Lego Masters (2020) s01e04 Episode Script

1
‐ Tonight.. ‐ You are going
to make your very own movie.
‐ Yay!
‐ We've gone to Lego heaven.
‐ And action.
‐ a cinematic challenge
Looks like there's a new
sheriff in town.
with blockbuster builds
Jamie: That's the best
dragon we've seen.
We love your ambition.
You guys have really gone epic.
and one amazing
plot twist.
Oh, my Lord.
Would you like to use
the Golden Brick?
Man: All right, here we go.
We are rolling, rolling.
‐ Oh, yay! Movies!
‐ Yeah!
We see a huge sign
that says movies!
And we are in our element!
We're such big fans
of fantasy and sci‐fi.
‐ We've died.
‐ And gone to Lego heaven.
We were not expecting that one.
Will: Lights!
( music playing )
‐ Camera!
‐ ( cheering )
And action. Will Arnett.
‐ ( laughing ) ‐ You look great.
‐ Nice. ‐ Hello,
Brickmasters Amy and Jamie.
‐ Looking good.
‐ Hello, Will.
Hello, builders.
Welcome back to
"Lego Masters" episode four,
the hit sequel to
"Lego Masters" episode three.
I'm Will Arnett,
your host slash director
slash star slash best boy,
whatever that is.
You know why you're here.
Because you're the best
of the best.
Eight remaining teams
competing for $100,000
and the title of Lego Masters.
All right, the theme
of today's build
is Hollywood blockbusters.
( cheering )
So in this challenge,
you are gonna make your very own movie,
or at least build
a scene from it.
Brickmasters, what advice can you
give the teams for this challenge?
We want to see a scene that
really has that movie magic,
and the build needs
to tell the story for itself.
It's all about creating
that epic moment.
Now, when I call action,
you're gonna run into
the gallery,
grab a bucket of Lego popcorn.
Inside each bucket,
you'll find a movie marquee
with the name of
a popular movie genre on it.
( murmuring )
‐ The categories are
‐ Oh, my gosh.
and romance.
You are at the mercy
of the popcorn.
Okay, builders,
you got eight hours
to complete your masterpiece.
‐ Whoa!
‐ Wait, wait, wait.
We have to build something bigger
than what we've done before
in less time. Aah!
Lights
camera
action!
Get your brick on!
‐ Okay, let's see.
‐ ( squealing )
‐ ( laughing ) ‐ Oh!
The only one
I don't want is romance.
It's hard to build an epic scene
from a romantic genre.
‐ Monster!
‐ Monster.
‐ Yeah!
‐ Thriller! Whoa!
Mystery!
Both: Comedy!
‐ Okay, western.
‐ We got western.
Yeah, I'm very excited
that we got the western.
Growing up, my dad introduced
me to cowboy movies,
And we had a great time
watching movies together.
‐ Fantasy. Yes!
‐ Yes!
‐ Romance!
‐ Ooh, romance.
Hmm.
Oh, my Lord.
My mind is just drawing a blank.
‐ This is a tricky one.
‐ Yeah, tell me about it.
Romance is supposed to be
small and intimate.
What the Brickmasters wanted
is big and large.
And those two things seem
really at odds with each other.
It's hard.
Here, come with me.
Come with me and look.
Let's do the big shark
right here,
and then we need a hero.
I think it'd be hilarious
if it's a lifeguard.
In keeping with the theme,
I had a very classic
wardrobe change.
What are some of the things you're
gonna be looking for in this challenge?
Honestly, you have to look
at it and know the genre.
You have to instantly just
say clearly that's romance,
‐ that's comedy.
‐ Will: Right.
How can we create
one single scene
that depicts sheriffs
and robbers?
If you have the hands
going up like that,
it's telling a story right now.
Everybody knows this sign.
If you don't get that up front,
then they missed the mark.
And we're looking for
a really original story as well.
‐ That sounds pretty easy.
‐ The challenge is
that they only have
eight hours to do it.
Let's hope there are no twists.
‐ So we got the mystery.
‐ Mystery.
And our mystery is very Scooby‐Doo.
It's what we grew up with.
Amie: So we're gonna
create this cemetery.
There's going to be
a cryptkeeper.
Krystle: The cryptkeeper is
definitely hiding something.
Amie: And there's gonna be some
kids that are investigating.
We can leave little clues.
With mystery,
you have to leave holes.
So we're putting clues
literally all around our build.
You want some hidden elements
in the cemetery.
‐ What is he hiding?
‐ Both: Dun‐dun‐dun.
‐ Mark and Boone.
‐ Hey.
‐ Your theme is
‐ Both: Monster.
Mark: There's going to be
a little beachfront town.
They've got
a nuclear power plant.
It's oozing radioactive
materials into the ocean!
The shark gobbles it up
and becomes Land Shark.
‐ ( roars ) ‐ Oh, nice.
I don't know what noise
a shark makes.
I'm pretty sure it's not that.
