Gone for Good (2021) s01e04 Episode Script

A NETFLIX SERIES
[Xerxes: Act 1 "Ombra Mai Fù" playing]
[inaudible]
[body thuds]
[panting]
[whimpering]
All right. Hey! [gasps]
[panting]
- [man grunts]
- [groans]
[whimpers]
Come here!
Get off!
- [punch lands]
- [groans]
[panting]
See what you made me do?
You're making me do this!
[grunts]
[grunts]
Nora.
[panting]
Stay there!
Honey, calm down.
Nora Nora, give me the gun.
Nora
Calm down!
Nora.
Nora, put it down.
Stay there!
- [gun fires]
- [man] Fuck!
[grunts]
Nora!
Nora!
Hey, wait!
Nora!
[Nora whimpers]
[man] Stop!
[engine starts, revs]
Nora!
You're not leaving me!
What are you doing?
You think you can escape from me?
[gasping]
BASED ON THE BOOK BY HARLAN COBEN
NICE, PRESENT DAY
[Daco] You sure this will work?
[Guillaume] If you've a better idea,
I'm all ears.
That wasn't Judith in the coffin.
So this is our only link to her past.
[breathing raspily]
I'm gonna call the cops, so leave!
You wanna pull in the police?
Judith Conti. Do you know her?
Do you think
we all went to school together?
Get the hell out of here! Please go!
Wait, wait, wait! Hey!
[chuckles] Poor thing.
[smacks lips] What's happened to her?
She's been murdered.
And do you recognize her?
[birds chittering]
- No, I don't.
- [Guillaume] You sure?
Because she's also named Judith Conti.
No, I'm sorry.
[chuckles]
[chuckles]
You're relieved, huh?
Don't wanna imagine
your women being whores.
You don't mind that we exist,
but imagining your sisters
or your girlfriends getting paid for sex,
that No, that disgusts you.
Does my face disgust you?
- I'm sorry.
- [woman chuckling] That's nice.
You're sorry.
You will forget about me once you leave.
It's for the best in the end.
If you'd have seen me before
I was pretty.
Really pretty.
I even had a client
who wanted to propose to me.
He was a very sweet man.
Hassan was his name.
He said we could get married,
have some kids, the whole thing.
He asked Louis
for permission to pay back my debt.
Louis lost his mind.
"You're my whore," he said.
And he spent the rest of the night
drawing on my face with his hunting knife.
It's a work on art, you know?
Not bad. [chuckles]
[somber music playing]
I'm sorry, but
Why did you choose to keep him here?
Why didn't you leave this asshole then?
Take back your freedom, live your life.
[laughs]
My life?
I don't have one.
I'm trying to make him understand
that a life without hope feels endless.
It's long. It's torture. Okay?
And then what happened with Judith?
Judith, well
When she left, we all paid the price.
Her guy didn't ask permission
from Menighetti.
He just picked her up one day,
and they vanished. She was gone.
Did you know she had a daughter?
I did.
I would get letters from time to time.
I might have one. Let me see.
That had to be, uh, two years ago.
[sighs] Poor thing.
Look at this.
This is what I was telling you about.
This is Judith's necklace.
[Daco] It can't be.
It must be a coincidence.
No, Daco, it's not a coincidence. Come on!
They share a name, an identity.
Now even this necklace?
They must have known each other.
Hold on.
The postmark's from Italy.
Fred was seen in Italy.
- Fred?
- [Daco] His brother.
- [woman] Huh. That's your brother?
- Yeah.
- He's the guy she left with.
- [Guillaume] What?
Menighetti raised hell to find them,
and then your brother and his gang
sent a hitman to take him out.
He shot Menighetti in the spine.
It was a close call, but he survived.
Now the poor bastard's in my basement.
- What the fuck is this?
- Wait. My brother's some kinda gangster?
I guess you don't really know
your brother.
He was dealing drugs with his partners.
There was that other guy
who looked like a turnip.
- Keller, uh
- Kesler?
- Alexandre Kesler?
- [woman] Yeah. Alexandre Kesler.
Hang on. You know who that is?
[Guillaume] Of course I know him.
He's Fred's best friend.
He was at my mother's funeral.
