Daisy Jones & the Six (2023) s01e03 Episode Script

1
Previously on Daisy Jones and the Six
Probably gonna need some money and
[BILLY] Teddy Price to produce us.
Are you a bunch of fucking idiots?
♪
[DAISY] Ellemar Records.
Are you interested?
All you need is some shaping.
I don't think I want to be shaped.
Your songs. They aren't songs.
Maybe I don't want my
songs to fit in a box.
Maybe you're right.
Mr. Price? Hi.
Is there any chance we
could play for you sometime?
You know, you only get one shot at this.
What can I say?
- They knocked my [BLEEP]ing socks off.
- [MERV LAUGHS]
We're making an album!
- [ALL SHOUTING]
- No, be cool.
I put the man in the moon ♪
I put the dial in the tone ♪
Billy, I'm pregnant.
What the hell are we gonna do?
We got married that night.
- [LAUGHS]
- [WARREN] One
[INTERVIEWER] What do you
remember about the tour?
[GRAHAM] Camila,
listen, listen.
[CAMILA] What the fuck do
you think you're doing?!
You are gonna show up
for me, for this child,
and you're gonna keep showing up.
Look me in the eye ♪
Camila's had the baby, Billy.
Let's go meet your daughter.
I can't have her meet me like this.
Then there's someplace
else we got to go.
[PATTI SMITH: "DANCING BAREFOOT"]
She ♪
Is benediction ♪
She ♪
Is addicted to thee ♪
She ♪
Is the root connection ♪
She ♪
Is connecting with he ♪
Here I go ♪
And I don't know why ♪
I fell so ceaselessly ♪
Could it be he's taking ♪
Over me ♪
I'm dancing barefoot ♪
Heading for a spin ♪
Some strange music ♪
Draws me in ♪
Makes me come on ♪
Like some heroine ♪
[ACOUSTIC GUITAR PLAYING]
♪
[DAISY] Thank you ♪
I'm sorry ♪
I love you ♪
Goodbye ♪
Drink?
So, how you been?
Do you like it or not?
Well, at least you stopped
pretending you don't care.
That's progress.
I like it, Daisy. Very much.
What can I do for you?
I don't know.
What do you want?
I want to make a record.
Okay.
And I want people to listen
to it over and over again
until it breaks.
And then I want to make another one.
Well, you got one great song.
All we need now is ten more.
Give me a week.
Shit.
Oh, and, Daisy.
This is now the worst
song on your album.
Mama told me to watch out ♪
For girls like you ♪
Mama told me to watch out ♪
For what you do-do-do-do-do-do ♪
Mama told me to watch out ♪
She said you'd give me the blues ♪
Hey, world-famous rock star Billy Dunne.
- [BILLY SCOFFS]
- [GRAHAM CHUCKLES]
Eddie built his own bass,
if you can believe it.
And we tried a new backing section
on "Look Me in the Eye" that
- I think you're really gonna
- Graham, I just
I need to meet my daughter.
Yeah. Right.
I knocked on the door ♪
But there was no ♪
You're gonna love her, man.
Mama told me to watch
out for girls like you ♪
The other day we were
hanging in the yard, and
and she just looks up at
me with those big eyes,
and out of nowhere she just,
she just smiles, you know?
Like
And not some smile
like when she's got gas.
You know, like a real,
full human smile, man.
[SOBBING]
[GRAHAM] We didn't really
understand addiction back then.
I mean, I thought he'd just dry out.
Things would go back to
the way they used to be.
- My man!
- Hey.
- Looks good on you.
- It's not too bad.
You good?
Yeah. Been worse.
Pittsburgh on three? [CHUCKLES]
Hey, man, I I got
to show you this bass
Hey, Eddie, Eddie, Eddie.
Just give him a minute, man.
He's got to meet his daughter.
Yeah, but it's good to see you guys.
Good to see you, Billy.
Welcome home, man.
[BLOWING RASPBERRIES]
Oh, yeah.
[CAMILA MUTTERING INDISTINCTLY]
- Shh, shh, shh, shh.
