Edha (2018) s01e07 Episode Script
The Path of Truth
1 A NETFLIX ORIGINAL SERIES [EDHA.]
Get up and get out.
- [TEO.]
What is it? - Get up and get out.
- What happened? - Lorenzo's looking for you.
[SNORTS.]
- Can you explain what happened? - Family business.
I know who you are.
Who am I? Are you going to keep lying? - Brother of the foreman who died.
- You weren't involved.
Why did you come here? - I wanted to know.
- Now you know.
I didn't know of it.
Now it's late, they're coming for me.
I know things that can help you.
Trust me.
Trust? You lied to me all along! Not all.
I don't care what you say, that son of a bitch is out of our company.
[EDHA.]
Teo lied to me.
I trusted him and he lied.
I should be furious, I should hate him.
I should listen to my father's advice.
But I don't.
Strangely, I feel closer to him than ever.
I understand Teo's motivation.
He, like me, is looking for the truth.
Avenge his brother's death, find out who set fire to the factory.
Hey.
There was a bike there, did you see it? No, I didn't.
- Weren't you here all night? - I fell asleep.
A guy like you shouldn't worry about a bike.
What? [EDHA.]
Teo is no longer a mystery to me, but he's starting to be one to himself.
I need him and he needs me.
He's dangerous, Edha.
You have no common sense.
Your self-destructing tendencies want him here.
There are images of Teo everywhere.
Tatiana wants him in Milan.
Without him, we lose everything.
You know more about business than me? Can we talk in private? Get the door, please.
Go, AnÃbal.
We're partners.
You can't decide things on your own.
Partnerships have expiration dates.
I am the brand.
From now on, Edha is Teo.
We're not changing anything.
Don't speak to Teo.
The only one who speaks to him is me.
He's the brother of a guy who died in the factory.
Why do you think he's here? A factory you contracted, not me.
[ANÃBAL.]
Edha it's for you.
Who is it? Yes? - Edha Abadi? - Yes.
You're being subpoenaed.
I need your signature, please.
[SIGHS.]
Good, this is yours.
[LORENZO.]
Thank you, officer.
See him out.
[ANÃBAL.]
This way, officer.
A subpoena about your factory.
What about the DA? - You two have history.
- I'll call Pastene.
I know very well that you planned Antonio's testimony with your lawyer behind my back.
I'm not stupid.
What are you saying? I'll handle my legal issues from now on.
I'm going to speak with Durruti, my lawyer.
I'm close by.
I need to see you.
No, now.
They're talking about a guy who had trouble with your brother Ollanta.
Yes.
My brother left him hanging.
[TEO.]
He was the guy who gave Manito a job when we got to this city.
[MOTA.]
Looks like Ollanta is really mad.
A seamstress who worked with him told me that your brother's sweatshop put him out of business.
After the sweatshop fire, Ollanta disappeared.
He's the one to blame.
[DOOR OPENS AND CLOSES, FOOTSTEPS.]
[OLLANTA.]
Hello.
I'm waiting for you.
[OLLANTA.]
I want my people back.
I told you I wasn't coming back.
Those people aren't yours.
They wanted to come here with me.
This is how you repay me? You were dead on your feet.
I gave you a job.
- I've already learned it.
- Son of a bitch.
Son of a bitch.
Who are you working for? Who gave you the money? [ANÃBAL.]
What's up? You're playing away from home here.
No one around here knows you.
In this workshop, I'm the home team.
I'm in charge.
Watch your ass, dude.
Watch it, because I'm gonna bust it so bad.
You for being a ho and your pimp for having lip.
Do things right, you don't want this place going up in smoke.
You'd have a real mess on your hands.
[MOTA.]
You knew Ollanta.
You said nothing when I told you about him.
Nor did you tell me you worked for the DA.
We're getting to know each other.
Tell me where I can find Ollanta.
He's lying low.
What are you going to do? - Why are you after me? - Excuse me? You're mixing up the fire with my mother's death.
No, Inés Musccini's death was one case, the sweatshop is another case.
Stop harassing me.
I'm not connected to the sweatshop.
There's no harassment here.
It's an ongoing investigation.
You're obsessed with Lorenzo.
Your investigation drags something personal into the case.
You shouldn't be here.
Your dad was sick, that's why he died.
Inés's case had nothing to do with it.
We never knew what happened with your mother, you don't know either.
She killed herself.
You should check what you've been told.
- Inés Musccini committed suicide.
