Deep Water (2016) s01e05 Episode Script
Episode 5
1 I had sex with Adam.
- Why? - I felt like I was worth something and I was one of them.
I am so sorry.
You were investigated for a violent assault.
It was years ago, they dropped the charges.
Have you ever used violence against your children? Are you OK? You have no clue what I had to do to get that money.
I saw you with her.
You go to the police, tell them what's happened - and they'll tell you what to do.
- No, no, no, he'll leave me, and I love him so much.
And I'm not gonna let that happen.
What do you want me to do, carry on as normal? You're not gonna wait for me? Seems like you can handle yourself on your own.
- You need help.
- [CLOTHING RIPS.]
You're sick.
[THUD.]
Lucinda! We just need some time on our own.
GUY: And you're definitely OK? LUCINDA: Yes, I keep telling you.
- So, no-one tried to hurt you? - No.
- Nothing bad happened? - No.
Just give her a little space.
She'll tell us everything when she's ready.
I just want to know she's OK, and where she's been all this time.
I've been staying in one of the cottages.
Hang on.
One of OUR cottages? But that doesn't make any sense.
Is Fergus any better? He's gonna be out tomorrow, they say.
The police checked everywhere, I checked all the cottages Guy, just back off.
We don't know what she's been through.
Well, that's what I'm trying to establish! Right, OK.
Lulu, come on, let's go through.
Can you call the police? They need to know she's home.
Look, you could have given me more warning.
I know, I'm sorry.
Has someone figured it out? No, no, no, of course not.
Give me that old phone.
Right, yours has been off the whole time, so, if anyone asks, just say that you lost it in your room.
OK.
Is he home? Did it work? - Yeah, yeah.
- What, he's home? Like, f-for good? Well, I mean, he's been here ever since you went missing, so We've done it.
It's over.
I love you.
MUSIC: ['Static' by Toydrum and Beth Orton.]
Broken through desire Static on the wire Could it be the rapture Never got me down You're everything I need [DANCE MUSIC PLAYING INSIDE.]
WOMAN: She wants to kick him out.
MAN: She loves him.
[CHATTER CONTINUES.]
What are you doing in here? Can I join you? - Come on, let's get you home.
- [KEYS RATTLE.]
What, are you just gonna sit here all night? - Can I have another, please? - Oh, come on, bloody grow up! Bloody fuck off.
Cheers.
- Get yourself one.
- Thanks.
- Cheers.
- Are you all right? JOANNE: You know, most people think the trouble's over when the missing person returns home.
But, quite often, it's just the beginning.
LUCINDA: OK, so? So, the first night you were missing, you stayed at your boyfriend Nelson's? He wants to be my boyfriend, but he isn't.
That's why we argued.
So, I left and I walked to the cottage.
And you didn't have your phone on you? - No.
I lost it.
- Oh.
Most girls who have an argument with a boy, they want to speak to their mum or a a friend.
They don't disappear for days on end.
I needed some space.
Then, I saw that I was all over the news and I was scared to come home, just in case I got into trouble.
Lucinda [SHE SIGHS.]
people run away all the time, OK? And, sometimes, they've got really good reasons.
Now, I can't make you tell me the truth.
But I REALLY need you to be honest and answer honestly to this next question, all right? OK.
[SHE EXHALES.]
Are you safe here in this house? Why wouldn't I be? It's my home.
OK.
MUSIC: ['Song For Zula' by Phosphorescent.]
[MUSIC CONTINUES PLAYING.]
[DOOR OPENS.]
- Don't do this.
- You still here? Please, come on, let's go home and talk about it.
No, I'm good, ta.
Here, get yourself a cab.
On me.
Whatever you're doing with her, it's It won't make you feel better.
Yeah Yes, it will.
- Hey.
- Hi.
[HE EXHALES.]
How did she know he was ill? - Who? - Luce.
Before the police came, she asked after Fergus.
If she's been alone in the cottage all week, how could she know that he was ill? - I told her.
- When? As soon as she came back.
You might not have heard because there was so much surprise and confusion.
[HE BREATHES DEEPLY.]
OK.
[TENSE MUSIC PLAYS.]
[SHE BREATHES HEAVILY.]
[SIGHS.]
[KEYS RATTLE, DOOR OPENS.]
[DOOR SLAMS.]
- I'm sorry I'm so late.
- Where the fuck have you been? Abby was desperate to know when you'd be back.
I've been texting you all night long.
MUTTERS: Shit.
I had to go into work and Jackie had to come and cover for me, but when I got back, you still weren't home.
- Joanne - No, no, no.
From now on, you have to call me, all right? I cannot sit up another night not knowing if somebody is dead or alive, do you understand? I am so sorry.
