At Last the 1948 Show (1967) s01e03 Episode Script
Episode 3
(FANFARE PLAYS) CAPTAIN ON PA: This is your captain speaking.
We are now flying over New York.
If you look out of your windows on the right you can see the Empire State building.
Would you please fasten your safety belts as we're expecting a little turbulence.
(KING KONG ROARS) (APPLAUSE) NARRATOR: At Last The 1948 Show And introducing your hostesses for tonight.
.
- Hello, I'm Aimi MacDonald.
- And I'm Mary Maude.
And I'm Sir Reginald Mousepractice.
No she isn't, she's Christine Rodgers! - Yes.
- And we're your hostesses for tonight.
And now the first item.
(RECORDER MUSIC PLAYS) Good morning, sir.
Uh, good morning.
Can you help me? Do you have a copy of "Thirty Days in the Samarkand Desert" "with a Spoon" by A.
E.
J.
Elliot? Oh, well we haven't got it in stock, sir.
How about, "101 Ways to Start a Monsoon"? By? An Indian gentleman whose name eludes me for the moment.
Well, I don't know the book, sir.
Not to worry, not to worry.
Can you help me with David Copperfield? - Ah, yes.
Dickens.
- Uh, no.
- I beg your pardon? - No, Edmond Wells.
I think you'll find Charles Dickens wrote David Copperfield.
Uh, no.
Charles Dickens wrote David Copperfield with two "P"s.
This is "David Coperfield" with one "P", by Edmond Wells.
- Oh, well in that case we don't have it.
- Ah.
- Um - (AUDIENCE LAUGHS) - Funny, you've got a lot of books here.
- Yes we do have quite a lot of books.
We don't have "David Coperfield" with one "P" by Edmond Wells.
We only have David Copperfield with two "P"s by Charles Dickens.
Pity, it's more thorough than the Dickens.
- More thorough? - Yes, I wonder if it's worth having - a look through your David Copperfields.
- No, no, I'm quite sure that all our David Copperfields have two "P"s.
Oh, well, um probably, but the original by Edmond Wells also had two "P"s.
It was after that that they ran into copyright difficulties.
No, I'm quite sure that all our David Copperfields with two "P"s are by Charles Dickens.
How about Great Expectations? - Oh yes, we have that.
- That's "G-R-A-T-E Expectations".
- (AUDIENCE LAUGHS) - Also by Edmond Wells.
Well, in that case, we don't have it.
We don't have anything by Edmond Wells, actually.
He's not very popular.
Not Nicholas Nickleby? That's "K-N-I-C-K-E-R", "Knickerlas".
- No.
- Or Christmas Carol with a "Q"? No, definitely not.
- Sorry to trouble you.
- Not at all.
I wonder if you have a copy of "Rarnaby Budge"? No, as I say, we are right out of Edmond Wells.
Uh, no.
Not Edmond Wells, Charles Dickens.
- Charles Dickens? You mean Barnaby Rudge? - No, "Rarnaby Budge" by Charles Dikkens, with two "K"s, the well-known Dutch author.
No, no, we don't have "Rarnaby Budge" by Charles Dikkens with two "K"s the well-known Dutch author, and perhaps to save time I should add right away that we don't have "Carnaby Fudge" by Darles Chickens or "Stickwick Stapers" by Miles Pickens with four "M"s and a silent "Q" Why don't you try the chemist? - I have, they sent me here.
- Did they I wonder if you have "The Amazing Adventures of Captain Gladys Stoatpamphlet" "and her intrepid Spaniel Stigg Among the Giant Pygmies of Corsica", volume two.
No, no, we don't have that one.
- Funny, we've got quite a lot of books here.
- Yes, haven't you? Well, I mustn't keep you standing around all day, chattering.
- I wonder if you've - No, no, we haven't.
- We're closing for lunch now! - But I thought I saw it over there.
- Where? - Over there.
- What? - Olsen's "Standard Book of British Birds".
- Olsen's "Standard Book of British Birds"? - Yes.
- "O-L-S-E-N"? - Yes.
- "B-l-R-D-S"? - Yes.
Yes, well we do have that one.
The expurgated version, of course.
- I'm sorry, I didn't quite catch that? - The expurgated version.
The expurgated version of Olsen's "Standard Book of British Birds"? Yes, the one without the Gannet.
The one without the gannet? Well, they've all got the gannet! It's a standard British bird, the gannet, it's in all the books! Well, I don't like 'em.
- Long nasty beaks they've got.
- (HE STUTTERS) You can't expect them to produce a special edition for gannet haters! Well, I'm sorry, I especially want the one without the gannet.