- Really? Is that what you think? What are you doing? - Where are you going? - I'm leaving.
- Where to? - None of your business.
You're free to let them fool you, dress you up, appear on magazine covers.
Stop pretending that you care for me.
- I care for you.
- Yes, a lot.
Last night you cared about me, wherever you were.
- Remember what you told me? - I do, you're the one who forgot.
- You even forgot about Manito.
- I haven't forgotten! - But you're a traitor.
- You don't tell me what to do.
I'm earning money and doing well.
I'm not throwing that away.
I'm going to use it.
Celia what are you doing? We have nothing in common.
You're dead, like your brother.
You just haven't realized yet.
Idiot.
[YASTIN.]
I thought you were staying.
- He can die.
- We all die at some point.
If we make it to 15, we're lucky.
It's late.
Put this on.
- Where are we going? - Where we should be already.
Get in.
- Hi, Pija.
- What's up, kid? [MOTOR REVS.]
Come on, Pija.
[MOTOR REVS.]
I like it, but something's wrong with the pattern.
It's wrinkled.
- Here.
- OK.
[FOOTSTEPS APPROACH.]
Hurry up with that.
I'm going to die.
- No, you're not, Ronnie.
- No? - Look at this.
- What is that? An ECG.
Look at it.
If you were diagnosed with something, tell me.
You don't need to be a doctor.
Compare the peaks.
- Look at the difference.
See? - No, I don't.
Antonio, I'll die if you don't come back.
It's not the right time to go back.
Let's keep our distance.
It's not the time to keep our distance.
You're scared, that's why you're back with your family.
Did you get the report? The report for the ECG? Don't be this cold with me.
I'm capable of anything.
[DOOR CLOSES.]
[DURRUTI.]
You should have called me before.
I thought Lorenzo would deal with it.
He always deals with legal issues.
"Lorenzo deals with it.
" Your mother used to say the same, then she'd call.
- Is this the subpoena? - Yes.
It's a complex issue.
But a subpoena is a logical move.
I'll get the case file and call you.
I want to ask you for something else, but it's personal.
Everything's personal, tell me.
I need to see something, you can get it.
- Tell me what.
- My mother's case file.
[CELLPHONE VIBRATES.]
[CELLPHONE RINGS.]
It's settled.
I talked to Lorenzo.
You're staying at EDHA.
Does he know who I am? He does.
But like me, he needs you.
- Did you see the posters? - Yes.
Are you sure? I've never been more sure.
I'll wait for you.
OK.
I want this one.
How much is it? [MOTOR STARTS.]
[ENGINE REVS.]
[ENGINE REVS.]
[ENGINE REVS.]
The event at Paloma's store is confirmed, but my dad won't let me call you.
Won't your mom talk to him? We could've called a cab and your dad wouldn't have known.
I got scared, I told you.
But now I can't see you.
When will he get over it? I don't know.
He's watching me constantly.
Thankfully he hasn't pulled me out of school.
My mom doesn't want to call him.
My dad is acting really weird.
He's watching me all the time.
That sucks.
They take turns being at home.
They think I'm stupid and don't see it.
Something happened with them.
Are you there? Yes.
Are you coming over today then? I don't know, it's complicated.
Text me the address.
OK, got it.
[FOOTSTEPS APPROACH.]
- Everything OK? - Yeah.
It's Mom.
- Did you invite her over? - No, I don't think she'd like it.
I was just saying hello.
You people don't learn.
You make some money and spend it all on toys, like kids.
What people? You know what I mean.
Be careful with the bike.
It's dangerous to ride on two wheels.
A bike and keys to the house.
[EDHA.]
Did you give Florencia your passport? Yes.
Good.
Today they'll make the ticket reservations.
You know how important this is, don't you? - For you or for me? - Both of us.
What is it? Are you backing down? The fire could have been intentional.
- Why would someone do that? - That's what I want to know.
- If it was, then the DA should know.
- He knows.
They're covering it up.
- Do they have a suspect? - Yes.
A guy that my brother worked for when he started Ollanta.
We have to get him to testify.
- Are you ready? - Almost.
What do I say? Tell your story.
Not all of it.
People will love it.
I don't think they'll like my story.
We decide what's to like and what's not.
Go on.
- [JOURNALIST.]
Hello.
- [TEO.]
Hello.
- How are you? - Good.
You? This way.
Are we ready? Good.
What does an Argentinian feel about doing a show in Milan, the fashion capital? I don't know, I'm not Argentinian.
Oh.