[EXHALES.]
OK.
You got changed.
The car.
The car broke down, near Blakey, and it, well, it took ages to get going again.
And it was It was raining and I got drenched, so Yeah.
Well, whoever he is, he sent you flowers.
- See you, Roz.
- Thanks, thanks - Yeah.
- .
.
Joanne.
[DOOR SLAMS.]
[BIRDS TWEETING.]
[DOGS BARK IN THE DISTANCE.]
You OK? Yeah.
I just have a bit of a headache, that's all.
Do you want me to stay? No.
I'll be fine.
I'll sleep it off when you're out with your dad.
All right.
- I'm so excited! - [ROZ CHUCKLES.]
- [KNOCK AT DOOR.]
- He's here.
Yay! - Hi! - WINSTON: Hiya, you all set? Yep.
Let's go catch the Lake Monster! That's my girl.
Think big.
Here, put your helmet on, please.
Now, give us two secs.
I just want to speak to your mam, all right? Roz? - [DOOR KNOCKS.]
- Roz?! At least be civilized with each other, can't we? Dad, I can't put my helmet on.
It's too tight! Too tight? You've got loads of room here.
Normally, you say you can't even get it off.
[THEY CHUCKLE.]
[SHE SCREAMS.]
Argh! Dad! I'm gonna die! [HE CHUCKLES.]
SHE SCREAMS: Do you know where you're going? - I think so.
- [SHE GIGGLES.]
- Hello, pip squeak! - Lulu! - [SHE CHUCKLES.]
- OK, OK, I get it, you missed me.
Where have you been? I'll tell you later.
- Where are you going, Lulu? - Sally's.
Um, I thought we could spend some time all together.
- I won't be long.
- Lucinda, please! - I haven't seen anyone in ages! - Luce I know, but Lulu, please! Come on, let's go.
[TENSE MUSIC PLAYS.]
[MUSIC STOPS ABRUPTLY.]
[INDISTINCT CHATTER.]
Course you are! Yeah, as if! Like, Nelson, of all people.
Exactly, he doesn't talk to his mum for that long - Yeah, isn't it? - [THEY CHUCKLE.]
Er, Sal, can you go and get your washing from upstairs, please? - What, now? - Yes, now, if you want them cleaned for Monday.
- WHISPERS: Menopause.
- [LUCINDA CHUCKLES.]
- [DOOR CLOSES.]
- Um We're glad to have you back, Luce.
Thanks.
Um, can I talk to you? - Mm-hm.
- I, um I know about where you've been, and why.
And I wanted to say that, if you need to talk to me, or - Er - Yeah.
No offence, Mrs Kallisto, but I haven't a fucking clue what you're on about.
No, your, um Your mum told me everything.
She told me because I saw you at the cottage.
With your mum.
And I saw you.
In our bathroom with Uncle Adam.
Yeah, you know, imagine Sally's face.
Shall we order in some pizza? If that's all right with your mum? Yeah.
GUY: Go, go, go.
- Is that me? Yeah? - FERGUS: No.
- No? - You have to split it in half.
- Don't remember how to split it.
- No.
I've watched a few live streams of people playing this, - they just don't know.
- OK.
Guy? I'm gonna go and get Lucinda.
I want her to be here with us.
OK? No, I'll go.
- No, you're in the middle of your game.
- It's OK.
We need a break anyway, don't we, Ferg? Yeah.
Seriously, I don't mind going.
I want to talk to her on my own.
Don't worry, I know what I'm doing.
And when I get back, we should probably talk about what happens next.
- What happens next - Mm-hm.
is that it's someone's birthday.
Hm.
And we've decided to have a party, haven't we? Er, is that a good idea? He's just got back from the hospital.
He's looking forward to it, aren't you, Ferg? Plus, I've already emailed out the invitations, so - You've already emailed the invitations? - Yeah.
Will you be there? Yes, of course.
Of course I'll be there.
[FOOTSTEPS WALKING AWAY.]
[DOOR OPENS.]
[CAR DOOR OPENS.]
- Hey.
- What are you doing here? I wanted to see you.
No.
What? You do not come to my house.
Oh, nice to see you, Scott.
Hm? Thanks for the flowers.
You do not send me things! I wanted to surprise you.
You have been looking a bit tired.
You know, I was worried about you.
Look, it-it's not your place, Scott, so - Maybe I want it to be - Argh.
- Just - What? What? [SHE SIGHS.]
Who did this? No-one.
It's nothing, it's no-one.
Was this because of the flowers? - No! Winston would never hurt me.
- Then, who? - Look, you need to go now - I'm not leaving until you tell me.