Alright! - Anything else? - And I'm not too keen on robins.
Right, robins, robins, robins No gannets, no robins.
There's your book! I can't buy that, it's torn! It's torn.
So it is! - I wonder if you've got - Go on ask me another.
We've got lots of books here.
This is a bookshop, you know.
How about "Biggles Combs His Hair"? No, no, no, we don't have that one, no.
Funny, try me again.
Have you got "Ethel the Aardvark Goes Quantity Surveying"? No, no, no, we haven't which one? "Ethel the Aardvark Goes Quantity Surveying".
Ethel the Aardvark? I've seen it! We've got it! We've got it somewhere! (INDISTINCT SHOUTING) Yes! Here! Here! "Ethel the Aardvark Goes Quantity Surveying".
There! Now, buy it! - I haven't got enough money on me.
- I'll take a deposit.
- I haven't got any money on me.
- I'll take a cheque.
- I haven't got a cheque book.
- It's alright, I have a blank one.
- I don't have a bank account.
- Right! I'll buy it for you! There we are, there's your change.
That's for the taxi on the way home.
- Wait, wait, wait, wait! - What? What? What? I can't read.
- You can't read? - No.
Right, sit! "Ethel the Aardvark was trotting down the lane one lovely summer day" "trottity, trottity trot! When she saw a quantity surveyor.
" - I'm not comfortable! - (APPLAUSE) (FANFARE PLAYS) So much for "Ethel the Aardvark Goes Quantity Surveying".
That was fun, wasn't it? Yes.
And now the next item.
(MUSIC: "DEVIL'S GALLOP" BY CHARLES WILLIAMS) (GUNSHOTS) Some people don't realise that it can be quite dangerous being a chartered accountant.
(AUDIENCE LAUGHS) (AUDIENCE GIGGLES) (HE COUGHS) He seems terribly depressed, doctor.
He won't eat anything and he absolutely refuses to let me take his temperature.
- Has anyone come to see him? - No, that's just the trouble.
Ah, well in that case, we'd better put him onto the automatic hospital visitor lonely patients for the use of.
Uh, you know how to operate it, do you nurse? - Yes, doctor.
- Fine.
(MECHANISM WINDS) No need to show me the way, thank you nurse.
I'll find him myself.
Ah, there you are.
You old fraud! Large as life and twice as handsome.
Hello, hello! Hello, hello! Hello, hello! Hello, hello! Long time, no see.
- Where shall I put these? - Oh, hang on a minute.
How are you feeling? - Very much worse, actually.
- Yes, you're looking much better old chap.
Old chap! Old chap! I always said that all you needed was a good long rest.
Look, I brought you some grapes.
Oh, no! I've got 18 bunches! Nice big juicy ones! No need to thank me.
No, I won't sit down, thank you.
I was wondering if you would like me to bring you a No, no, please.
You go on.
Mine wasn't at all interesting, really.
I wasn't saying anything! How very interesting.
I wasn't telling you anything! No, no, really.
I'm not at all bored.
In fact, I'm enjoying our little chat very, very much indeed.
Do you want the bedpan? No! What are the nurses like then, eh? Eh? Eh? I wouldn't know.
I haven't noticed them.
Ha, ha, ha, there can't be much wrong with you then! Oh, dear.
There goes the bell.
- No it wasn't.
- Are you sure you don't want the bedpan? No! Sorry, I didn't realise I was tiring you out.
- I have enjoyed our little chat.
- Nobody else is leaving.
Yes, I know I'm always the last, I won't be popular with Sister, will I? Ha! Ha! Ha! Ha! Ha! - I'll come again and see you soon, grapes.
- Oh, don't go, please.
Is your nurse pan feeling better grapes nurses, nurses nice big juicy ones.
Grapes goo byegrape.
(HE STUTTERS) - (AUDIENCE APPLAUDS) - Oh, that did me a lot of good.
(HURDY GURDY WALTZ PLAYS (HURDY GURDY WALTZ PLAYS) Are you bright, hardworking, ambitious, intelligent and quick-witted with a good personality and a smart appearance? Do you get on well with people and find that they look on you as a natural leader? Do you feel that you're being held back in your present position? And that with a go-ahead firm, you could get right to the top? Cocky little devil, aren't you? (AUDIENCE LAUGHS) (HARP FLOURISH) And now Well, good morning from the national sheepdog trials at Tillerton.
We've had a fascinating morning here watching these truly intelligent dogs perform complex tasks guided only by the whistles of their masters.
Now, I have with me Mr Lee.
- Good morning, Mr Lee.
- Baa! I mean, good morning.
Mr Lee, I believe you've been a shepherd now for over 40 years.
