING.]
- [SNIFFLING.]
[SNIFFLING.]
[CRYING.]
[BREATHING HEAVILY.]
[SIGHS.]
["SWEET ROCK AND ROLL" PLAYING.]
Paulson! - Yo! - What's that you got, huh? A love letter to me from your mom? [CHUCKLES.]
Yeah, I think my mother would give a lot more than a love letter to my guardian fuckin' angel.
- Oh, you are sick, bro.
- [CHUCKLES.]
Yo! - [MAN.]
What's good, baby? - Temple! Hey! - [CHUCKLES.]
- See the Temp? That's the man.
Now, do me a favor, gimme a double-double, medium rare, but burn one for this guy.
- Oh, the Hurricane's hungry, huh? - You already know.
Oh, shit.
Action Jackson.
- Ba-dum, ba-dum, ba-dum.
- [CHUCKLING.]
Oh! Yeah.
- [IMITATES DRUMS.]
- [CHUCKLING.]
- Yes, sir.
- [FARTING.]
- How you doing, chief? - How you doing, chief? - [GROANS.]
Jesus fucking Christ, Temple.
- Yeah.
[GROANS.]
[JACKSON.]
Not around the food, man.
Can that shit up, drop it on Daesh, win the war.
I'm serious.
We can't win the war yet.
Paulson would miss the translator too much to go home.
[CHUCKLES.]
Paulson, you're banging the translator? I don't know.
He's kinda hot, bro.
[LAUGHING.]
Hey, what I miss? Yo, Zem, you know that new translator joined the army fuckers? - Yeah, he sucks.
- Yeah, that's what I heard.
- [LAUGHS.]
- [ZEM.]
Smells like shit in here.
[TEMPLE.]
Yo, suck it up.
Stop fucking up my food, man.
Yo! - Hut! - All right.
Learn how to throw, bro.
Go long.
Go long.
- My people play baseball, dawg.
- Mmm.
Trev, can you believe this motherfucker thinks that pro wrestling is real? Didn't you go to some rich people shit? Harvard or something? Yeah.
I studied macro and biology.
And I know any dude with that much muscle mass can legitimately kick any man's ass in the ring.
Madden, what the fuck do you know about ass-kicking, son? [BOTH GRUNT.]
Okay.
Oh, what, you're an expert at fighting now? - Yeah, I got my MBA in that.
- Oh, really? Come on.
Come on, white boy.
- [CHUCKLES.]
- Let's go.
Let's go.
[GRUNTING, CHUCKLING.]
Don't make me embarrass you in front of these white people.
- [LAUGHS.]
Oh, no.
- Come on! Come on! [ONLOOKERS LAUGHING, CHEERING.]
[ALL CHEER, LAUGH.]
Come on, man.
That's my nice hat! [MAN.]
Yo, Chavez! Hey! You guys all trying to bust ACLs out here? Come on.
[CHAVEZ.]
Sorry, sir.
Hey, boss.
Your chat's blowin' up like a motherfucker.
- Hey.
Satphone's up.
- Thanks, sir.
[MADDEN.]
Oh, shit.
That reminds me.
I gotta call Coates's sister.
Ah, Madden, go back to your PlayStation.
[LAUGHS.]
[MADDEN LAUGHS.]
[BREATHES HEAVILY.]
All right, all right.
[WOMAN.]
Hey.
It's been a minute.
Yeah, I know.
I just, um Um [INHALES SHARPLY.]
How are you? Good.
[SIGHS.]
Uh, got a draft deadline at noon.
I just was calling I mean, I should have called first, but, uh [SIGHS.]
I I didn't think we'd be talking today, so Shit.
- What? - I mean Nothing.
I gotta go to work.
So do you.
So, uh Okay.
Bye, Trev.
Bye Oh, hey [LOUDLY.]
Yeah, okay.
All right, baby, I miss you too.
Counting down the days, okay? [CHUCKLES.]
Yeah.
All right.
I gotta go.
All right, baby.
Love you, babe! Yo! - [COATES.]