Look, it is none of your business! You paid me, you don't own me! - [SHE SIGHS.]
- Come on.
Please, just Just leave.
I only ever wanted to help you.
No.
You wanted to fuck me.
Look, whatever it is, I can fix it.
I hate to break it to you, but there are some things that money can't solve.
No? Try me.
Wayne knows about us.
He's been filming me at work, in the treatment room.
So, there's footage of us He said I could have the file but he wanted something from me in return.
He wanted what you got.
[BIRDS TWEETING.]
Who's a good girl? All right? Got milk.
So, now what? [HE SIGHS.]
I don't know.
Be happy.
We're quits.
I made a mistake! You made a cold-hearted decision, that is completely different! Still feels the same, though, 'ey? Hurts like fuck.
All right, Sam.
You ready? to make it six.
Goal! Picks it out, for the sixth time tonight.
It's humiliating for City, it's glorious for Killie, it's a goal! 7-0 Ooh! on a freezing night in the Lake District.
[THEY CONTINUE SHOUTING.]
You off somewhere? Adam's.
I'm dropping off his dogs.
Hurry up! [CAR DOOR CLOSES.]
[CAR ENGINE STARTS.]
- Aw! - Hi.
Darlings! Come on, come on, come on.
Ooh, I missed you! OK.
Just let them off.
And, er, I need to pay you.
Oh, um No, honestly, you can just do a wire transfer, you haven't got to pay me now.
Oh, it's no trouble.
I just need to find my purse.
Oh! Beautiful house.
Must be easier to keep clean with the kids away, huh? I miss them, but if someone's going to fuck up my children, I'd rather it wasn't me.
Yeah.
I just I couldn't be away from mine, I'd miss them too much.
How much do I owe you? [LISA SIGHS.]
God, are you OK? Let me get you a glass of water.
I made a mistake.
I know.
But it's OK, because Lucinda's back now.
No, no.
I've, um I've done something wrong to you.
At the dinner party at Kate's house.
You were bound to hear it from someone, so it should be from me.
Um, you know, er Er, I don't think I have as much cash as I thought I did.
I, um I think I'll pay by bank transfer, actually.
WHISPERS: Sorry.
[GUITAR-BASED MUSIC PLAYS.]
[WHOOSH, MUSIC FADES.]
Why have we stopped? How did you get food? - What? - At the cottage, how did you eat? I-I went to the shops.
How? I walked.
You walked to the shops, completely unnoticed, when everyone was out looking for you? I put my hood up.
Luce I may not be the world's best father, but I have never stopped loving you or caring for you.
So, please, just do me the courtesy of not treating me like a complete bloody idiot.
I'm not! When you turned up last night, you already knew that Fergus was in hospital.
Someone must have told you that he was ill.
Lucinda, do you want to tell me what's going on here? Lucinda I'm asking you a question.
[TENSE MUSIC PLAYS.]
It wasn't my idea.
What? She said that it would make you come home.
[SHE LAUGHS.]
Right, I'll see you next time.
- OK, thanks.
- I love you.
- Love you, too.
- Here, take your hat.
- My hat? Helmet.
- Helmet.
- Did you catch the Lake Monster? - No such thing.
- Bye, Dad.
- See you.
Do you fancy a drink? Yeah, yeah, could do.
Wow.
You look like shit.
Mummy, got it.
OK, look, see, here! It's all here.
[FERGUS STRAINS.]
- I can't find the "S" anywhere.
- [FERGUS GROANS.]
- Do you know where the "S" is? - [FERGUS SIGHS.]
Right.
Maybe we put this up now? [CAR DOORS SLAM.]
[DOOR OPENS.]
GUY: Kate! KATE: 'Guy, how could you? 'Guy, please.
' Just, Guy, just wait one second.
- Calm down - I thought she was dead! - Can you just listen to me? - I saw her! I saw her in a ditch.
I saw her by the side of the road.
I saw her in the Can you just? I thought she was dead, and you knew! You knew! - No, I didn't! I was as worried - You were hiding her from me.
- I was as worried as you were, at first.
- Stop lying, Kate.
- I am not lying.
- Stop lying! You lie all the time! - No, did she tell you why she left? - Stop lying, Kate! - Did she tell you why she left? - You have lied to the police, - the press, you've lied to everyone! - No! I haven't lied.
No, I haven't.
And you blamed me, you blamed me, everybody thinks that I was hurting my own daughter.
Not hurting her, but you do hurt her, you hurt all of us! Every single day that you're not here.
- Kate - And that's why she left! Kate.
You need help.
OK? You need serious fucking help.
[SHE SCOFFS.]