Oh, no.
No, no, no.
I've been a shepherd now for over 35 years.
Sixty-eight years I've been a shepherd now.
Man and boy.
Not in that order, of course.
I was a boy first, man later on.
If you could have your time all over again, would you still be a shepherd? Oh, no.
No, no.
I'd like to do something interesting.
I'd like to be something interesting like, uh Ooh, like being a shepherd.
- A what? - Like being a shepherd.
But you are a shepherd.
So I am, lucky old me.
- (AUDIENCE LAUGHS) - Well, in your life - you must have trained many sheepdogs.
- Oh, yes.
- How many? - Oh, well over two.
Over two! Well, well, well, two.
Well how do you train the dogs? Well, that's very simple.
We use a little kindness and a lot of cruelty.
- Oh, you have to be cruel to the dogs? - Oh, yes.
Very cruel.
Very cruel indeed.
I'm surprised it's allowed.
- Yes.
- Really nasty! - Yes.
- Shocking! - Sadistic we are, with them.
- Oh, and the dogs drive the sheep? The dogs drive the sheep into the pen.
It's known as "filling your pen".
Ha! ha! ha! Shepherd's joke! Shepherd's joke, that! Shepherd's joke.
- And how - Very funny, too.
Yes.
How do they drive the sheep? You are a nosey old turnip, aren't you? Well, I tell him, you old dear, the dogs bark at the sheep then they crawls up to them on their bellies then they nudges them with their noses then they buries their fangs in 'em.
Oh, oh, and then the dogs, uh herd the sheep into the uh, pen.
Ah, sometimes the sheep drive them into the pen and then the dogs just sit there looking embarrassed.
And everyone laughs at them and I laugh at them too, I think it's very funny.
- My wife, she thinks it's funny.
- Does she really? - She's got a great sense of humour my wife.
- I'd like to meet her some time.
- Every since her accident.
- Oh, I'm sorry to hear that! - Funny woman.
- Yes, how many sheepdogs have you? T'is a secret.
I'm not telling you.
T'is a most holy secret that cannot and must not be divulged.
Two.
- Oh, you have two dogs! - Shh! - You have two dogs.
- Yes.
Where are they now? Oo-ah, well one of 'em's over, now where is he? Ooh-ah, over there by that pile of dead sheep.
Magnificent brute, treacherous to a fault.
Just has this little weakness for mutton.
- (AUDIENCE LAUGHS) - Oh.
- Do the dogs kill the sheep? - Only in fun.
Still, that's better than burying them in the ground and pulling their heads off.
- It's more humane.
- Yes, well perhaps you could get your dogs to give us a demonstration? Oh, you don't need the dogs for that.
- You just bury the sheep in the ground - No, no! Could you get the dogs the dogs to drive the sheep into the pen? Well, I've only got old Butcher here at the moment.
- I don't know where Crippen's gone to.
- (HE MOUTHS CRIPPEN) He must be off after the judges.
He senses they're his natural enemies.
Well, could you just put Butcher through his paces then? Alright, well, I'll get him to drive that sheep into that pen over there.
Right.
(HE WHISTLES) - (SHEEP BLEATS) - Surely, Mr Lee, he shouldn't be Mr Lee, what is he doing? - (SHEEP WAILS) - Surely he shouldn't be eating that sheep? - You shut your mouth! - Oh, goodness me, how awful.
- Oh, this is embarrassing.
- Stop that you thieving cur! I'll tear you apart with my bare hands! Ah, look at that.
Swear he understands every word I say.
Ah! (AUDIENCE APPLAUDS) What a horrid shepherd.
Still, I expect he quite likes sheep, really.
I expect so.
(STRING ORCHESTRA MUSIC PLAYS) Good evening.
This evening I'm making an appeal to you on behalf of a large group of people of which I am a member whose active lives have been severely restricted by a disease brought on by the social pressures and the stresses of modern living which we call "sleep starvation".
- Now we - (HE SNORES LOUDLY) Good evening.
This evening, I'm making an appeal - on b - (HE SNORES LOUDLY) which we call, "sleep starvation".
(WHILE YAWNING): Now, medical research is expensive but it is vitally important that something is done to find a cure for this socially disabling - affliction.
- (RATTLE CLATTERS) That is why I'm asking you to give and to give generously to this deserving cause.
Please send your contributions, however small to this address.
Thank you for listening.
Next week, I shall be making an appeal on behalf of those unfortunate people who suffer from the delusion of being attacked by bats.
Now these pe people are more to be pitied than laughed at.
The problem is growing every day.
And it's time that something was done now before it is too late.
Until next week then goodnight.
