The Innocents (2018) s01e05 Episode Script
Passionate Amateur
1 [SLIDE PROJECTOR CLICKING.]
[ELENA GASPS.]
[MONITOR BEEPING.]
- [BEN.]
Just breathe, Elena.
- [ELENA BREATHES DEEPLY.]
I remember Ryan running down the path chasing butterflies.
Like he was catching snowflakes.
[PANTING.]
Now, embrace the memory.
Don't back away from it, but bring your mind into the present, into this room, here with me.
[EXHALES DEEPLY.]
[BEN.]
Everything is perfectly safe.
Love is your trigger, remember.
Memories make us who we are.
[HARRY.]
Happiness.
Pride.
Sadness.
I mean, we all feel them, don't we? Doesn't matter who you are or what you say, what you do.
I mean, even you and me.
There's emotion in the room, right? I can feel it.
I know love.
I know I'm young, but I know love.
I'm in love.
[CHUCKLES SOFTLY.]
And I used to write these letters, love letters.
I found it really easy to put down on paper how I felt and mean every word.
Now, I know I'll be a great addition to your sales team.
"Emotions for every occasion"? I'm your man.
[WOMAN.]
You haven't been out in London.
This is your first night.
We are going out.
You, me, and June.
June? Some of us are going out tonight.
You guys should come with.
Uh, I would love to, I really would, but - we are so broke, honestly.
[LAUGHS.]
- [SIGHS.]
Plus, Harry's had a job interview today, so I think we're just gonna be - celebrating, just the two of us, later.
- Okay.
- [CHUCKLES.]
- Thanks, though.
[MAN.]
Oh, my God.
Wait.
So my friends and I are pretty split on this.
- Are they twins or CGI? - Show me.
- Uh, wait, wait.
Three, two, one.
- [MAN 2.]
Look, look, look.
- Whoa! Whoa! - [GROUP LAUGHING.]
That is crazy! Play it again.
Play it again.
Play it again.
- [MEN LAUGHING.]
- [MAN 2.]
That's insane! - [MAN.]
Must be CGI.
There's two of them.
- [MAN 2.]
No, they're twins! - [GROUP LAUGHING.]
- [WOMAN.]
Well, there's no way - that can be real.
How is that possible? - [MAN.]
Don't you see that? - [GROUP GASPS, LAUGHING.]
- [GASPS.]
- [WOMAN.]
Oh, my God! - [MAN 3.]
That is insane! [WOMAN.]
No way.
[GASPS.]
[SIREN WAILING IN DISTANCE.]
- You all right? - Yeah.
You all right? [HARRY.]
Yep.
I'm feeling great! - Hey.
- [MAN.]
Hey.
[HARRY.]
I've got a good feeling about this one.
Hey.
Hey, what's wrong? What happened? [CELL PHONE CLICKS.]
[JUNE.]
Look.
Nobody's gonna believe this is real.
[SIGHS.]
It's the Internet, yeah? Look, there's weirder stuff out there than than that, right? [JUNE.]
Harry, look.
"I know what this is.
I can help.
" "Passionate Amateur"? [TEXTING.]
"What do you know? How can you help?" - [DOOR SLAMS.]
- [WOMEN LAUGHING, SPEAKING INDISTINCTLY.]
[HARRY.]
June - [SIGHS.]
- [CELL PHONE CHIMES.]
"National Portrait Gallery, room 11, 5:00 p.
m.
" [MOUSE CLICKING.]
- What were you doing, sweetheart? - Will you take me, too? [BREATHING HEAVILY.]
[CHRISTINE GASPS.]
[GASPS.]
[JOHN SIGHS.]
- I've been looking for you, John.
- [JOHN.]
Yeah? You haven't answered my calls.
What the hell happened in London? Nothing.
I couldn't find them.
- Do you mind? I have to go.
- Is that alcohol I can smell on you? - What? - [CHRISTINE.]
I think it is.
I think you shouldn't be driving.
Why don't you come with me? - Or I could arrest you in public.
- This is ridiculous.
[CHRISTINE.]
Let's go.
Now.
[HARRY.]
Listen, I know you're hopeful, but this could be anyone.
- [SIGHS.]
Yeah, it could be Steinar.
- Exactly.
So if you see him, don't run, okay? Just stay in plain sight in the crowd.
He won't be able to try anything there.
Yeah.
Yeah, okay.
[MAN.]
When this portrait was first exhibited at Whitehall Palace in 1951 it created a sensation.
The warping of the king's face was shocking subversive unlike anything the English public had seen before.
But when you view the painting through this viewfinder you'll see that Edward VI isn't the fun house freak he appears to be.
He's just like you and me.
- Excuse me.
Could we join the tour? - [MAN.]
Oh, I don't work here.
I'm just a passionate amateur.
- Who are you? - [MAN.]
Francis Walsingham.
Famous spymaster to Queen Elizabeth I.
Even this painting has its secrets.
There's a second face under Walsingham's.
If you look very closely you can see her.
- Boo.
- [JUNE GASPS.]
[JUNE.]
That's her.
So we meet again.
I'm Kam.
How did you do that so easily? Well, I shift whenever I want.
- So that's what it's called, a a shift? - Yeah.
- So when did it happen for the first time? - About a week ago.
[EXHALES.]
You must be reeling, both of you.
Where are you staying? In a hostel.
[JUNE.]
But it's not safe.
Do you know anyone else in London? [SIGHS.]
Well, I can see that you're scared and, believe me, I was scared, too.
And I know what it's like, not knowing who to trust.
So if you need somewhere to stay, just for a few days, and a bit of a crash course in how to handle yourself, then I'm prepared to do that.
[CHUCKLES SOFTLY.]
So how do we know we can trust you? Meeting new people hasn't exactly worked out for us so far.
Me neither.
This is a big risk for me, too, so it's up to you.
If you prefer I could just walk away, and we never see each other again.
- [INHALES SHARPLY.]
- [KAM.]
Or Here is my address.
I'm so glad that I met you.
See ya.
[CLOCK TICKING LOUDLY.]
[CHRISTINE.]
I've got all the time in the world.
So I'm gonna ask you again.
Where was Elena on the night of the Pennines Five? I can't for the life of me see why you're bringing this up.
We had a fight, she took her bag, disappeared.
- And she didn't come back.
- You know all this.
We picked up your Land Rover on CCTV, remember? Near the canal, where two of the victims were found.
- Out looking for her, wasn't I? - I can tell you where she was.
In fact, I can show you.
She was in the same place as Lewis in the last moments of his life as he knew it.
There.
I don't know what you're pointing at.
You're telling me that's not Elena in Lewis's reflection? I need a word.
- Not now, Doug.
I'm busy.
- My office, now.
- I'm in the middle - Now! [CHRISTINE SIGHS.]
- [INDISTINCT CHATTER.]
- [PHONES RINGING.]
- What do you think you're playing at? - Listen The custody sergeant said you didn't even breathalyze him.
That you wouldn't let anyone sit in.
You cannot abuse your position this way! Whatever's going on between you and John - He knows something.