Well you need help.
How about I call the police? I'll call the police about you.
No, you won't.
[DRAMATIC MUSIC PLAYS.]
[RUNNING WATER.]
[MUSIC INTENSIFIES.]
[CAR ENGINE STARTS.]
[POP-ROCK MUSIC PLAYS.]
- Can I get you something? - Yeah, can I get, um - a G-and-T, large, please.
- Yep.
- I need to talk to the woman - What? I need to talk with the woman who was working here last night.
It's her night off.
Can I pass on a message? No, it's all right.
Sorry.
- Nazdravlje! - [SHE CHUCKLES.]
How do you remember that? - It was our first holiday, wasn't it? - Hm.
And our last.
Aye.
Look what we brought home.
A terrible bottle of booze.
Yeah, and the rest.
I think I messed up a lot of things in my life, but somehow, I made 50% of an absolutely brilliant kid.
Yeah.
Yeah, you did.
I should go.
No, don't.
What have I done? Nothing.
Nothing at all.
It's just Can we just sit here for a while? Just Just sit? Yeah.
Yeah, course we can.
[SHE SIGHS.]
[POP-ROCK MUSIC CONTINUES.]
Can I have another shot, as well, please? And another.
MUSIC: ['Just Like Honey' by The Jesus And Mary Chain.]
It's good, so good, it's so good So good Walking back to you Is the hardest thing that I can do That I can do for you For you I'll be your plastic toy I'll be your plastic toy For you Eating up the scum Is the hardest thing for Me to do Just like honey Just like honey Just like honey Just like honey.
- BOY: Mummy! There's a lady here! - DOOR SLAMS NINA: One moment! Hello.
What's your name? Give me my child.
Kate please.
He's supposed to be looking after my babies.
Guy! - Not making your own with my husband.
- He's my husband now.
A man can't have two wives.
So, give him his divorce and he will only have one.
Kate, what are you doing? [BABY STIRS.]
This was your choice.
No! It's your choice.
It was your choice to screw the au pair! - Oh, come on - It was your choice to marry her.
We've been through this a thousand times, I am deeply sorry if we hurt you.
SOBBING: Oh, please, just stop, just go away! Please, Nina, go away! If I go away, then Guy will come with me.
Give me my child.
[BABY CONTINUES STIRRING.]
You have to go, Kate.
You OK? Take her upstairs and I'll deal with this.
[BABY CRIES.]
Please.
Please, will you give me my husband back? I am begging you to, please, let my husband come home to me.
- Please, please.
- Kate.
Please, let him come home to me, I'm asking you nicely.
Please, just let him come home to me! - This is my home.
- It's not your home This is my home, this is my home.
You need to go.
[BABY CONTINUES CRYING.]
Come on, you need to leave, you need to stop this.
- This is not helping.
- Argh, OK.
[KATE SIGHS AND SNIFFS.]
Just so you know, the-the other night, your husband fucked me.
Twice.
WINSTON: I've missed you.
ROZ: I missed you.
Nah, this one's all on me.
You and Abby need me fixed.
And I'm not quite there yet.
We'll get there.
I hated being on my own.
I'm not cut out for it.
You had your mum to keep you company.
It's not quite the same thing.
[SHE CHUCKLES.]
I have a bit of time in the morning.
I could go round there, get your stuff, bring it back, while you're at work? Mm-hm.
Er do you fancy a cup of tea? Yeah.
Er, thing is, I had to, um, pack that in.
- At the Farleigh.
- Your job? Yeah, well, with the split and everything, I had to be there for Abs, didn't I? Yeah, but if we're back together maybe they'd have you back? It was a shit job anyway, Roz.
The hours were all over the place.
The boss really got off on telling us what to do.
[SHE EXHALES.]
I can get something better than that.
I didn't tell you, I ran into Clive, he's putting a new band together, for weddings and that.
He asked us to be in it.
It'll be really good money once the gigs start coming in.
Winston.
[SHE SIGHS.]
I know you want us to get something more steady.
All I want all I have ever wanted is to be able to rely on you.
[ROZ EXHALES.]
But I can't.
This was too soon, this was a mistake.
You need to go.
[FOOTSTEPS APPROACHING.]
Mum if Dad's going I'm going with him.
Abby Don't [ROZ SIGHS.]
[TENSE MUSIC PLAYS.]
Shut the door behind you.
[DOOR SLAMS.]
[ENGINE REVS.]
[ENGINE REVVING.]
[TYRES SCREECH.]
[ABBY SCREAMS.]
Hey! [DOOR KNOCKS.]
[DOORBELL RINGS.]
Come in, come in.