(AUDIENCE APPLAUDS) Oh, how spooky.
I don't like bats.
- I don't like bats.
- I like bats.
Shut up.
(AUDIENCE LAUGHS) (DRAMATIC MUSIC PLAYS) (SPOOKY MUSIC PLAYS) (HE SHRIEKS) Good evening Mr Ardish.
Welcome to Luckspear.
Dr Atkins! Professor Newberg! Foo Tong! - MacDonald! - The same.
- So it was a trap! - Yes.
Check mate, Mr Ardish.
You have made your last move.
I wouldn't be too sure, MacDonald.
I still have one or two tricks left up my sleeve.
Kowalski! Search his sleeves! Especially up them.
- Nothing.
- Nothing? I'll teach you to bluff me, Ardish.
Alright, Kowalski go to Moorsmere fetch the car, and collect the girl.
- Not Susan! - Yes, Mr Ardish.
Your pretty little Miss Hinter.
You swine! Argh! Argh! Argh! Argh! Argh! Argh! - What is it Kowalski? - I can't drive.
You can't drive? Fool! Dolt! Pig! I'll teach you to drive! - Thank you, sir.
- And so! I must take my leave of you.
I wouldn't bother to call for help if I were you, Mr Ardish.
No one can hear you, they're all deaf! Do you hear me? Deaf! Ha! Ha! Ha! Ground floor, please.
Help! - Great Scott! - Ardish, thank God you're safe! Yes! But Susan! - Susan, she's - (DRAMATIC PAUSE) - safe.
- Thank God! - Roger, darling.
- Susan! Quick, we haven't a moment to lose! Strout is on his way to Melton, we must warn the professor! ALL: MacDonald! - Great Scott! - Quick, the door! Not so fast! You won't get away with this MacDonald! Oh, won't I? This is a gun.
- You won't get away with this MacDonald.
- And it's loaded! I don't think you'll get away with this MacDonald.
Shut up you fool! You're all fools! Do you hear me? Fools! - What are you? - ALL: Fools! Yes, and now you're going to die! One moment, MacDonald.
Just one thing.
Why did Spengler go to Amsterdam? Alright.
Look out! (AUDIENCE LAUGHS) - I'll get the police.
- You are the police! I'll get more of them.
Spengler went to Amsterdam to tell Petersen to leave Hamilton's body in Keith's flat so that Brody would think he was the Albanian minister.
I see.
He was right when he said he hadn't visited Oxford last Friday? Yes, but Herman told the Kravits that the Dutch police suspected him on several cases of minor larceny and then he was going to reveal his identity.
Don't move! - Who are you? - Bronski! - ALL: Who? - Bronski.
ALL: Bronski? You're not with our lot! Oh, aren't I? Sorry.
- Try the library.
- Oh, thank you.
These cases of larceny had not yet been proved by the Dutch police.
The library, please.
- I see.
- Argh! So he told Strauss to contact Brody? Yes, but when Keith arrived by accident, argh! He was forced to lie to Victoria, argh! And to find Kowalski, argh! To get him to tell Strauss, argh! To contact professor Farling, argh! In Scotland, before inspector Bold could discover where Hamilton had hidden the plastic stoat.
ALL: Great Scott! And Strauss contacted the Japanese antique collector at the Chinese laundry in Wimpole Street.
Exactly! So Peterson went over and told Farling to try to redeliver in Weymouth before he could discover that the girl was on a plane.
- Take that! - Argh! Hands up! - ALL: Don't! - (HE LAUGHS MANIACALLY) (HE CONTINUES TO LAUGH MANIACALLY) (HE CONTINUES TO LAUGH MANIACALLY) (ALL LAUGH) Shut up! Look out! Alright! - This is a gun.
- (ALL GASP) - And it's loaded.
- (ALL GASP) - And it's a clear night.
- (THEY GASP) - What's that got to do with it? - Shut up! Alright Kowalski, you can come out now.
Quiet! Kowalski, the door! (MACHINEGUN FIRE) Open it, you fool.
(HE QUACKS) Quack! Your disguise doesn't fool me, inspector! You won't get away with this, MacDonald.
Shut up you fool, all of you! Get against the wall.
You too Kowalski, get against the wall.
You fools! You're all fools! And now you're going to die! This whole house is gonna be blown to smithereens in 30 seconds from now.
And there's a hundred-foot drop from all the windows and the doors are locked, and I've swallowed the key! (EVIL LAUGH) ARDISH: Come on, quick! - ALL: Cough, cough, cough! - (DRAMATIC MUSIC PLAYS) I think they're rotten! I should have had a part 'cause I'm the loveliest! Still, I know you'd love to see me dance.