- About Harry? About Lewis.
The Pennines Five.
- You've got to be kidding me.
- You saw what happened to that nurse.
And that clip, it brought it all back.
Gave me bloody nightmares, again.
But this is out of our jurisdiction now! If you keep behaving like this, I can't protect you anymore.
Sometimes I think you don't even want to find out what happened to Lewis.
Christine I am sorry to do this, but you have had a warning, and now you need to step back.
No, you don't understand.
I think we missed something.
Detective Inspector Polk, I am suspending you indefinitely.
What? - At least let me finish interviewing him.
- I'm letting John go.
You've got nothing on him.
Go home, Christine.
Now! - [SUBWAY CARS RATTLING.]
- [GULLS CALLING.]
[ELEVATOR RATTLES.]
Hey.
Let's not tell her too much, okay? The attack.
Especially the stuff about your mum.
Let's keep that between ourselves.
Yeah, okay.
I just can't believe I've found someone like me.
[CHUCKLES.]
She's still a stranger.
[ELEVATOR BELL DINGS.]
- Hey, guys.
Come on in.
Come on.
- [HARRY.]
Hey.
- [KAM.]
Andrew? - [ANDREW.]
Yes? - [KAM.]
They're here.
- [ANDREW.]
All right.
- [POP MUSIC PLAYING ON STEREO.]
- [SIGHS.]
Andrew, this is - June.
- [ANDREW.]
June.
- [KAM.]
And Harry.
- [ANDREW.]
Harry.
I - believe you've already met me, yeah? - [LAUGHS.]
Yeah.
- Yeah? - Yeah.
- Nice to meet you.
- [KAM.]
Come on, I'll show you your room.
- [HARRY CHUCKLES SOFTLY.]
- Like food? - Um, yeah.
Yeah.
- Come help me cook.
[WATER RUNNING.]
[SIGHS.]
[EXHALES DEEPLY.]
- [JUNE.]
Berserkers? - [KAM.]
Mm-hmm.
It's Old Norse for "bear shirts.
" They were warriors who went into battle naked, except for bloodied animal skins.
I wonder what it would have looked like to see them on a brow of a hill surrounding your village.
God, I bet they were beautiful.
- [JUNE CHUCKLES SOFTLY.]
- [POTS CLANGING.]
It says the berserkers were forces of complete annihilation.
Yeah, with voracious sexual appetites.
Makes your run-of-the-mill Vikings look like Cub Scouts.
[BOTH CHUCKLE.]
Look at this.
"The condition began with shaking, a chattering of the teeth, and then the face and body convulsed and changed.
" - Changed into what? - Bears.
Wolves.
The animals of the skins that they wore.
These crazy bastards were shifting in the ninth century.
The gene passed down from father to son.
Yeah, but all this is just legend, though, isn't it? Well, it's not really about the boys anymore, is it? It only seems to affect women.
[ANDREW.]
Food is ready.
Come on, let's eat.
- It's amazing.
No No pain, no fear.
- [HARRY.]
And then they went berserk.
[STAMMERS.]
You don't get it.
I mean, this This could be where it all started.
You know, all that anger, that that fight or flight.
You know, the berserkers, they they turned into animals so that they could do anything to anyone.
God, and Kam, she just knows so much about everything.
Okay.
So, what did you tell her? [EXHALES DEEPLY.]
Mm Nothing she didn't know already.
And what did you think of Andrew? Yeah, yeah.
He seems like a pretty good guy.
Although it's very weird wearing his pajamas.
[BOTH LAUGH.]
[BREATHING HEAVILY.]
[GRUNTS.]
[PANTING.]
[SIGHS.]
[RYAN.]
Hey, what's going on? Where've you been? Sit down.
I have to tell you something before you hear it from someone else.
It's about June and your mother.
[RYAN.]
Memories of me and Mum traveling together before we came here.
Sometimes she'd be gone for days at a time and then these strangers would be looking after me.
Except they weren't strangers.
They knew me.
Really knew me.
I thought they were dreams.
[CHUCKLES SOFTLY.]
But they were all her, weren't they? They were all Mum.
[JOHN SIGHS.]
[SIGHS, VOICE TREMBLING.]
You know, the night she left I saw things.
- Weird things.
- Why didn't you tell me? [SIGHS.]
Honestly? [BREATHES DEEPLY.]
Because I needed to hate you.
[SIGHS.]
I needed you to be lying.
I needed you to have driven Mum away.
I didn't want to believe that she had a choice.
She didn't.
I should have told you sooner, both of you, but I didn't know how to.
- Or whether June was even the same as her.
- You know, I thought I was crazy.
After she left that night, I thought, "Stay safe, and stay at home.
" [SCOFFS.]
I ended up exactly like her.
Locked myself away in that annex - like a prisoner.
- That's not what I wanted for you, ever.
You know, I understand what you were trying to do for June now.
Fair Isle routine, isolation [SCOFFS.]
You cared and Mum didn't.
She ruined people's lives, and she just ran away! No, she loved you.
- [SNIFFLES.]
- She loved you both.
But your mother was different, and [VOICE WAVERING.]
And I couldn't help her or June.
I let you all down.
And I'm sorry.
[KAM.]
She just upped and left? So, how long has it been since you last saw her? Three years.
She's your mother.
I don't know how she could do that to you.
No, it's not like that, honestly.
She's a good person.
She left you.
Yeah, but she's She's trying to find me.
She wants us to She wants us to be together.
It doesn't sound like it.
- Look.
- [BEEPS.]
[ELENA ON RECORDING.]
June my girl.
You're about to turn 16.
I want to be there to help you understand the things you might be feeling.
Things that might be happening to you.
- She sent that to you? - Yeah.
Aren't you angry? No, I just [SIGHS.]
I think I just want to see her.
Are you sure about that? Yeah.
Yeah.
Okay.
[KAM.]
So it says that, four months ago, a nun was found in a coma in her convent in Hordaland, Norway.
Vibrating eyes, no signs of injury, and she recovered spontaneously with no memory of events.
Police were concerned for the well-being of another nun that went missing on the same day.
- So you can read this? - I told you, I'm an enthusiast.
I collect this stuff.
Any signs that there are any more of us out there.
[GASPS.]
That's her.
That's my mum.
I know.
Even though it's not the clearest photo, I recognized her from your video.
- But that's not her name, though.
- Well, it wouldn't be, if she was in hiding.
[GASPS SOFTLY.]
She's like us.
[HARRY.]
Morning.
Thanks.
Hey.
[SOFTLY.]
Hey.
[SIGHS.]
What's happening? I was I was just telling June that I think that we found each other for a reason.
[HARRY.]
Ah.
Right.
You know, yesterday at the gallery, you shifted.
You did it on your own, and you weren't scared.
How? How did you do that? Do you want me to show you both? [GULLS CALLING.]
[BREATHES DEEPLY.]
- [CAN RATTLES.]
- [INDISTINCT CHATTER.]
[SIGHS.]
[INHALES DEEPLY, CLEARS THROAT.]
- [DIAL TONE SOUNDS.]