What is it? [DOORBELL RINGS REPEATEDLY.]
- Why? - I felt like I was worth something and I was one of them.
I am so sorry.
You were investigated for a violent assault.
It was years ago, they dropped the charges.
Have you ever used violence against your children? Are you OK? You have no clue what I had to do to get that money.
I saw you with her.
You go to the police, tell them what's happened - and they'll tell you what to do.
- No, no, no, he'll leave me, and I love him so much.
And I'm not gonna let that happen.
What do you want me to do, carry on as normal? You're not gonna wait for me? Seems like you can handle yourself on your own.
- You need help.
- [CLOTHING RIPS.]
You're sick.
[THUD.]
Lucinda! We just need some time on our own.
GUY: And you're definitely OK? LUCINDA: Yes, I keep telling you.
- So, no-one tried to hurt you? - No.
- Nothing bad happened? - No.
Just give her a little space.
She'll tell us everything when she's ready.
I just want to know she's OK, and where she's been all this time.
I've been staying in one of the cottages.
Hang on.
One of OUR cottages? But that doesn't make any sense.
Is Fergus any better? He's gonna be out tomorrow, they say.
The police checked everywhere, I checked all the cottages Guy, just back off.
We don't know what she's been through.
Well, that's what I'm trying to establish! Right, OK.
Lulu, come on, let's go through.
Can you call the police? They need to know she's home.
Look, you could have given me more warning.
I know, I'm sorry.
Has someone figured it out? No, no, no, of course not.
Give me that old phone.
Right, yours has been off the whole time, so, if anyone asks, just say that you lost it in your room.
OK.
Is he home? Did it work? - Yeah, yeah.
- What, he's home? Like, f-for good? Well, I mean, he's been here ever since you went missing, so We've done it.
It's over.
I love you.
MUSIC: ['Static' by Toydrum and Beth Orton.]
Broken through desire Static on the wire Could it be the rapture Never got me down You're everything I need [DANCE MUSIC PLAYING INSIDE.]
WOMAN: She wants to kick him out.
MAN: She loves him.
[CHATTER CONTINUES.]
What are you doing in here? Can I join you? - Come on, let's get you home.
- [KEYS RATTLE.]
What, are you just gonna sit here all night? - Can I have another, please? - Oh, come on, bloody grow up! Bloody fuck off.
Cheers.
- Get yourself one.
- Thanks.
- Cheers.
- Are you all right? JOANNE: You know, most people think the trouble's over when the missing person returns home.
But, quite often, it's just the beginning.
LUCINDA: OK, so? So, the first night you were missing, you stayed at your boyfriend Nelson's? He wants to be my boyfriend, but he isn't.
That's why we argued.
So, I left and I walked to the cottage.
And you didn't have your phone on you? - No.
I lost it.
- Oh.
Most girls who have an argument with a boy, they want to speak to their mum or a a friend.
They don't disappear for days on end.
I needed some space.
Then, I saw that I was all over the news and I was scared to come home, just in case I got into trouble.
Lucinda [SHE SIGHS.]
people run away all the time, OK? And, sometimes, they've got really good reasons.
Now, I can't make you tell me the truth.
But I REALLY need you to be honest and answer honestly to this next question, all right? OK.
[SHE EXHALES.]
Are you safe here in this house? Why wouldn't I be? It's my home.
OK.
MUSIC: ['Song For Zula' by Phosphorescent.]
[MUSIC CONTINUES PLAYING.]
[DOOR OPENS.]
- Don't do this.
- You still here? Please, come on, let's go home and talk about it.
No, I'm good, ta.
Here, get yourself a cab.
On me.
Whatever you're doing with her, it's It won't make you feel better.
Yeah Yes, it will.
- Hey.
- Hi.
[HE EXHALES.]
How did she know he was ill? - Who? - Luce.
Before the police came, she asked after Fergus.
If she's been alone in the cottage all week, how could she know that he was ill? - I told her.
- When? As soon as she came back.
You might not have heard because there was so much surprise and confusion.
[HE BREATHES DEEPLY.]
OK.
[TENSE MUSIC PLAYS.]
[SHE BREATHES HEAVILY.]
[SIGHS.]
[KEYS RATTLE, DOOR OPENS.]
[DOOR SLAMS.]
- I'm sorry I'm so late.
- Where the fuck have you been? Abby was desperate to know when you'd be back.
I've been texting you all night long.
MUTTERS: Shit.
I had to go into work and Jackie had to come and cover for me, but when I got back, you still weren't home.
- Joanne - No, no, no.
From now on, you have to call me, all right? I cannot sit up another night not knowing if somebody is dead or alive, do you understand? I am so sorry.
