007: Road to a Million (2023) s01e04 Episode Script

[bossa nova music playing]
[Controller]
For a hundred thousand pounds,
this music is said to evoke what feeling?
[song stops playing]
[tense music]
[Controller] Joy.
Jealousy.
Longing.
Do you know what?
I think it might be longing.
I was thinking that.
Because "The Girl from Ipanema"
is a bossa nova song, as well.
- Yep.
- I think.
"The Girl from Ipanema",
I don't know the lyrics but it's like
- He wants her.
- [Joey] He wants her, yeah.
And that song there,
God knows what the lyrics were,
but it felt like it was
pining for love.
[Joey] Yeah, it was a romantic type
of song, wasn't it?
Jealousy, I think,
would be more angry and
You can't have an entire genre of music
dedicated to jealousy.
[Joey] No. I'm happy with C.
I'm happy with longing.
Let's do it, man, let's do it.
We've come this far.
- We can't do any more.
- I'm shitting myself now.
- [James] Ready?
- I'm scared now.
- But, yeah, we've agreed it.
- [switch beeps]
One, two, three.
[button clacks and machine beeps]
[Controller] For a hundred thousand
pounds, you have chosen answer C.
[tense music builds]
Your answer is
[Joey] It's taking too long.
[Controller] Arriving outside.
Oh, fucking What an arsehole.
What an absolute arsehole.
[James] He says it's arriving outside, so
[suspenseful music]
- [James] Oh, mate
- Absolute torture.
[Joey] There's a boat out there.
Is he gonna fire a flare up
on a boat or something?
[Joey] There's a helicopter
coming over to us!
[James] What?
[Joey] It's flashing a red light.
- [James] It's red.
- It's red.
[Joey] Good go though, mate.
[James] We've got it wrong.
- [Joey] It's green!
- Yeah!
[both cheering]
[triumphant music]
[Joey] Mate, I saw the red light
and thought it was wrong.
[James] I thought I got it wrong.
[Joey] Oh geez.
That was torture, absolute torture.
[Joey] Come here, mate. [laughs]
Oh, mate, that's a hundred large!
[laughs]
[Controller] Well done, boys.
One hundred thousand pounds.
Just nine hundred thousand to go.
[both sigh]
Good luck with that.
[James Bond theme music tones]
[music fades]
[Controller] Kamara and Josh,
welcome to level three,
for which I've chosen for you
one of the most hostile places
on the planet.
The Atacama Desert.
To find your next question
and double your money
to a hundred thousand pounds,
follow the old train line east,
to Baquedano Station.
"Baquedano Station"?
[suspenseful music]
[Josh] Can you see any signs?
[Kamara] No, let's go and have a look.
Uh, a small train might pull up.
Yeah, train?
Are we waiting for a train?
[Josh] Or someone might
A station master?
- [mobile buzzes and beeps]
- [Josh] Oh!
[suspenseful music]
- [Kamara] You got a text?
- Yeah.
"New message. Read now."
[mobile beeps]
Zero-one-five-two.
Someone's PIN number?
- Zero-one-five-two, a number?
- Yeah.
- Is there a number here?
- Zero-one-five-two.
[Kamara, quietly] Zero-one-five-two.
[Josh] Check the numbers
on the trains, maybe?
Four-two-one, four-two-three.
One-five-zero-nine.
[Josh, muttering] Zero-one-five-two.
[both, muttering] Zero-one-five-two.
[Kamara] Zero-one-five-two.
- [Josh] How the hell did you see that?
- I don't know. [laughs]
- [Kamara] Zero-one-five-two, alright.
- Okay.
- [Kamara] Can you see anything?
- Yeah, there's like a
- [Kamara] What's in there?
- Deserted train.
[Kamara] Zero-one-five-two,
can you see it?
[Josh] Oh, yes.
- [Kamara] Where is it?
- I see it.
- You're too tall, let me go.
- It's right there, straight ahead.
[Kamara] Okay, we need to get there.
[Kamara] No, it's locked.