- [SIGHS.]
[CELL PHONE RINGS.]
Steinar, is that you? I I messed up.
Ben, listen to me.
June's not like the other women at Sanctum.
She can get into your mind your memories.
She's everything you're looking for.
Where is she? [SIGHS.]
I I don't know.
Somewhere in London.
She has my phone.
Listen, you stay where you are.
Stay exactly where you are, and I will call you.
Okay.
- [SIGHS.]
- [CALL DISCONNECTS.]
[SIGHS.]
[EXHALES DEEPLY.]
[KAM.]
The best place to start is with your trigger.
What were you feeling before you shifted? Fear, mostly.
[KAM.]
Mine's pain.
But that's what it's all about.
Understanding the emotion behind the shift.
After that, there's really nothing to be afraid of.
Hey Listen to me, June.
We are unique creatures.
Don't ever be ashamed of what you are.
You have to embrace it.
Oh, and, uh, you'll be wearing the same clothes, so think ahead.
Ready? [KAM INHALES SHARPLY.]
[KAM PANTING.]
[MOANS, GASPING.]
See how easy it can be if you have complete trust? [HARRY.]
I don't know.
It just It just felt like she was just - using him.
- What? No.
No, this is something that they do together.
And they're not scared of it.
They can control it.
- It's not hurting anyone.
- She She burned herself trying to make it happen.
- You did see that, right? - Look, you said so yourself, we need to find out what's happening to me, and Kam I I don't know.
She might be my best chance, my my only chance, to find that out.
Look, she's gonna help me find my mum, Harry.
[SIGHS.]
Okay.
Okay, so So we ask her to help you.
Really help you.
And then we leave.
Yeah, okay.
Just promise me you'll never do that to me.
[SCOFFS.]
I would never do anything you didn't want me to do.
Ever.
[RUNA.]
What are you doing? [BEN.]
Just getting things in order.
I am going to London.
For her? There's some complications with Steinar, so I have to bring June here myself.
Are you going to leave us now, when I need you here more than ever? I hit shift state for the first time in years.
Yes, and the girls mustn't know.
- I could be dangerous.
You know I could.
- No.
If you take care of yourself and you keep calm, you'll be all right.
I'll be gone for two days at the most.
- Two days? - Mm-hmm.
- Don't leave me.
- The last thing I want to do is leave you, but we may not get another chance to help June and put things right.
Oh [SIGHS.]
Okay.
[SIGHS.]
Just promise me you'll wake me before you go.
[CHUCKLES SOFTLY.]
[FOOTSTEPS RETREATING.]
[SIGRID.]
But Papa hadn't chosen us.
He was packed and ready to leave.
It doesn't mean that I love you any less.
- [AUDIO STOPS.]
- [PLAYER CLICKS, REWINDS.]
It doesn't mean that I love you any less.
[PLAYER CLICKS, REWINDS.]
It doesn't mean that I love you any less.
- [SIGRID.]
You're leaving.
- [BEN.]
Yes, just for a few days.
June's ready to come here, and she needs my help.
Um, but I'm supposed to be leaving.
There is still so much to organize.
Do I stay in Norway? I don't have any money.
How do I get a job? I don't even have a place to stay.
All exciting challenges to face, hmm? Yes.
- Exciting.
- This is what we've been working towards.
Obviously, I can't be here all the time, but that does not mean I love you any less.
- [DUCKS QUACKING.]
- [WATER SPLASHING.]
Maybe I I wait until you come back.
Like I said, there is still so much to organize, and it's not like I have to leave tomorrow, is it? Of course not.
Not at all.
Then, I'll stay.
- Look after Runa while you're away.
- You would do that for me? Of course.
[BEN.]
Good.
This was one of my dad's favorite tracks.
["SHE'S AN ANGEL" PLAYING.]
[JUNE LAUGHS.]
She's an angel - [KAM.]
Come on.
- She's a devil She can be the answer Life is all about choices, and you are in control.
- [JUNE LAUGHING.]
- [KAM.]
We choose our lovers.
We choose our friends.
Why can't we choose our mothers or sisters? Our twins of the heart.
Yeah, but a friend can't be a mother, too.
- [KAM.]
Oh, why not? - [JUNE.]
Hmm I don't know.
I mean family's where you come from, isn't it? It's who you are.
Maybe I could be your family.
- [LAUGHS.]
- [CHUCKLES.]
I haven't seen Kam this happy in ages.
[KAM AND JUNE LAUGHING.]
She's got control Ooh, she's got control - Do you know what I'm thinking? - [ANDREW.]
What are you thinking? We could all do with a night off.
Some proper fun, yeah, together? Let's take them to Tribus.
[DANCE MUSIC PLAYING.]
[INDISTINCT CHATTER.]
Are you okay? Yeah.
[HARRY.]
What is this place? - [JUNE.]
This is amazing.
- I, uh I used to work here.
- It's where I met Andrew, isn't it? - Yeah.
[LAUGHS.]
Shots? - Ready for anything tonight? - Ready for anything.
[COUGHS.]
And on that note, you're coming with me.
[JUNE CHUCKLES.]
Okay.
Girls only, just for now.
[CHUCKLES.]
[ANDREW.]
Here.
[HARRY.]
I had it set up.
Car a flat.
I was gonna get a job.
I thought I had it all taken care of.
I thought that this was the start of everything.
And then [IMITATES EXPLOSION.]
[JUNE.]
Do you actually enjoy it? Being in someone else's body, you know, another another girl or man? [KAM.]
Why do you ask? When I shift, I I feel things.
I know things about them.
Impossible things.
I can get in their minds, their memories.
Yes.
[CHUCKLES.]
This thing that we can do, no other shifter can do it.
We feel it.
We're not just in their bodies, we're in their head, too.
You and me, we're special.
So What do you want to feel now? Hey, thanks again for letting us stay.
- Nah.
- [GLASSES CLINK.]
[SNIFFS.]
You know it's not permanent.
Yeah.
No, yeah, of course.
I'm not trying to get rid of you.
But see, the thing is, Harry once you're in Kam's orbit I mean, don't get me wrong, it's it's amazing, but the rest of the world kind of disappears.
I remember being like June.
Totally enthralled.
I'd never met anyone like her.
What are they up to, anyway? [HUFFS.]
Who knows? They could be anywhere.
Could be anybody.
Eh? [LAUGHING.]
[ANDREW SNIFFS.]
They'll come find us when they're ready.
That's how it works.
Better get used to it.
[INDIANA'S "SOLO DANCING" PLAYING.]
- Are you sure we should be doing this? - What are we doing? I go dancing by myself I go dancing with no one else Solo dancing, watch me as I go I go dancing It's so intense I will dance till the bitter end No point in asking 'Cause I always dance alone - [PATRONS LAUGHING.]
- [INDISTINCT CHATTER.]
Hypnotized by the law of motion - Music stops - [MAN YELPS.]
And the spell is broken Sex is one thing, but being that person is so much more.
I go dancing with no one else Solo dancing, watch me as I go Wouldn't you like to one day explore how it really feels to be a man? Music stops and the spell is broken Broken, broken, broken, broken, broken Broken, broken, broken Oh, I don't I don't want to.