Where are you from? How did you get here? - Do you have time? - We do have time.
DURRUTI: DONE, I HAVE THE FILE [TEO.]
What do you want to know? At what point did you think about doing this? Don't touch that, it's really expensive.
So? Did you talk? Is she interviewing us? She wants to see you.
She's not looking for a conventional model.
- [YASTIN.]
Hello.
- Hello.
Erm Yes.
She's fine.
I said you'd like her.
She's perfect for what you want.
Yes Yes, I like her.
Celia is worth a lot.
On top of what you see, she's with Teo, - The ethnic model for Edha.
- Ethnic? If I close the deal, I'm keeping her.
But I don't want you as a middleman.
No agencies.
[CELIA.]
What are you talking about? Does she have a passport? What for? Does it have to be Argentinian? We're going to Milan.
[PALOMA.]
Edha will not be the only one going.
Here's the file on Inés's death.
I made you a copy, but that's not your priority now.
We have to prove you didn't know anything about the factory that caught fire.
- I didn't know anything.
- That's not enough.
There's a DA who wants you to testify, that means pretrial detention.
- What? - You heard.
We have to focus on finding something to uphold your version.
Mariano, in two weeks I'm going to travel to the most important fashion fair Sorry, that's not going to happen, because DA Pereyra Ramos issued a temporary injunction to stop you leaving the country.
So I'll tell you what we'll do.
You'll sit with my secretary and remember everything that happened that night.
Every minute, in great detail.
OK? [EDHA.]
Now I can't leave the country.
If this doesn't get settled, Milan is over for us.
Darling, let me talk with Pastene and see what the best strategy is.
I don't want you or your lawyer.
I'll solve this.
You can't act rashly.
OK? This is a very delicate issue.
I got the money to pay the company's debts, and I'm responsible for that.
I don't care who you owe.
Yes, I know you don't.
You and your mother always lived a fantasy, and I had to figure out how to pay the debts.
I can't argue about this, I'm driving.
Bye.
[MOTOR STARTS.]
The campaign is impressive, they covered the city with posters.
I guess.
It's marketing, posing as art.
Edha won by plagiarizing her own mother.
It's whimsical what she did.
An insane investment that could also go wrong.
- Why? - Well, it's always a possibility.
Look at you here, with Edha's daughter.
She's my daughter too, OK? Where can I change? Yes hold on a moment, another girl is coming.
OK? No! That girl knows me.
She's the one who was on our turf.
- Is that her? - Her and two others.
- Did she see your face? - Yes.
Fuck.
- Are you waiting for someone? - No.
Huh? - Nice place, congratulations.
- Thank you.
- Let's get the fuck out of here.
- No way, I'm not leaving.
Let me, you play dumb.
But she'll recognize me.
I scared her.
Even if she does, that doesn't mean she'll talk.
Look at her.
She's a rich kid.
You're a nobody.
And if she talks? Deny it, straight-faced.
[LOUDSPEAKER.]
Yastin! Yes! They called us.
[PALOMA.]
This way.
Celia, Elena, you'll be in the same sector.
You can go and change.
- Sorry, Yastin, Luciano Jáuregui.
- Hello.
[PALOMA.]
He's Elena's father, a future court judge.
- Let's go? - Let's go.
- Who is he? - He runs an alternative agency.
A color I'd like to include.
A really weird color.
Weird is you asking me to include Elena.
A father helping his daughter, what's weird? So, you're Edha's daughter? Perhaps we came across each other before.
I've never seen you before.
I recognize your face from somewhere.
Maybe from some magazine.
[YASTIN.]
I don't think we go to the same places.
I don't know you.
You look nervous.
Not at all.
- Nervous? - No.
Worse.
Angry.
- You look tense.
What happened? - Nothing.
- You were happy to come here.
- I am happy.
- So? What happened? - I told you, nothing.
Elen Elen I know you by now.
I don't like them being here.
No, I don't like it either, but did something happen? Elena.
Your attitude changed when they got here.
Tell me what happened.
She was in the gang that robbed us.
When you picked me up.
Are you sure? It's a serious accusation.
I'm sure, or I wouldn't tell you.
Don't talk to her, please, it'll only be worse.
JULIÃN: I'M OUTSIDE - I'll be right back.
- Don't go far.
I'm just getting some air.
[CELIA TALKING, INDISTINCT.]
Can we talk for a second, please? Yes.
- My daughter told me everything.
- Everything? I'm sure she kept something to herself.
- I know what happened the other night.