And then all the people
on the beach
are screaming for their lives!
The lifeguards spring
into action.
And they're gonna save the town
from the radioactive
shark monster.
‐ I would pay to see this movie.
‐ Thank you very much.
Trying to give him some chubbier
cheeks, you know,
‐ and not just be round.
‐ Yeah.
Amy: We've been married
for about a year.
Still newlyweds,
but we would love to start a family soon.
And we start running with
the idea of babies as comedy.
But we're a little unsure of
whether it's gonna be comedic.
‐ The comedian's here, yes!
‐ Hello, Tyler and Amy.
‐ Woohoo! ‐ We know what
you guys got then, comedy.
Comedy.
Right up your alley, right?
‐ I hope so.
‐ ( soft music playing )
I make a living
acting like a fool.
Well, you know who our
favorite Lego character is?
This‐‐ this guy?
Started as a comedy
and turned into
a real tearjerker.
I'm a comedic actor.
Give me your elevator pitch.
There's a refrigerator.
In this refrigerator is milk.
Who loves milk? Cats.
They're going after this milk,
but what they don't know
is the existence of Superbaby.
He is the protector of the milk.
I've made this movie. I really like
this pitch. What do you think, Amy?
I'm really interested to see how
you can put those little aspects
of humor and comedy in this movie that
we're going to see from your build.
I'm collecting for my‐‐
sorry, sorry.
Okay.
What am I getting?
‐ Hey, Will. How are you doing?
‐ Will, what is going on?
‐ ( whistling ) ‐ How you doing?
Look like there's
a new sheriff in town.
Well, the sheriff is gonna
have to get Rusty McCoy.
‐ Yep. ‐ 'Cause we are staging
a robbery at Lego Saloon
where one robber
is holding up the saloon
and he's gonna be met
with two sheriffs outside.
What's the title of this movie?
‐ We haven't gotten that far.
‐ We haven't gotten that yet.
Let me help you out.
"Rusty Trails"?
I'm liking it, Manny.
Write that down.
We're getting too old.
I don't want to forget.
Your mother is normally‐‐ she's
the one that reminds me of things.
You've been married
for over 40 years, right?
I've been married 48 years.
I usually talk to her
a couple of times a day,
but I haven't had the chance
to speak to her.
We should call her, right?
I don't know. Do we have‐‐
I would be‐‐ oh, wow.
You got‐‐
‐ Both: Wow.
‐ Let's call her.
( line ringing )
‐ Evie?
‐ Hey, Mom.
‐ Hey, how you doing?
‐ I haven't been able to call
‐ you as much as I often
do, but I love you. ‐ Okay.
‐ I love you.
‐ I love you so much.
Aww.
‐ Yeah, I love you. I'll see you soon.
‐ I love you, Mom.
I don't want to be
the only one who's not saying
"I love you."
I love you, too.
Everybody here loves you.
‐ I can't wait to see you.
‐ Bye, babe.
‐ Now that's love.
‐ Bye.
‐ Bye.
‐ That's beautiful.
‐ Oh, God.
‐ That is so nice.
And this is, like,
the most amazing thing
that has ever happened to me.
‐ This is‐‐ ‐ Aww, dude.
I never in my life
ever expected this.
Guys, listen. I'm so excited for you.
That was so amazing.
‐ Thank you for sharing that.
‐ Good talking to you, Will.
Will:
It's great watching Nestor.
He loves his son,
he loves his family,
and he just brings this
total joy to every build.
Oh, you know what?
No, these are‐‐
these are really good
for a fairy tale look.
The really frustrating thing
about having gotten romance
is making everything
epic and big,
which is why we decide to
make it a fairy tale romance.
Christian: We plan to
do that with a dragon,
with a large castle.
I love building dragons.
‐ I love that tail.
‐ Thank you.
It's a skill I can really fall
back on and really excel in.
( screeching )
To pull this out of the hat in challenge
four, it feels a little premature,
and I'm only doing it because I
can't think of what else to do.
So, I'm like that.
‐ The shaping on that is A‐1.
‐ Thanks, man.
Aaron, Christian,
what would you say if I told you
that I got a little something
literally in my back pocket.
‐ Okay.
‐ What's that?
‐ The letter B.
‐ Bromance.
‐ I love you, dude.
‐ Love you, too, dawg.
What's the most romantic thing
you've ever done?
‐ Christian, go. ‐ This first chick
that I was super in love with‐‐
‐ Okay, I'm gonna stop you right there.
‐ That's‐‐ that's‐‐
‐ You already got a problem there, buddy.
‐ It's already not romantic.
‐ Rephrase.
‐ "This young woman."
This young woman
that I was seeing,
I brought her flowers
on our first date.
Wow, and how did you
come up with that?
‐ Boo!
‐ You have much to learn.
‐ Much to learn.
‐ I'm like, bro.
‐ Gym bro. Nah.
‐ Gym bro. Why?
Boy, I'm smelling bottom two on
this, I mean, in terms of romance.