(HURDY GURDY WALTZ PLAYS)
We are now flying over New York.
If you look out of your windows on the right you can see the Empire State building.
Would you please fasten your safety belts as we're expecting a little turbulence.
(KING KONG ROARS) (APPLAUSE) NARRATOR: At Last The 1948 Show And introducing your hostesses for tonight.
.
- Hello, I'm Aimi MacDonald.
- And I'm Mary Maude.
And I'm Sir Reginald Mousepractice.
No she isn't, she's Christine Rodgers! - Yes.
- And we're your hostesses for tonight.
And now the first item.
(RECORDER MUSIC PLAYS) Good morning, sir.
Uh, good morning.
Can you help me? Do you have a copy of "Thirty Days in the Samarkand Desert" "with a Spoon" by A.
E.
J.
Elliot? Oh, well we haven't got it in stock, sir.
How about, "101 Ways to Start a Monsoon"? By? An Indian gentleman whose name eludes me for the moment.
Well, I don't know the book, sir.
Not to worry, not to worry.
Can you help me with David Copperfield? - Ah, yes.
Dickens.
- Uh, no.
- I beg your pardon? - No, Edmond Wells.
I think you'll find Charles Dickens wrote David Copperfield.
Uh, no.
Charles Dickens wrote David Copperfield with two "P"s.
This is "David Coperfield" with one "P", by Edmond Wells.
- Oh, well in that case we don't have it.
- Ah.
- Um - (AUDIENCE LAUGHS) - Funny, you've got a lot of books here.
- Yes we do have quite a lot of books.
We don't have "David Coperfield" with one "P" by Edmond Wells.
We only have David Copperfield with two "P"s by Charles Dickens.
Pity, it's more thorough than the Dickens.
- More thorough? - Yes, I wonder if it's worth having - a look through your David Copperfields.
- No, no, I'm quite sure that all our David Copperfields have two "P"s.
Oh, well, um probably, but the original by Edmond Wells also had two "P"s.
It was after that that they ran into copyright difficulties.
No, I'm quite sure that all our David Copperfields with two "P"s are by Charles Dickens.
How about Great Expectations? - Oh yes, we have that.
- That's "G-R-A-T-E Expectations".
- (AUDIENCE LAUGHS) - Also by Edmond Wells.
Well, in that case, we don't have it.
We don't have anything by Edmond Wells, actually.
He's not very popular.
Not Nicholas Nickleby? That's "K-N-I-C-K-E-R", "Knickerlas".
- No.
- Or Christmas Carol with a "Q"? No, definitely not.
- Sorry to trouble you.
- Not at all.
I wonder if you have a copy of "Rarnaby Budge"? No, as I say, we are right out of Edmond Wells.
Uh, no.
Not Edmond Wells, Charles Dickens.
- Charles Dickens? You mean Barnaby Rudge? - No, "Rarnaby Budge" by Charles Dikkens, with two "K"s, the well-known Dutch author.
No, no, we don't have "Rarnaby Budge" by Charles Dikkens with two "K"s the well-known Dutch author, and perhaps to save time I should add right away that we don't have "Carnaby Fudge" by Darles Chickens or "Stickwick Stapers" by Miles Pickens with four "M"s and a silent "Q" Why don't you try the chemist? - I have, they sent me here.
- Did they I wonder if you have "The Amazing Adventures of Captain Gladys Stoatpamphlet" "and her intrepid Spaniel Stigg Among the Giant Pygmies of Corsica", volume two.
No, no, we don't have that one.
- Funny, we've got quite a lot of books here.
- Yes, haven't you? Well, I mustn't keep you standing around all day, chattering.
- I wonder if you've - No, no, we haven't.
- We're closing for lunch now! - But I thought I saw it over there.
- Where? - Over there.
- What? - Olsen's "Standard Book of British Birds".
- Olsen's "Standard Book of British Birds"? - Yes.
- "O-L-S-E-N"? - Yes.
- "B-l-R-D-S"? - Yes.
Yes, well we do have that one.
The expurgated version, of course.
- I'm sorry, I didn't quite catch that? - The expurgated version.
The expurgated version of Olsen's "Standard Book of British Birds"? Yes, the one without the Gannet.
The one without the gannet? Well, they've all got the gannet! It's a standard British bird, the gannet, it's in all the books! Well, I don't like 'em.
- Long nasty beaks they've got.
- (HE STUTTERS) You can't expect them to produce a special edition for gannet haters! Well, I'm sorry, I especially want the one without the gannet.
Alright! - Anything else? - And I'm not too keen on robins.
Right, robins, robins, robins No gannets, no robins.