I'm not asking you to shift.
I'm just asking you to think about his body.
Ooh, how I move Ooh, ooh, ooh, ooh, ooh Ooh, ooh, ooh, ooh, ooh, ooh Ooh Don't hold back my dance devotion [HARRY.]
June? - [MAN.]
Hey! - [JUNE.]
Harry! - [HARRY GRUNTING.]
Get off me! - [KAM LAUGHING.]
- [HARRY.]
Get off of me! - [MEN GRUNTING.]
[JUNE.]
Wait! Stay.
[MEN AND HARRY GRUNTING.]
Hypnotized by the law of motion Music stops and the spell is broken [SIGHS.]
Forget this.
[JUNE.]
Harry! Hey! Hey, Harry, wait! [SIGHS.]
What's going on with you? Kam won't help you find your mum, you know.
She wants you to be like her.
But you're you, June.
So start thinking for yourself and figure out what the hell you want.
[SIGHS.]
[CELL PHONE CLICKS, DIALING.]
[CELL PHONE RINGING, VIBRATING.]
Hello, June? - Who is this? - This is Ben Halvorson.
- I'm so glad - Is my mum with you? She is, and she's safe.
Would you like to talk to her? Yes.
[BEN PANTING.]
Elena.
Elena.
I've got June on the phone.
Will you talk to her? - No, I can't.
- Yes, you can.
She's your daughter.
- No, I can't.
You know what will happen.
- This is your chance.
If you talk to her, I can bring her here.
- [BREATH TREMBLING.]
June? - [JUNE.]
Mum! [SIGHS.]
Are you okay? Where Where are you? [VOICE TREMBLING.]
I'm in Norway.
I'm in a safe place, a good place.
It's called Sanctum.
June You're the same as me, aren't you? If you come here we can help you.
I can help you.
We can be together.
Do you want that? Yes.
Okay.
The man you just spoke to, he's a doctor.
You can trust him.
He's coming to London to get you, to bring you here.
Just keep your phone.
Stay where you are.
And don't tell anyone.
Okay.
And, June I love you [GASPS.]
[GASPING.]
- [ANDREW.]
You all right? - [KAM.]
June, come and join us! [BEN.]
Very good.
Now, remember your mantra.
[WHISPERS.]
Elena Askelaand, 39 years old.
Born south of Bergen.
Pierced ears with Girl Guide badge [CONTINUES INDISTINCTLY.]
- [DOOR SHUTS.]
- [ANDREW LAUGHS.]
No, no, no.
Do you remember? You remember that story? - No.
- You slapped him in the face! This massive guy came over.
Massive, seven-foot, and was like - [KAM.]
Music! - [ANDREW.]
"Ooh! Slap me in the face, please!" [LAUGHS.]
- ["WRONG" PLAYING.]
- Music's on.
It's coming, it's coming.
- [KAM.]
Get us a drink, babe.
- [ANDREW.]
Okay.
Am I doing everything? - [KAM.]
Yeah.
- [ANDREW.]
Music, drink, even do the drugs.
- [KAM.]
June! - [ANDREW.]
The paraphernalia! Baby, I'm a pleaser I go out my way to treat you - But I can't be a teacher - [ANDREW COUGHS, LAUGHS.]
'Cause I'm a problem with problems I know who I am Ah, it's good stuff, mate.
- [ANDREW GRUNTS, SIGHS.]
- [KAM SIGHS.]
[ANDREW CHUCKLES.]
Baby Some people are meant to be loved - Here you go, babe.
- Can I talk to you? Why don't you come and talk to me and Nisha? - [NISHA LAUGHING.]
- [KAM.]
Hmm? You're looking in the wrong place [ANDREW.]
Oh.
June - June! - [ANDREW SNIFFS.]
- [SNIFFS.]
- [NISHA.]
Kam, just leave her.
- [NISHA LAUGHS.]
- [ANDREW.]
June, I thought you were fun! Just leave her.
She'll come.
She'll come.
[TOMMY ASHBY'S "GUILTY" PLAYING.]
- My love - [WHISPERS.]
June? This is my confession of Through the bitter taste of ethanol [THUNDER RUMBLES.]
A list of things I can't forget My words [MOTOR STARTS.]
- I'll see you soon.
- I twisted in these dirty sheets I lay my cross down at your feet A place to lay my frozen heart Come on, girls.
And I know I know you'll find me guilty Harry.
- [KISSES.]
- [JUNE GASPS.]
[JUNE.]
No.
[INHALES SHARPLY.]
No, get off me, Kam! [SCOFFS, GRUNTS.]
[CLICKS TONGUE.]
Aw Look at your face.
- Where is he? - [CHUCKLES SOFTLY.]
Where's Harry? Please.
He's here.
- I'm here.
- Oh, please, Kam.
This isn't funny.
[SIGHS.]
Please, get out of him.
You should see what he really thinks.
He got what he wanted out of your body, and, um I hate to tell you this, but he thought you'd be better.
[KAM SIGHS.]
It won't last.
Trust me.
I can feel it.
You're a liar.
You don't feel anything.
[DOOR SLIDES OPEN.]
[CHUCKLES.]
[JUNE.]
Harry? Harry? Harry! Harry? [GRUNTS.]
[GRUNTING.]
Come on.
Harry, wake up! Come on.
Come on.
- He'll be fine.
- [JUNE.]
Why are you doing this? Harry Harry, please, wake up.
[GRUNTS.]
- Stop this, Kam.
- Harry, come on.
Oh, what? Am I in trouble again? Let him go.
- Now! - [JUNE.]
Wake up.
Fine.
[GASPS.]
[JUNE.]
Hey.
Look at me.
Look at me! Are you okay? Wait, what's happening? - What's happening? - Come on.
[BOTH GRUNT.]
[HARRY.]
What happened? We need to leave.
Harry, wait.
I I left my phone.
We have to go back.
No.
Forget it.
It doesn't matter.
Come on.
Let's just go.
No.
Hey, wait.
You don't understand.
Look, I I spoke to my mum last night.
She said to stay in London, and that someone's gonna come and get me, a a doctor.
Are you kidding me? What? No.
I This is my chance to stop this.
No.
No, no, no, this is this is too much for us.
Kidnappers a crazy woman, and now, what, some some doctor? No.
No, I've had enough.
We're not doing it anymore.
Neither are you.
- Come on, let's just go.
- Hey! Harry, stop! No! Come on! Come on, let's just go! I just spoke to my mother for the first time in three years.
If I want to see her, it's got nothing to do with you.
- Nothing to do with me? - [SCOFFS.]
I'm the only one who's stuck by you.
What happened back there? - I don't know.
- No, you do know.
I'm not stupid.
Someone shifted into me.
That shouldn't have happened.
Was it you? June, just please tell me.
Was it you? I don't even know who you are anymore.
No, but you know what I am, don't you? So go.
Go home.
[THEME SONG PLAYING.]