‐ Oh, my God.
‐ I mean, come on!
So that's done. It just needs detailing.
You're still doing that.
Boone: Mark and I selected
the Monster genre.
The shark is
a very organic shape,
and it's a type of building that I don't
have a whole lot of experience with.
This is challenging. It's taking me a
little bit longer than I hoped it would
and we're racing
against the clock.
Feeling the pressure of the
competition and the $100,000.
This giant shark monster, that is the
focal point, so it's gotta be good.
‐ That's awesome.
‐ Check it out.
Oh, cool.
That looks like a shark monster.
Boone: I'm about to
call this thing done
I like your hard work.
Good job, dude.
‐ Oh!
‐ Shoot.
‐ Ooh.
‐ That sucks.
‐ Wow.
‐ ( exhales sharply )
Good job, dude.
‐ Oh!
‐ Shoot.
‐ ( exhales sharply )
‐ Oh, that sucks.
On this challenge,
we have to build a movie scene.
But the shark turns out to be
more fragile than I think it is.
We've got less time
to build for this challenge,
and I'm stressed out.
The pressure is really on.
I'm just trying to get back to zero here.
This is awful.
Amy C.: Okay, builders, we have
officially reached the halfway mark.
‐ Keep building!
‐ Oh, my God.
‐ Ooh. ‐ Jamie: For
this movie challenge,
our judging criteria
is quite simple.
The model has to tell a story
using the genre
that's been given to them.
However, eight hours
is not a lot of time.
This is going to be
super challenging.
There! Look at that. See?
Now she's, like,
a bad‐ass warrior princess.
We've chosen the kids genre,
so we're gonna go with
the classic battle
of good and evil.
We've got two big fairies
having a magical battle
over who's going to get
the castle in the clouds.
It's looking good, Sam.
It looks good.
We got thriller,
and the working title
right now
is "Prisoner Escape."
We're going to have
some women escaping
from a camp of bad guys
who had them kidnapped.
‐ I'm feeling the pressure.
‐ Oh, something's wrong with this.
‐ We can't spend time on it.
‐ Guys, Jermaine, Mel.
‐ Hey. ‐ How did you feel
about getting fantasy?
We were pretty excited
because we have a free range
to kind of just let
our imaginations run wild.
We basically have
biomechanically‐enhanced creatures
coming to steal the power
sources from our futuristic city.
‐ That's what they do.
‐ Yeah.
That's just
biomechanically‐enhanced creatures
being biomechanically‐enhanced
creatures.
‐ Very true. Very true.
‐ Yeah, you can't blame them.
We could use the big
cheese wedges for that.
We really need tiles
on the roof.
So, Krystle,
she's working on the details
‐ of these cheese wedges for the roof.
‐ I held it in.
It is coming together
so beautifully.
Will: Lego Learn
about a cheese slope.
So what is a cheese slope?
I actually don't know.
But if I had to guess
of the top of my head,
I'd say it's a one by one
by 2/3 stud piece
with a 33‐degree slope.
That's right?
It's great for doing detailing
and giving a nice sloped angle
to the edge of your build.
But it also looks
a lot like a cheese wedge.
So, guys, how do you think
it's going so far?
I mean, I think we're seeing
a lot of interesting builds.
Manny and Nestor,
I'm really pleased to see
that they've gone classic
with the western.
They're not trying
to overcomplicate the story.
Make the sheriffs in white.
They gotta stand out like a sore thumb.
Jamie: The fact that they chose to
make their own brickbuilt characters
allows different poses.
It was a nice risk that they took.
The monster has to get done
'cause our
whole theme is monster.
Boone and Mark, as a Lego fan,
I can geek out about some of
the techniques they're using.
But I have to say,
if in the end you have
just a giant,
grey shark monster,
and then not a lot
of detailing on the scenery,
there's a risk that the
whole story just falls apart.
‐ Will: One hour left!
‐ Oh, crap, Manny.
‐ Oh, my gosh.
‐ Yeah. Baby.
( chuckles )
‐ The dragon is just about there.
‐ Looking good.
‐ Hi.
‐ Hey, Aaron and Christian.
‐ So, how's the romance going?
‐ So, we have here the princess,
who is coming to rescue
her hapless knight boyfriend.
He is gonna be up
in the tower, you know,
‐ captive by this dragon.
‐ Where's the romance?
So I think we're also, you know,
give the dragon a little bouquet.
‐ The dragon is also in love with
her, too. ‐ Yeah.
It's getting a little bit
complicated, the story.
Make sure that you're really
hitting those key moments
that tell us "romance"
immediately, all right?
‐ Great. Thank you so much.
‐ Thank you.
Aaron: The Golden Brick is
weighing heavy in our pockets
at this point in the build
because it gives us immunity.
We need to have it
laser‐focus in on the romance.
But I just don't want to use it.
Things could get harder.
We could need it down the road.
We should just have the dragon in love
with her. That's a little clearer.