There's your book! I can't buy that, it's torn! It's torn.
So it is! - I wonder if you've got - Go on ask me another.
We've got lots of books here.
This is a bookshop, you know.
How about "Biggles Combs His Hair"? No, no, no, we don't have that one, no.
Funny, try me again.
Have you got "Ethel the Aardvark Goes Quantity Surveying"? No, no, no, we haven't which one? "Ethel the Aardvark Goes Quantity Surveying".
Ethel the Aardvark? I've seen it! We've got it! We've got it somewhere! (INDISTINCT SHOUTING) Yes! Here! Here! "Ethel the Aardvark Goes Quantity Surveying".
There! Now, buy it! - I haven't got enough money on me.
- I'll take a deposit.
- I haven't got any money on me.
- I'll take a cheque.
- I haven't got a cheque book.
- It's alright, I have a blank one.
- I don't have a bank account.
- Right! I'll buy it for you! There we are, there's your change.
That's for the taxi on the way home.
- Wait, wait, wait, wait! - What? What? What? I can't read.
- You can't read? - No.
Right, sit! "Ethel the Aardvark was trotting down the lane one lovely summer day" "trottity, trottity trot! When she saw a quantity surveyor.
" - I'm not comfortable! - (APPLAUSE) (FANFARE PLAYS) So much for "Ethel the Aardvark Goes Quantity Surveying".
That was fun, wasn't it? Yes.
And now the next item.
(MUSIC: "DEVIL'S GALLOP" BY CHARLES WILLIAMS) (GUNSHOTS) Some people don't realise that it can be quite dangerous being a chartered accountant.
(AUDIENCE LAUGHS) (AUDIENCE GIGGLES) (HE COUGHS) He seems terribly depressed, doctor.
He won't eat anything and he absolutely refuses to let me take his temperature.
- Has anyone come to see him? - No, that's just the trouble.
Ah, well in that case, we'd better put him onto the automatic hospital visitor lonely patients for the use of.
Uh, you know how to operate it, do you nurse? - Yes, doctor.
- Fine.
(MECHANISM WINDS) No need to show me the way, thank you nurse.
I'll find him myself.
Ah, there you are.
You old fraud! Large as life and twice as handsome.
Hello, hello! Hello, hello! Hello, hello! Hello, hello! Long time, no see.
- Where shall I put these? - Oh, hang on a minute.
How are you feeling? - Very much worse, actually.
- Yes, you're looking much better old chap.
Old chap! Old chap! I always said that all you needed was a good long rest.
Look, I brought you some grapes.
Oh, no! I've got 18 bunches! Nice big juicy ones! No need to thank me.
No, I won't sit down, thank you.
I was wondering if you would like me to bring you a No, no, please.
You go on.
Mine wasn't at all interesting, really.
I wasn't saying anything! How very interesting.
I wasn't telling you anything! No, no, really.
I'm not at all bored.
In fact, I'm enjoying our little chat very, very much indeed.
Do you want the bedpan? No! What are the nurses like then, eh? Eh? Eh? I wouldn't know.
I haven't noticed them.
Ha, ha, ha, there can't be much wrong with you then! Oh, dear.
There goes the bell.
- No it wasn't.
- Are you sure you don't want the bedpan? No! Sorry, I didn't realise I was tiring you out.
- I have enjoyed our little chat.
- Nobody else is leaving.
Yes, I know I'm always the last, I won't be popular with Sister, will I? Ha! Ha! Ha! Ha! Ha! - I'll come again and see you soon, grapes.
- Oh, don't go, please.
Is your nurse pan feeling better grapes nurses, nurses nice big juicy ones.
Grapes goo byegrape.
(HE STUTTERS) - (AUDIENCE APPLAUDS) - Oh, that did me a lot of good.
(HURDY GURDY WALTZ PLAYS (HURDY GURDY WALTZ PLAYS) Are you bright, hardworking, ambitious, intelligent and quick-witted with a good personality and a smart appearance? Do you get on well with people and find that they look on you as a natural leader? Do you feel that you're being held back in your present position? And that with a go-ahead firm, you could get right to the top? Cocky little devil, aren't you? (AUDIENCE LAUGHS) (HARP FLOURISH) And now Well, good morning from the national sheepdog trials at Tillerton.
We've had a fascinating morning here watching these truly intelligent dogs perform complex tasks guided only by the whistles of their masters.
Now, I have with me Mr Lee.
- Good morning, Mr Lee.
- Baa! I mean, good morning.
Mr Lee, I believe you've been a shepherd now for over 40 years.
Oh, no.
No, no, no.
I've been a shepherd now for over 35 years.