[Josh] Is it locked?
Maybe there's a key somewhere here.
- [mobile buzzes and beeps]
- [Josh] Oh.
Wait, hold on.
[mobile beeps]
- What?
- "Use the truck."
Truck?
What, to get in here?
Bruv.
- [laughs]
- "Use the truck."
[Kamara] Where is there a truck?
There's a truck there.
Oh.
[suspenseful music]
[Josh] Let's check that out.
[Josh] Yo, maybe
he's got the keys in the truck.
[Kamara] Okay
[Josh] Maybe he's got
Hey, hold on.
"Use the truck."
I think we have to bust through.
[Josh] Yeah, are you for real?
- We have to bust through.
- Okay.
[engine roars to life]
[Josh chuckles] Hey, hey, hey!
Okay.
It works.
[Josh] Um
The thing is though,
I can't drive a manual.
[engine shuts off]
- Should I drive it?
- Yeah.
You good with that?
- Yeah?
- [Kamara] Yeah.
[Josh] Alright, cool. Wicked. Let's swap.
He can't drive manual.
So, it is
I do my clutch down
No, how do I do it again?
Yeah, clutch down.
I haven't done this in ages.
- Ready?
- Come on, mate.
[engine roars to life]
Show them what you've got.
That's it.
Okay
Ready?
Alright, come on. Let's smash into this.
Have it!
[engine revs]
- [engine shuts off]
- [Josh laughs]
[Josh] We did it.
[suspenseful music]
- [Kamara] Right, go round the back.
- Yeah, yeah.
[Josh] Oh wait, this could be it.
This is the one.
[Josh grunts]
[Josh] I see Range Rover keys.
Okay.
What is that?
You know what that is?
[Josh] Look, these are
What do you call them? Soundwaves.
- Oh yeah, soundwaves.
- Yeah.
[Josh] What's this GPS map thing?
- Press the phone?
- [buzzing and beeping]
[Josh] Okay.
[Kamara] Okay.
[mobile beeps]
- [Josh] "Follow"
- Okay, so we need to follow somewhere.
- [Kamara] Don't press it now.
- Okay.
[Kamara] Yeah, we need to go somewhere.
[Josh] So, 166 kilometres.
- That we have to drive to?
- Yeah.
- Okay, what is this?
- Wait, hold on, hold on.
This looks like an observatory,
maybe, or something.
- That's the
- And that's the point where it is.
[Kamara] I don't know. What the hell?
[Josh] I think that's where we have to go.
[tense music]
[Controller] Nine pairs set off,
seven still running.
Who will get the furthest?
Perhaps these two, from Belfast?
Father and son.
James and Sam.
I definitely wouldn't want to have
to swim across any river like that.
Your body adapts to the cold.
It just does it.
- Yeah.
- You were made for it.
[James] Take that nervous energy,
let it empower you.
[Sam breathes deeply]
- Thank you.
- Thanks.
[phone ringing]
Hello?
[Controller] You'll find the next question
eighteen miles across these mountains.
Follow the coast south,
to Dry Island.
[dramatic music]
- [James] I'll drive.
- Okay.
[James] Are there any keys?
[James] Keys?
Here. Here.
[Sam chuckles]
[engine roars to life]
[James] Okay. Go, go, go.
[Sam] He's definitely
my biggest role model.
For the majority of my life,
he worked offshore.
Dad would be home
for two months, away for six weeks.
I missed him while he was away.
[James] I have been absent,
you know, for half of the kids' lives.
I missed this Christmas.
I missed another Christmas
a couple of years ago.
I missed half their birthdays.
I've missed
a lot of wedding anniversaries,
Valentine's Days
and my wife's birthdays.
It's like, when Dad's home,
we're a normal family
and when Dad's not home,
then we're a single-parent family.
[James knocks]
[James] Hello?
[Sam] Oh my goodness.
[James] What is this place?
[Sam] This is where
we're meant to be, right?
[James] Yeah.
- [James] Oh, shit.