‐ We can build a giant
heart or something. ‐ Yeah.
‐ That's 30 minutes!
‐ Oh, God, help us now.
‐ ( alarm blaring )
‐ 30 minutes left in the build.
And we're gonna keep
the lights like this
for the remaining 30 minutes.
‐ No.
‐ Does that seem cool or
‐ Turn them back on!
‐ I know! I can't see.
No? Maybe we shouldn't.
All right, let's get back
to regular lighting.
‐ ( alarms stop ) ‐ Felt
like you were in a submarine.
How are you feeling, Manny?
Am I doing a good job here or what?
Yeah.
You're looking good, Dad.
That's where he's hiding
the treasure.
It definitely makes it
more of a mystery.
I don't care if nobody else likes it.
It's making me laugh.
Two minutes left, everybody.
Wrap up your build.
I'm moving the shark over here.
Please just put her‐‐ oh, shoot!
The clock is ticking!
The credits are about to roll!
We've got it. We've got it.
That's it. That's it!
Freaking masterpiece.
‐ Gotta be careful.
‐ Three, two,
one, and scene!
‐ Bricks down.
‐ Whoa! Yes!
The clock just hit zero,
and I'm honestly a little nervous
because the roof
is sitting a little crooked.
I wish we had more time because I
would love to fix a few of these things
and I'm sweating at this point.
That is a wrap.
Congratulations.
‐ You've just made your first movie!
‐ Nestor: Yay!
I've got to say before
we get into the judging,
I'm kind of beginning to
second‐guess this whole thing.
I mean, I don't know,
just as a first‐time director,
maybe I led you
in the wrong direction.
You know what?
I'm gonna call my agent real quick.
( line ringing )
Yeah, it's Will.
Arnett. Kind of tall.
Yes. Yes, Will.
( chuckles ) New.
Send in the big guns.
You thought you were wrapped.
‐ Ooh.
‐ But you're not done yet.
I think I'm gonna bring in
a couple of seasoned vets
to take your builds
to the next level.
Ladies and gentlemen,
meet the Oscar‐winning team
who directed "The Lego Movie,"
and produced so many
huge Hollywood blockbusters,
including the best movie
of all time, "Lego Batman."
It's Phil Lord and Chris Miller!
‐ Whoa!
‐ ( cheering )
‐ Wow!
‐ Whoo!
Aaron: I'm feeling a little
starstruck by these two
because they've created
something that I love so much.
When I saw "The Lego Movie,"
it was like
a religious experience
for me in a movie theater.
Thank you so much
for coming, you guys.
‐ Happy to be here.
‐ Are you kidding?
As you can see,
our teams have been building
incredible cinematic scenes
in a variety of genres.
They all look great, but I can't shake
the feeling that something's missing.
I don't know.
You guys are the experts.
What can we do
to elevate their films?
Well, audiences are
sophisticated and everyone
‐ loves a good twist.
‐ Twist!
Right?
I was gonna say twist.
‐ Amazing.
‐ Actually, a twist
often isn't enough.
If you really want to go big,
you should try
mashing up genres.
‐ Oh.
‐ Oh, my God.
Okay, builders, it is time for
part two of this challenge.
Phil and Chris are going to add
another element to your builds.
And whichever genre
they assign you,
that's what you're
going to add onto the scene
you've already built.
There's a twist,
and I am super excited,
because that means
more time to fix our build.
Phil, Chris, Tyler and Amy
are making a comedy
starring a super baby.
What do you think they should
mash‐up with their build?
Well, they already have
a superhero,
so how about we go big
and transform it
‐ into a comedic monster movie?
‐ All right.
Will: All right,
and so we got Aaron
‐ and Christian right there.
‐ Hey.
Their genre is romance.
They've built a love story
with a dragon.
What should they add
to their build?
Aaron: The romance genre
was really hard to work with.
This might be our way out.
Please, let's make it fantasy.
Let's make it monster.
We already have
those elements going for us.
‐ It'll be too easy.
‐ It might be fun
to mash that up with a thriller?
Aaron: Okay.
Now we have to add
another hard genre?
This is next level complicated.
It's a different beast.
It really is.
Will:
That's Amie and Krystle here,
and they're building
a mystery set in a cemetery.
How about a western?
That would be original.
‐ Yes!
‐ Great.
So, Mel and Jermaine
have a futuristic fantasy.
It might be fun
to see a kids movie
‐ take on the fantasy.
‐ I knew it!
All right, so now we got
Sam and Jessica,
they're making a thriller
with a prison break.
Chris:
Well, sounds kind of scary.
How about we add comedy
to the mix?
Will: So, Manny and Nestor,
they're making a western.
Fantasy.
Western fantasy would be amazing.
Manny:
We have the story already,
but mixing it with fantasy?
It's, like,
what are we going to do?
What's a fantasy?
This is crazy.
Now we got Richard and Flynn.
They're building a kids movie
featuring magical fairies.
We should add
a little mystery to it.
Will: Oh!
