Ancient Apocalypse (2022) s01e05 Episode Script

1
[Graham] Electricity works wonders for us.
Humans have become a 24/7 species.
But our canopy of lights cuts us off
from one of the most magnificent aspects
of living on this planet
the night sky.
To the ancients,
stargazing would have been
the greatest show on Earth,
the most entertaining way
to pass their long, dark nights.
They'd have known
every turn of the Milky Way,
every bright star cluster,
every comet blazing across the sky.
It might explain why
everywhere we look in the ancient world,
we find massive structures
pointing our attention to the heavens.
But what if it's more than that?
Ancient pyramids
and temples all around the world
connect sky to ground with precise
alignments to the Sun, Moon, and stars.
Why did the builders take such care,
and on such a massive scale?
Could they have been
trying to tell us something?
Warn us, even, that we must, at all costs,
pay close attention to the heavens.
I'm in Turkey,
heading for an isolated hilltop
about 26 miles from the border with Syria.
Today, this is
a troubled part of the world,
but it's been hugely significant
to the story of humanity.
In southeastern Turkey,
near modern-day Sanliurfa,
something remarkable happened
around the end of the last Ice Age.
Our Stone Age hunter-gatherer ancestors
suddenly discovered farming
and began creating settlements.
This happened throughout what would
later be called the Fertile Crescent,
extending south to the Persian Gulf.
Around 6,000 years ago,
the area known as Mesopotamia
would give birth
to what has long been assumed
to be the world's first civilization,
the Sumerians.
But that view of history
now cries out to be rewritten.
In 1994,
while investigating a farmer's field,
archaeologists spotted strange
carved stones protruding from the ground.
Some of gigantic size.
Subsequent excavations have led to
a series of stunning discoveries.
This recently excavated
archaeological site
requires us to abandon all our prejudices
about our Stone Age ancestors.
Far from being technological primitives,
their accomplishments here prove
that they possessed
hitherto unsuspected abilities
rivaling those of much later
and supposedly
much more advanced civilizations.
Beneath the modern canopy
built to protect it from the elements,
this is Göbekli Tepe.
And based on everything
we've been taught about prehistory,
it shouldn't exist.
Archaeologists accept that it dates back
to around 11,600 years ago
making this the oldest acknowledged
monumental structure on Earth.
It's a highly sophisticated,
highly advanced megalithic site
that's about 7,000 years
older than Stonehenge
and about 7,000 years
older than the Giza Pyramids.
And suddenly the notion
that there was no culture in the world
that was capable
of doing such things 12,000 years ago
is blown out of the water.
It's older even
than the invention of the wheel
or the domestication of horses.
Built at a time when the Earth
was just emerging from the last Ice Age,
when the locals were still supposedly
unsophisticated hunter-gatherers
living in mud huts.
But if they weren't advanced enough
to design and build
this megalithic wonder,
who did and why?
What is this place?
At first glance, what confronts us here
can seem bewildering.
If we look closer, however,
and piece together all the clues,
we can get a good idea
of how ambitious and imposing
it must have been in its prime.
Perched on the side of a hill
with few traces
of any human settlements nearby
are four circular enclosures,
all with a similar layout.
At the center of each,
stands a pair
of massive T-shaped megaliths
weighing up to ten tons
set into a polished stone floor.
Twin giant figures,
some with arms and hands
carved into the rock,
and tilted heads.
They're encircled
by smaller T-shaped pillars,
many intricately carved and decorated,
and all connected by
ringed walls of stone and passageways.
How these massive blocks
were lifted and set in place
nobody knows.
What really mystifies all who come here,
including the archaeologists
who excavated the site,
are the astonishing carvings.
Symbols of animals are to be found
everywhere at Göbekli Tepe.
It's like a Noah's Ark in stone.
The creatures depicted at Göbekli Tepe
are curiously arranged and stylized
as though their purpose
is more symbolic than realistic.
And there's something else unusual
about these megalithic structures.
When archaeologists carbon dated them,
it became clear that these four enclosures
weren't built at the same time.
Enclosure D dates back
to around 11,600 years ago
but the youngest, Enclosure A,
was built around 10,500 years ago.
Instead of updating
the building they already had,
the people here
kept building new enclosures
over the course of some 1,100 years,
slightly rotating the alignment each time.
What's even more intriguing
is that the oldest original enclosure,
Enclosure D,
also happens to be the largest
and the most intricately decorated
of the group.
It's not something
that you're a hunter-gatherer
and you wake up one morning and think,
"I'm going to build
the largest megalithic site
that will ever be seen in the world."
Usually, the more we practice something,
the better we get at it.
