Les Temoins AKA Witnesses (2014) s01e04 Episode Script
Episode 4
1 What are you doing? I'm thirsty.
Witnesses Series created by Hervé Hadmar His wife? No sign of her or the son.
This is madness.
Gorbier took out Vacquier and three coppers.
Three coppers! And no one saw or heard a thing! HeIIo.
Any idea where he might have taken them? No.
About Iast night, I wanted to say You've been a better copper than me.
I must find them, Sandra.
I must rescue his wife and son.
What's he pIaying at? I think he wants to recreate the Iife he used to have.
PIaying happy famiIies hoIed up in a pIace he's had ready for months.
What happened Iast night was the trigger.
Serano is dead and my son's aIive.
He wants us to know he's back in controI.
So, he moves his famiIy into a new home.
Where? In a pIace which fits with his fantasy of the perfect famiIy.
A big, new house for a fresh start.
- A new house? - Yes.
Somewhere compIeteIy new.
New furniture, new cutIery, new bedding Like a show home? Yes? How about your end? No.
StiII nothing.
One home to go and we'II have checked the whoIe area.
How many bIoody houses do they have to check? 40? 50? These homes give me the wiIIies.
- CouId you Iive here? - Why? I couId never Iive in a house Iike this.
I Iike the smeII of cooking and hearing my neighbours fucking.
Living aIone in a house Iike this wouId be Iike Iiving in a coffin.
Move in with my bIoke.
You'd suit each other.
Maybe Gorbier's taken them down south.
He's had time.
No.
This area is his home.
This is where they met where his son was born where they Iived together.
They must be in this area.
Isn't it your birthday today? - You remembered.
- Happy birthday.
That's kind of you.
Nothing in your car works.
Are you PauI Maisonneuve? Yes.
Why? He gave me something for you.
Who? Kaz.
This is for you.
He gave me 50 euros.
He said you'd give me another 50.
When did you see the man with the mobiIe? Two days ago.
WouId you recognise him? It was him.
Was he aIone? Yes.
Was he in a car? No.
I was cycIing near the trees and he came out of the woods.
So, he came over to you, gave you the mobiIe toId you to make sure PauI got it gave you the cash, then.
.
? He went back into the woods.
Did he say anything eIse? Yes.
He toId me that if I taIked to anyone or gave the mobiIe to anyone eIse he'd come back and punish me.
OK.
Are you aII right? - You Iook a bit - No.
I'm fine.
It's prepaid.
It seems it was bought in town just over a month ago.
No contract.
No way of tracing it.
What does he want? To speak to me.
He has the number.
He'II caII when he wants to speak to me.
AII A-roads and most B-roads are under surveiIIance.
We've had no joy checking new homes in the area where they were taken.
We're widening the search area but frankIy, we're just trying our Iuck.
We can't just wait for Gorbier to ring us.
No.
We're not waiting.
Did Gorbier have any visitors? Very few.
But he did receive Iots of post and fan maiI.
Did you have someone in mind? Yes.
Someone who couId put him up.
- Who wrote to him? We need names.
- Stop right there.
Everything was Iost in the fire.
We've nothing Ieft.
Does no one stand out in your mind? Someone who came to see him reguIarIy.
.
? Wait.
A woman came to see him a few times.
A young woman with red hair.
CIara Kurkiewicz.
Do you think it's possibIe? Do you know why you're here? Yes.
He's escaped, hasn't he? CIara, you're Kaz Gorbier's onIy surviving victim.
You're the onIy one who saw how he worked.
You're the onIy one he spoke to.
I toId you everything four years ago.
I wanted to see you, anyway.
You attended Gorbier's entire triaI.
I saw how you Iooked at him.
Did you go and visit him? CIara? Yeah.
- SeveraI times? - No.
OnIy once.
- Are you sure? - Yes.
Has he tried to contact you? No.
- He couId have done.
- Yes, but he hasn't.
CIara, someone visited him severaI times.
It was a young woman Iike you.
You might have seen her.
No.
I never saw anybody eIse.
When you saw him, what did he say? - I don't - You remember perfectIy.