- [DOOR OPENS]
[DOOR CREAKS SHUT]
- Hi.
- Hi.
Mrs. Alvarez.
[JULIA FUSSING]
You want to come say hi?
[JULIA CRYING]
Hey, kiddo.
Sorry I'm late.
- You want to pick her up?
- [JULIA CRIES]
Uh, I don't want to make her mad.
She's not mad.
[SPEAKING SPANISH] Camila,
I can take her for a walk.
We're fine, mom.
Thank you.
- [JULIA FUSSING]
- She's fine, she's just she just needs a nap.
All right, can I, uh
Can I help with that, or
Do you need anything
picked up from the store?
We're fine.
- [JULIA CRYING]
- Okay. [SHUSHING]
Okay, my daughter.
I, uh I, uh
I missed you.
My mom's been, uh,
sleeping here with us.
Helping with the night
feedings, so maybe you should
Yeah, just for the first few nights.
Of course. Sure.
The label dropped us a week
after the tour was canceled.
They made us pay back our
advance and everything.
I kept us practicing
as much as I could
and got a job at a body shop.
Yeah, I was working down at
Malibu Harbor cleaning boats,
which I loved,
and, uh, and doing a lot of mushrooms.
Which I also loved.
Basically, we were
back where we started.
Worse, even.
[INTERVIEWER] Are you
still upset about it?
Me? Nah.
I mean, holding onto that
shit will be the death of you.
But he really fucked us over.
You feeling okay up here?
Yeah, man, it's great.
[GRAHAM SIGHS]
You want to play a little?
Maybe later.
Yeah, man. Hey, I get it, you know.
I mean, maybe tomorrow?
Whenever you're ready. I mean, look,
everybody's really excited
I can't do it, Graham.
You can't do what?
I-I mean I'm out.
I-I'm done.
Look, why don't you just
get some rest, all right?
Listen, um
I can't be like Dad.
I just, I-I have to
look after my family.
Yeah, Billy, we're your family.
- All right? I'm your family.
- Just
- Okay?
- Will you just tell 'em I'm out?
Everybody down there, Billy,
they've been waiting for you.
Just, will you just
tell 'em for me, please?!
You can tell 'em yourself.
[SIGHS]
We were so
so close, man.
[DAISY] Okay.
Let's look at this. What do we have?
This is bad.
- [STRUMMING GUITAR]
- [SIGHS]
"Through the fault of "
"There's something up in in Utah."
"The grain or the sand
that had to cherish "
Oh, my God.
Ugh!
Oh, my God, what are you doing?
Writing.
[SCOFFS] Okay.
[PHONE RINGING]
You gonna get that?
Ugh!
- Should I ?
- Hello?
[SCOFFS, SIGHS]
- Yeah. Uh
- Me?
Somebody named Lee Parlin.
You sure?
- She's not here.
- Shh
She's Here she is. [CHUCKLES]
- This is Simone.
- [LEE] Hey.
So I'm working over
here with the 32-20s.
How fast can you be here?
[FAMILY PLANN: "LET'S DANCE]
[INDISTINCT CHATTER]
[SIMONE] And then I was supposed to do
just the chorus, but
it was going so well,
he said, "Well, would
you do the whole song?"
- He said I had a one-of-a-kind sound.
- Well, he's right.
And that we should do big,
big, big things together.
- That's-that's what he said.
- [DAISY] Of course he did.
Because you're a star.
Teddy said this was
gonna happen, he said it's
only a matter of time
Sorry. What were you saying?
[LAUGHTER]
Go talk to her.
[DANCE MUSIC PLAYING]
[SHOUTS AND LAUGHTER]
♪
I'm Bernice.
Simone.
I'm Bernie to most people.
And you're a singer.
You You know
- I heard you guys talking.
- Oh, right, right. [CHUCKLES]
So what's your sound?
Still kind of figuring that out.
Hmm.
It's the club where I work.
This is a New York address.
- [BOTH LAUGH]
- Come by if you're ever in town.