[EXHALES.]
OK.
You got changed.
The car.
The car broke down, near Blakey, and it, well, it took ages to get going again.
And it was It was raining and I got drenched, so Yeah.
Well, whoever he is, he sent you flowers.
- See you, Roz.
- Thanks, thanks - Yeah.
- .
.
Joanne.
[DOOR SLAMS.]
[BIRDS TWEETING.]
[DOGS BARK IN THE DISTANCE.]
You OK? Yeah.
I just have a bit of a headache, that's all.
Do you want me to stay? No.
I'll be fine.
I'll sleep it off when you're out with your dad.
All right.
- I'm so excited! - [ROZ CHUCKLES.]
- [KNOCK AT DOOR.]
- He's here.
Yay! - Hi! - WINSTON: Hiya, you all set? Yep.
Let's go catch the Lake Monster! That's my girl.
Think big.
Here, put your helmet on, please.
Now, give us two secs.
I just want to speak to your mam, all right? Roz? - [DOOR KNOCKS.]
- Roz?! At least be civilized with each other, can't we? Dad, I can't put my helmet on.
It's too tight! Too tight? You've got loads of room here.
Normally, you say you can't even get it off.
[THEY CHUCKLE.]
[SHE SCREAMS.]
Argh! Dad! I'm gonna die! [HE CHUCKLES.]
SHE SCREAMS: Do you know where you're going? - I think so.
- [SHE GIGGLES.]
- Hello, pip squeak! - Lulu! - [SHE CHUCKLES.]
- OK, OK, I get it, you missed me.
Where have you been? I'll tell you later.
- Where are you going, Lulu? - Sally's.
Um, I thought we could spend some time all together.
- I won't be long.
- Lucinda, please! - I haven't seen anyone in ages! - Luce I know, but Lulu, please! Come on, let's go.
[TENSE MUSIC PLAYS.]
[MUSIC STOPS ABRUPTLY.]
[INDISTINCT CHATTER.]
Course you are! Yeah, as if! Like, Nelson, of all people.
Exactly, he doesn't talk to his mum for that long - Yeah, isn't it? - [THEY CHUCKLE.]
Er, Sal, can you go and get your washing from upstairs, please? - What, now? - Yes, now, if you want them cleaned for Monday.
- WHISPERS: Menopause.
- [LUCINDA CHUCKLES.]
- [DOOR CLOSES.]
- Um We're glad to have you back, Luce.
Thanks.
Um, can I talk to you? - Mm-hm.
- I, um I know about where you've been, and why.
And I wanted to say that, if you need to talk to me, or - Er - Yeah.
No offence, Mrs Kallisto, but I haven't a fucking clue what you're on about.
No, your, um Your mum told me everything.
She told me because I saw you at the cottage.
With your mum.
And I saw you.
In our bathroom with Uncle Adam.
Yeah, you know, imagine Sally's face.
Shall we order in some pizza? If that's all right with your mum? Yeah.
GUY: Go, go, go.
- Is that me? Yeah? - FERGUS: No.
- No? - You have to split it in half.
- Don't remember how to split it.
- No.
I've watched a few live streams of people playing this, - they just don't know.
- OK.
Guy? I'm gonna go and get Lucinda.
I want her to be here with us.
OK? No, I'll go.
- No, you're in the middle of your game.
- It's OK.
We need a break anyway, don't we, Ferg? Yeah.
Seriously, I don't mind going.
I want to talk to her on my own.
Don't worry, I know what I'm doing.
And when I get back, we should probably talk about what happens next.
- What happens next - Mm-hm.
is that it's someone's birthday.
Hm.
And we've decided to have a party, haven't we? Er, is that a good idea? He's just got back from the hospital.
He's looking forward to it, aren't you, Ferg? Plus, I've already emailed out the invitations, so - You've already emailed the invitations? - Yeah.
Will you be there? Yes, of course.
Of course I'll be there.
[FOOTSTEPS WALKING AWAY.]
[DOOR OPENS.]
[CAR DOOR OPENS.]
- Hey.
- What are you doing here? I wanted to see you.
No.
What? You do not come to my house.
Oh, nice to see you, Scott.
Hm? Thanks for the flowers.
You do not send me things! I wanted to surprise you.
You have been looking a bit tired.
You know, I was worried about you.
Look, it-it's not your place, Scott, so - Maybe I want it to be - Argh.
- Just - What? What? [SHE SIGHS.]
Who did this? No-one.
It's nothing, it's no-one.
Was this because of the flowers? - No! Winston would never hurt me.
- Then, who? - Look, you need to go now - I'm not leaving until you tell me.