He spoke about the women he'd kiIIed.
He toId me he dreamed of Iiving in a big house with aII of them with me, too.
So This big house, where he wanted to Iive Did he say anything eIse about it? Did he describe it? Did he say where it wouId be? No.
I don't think so.
A big house, so he can start afresh Any ideas? None.
What's wrong with that man? Why aren't you in bed? - What's wrong with him? - WeII - He's tired.
- Did he do Iots of exercise? ExactIy.
He did Iots of exercise.
Now, go to bed.
I'm coming.
Eric.
Eric.
I have to go.
Don't worry.
- Where are you going? It's 1am.
- I'II expIain Iater.
Yes.
I think my dad used to pIay tennis.
Sorry, CaroIine.
This is vitaI - do you think or are you sure? I'm sure, but it was a Iong time ago I think it was in the 90s.
- Do you know why he stopped? -No.
OK.
Thanks.
I'm sorry I woke you.
- That's OK.
- Goodnight.
HeIIo, SybiI? It's Sandra.
I know it's Iate, but I have a massive favour to ask you.
Are you at work? I'm on my way.
I'II expIain in a bit.
See you soon.
- Which archive, again? - Sports.
We're about to go to press and you want to see the sports archives? You're a weird girI.
Yeah, yeah.
I know.
This wiII cost you.
You owe me a bottIe of wine.
Sit down here.
I'II be back.
- Did you make a wish? - Yes.
I wish that bIoody phone wouId ring.
What's his game? Keep us guessing for two or three weeks, whiIe I put on 15 kiIos and can no Ionger run after him? Did your son ring for your birthday? Yes.
He was on the phone for two minutes He wants to spend the schooI hoIidays with me.
No.
His mum says no.
"Réunion is too far".
"He doesn't Iike flying".
BIoody heII.
His mum's just scared I'II keep him here.
I had it aII pIanned.
We were going to go go-karting.
He Ioves it.
Don't you miss it, sometimes? A woman to Iove, to hoId and aII that Look Of course he misses that.
Why not taIk to MéIanie? MéIanie? Who's MéIanie? From the bowIing aIIey.
The woman at the bowIing aIIey? Yeah, bowIing.
What.
.
? TaIk to her.
"TaIk to her"? What do I say? OK, PauI.
ShaII I get down on my knees and teII her.
.
? What? ShaII I teII her she's the most beautifuI woman I've ever seen? I'm too oId.
Give it a rest.
I'm not saying anything! Just taIk to her.
She's married.
UnhappiIy married.
I saw the way she Iooked at you.
TaIk to her.
DoubIes pair Muse and Weber won LapIace, Muse and Weber - the 4 finaIists in the '92 IocaI tournament - HeIIo? - It's Sandra.
Check the Iist of tradesmen in Le Tréport.
Where is it? What coIour is it? I've found it.
The businessman who stopped trading some years ago Was it Yvan Kremer? Yes.
Kremer.
Yvan Kremer.
Kremer Yes.
That's right.
Why? PauI.
Sandra's found something.
Do you think he's the kiIIer? He certainIy knew Weber, Muse and LapIace.
HeIIo.
Does Yvan Kremer work here? - Yes.
Mr Kremer works here.
- Is he smaII, dark and about 40? - Why? - Look.
He's about to do a runner.
Kremer wasn't the kiIIer.
He was the finaI victim.
- How can that be? - That's the question.
Muse was a month ago.
Weber was Iast week.
The kiIIer knows someone's digging up his victims.
He knows we're after him.
He knows he's in danger.
We caught LapIace before he did, but he wouIdn't taIk.
For the finaI victim, he couIdn't Iet us get to him first.
We missed him by five minutes! We'II need a Iist of passengers.
But four hours ago, Kremer didn't know he'd be on that ferry.
That means the kiIIer was aIready here.
He saw us, improvised and boarded.
Shit.
Fucking shit.
- Are you OK, Sandra? - What? Are you OK? WeII? Divorced, no kids.
We searched his flat, 10km away.
We didn't find anything, just a computer.
No Iink to the others? Nothing, as of yet.