I could show you around.
I'm sorry, did I read you wrong?
It's a powerful thing
when someone comes along
and just
sees right through you.
I'm not used to people
being this forward.
[BERNIE LAUGHS]
You think this is forward?
[BOTH LAUGH]
Yeah ♪
[DANCE MUSIC PLAYING]
[SINGERS VOCALIZING]
[WYATT] Damn, girl, look at you.
How long has it been?
Daisy Jones.
You know, back when I met you,
your name was your name was Margaret.
And you'd never had a number one record.
[SNICKERS] Yeah.
- You know, you could at least say thank you.
- Thank you?
Thank you for what?
[ALL GASP]
[CROWD GASPING]
She's all around your head ♪
And she's dancing in
the corners of your mind ♪
Stumbled on sublime
till you can't speak ♪
I mean, sure, a normal person
probably would have let that go.
Who the fuck do you think you are, man?
[GRAHAM] Look, everybody
just calm down, okay?
Oh, for fuck's sake,
I can't be the only one
who's pissed here.
I don't know what else
you want me to say.
You guys don't even need me.
You have the songs,
you got the fan base.
- I mean, I'm sure if you just
- Billy!
If you're going, go.
All right.
So now what do we do?
I mean, bands fall apart, you know.
That's rock and roll.
I just
thought this one was different.
[BILLY PRESTON: "WILL
IT GO ROUND IN CIRCLES"]
I've got a song ♪
I ain't got no melody ♪
I'm-a gonna sing it to my friends ♪
I've got a song, I
ain't got no melody ♪
I'm-a gonna sing it to my friends ♪
Will it go round in circles? ♪
Will it fly high like
a bird up in the sky? ♪
Will it go round in circles? ♪
Will it fly high like
a bird up in the sky? ♪
- I've got a story ♪
- That should do it.
- [KNOCK ON DOOR]
- [MAN] Hello?
[DOOR OPENS]
- Hi.
- Hey.
Hey, man.
Uh, the fellas said you were back here.
So, let me guess.
They asked you to come change my mind?
[CHUCKLES] Of course they did.
But I'm not going to.
I actually think you're
doing the right thing.
So, why did you come, then?
I missed you.
[DOG BARKS IN DISTANCE]
You know, I, uh
I don't think I ever
said thank you for
No, no, no, no, I
I'm just glad that it
seems to have taken,
'cause it doesn't always, you know?
[SIGHS]
It's never, ever gonna get any easier.
Do you know that?
Yeah.
For me, it was all about moving forward.
Yesterday you were talking about ♪
- All right, well, not him.
- No, not him.
- Yeah, I
- He's offensive.
[LAUGHS]
Look, we're gonna find
somebody, all right?
You think?
Guys like your brother, Graham
they don't exactly grow on trees.
Look, I'm gonna put an ad in the paper,
I'm gonna talk to the guys at the Troub.
He's out there somewhere. All right?
I mean, he's got to be.
What are you thinking?
I'm thinking I want to get drunk.
[CHUCKLES]
But are you still
gonna be called The Six?
I mean, there's four of you now.
Yeah, man. Makes it
even funnier, doesn't it?
Look, if you don't get the joke,
I-I can't help you, man.
I'm not a nun, obviously.
I like sex. I mean, I love it.
It's just the mess that I don't like.
Attachments, expectations.
What, so you never want
What?
I mean, a life?
Like Billy and Camila?
[LAUGHS]
I want this life.
I want traveling and seeing the world
and playing music with my friends
until I drop dead onstage.
[BOTH LAUGH]
I am quite horny, though.
You're what?
Yeah, I would literally
fuck anyone right now.
Yeah, yeah, me, too.
Yeah, it's, uh been a minute.
We should just go for
it, don't you think?
I mean, why not?
Yeah.
Yeah. I mean
[INDISTINCT CHATTER]
It was a confusing time.
For everyone.