And there was this bald guy.
He was completely nuts.
Ostertag?
- [Menighetti moaning]
- [woman] Ah!
It's time for his soup.
[Menighetti coughing]
[solemn music playing]
[gate closes]
[dog barking]
[seatbelt clicks]
I have to find Fred.
[engine starts]
SARDINIA, ITALY 2015
[instrumental music playing]
[exhales]
[in Italian] Come eat!
[in English] I'm coming.
[woman] Not stay alone, bella.
[indistinct chatter]
[indistinct chatter]
Grazie.
Want to play a game?
No, not today.
Just one, please?
Here, look. It's easy!
A little later?
Hmm?
Who hurt you like that?
[footsteps approaching]
Mommy!
How are you?
Hello.
[Judith] Have you made a friend?
Hey.
You're French?
You hungry, sweetheart?
Here we go.
[Alice] Yum!
- [Judith] Want to share?
- [Alice] Yeah.
One night I met this man from Reno ♪
NICE, PRESENT DAY
He held me so strong in his arms ♪
His eyes much brighter
Than the rainbow light ♪
Dancing on the rhythm of our heart ♪
So here we have
the very first model designed by Jaguar.
Last but not least
is this magnificent Ford Mustang.
It's the one in Bullitt.
With Steve McQueen. I'm not sure
if you've seen the film before but
Hey, Kesler.
- Guillaume! Hey, what brings you here?
- Oh, nothing much. Where's Fred?
- But, Guillaume, Fred is
- He's dead. Is that it?
Hey, listen.
Okay, look, just
just let me show you this.
Come on.
Excuse me, ladies and gentlemen.
My friend here wants to try this baby out.
We'll be back in ten minutes.
[engine starts]
I held him so strong in my arms ♪
His eyes much brighter
Than the rainbow light ♪
[tires squealing]
Surrounded by a thousand little ♪
What's going on, Guillaume? Huh?
I told you already. I want to see Fred.
So what's with the truck tailing us?
What are you talking about?
[engine revving]
Alex!
- [tires squealing]
- Alex!
You need to stop, all right?
[tires squealing]
- [horn blaring]
- All right, what do you want to know?
I want to know everything.
All the shit you were up to,
what you and my brother were doing
back in the day.
All right. Look, Fred was my best friend.
We worked together for years
and made good money.
We were like brothers, you know?
But that asshole pulled a fast one.
Is that why you hired Ostertag?
I don't know what you're talking about.
I didn't hire anyone.
Yeah, okay. Sure.
- [engine revving]
- [tires squealing]
[brakes screeching]
[suspenseful music playing]
Come on.
- [waves crashing]
- [seagulls cawing]
[music continues]
Come on.
You scared, or what?
Come here.
[suspenseful music continues]
Tell me where he is, okay?
I don't care
about whatever it is you're up to.
All I want is to find my brother.
Look, Fred drowned.
His body was never recovered.
That's all I know about it.
Did you know Judith,
the girl he saved from Menighetti?
It was about ten years ago.
You would remember. It was a huge mess.
Yeah, I do. And what's your point?
Judith Conti's the name of my girlfriend.
[Kesler] The girl
who was at your mother's funeral?
That's quite a coincidence.
[chuckles] No, it's no coincidence.
They knew each other.
Why use past tense?
[Guillaume] Because Fred's Judith
was beaten to death a few days ago.
And my Judith is gone.
She happens to be friends with Fred?
- Did he write to you? Is that it?
- No.
Did he contact you?
No, he didn't.
He could be dead for all I know.
But I have this this feeling
that he's actually alive. That's all.
[phone ringing]
That must be the guy we lost back there.
He's worried about you.
Go on, answer.
[phone hits the ground]
Listen to me, you little shit.
Next time you decide to enter my lot again
and make a scene, scare my clients,
I'll make you bleed.
If you see your brother,
tell him to come see me.
We got a few things to sort out.
And he was right about you.
You're a pussy, Guillaume, a real pussy.
[tense music playing]
[sighs]
[phone chiming]
[chiming stops]
[Ostertag] What?
[Kesler on phone] Did you know Guillaume's
girlfriend had the same name as Fred's?
- [Ostertag] Judith Conti?