Like these modern-day quarrymen
still cutting stone at the site
in the hills around Göbekli Tepe today,
we assume that ancient cultures
must have worked the same way,
improving their skills over time.
But Göbekli Tepe,
and in particular Enclosure D,
seem to turn this assumption upside down.
How did a community
of Stone Age hunter-gatherers
succeed so brilliantly
in building with megaliths
at their very first attempt?
Isn't it time to consider the possibility
that the great megalithic enclosures
weren't some miraculous
overnight invention of hunter-gatherers,
but were a legacy
from a precociously advanced
lost civilization of prehistory?
This is a notion
which mainstream archaeologists
find almost offensive.
Academic scholars have got locked in
to a particular framework,
that during the Ice Age,
the entire human population of the Earth
was at the hunter-gatherer stage.
And yet, it turns out
the builders of Göbekli Tepe
were far more ambitious
than your average hunter-gatherers.
In 2003, a geophysical survey
using ground-penetrating radar
detected up to 20 other
stone enclosures inside the hill
and more than 200 pillars.
Most remain un-excavated.
A huge megalithic complex
spread out across nine hectares,
more than 12 soccer pitches.
It's an enormous site.
You can't just wake up one morning
with no prior skills,
no prior knowledge,
no background in working with stone,
and create something like Göbekli Tepe.
There has to be a long history behind it
and that history is completely missing.
And to me, it very strongly
speaks of a lost civilization.
Transferring their technology,
their skills, their knowledge
to hunter-gatherers.
Göbekli Tepe isn't the only complex
dating back to the end of the last Ice Age
that's recently been discovered here.
In 2019, Turkish archaeologists
began excavations at another site,
about an hour's drive east,
called Karahan Tepe
and uncovered something unexpected.
The Turkish authorities have never allowed
outside camera crews to film here
until now.
Lead archaeologist, Professor Necmi Karul,
believes that this site is
around the same age as Göbekli Tepe
and could be even older.
But it's quite different.
The main chamber does feature
T-shaped pillars and megaliths,
but one edge is carved out of the bedrock
and it's large enough
to hold dozens of people.
What do you think
happened in this building?
Do you have any ideas at all?
We can interpret it
as a podium for a sitting area
- Yeah.
- and people coming together,
- because it's a big building.
- Yeah.
Karahan Tepe seems to be
some sort of ritual gathering space.
The carvings on the walls
aren't as well-executed
as those at Göbekli Tepe.
But we do see robed figures.
Could they represent
the site's true architects?
- Lead the way, Professor.
- Yeah, okay.
Professor Karul leads me
into a curious side chamber,
eight meters by six meters
and two meters deep.
Ten pillars resembling phalluses
have been purposefully and skillfully
carved directly out of the bedrock.
With an 11th free-standing pillar
in pride of place.
A snaking channel
has also been cut out of the rock
to allow some form of liquid
to pour into this chamber,
water or possibly blood.
And it's dominated by an imposing
and mysterious sculpted head.
There's something serpent-like
about that neck of that figure,
as it pushes out of the rock
and overlooks these pillars
standing there in the enclosure.
It's something sinuous, and I would add,
something slightly sinister about it too.
It's a very powerful face.
[Karul] It's a human head
- carved from the bedrock
- Carved out of bedrock.
and it looks to the entrance.
Yes, the eyes are turned that way.
Quite imposing.
- [Karul] It looks like a snake's head.
- Yeah.
- It behaves like a snake, I would say.
- [Graham] Yes.
A human-headed snake.
Yeah, maybe.
[Graham] It's a kind of unique discovery.
- Yeah, it's fantastic.
- Yeah.
There's a feeling of fear or of terror
that comes with that enclosure.
I know this is not science.
[chuckles] It's just my emotional reaction
to what I was seeing.
But I can't help wondering
if fear and terror
were involved
in the creation of it as well.
If it's expressing something
that we need to know about our past.
That it's fearful for a reason.
The professor confirms
that as with Göbekli Tepe,
they found no evidence of farming.
The people who built this complex
were definitely still hunter-gatherers.
The notion used to be
that agriculture came first,
and then it allowed people
to settle and create places like this.
But if I understand you correctly,
you're saying that settlement came first.
Settlements came first.
- They are hunter-gatherers.
- Yeah.
And then they started
to produce a different life.
They changed the buildings,
- they changed the technology, et cetera.
- Yeah.
A kind of revolution in ideas.
We can call it a revolution.
So this is something which
is casting new light on human history.
So far, only two chambers
have been excavated at Karahan Tepe.
But ground-penetrating radar
has revealed at least 20 more chambers
that have yet to be explored.
Just as at Göbekli Tepe,
both sites
built at the end of the last Ice Age,
just before humans living here
started farming and raising cattle.