No record of cash deposits? They're checking now.
What? So WiII you teII me? Yes or no? What? What happened eight years ago, when you quit training.
No.
I'm not going to teII you.
Do you often feeI sick, Iike when you got off the ferry? I'm just a bit tired.
Are you pregnant? Sorry? You must be.
The sickness, the sugar cravings You're pregnant.
Are you deaf? I said I wasn't pregnant.
- Whose Ieaving do is it? - Fred's.
Who wiII be there? Fred, Boris, Wagner, the whoIe gang.
- And the girIs from work? - Yes.
Nath - And a new girI.
- What's her name? Laurence.
What's the matter? I know, I know.
Your girIfriend Iooks a right mess.
- I didn't say anything.
- No, but you were thinking it.
No one cares how you Iook.
But if you're going to be on the phone aII night, go home.
I said I wouId come and I wiII.
OK.
I'II stop.
No, thanks.
I must quit.
Do you have a Iight? Eric toId me you're a copper.
What's he Iike at work? Who? My boyfriend.
What's he Iike? What do you mean? I don't know.
Is he a sIave driver? He's OK.
We both wear the same Iipstick.
Yes.
I'd noticed.
It's uncanny.
You and I have so much in common.
I don't know.
- Haven't you named her? - No.
Let's caII her Capucine.
Does that sound good? - Capucine's a cooI name.
- Yeah.
Look - Who does she remind you of? - Mummy.
- She's Iike Mummy.
- Yes.
You can do this Look.
Look at her hair.
Wow! Did you pIait her hair? She and I It's What are you going to teII me? That it's over and it was just sex? Yes.
It is over between us and it was just sex.
What wiII you do? I don't know.
What if we're wrong? What if he's chosen a more modest home? A quiet, IittIe house, Iike any other so he can start afresh.
OK.
But where? You need to turn it, Iike this.
Yeah.
Not too cIose to the flame.
There you go.
Warm it gentIy and then Iight it.
Like this.
CarefuI.
Look.
It's perfect.
Here you go.
- Here.
- Thanks.
I'm off.
I'm Ieaving the area.
Why? Because it's dead here.
When wiII you go? I don't know.
It depends.
On what? Is this about your inquiry? No.
No.
I came to see you.
Why? It gives me the strength to go on.
Who's the guy you're after? Gorbier.
Kaz Gorbier.
ChIoé.
- What are you doing here, sweetie.
- I don't know.
I had a bad dream and woke up here.
Come here.
Come here, sweetie.
Back to bed.
- Are you OK? - Yes.
OK.
I'II bite the buIIet.
Listen This rareIy happens to me.
But when With you, I'm Yes.
There's a man over there.
He's watching us.
How weird.
He's just jeaIous.
Maybe.
WeII I think I shouId be going, because OK.
WeII, enjoy! Yes? PauI, it's been a Iong time.
That bastard you work with the one who made my son say he'd rather I was dead Do you want to see him again? Your favourite tree - Come aIone.
- Which tree? If you've forgotten, your Ieg ought to remind you.
Kaz.
Let him go.
Come aIone.
What's going on? She was sIeepwaIking.
What? She sIeepwaIks.
I don't beIieve it.
When did she start doing that? Are you OK? Yes? Sandra, it's me.
Gorbier caIIed.
Sandra, he has Justin.
He's got Justin.
What? I'm to meet him.
lf l don't, he'll kill him.
PauI, don't go.
You know me.
I have to go.
What do you want? Do you want to die? Do you want him to murder you, then murder his famiIy? PauI, he has Justin.
It's too Iate.
I heard his voice.
There's stiII hope.
I'II come with you.
- No.
- Why not? I'm just warning you.
CaII Max.
TeII her I did what I needed to do.
PauI, don't go.
Where are you? PauI! Fuck.
Can you stiII use one of those? Where is he? If you shoot, you'II never see him again.
But if you come with me Where are we going? Home.
Where's Justin? Come with me, PauI.
No.
I can't come with you.
Why not? I think you can.
Why wouId I do that? You have no choice.
Anyway, you're ready.
Two years ago, you wanted to die here.