- [Kesler] That's what he just told me.
His girl disappeared
right after his mother's funeral,
two days after Ivry.
Fred knows her for sure.
What the hell am I paying you for?
[Ostertag] You're paying me
because you two morons
got killed like newbies in Ivry.
[Kesler] Fine. Just find her, okay?
If you find her, we'll get to Fred.
[Ostertag] What about this guy?
[Kesler] Forget him. Just find the girl.
You okay?
What the hell were you doing?
Answer your phone, man.
That fucking asshole
knocked it out of my hand.
[Daco] I knew
I shouldn't have let you go alone.
- He knows about Fred.
- [Daco] What makes you say that?
It was so clear, the look in his eyes.
He kept asking me questions.
It was obvious.
Fuck.
All right, jump in.
We need to go to the office.
Can we make a detour first?
Shit, man, you're killing me.
Fine!
[engine starts]
- Guillaume.
- Hey, Dad.
What are you doing here?
- Good evening, sir.
- Hello.
Okay, okay, come in.
It's nice to have guests.
Well, I'll just open a bottle.
Let's open something nice.
I don't have many occasions to drink.
Wait here. I'll go see what I have.
Make yourselves at home.
[exhales]
- [Guillaume] Dad
- So we have
Can you read this label, son?
- Hang on.
- [Guillaume] 2009 Pernand-Vergelesses.
No, too soon. No, we'll save this one.
- [dad] Now this
- Dad, I think Mom was right about Fred.
This is a Bellet.
- What year is this?
- 2004.
2004. Good. [laughs]
Dad, did you did you hear me?
I saw Fred. He's alive.
Your brother is gone.
It must have been someone similar.
Leave it alone.
No, Dad. No.
I saw him. I swear, he's alive.
I think he has a kid.
Just stop! Shut your mouth!
You're insane! You're completely insane!
- I couldn't believe it, but it's real.
- What are you doing to me?
Torturing me? Huh?
You're trying to make me sick?
Fuck! Listen to me!
For once, just listen, Dad!
Fred didn't die!
Your son is alive! Fred is alive!
[bottle shatters]
[groans, pants]
You okay?
Now, you listen.
Your brother was dead to me
long before that night.
Your brother died the day
he gave up on trying to become somebody.
Now, get out.
- Go away, Guillaume.
- Dad, I'm sorry, please.
Get out!
Go on, get out!
SARDINIA, ITALY 2015
[bell tolling]
- [Judith] What are you making for her?
- [Alice] I'm doing two braids.
Two braids?
Just don't pull her hair too much.
- Hi.
- Hi.
Ah! My princess!
- Having fun?
- Yeah.
- [Fred] Did you order anything to drink?
- [Judith] Not yet.
Daddy, tell me a story
from when you were a kid.
Again?
Hmm. Which one?
One with Uncle Guillaume
when you got in trouble.
[Fred laughing] Again?
[Judith] She's crazy
about his family stories.
She's never ever met Guillaume,
but he's her hero.
He'll see her eventually.
No, probably not.
[Nora] Why not?
We're not close.
I will never see him again.
If we go back to France, they'll find us.
You miss him?
Mm-hmm.
- [Judith] What are you taking pictures of?
- [Alice] Pictures of the sea.
[Alice] Nora, can we all
take a picture together?
Okay, but I'll take one of you.
Okay?
- I love you.
- [camera clicks]
[Fred and Judith kissing]
[Judith] Will you take one of just Alice?
[camera clicks]
[Alice giggles]
- I'm gonna get you! I'm gonna get you!
- No!
[squeals]
[grunts, chuckles]
[inaudible]
- [Alice] Mommy!
- [Judith] Sweetie!
[both chuckling]
Who was that?
That?
That was just a tourist
asking for directions.
- Who wants a pastry?
- [Alice] I do!
- Oh yeah?
- [Alice] Yes.
- And have you been behaving?
- Yes.
Let's see. Has she?
- She has been. You sure?
- Yes.
All right. Here, you get cauliflower.
- Yuck! [laughs]
- Yuck!
- No, sweetie. It's chocolate.
- [Alice] Oh, cool!
And I got you lemon.
I wasn't sure. I hope you like it.