- Right
[James] Okay
[Sam] Maybe there'll be something
in the diaries, or
[James] What is this place?
[Sam] We're really
just looking for anything,
to give us some kind of idea.
[James] Oh, hold on.
Maybe that old television.
- [James] Here, mate.
- [Sam chuckles]
- [James] "Play me."
- Right, okay.
[Sam] What is that?
Like an old battleship or something?
- Fishing?
- [James] No, no, that's a battleship.
[Controller] This footage
was shot not far from here,
in 1945.
These are Nazi U-boats,
arriving in Loch Eriboll.
It was the largest gathering
of Nazi U-boats ever assembled.
For ten thousand pounds,
what were they here to do?
A, surrender.
B, surprise attack.
C, refuel.
[Sam] Okay
- Right, Sam?
- Mm-hmm?
Let's see if there are
any clues in this room
before we answer this question.
I agree, because I don't know the answer
off the top of my head.
[Sam] 1945, he said.
When was the war over?
[suspenseful music]
I genuinely do not know the date
when the war was over.
[James] Now, this is horrible.
This is awful.
[James huffs]
I think you pointing out
that it was 1945 is very helpful
because that's got to be
at the tail end of the war.
So, surprise attack and refuelling
seem least likely.
I have no knowledge
of any mass submarine surprise attack.
Yeah, I mean, I don't know either.
- There'd be a film about it.
- Yeah.
No, it doesn't make any sense, I mean
German U-boats in Scotland.
They must have only been here
for one reason and one reason only.
Mm-hmm.
And that would be
to surrender at the end of the war.
- Mm-hmm.
- It's got to be.
- [James] Alright, you do it.
- I don't know how to do it.
[James] Put that tape in.
[tape clicking into place]
[Sam] Come on.
[tense music]
[Controller] You chose option A.
Your answer is
[television beeping]
[television beeping]
- [Controller] Correct.
- [both cheering and laughing]
[Sam] Oh my goodness!
That was nerve-wracking!
[James, laughing] Yeah!
[dramatic music]
[Controller] Your next question
is worth twenty-five thousand pounds.
You have one hour to find it.
Go to the race track in Monza.
[James honks horn] Move!
[Sam] We're taking too long.
Yeah. Screw it, screw it.
[suspenseful music]
[James] Can we park in that lay-by there?
- [Sam] Just leave the car in that lay-by?
- Yeah.
[music intensifies]
[Controller] Behind the crowds
is a disused banked circuit
and a bridge.
- [race cars zoom past]
- [James] Can we get in here?
- [James] Brilliant, thanks.
- [Sam] Nice, nice, nice.
[James, laughing] Come on, come on.
- [James] Oh my God!
- Oh my goodness!
[wheel gun whirring]
[James] Hey, Aston Martin.
[James] Can we come in?
Sorry to interrupt you.
We're looking for the old race track
that's not in use anymore.
[man] Ah, the old oval? Yeah, yeah.
[woman] Pretty sure it's that way.
- [Sam] That way?
- [James] Can we cut through your garage?
- [James] Thanks so much.
- [man] No worries.
[both] Thanks.
[both laughing]
[James] I can't believe this.
- [James] Come on, Sam.
- Yeah?
[James] Time's running out.
I'll kick myself
if we don't get there on time.
[suspenseful music]
[both panting]
[James] We've got to be near this bridge.
[Sam] Wait, are we on the bridge?
- This is the bridge.
- [James] This is the bridge.
[Sam] Time stops
whenever we get the question.
- Will I try up here?
- [James] Yeah.
[race cars zooming past]
[James] Sam.
Sam!
Over to your right!
Quick.
- [Sam] I did it.
- [both laughing]
[suitcase clicks open]
[Controller] Welcome to Monza,
known as The Temple of Speed.
One of the fastest Formula 1 tracks
in the world.
You are on the old, original track,
abandoned for being too fast.
Its steep banks made this track deadly.
For twenty-five thousand pounds,
what is the angle
of the bank in front of you?
Eight degrees.
Thirty-eight degrees.