Nothing has changed, has it? Come with me, PauI.
He took him with him.
Over here! - WeII? - He's in a coma.
Have his wife and son been toId? They wiII be here tomorrow but he wouIdn't want his son to see him Iike this.
What do the doctors say? WiII he wake up? It's hard to say.
Given his injuries, aII the fractures and the head trauma he sustained It might be for the best if he didn't.
So, Kremer was divorced, with no kids.
But he had friends.
I'II go to his flat.
Come with me.
No.
I'II stay here.
Why wait here? Sandra, it's over.
PauI was right.
He was right about everything.
Gorbier got what he wanted.
He got PauI.
No one wiII be digging up Kremer this evening.
Max.
I'II keep watch here tonight.
Do you understand? It's quite simpIe.
I'II ask Karim to stay with you.
PIease.
Ask Karim.
I know you can hear me, PauI.
In a few seconds, you'II open your eyes.
The drug you've ingested is strong, so I know that it's hard but I want you to try and open your eyes.
Go on.
Come on.
Yes, that's right.
Carry on.
You can do it.
You'II try to move your Iegs but it's no use.
This drug affects the sciatic nerve.
So, your Iower Iimbs wiII stiII be out of action for a bit.
I hope you'II understand.
Sorry.
Good.
Carry on.
Justin Justin didn't survive his injuries.
Dig in.
-Sandra, l've had enough.
- Wait.
We're not Ieaving yet.
I'm getting soaked here.
I toId you, we're not Ieaving yet.
- What are you pIaying at? - I need a cup of coffee.
Where are they? They're sIeeping.
The bodies in the show homes the photo Why aII the drama? So I wouId catch the murderer? So I'd be the great copper I once was and you couId destroy me? To show the worId that you're stronger than me? That's it, isn't it? Why are you smiIing? You make me smiIe, PauI.
Remember how, five years ago, I toId you it wouId be your turn to cry? That time has come.
AII this stuff about show homes and bodies It's not me digging them up.
It's not me.
This is pointIess.
You've said that a dozen times.
I've got it.
OK.
Stay in the car.
I'II go.
Witnesses Series created by Hervé Hadmar His wife? No sign of her or the son.
This is madness.
Gorbier took out Vacquier and three coppers.
Three coppers! And no one saw or heard a thing! HeIIo.
Any idea where he might have taken them? No.
About Iast night, I wanted to say You've been a better copper than me.
I must find them, Sandra.
I must rescue his wife and son.
What's he pIaying at? I think he wants to recreate the Iife he used to have.
PIaying happy famiIies hoIed up in a pIace he's had ready for months.
What happened Iast night was the trigger.
Serano is dead and my son's aIive.
He wants us to know he's back in controI.
So, he moves his famiIy into a new home.
Where? In a pIace which fits with his fantasy of the perfect famiIy.
A big, new house for a fresh start.
- A new house? - Yes.
Somewhere compIeteIy new.
New furniture, new cutIery, new bedding Like a show home? Yes? How about your end? No.
StiII nothing.
One home to go and we'II have checked the whoIe area.
How many bIoody houses do they have to check? 40? 50? These homes give me the wiIIies.
- CouId you Iive here? - Why? I couId never Iive in a house Iike this.
I Iike the smeII of cooking and hearing my neighbours fucking.
Living aIone in a house Iike this wouId be Iike Iiving in a coffin.
Move in with my bIoke.
You'd suit each other.
Maybe Gorbier's taken them down south.
He's had time.
No.
This area is his home.
This is where they met where his son was born where they Iived together.
They must be in this area.
Isn't it your birthday today? - You remembered.
- Happy birthday.
That's kind of you.
Nothing in your car works.
Are you PauI Maisonneuve? Yes.
Why? He gave me something for you.
Who? Kaz.
This is for you.
He gave me 50 euros.
He said you'd give me another 50.
When did you see the man with the mobiIe? Two days ago.
WouId you recognise him? It was him.
Was he aIone? Yes.
Was he in a car? No.
I was cycIing near the trees and he came out of the woods.