Sixty-eight years I've been a shepherd now.
Man and boy.
Not in that order, of course.
I was a boy first, man later on.
If you could have your time all over again, would you still be a shepherd? Oh, no.
No, no.
I'd like to do something interesting.
I'd like to be something interesting like, uh Ooh, like being a shepherd.
- A what? - Like being a shepherd.
But you are a shepherd.
So I am, lucky old me.
- (AUDIENCE LAUGHS) - Well, in your life - you must have trained many sheepdogs.
- Oh, yes.
- How many? - Oh, well over two.
Over two! Well, well, well, two.
Well how do you train the dogs? Well, that's very simple.
We use a little kindness and a lot of cruelty.
- Oh, you have to be cruel to the dogs? - Oh, yes.
Very cruel.
Very cruel indeed.
I'm surprised it's allowed.
- Yes.
- Really nasty! - Yes.
- Shocking! - Sadistic we are, with them.
- Oh, and the dogs drive the sheep? The dogs drive the sheep into the pen.
It's known as "filling your pen".
Ha! ha! ha! Shepherd's joke! Shepherd's joke, that! Shepherd's joke.
- And how - Very funny, too.
Yes.
How do they drive the sheep? You are a nosey old turnip, aren't you? Well, I tell him, you old dear, the dogs bark at the sheep then they crawls up to them on their bellies then they nudges them with their noses then they buries their fangs in 'em.
Oh, oh, and then the dogs, uh herd the sheep into the uh, pen.
Ah, sometimes the sheep drive them into the pen and then the dogs just sit there looking embarrassed.
And everyone laughs at them and I laugh at them too, I think it's very funny.
- My wife, she thinks it's funny.
- Does she really? - She's got a great sense of humour my wife.
- I'd like to meet her some time.
- Every since her accident.
- Oh, I'm sorry to hear that! - Funny woman.
- Yes, how many sheepdogs have you? T'is a secret.
I'm not telling you.
T'is a most holy secret that cannot and must not be divulged.
Two.
- Oh, you have two dogs! - Shh! - You have two dogs.
- Yes.
Where are they now? Oo-ah, well one of 'em's over, now where is he? Ooh-ah, over there by that pile of dead sheep.
Magnificent brute, treacherous to a fault.
Just has this little weakness for mutton.
- (AUDIENCE LAUGHS) - Oh.
- Do the dogs kill the sheep? - Only in fun.
Still, that's better than burying them in the ground and pulling their heads off.
- It's more humane.
- Yes, well perhaps you could get your dogs to give us a demonstration? Oh, you don't need the dogs for that.
- You just bury the sheep in the ground - No, no! Could you get the dogs the dogs to drive the sheep into the pen? Well, I've only got old Butcher here at the moment.
- I don't know where Crippen's gone to.
- (HE MOUTHS CRIPPEN) He must be off after the judges.
He senses they're his natural enemies.
Well, could you just put Butcher through his paces then? Alright, well, I'll get him to drive that sheep into that pen over there.
Right.
(HE WHISTLES) - (SHEEP BLEATS) - Surely, Mr Lee, he shouldn't be Mr Lee, what is he doing? - (SHEEP WAILS) - Surely he shouldn't be eating that sheep? - You shut your mouth! - Oh, goodness me, how awful.
- Oh, this is embarrassing.
- Stop that you thieving cur! I'll tear you apart with my bare hands! Ah, look at that.
Swear he understands every word I say.
Ah! (AUDIENCE APPLAUDS) What a horrid shepherd.
Still, I expect he quite likes sheep, really.
I expect so.
(STRING ORCHESTRA MUSIC PLAYS) Good evening.
This evening I'm making an appeal to you on behalf of a large group of people of which I am a member whose active lives have been severely restricted by a disease brought on by the social pressures and the stresses of modern living which we call "sleep starvation".
- Now we - (HE SNORES LOUDLY) Good evening.
This evening, I'm making an appeal - on b - (HE SNORES LOUDLY) which we call, "sleep starvation".
(WHILE YAWNING): Now, medical research is expensive but it is vitally important that something is done to find a cure for this socially disabling - affliction.
- (RATTLE CLATTERS) That is why I'm asking you to give and to give generously to this deserving cause.
Please send your contributions, however small to this address.
Thank you for listening.
Next week, I shall be making an appeal on behalf of those unfortunate people who suffer from the delusion of being attacked by bats.
Now these pe people are more to be pitied than laughed at.
The problem is growing every day.
And it's time that something was done now before it is too late.
Until next week then goodnight.
(AUDIENCE APPLAUDS) Oh, how spooky.
I don't like bats.