All right,
so now we got Mark and Boone.
They're building
a monster movie.
How about you mash it
with a romance?
‐ Oh!
‐ Oh, whoa!
I didn't want to believe it
because I love what
we've built so much.
It's hard for me
to even wrap my head around
how we're going to
incorporate romance.
Okay, filmmakers,
you get five hours
to transform
what you've already built
into a mashed‐up
movie masterpiece.
And your five‐hour shoot
starts
‐ now.
‐ ( squealing )
‐ What a plot twist, huh?
‐ I agree.
‐ What would be funny?
‐ A thriller, huh?
I can't even think
of any thrillers.
‐ What's your idea?
‐ Well, the obvious would be
‐ to build another monster that
he's in love with. ‐ Yeah, right.
Amy C.: The challenge for the
teams is really going to be
how they can take
this new movie genre
and weave it into the build
they already have
so that we end up
with one complete story
that still makes sense.
‐ Mark and Boone, how's it going?
‐ Hey, Will.
I'm just going to drop off
a little romance right here.
‐ How rad that these guys are here, right?
‐ Unbelievable.
I had no idea.
I thought we only got you.
I know. Only.
Thanks, man.
This has been great.
Will: Guys, tell me a
little bit about your build.
Basically, we had this shark monster that
was mutated from chemicals in the water.
So now we have romance, so we have to
give our shark monster a love interest.
‐ Someone to love. ‐ Yeah, of course.
We all need that.
Now we're building
another shark.
She's in captivity because the
people of Fishtoria captured her.
But then this guy
is like, "No!"
What about a romantic song?
What about a song?
I'm thinking this is
sort of a throwback,
so maybe Patrick Swayze is like,
There's a shark
coming out of the sea ♪
You could have musical notes
coming out of
that guy's angry mouth.
‐ Maybe she's singing it.
‐ It's a third genre.
She's singing her siren song.
Oh, yeah, and it's
pulling him towards‐‐
‐ Smashing through the‐‐
‐ Holy smokes.
We're adding "musical"
as one more genre.
This is what we do.
We add genres to things.
‐ Just keep adding genres until it's over.
‐ It's our character.
‐ Yes.
‐ So, like, monster cat?
Yes, but here's the surprise.
To bring another level,
he's going to come through the floor.
‐ Ooh. ‐ So we're
going to raise this up.
‐ Is this coming out big enough?
‐ Yeah.
Yeah, I see the dream.
I see it.
The two genres we have,
fantasy and kids,
could mash up pretty well.
Make his torso
just a little bit longer
because you don't
want to have the baby
look like Tyrannosaurus Rex
with the long legs.
We're going to make
a large baby,
and he becomes big by drinking
contaminated milk that was radioactive.
They're making a baby, too?
Seriously?
Copy, copy, copy.
Amy:
Our theme was very unique.
So to see
the exact same elements
coming into a build right
next door is really shocking.
‐ Hi.
‐ Hello, Krystle.
‐ Hello! How are y'all?
‐ You've got western now.
Yes. We have changed the story
to fit the western mystery.
So we originally
had our graveyard cemetery.
Now it is the whole town
searching for the cryptkeeper.
So we're building some wanted signs
right now and a little saloon.
Instead of the kids riding bicycles,
they're going to be riding horses.
‐ But it's still a mystery.
‐ Yes.
The most important thing is that you
make the whole story work as one.
‐ Okay.
‐ All right, keep at it. Thanks.
‐ Good luck.
‐ Thank you.
‐ Oh, my‐‐ I know.
‐ We got to keep going. We can't stop.
‐ No stops.
‐ Manny and Nestor.
‐ Hey, Will. How you doing?
‐ I'm doing great.
I'm just going to add
the fantasy element
that the guys gave you.
Obviously, it's coming along great.
It looks amazing.
‐ Look at that build.
‐ It's so great.
Right now we're working on
Rusty McCoy and his fantasy.
So we're depicting different scenes
on him daydreaming, him fantasizing.
‐ Exactly. ‐ So now we have
Rusty riding in the wind.
We have Rusty in the beach.
It's more of
a literal interpretation
of the word "fantasy" than
the genre of fantasy maybe.
Yeah, I'm worried a little bit.
Listen to what he's saying here.
I mean, it's great,
but I'm not sure
that it satisfies the idea
of mashing up
two genres together.
Think things that have, like,
magical elements, magical creatures.
Like if the horses had,
like, pegasus wings‐‐
things that don't exist
in real life.
‐ I mean, rewrites happen.
‐ Rewrites happen.
Yeah, I believe my son didn't
understand what's a fantasy.
I took this genre literally.
Nestor: Now we got to
start all over again.
Whoa, whoa, whoa,
whoa, whoa, whoa.
Nestor: We're running
against time now.
Stressful as hell.
Time is not good
for us right now.
Manny: I don't even
know where to start.
I mean, fantasy is fantasy.
It's not reality, so it could be anything.