[MAN] Set the southern stars ♪
I brought the heathens peace ♪
Then I ate the bird in the bush ♪
Oh, someone called the police ♪
I know you don't mean it,
I know you don't mean it ♪
Because you can't turn around ♪
Look me in the eyes ♪
Turn around ♪
Say it to my face ♪
[STIFLED SOB]
[LAUGHING]
[KAREN] Feel like we've seen every
bloody front man in
the whole of California.
Not everyone.
What?
I can do it, guys.
- Yeah, Eddie
- I can do it.
I'm a better guitarist than Billy,
I can sing almost as good.
Come on, just give me a chance.
I mean, he's already up there.
[MUTTERS]
[GUITAR REVERBERATES]
Come on, you can't be serious ♪
Can't even take a joke ♪
You can promise that
the boat won't sink, but ♪
Could you ever let it float? ♪
The sun is shining down on you ♪
While the moon is getting bigger ♪
You couldn't flip
the switch then, baby ♪
You couldn't pull the trigger ♪
[MUSIC BLEEDING OUT FROM HEADPHONES]
Do what you gotta do ♪
Babe ♪
Yeah, yeah ♪
Let's go again. I think I can beat it.
Well, why don't you
come in here and listen
to that take first?
'Cause I [CHUCKLES]
I-I think that's about as
good as we're gonna get.
Okay.
You got to hear this.
It's magic. Cue it up, Danny.
[MUSIC STARTS]
And if I can't understand ♪
Maybe I can still relate ♪
Relate, yeah ♪
That was good. [CHUCKLES]
- You want to sit down?
- Yeah.
Someone has been in your shoes ♪
Ooh. Okay.
Most the time they
walked right out the door ♪
- I'll leave it up to you ♪
- Oh.
- Sounds like honey.
- Thank you.
Babe ♪
I'll leave it up to you ♪
- You feeling okay?
- Yeah.
Uh, I can hear myself better here.
Do what you gotta do ♪
[DAISY SINGING INDISTINCTLY]
[VOCALIZING]
Sounds nice.
[STOPS PLAYING]
- You okay?
- Yeah. Yeah.
Okay.
[DAISY CONTINUES PLAYING, VOCALIZING]
[JULIA COOING]
Let's go home.
To Pittsburgh.
We'd be closer to your
parents, to my mom.
I'll get a construction job.
I-I like building things,
working with my hands, you know.
You could get a job at
the paper, taking pictures.
Do you think that I moved here for you?
'Cause I-I didn't.
I moved here with you, Billy.
- For us.
- All right, I'm not
For the life that we wanted.
I'm just trying to be practical, Cam.
All right? If I stay here
Oh, my God.
I don't know if I can
handle it here anymore.
- That is not the problem.
- You're not listening to me.
Why don't I'm weak.
Pick up your kid.
Go ahead.
Pick up your daughter.
What are you so afraid of?
Do you think do you
think that I wasn't scared
when I held her for the first time
and you weren't even there?
You think that I wasn't
so hurt when you
But I stayed, Billy.
I faced it and I didn't leave.
So I am asking you,
what are you so afraid of?
I think I'm afraid
[JULIA BABBLING]
I'm afraid she's gonna love me, and
I'm gonna fuck it all up.
Welcome to the club.
[BABBLING CONTINUES]
Hey, kiddo.
[SOFTLY] Hey.
What's this? What's this?
[BILLY HUMMING SOFTLY]
- One, two, three. One, two
- [JULIA CRIES OUT HAPPILY]
[MAKING NIBBLING SOUNDS]
[BILLY HUMMING SOFTLY]
[CAMILA LAUGHS]
[JULIA LAUGHS]
You don't have to sit here with us.
You know, you can go back in.
No, I, you know, I-I want to, I
- I miss hanging out with this little troublemaker.
- [CAR DOOR SHUTS]
- Yeah, she's the best.
- Hi, baby.
Hmm, my girl.
Tickle-tickle toesies. Tickle-tickle toesies.
[CHUCKLES]
So, uh [CLEARS THROAT]
everything's just back
to normal with you guys?
I mean, just like that?