Eighty-eight degrees.
[James] Okay.
Eight degrees is nothing, right?
[Sam] Where's zero?
That's zero, that's 90.
So, 88 is 90, which is straight up.
And that is not straight up.
Eight degrees is shallow as anything
and that's not shallow.
[Sam] I don't think it's 38.
[James] Thirty-eight?
Thirty-eight is nearly forty-five.
Look, think of a triangle,
think of a triangle.
[Sam] Okay.
Ninety, forty-five, forty-five.
That's roughly forty-five degrees.
It's 38.
- [Sam] I'm confident it's not 38.
- B, B. Mate, 100 percent, it's B.
Twenty-five grand, come on!
- [Sam] What are you doing?
- [James laughing]
[James] Come on.
- Are you ready?
- [Sam] Yes.
[James] Come on! Come on!
Yes! That's 25Gs!
- [both laughing]
- [Sam] Yes!
[both cheering] Yeah!
[imitates race car noise]
[triumphant music]
[James] Keep the beers coming.
[both chuckle]
[James] Well done, mate. Well done.
[Sam] Hits the spot, doesn't it?
- [James] Well done.
- Smashed it.
[Sam] My favourite part
was seeing all the mountains
and then not having to trek over them.
That just felt like a big win
over Scotland, you know?
We had to hike
over all those massive things.
[James] When we got asked that question,
straight away, I knew the answer,
no doubt whatsoever,
and it was just such a relief.
I was less excited about winning 25 grand.
I was more relieved that I'm going
to get to continue to do this
and spend more time with you, doing this.
I was so happy
the Aston Martin guys
let us walk through their garage.
[Sam] Oh, that was so cool!
[James] If they hadn't given us
the directions
and let us take that shortcut,
I don't think
we would have found that place.
Yeah.
[distant phone ringing]
[Sam] Is that
Is that phone ringing?
Is that for us, do you think?
It's the same kind of telephone.
- Oh shit.
- Fuck it.
[phone continues ringing]
- [James] I heard that ringing.
- I was not expecting this to happen.
- [James] I heard that ringing.
- [Sam] You take it, you take it.
Hello?
[Controller] The next question
is for fifty thousand pounds.
Next question's for fifty thousand pounds.
[Controller] You'll find it
400 miles away, in Naples.
- 400 miles away, in Naples.
- Naples?
- [call ends and telephone beeps]
- [Sam] Oh my goodness.
What?
That's it.
[Kamara] Wait, what did you say?
You said an observatory.
[Josh] Yeah or a lab,
research of some sort.
[Josh] They all look like trees.
- [Kamara] Oh yeah. Oh!
- Yeah.
- In the middle
- [Josh] Yeah, this one.
- [Kamara] That's what you said, around it.
- [Josh] Yeah.
[Josh] Solar panels.
[Kamara] Wow, solar, this is mad.
[Josh] Wow, this place is massive.
It's mad how they've, like, aligned them.
- [Kamara] In a circle.
- There's a pattern all the way around.
[speaker humming]
[Controller, through speaker]
Kamara and Josh.
I've been expecting you.
Welcome to Cerro Dominador.
Take a look around you.
[suspenseful music]
Ten thousand state-of-the-art panels,
angled precisely to harness
the awesome power of the sun.
Under one of them, you'll find
Hector González.
- What the fuck?
- What?
[Controller] You have 30 minutes.
Good luck.
- What?
- Yo.
I think we need to start looking.
- Um
- How are we going to start looking?
[Kamara] We're gonna walk
around this whole thing for days.
[Josh] No, under one of them
is Hector González, and there's 10,000.
[Kamara] Yeah?
So, it's just literally
[makes wooshing sound]
[Kamara] No,
because I can't see down there.
Can you see anyone?
No, but it might not be
mandem Hector González, per se.
[tense music]
[Josh] Hector?
[Kamara] No,
there's no Hector González here.
[Josh] Oh.
Under one of them?
This is really pissing me off, now.
[Josh] Alright, let's have a look
over there, come on.