- What do you know? Your kid likes being a drug dealer? Come on, man, I'm working here.
Looks like you have varied activities, right? What do you mean by that? Your daughter and me are the same shit.
The only difference is she thinks she dresses well.
[CELLPHONE BEEPS.]
What are you doing here? We didn't agree anything.
Don't be childish.
I wanted to see you.
This is finished, Julián.
We can't see each other.
I'll do things the right way.
- No! - I'll give you all the time you need.
I don't want that.
I want everything to be like before.
Me and Delfi, you with Monina.
It's too late for that now.
I can't do this.
Not anymore.
Goodbye.
Bye.
[CAR DOOR SHUTS.]
Where have you been? - Outside.
- Doing what? Getting some air.
The other night you went to a party.
You like to say things half way.
I told you the truth.
I went to a party.
You don't believe me? - Who were you talking to? - Mom.
She misses me.
I miss her, and the fact that she doesn't distrust me.
It seems like you do.
I get it, you don't know me yet.
I want to see her today.
- I'll take you.
- No, I'd rather go alone.
I'll be back early.
- Where does that guy live? - Who? - The one you told me about.
- Ollanta? - Far away, in the suburbs.
- I'll take you.
- No.
- You told me to trust you, trust me.
[EDHA.]
I need to know if this man is guilty.
Did something happen? Lorenzo lied to me.
He lied to me for years.
His statement says that he was in the city the night Inés died.
I always thought he was on a trip.
He showed up at the burial with a suitcase.
Why did he lie? [INHALES DEEPLY.]
[DOOR RATTLES.]
Monina! Monina, open up, I need to come in! [BANGING ON DOOR.]
[BANGING ON DOOR.]
Monina, I need some clothes! [BANGING ON DOOR.]
[BANGING ON DOOR.]
Monina, can you open the door? I know you're inside, open up! "The widower claims to have been on a business trip.
Plane tickets and hotel receipt are presented as evidence.
But he returns from his trip ahead of schedule, at 9 pm.
He doesn't return to his home address but stays overnight at 445 Ituzaingó St.
[EDHA.]
The extramarital bond is therefore confirmed and the declarant's testimony confirms the alibi.
" See? He had a lover and was with her that day.
OK.
Give me the name, tell me who she is.
I need you to find out.
That page is missing.
I need to know who she is.
I'll wait for your call.
[SIGHS.]
You should go home.
Are you sure? Yes.
I'll take care of Ollanta.
Thank you.
[EDHA.]
Tonight, Teo and I are united by a search for the truth.
A truth hidden by others but mostly by ourselves.
Before moving forward together, we have to see our stories through and we have to do it on our own.
Take separate paths so we can later reunite.
- Come on, relax a little.
- No, I don't want to.
I can't believe that chick was there.
Is she a model too? I can't believe it either.
- Paloma has no standards.
- She didn't know.
People are so weird.
Here.
No, I have to go to my dad's.
You're the only person who wants to go back to jail.
I don't want to go back.
He's a pain.
He was never around, now he wants to look after me.
- What will you do? - I don't know.
I don't know if I should go back to my mom's.
We should live together somewhere.
I can't stand my parents either.
- Shall we? - Let's do it.
- [SEBASTIÃN.]
Shall we? - Let's do it.
[THEY LAUGH.]
[DELFINA.]
Come on, do something naughty for once in your life.
- [SEBASTIÃN.]
That's the spirit! - [DELFINA.]
Yeah! - Smoke it right.
- Yeah, smoke it and like it.
[PEOPLE RAPPING IN BACKGROUND.]
[SEBASTIÃN LAUGHS.]
My dad is acting really weird.
[DELFINA.]
They argued a lot today.
I don't want to know.
[LAUGHS.]
- Looks like Elena got grumpy and high.
- I'm not high yet.
[RAPPERS IN BACKGROUND.]
Hey! [BEATBOXING.]
[RAPPING.]
Rapping texts, smoking pot, Watching my mind activate with the dope When the night falls, I burn out a jay, Words pour out of me, my mind flies away Even if a killjoy says it's bad for me, This natural fruit fills me with glee To share this, with all my brothers Like with the rhymes, From one to the other [CROWD.]
Whoa! [RAPPING.]
By the window in my room I have a holy plant I tend to it and smoke it I love it And though I know it's banned I don't think it's wrong To share it with my pals In spring, I sow the fruit In winter I harvest it, roll it, enjoy it [CROWD.]
Whoa! [BEATBOXING.]