[JULIA BABBLING]
Sorry, I just, I-I don't
know how you could
Have you ever been
in love before, Eddie?
You don't just stop loving someone
because things get hard.
You know?
At least I don't.
It's gonna be ♪
- One happy Christmas ♪
- Wait, let me grab my camera. Wait.
One happy Christmas ♪
[TAMMY WYNETTE:
"ONE HAPPY CHRISTMAS"]
- You and me ♪
- [CAMILA] Say "Feliz Navidad."
Hey, Feliz Navidad
It's gonna be ♪
One happy Christmas ♪
You say, "Merry Christmas, Mama."
[LAUGHTER AND INDISTINCT CHATTER]
And Santa did remember 'cause he ♪
Brought you home to me ♪
Hey!
- Cheers.
- Cheers.
[KAREN] One, two,
- three!
- [OVERLAPPING SHOUTING]
Pittsburgh!
[BILLY SIGHS]
Well, it took forever,
but she's finally asleep.
She's asleep!
[CHEERING]
- She's asleep.
- Come and have some fun.
[BILLY CHUCKLES]
Look, I, uh,
I'd like to play something for you,
if you're open to it.
I understand if you're not. [CHUCKLES]
We're not.
We're not. Right, guys? I mean
Oh, come on. You can't do this.
You-you can't just walk back in here
like nothing happened.
You're right. I'm sorry.
I'm just gonna go check on Julia.
Hey, asshole.
Play the damn song.
[INTERVIEWER] Why did you stay?
I ask myself that all the time.
[BILLY ON TAPE]
Oh, but I know we can ♪
Get it all back ♪
Oh, I know ♪
We can get it all back ♪
[TURNS MUSIC OFF]
[SCOFFS]
What's the matter?
I mean, I, I know it's a new direction,
but it's, uh
Are you telling me
that's not a good song?
It's a good song.
So?
You burned a lot of bridges
when you canceled that tour, man.
You burned a lot of
bridges and a lot of money.
Money that wasn't yours.
And, yeah, the song is good,
but there's a lot more
people with your sound now.
Well, let me talk to the label.
It's not gonna help.
Well, then, you talk to them.
All right, I mean you're Teddy Price.
- They'll listen to you.
- Look, look, look, man.
Your fuckup is my fuckup, all right?
Jesus Christ.
I thought that yours was gonna be
the record to fix things, but it
Well, it just didn't, Billy.
Well, I'll play it for 'em,
and, uh, let's see what they say.
Thank you.
We're both getting older ♪
You tell me, tell me, tell me ♪
I've seen the dark skies ♪
Did we unravel a long time ago? ♪
Is there too much we
don't wanna know ♪
Yeah. [CHUCKLES]
And this is just the demo, of course.
I'm not hearing it, Teddy.
- Are you hearing it?
- I'm not hearing it either.
Yeah, we already gave these guys a shot.
Uh, look, Don,
- I have a feeling.
- [CHUCKLES]
You know, if you just let
me get in a room with them
and work some magic, we could
It's a no on this one, Teddy, all right?
I'm sorry.
All right, guys, uh, what else we got?
Ah, I found a great band in the Midwest.
Real new sound.
- All right.
- [TAPE EJECTS]
I have about 15 pieces
of different ideas
but nothing, nothing I
think you're gonna like yet.
Well, please don't bother bringing me
anything that you don't think is great.
I wouldn't do that.
But what if it takes a long time, Teddy?
The songs just, th-they
show up when they show up.
Yeah, I can wait.
Did we unravel a long time ago? ♪
Is there too much ♪
What is this song?
I thought it was something, but, uh
But it isn't so ♪
We're thinking ♪
Oh, I know we can get it all back ♪
What would you do with it?
I know we can get it all back ♪
Next thing you know,
we're booked in the studio.
[DAISY HUMMING]
[WARREN] Teddy thought
a female vocalist might give us an edge.
Someone new that he was working with.
Now where do we stand? ♪
We'd never heard of her
then. I mean, no one had.
Billy wasn't thrilled.