[Josh] What am I looking for?
Oh shit.
Huh?
[Kamara] What?
[Josh] "Sebastián Piñera Echenique,
2021."
Okay, that doesn't say Hector González.
So we are looking for the same plate
with Hector González on it.
Oh.
[Josh] Come on, let's go, let's go.
[panting rapidly]
[Kamara] There's one,
there's a plate there.
- [Josh] Let's have a look at this one.
- Okay.
[Josh] Okay, not that one.
[tense music]
[Josh] "Carolina Schmidt."
- [Kamara] Are there any more?
- It must be this row.
Oh shit, I think I see something.
- Yeah, yeah.
- [Kamara] Oh shit.
[Josh] Is this the one, is this the one?
[Josh] "Hector González."
Okay, José.
- You press it.
- [Kamara] Yep.
[suitcase clicks open]
Oh shit.
[Kamara] No, no, no way.
- [Josh] What?
- Match
Walkie-talkies
[Josh] "Toconao."
"Toconao. Lascar."
[Kamara] Is that somebody's
[Josh] Name? Or somebody
we're going to be looking for?
And that's
What is that?
[Josh] A compass.
[Kamara] No, it's not moving.
- What does it say?
- [Josh] Altitude.
Alright.
- So I'm guessing we've got to get there.
- Get there.
[Josh] And find the restaurant, El Laco.
[Kamara] But why have we got
walkie-talkies?
[Josh] I don't know.
- [Kamara] Bubs?
- Mm-hmm?
Could you have imagined
that we'd be doing this?
Yeah, no
No, I don't think I ever thought
that I was going to do
something like this.
I think life just changed.
That money
Like, how it could change our lives.
- Yeah.
- It would be mad.
Like breaking a cycle, I'd say.
[Josh] I just remembered about Italy.
Oh.
- That was madness.
- Absolutely smashed it.
How were you feeling when I was up there?
I was scared, nervous for you.
And I was thinking, "Shit,
did I just throw my wife up there?"
"What have I just done?"
I felt guilty.
- [Kamara] Did you?
- Yeah, yeah.
I felt guilty,
I felt all sorts of things, man.
And just to see you do it was like, yo
Yeah, you smashed it.
Well done.
[Kamara] Thanks.
[dramatic music]
[Kamara] I'm hoping that Josh
regains a confidence in himself.
And I'm scared that if he doesn't do
something kind of different,
then he's gonna be stuck in this cycle.
[Josh] I am definitely not
the same person as I used to be.
I think the turning point for me
was when I was stabbed.
That kind of changed me.
[dramatic music continues]
[Josh] I was attending
a community workshop
and I just happened to be
in the wrong place at the wrong time.
And that's when the person stabbed me.
[emotive music]
My tracksuit bottoms
were drenched in blood.
Every single person I approached,
nobody helped me.
I just felt so deserted.
And that's where my anxiety stems from.
My fear of heights.
Mentally, psychologically,
you just start losing your confidence.
I feel there's a lot of me
that has been restricted,
hidden away.
To the point where,
you know, I'm thinking twice
before I do anything with my kids.
I don't want to be like that.
I know what my potential is.
I know what kind of person I was.
I just want to bring that back out
and start living my life.
[music fades]
[thrilling music]
[Controller] James and Sam,
you will find your next question
in the city's industrial docks.
In a place called
Parcheggio Brin.
You have 90 minutes.
[James] Excuse me?
We're looking for Parcheggio Brin.
How long if we run? Can we run?
- No, not possible.
- [both] Not possible.
[James] Excuse me? Hello.
- Parcheggio Brin?
- Parcheggio Brin.
[Sam] When we get there, one question,
50,000 pounds.
- [driver speaking indistinctly]
- Yeah, yeah. Importante.
[James] Oh, we're here.
This is the industrial docks.
Look at that. Oh, brilliant.
Oh my goodness,
parcheggio means the parking.
It's Italian for "parking."
[driver] Okay.
[Sam] Grazie.
- [James] Just keep going.