Thanks.
We all have ghosts, okay? I have them too.
Look, I hate to ask,
but what are you afraid of?
I'm not afraid.
If you need to talk about it
[Nora] Thank you.
Could I ask a favor?
I need a sitter for Alice tomorrow.
And I don't really know anyone here, but
I don't know, I think I can trust you,
and you two seem to get along, so
- Mmm.
- [Judith] Really?
Thank you! [chuckles]
[sweeping orchestral music playing]
NICE, PRESENT DAY
What exactly happened
with Fred and your dad?
[breathes deeply]
I guess, to my dad,
Maéva and I weren't much, but Fred
First born, is that it? He's special?
[Guillaume] Actually, when Fred was a kid,
my father realized
he was really good at tennis.
And he thought he could go pro.
Except that it's, uh
it's what my dad wanted, not Fred.
So, then Fred started getting
into trouble,
screwing around with his buddies.
He quit tennis. My dad went insane.
They hated each other then.
So, what now?
I think we gotta go back through it,
all of it. We'll go back to the beginning.
- Back to the
- Okay.
The day of the funeral,
when Judith made that call, or maybe
In fact, no, before that or even earlier.
The day Precious saw her
with all that cash in her bag.
Enough! All right, all right?
Stop it, Guillaume.
You're going crazy over here.
We're not gonna do this again, Guillaume.
I'm out!
Want to know
what I think is best for you now?
- What?
- It's time to go back to work.
So tomorrow you'll be in my office
at 8:00 a.m. You're going back
And what, I just forget
about helping my brother
or about finding Judith? Is that it?
[Daco] Judith left!
It doesn't matter why. She left!
And as for Fred Look, I know, I'm sorry.
Even if he survived,
if he felt like contacting you,
he could've done it by now.
Just forget? Should I pretend
nothing happened? Just like that?
You have a fucking life!
You have friends. You have a job.
You also have kids out there
on the street who are counting on you!
I can't move on.
You don't really have a choice here.
This is your boss speaking,
and I'll see you
at 8:00 a.m. tomorrow in my office.
[breathes deeply]
["Un Verre De Sun"
by Jordy Bohbot & Yollan'n Benony playing]
[door creaking]
[door closes]
You awake?
I couldn't sleep.
[refrigerator opens]
[bottle clinking]
I have a remedy for that.
[chuckles softly]
[bottle opens]
[Inès] Thanks.
- [Guillaume] Does it happen to you a lot?
- [bottle opens]
Since we lost Sonia.
I think I should probably go home.
Come with me.
[exhales]
I still have nightmares
about it all the time.
It feels impossible.
I haven't had a good night's sleep
since Sonia was killed.
I was eight years old.
And every single night,
I have nightmares. They're horrible.
I I just see it all over again.
There's this guy screaming,
"That's it. You played! You lost!
You played! You lost!"
I wish I could just move on.
But I can't forget.
There's no way to forget.
I felt so powerless when it happened.
- And I'm really sorry that you had to
- [Inès] No.
No, Guillaume, you actually helped me.
[sighs] You said, "I'm going back home
and staying." With your parents?
I know it'd comfort my mom.
But I feel like I'm stuck.
Okay, but think about what you want.
If you only had to worry about yourself,
what would you do?
I don't know.
I'd be
a landscape artist. [chuckles]
[chuckles]
And you?
Me?
I like to be able to sleep.
[sighs]
I'm glad you're here.
Feel free to stay, okay?
[Inès] Thank you.
[solemn music playing]
Good night, Inès.
[Inès] Good night.
SARDINIA, ITALY 2015
Can you stay with me for a while?
I'm scared to fall asleep alone.
I'm here, sweetheart. Okay?
I promise.
[Alice] For you.
It's a friendship necklace.
This means that we'll be best friends.
Forever.
- Forever?
- [Alice] Yes.
Thanks.
[kisses]
Try to sleep now. Hmm?
- Okay.
- [Nora] I'll be here.
[glass shatters]
[light thudding]
Be right back.
[suspenseful music playing]
- [doorknob squeaking]
- [door creaking]
- [man] I told you I'd find you.
- [Nora] Go away!
- [objects clattering]
- [man] Nora!