There was no agriculture
at Göbekli Tepe when it was built,
but strangely, at exactly the time that
it was being created 11,600 years ago,
agriculture appears all around it.
For me, what the evidence
speaks to is pretty clear.
It's a transfer of technology.
People who already knew
how to create megaliths
and build a big megalithic site
came to Göbekli Tepe.
They already had knowledge of agriculture,
and they used that site
to mobilize a local community,
to organize them
and to introduce them to agriculture.
According to the lore
of ancient Mesopotamia,
that's exactly what happened.
Amongst the many
flood and cataclysm myths of antiquity,
the Mesopotamian deluge tradition
is of particular interest here.
It speaks of a small band
of wise ancients,
the Apkallu, who taught the people here
the skills of civilization.
In the beginning, before recorded history,
humanity was created by the gods
to be stewards of the land and animals.
But the first humans were too lazy
and too unruly to do the job,
and their numbers grew unchecked.
So the gods sent a great deluge
[thunder rumbling]
to wipe the slate clean
and start humanity over again.
And they also sent
seven sages, the Apkallu,
traditionally depicted
as bearded figures in flowing robes,
to instruct the survivors.
Their leader was Oannes,
said to have come from the sea,
usually depicted as a half-man, half-fish.
He walked among the people
teaching agriculture, architecture,
and knowledge of the stars.
That's a list I can't help thinking
that includes many of the advances
supposedly invented at Göbekli Tepe.
Oannes is yet another example
of a civilizing hero.
A teacher who suddenly arrives,
usually by sea,
after a time of great cataclysm,
like Quetzalcoatl in Mexico,
or like Osiris,
who legend says traveled by boat
to teach humanity
the ways of civilization.
And it's not just their stories
that are similar across ancient cultures.
Their depictions in ancient art
are remarkably similar too,
down to their robes
and distinctive handbags.
I think that these are
real accounts of real events.
In some cases, they may be overlaid
with symbolisms
and storylines that distract us,
but fundamentally,
I think we need to trust the myths.
Göbekli Tepe's circular
stone wall enclosures open to the sky
also remind me a bit of Ġgantija
and Malta's other temples.
Is it possible they share
a common inspiration?
On Malta, Lenie Reedijk showed me
how the changing alignments
of the ancient megalithic temples
track the changing rising points
of a single star, Sirius,
across thousands of years.
Remarkably, we find
the same phenomenon at Göbekli Tepe.
The central pillars
of the three oldest enclosures
also seem to have targeted Sirius.
At around the end of the Ice Age,
their differing orientations
tracking the star's
differing rising points across time.
This shared focus on Sirius is, for me,
another hint that the ancient builders
in both Malta and Turkey
had access to a pool of shared knowledge
concerning astronomy
and megalithic construction.
Is it possible that
the great building projects in both places
were directed by the survivors
of a more advanced culture
who traveled the world
at the end of the last Ice Age,
perhaps represented
by those stone pillar giants
or Karahan Tepe's hooded figures?
People who arrived here
in the Fertile Crescent
after a great flood.
If so, what were they trying to say?
Could all those animal carvings
actually be telling us something?
On these recent investigations,
I've learned new information
about Göbekli Tepe,
which further adds
to the intriguing picture.
I've come to meet Dr. Martin Sweatman,
at the nearby Sanliurfa Museum,
home to a stunning recreation
of Göbekli Tepe's largest enclosure.
A trained scientist
with an interest in archaeoastronomy,
much of his research
has focused on Pillar 43,
also known as the Vulture Stone.
What's the significance
of this for you, Martin?
[Dr. Martin] It's probably
one of the most important artifacts
in the whole world, you know?
It's just incredible.
Essentially, this pillar
is like our Rosetta Stone.
Right.
Dr. Sweatman believes
that the symbols on the stone
might represent asterisms,
figures meant to depict
bright star clusters in the night sky.
- We see directly that there is a scorpion.
- Mmm-hmm.
So we can take that
perhaps to be Scorpius.
[Graham] It's very tempting
to conclude it's Scorpius, yeah.
Absolutely.
[Graham] Different cultures have given
different names and different figures
to the constellations of the zodiac.
So it's a bonus to see one asterism
we recognize on Pillar 43.
[Dr. Martin] Then above,
we would expect to find Sagittarius,
and we know Sagittarius
as the archer with a bow and arrow.
And so we see the vulture with the wings
and they're spread in just the right angle
to represent the bow and arrow.
And then we can see
that there are other animal symbols
which correspond to more constellations,
representing almost like
a map in the night sky.
[Graham] This is a map
of the most visible stars
in the area around
what's today known as Scorpius.
Once we line up Scorpius
with the Scorpion on Pillar 43,
the other nearby asterisms seem to match
some of the other figures
depicted on the pillar.