- Okay, okay.
[James] Oh.
[Sam chuckles]
[suspenseful music]
- [Sam] Do you think that's it?
- I don't know.
[Sam] Shall we have a look?
- [James] There's nothing else up here.
- Yeah.
[both panting heavily]
Hey, the case.
[both sigh]
[Sam] It's not opening.
- [Sam] So we need to find the keys?
- Check.
- [James, whispering] Okay
- Right.
[chuckling] Well,
I'll happily smash a window.
[tense music builds]
[James] Let's get something
and fire it through that window.
- [Sam] That'll do. That'll work.
- [James laughing]
That's the job.
[Sam] Go for it.
- [Sam] Nice.
- Yeah.
Get that box.
[Sam] Ready?
[suitcase clicks open]
[Controller] Before you stands
the magnificent Mount Vesuvius,
mainland Europe's only active volcano.
[suspenseful music]
The last time it erupted,
a deadly stream of molten lava
and huge fiery rocks
rained down on the town in front of you.
For fifty thousand pounds
from where you are standing now,
how far away is it?
7.8 miles.
18.6 miles.
23.5 miles.
Oh That is
That is a bit tough.
Right, initially, my gut is saying
the furthest away.
- [James] Really?
- But that's like a marathon.
[James] Why's your gut saying that?
The furthest away?
Because it looks really far away.
[laughing] That's about all
I've got to go on.
Think about the journey
that we made today.
- [Sam] Yeah.
- Can we see where we started?
- It's behind this mountain thing, here.
- [James] Okay.
[James] And how far was our journey?
[Sam] Well, it took us
How much running did we do?
Forty minutes?
This is a ball-ache, this, isn't it?
It's hard to tell the scale,
because the mountain's so big.
[Sam] Do you know
how big Mount Vesuvius is?
- No, do you?
- No.
[tense music]
See, my gut is saying it's 7.8 miles.
Because I can see it.
It's over there, look.
But the thing is,
we get a much bigger horizon
because we're eight flights up.
Yeah.
So you can see, right?
The horizon disappears at 23, 24 miles.
If you're at sea level.
[James] But we're way up,
so we can see a lot further.
[Sam] Right, there's got to be
a way to work this out.
Alright.
You know when you're
at Granny Maggie's house, in Tayport,
and you look across at Broughty Ferry?
That's two miles, that bridge.
- That's two miles?
- That's two miles.
[James] So is that, like, four of them?
Or is that, like, ten of them?
[James sighs deeply]
It's 7.8 miles, isn't it?
[Sam] I trust you.
Initially I was going with C,
because, you know, it's so vast.
[James] Okay, we're gonna go for it?
- Mate
- Let's do it, let's do it.
- [James] I've loved doing this journey.
- Okay, we've got it.
Well, go for it.
Eh? You pull it.
- You pull it!
- No, you pull it!
You pull it, come on.
- Okay.
- A. It's A.
[James sighs deeply]
[tense music builds]
[James] Oh, please.
[Sam laughing] Yes!
[James] Fifty grand!
[both laughing and cheering]
[Sam] Oh my god!
[triumphant music]
[Sam] Oh yes!
[indistinct chatter]
[Kamara and Josh] El Laco.
- [both] Hola.
- [bar tender] Hola.
[Josh] Hey, hola. Inglés?
[woman speaking Spanish]
[Josh] Do you speak English?
- [bar tender] No.
- [man] No English.
No English.
Okay
[Kamara] This, here?
[bar tender] [in Spanish]
Uh-huh, restaurant El Laco.
[Josh] Okay, sí, sí.
[Josh] Lascar?
[in Spanish] Ah yes. Look, Lascar.
[bar tender] Volcano, volcano.
[Kamara] Volcano?
[in Spanish] Uh-huh, Volcano.
- [Josh] Volcán?
- [bar tender] Sí.
- Volcán Lascar?
- Big?
[woman] Lascar, sí.
[bar tender] [in Spanish] Very dangerous.
Very dangerous.