The problem that
we're encountering right now
in this movie genre challenge
is tying two genres together,
western and fantasy.
See if we could do
something more magical.
‐ Maybe a flying cowboy.
‐ Uh, space cowboys?
Light bulb just
turned on in our heads
and we're going to do
a space theme.
So we are building
rockets and spaceships
on top of this western saloon.
And the one thing that's not
stopping is that big clock.
Nestor:
1 hour and 40 minutes.
Oh, yeah, I need my cactuses.
Oh, my God, I need my cactuses.
Tyler and Amy, what's up?
Hi, guys. Hi, hi, hi.
‐ Good to meet you guys.
‐ Good to meet you. How are you?
‐ Look at these guys.
‐ And what are we building here now?
We had comedy, so we had
Superbaby and these cats
who are trying
to steal the milk.
Superbaby is thwarting them.
And now we've got to add
"monster" into that,
so what better than
a giant monster cat?
‐ Oh, man, that's awesome. ‐ That's
going to be erupting out of the floor.
Where's the baby going to be be?
The baby is going to be
up here on top of the fridge.
‐ Protector of the fridge.
‐ Oh, man.
It's very clear and it's
funny, too, so way to go.
‐ Thanks.
‐ Our genre was kids.
Now we're adding mystery.
So our story before
was this heated battle
between the good fairies
and the bad fairies.
To really push the mystery,
we're adding in little fairies
with magnifying glasses
who are looking for their key.
We are theater people,
so we know how to put on a show.
And I think we have
an exciting story to tell.
‐ Hey, Aaron.
‐ Hello.
‐ How is it going? ‐ It's a real
thriller, I'll say that about it.
‐ Jamie: We can definitely see
the romance ‐ Yes, good.
Jamie: because the
heart is very visible.
Where's the thriller?
You're starting to create
some dark elements.
You have a dark dragon.
‐ You have a dark tree.
‐ Yeah.
But they're not really
pulling me towards the story.
Well, what if I showed you this?
A large mysterious cave.
Okay.
You have a lot
of different elements here.
‐ We do.
‐ And I think we're missing
the link that brings
them all together.
Jamie:
We know you're great builders,
but this is story driven.
So if we're not getting
the story, you have to think
have you actually delivered
on this challenge?
‐ Yeah.
‐ We had the genre of romance,
but implementing thriller into this
build, it feels impossible.
‐ How would we build the tension do
you think? ‐ I really don't know.
I just feel like we've built ourselves
into a corner here a little bit.
We want to avoid playing that Golden
Brick as long as we possibly can
because it gives us immunity.
So to play it is to give up.
Listen, thank you
so much for being here.
‐ Our pleasure.
‐ I really appreciate it.
Before you go,
I wanted to kind of
hand you something I worked on.
It's a script that I wrote,
thought maybe you guys
want to check out.
"Lego Masters: The Movie:
The Will Arnett Story;
A Love Story."
‐ Ah, thank you.
‐ Yes.
Definitely put it
at the top of the pile.
‐ Top of the pile.
‐ Yeah.
‐ Yeah, okay.
‐ Great. Well, thank you.
It's been great.
Thank you.
‐ How's that look?
‐ Wow, you pulled the cat out of the bag.
Okay, now we're talking.
‐ ( alarm blaring )
‐ That is one hour
to complete your build,
builders!
Okay, Brickmasters,
so we're getting near the end
of this build with a twist.
What do you like
that you're seeing?
Jamie: Tyler and Amy,
they had a very clear vision early on
and they created yet another
character that furthers their story.
‐ Is that okay?
‐ Yeah.
‐ Okay, cool.
‐ Amy C.: Mark and Boone,
they've really taken
this romantic addition
and thought how does it incorporate
into their existing build?
I'd be so disappointed if we
had to use our Golden Brick.
‐ Yeah, I know.
‐ This is is kick‐ass build.
I don't want to pull
the trigger on it just yet.
Christian and Aaron,
they've struggled a little bit.
Jamie: I mean, they seemed so
confident all the way through,
but I have to say, this is the
challenge that has shaken them a bit.
‐ Everybody really stepped up today.
‐ I know, they did. Exactly.
Five minutes!
Five minutes to go!
‐ I got 'em. I got 'em.
‐ There you go.
I'm nervous.
I cannot break it.
Happy over there
and sad over here.
‐ Are we doing enough for the story?
‐ One minute left!
Krystle: Are you serious?
There's no way.
Wrap it up, everybody.
Wrap it up.
Take it easy.
Watch what we're doing.
That's it.
That's the story.
I got it. I got it.
‐ 3, 2, 1.
‐ And cut!
‐ Time's up, bricks down.
‐ Yeah.
You did a good job.
You did a really good job.
Well, you did it.
You made a movie.
I can't wait to see
all of your big blockbusters.
Before we take a look at your
films, Aaron and Christian,
you won the coveted Golden Brick
with your theme park build
the very first week.
It protects you from elimination
should you choose
to activate it.