Nora!
- No!
- [man] Nora!
[Alice] Nora!
[man] Nora!
Nora!
[doorknob rattling]
[Alice] Nora, who is that?
- [grunting]
- [banging door]
- [Nora] Go away!
- [man] I'm taking you home.
[Nora] Go away!
Nora! Let me in! Open this fucking door!
[Alice screams]
[grunting]
- [yells]
- [grunts]
Where the fuck did you come from?
[grunts]
[grunting]
- [yells]
- [glass shatters]
[Nora breathing heavily]
- [thudding]
- [men grunting]
[yells, grunts]
[grunts]
[yelling]
[muffled scream]
[yells]
[bones crunching]
[panting]
[panting]
[tense music playing]
[panting]
Oh, fuck.
[breathing heavily]
NICE, PRESENT DAY
["La Fin Des Temps"
by Mansfield. TYA playing]
[Inès] Thank you for everything,
for these last few days with you,
for making me understand
that I have a life of my own
without her and without you.
Goodbyes are always painful.
But, sometimes, they're necessary.
Love, Inès.
[music continues]
[music continues]
[indistinct conversation]
[indistinct conversation]
[door opens]
Weego.
You okay?
- Yeah.
- I'm glad you're here.
It'll be good for you.
Uh, you need to go over to the park.
The school called me.
Apparently, a bunch of teenagers
have been robbing sixth-graders
after class. All right?
We have a new guy, Michael. Over there.
Can Can he come with you?
No, I'm going alone.
[phone ringing]
[Daco] If that's what you want.
You okay, though?
Yeah.
[indistinct chatter]
[engine revving]
[brakes screeching]
Abdou?
Listen, I need a gun.
Why would you need a gun?
Seriously?
You know where Weego would be?
No, that's a bad idea.
Well, I'm not asking your opinion.
You said he'd be the person to hook you up
with something like that.
So you know where he is or not?
Listen, Guillaume,
I'm not in that business.
I'm not doing it. Is that clear?
It's all right. Just put the word out
that one of your friends
is trying to get a hold of a gun.
No way. Okay?
[Guillaume] Abdou, come on.
You owe me, right?
You had nothing
before Daco and I stepped in.
You remember?
- Seriously?
- [Guillaume] Yeah.
I hoped you'd be better than this, man.
Yeah, well, I'm sorry,
but that's the way it is.
[solemn music playing]
[car pulls over]
[car door opens, closes]
[pulls chair]
Heard you're looking for a gun.
Yeah.
Why do you want one?
You going to rob a joint?
No, you're looking for revenge.
What do you want with Weego?
I wanna know
why he's been talking to my girlfriend.
Maybe they're fucking.
Did you ask your girl about it?
She disappeared.
You know that kid, Tony,
the one that hangs around the gas station?
Mm-hmm. I know him well. He's one of mine.
[man] Word is
you found him a place in a foster home.
- Yeah.
- He won't go.
That's weird. I'm pretty sure last week
Well, I'm telling you, he's not. Got it?
Look, it's simple.
I get you to Weego.
You get little Tony
out of this mess you've got him into.
[sighs] That's impossible.
I can't do that.
Everything's set up already. I'm sorry.
And plus, I'm not just gonna leave a kid
out on the streets.
I can't do that to Tony.
He'll be safe.
What, do I not take good care of my kids?
[clicks tongue] All right, forget it.
I don't need your bullshit.
- Hey, good luck.
- No, no, no. Please stay, just a second.
What for?
Look, it's simple.
You make the call, right here.
Tell him, "Tony isn't coming."
And in exchange, I'll find Weego
if he's not dead
or fucking your woman already by now.
[solemn music playing]
[sighs]
SARDINIA, ITALY 2015
I'm really sorry.
[Fred] Stop saying that.
The problem is us, the men.
We have this rage inside us, like
like a fucking cancer eating at us.
At least, there are exceptions,
like my brother.
- Guillaume?
- Mm-hmm.
He's pure. [scoffs]
He's a real dreamer.
Not like me.
We better go.
The old lady's place is emptying out.
Okay.
You can't stay here any longer.
Never let your guard down.
That's the secret.
You settle down, you're screwed.