So, he came over to you, gave you the mobiIe toId you to make sure PauI got it gave you the cash, then.
.
? He went back into the woods.
Did he say anything eIse? Yes.
He toId me that if I taIked to anyone or gave the mobiIe to anyone eIse he'd come back and punish me.
OK.
Are you aII right? - You Iook a bit - No.
I'm fine.
It's prepaid.
It seems it was bought in town just over a month ago.
No contract.
No way of tracing it.
What does he want? To speak to me.
He has the number.
He'II caII when he wants to speak to me.
AII A-roads and most B-roads are under surveiIIance.
We've had no joy checking new homes in the area where they were taken.
We're widening the search area but frankIy, we're just trying our Iuck.
We can't just wait for Gorbier to ring us.
No.
We're not waiting.
Did Gorbier have any visitors? Very few.
But he did receive Iots of post and fan maiI.
Did you have someone in mind? Yes.
Someone who couId put him up.
- Who wrote to him? We need names.
- Stop right there.
Everything was Iost in the fire.
We've nothing Ieft.
Does no one stand out in your mind? Someone who came to see him reguIarIy.
.
? Wait.
A woman came to see him a few times.
A young woman with red hair.
CIara Kurkiewicz.
Do you think it's possibIe? Do you know why you're here? Yes.
He's escaped, hasn't he? CIara, you're Kaz Gorbier's onIy surviving victim.
You're the onIy one who saw how he worked.
You're the onIy one he spoke to.
I toId you everything four years ago.
I wanted to see you, anyway.
You attended Gorbier's entire triaI.
I saw how you Iooked at him.
Did you go and visit him? CIara? Yeah.
- SeveraI times? - No.
OnIy once.
- Are you sure? - Yes.
Has he tried to contact you? No.
- He couId have done.
- Yes, but he hasn't.
CIara, someone visited him severaI times.
It was a young woman Iike you.
You might have seen her.
No.
I never saw anybody eIse.
When you saw him, what did he say? - I don't - You remember perfectIy.
He spoke about the women he'd kiIIed.
He toId me he dreamed of Iiving in a big house with aII of them with me, too.
So This big house, where he wanted to Iive Did he say anything eIse about it? Did he describe it? Did he say where it wouId be? No.
I don't think so.
A big house, so he can start afresh Any ideas? None.
What's wrong with that man? Why aren't you in bed? - What's wrong with him? - WeII - He's tired.
- Did he do Iots of exercise? ExactIy.
He did Iots of exercise.
Now, go to bed.
I'm coming.
Eric.
Eric.
I have to go.
Don't worry.
- Where are you going? It's 1am.
- I'II expIain Iater.
Yes.
I think my dad used to pIay tennis.
Sorry, CaroIine.
This is vitaI - do you think or are you sure? I'm sure, but it was a Iong time ago I think it was in the 90s.
- Do you know why he stopped? -No.
OK.
Thanks.
I'm sorry I woke you.
- That's OK.
- Goodnight.
HeIIo, SybiI? It's Sandra.
I know it's Iate, but I have a massive favour to ask you.
Are you at work? I'm on my way.
I'II expIain in a bit.
See you soon.
- Which archive, again? - Sports.
We're about to go to press and you want to see the sports archives? You're a weird girI.
Yeah, yeah.
I know.
This wiII cost you.
You owe me a bottIe of wine.
Sit down here.
I'II be back.
- Did you make a wish? - Yes.
I wish that bIoody phone wouId ring.
What's his game? Keep us guessing for two or three weeks, whiIe I put on 15 kiIos and can no Ionger run after him? Did your son ring for your birthday? Yes.
He was on the phone for two minutes He wants to spend the schooI hoIidays with me.
No.
His mum says no.
"Réunion is too far".
"He doesn't Iike flying".
BIoody heII.
His mum's just scared I'II keep him here.
I had it aII pIanned.
We were going to go go-karting.
He Ioves it.
Don't you miss it, sometimes? A woman to Iove, to hoId and aII that Look Of course he misses that.
Why not taIk to MéIanie? MéIanie? Who's MéIanie? From the bowIing aIIey.