From the thunder comes Real problems And I know her In the darkness I find Comfort In the moment, I see Higher In this moment I am higher
[ELENA GASPS.]
[MONITOR BEEPING.]
- [BEN.]
Just breathe, Elena.
- [ELENA BREATHES DEEPLY.]
I remember Ryan running down the path chasing butterflies.
Like he was catching snowflakes.
[PANTING.]
Now, embrace the memory.
Don't back away from it, but bring your mind into the present, into this room, here with me.
[EXHALES DEEPLY.]
[BEN.]
Everything is perfectly safe.
Love is your trigger, remember.
Memories make us who we are.
[HARRY.]
Happiness.
Pride.
Sadness.
I mean, we all feel them, don't we? Doesn't matter who you are or what you say, what you do.
I mean, even you and me.
There's emotion in the room, right? I can feel it.
I know love.
I know I'm young, but I know love.
I'm in love.
[CHUCKLES SOFTLY.]
And I used to write these letters, love letters.
I found it really easy to put down on paper how I felt and mean every word.
Now, I know I'll be a great addition to your sales team.
"Emotions for every occasion"? I'm your man.
[WOMAN.]
You haven't been out in London.
This is your first night.
We are going out.
You, me, and June.
June? Some of us are going out tonight.
You guys should come with.
Uh, I would love to, I really would, but - we are so broke, honestly.
[LAUGHS.]
- [SIGHS.]
Plus, Harry's had a job interview today, so I think we're just gonna be - celebrating, just the two of us, later.
- Okay.
- [CHUCKLES.]
- Thanks, though.
[MAN.]
Oh, my God.
Wait.
So my friends and I are pretty split on this.
- Are they twins or CGI? - Show me.
- Uh, wait, wait.
Three, two, one.
- [MAN 2.]
Look, look, look.
- Whoa! Whoa! - [GROUP LAUGHING.]
That is crazy! Play it again.
Play it again.
Play it again.
- [MEN LAUGHING.]
- [MAN 2.]
That's insane! - [MAN.]
Must be CGI.
There's two of them.
- [MAN 2.]
No, they're twins! - [GROUP LAUGHING.]
- [WOMAN.]
Well, there's no way - that can be real.
How is that possible? - [MAN.]
Don't you see that? - [GROUP GASPS, LAUGHING.]
- [GASPS.]
- [WOMAN.]
Oh, my God! - [MAN 3.]
That is insane! [WOMAN.]
No way.
[GASPS.]
[SIREN WAILING IN DISTANCE.]
- You all right? - Yeah.
You all right? [HARRY.]
Yep.
I'm feeling great! - Hey.
- [MAN.]
Hey.
[HARRY.]
I've got a good feeling about this one.
Hey.
Hey, what's wrong? What happened? [CELL PHONE CLICKS.]
[JUNE.]
Look.
Nobody's gonna believe this is real.
[SIGHS.]
It's the Internet, yeah? Look, there's weirder stuff out there than than that, right? [JUNE.]
Harry, look.
"I know what this is.
I can help.
" "Passionate Amateur"? [TEXTING.]
"What do you know? How can you help?" - [DOOR SLAMS.]
- [WOMEN LAUGHING, SPEAKING INDISTINCTLY.]
[HARRY.]
June - [SIGHS.]
- [CELL PHONE CHIMES.]
"National Portrait Gallery, room 11, 5:00 p.
m.
" [MOUSE CLICKING.]
- What were you doing, sweetheart? - Will you take me, too? [BREATHING HEAVILY.]
[CHRISTINE GASPS.]
[GASPS.]
[JOHN SIGHS.]
- I've been looking for you, John.
- [JOHN.]
Yeah? You haven't answered my calls.
What the hell happened in London? Nothing.
I couldn't find them.
- Do you mind? I have to go.
- Is that alcohol I can smell on you? - What? - [CHRISTINE.]
I think it is.
I think you shouldn't be driving.
Why don't you come with me? - Or I could arrest you in public.
- This is ridiculous.
[CHRISTINE.]
Let's go.
Now.
[HARRY.]
Listen, I know you're hopeful, but this could be anyone.
- [SIGHS.]
Yeah, it could be Steinar.
- Exactly.
So if you see him, don't run, okay? Just stay in plain sight in the crowd.
He won't be able to try anything there.
Yeah.
Yeah, okay.
[MAN.]
When this portrait was first exhibited at Whitehall Palace in 1951 it created a sensation.
The warping of the king's face was shocking subversive unlike anything the English public had seen before.
But when you view the painting through this viewfinder you'll see that Edward VI isn't the fun house freak he appears to be.
He's just like you and me.
- Excuse me.
Could we join the tour? - [MAN.]
Oh, I don't work here.
I'm just a passionate amateur.
- Who are you? - [MAN.]
Francis Walsingham.
Famous spymaster to Queen Elizabeth I.
Even this painting has its secrets.
There's a second face under Walsingham's.
If you look very closely you can see her.
- Boo.
- [JUNE GASPS.]
[JUNE.]
That's her.
So we meet again.
I'm Kam.
How did you do that so easily? Well, I shift whenever I want.
- So that's what it's called, a a shift? - Yeah.
- So when did it happen for the first time? - About a week ago.
[EXHALES.]
You must be reeling, both of you.
Where are you staying? In a hostel.
[JUNE.]
But it's not safe.
Do you know anyone else in London? [SIGHS.]
Well, I can see that you're scared and, believe me, I was scared, too.
And I know what it's like, not knowing who to trust.
So if you need somewhere to stay, just for a few days, and a bit of a crash course in how to handle yourself, then I'm prepared to do that.
[CHUCKLES SOFTLY.]
So how do we know we can trust you? Meeting new people hasn't exactly worked out for us so far.
Me neither.
This is a big risk for me, too, so it's up to you.
If you prefer I could just walk away, and we never see each other again.
- [INHALES SHARPLY.]
- [KAM.]
Or Here is my address.
I'm so glad that I met you.
See ya.
[CLOCK TICKING LOUDLY.]
[CHRISTINE.]
I've got all the time in the world.
So I'm gonna ask you again.
Where was Elena on the night of the Pennines Five? I can't for the life of me see why you're bringing this up.
We had a fight, she took her bag, disappeared.
- And she didn't come back.
- You know all this.
We picked up your Land Rover on CCTV, remember? Near the canal, where two of the victims were found.
- Out looking for her, wasn't I? - I can tell you where she was.
In fact, I can show you.
She was in the same place as Lewis in the last moments of his life as he knew it.
There.
I don't know what you're pointing at.
You're telling me that's not Elena in Lewis's reflection? I need a word.
- Not now, Doug.
I'm busy.
- My office, now.
- I'm in the middle - Now! [CHRISTINE SIGHS.]
- [INDISTINCT CHATTER.]
- [PHONES RINGING.]
- What do you think you're playing at? - Listen The custody sergeant said you didn't even breathalyze him.
That you wouldn't let anyone sit in.
You cannot abuse your position this way! Whatever's going on between you and John - He knows something.
- About Harry? About Lewis.
The Pennines Five.
- You've got to be kidding me.