- If you think you're safe, you're screwed.
- I'm not sure I can do that.
You have no other choice.
Here's Judith's passport.
You look similar enough to pass.
- Thank you.
- Nobody knows where she is except me.
Here.
You better get to your train.
Train to where?
You're going back to France.
You're not at risk.
I won't see you again, but you'll know
how to reach me if there's a problem.
Okay?
And you?
Don't worry about us.
We'll stay on the run.
[footsteps receding]
Back there.
NICE, PRESENT DAY
Are you Weego?
Mmm.
- Where the fuck is Judith?
- Man, you take it easy.
He'll tell you what he knows.
She wanted a passport.
[Weego] I took her to Tan's.
He's the best forger around.
She was in a hurry, and she had cash.
But he couldn't do it right away.
So I told her I'll deliver it
once he had it ready for me.
- When are you dropping off the passport?
- I did already. This morning.
This morning?
You saw her this morning? Where at?
Hey! Take it down.
Where is Judith? Help me, I'm begging you.
The Sofitel, by the airport.
Said she was leaving soon.
[chair thuds]
And what's her name? What's her new name
on the passport? What is it?
I don't know
if this part's included in the deal.
I swear, Tony's not going
to the foster home, all right?
Go ahead.
Aurélie Lunel.
[engine revving]
[phone chiming]
- Hello?
- [Daco] Where are you? What are you doing?
I heard from Marly's place
about Tony canceling.
Yeah. Yeah, he bailed. I insisted,
but he didn't want to, so
What, it's his decision to make now?
I'll call you back.
I'm in the middle of something.
Where are you going?
Guillaume?
[call disconnects]
[sighs]
[sentimental music playing]
[sniffling]
[music continues]
- Good evening, ma'am.
- Good evening, sir.
I'm looking for Aurélie Lunel's room,
please.
- [receptionist] Is she expecting you?
- Yes, she is.
[keys clacking]
Um, I don't see an Aurélie Lunel.
Let me check.
That's weird, because
- Please don't look
- Thank you.
[receptionist] You have to wait here.
Where are you going?
[elevator dings]
[Guillaume] Judith?
Judith?
Judith!
[gentle music playing]
Is it Judith or Aurélie?
Nora.
Nora.
[music continues]
[inhales sharply]
I'm sorry, I have a flight.
[inhales deeply]
[exhales sharply]
[music continues]
I guess you better go.
I'm so sorry. [sobs]
It's okay. I'm here.
Please stay with me.
[shakily] Please stay with me.
[sentimental music playing]
[sweeping orchestral music playing]
[sobbing]
[music continues]
NICE, OCTOBER 2017
[keys clacking]
THE MAISON BLEUE IS RECRUITING!
[gentle music playing]
Hi.
[indistinct chatter]
[indistinct chatter]
- [Daco] Hi.
- Hello.
- [Daco] You here about the job?
- Yes.
- [Daco] Great. Come on in.
- Thank you.
- Ah, it's Judith, isn't it?
- Yes.
Jérémie.
You can put your stuff down.
Uh, welcome to Maison Bleue.
So, we're a local youth community center.
And our job is mainly connecting with
and mentoring students
who are at risk of not finishing school
Oh, should I come back later?
NICE, PRESENT DAY
Fred and Judith then planned
their return to France.
It had been so long
that they thought they were safe,
that it was all over.
[inhales deeply]
They wanted to believe it.
It was Fred's old associate.
He somehow found them,
and two men paid them a visit.
And they killed Judith.
On the day of your mother's funeral,
it was your brother who called me
to let me know.
He believed forensics would find her DNA
all over and that
it would lead the police directly to me,
that it was only a matter of time.
I'd better run, or I'd be trapped.
But you kept Fred a secret.
We were together for two years, and you
You never told me?
I made a promise.
It was our pact.
Fuck the stupid pacts, all right? Please,
let's just forget about these pacts.
- [sighs]
- Your brother saved me, Guillaume.
He saved my life.
I owed him that.
I couldn't tell you anything.
Every second I was with you,
I wanted to tell you about it.
I swear, every second it broke my heart.
You are
What am I?
I'm an idiot? I'm pathetic?
You have a pure soul.