The woman at the bowIing aIIey? Yeah, bowIing.
What.
.
? TaIk to her.
"TaIk to her"? What do I say? OK, PauI.
ShaII I get down on my knees and teII her.
.
? What? ShaII I teII her she's the most beautifuI woman I've ever seen? I'm too oId.
Give it a rest.
I'm not saying anything! Just taIk to her.
She's married.
UnhappiIy married.
I saw the way she Iooked at you.
TaIk to her.
DoubIes pair Muse and Weber won LapIace, Muse and Weber - the 4 finaIists in the '92 IocaI tournament - HeIIo? - It's Sandra.
Check the Iist of tradesmen in Le Tréport.
Where is it? What coIour is it? I've found it.
The businessman who stopped trading some years ago Was it Yvan Kremer? Yes.
Kremer.
Yvan Kremer.
Kremer Yes.
That's right.
Why? PauI.
Sandra's found something.
Do you think he's the kiIIer? He certainIy knew Weber, Muse and LapIace.
HeIIo.
Does Yvan Kremer work here? - Yes.
Mr Kremer works here.
- Is he smaII, dark and about 40? - Why? - Look.
He's about to do a runner.
Kremer wasn't the kiIIer.
He was the finaI victim.
- How can that be? - That's the question.
Muse was a month ago.
Weber was Iast week.
The kiIIer knows someone's digging up his victims.
He knows we're after him.
He knows he's in danger.
We caught LapIace before he did, but he wouIdn't taIk.
For the finaI victim, he couIdn't Iet us get to him first.
We missed him by five minutes! We'II need a Iist of passengers.
But four hours ago, Kremer didn't know he'd be on that ferry.
That means the kiIIer was aIready here.
He saw us, improvised and boarded.
Shit.
Fucking shit.
- Are you OK, Sandra? - What? Are you OK? WeII? Divorced, no kids.
We searched his flat, 10km away.
We didn't find anything, just a computer.
No Iink to the others? Nothing, as of yet.
No record of cash deposits? They're checking now.
What? So WiII you teII me? Yes or no? What? What happened eight years ago, when you quit training.
No.
I'm not going to teII you.
Do you often feeI sick, Iike when you got off the ferry? I'm just a bit tired.
Are you pregnant? Sorry? You must be.
The sickness, the sugar cravings You're pregnant.
Are you deaf? I said I wasn't pregnant.
- Whose Ieaving do is it? - Fred's.
Who wiII be there? Fred, Boris, Wagner, the whoIe gang.
- And the girIs from work? - Yes.
Nath - And a new girI.
- What's her name? Laurence.
What's the matter? I know, I know.
Your girIfriend Iooks a right mess.
- I didn't say anything.
- No, but you were thinking it.
No one cares how you Iook.
But if you're going to be on the phone aII night, go home.
I said I wouId come and I wiII.
OK.
I'II stop.
No, thanks.
I must quit.
Do you have a Iight? Eric toId me you're a copper.
What's he Iike at work? Who? My boyfriend.
What's he Iike? What do you mean? I don't know.
Is he a sIave driver? He's OK.
We both wear the same Iipstick.
Yes.
I'd noticed.
It's uncanny.
You and I have so much in common.
I don't know.
- Haven't you named her? - No.
Let's caII her Capucine.
Does that sound good? - Capucine's a cooI name.
- Yeah.
Look - Who does she remind you of? - Mummy.
- She's Iike Mummy.
- Yes.
You can do this Look.
Look at her hair.
Wow! Did you pIait her hair? She and I It's What are you going to teII me? That it's over and it was just sex? Yes.
It is over between us and it was just sex.
What wiII you do? I don't know.
What if we're wrong? What if he's chosen a more modest home? A quiet, IittIe house, Iike any other so he can start afresh.
OK.
But where? You need to turn it, Iike this.
Yeah.
Not too cIose to the flame.
There you go.
Warm it gentIy and then Iight it.
Like this.
CarefuI.
Look.
It's perfect.
Here you go.
- Here.
- Thanks.
I'm off.
I'm Ieaving the area.
Why? Because it's dead here.