How do you feel
about your build today?
I think we have some mixed
emotions about our build.
While the romance angle
is coming across,
we're not sure
if we fully nailed
the thriller aspect
of the twist.
So, would you like to use
the Golden Brick today?
‐ What are you feeling?
‐ Hmm.
Aaron and Christian,
would you like to use
the Golden Brick to protect you
from elimination today?
Will, we're going to pull the
trigger on the Golden Brick.
‐ Oh.
‐ Wow.
‐ Pulling the trigger.
‐ What?
Jermaine:
I mean, it's about time.
They realized that
they are not invincible.
All right, please turn it in.
Frankly, I'm embarrassed that we
have to lean on the Golden Brick.
We're two good builders.
This isn't supposed to happen.
Now, I can't tell you when,
but this
( choir singing )
will come back in play.
All right, let's take a look
at your Lego Masters
movie mash‐ups.
Let's see what we got.
Movies are all about stories,
so communicating
that story is key.
We feel like we've really captured
a scene right out of a movie.
Amy and Tyler,
tell us about your build.
We got comedy and we had to
mash that up with monster.
Coming this summer,
"Superbaby
And The Hairball Heist."
Amy:
The Hairball cat gang
is the toughest
in the neighborhood.
Tyler: When they hear
of a hidden vault
filled with valuables
that will make
their milky dreams come true,
they can't resist.
Amy: What they don't know is
Superbaby is also on the prowl.
When the heist appears
to be going south,
they call in the big guns.
Tyler:
The Meowster.
That is the most terrifying
name you could come up with?
Visually, right off the bat,
awesome build.
The craftsmanship here is outstanding
with the Meowster coming out of the floor.
Brickmasters, what do you think?
Jamie: You've got your hero
perfectly placed on the top.
You've got your monster
coming from the depths below.
It's a classic story
that's easy to understand.
Amy C.:
I feel like the cat monster
is maybe a little bit
too passive in the story.
Really bring that monster
character to the next level.
‐ But really fun build.
‐ Great job, guys.
Nestor and Manny.
Our movie genre is western
meshed in with fantasy,
and here we have
"Rusty Trails In Space."
Nestor:
We have outlaw Rusty McCoy,
and Sheriff Bill just got word
that Rusty's at the saloon
holding up the bartender.
The sheriff is not the only one
keeping his eye on Rusty,
because Rusty has certain skills
that space outlaws
are interested in.
So that's why
they want to beam him up
before the sheriff
apprehends him.
I think you've given us
a really nice western scene.
You've got all of the icons
that we expect
to see in a western.
But unfortunately the twist
has really let you guys down.
I love the idea of the aliens
trying to steal something
from the cowboys,
but I can't see it in the build.
Jamie:
Colors of the spaceships,
they're quite
all over the place.
We don't know why they're here.
They're not really
telling a story,
and it feels very much like
they were added on very late.
We did not convince them
not one bit
on tying the western genre
with the fantasy.
‐ Great job, guys.
‐ Appreciate it.
Thank you, Will.
Thank you.
‐ Hi, guys.
‐ Hello!
Flynn and Richard,
tell us about your genres.
Flynn:
The genre we chose was kids,
and then we had to
mash it up with mystery.
The good fairy queen Alora,
her crystals of power
have been stolen.
She will soon discover
that it was her half‐sister
the evil fairy Margo
who has stolen the key
and claimed the fairy kingdom
for her own.
I think your final scene
works really well.
Clever how you had to use the
pans as magnifying glasses.
In a theatrical way,
I buy into it.
Great jobs, guys.
It's beautiful.
Yes!
Sam, Jessica,
tell us about your build.
Our first genre was thriller,
and then we added comedy to it.
So this is
"Sleepaway Camp Escape."
Jessica: Two moms and a grandma
are being held in captivity,
forced to do endless
loads of laundry,
and they're just about to escape
from a bunch of little kids.
Jamie:
Getting the twist on comedy
I think plays to some
of your strengths.
You are capturing
that epic moment of jailbreak,
but there are ways
that you can build water.
I'm a bit disappointed you're
choosing to just lay bricks.
Aaron and Christian,
tell us about your build.
The mash‐up themes we had were
romance and then thriller.
Aaron: This is "Heartbreak
Of The Dragon Prince."
The prince has been
turned into a dragon.
The castle is under attack
by a skeleton army.
And the princess is falling
and all seems lost.
But is it?
You guys, of course,
are great builders,
and it shows.
I mean, your dragon
is hands‐down
the best dragon we've seen.
But trying to get
the thriller aspect
into this world,
it was a real stretch.
Amy C.: The story is
a little bit hard to decode
without the explanation,
and so I think
it was a good call
that you played
the Golden Brick.
Well, I think
that it's safe to say
you guys can be proud
of the fact
that you built
a really beautiful build.
‐ Thank you.
‐ Thank you so much.
‐ Jermaine and Mel.