You lookin' after mommy? - [TREV CHUCKLES.]
- You the boss of her? - Stop it.
[TREV.]
Oh, Rosa.
Hola.
- [ROSA.]
Oh, my God.
My hero.
- [ROSA.]
Oh, my God.
My hero.
Alvie, you tell Trevante I'll cook him my stew next time he's home.
Is that right, Rosa? Maybe I'll go AWOL [CHUCKLES.]
just to get a taste sooner.
Oh, honey, you'll be happy you did.
[CHUCKLES.]
You continue to keep all them safe, I'll cook the world, honey.
- Yeah.
SÃ.
- [ROSA CHUCKLES.]
[CHUCKLES.]
Um [IN SPANISH.]
Good night? - Good night.
- [TREVANTE.]
Good night.
[ROSA.]
We miss you so much, Alvie.
We can't wait for you to be home, sweetheart.
I miss you too, Grandma.
Take care of yourself.
- Ciao.
- Ciao.
You learning.
You pickin' that shit up.
- [TREVANTE IN SPANISH.]
"Good night.
" - [CHAVEZ.]
"Good night.
" ["WHEN I COME AROUND" PLAYING THROUGH EARPHONES.]
[STUDENTS CHATTERING.]
[ELECTRONIC BEEPING, BUZZING.]
- Oh, my God.
- This only gets better.
- ["WHEN I COME AROUND" CONTINUES.]
- [BEEPING, BUZZING CONTINUES.]
[CUTTERMILL.]
What the hell, man? Yeah, that's what I've got as well.
[STUDENTS MURMURING.]
[TEACHER.]
What's going on? [GRUNTING, CLAMORING.]
[TEACHER.]
Oh, sorry! Jesus.
Sorry, sorry.
- Learn how to drive.
- It's just a pothole.
- Everyone all right? - [STUDENTS MUTTERING.]
[TEACHER.]
Okay, settle down.
Uh, that's that's mine.
[STUDENTS CHATTERING.]
You draw that? Yeah.
- Is she supposed to be - She's the Xylon queen.
Um, she's the savior of seven planets and the ruler of the far side of the galaxy.
[SCOFFS, LAUGHS.]
And him? Um He Uh, he's nobody.
Just Just an alien.
Well, I like how he's drawn.
- What you got? - It's just old stuff.
I like old stuff.
What is it? I-I got nothing.
[CHUCKLES.]
Can I listen? Yeah.
["WHEN I COME AROUND" PLAYING.]
[WHISPERING.]
third base! [CELL PHONES VIBRATING.]
[BARBARA.]
"Emergency alert.
This is not a test.
" What does this mean? I don't know.
- What What the hell is going on? - [MAN.]
I'm not getting a signal.
This is like 9/11.
I'll bet you it's a dirty bomb.
It must be.
A dirty bomb? [WOMAN.]
You have a better explanation? You have any explanation? [SIREN WAILING IN DISTANCE.]
[HELICOPTER WHIRRING.]
Manny? What? W-Why didn't it hit your house? Huh.
I don't know.
I guess we got lucky.
[DOOR OPENS.]
- [LUKE SCREAMING.]
Mom! - [SARAH SCREAMING.]
Mommy! - Luke? Luke! Stop! - [LUKE.]
Stop, stop, stop! - What happened? - [SCREAMING.]
- What happened? Luke, what happened? - My ears! My ears! - [AHMED.]
What is it? - Stop! Stop! - Come here.
- [ANEESHA.]
Take him to the kitchen.
[CONTINUES SCREAMING.]
[AHMED.]
Shh.
[ANEESHA.]
Tell me where it hurts.
Need to see - Make it stop! - You need to let me see.
- [AHMED.]
You're hurting him! - I need to see to help him.
Please stop! Open your eyes.
Open your eyes.
[PANTING.]
- Stop! Stop! Stop! Stop! - [AHMED.]
Shh.
Shh.
[BREATHES HEAVILY.]
There's nothing.
There's nothing.
There's nothing in there, sweetie.