- You saw what happened to that nurse.
And that clip, it brought it all back.
Gave me bloody nightmares, again.
But this is out of our jurisdiction now! If you keep behaving like this, I can't protect you anymore.
Sometimes I think you don't even want to find out what happened to Lewis.
Christine I am sorry to do this, but you have had a warning, and now you need to step back.
No, you don't understand.
I think we missed something.
Detective Inspector Polk, I am suspending you indefinitely.
What? - At least let me finish interviewing him.
- I'm letting John go.
You've got nothing on him.
Go home, Christine.
Now! - [SUBWAY CARS RATTLING.]
- [GULLS CALLING.]
[ELEVATOR RATTLES.]
Hey.
Let's not tell her too much, okay? The attack.
Especially the stuff about your mum.
Let's keep that between ourselves.
Yeah, okay.
I just can't believe I've found someone like me.
[CHUCKLES.]
She's still a stranger.
[ELEVATOR BELL DINGS.]
- Hey, guys.
Come on in.
Come on.
- [HARRY.]
Hey.
- [KAM.]
Andrew? - [ANDREW.]
Yes? - [KAM.]
They're here.
- [ANDREW.]
All right.
- [POP MUSIC PLAYING ON STEREO.]
- [SIGHS.]
Andrew, this is - June.
- [ANDREW.]
June.
- [KAM.]
And Harry.
- [ANDREW.]
Harry.
I - believe you've already met me, yeah? - [LAUGHS.]
Yeah.
- Yeah? - Yeah.
- Nice to meet you.
- [KAM.]
Come on, I'll show you your room.
- [HARRY CHUCKLES SOFTLY.]
- Like food? - Um, yeah.
Yeah.
- Come help me cook.
[WATER RUNNING.]
[SIGHS.]
[EXHALES DEEPLY.]
- [JUNE.]
Berserkers? - [KAM.]
Mm-hmm.
It's Old Norse for "bear shirts.
" They were warriors who went into battle naked, except for bloodied animal skins.
I wonder what it would have looked like to see them on a brow of a hill surrounding your village.
God, I bet they were beautiful.
- [JUNE CHUCKLES SOFTLY.]
- [POTS CLANGING.]
It says the berserkers were forces of complete annihilation.
Yeah, with voracious sexual appetites.
Makes your run-of-the-mill Vikings look like Cub Scouts.
[BOTH CHUCKLE.]
Look at this.
"The condition began with shaking, a chattering of the teeth, and then the face and body convulsed and changed.
" - Changed into what? - Bears.
Wolves.
The animals of the skins that they wore.
These crazy bastards were shifting in the ninth century.
The gene passed down from father to son.
Yeah, but all this is just legend, though, isn't it? Well, it's not really about the boys anymore, is it? It only seems to affect women.
[ANDREW.]
Food is ready.
Come on, let's eat.
- It's amazing.
No No pain, no fear.
- [HARRY.]
And then they went berserk.
[STAMMERS.]
You don't get it.
I mean, this This could be where it all started.
You know, all that anger, that that fight or flight.
You know, the berserkers, they they turned into animals so that they could do anything to anyone.
God, and Kam, she just knows so much about everything.
Okay.
So, what did you tell her? [EXHALES DEEPLY.]
Mm Nothing she didn't know already.
And what did you think of Andrew? Yeah, yeah.
He seems like a pretty good guy.
Although it's very weird wearing his pajamas.
[BOTH LAUGH.]
[BREATHING HEAVILY.]
[GRUNTS.]
[PANTING.]
[SIGHS.]
[RYAN.]
Hey, what's going on? Where've you been? Sit down.
I have to tell you something before you hear it from someone else.
It's about June and your mother.
[RYAN.]
Memories of me and Mum traveling together before we came here.
Sometimes she'd be gone for days at a time and then these strangers would be looking after me.
Except they weren't strangers.
They knew me.
Really knew me.
I thought they were dreams.
[CHUCKLES SOFTLY.]
But they were all her, weren't they? They were all Mum.
[JOHN SIGHS.]
[SIGHS, VOICE TREMBLING.]
You know, the night she left I saw things.
- Weird things.
- Why didn't you tell me? [SIGHS.]
Honestly? [BREATHES DEEPLY.]
Because I needed to hate you.
[SIGHS.]
I needed you to be lying.
I needed you to have driven Mum away.
I didn't want to believe that she had a choice.
She didn't.
I should have told you sooner, both of you, but I didn't know how to.
- Or whether June was even the same as her.
- You know, I thought I was crazy.
After she left that night, I thought, "Stay safe, and stay at home.
" [SCOFFS.]
I ended up exactly like her.
Locked myself away in that annex - like a prisoner.
- That's not what I wanted for you, ever.
You know, I understand what you were trying to do for June now.
Fair Isle routine, isolation [SCOFFS.]
You cared and Mum didn't.
She ruined people's lives, and she just ran away! No, she loved you.
- [SNIFFLES.]
- She loved you both.
But your mother was different, and [VOICE WAVERING.]
And I couldn't help her or June.
I let you all down.
And I'm sorry.
[KAM.]
She just upped and left? So, how long has it been since you last saw her? Three years.
She's your mother.
I don't know how she could do that to you.
No, it's not like that, honestly.
She's a good person.
She left you.
Yeah, but she's She's trying to find me.
She wants us to She wants us to be together.
It doesn't sound like it.
- Look.
- [BEEPS.]
[ELENA ON RECORDING.]
June my girl.
You're about to turn 16.
I want to be there to help you understand the things you might be feeling.
Things that might be happening to you.
- She sent that to you? - Yeah.
Aren't you angry? No, I just [SIGHS.]
I think I just want to see her.
Are you sure about that? Yeah.
Yeah.
Okay.
[KAM.]
So it says that, four months ago, a nun was found in a coma in her convent in Hordaland, Norway.
Vibrating eyes, no signs of injury, and she recovered spontaneously with no memory of events.
Police were concerned for the well-being of another nun that went missing on the same day.
- So you can read this? - I told you, I'm an enthusiast.
I collect this stuff.
Any signs that there are any more of us out there.
[GASPS.]
That's her.
That's my mum.
I know.
Even though it's not the clearest photo, I recognized her from your video.
- But that's not her name, though.
- Well, it wouldn't be, if she was in hiding.
[GASPS SOFTLY.]
She's like us.
[HARRY.]
Morning.
Thanks.
Hey.
[SOFTLY.]
Hey.
[SIGHS.]
What's happening? I was I was just telling June that I think that we found each other for a reason.
[HARRY.]
Ah.
Right.
You know, yesterday at the gallery, you shifted.
You did it on your own, and you weren't scared.
How? How did you do that? Do you want me to show you both? [GULLS CALLING.]
[BREATHES DEEPLY.]
- [CAN RATTLES.]
- [INDISTINCT CHATTER.]
[SIGHS.]
[INHALES DEEPLY, CLEARS THROAT.]
- [DIAL TONE SOUNDS.]
- [SIGHS.]
[CELL PHONE RINGS.]