I don't even know why we're doing this.
It's not a duet.
Hi.
Daisy Jones, Billy Dunne.
I like your song.
[CHUCKLES]
Daisy, you are gonna go right here,
and Tobias will set you up.
Great. Could I have a
glass of milk and a whiskey?
Or just a whiskey, if
you don't have milk.
- Yeah.
- Or just a milk if you don't have whiskey.
[KAREN] So happy to see you, Daisy.
- [DAISY]. Yeah. Thank you for having me.
- [GRAHAM] You're welcome.
Why are you smiling?
I'm just, uh, generally delighted.
All right.
Okay, let's do this.
Did you want to talk
through the song first?
Oh, I'm fine, unless you have
something that you want to
- No, I'm fine.
- Okay.
- There. Prost.
- Thank you.
And, um, yes, your volume
will be right there.
- Okay. This one?
- Yes. Correct.
And Billy's on channel two.
One. Okay, hello. Oh, wow. Okay.
Hello? Hello? That's a little bit loud.
What, has she never recorded before?
- [DAISY] Hello? Hello? Hello?
- She's about to.
Could we turn these off,
or lower them a little? They're
Yeah, where are her pants?
- Who cares?
- Shut up, you two.
Okay, Billy, can we
give us a level, please?
I don't know who I am ♪
[TEDDY] Okay, that's good. And Daisy?
Baby, baby, baby ♪
Okay, let's get this started.
This is "Honeycomb," take one.
♪
I don't know who I am ♪
- What? What?
- Do we need the
- Do we need the audience?
- You mean the band?
Is she talking about us?
- It's our song.
- Right?
They're just kind of
looking right at me.
[KAREN] Let's just,
um, give her some space,
don't you think?
Do you want to go and talk to Deb?
Debbie's working today? Oh, shit.
Okay.
"Honeycomb," take two.
Take two.
♪
I don't know who I am ♪
Baby, baby, baby ♪
Do you know who you are? ♪
Is it out of our hands? ♪
Tell me, tell me, tell me ♪
How we made it this far ♪
[BOTH] Did we unravel
a long time ago? ♪
Is there too much
we don't wanna know? ♪
I wish it was easy, but it isn't so ♪
Oh ♪
- I know we can get it all back ♪
- Make a good thing bad ♪
Oh ♪
- I know we can get it all ♪
- We can make a good thing ♪
- Back ♪
- Bad ♪
Can we stop?
Those aren't the lyrics
that you're, uh, singing.
Uh, d-do you need me to write 'em down?
Can you can I grab a pen?
I mean, I know what the lyrics are.
Well, then, why aren't you singing them?
I am singing them.
You didn't see this? He didn't get this?
What the fuck is this, Teddy?
Billy, why don't we
give her version a go
and just see how it sings?
Her version's like a completely
different song, Teddy.
Can I ask you a question?
What do you think the song's about?
What do I think the song is about? What,
- the song that I wrote?
- Yeah, what is the song about?
What do I think the song
that I wrote is about?
- It's about starting a new life, Daisy.
- Okay.
- It's about redemption.
- Redemption from from what?
From letting people down.
So, guilt. It's about guilt.
No, it's not about guilt.
I'm sorry, I'm not
trying to pry or anything.
I'm just trying to, you
know, get us on the same page
and understand the story better
so that I can help, which is
I think that's why I'm here.
I'm assuming it's about you?
- [SCOFFS]
- Okay.
So you let somebody down.
Right? And now you're-you're saying,
you know, everything's fine.
Look at us now,
everything's in the past
Yeah, what's wrong with that?
I don't believe it. And
it doesn't sound honest.
And it sounds simple.
And I don't know you very well.
But you don't seem simple to me.
Well, thank you.
Also, why did you call it "Honeycomb"?
You know that that-that's
a Ricky Nelson song, right?
Is she always like this?
[BILLY] If you don't like
this song, why are you here?
[DAISY] Oh, I love this song.
I love it. I think
it's a beautiful song.