That idiot is Edha's daughter.
Her father is a judge.
So what? We can make lots of money.
I know, but I don't like it.
Celia, you've never thought of going to Milan.
It's a dream.
Yes, it's a dream, but that girl worries me sick.
I'll call Paloma and tell her you're not going.
The other girl is going.
- I didn't say that.
- Yes, you didn't say it.
You said some other stupidity.
We don't choose who goes.
What matters is that Paloma takes us with her.
[BREATHES DEEPLY.]
Listen to me.
This is what I need to change my life.
- Don't fuck it up.
Is that clear? - Yes.
- [EDHA.]
Durruti.
- I made some calls.
I have to check the info, but I think I know who the woman is.
- Who? - MarÃa Antonia Gómez.
She goes by "Marita.
" What's her address? Mom? [CELLPHONE RINGS.]
- Hi, Dad.
- [JÃUREGUI.]
Elena, are you OK? Yes, I'm at Mom's.
You were coming back early.
Put your mother on.
She's sleeping.
She'll kill me if I wake her up.
Tomorrow is an important day, Elena.
- Why? What happens? - What happens? They decide if I'm part of the Supreme Court.
It's nothing.
- Oh, impressive.
- Impressive, yes.
I don't have time to play cab driver or run after a problematic teenager.
I'm not problematic.
Who told you that? I'm not an idiot.
I want you home.
Let me stay at Mom's, I'll come tomorrow.
- You're coming now.
- I don't get it.
Is that a house or a prison? Let me stay at Mom's.
I'll come tomorrow.
[HANGS UP.]
[SIGHS.]
CLOTHES MADE TO MEASURE! [DOORBELL RINGS.]
[DOOR BUZZES OPEN.]
[DOORBELL RINGS.]
- Hello.
- Marita? Yes? I'm Edha.
Inés and Lorenzo's daughter, Edha Abadi.
You worked at our home, remember me? Yes.
Yes, of course you were a child.
Can I come in? Hey! Welcome.
Do you like it? It wasn't an accident.
Talk.
You finally realized? It took you a while.
You couldn't stand it when Manito left the factory.
Your brother was very rude.
I taught him everything.
I gave him a place, and he fucked me over.
Good riddance.
- You set fire to the factory.
- No.
It wasn't me, though I should have.
But it wasn't me.
Now get out.
- Who did it then? - How should I know? I wouldn't tell you, I'm no rat.
Who set fire to the factory? - Talk.
- Don't make a mistake.
[MAN.]
Drop the gun.
Manito? Subtitle translation by: Jonathan Hemming
Get up and get out.
- [TEO.]
What is it? - Get up and get out.
- What happened? - Lorenzo's looking for you.
[SNORTS.]
- Can you explain what happened? - Family business.
I know who you are.
Who am I? Are you going to keep lying? - Brother of the foreman who died.
- You weren't involved.
Why did you come here? - I wanted to know.
- Now you know.
I didn't know of it.
Now it's late, they're coming for me.
I know things that can help you.
Trust me.
Trust? You lied to me all along! Not all.
I don't care what you say, that son of a bitch is out of our company.
[EDHA.]
Teo lied to me.
I trusted him and he lied.
I should be furious, I should hate him.
I should listen to my father's advice.
But I don't.
Strangely, I feel closer to him than ever.
I understand Teo's motivation.
He, like me, is looking for the truth.
Avenge his brother's death, find out who set fire to the factory.
Hey.
There was a bike there, did you see it? No, I didn't.
- Weren't you here all night? - I fell asleep.
A guy like you shouldn't worry about a bike.
What? [EDHA.]
Teo is no longer a mystery to me, but he's starting to be one to himself.
I need him and he needs me.
He's dangerous, Edha.
You have no common sense.
Your self-destructing tendencies want him here.
There are images of Teo everywhere.
Tatiana wants him in Milan.
Without him, we lose everything.
You know more about business than me? Can we talk in private? Get the door, please.
Go, AnÃbal.
We're partners.
You can't decide things on your own.
Partnerships have expiration dates.
I am the brand.
From now on, Edha is Teo.
We're not changing anything.
Don't speak to Teo.
The only one who speaks to him is me.
He's the brother of a guy who died in the factory.
Why do you think he's here? A factory you contracted, not me.
[ANÃBAL.]
Edha it's for you.
Who is it? Yes? - Edha Abadi? - Yes.
You're being subpoenaed.
I need your signature, please.
[SIGHS.]