I mean that.
I just didn't want to hurt you.
Why is it always so complicated?
[inhales deeply]
Never mind.
[inhales deeply]
[exhales]
[breathes deeply]
I can't deal with this anymore.
I don't know. Honestly, I
[exhales sharply]
Look at me, Guillaume.
I'll tell you everything.
My name is Nora.
I'll tell you about where I grew up,
what the view from my window was,
about the stories I read,
the name of my cat, the bus
that brought me to school each day.
And maybe even about when I had green hair
all 'cause all because I lost a bet.
Or how I fell for some bastard
and got married to him.
- Trust me.
- [sighs]
I gave it all up to find you.
[inhales deeply]
[chuckling] All of it.
Even a promise I had made.
I let down one of my kids.
I betrayed myself too.
- Maybe it's not too late.
- [Guillaume] It is too late.
No.
No, because I'm never losing you!
I'm never gonna leave you.
It's out of the question.
[exhales sharply]
[solemn music playing]
Guillaume? Get going.
Go.
I'll stay. I'm not leaving.
Go keep your promise.
I'll stay here.
[music continues]
[suspenseful music playing]
[indistinct yelling]
What do you need?
[Guillaume] Give me fifty, okay?
- Tony?
- [Tony] All right, I got it.
[man yelling indistinctly]
Tony. Listen, just, uh
- What the fuck are you doing here?
- We're going to the foster home, okay?
If not, I swear I'll call your brother.
Tell him what you're doing.
- Don't bring him into this.
- Okay, come with me then.
Just be quiet about it.
Yeah, yeah. The Duke is fully going
to fuck you up. You get that?
Yeah, I get it. We'll talk about it
in the car. Be discreet.
[Tony] Boss is right there.
- [Guillaume] Shut up. Calm down.
- [Tony] Why don't you leave me alone?
- [Guillaume] Don't make a scene
- [Tony] Shut up.
Where the hell are you going?
Yeah, no, no. It's okay. This is my buddy.
- Be fast. Be quick.
- I know. We'll be quick.
- It's coming out of your pay.
- Yeah, man. Sure. See ya.
Seriously, when are you gonna
leave me the fuck alone?
- Why can't you mind your fucking business?
- Shh! Get in the car. Shh.
- Where are we going?
- Damn it!
[keys jingling]
- Shit.
- [men yelling indistinctly]
[engine starts]
- Give me that. You'll get us killed.
- What are you doing?
- Shh!
- Oh!
[woman] Excellent. Thank you, Your Honor.
The judge approved the placement.
- Whatever.
- Great.
- That's good news.
- Yeah, that's great news, Guillaume.
Tony, Tony, Tony.
You know this will be good. Okay?
Daco will come visit.
Give it a week. We're not giving up
on you that easy, okay?
We're gonna keep working on your projects.
My projects? But, Guillaume,
don't be an idiot. You know, man?
I I should've never listened
to those guys. I knew it!
They said you were gonna quit.
That you were leaving me alone.
But you never fucking give up.
- Come on, it's okay.
- Fuck.
[Guillaume] Huh? You trust me or not?
Call me if anything happens.
- Sure, I'll remember to call you.
- [Guillaume] Yeah, okay. All right, Tony.
- [Tony] Fuck.
- Thank you.
[solemn music playing]
[keys jingling]
[exhales]
- [door closes]
- [exhales] Fuck.
[foreboding music playing]
[exhales]
[tires squealing]
Shit.
Easy! Easy!
Fuck! Okay! Okay!
[grunting]
We had a deal.
Hey, go fuck yourself.
[grunts]
[pants]
[car doors closing]
[engine revs]
[tires squealing]
[panting]
[groaning]
[sniffling]
[groaning] Motherfucker.
[breathes deeply] Damn it.
[groaning]
Damn it!
[engine starts]
[revving]
The heart of love is their only light ♪
[grunts]
Faithless greeds, consolidating ♪
Holding down sweet charity ♪
[knocking on door]
With western eyes and serpent's breath ♪
[ominous music playing]
[thrilling instrumental music playing]
BASED ON THE BOOK "GONE FOR GOOD"
BY HARLAN COBEN
[music continues]
[music continues]