- I don't like bats.
- I like bats.
Shut up.
(AUDIENCE LAUGHS) (DRAMATIC MUSIC PLAYS) (SPOOKY MUSIC PLAYS) (HE SHRIEKS) Good evening Mr Ardish.
Welcome to Luckspear.
Dr Atkins! Professor Newberg! Foo Tong! - MacDonald! - The same.
- So it was a trap! - Yes.
Check mate, Mr Ardish.
You have made your last move.
I wouldn't be too sure, MacDonald.
I still have one or two tricks left up my sleeve.
Kowalski! Search his sleeves! Especially up them.
- Nothing.
- Nothing? I'll teach you to bluff me, Ardish.
Alright, Kowalski go to Moorsmere fetch the car, and collect the girl.
- Not Susan! - Yes, Mr Ardish.
Your pretty little Miss Hinter.
You swine! Argh! Argh! Argh! Argh! Argh! Argh! - What is it Kowalski? - I can't drive.
You can't drive? Fool! Dolt! Pig! I'll teach you to drive! - Thank you, sir.
- And so! I must take my leave of you.
I wouldn't bother to call for help if I were you, Mr Ardish.
No one can hear you, they're all deaf! Do you hear me? Deaf! Ha! Ha! Ha! Ground floor, please.
Help! - Great Scott! - Ardish, thank God you're safe! Yes! But Susan! - Susan, she's - (DRAMATIC PAUSE) - safe.
- Thank God! - Roger, darling.
- Susan! Quick, we haven't a moment to lose! Strout is on his way to Melton, we must warn the professor! ALL: MacDonald! - Great Scott! - Quick, the door! Not so fast! You won't get away with this MacDonald! Oh, won't I? This is a gun.
- You won't get away with this MacDonald.
- And it's loaded! I don't think you'll get away with this MacDonald.
Shut up you fool! You're all fools! Do you hear me? Fools! - What are you? - ALL: Fools! Yes, and now you're going to die! One moment, MacDonald.
Just one thing.
Why did Spengler go to Amsterdam? Alright.
Look out! (AUDIENCE LAUGHS) - I'll get the police.
- You are the police! I'll get more of them.
Spengler went to Amsterdam to tell Petersen to leave Hamilton's body in Keith's flat so that Brody would think he was the Albanian minister.
I see.
He was right when he said he hadn't visited Oxford last Friday? Yes, but Herman told the Kravits that the Dutch police suspected him on several cases of minor larceny and then he was going to reveal his identity.
Don't move! - Who are you? - Bronski! - ALL: Who? - Bronski.
ALL: Bronski? You're not with our lot! Oh, aren't I? Sorry.
- Try the library.
- Oh, thank you.
These cases of larceny had not yet been proved by the Dutch police.
The library, please.
- I see.
- Argh! So he told Strauss to contact Brody? Yes, but when Keith arrived by accident, argh! He was forced to lie to Victoria, argh! And to find Kowalski, argh! To get him to tell Strauss, argh! To contact professor Farling, argh! In Scotland, before inspector Bold could discover where Hamilton had hidden the plastic stoat.
ALL: Great Scott! And Strauss contacted the Japanese antique collector at the Chinese laundry in Wimpole Street.
Exactly! So Peterson went over and told Farling to try to redeliver in Weymouth before he could discover that the girl was on a plane.
- Take that! - Argh! Hands up! - ALL: Don't! - (HE LAUGHS MANIACALLY) (HE CONTINUES TO LAUGH MANIACALLY) (HE CONTINUES TO LAUGH MANIACALLY) (ALL LAUGH) Shut up! Look out! Alright! - This is a gun.
- (ALL GASP) - And it's loaded.
- (ALL GASP) - And it's a clear night.
- (THEY GASP) - What's that got to do with it? - Shut up! Alright Kowalski, you can come out now.
Quiet! Kowalski, the door! (MACHINEGUN FIRE) Open it, you fool.
(HE QUACKS) Quack! Your disguise doesn't fool me, inspector! You won't get away with this, MacDonald.
Shut up you fool, all of you! Get against the wall.
You too Kowalski, get against the wall.
You fools! You're all fools! And now you're going to die! This whole house is gonna be blown to smithereens in 30 seconds from now.
And there's a hundred-foot drop from all the windows and the doors are locked, and I've swallowed the key! (EVIL LAUGH) ARDISH: Come on, quick! - ALL: Cough, cough, cough! - (DRAMATIC MUSIC PLAYS) I think they're rotten! I should have had a part 'cause I'm the loveliest! Still, I know you'd love to see me dance.
(HURDY GURDY WALTZ PLAYS)