- So, it's an active volcano?
- Active volcano.
- [bar tender] Active, sí.
- Active?
- So, no finito?
- [Kamara and woman] No.
- [bar tender] Active volcano.
- Active.
[Josh sighs]
[suspenseful music]
[television buzzing]
[Kamara] Is that it?
Exploding?
[Josh] Excuse me, señora?
Lascar, it's this one?
[woman] Uh-huh, sí.
- [bar tender] Fire, lava.
- [Josh] Like this?
[in Spanish] The altitude,
5,500 meters approximately.
[Kamara] "Cinco." Uno, dos, tres
- Five thousand feet.
- [Josh] Oh.
[Josh] Señorita No. [chuckles]
Okay.
[in Spanish] Dangerous altitude.
- [Kamara] Gracias.
- [Josh] Muchas gracias.
[Josh] Gracias.
[Kamara sighs]
[mobile buzzes and beeps]
[Josh] Oh, hold on.
[mobile beeps]
[Kamara] What does it say?
[Josh] Hold on.
[Kamara] Read it.
Oh my God, what does it say?
[Josh] Oh my God!
"The question is at the top.
5,500 metres."
- [Kamara] Metres?
- Not feet.
[suspenseful music]
[Controller, on walkie-talkie]
You are now standing on Lascar.
One of Chile's most active
and fearsome volcanoes.
It last erupted less than a year ago,
sending a column of super-heated gas
and ash four miles into the sky.
You'll find the question at the top,
beside the crater.
At 5,500 metres,
higher than any mountain in Europe,
and well into the zone
where altitude sickness
can be devastating.
You're gonna need to be
especially vigilant on your journey,
as I have decided that only one of you
could ascend the summit.
[walkie-talkie cuts out and beeps]
This guy's a tuto, man.
Ugh!
[Kamara] So we can't go together?
"But only one of you must ascend."
Oh, for fuck's sake, bruv.
Wait, I need to psych myself up.
[Josh grunts]
[grunts]
[sighs heavily]
- Okay.
- [Kamara] You want to go up, Bubs?
El padrino.
[Kamara] Sure?
Sí.
I gotta do it.
I can't let you go now.
I need to stop
and just face my fear.
I ain't ever done this shit
and I'm gonna do this shit today.
[suspenseful music]
You miss me?
[Kamara, on walkie-talkie] Not yet.
Okay, okay, okay.
Yo, I can't really see you properly
because you're camouflaging
in with the mountain.
[panting heavily]
[Controller] The higher you go,
the lower your oxygen levels become.
Dizziness, headaches,
confusion, lethargy, nausea
and, for the uninitiated,
there's fear.
You okay, Bubs?
I'm worried.
[Josh panting]
[suspenseful music]
Just let me know
that you're alright, Bubs.
It's all about the mindset.
It's all about the money.
We can get this money.
What's going on?
[Kamara] Where is he?
[muttering] Starting to imagine things.
But it's all good.
Oh, baby, baby ♪
How was I supposed to know ♪
[laughing]
[sighs]
This is all God's creation.
[laughing]
[laughing softly]
[whispering] Just keep going.
Just keep going.
Got to keep fighting.
[muffled voice on walkie-talkie]
[Kamara] What did you say, Bubs?
[Josh speaking, muffled and inaudible]
[Kamara] Bubs, you okay?
- [Josh speaking, muffled and inaudible]
- Bubs?
Why can't I hear anything?
[Kamara sighs]
What is happening?
[emotive music]
[Kamara, softly] Bubs.
[emotive music swells and then fades]
[Kamara, softly] I'm so proud of you.
[suitcase clicks open]
[Controller] You're standing
on one of Chile's most active volcanoes.
During its most violent eruption,
toxic ash was scattered
over a thousand miles.
But, volcanoes can be
even more devastating than that.
The following terms are all real
and are taken
from the volcanic explosivity index.
Which of them describes
the biggest eruption?
Colossal.
Apocalyptic.
Cataclysmic.
[James Bond theme music tones]