Calm down, breathe.
[LUKE PANTING.]
[ALL BREATHING HEAVILY.]
[AHMED SIGHS.]
- It's all right.
Breathe.
Good.
- [AHMED.]
Okay.
I'll It's your ears, huh? Inside, there's nothing in there.
- There's nothing in there.
- I'll call 911.
All right? - Yeah.
- I'll try them again.
Okay.
- I wanna go too.
- Stay here, Sarah.
Stay here.
Can't you hear it? [BREATHING HEAVILY.]
Hear what? Hear what? What it said.
What what said? It's a voice.
A voice? It's talking.
- It's talking.
- S-Saying what? What is it saying? Huh? [PANTS.]
"Wajo.
" Sweetheart, I don't understand.
What? Wajo.
Wajo.
Wajo.
Wajo.
- It's all right.
It's all right.
- Wajo.
Wajo.
- It's all right.
It's all right.
Shh.
- Wajo.
Wajo.
Wajo.
- [AHMED.]
Hello? My darling - It's gonna be okay.
Yeah.
I've been trying to reach you.
I've been thinking about you.
It's been so crazy, what's happening here.
You doing okay? You still have power over there? - What's happening? [CONTINUES, INDISTINCT.]
- [BREATHING SHAKILY.]
[BREATHES HEAVILY.]
[BEEPS.]
[AMANDA.]
I wish you were here.
[AHMED.]
I've been thinking about you.
[AMANDA SIGHS.]
I have to go.
I love you.
[AHMED.]
I love you too.
[WHIMPERS.]
["TWENTY FOUR HOURS" PLAYING THROUGH EARPHONES.]
[STUDENTS CHATTERING.]
[ELECTRONIC BEEPING.]
[STUDENTS SHOUTING, CHATTERING.]
Casp? Casp? You okay? Casp? - [STUDENTS SHOUTING.]
- [TEACHER.]
What's going on? - [MUFFLED.]
Casp? - [TEACHER.]
Hey, hey, hey! - [MUFFLED.]
Where's his pills? - [SHOUTING CONTINUES.]
Caspar? [SHOUTING.]
Caspar? Caspar? [CLAMORING, SCREAMING.]
- Hold on! - [SCREAMING.]
[ANEESHA SHUDDERS.]
The line was busy.
I couldn't reach 'em.
[LUKE WHIMPERS.]
He's okay? Don't touch him.
Don't touch him.
- [ANEESHA.]
Stay here, sweetie.
- [LUKE PANTING.]
You saw the way that they were looking at me.
And you didn't say anything.
What did you want me to say, Manny? I'm your husband.
Something.
I don't know.
That you're one of them? That's how they always look at us.
You're just seeing it for the first time.
I'm here.
I'm here now.
Mommy's got you.
I promise.
- [SONIC DRONING.]
- [ANEESHA.]
Keep your head up.
[GASPS.]
- [BREATHING HEAVILY.]
- [CAR ALARM BLARING IN DISTANCE.]
[PANTING.]
[AHMED GRUNTS.]
Come on.
Come on, Sarah.
[PEOPLE SHOUTING, SCREAMING OUTSIDE.]
- Feeling better? - Yeah, I'm fine.
- Stay here.
- Okay.
Hey, it's going to be okay.
Right? All right.
All right.
[BREATHES HEAVILY.]
Okay.
All right.
[BREATHING HEAVILY.]
Listen to me.
Go to your room.
Grab the one thing you wanna take with you.
Okay? Go now! The hell is wrong with you? Come on! - Luke! Sarah! - [LUKE SHOUTS.]
- What happened? What happened? - [LUKE SHOUTS.]
Do you [GROANS.]
Calm down! [IN JAPANESE.]
It's very clean.
I'm sorry.
[SIGHS.]
It was her.
[BREATHES SHAKILY.]
It was her.
She was the one.
Hinata Murai was my I'm sorry, Mi.
But perhaps it's for the best.
Now you can have a clean start, Mitsuki.
You can meet a nice man.