- So it kind of all fits together.
- Absolutely.
[Graham] But Dr. Sweatman's
real breakthrough
came when he considered the suggestion
that the central circle
could represent the Sun.
So what would you be trying to say
if you have an image of the Sun
in a particular position
relative to the constellations?
One thing that you might
be trying to indicate is a date.
And a clue to that is the fact
that there are three other animal symbols
at the top of the pillar
that re-cemented this idea
that this was a date,
a date stamp essentially.
[Graham] Dr. Sweatman believes
that the three small animals
carved atop Pillar 43
appear next to symbolic representations
of three sunsets.
Taken with the Sun disc
in the middle of the stone,
they could depict
four key moments in the solar year,
the summer solstice, the winter solstice,
and the spring and fall equinoxes.
The carvings would represent asterisms
that appeared in the night sky
behind or around the setting Sun
on each of those key dates
in the calendar year.
So, suddenly we have a lock
of all four key moments of the year,
with the moment
they really want us to focus on
- dominating the pillar.
- Exactly.
[Graham] It's a brilliant
and compelling idea.
A date inscribed in stone
in the universal language of astronomy.
So what date is the pillar referring to?
By using computer software
designed to track changes
in the night sky over thousands of years,
we can find a precise 100-year window
that perfectly fits Martin's theory.
Eventually, I found
that actually we could work out
it's around about 10,900 to 10,800 BC.
[Graham] But that's more
than a thousand years
before construction began at Göbekli Tepe.
Why should that date have been important?
Well, we know quite a lot
about that specific time in history.
Almost exactly within that time period,
that short span of around 100 years,
there was a dramatic climate event,
which is known as the Younger Dryas.
It completely changes their world.
[thunder rumbling]
[Graham] We've been referring to this
as the Ancient Apocalypse,
but scientists call it the Younger Dryas.
It began 12,800 years ago
with a cataclysm,
and it ended 11,600 years ago,
the exact date
of the construction of Göbekli Tepe.
The world suffered through some kind
of tremendous geological upheaval,
including immense floods,
followed by more than 1,000 years
of freezing temperatures.
Life on Earth fundamentally changed.
The saber-toothed tigers
and mammoths went extinct.
But humanity survived.
And around 11,600 years ago,
the freeze ended
with another final immense flood
that raised sea levels around the world.
It was then,
only after the Earth was calm again,
that the work on Göbekli Tepe began.
And I believe
the timing was no coincidence.
That's ultimately
what I came to see Göbekli Tepe as,
as a reboot of civilization
from a time when there had been
an earlier civilization
that was destroyed in a great cataclysm.
It's nice to see Pillar 43 from here,
and it's amazingly well-preserved,
considering it's 11,600 years old.
It's quite amazing.
What if this mysterious complex
wasn't just a place of rituals,
but also a memorial
to commemorate a world-changing event?
It would make sense.
Some of our grandest buildings today
are memorials too.
The Lincoln Memorial in Washington DC
or the Taj Mahal in India.
But could Göbekli Tepe
be even more than that?
What if its architects
sought to leave behind
a message of the greatest importance,
a message for later generations to decode?
Because when archaeologists
determined the age
of the rubble covering up the site,
they got another surprise.
Sometime around 10,000 years ago,
all the structures were buried
rapidly and quite deliberately
at the same time.
An enormous effort
was put into burying Göbekli Tepe.
I mean, not just burying it,
but actually putting
a man-made hill over the top of it.
We must envisage
teams of hundreds of people
carrying baskets of rubble
and pouring it into the enclosures.
But then the question arises,
why did they do that?
It wasn't abandoned.
It wasn't destroyed or looted.
It was carefully buried,
hidden away and preserved.
And there it remained,
safe for thousands of years
until its recent rediscovery.
To my mind, what we're looking at here
only makes sense as a time capsule.
And like all time capsules,
its purpose was to
transmit a message to the future.
At Göbekli Tepe and Karahan Tepe too,
serpents dominate the imagery.
There's something about the way
their winding, descending shapes
are depicted,
as if the builders
were obsessed with them,
as if these serpents were the one message
they wanted us
to take away from both sites.
But are they serpents
or could they represent something else?
It seems that everywhere we find traces
of a forgotten episode in human history,
we also find snakes.
In Mexico, Quetzalcoatl
himself is a serpent.
In Malta, one crosses
into Ġgantija's inner sanctum
by stepping over a snake.
I think I know what those serpents mean,
and the best example isn't here in Turkey.
It's halfway around the world
in the middle of America, in Ohio,
where ancient sages crafted
an earthen serpent on a gigantic scale
to serve both as a memorial
and perhaps as a warning.