Steinar, is that you? I I messed up.
Ben, listen to me.
June's not like the other women at Sanctum.
She can get into your mind your memories.
She's everything you're looking for.
Where is she? [SIGHS.]
I I don't know.
Somewhere in London.
She has my phone.
Listen, you stay where you are.
Stay exactly where you are, and I will call you.
Okay.
- [SIGHS.]
- [CALL DISCONNECTS.]
[SIGHS.]
[EXHALES DEEPLY.]
[KAM.]
The best place to start is with your trigger.
What were you feeling before you shifted? Fear, mostly.
[KAM.]
Mine's pain.
But that's what it's all about.
Understanding the emotion behind the shift.
After that, there's really nothing to be afraid of.
Hey Listen to me, June.
We are unique creatures.
Don't ever be ashamed of what you are.
You have to embrace it.
Oh, and, uh, you'll be wearing the same clothes, so think ahead.
Ready? [KAM INHALES SHARPLY.]
[KAM PANTING.]
[MOANS, GASPING.]
See how easy it can be if you have complete trust? [HARRY.]
I don't know.
It just It just felt like she was just - using him.
- What? No.
No, this is something that they do together.
And they're not scared of it.
They can control it.
- It's not hurting anyone.
- She She burned herself trying to make it happen.
- You did see that, right? - Look, you said so yourself, we need to find out what's happening to me, and Kam I I don't know.
She might be my best chance, my my only chance, to find that out.
Look, she's gonna help me find my mum, Harry.
[SIGHS.]
Okay.
Okay, so So we ask her to help you.
Really help you.
And then we leave.
Yeah, okay.
Just promise me you'll never do that to me.
[SCOFFS.]
I would never do anything you didn't want me to do.
Ever.
[RUNA.]
What are you doing? [BEN.]
Just getting things in order.
I am going to London.
For her? There's some complications with Steinar, so I have to bring June here myself.
Are you going to leave us now, when I need you here more than ever? I hit shift state for the first time in years.
Yes, and the girls mustn't know.
- I could be dangerous.
You know I could.
- No.
If you take care of yourself and you keep calm, you'll be all right.
I'll be gone for two days at the most.
- Two days? - Mm-hmm.
- Don't leave me.
- The last thing I want to do is leave you, but we may not get another chance to help June and put things right.
Oh [SIGHS.]
Okay.
[SIGHS.]
Just promise me you'll wake me before you go.
[CHUCKLES SOFTLY.]
[FOOTSTEPS RETREATING.]
[SIGRID.]
But Papa hadn't chosen us.
He was packed and ready to leave.
It doesn't mean that I love you any less.
- [AUDIO STOPS.]
- [PLAYER CLICKS, REWINDS.]
It doesn't mean that I love you any less.
[PLAYER CLICKS, REWINDS.]
It doesn't mean that I love you any less.
- [SIGRID.]
You're leaving.
- [BEN.]
Yes, just for a few days.
June's ready to come here, and she needs my help.
Um, but I'm supposed to be leaving.
There is still so much to organize.
Do I stay in Norway? I don't have any money.
How do I get a job? I don't even have a place to stay.
All exciting challenges to face, hmm? Yes.
- Exciting.
- This is what we've been working towards.
Obviously, I can't be here all the time, but that does not mean I love you any less.
- [DUCKS QUACKING.]
- [WATER SPLASHING.]
Maybe I I wait until you come back.
Like I said, there is still so much to organize, and it's not like I have to leave tomorrow, is it? Of course not.
Not at all.
Then, I'll stay.
- Look after Runa while you're away.
- You would do that for me? Of course.
[BEN.]
Good.
This was one of my dad's favorite tracks.
["SHE'S AN ANGEL" PLAYING.]
[JUNE LAUGHS.]
She's an angel - [KAM.]
Come on.
- She's a devil She can be the answer Life is all about choices, and you are in control.
- [JUNE LAUGHING.]
- [KAM.]
We choose our lovers.
We choose our friends.
Why can't we choose our mothers or sisters? Our twins of the heart.
Yeah, but a friend can't be a mother, too.
- [KAM.]
Oh, why not? - [JUNE.]
Hmm I don't know.
I mean family's where you come from, isn't it? It's who you are.
Maybe I could be your family.
- [LAUGHS.]
- [CHUCKLES.]
I haven't seen Kam this happy in ages.
[KAM AND JUNE LAUGHING.]
She's got control Ooh, she's got control - Do you know what I'm thinking? - [ANDREW.]
What are you thinking? We could all do with a night off.
Some proper fun, yeah, together? Let's take them to Tribus.
[DANCE MUSIC PLAYING.]
[INDISTINCT CHATTER.]
Are you okay? Yeah.
[HARRY.]
What is this place? - [JUNE.]
This is amazing.
- I, uh I used to work here.
- It's where I met Andrew, isn't it? - Yeah.
[LAUGHS.]
Shots? - Ready for anything tonight? - Ready for anything.
[COUGHS.]
And on that note, you're coming with me.
[JUNE CHUCKLES.]
Okay.
Girls only, just for now.
[CHUCKLES.]
[ANDREW.]
Here.
[HARRY.]
I had it set up.
Car a flat.
I was gonna get a job.
I thought I had it all taken care of.
I thought that this was the start of everything.
And then [IMITATES EXPLOSION.]
[JUNE.]
Do you actually enjoy it? Being in someone else's body, you know, another another girl or man? [KAM.]
Why do you ask? When I shift, I I feel things.
I know things about them.
Impossible things.
I can get in their minds, their memories.
Yes.
[CHUCKLES.]
This thing that we can do, no other shifter can do it.
We feel it.
We're not just in their bodies, we're in their head, too.
You and me, we're special.
So What do you want to feel now? Hey, thanks again for letting us stay.
- Nah.
- [GLASSES CLINK.]
[SNIFFS.]
You know it's not permanent.
Yeah.
No, yeah, of course.
I'm not trying to get rid of you.
But see, the thing is, Harry once you're in Kam's orbit I mean, don't get me wrong, it's it's amazing, but the rest of the world kind of disappears.
I remember being like June.
Totally enthralled.
I'd never met anyone like her.
What are they up to, anyway? [HUFFS.]
Who knows? They could be anywhere.
Could be anybody.
Eh? [LAUGHING.]
[ANDREW SNIFFS.]
They'll come find us when they're ready.
That's how it works.
Better get used to it.
[INDIANA'S "SOLO DANCING" PLAYING.]
- Are you sure we should be doing this? - What are we doing? I go dancing by myself I go dancing with no one else Solo dancing, watch me as I go I go dancing It's so intense I will dance till the bitter end No point in asking 'Cause I always dance alone - [PATRONS LAUGHING.]
- [INDISTINCT CHATTER.]
Hypnotized by the law of motion - Music stops - [MAN YELPS.]
And the spell is broken Sex is one thing, but being that person is so much more.
I go dancing with no one else Solo dancing, watch me as I go Wouldn't you like to one day explore how it really feels to be a man? Music stops and the spell is broken Broken, broken, broken, broken, broken Broken, broken, broken Oh, I don't I don't want to.