Fall in love.
You have a fresh start.
How can you say that? It's just that I - Maybe this was fate.
- [INHALES SHARPLY.]
Like a present from heaven.
A present? I only want what's best for you.
For me? How is this good for me? This is just what's best for you! Now you can live without the shame your daughter brings to you? This matter involves your soul.
If you damage your soul, that's it.
It's ruined.
Don't you understand what I'm saying? [SNIFFS.]
[BREATHES SHAKILY.]
Get out.
I never should have asked you here.
- Mitsuki - Get out! [BREATHES SHAKILY.]
[DOOR OPENS, CLOSES.]
[ELECTRONIC DANCE MUSIC PLAYING.]
[MUSIC CONTINUES.]
[MUSIC FADES, ENDS.]
[HINATA.]
This is your fault, Mitsuki.
- [GASPS.]
No! - [GASPS.]
No! [BOTH BREATHING HEAVILY.]
What? What's wrong? I'm sorry.
Get out.
Why? - What's wrong? - [CRYING.]
Get out.
What's wrong with you? [MITSUKI SOBBING.]
Chavez, get me something.
It's still dark.
Zero contact with the TOC, sir.
Radio? It's not like they were in a helo.
Nothing coulda wiped 'em all out, man.
A whole squad doesn't just go dark for that long.
I don't know about y'all, but I've always had a lot of fun in the dark.
Yeah, except we're going out in broad daylight.
Any of y'all watch Moana? What? Like the Disney movie? - Yeah.
- [MADDEN.]
I know Paulson's seen it.
- [CHUCKLES.]
- Yeah.
Only ten times.
- I know everybody on this island's - [CHUCKLES.]
Got a role on this island Maybe I can roll with mine [OFFICER.]
How about we don't sing on the intersquad? I know everybody on this island [ALL.]
Has got a role on this island Maybe I can roll with mine Everybody! - [SINGING CONTINUES.]
- You know, she's single, my abuela.
What? - My abuela.
She's single.
- Shut up.
Like 'em young too.
[CHUCKLES.]
[ALL LAUGHING.]
[OFFICER.]
The hell's Maretti's squad? The channel's jammed.
All I got's noise.
[MADDEN, ON RADIO.]
Hey, where are our guys? [MADDEN.]
The fuck? [MUTTERING, BREATHING HEAVILY.]
[SPEAKING PASHTO.]
- Twelve o'clock, sir.
- [SPEAKING PASHTO.]
- Madden, you clock these guys? - [PEOPLE SPEAKING PASHTO.]
[SPEAKS PASHTO.]
No, no, no.
Don't come close.
Stay back.
- Stay back.
- [PAULSON.]
Calm 'em down, Zem.
[OFFICER.]
Hey, Zemar, ask him.
Careful.
- [ZEMAR SPEAKING PASHTO.]
- [COATES.]
Back up.
- [SPEAKING PASHTO.]
- [COATES.]
Back.
Back.
Back.
Hey, hey, hey.
[ZEMAR, MAN SPEAKING PASHTO.]
Back up.
[SPEAKING PASHTO.]
Another one to the right.
- [COATES.]
Back up.
- [SPEAKING PASHTO.]
Hey! Back him up.
Take it easy.
[SPEAKING PASHTO.]
- [SHOUTING.]
- [SPEAKING PASHTO.]
- Zemar, what is she saying? - [WOMAN SPEAKING PASHTO.]
She says others like us were here.
Sounds like Maretti's squad.
- She says an attack.
- Taliban? Daesh? [SPEAKING PASHTO.]
[ZEMAR.]
An attack.
Something.
- She's not making any sense.
- [TREVANTE.]
Daesh? She's not making any sense.
[WOMAN SPEAKING PASHTO.]
[ZEMAR.]
They all say an attack.
They came They went to a school.
Find a channel we can use.
Get comms back up.
Find a fucking landline.
Anything.
- [SHOUTING IN PASHTO.]
- Copy you, sir.
[SHOUTING IN PASHTO.]