Good, this is yours.
[LORENZO.]
Thank you, officer.
See him out.
[ANÃBAL.]
This way, officer.
A subpoena about your factory.
What about the DA? - You two have history.
- I'll call Pastene.
I know very well that you planned Antonio's testimony with your lawyer behind my back.
I'm not stupid.
What are you saying? I'll handle my legal issues from now on.
I'm going to speak with Durruti, my lawyer.
I'm close by.
I need to see you.
No, now.
They're talking about a guy who had trouble with your brother Ollanta.
Yes.
My brother left him hanging.
[TEO.]
He was the guy who gave Manito a job when we got to this city.
[MOTA.]
Looks like Ollanta is really mad.
A seamstress who worked with him told me that your brother's sweatshop put him out of business.
After the sweatshop fire, Ollanta disappeared.
He's the one to blame.
[DOOR OPENS AND CLOSES, FOOTSTEPS.]
[OLLANTA.]
Hello.
I'm waiting for you.
[OLLANTA.]
I want my people back.
I told you I wasn't coming back.
Those people aren't yours.
They wanted to come here with me.
This is how you repay me? You were dead on your feet.
I gave you a job.
- I've already learned it.
- Son of a bitch.
Son of a bitch.
Who are you working for? Who gave you the money? [ANÃBAL.]
What's up? You're playing away from home here.
No one around here knows you.
In this workshop, I'm the home team.
I'm in charge.
Watch your ass, dude.
Watch it, because I'm gonna bust it so bad.
You for being a ho and your pimp for having lip.
Do things right, you don't want this place going up in smoke.
You'd have a real mess on your hands.
[MOTA.]
You knew Ollanta.
You said nothing when I told you about him.
Nor did you tell me you worked for the DA.
We're getting to know each other.
Tell me where I can find Ollanta.
He's lying low.
What are you going to do? - Why are you after me? - Excuse me? You're mixing up the fire with my mother's death.
No, Inés Musccini's death was one case, the sweatshop is another case.
Stop harassing me.
I'm not connected to the sweatshop.
There's no harassment here.
It's an ongoing investigation.
You're obsessed with Lorenzo.
Your investigation drags something personal into the case.
You shouldn't be here.
Your dad was sick, that's why he died.
Inés's case had nothing to do with it.
We never knew what happened with your mother, you don't know either.
She killed herself.
You should check what you've been told.
- Inés Musccini committed suicide.
- Really? Is that what you think? What are you doing? - Where are you going? - I'm leaving.
- Where to? - None of your business.
You're free to let them fool you, dress you up, appear on magazine covers.
Stop pretending that you care for me.
- I care for you.
- Yes, a lot.
Last night you cared about me, wherever you were.
- Remember what you told me? - I do, you're the one who forgot.
- You even forgot about Manito.
- I haven't forgotten! - But you're a traitor.
- You don't tell me what to do.
I'm earning money and doing well.
I'm not throwing that away.
I'm going to use it.
Celia what are you doing? We have nothing in common.
You're dead, like your brother.
You just haven't realized yet.
Idiot.
[YASTIN.]
I thought you were staying.
- He can die.
- We all die at some point.
If we make it to 15, we're lucky.
It's late.
Put this on.
- Where are we going? - Where we should be already.
Get in.
- Hi, Pija.
- What's up, kid? [MOTOR REVS.]
Come on, Pija.
[MOTOR REVS.]
I like it, but something's wrong with the pattern.
It's wrinkled.
- Here.
- OK.
[FOOTSTEPS APPROACH.]
Hurry up with that.
I'm going to die.
- No, you're not, Ronnie.
- No? - Look at this.
- What is that? An ECG.
Look at it.
If you were diagnosed with something, tell me.
You don't need to be a doctor.
Compare the peaks.
- Look at the difference.
See? - No, I don't.
Antonio, I'll die if you don't come back.
It's not the right time to go back.
Let's keep our distance.
It's not the time to keep our distance.
You're scared, that's why you're back with your family.
Did you get the report? The report for the ECG? Don't be this cold with me.
I'm capable of anything.
[DOOR CLOSES.]
[DURRUTI.]
You should have called me before.
I thought Lorenzo would deal with it.
He always deals with legal issues.
"Lorenzo deals with it.
" Your mother used to say the same, then she'd call.
- Is this the subpoena? - Yes.
It's a complex issue.
But a subpoena is a logical move.
I'll get the case file and call you.
I want to ask you for something else, but it's personal.