It's just that you, you-you
wrote a speech, Billy,
when, at the very least, I
think it can be a conversation.
Well, Edith,
I guess this is really goodbye.
[INDISTINCT CHATTER]
[BILLY GROANS]
What the hell, man?
[TEDDY] Is something on your mind?
I'm either gonna kill
her or you or myself.
Where do you think I should start?
We need a minute, thanks.
Teddy, can we, uh ?
Is this the part where the
men figure out the solution?
I highly doubt it.
What the fuck?
Close the door. Come in.
- Can I turn on the light?
- Yeah, sure.
[DOOR CREAKING]
[EXHALES SHARPLY]
What are we doing in the closet, man?
I didn't know what was in here,
I just thought it was another room.
You had her rewrite the song?
What'd you think of the sound?
She sounds like she's
ruining the great fucking song
- I wrote, Teddy.
- No, no, Billy,
you wrote a good song, not a great one.
She's right, man.
Your version is, uh
Well, it is simple.
You're holding back, man. And I get it.
I mean, if I was you, I
wouldn't want to be going
to those places either.
Look, if the label
loved the song, why is
They didn't.
What do you What do you mean?
Label said no.
They don't know we're here.
So who's paying for the session?
I love you, man.
You know that, don't you?
You want this open or closed?
[DOOR CREAKS]
I don't know, man.
First we're letting him
back in like it's nothing,
now he's got us singing
songs with some chick?
Who you calling "chick"?
I'm a chick.
Yeah, but not really.
Tweedledee and Tweedledum.
Heartbeat of the track. Good work.
Glad you dig it.
- Hey, that's nice, man.
- Real nice.
- Nice to know someone's listening.
- Real nice.
- You all right?
- Yeah. Yeah.
Did you guys want to record
something or fight more?
I'm fine either way.
Uh, hold on, he'll be right there.
Okay, I'll be here.
[EXHALES SHARPLY]
Hello? Hello, Tobias.
[DEEP VOICE] Hello, Tobias.
Hello
What the fuck is a Tobias?
I'm Tobias.
[DAISY] Testing, one,
two, three, four, five.
- Look, Teddy, I trust you.
- One, two, three, four.
But I don't think
you're right about this.
Well, I guess we're just gonna
have to wait and find out.
- [DAISY SPEAKING GERMAN]
- Okay.
- [SPEAKING GERMAN]
- [TOBIAS LAUGHS]
[DAISY VOCALIZING]
[TEDDY CLEARS THROAT]
She has a perverse sense of humor.
[TEDDY CHUCKLES]
[TEDDY] Hey, Billy, uh,
there's a rattle in your mic,
so we're just gonna
put you two together.
[DAISY] Perfect.
There's no rattle.
I know.
You also have a perverse sense of humor.
- I wanted to tell you
- Daisy, look,
we'll try your version and
then we'll get the original.
All right? We don't need to argue.
I was just gonna say that I
love the sound of your voice.
[TEDDY] Okay, folks,
this is "Honeycomb,"
take three.
Come to think of it, we
never did do my version.
♪
[BOTH] Oh ♪
How did we get here? ♪
How do we get out? ♪
We used to be something to see ♪
Oh, baby, look at us now ♪
Baby, look at us now ♪
This thing we've been
doing ain't working out ♪
Why can't you just admit it to me? ♪
Oh, baby, look at us now ♪
Baby, look at us now ♪
This thing we've been doing ♪
Ain't working out ♪
Why can't you just admit it to me? ♪
Oh, baby, look at us now ♪
Baby, look at us now ♪
Oh ♪
We could make a good thing bad ♪
Oh ♪
We could make a good thing bad ♪
[CAMILA] So, how was it?
♪
[DAISY] Now where do we stand? ♪
A nightmare.
Baby, baby, baby ♪
Yeah.
Whole thing was a total wash.
And if this was your plan ♪
Tell me, tell me why ♪
You've been crying in the dark ♪
[SIMONE] Hey!
How was it?
Probably the best day of my life.
♪
♪
♪