‐ We started off with fantasy
and we mashed that up with kids.
We created the movie
"Big Crybaby."
A corporation creating milk
formula that got contaminated.
A rogue bottle got to the kid
and he blew up larger than life.
You've really played well with the scale
to make us notice that baby right away.
And we have the toxic drips
of milk all over the city,
so we understand the story.
But I notice there
are two babies in the room.
In the future, make your build
stand apart from the others.
‐ Boone and Mark.
‐ Both: Hey.
So tell us about
your movie build.
Mark: The title of our
movie is "Shark Song."
Boone: In an idyllic seaside
town, a monster lady shark
has been captured by
the townspeople.
Little do they know,
the power plant
has been leaking toxic sludge,
causing sea life to mutate.
A second monster shark appears,
wreaking havoc on the town.
He has come to save
his lady shark,
who has summoned him
with her love song.
I mean, based on that trailer,
who wouldn't want
to go see that movie?
We love your ambition.
I mean, you guys have really
gone epic on your scale,
and this is that classic
destroy everything moment.
Even the fact that
the boardwalk is exploding
helps tell that story further.
We gave you the challenge
of showing the romance.
The hearts really helps us
to decode what's happening
in the story.
‐ Great job.
‐ Thank you very much.
‐ Thank you.
‐ Hi.
‐ Krystle and Amie.
‐ All: Howdy!
So we have mystery
mashed up with western.
Krystle: We had a house
and a graveyard.
When we got the western,
we decided to build on to that.
So we've got Old Wild Will
and his crew
pillaging the graveyard.
Old Wild Will is trying
to leave his house,
and the four kids on
the horses have lassoed him
as he's trying to escape.
We can tell you love westerns,
because a lot of the western
icons are really clear
and they're coming through
in a nice way.
But it's almost like the western
took over a bit in this model,
and it's at the expense
of the mystery
because you had to call
them out to let us know
‐ where the clues are.
‐ Gotcha.
Krystle: This is a
little bit of a shock
because this was my favorite
piece that we've presented.
There is high competition,
so we feel like we might be
in the bottom two.
I'm sweating at this point.
Like, I'm just terrified.
( Will narrating )
The tension is high.
The drama is tense.
And the voice‐over guy
( normal voice ) isn't getting
paid extra for this, so, uh
Builders, the reviews are in.
Let's see what the critics
had to say about your builds.
There were two builds
that really stood out for us.
Tyler and Amy
and Mark and Boone.
Mark and Boone,
you really made the two sharks
and the romance story
come to life.
Tyler and Amy, you mashed up
your comedy and your monsters
into a really dynamic scene
that we really loved.
So, who made the best movie?
The winner of this
challenge is
Mark and Boone.
Yeah!
We did it! Yes!
We've been saying that
we can win this competition,
and this makes me believe
that it's possible.
‐ Congrats, you guys.
‐ Good job.
Now is the hard part.
This challenge, it was tough.
We really threw
some curveballs at you.
We have two bottom teams,
and the first team is
Amie and Krystle.
And our second team
Manny and Nestor.
Amy C.: Amie and Krystle,
you had so many hidden clues
in that model.
But they were so hidden,
we couldn't see them,
and this challenge was all about
making one epic movie scene
where we could see
the whole story coming to life.
Jamie:
Manny and Nestor,
it was great to see
your building abilities
come through
in that western scene.
However, when those
spaceships came in,
they just weren't at the
same level we were expecting.
Unfortunately, your two parts
just felt disconnected.
Well, we've got to say good‐bye
to one of these two teams.
Who is it going to be?
So the team
that is going home today
Manny and Nestor.
You guys, I'm so sorry
to not see you continue
on this journey.
Your building skills
have developed so much.
And we've really loved to watch
you grow with every challenge.
You guys have been
an absolute joy.
I'm going to miss the that life
that you guys bring,
but your Lego adventure
ends here,
so please turn in your minifigs
and say good‐bye.
Thank you for having us.
Thank you.
‐ Thank you for having us.
‐ Amy C.: Really enjoyed it.
‐ Thank you.
‐ Nestor, see you, partner.
Manny: To have this chance
to do this with my dad,
especially something
that I love,
I am the luckiest son
in the world.
‐ I'm very proud of you, man.
‐ Thank you.
Nestor:
I've been in a lot of journeys.
This is the biggest journey
I've ever taken in my life,
and it's with my son.
I mean, I already won.
Love you.
Hey, guys. See you later.
‐ Next week
‐ A megacity build.
the competition
reaches new heights.
Christian: This challenge
is all about scale.
We've got 14 stories
of exactly that.
‐ I feel a double high‐five coming up.
‐ Ready?
But not everyone can hack it
in the big city.
When you up at the top,
the only way to go is down.
‐ Oh!
‐ Are you upset with me?
‐ Yeah.
‐ And one moment
Careful we're not going to
be running over any bricks.
changes everything.
( gasps )
‐ No!
‐ Oh, my God.
( groans, crying )