Everything's personal, tell me.
I need to see something, you can get it.
- Tell me what.
- My mother's case file.
[CELLPHONE VIBRATES.]
[CELLPHONE RINGS.]
It's settled.
I talked to Lorenzo.
You're staying at EDHA.
Does he know who I am? He does.
But like me, he needs you.
- Did you see the posters? - Yes.
Are you sure? I've never been more sure.
I'll wait for you.
OK.
I want this one.
How much is it? [MOTOR STARTS.]
[ENGINE REVS.]
[ENGINE REVS.]
[ENGINE REVS.]
The event at Paloma's store is confirmed, but my dad won't let me call you.
Won't your mom talk to him? We could've called a cab and your dad wouldn't have known.
I got scared, I told you.
But now I can't see you.
When will he get over it? I don't know.
He's watching me constantly.
Thankfully he hasn't pulled me out of school.
My mom doesn't want to call him.
My dad is acting really weird.
He's watching me all the time.
That sucks.
They take turns being at home.
They think I'm stupid and don't see it.
Something happened with them.
Are you there? Yes.
Are you coming over today then? I don't know, it's complicated.
Text me the address.
OK, got it.
[FOOTSTEPS APPROACH.]
- Everything OK? - Yeah.
It's Mom.
- Did you invite her over? - No, I don't think she'd like it.
I was just saying hello.
You people don't learn.
You make some money and spend it all on toys, like kids.
What people? You know what I mean.
Be careful with the bike.
It's dangerous to ride on two wheels.
A bike and keys to the house.
[EDHA.]
Did you give Florencia your passport? Yes.
Good.
Today they'll make the ticket reservations.
You know how important this is, don't you? - For you or for me? - Both of us.
What is it? Are you backing down? The fire could have been intentional.
- Why would someone do that? - That's what I want to know.
- If it was, then the DA should know.
- He knows.
They're covering it up.
- Do they have a suspect? - Yes.
A guy that my brother worked for when he started Ollanta.
We have to get him to testify.
- Are you ready? - Almost.
What do I say? Tell your story.
Not all of it.
People will love it.
I don't think they'll like my story.
We decide what's to like and what's not.
Go on.
- [JOURNALIST.]
Hello.
- [TEO.]
Hello.
- How are you? - Good.
You? This way.
Are we ready? Good.
What does an Argentinian feel about doing a show in Milan, the fashion capital? I don't know, I'm not Argentinian.
Oh.
Where are you from? How did you get here? - Do you have time? - We do have time.
DURRUTI: DONE, I HAVE THE FILE [TEO.]
What do you want to know? At what point did you think about doing this? Don't touch that, it's really expensive.
So? Did you talk? Is she interviewing us? She wants to see you.
She's not looking for a conventional model.
- [YASTIN.]
Hello.
- Hello.
Erm Yes.
She's fine.
I said you'd like her.
She's perfect for what you want.
Yes Yes, I like her.
Celia is worth a lot.
On top of what you see, she's with Teo, - The ethnic model for Edha.
- Ethnic? If I close the deal, I'm keeping her.
But I don't want you as a middleman.
No agencies.
[CELIA.]
What are you talking about? Does she have a passport? What for? Does it have to be Argentinian? We're going to Milan.
[PALOMA.]
Edha will not be the only one going.
Here's the file on Inés's death.
I made you a copy, but that's not your priority now.
We have to prove you didn't know anything about the factory that caught fire.
- I didn't know anything.
- That's not enough.
There's a DA who wants you to testify, that means pretrial detention.
- What? - You heard.
We have to focus on finding something to uphold your version.
Mariano, in two weeks I'm going to travel to the most important fashion fair Sorry, that's not going to happen, because DA Pereyra Ramos issued a temporary injunction to stop you leaving the country.
So I'll tell you what we'll do.
You'll sit with my secretary and remember everything that happened that night.
Every minute, in great detail.
OK? [EDHA.]
Now I can't leave the country.
If this doesn't get settled, Milan is over for us.
Darling, let me talk with Pastene and see what the best strategy is.
I don't want you or your lawyer.
I'll solve this.
You can't act rashly.
OK? This is a very delicate issue.
I got the money to pay the company's debts, and I'm responsible for that.
I don't care who you owe.
Yes, I know you don't.
You and your mother always lived a fantasy, and I had to figure out how to pay the debts.
I can't argue about this, I'm driving.
Bye.
[MOTOR STARTS.]
The campaign is impressive, they covered the city with posters.