I'm not asking you to shift.
I'm just asking you to think about his body.
Ooh, how I move Ooh, ooh, ooh, ooh, ooh Ooh, ooh, ooh, ooh, ooh, ooh Ooh Don't hold back my dance devotion [HARRY.]
June? - [MAN.]
Hey! - [JUNE.]
Harry! - [HARRY GRUNTING.]
Get off me! - [KAM LAUGHING.]
- [HARRY.]
Get off of me! - [MEN GRUNTING.]
[JUNE.]
Wait! Stay.
[MEN AND HARRY GRUNTING.]
Hypnotized by the law of motion Music stops and the spell is broken [SIGHS.]
Forget this.
[JUNE.]
Harry! Hey! Hey, Harry, wait! [SIGHS.]
What's going on with you? Kam won't help you find your mum, you know.
She wants you to be like her.
But you're you, June.
So start thinking for yourself and figure out what the hell you want.
[SIGHS.]
[CELL PHONE CLICKS, DIALING.]
[CELL PHONE RINGING, VIBRATING.]
Hello, June? - Who is this? - This is Ben Halvorson.
- I'm so glad - Is my mum with you? She is, and she's safe.
Would you like to talk to her? Yes.
[BEN PANTING.]
Elena.
Elena.
I've got June on the phone.
Will you talk to her? - No, I can't.
- Yes, you can.
She's your daughter.
- No, I can't.
You know what will happen.
- This is your chance.
If you talk to her, I can bring her here.
- [BREATH TREMBLING.]
June? - [JUNE.]
Mum! [SIGHS.]
Are you okay? Where Where are you? [VOICE TREMBLING.]
I'm in Norway.
I'm in a safe place, a good place.
It's called Sanctum.
June You're the same as me, aren't you? If you come here we can help you.
I can help you.
We can be together.
Do you want that? Yes.
Okay.
The man you just spoke to, he's a doctor.
You can trust him.
He's coming to London to get you, to bring you here.
Just keep your phone.
Stay where you are.
And don't tell anyone.
Okay.
And, June I love you [GASPS.]
[GASPING.]
- [ANDREW.]
You all right? - [KAM.]
June, come and join us! [BEN.]
Very good.
Now, remember your mantra.
[WHISPERS.]
Elena Askelaand, 39 years old.
Born south of Bergen.
Pierced ears with Girl Guide badge [CONTINUES INDISTINCTLY.]
- [DOOR SHUTS.]
- [ANDREW LAUGHS.]
No, no, no.
Do you remember? You remember that story? - No.
- You slapped him in the face! This massive guy came over.
Massive, seven-foot, and was like - [KAM.]
Music! - [ANDREW.]
"Ooh! Slap me in the face, please!" [LAUGHS.]
- ["WRONG" PLAYING.]
- Music's on.
It's coming, it's coming.
- [KAM.]
Get us a drink, babe.
- [ANDREW.]
Okay.
Am I doing everything? - [KAM.]
Yeah.
- [ANDREW.]
Music, drink, even do the drugs.
- [KAM.]
June! - [ANDREW.]
The paraphernalia! Baby, I'm a pleaser I go out my way to treat you - But I can't be a teacher - [ANDREW COUGHS, LAUGHS.]
'Cause I'm a problem with problems I know who I am Ah, it's good stuff, mate.
- [ANDREW GRUNTS, SIGHS.]
- [KAM SIGHS.]
[ANDREW CHUCKLES.]
Baby Some people are meant to be loved - Here you go, babe.
- Can I talk to you? Why don't you come and talk to me and Nisha? - [NISHA LAUGHING.]
- [KAM.]
Hmm? You're looking in the wrong place [ANDREW.]
Oh.
June - June! - [ANDREW SNIFFS.]
- [SNIFFS.]
- [NISHA.]
Kam, just leave her.
- [NISHA LAUGHS.]
- [ANDREW.]
June, I thought you were fun! Just leave her.
She'll come.
She'll come.
[TOMMY ASHBY'S "GUILTY" PLAYING.]
- My love - [WHISPERS.]
June? This is my confession of Through the bitter taste of ethanol [THUNDER RUMBLES.]
A list of things I can't forget My words [MOTOR STARTS.]
- I'll see you soon.
- I twisted in these dirty sheets I lay my cross down at your feet A place to lay my frozen heart Come on, girls.
And I know I know you'll find me guilty Harry.
- [KISSES.]
- [JUNE GASPS.]
[JUNE.]
No.
[INHALES SHARPLY.]
No, get off me, Kam! [SCOFFS, GRUNTS.]
[CLICKS TONGUE.]
Aw Look at your face.
- Where is he? - [CHUCKLES SOFTLY.]
Where's Harry? Please.
He's here.
- I'm here.
- Oh, please, Kam.
This isn't funny.
[SIGHS.]
Please, get out of him.
You should see what he really thinks.
He got what he wanted out of your body, and, um I hate to tell you this, but he thought you'd be better.
[KAM SIGHS.]
It won't last.
Trust me.
I can feel it.
You're a liar.
You don't feel anything.
[DOOR SLIDES OPEN.]
[CHUCKLES.]
[JUNE.]
Harry? Harry? Harry! Harry? [GRUNTS.]
[GRUNTING.]
Come on.
Harry, wake up! Come on.
Come on.
- He'll be fine.
- [JUNE.]
Why are you doing this? Harry Harry, please, wake up.
[GRUNTS.]
- Stop this, Kam.
- Harry, come on.
Oh, what? Am I in trouble again? Let him go.
- Now! - [JUNE.]
Wake up.
Fine.
[GASPS.]
[JUNE.]
Hey.
Look at me.
Look at me! Are you okay? Wait, what's happening? - What's happening? - Come on.
[BOTH GRUNT.]
[HARRY.]
What happened? We need to leave.
Harry, wait.
I I left my phone.
We have to go back.
No.
Forget it.
It doesn't matter.
Come on.
Let's just go.
No.
Hey, wait.
You don't understand.
Look, I I spoke to my mum last night.
She said to stay in London, and that someone's gonna come and get me, a a doctor.
Are you kidding me? What? No.
I This is my chance to stop this.
No.
No, no, no, this is this is too much for us.
Kidnappers a crazy woman, and now, what, some some doctor? No.
No, I've had enough.
We're not doing it anymore.
Neither are you.
- Come on, let's just go.
- Hey! Harry, stop! No! Come on! Come on, let's just go! I just spoke to my mother for the first time in three years.
If I want to see her, it's got nothing to do with you.
- Nothing to do with me? - [SCOFFS.]
I'm the only one who's stuck by you.
What happened back there? - I don't know.
- No, you do know.
I'm not stupid.
Someone shifted into me.
That shouldn't have happened.
Was it you? June, just please tell me.
Was it you? I don't even know who you are anymore.
No, but you know what I am, don't you? So go.
Go home.
[THEME SONG PLAYING.]
From the thunder comes Real problems And I know her In the darkness I find Comfort In the moment, I see Higher In this moment I am higher