Look, it is none of your business! You paid me, you don't own me! - [SHE SIGHS.]
- Come on.
Please, just Just leave.
I only ever wanted to help you.
No.
You wanted to fuck me.
Look, whatever it is, I can fix it.
I hate to break it to you, but there are some things that money can't solve.
No? Try me.
Wayne knows about us.
He's been filming me at work, in the treatment room.
So, there's footage of us He said I could have the file but he wanted something from me in return.
He wanted what you got.
[BIRDS TWEETING.]
Who's a good girl? All right? Got milk.
So, now what? [HE SIGHS.]
I don't know.
Be happy.
We're quits.
I made a mistake! You made a cold-hearted decision, that is completely different! Still feels the same, though, 'ey? Hurts like fuck.
All right, Sam.
You ready? to make it six.
Goal! Picks it out, for the sixth time tonight.
It's humiliating for City, it's glorious for Killie, it's a goal! 7-0 Ooh! on a freezing night in the Lake District.
[THEY CONTINUE SHOUTING.]
You off somewhere? Adam's.
I'm dropping off his dogs.
Hurry up! [CAR DOOR CLOSES.]
[CAR ENGINE STARTS.]
- Aw! - Hi.
Darlings! Come on, come on, come on.
Ooh, I missed you! OK.
Just let them off.
And, er, I need to pay you.
Oh, um No, honestly, you can just do a wire transfer, you haven't got to pay me now.
Oh, it's no trouble.
I just need to find my purse.
Oh! Beautiful house.
Must be easier to keep clean with the kids away, huh? I miss them, but if someone's going to fuck up my children, I'd rather it wasn't me.
Yeah.
I just I couldn't be away from mine, I'd miss them too much.
How much do I owe you? [LISA SIGHS.]
God, are you OK? Let me get you a glass of water.
I made a mistake.
I know.
But it's OK, because Lucinda's back now.
No, no.
I've, um I've done something wrong to you.
At the dinner party at Kate's house.
You were bound to hear it from someone, so it should be from me.
Um, you know, er Er, I don't think I have as much cash as I thought I did.
I, um I think I'll pay by bank transfer, actually.
WHISPERS: Sorry.
[GUITAR-BASED MUSIC PLAYS.]
[WHOOSH, MUSIC FADES.]
Why have we stopped? How did you get food? - What? - At the cottage, how did you eat? I-I went to the shops.
How? I walked.
You walked to the shops, completely unnoticed, when everyone was out looking for you? I put my hood up.
Luce I may not be the world's best father, but I have never stopped loving you or caring for you.
So, please, just do me the courtesy of not treating me like a complete bloody idiot.
I'm not! When you turned up last night, you already knew that Fergus was in hospital.
Someone must have told you that he was ill.
Lucinda, do you want to tell me what's going on here? Lucinda I'm asking you a question.
[TENSE MUSIC PLAYS.]
It wasn't my idea.
What? She said that it would make you come home.
[SHE LAUGHS.]
Right, I'll see you next time.
- OK, thanks.
- I love you.
- Love you, too.
- Here, take your hat.
- My hat? Helmet.
- Helmet.
- Did you catch the Lake Monster? - No such thing.
- Bye, Dad.
- See you.
Do you fancy a drink? Yeah, yeah, could do.
Wow.
You look like shit.
Mummy, got it.
OK, look, see, here! It's all here.
[FERGUS STRAINS.]
- I can't find the "S" anywhere.
- [FERGUS GROANS.]
- Do you know where the "S" is? - [FERGUS SIGHS.]
Right.
Maybe we put this up now? [CAR DOORS SLAM.]
[DOOR OPENS.]
GUY: Kate! KATE: 'Guy, how could you? 'Guy, please.
' Just, Guy, just wait one second.
- Calm down - I thought she was dead! - Can you just listen to me? - I saw her! I saw her in a ditch.
I saw her by the side of the road.
I saw her in the Can you just? I thought she was dead, and you knew! You knew! - No, I didn't! I was as worried - You were hiding her from me.
- I was as worried as you were, at first.
- Stop lying, Kate.
- I am not lying.
- Stop lying! You lie all the time! - No, did she tell you why she left? - Stop lying, Kate! - Did she tell you why she left? - You have lied to the police, - the press, you've lied to everyone! - No! I haven't lied.
No, I haven't.
And you blamed me, you blamed me, everybody thinks that I was hurting my own daughter.
Not hurting her, but you do hurt her, you hurt all of us! Every single day that you're not here.
- Kate - And that's why she left! Kate.
You need help.
OK? You need serious fucking help.
[SHE SCOFFS.]
Well you need help.