It sounds like Maretti's squad.
They went to a school.
A school.
A school, sir.
That's it, boys! Head to target.
We're moving to the school.
Let's go.
- [CHAVEZ.]
Get back! - [TREVANTE.]
Back up! [SPEAKING PASHTO.]
[CLAMORING, SPEAKING PASHTO.]
Move back! All of you, move back! Move back! Move, move, move! [CLAMORING, SPEAKING PASHTO.]
[SHOUTING IN PASHTO.]
[OFFICER ON RADIO.]
Got movement upstairs.
Third floor.
[DISTANT THUD.]
[CHILDREN MURMURING, CRYING.]
[CHAVEZ.]
Clear! It's okay, guys.
Stay calm.
Stay calm.
Candy? Yeah? [BREATHING SHAKILY.]
[EXHALES.]
Hey, Zem? Zem, get over here.
Ask this kid what happened.
[ZEMAR SPEAKING PASHTO.]
ISIS? Daesh? [SPEAKS PASHTO.]
Hey.
Hey.
Hey.
[CHUCKLES.]
See anybody that look like us? Huh? Americans.
- Tell him.
- [ZEMAR SPEAKS PASHTO.]
It's okay.
It's okay.
You know? [WHISPERING IN PASHTO.]
- [SPEAKS PASHTO.]
- [CHILDREN SHOUTING IN PASHTO.]
- [SHOUTS IN PASHTO.]
- [CHILDREN CONTINUE SHOUTING IN PASHTO.]
[SIREN WAILING IN DISTANCE.]
[CAR ALARM CHIRPS.]
Come on.
Shit.
- We have to cross the bridge.
- [LUKE.]
Where are we going? I told you we should've never lived where we had to cross a bridge.
[CLICKING.]
- [SARAH.]
I'm scared.
- Are you doing it right? Daddy? [GROANS.]
- [CLICKING.]
- You had to get a Tesla.
Wanted to impress her.
[CLICKING.]
Where are we going? [SARAH.]
Daddy! Hey, Mark.
Mark.
Mark.
Come on, Mark! - Please, Mark? - We can't - Come on, please? - We We can't fit you all! Not them.
Just me.
- Come on, Mark.
Please? - We can't.
Please.
Come on.
Take just me.
Take me with you.
Come on, Mark! Oh, come on.
Take me with you! - Oh, come on, man! Fuck! - Ahmed.
Ahmed! You coward.
Get in the car.
What is wrong with you? What are you? I was gonna leave you.
I was gonna tell you this week.
[CHUCKLES.]
Well sorry you chose the wrong week to abandon your family, Ahmed.
Now get in the fucking car, you child.
Give me your phone.
- I'm driving.
- I'm driving.
- [CRASH.]
- [CAR ALARM BLARES.]
What's happening? [LUKE, SARAH CRYING.]
Everybody stop crying.
Everything's going to be fine.
[SIGHS.]
Everyone got their belts on? [STATIC ON RADIO.]
Check up.
Sir.
Make entry.
Go.
[GOATS BLEATING.]
- [RADIO SCRATCHES, WHINES.]
- [GROANS.]
- [HIGH-PITCHED WHINE ON RADIO.]
- Ow, shit.
My comms.
Do you hear that? [GRUNTING.]
[WIND GUSTING.]
- [CHAVEZ COUGHING.]
- [TREVANTE.]
What is that? [CHAVEZ.]
Chief, where are you? - Chavez? - Chief! - Chavez! - Where are you? Chavez? Anyone? Chavez? Chief, where are you? Chavez! Chavez! Hold up.
Madden? Chief? Anyone? - Chief! - Chavez.
Chief, where are you? [TREVANTE SPEAKS INDISTINCTLY.]
Trev! What the fuck is going on, man? Chavez! Just follow my voice.
Sir! Trevante! [SCREAMING.]
[OTHERWORLDLY BELLOW.]
- Contact, front! - [GUNFIRE.]
[SHOUTS.]
[GUNFIRE CONTINUES.]