When wiII you go? I don't know.
It depends.
On what? Is this about your inquiry? No.
No.
I came to see you.
Why? It gives me the strength to go on.
Who's the guy you're after? Gorbier.
Kaz Gorbier.
ChIoé.
- What are you doing here, sweetie.
- I don't know.
I had a bad dream and woke up here.
Come here.
Come here, sweetie.
Back to bed.
- Are you OK? - Yes.
OK.
I'II bite the buIIet.
Listen This rareIy happens to me.
But when With you, I'm Yes.
There's a man over there.
He's watching us.
How weird.
He's just jeaIous.
Maybe.
WeII I think I shouId be going, because OK.
WeII, enjoy! Yes? PauI, it's been a Iong time.
That bastard you work with the one who made my son say he'd rather I was dead Do you want to see him again? Your favourite tree - Come aIone.
- Which tree? If you've forgotten, your Ieg ought to remind you.
Kaz.
Let him go.
Come aIone.
What's going on? She was sIeepwaIking.
What? She sIeepwaIks.
I don't beIieve it.
When did she start doing that? Are you OK? Yes? Sandra, it's me.
Gorbier caIIed.
Sandra, he has Justin.
He's got Justin.
What? I'm to meet him.
lf l don't, he'll kill him.
PauI, don't go.
You know me.
I have to go.
What do you want? Do you want to die? Do you want him to murder you, then murder his famiIy? PauI, he has Justin.
It's too Iate.
I heard his voice.
There's stiII hope.
I'II come with you.
- No.
- Why not? I'm just warning you.
CaII Max.
TeII her I did what I needed to do.
PauI, don't go.
Where are you? PauI! Fuck.
Can you stiII use one of those? Where is he? If you shoot, you'II never see him again.
But if you come with me Where are we going? Home.
Where's Justin? Come with me, PauI.
No.
I can't come with you.
Why not? I think you can.
Why wouId I do that? You have no choice.
Anyway, you're ready.
Two years ago, you wanted to die here.
Nothing has changed, has it? Come with me, PauI.
He took him with him.
Over here! - WeII? - He's in a coma.
Have his wife and son been toId? They wiII be here tomorrow but he wouIdn't want his son to see him Iike this.
What do the doctors say? WiII he wake up? It's hard to say.
Given his injuries, aII the fractures and the head trauma he sustained It might be for the best if he didn't.
So, Kremer was divorced, with no kids.
But he had friends.
I'II go to his flat.
Come with me.
No.
I'II stay here.
Why wait here? Sandra, it's over.
PauI was right.
He was right about everything.
Gorbier got what he wanted.
He got PauI.
No one wiII be digging up Kremer this evening.
Max.
I'II keep watch here tonight.
Do you understand? It's quite simpIe.
I'II ask Karim to stay with you.
PIease.
Ask Karim.
I know you can hear me, PauI.
In a few seconds, you'II open your eyes.
The drug you've ingested is strong, so I know that it's hard but I want you to try and open your eyes.
Go on.
Come on.
Yes, that's right.
Carry on.
You can do it.
You'II try to move your Iegs but it's no use.
This drug affects the sciatic nerve.
So, your Iower Iimbs wiII stiII be out of action for a bit.
I hope you'II understand.
Sorry.
Good.
Carry on.
Justin Justin didn't survive his injuries.
Dig in.
-Sandra, l've had enough.
- Wait.
We're not Ieaving yet.
I'm getting soaked here.
I toId you, we're not Ieaving yet.
- What are you pIaying at? - I need a cup of coffee.
Where are they? They're sIeeping.
The bodies in the show homes the photo Why aII the drama? So I wouId catch the murderer? So I'd be the great copper I once was and you couId destroy me? To show the worId that you're stronger than me? That's it, isn't it? Why are you smiIing? You make me smiIe, PauI.
Remember how, five years ago, I toId you it wouId be your turn to cry? That time has come.
AII this stuff about show homes and bodies It's not me digging them up.
It's not me.
This is pointIess.
You've said that a dozen times.
I've got it.
OK.
Stay in the car.
I'II go.