How about I call the police? I'll call the police about you.
No, you won't.
[DRAMATIC MUSIC PLAYS.]
[RUNNING WATER.]
[MUSIC INTENSIFIES.]
[CAR ENGINE STARTS.]
[POP-ROCK MUSIC PLAYS.]
- Can I get you something? - Yeah, can I get, um - a G-and-T, large, please.
- Yep.
- I need to talk to the woman - What? I need to talk with the woman who was working here last night.
It's her night off.
Can I pass on a message? No, it's all right.
Sorry.
- Nazdravlje! - [SHE CHUCKLES.]
How do you remember that? - It was our first holiday, wasn't it? - Hm.
And our last.
Aye.
Look what we brought home.
A terrible bottle of booze.
Yeah, and the rest.
I think I messed up a lot of things in my life, but somehow, I made 50% of an absolutely brilliant kid.
Yeah.
Yeah, you did.
I should go.
No, don't.
What have I done? Nothing.
Nothing at all.
It's just Can we just sit here for a while? Just Just sit? Yeah.
Yeah, course we can.
[SHE SIGHS.]
[POP-ROCK MUSIC CONTINUES.]
Can I have another shot, as well, please? And another.
MUSIC: ['Just Like Honey' by The Jesus And Mary Chain.]
It's good, so good, it's so good So good Walking back to you Is the hardest thing that I can do That I can do for you For you I'll be your plastic toy I'll be your plastic toy For you Eating up the scum Is the hardest thing for Me to do Just like honey Just like honey Just like honey Just like honey.
- BOY: Mummy! There's a lady here! - DOOR SLAMS NINA: One moment! Hello.
What's your name? Give me my child.
Kate please.
He's supposed to be looking after my babies.
Guy! - Not making your own with my husband.
- He's my husband now.
A man can't have two wives.
So, give him his divorce and he will only have one.
Kate, what are you doing? [BABY STIRS.]
This was your choice.
No! It's your choice.
It was your choice to screw the au pair! - Oh, come on - It was your choice to marry her.
We've been through this a thousand times, I am deeply sorry if we hurt you.
SOBBING: Oh, please, just stop, just go away! Please, Nina, go away! If I go away, then Guy will come with me.
Give me my child.
[BABY CONTINUES STIRRING.]
You have to go, Kate.
You OK? Take her upstairs and I'll deal with this.
[BABY CRIES.]
Please.
Please, will you give me my husband back? I am begging you to, please, let my husband come home to me.
- Please, please.
- Kate.
Please, let him come home to me, I'm asking you nicely.
Please, just let him come home to me! - This is my home.
- It's not your home This is my home, this is my home.
You need to go.
[BABY CONTINUES CRYING.]
Come on, you need to leave, you need to stop this.
- This is not helping.
- Argh, OK.
[KATE SIGHS AND SNIFFS.]
Just so you know, the-the other night, your husband fucked me.
Twice.
WINSTON: I've missed you.
ROZ: I missed you.
Nah, this one's all on me.
You and Abby need me fixed.
And I'm not quite there yet.
We'll get there.
I hated being on my own.
I'm not cut out for it.
You had your mum to keep you company.
It's not quite the same thing.
[SHE CHUCKLES.]
I have a bit of time in the morning.
I could go round there, get your stuff, bring it back, while you're at work? Mm-hm.
Er do you fancy a cup of tea? Yeah.
Er, thing is, I had to, um, pack that in.
- At the Farleigh.
- Your job? Yeah, well, with the split and everything, I had to be there for Abs, didn't I? Yeah, but if we're back together maybe they'd have you back? It was a shit job anyway, Roz.
The hours were all over the place.
The boss really got off on telling us what to do.
[SHE EXHALES.]
I can get something better than that.
I didn't tell you, I ran into Clive, he's putting a new band together, for weddings and that.
He asked us to be in it.
It'll be really good money once the gigs start coming in.
Winston.
[SHE SIGHS.]
I know you want us to get something more steady.
All I want all I have ever wanted is to be able to rely on you.
[ROZ EXHALES.]
But I can't.
This was too soon, this was a mistake.
You need to go.
[FOOTSTEPS APPROACHING.]
Mum if Dad's going I'm going with him.
Abby Don't [ROZ SIGHS.]
[TENSE MUSIC PLAYS.]
Shut the door behind you.
[DOOR SLAMS.]
[ENGINE REVS.]
[ENGINE REVVING.]
[TYRES SCREECH.]
[ABBY SCREAMS.]
Hey! [DOOR KNOCKS.]
[DOORBELL RINGS.]
Come in, come in.
What is it? [DOORBELL RINGS REPEATEDLY.]