I guess.
It's marketing, posing as art.
Edha won by plagiarizing her own mother.
It's whimsical what she did.
An insane investment that could also go wrong.
- Why? - Well, it's always a possibility.
Look at you here, with Edha's daughter.
She's my daughter too, OK? Where can I change? Yes hold on a moment, another girl is coming.
OK? No! That girl knows me.
She's the one who was on our turf.
- Is that her? - Her and two others.
- Did she see your face? - Yes.
Fuck.
- Are you waiting for someone? - No.
Huh? - Nice place, congratulations.
- Thank you.
- Let's get the fuck out of here.
- No way, I'm not leaving.
Let me, you play dumb.
But she'll recognize me.
I scared her.
Even if she does, that doesn't mean she'll talk.
Look at her.
She's a rich kid.
You're a nobody.
And if she talks? Deny it, straight-faced.
[LOUDSPEAKER.]
Yastin! Yes! They called us.
[PALOMA.]
This way.
Celia, Elena, you'll be in the same sector.
You can go and change.
- Sorry, Yastin, Luciano Jáuregui.
- Hello.
[PALOMA.]
He's Elena's father, a future court judge.
- Let's go? - Let's go.
- Who is he? - He runs an alternative agency.
A color I'd like to include.
A really weird color.
Weird is you asking me to include Elena.
A father helping his daughter, what's weird? So, you're Edha's daughter? Perhaps we came across each other before.
I've never seen you before.
I recognize your face from somewhere.
Maybe from some magazine.
[YASTIN.]
I don't think we go to the same places.
I don't know you.
You look nervous.
Not at all.
- Nervous? - No.
Worse.
Angry.
- You look tense.
What happened? - Nothing.
- You were happy to come here.
- I am happy.
- So? What happened? - I told you, nothing.
Elen Elen I know you by now.
I don't like them being here.
No, I don't like it either, but did something happen? Elena.
Your attitude changed when they got here.
Tell me what happened.
She was in the gang that robbed us.
When you picked me up.
Are you sure? It's a serious accusation.
I'm sure, or I wouldn't tell you.
Don't talk to her, please, it'll only be worse.
JULIÃN: I'M OUTSIDE - I'll be right back.
- Don't go far.
I'm just getting some air.
[CELIA TALKING, INDISTINCT.]
Can we talk for a second, please? Yes.
- My daughter told me everything.
- Everything? I'm sure she kept something to herself.
- I know what happened the other night.
- What do you know? Your kid likes being a drug dealer? Come on, man, I'm working here.
Looks like you have varied activities, right? What do you mean by that? Your daughter and me are the same shit.
The only difference is she thinks she dresses well.
[CELLPHONE BEEPS.]
What are you doing here? We didn't agree anything.
Don't be childish.
I wanted to see you.
This is finished, Julián.
We can't see each other.
I'll do things the right way.
- No! - I'll give you all the time you need.
I don't want that.
I want everything to be like before.
Me and Delfi, you with Monina.
It's too late for that now.
I can't do this.
Not anymore.
Goodbye.
Bye.
[CAR DOOR SHUTS.]
Where have you been? - Outside.
- Doing what? Getting some air.
The other night you went to a party.
You like to say things half way.
I told you the truth.
I went to a party.
You don't believe me? - Who were you talking to? - Mom.
She misses me.
I miss her, and the fact that she doesn't distrust me.
It seems like you do.
I get it, you don't know me yet.
I want to see her today.
- I'll take you.
- No, I'd rather go alone.
I'll be back early.
- Where does that guy live? - Who? - The one you told me about.
- Ollanta? - Far away, in the suburbs.
- I'll take you.
- No.
- You told me to trust you, trust me.
[EDHA.]
I need to know if this man is guilty.
Did something happen? Lorenzo lied to me.
He lied to me for years.
His statement says that he was in the city the night Inés died.
I always thought he was on a trip.
He showed up at the burial with a suitcase.
Why did he lie? [INHALES DEEPLY.]
[DOOR RATTLES.]
Monina! Monina, open up, I need to come in! [BANGING ON DOOR.]
[BANGING ON DOOR.]
Monina, I need some clothes! [BANGING ON DOOR.]
[BANGING ON DOOR.]
Monina, can you open the door? I know you're inside, open up! "The widower claims to have been on a business trip.
Plane tickets and hotel receipt are presented as evidence.
But he returns from his trip ahead of schedule, at 9 pm.
He doesn't return to his home address but stays overnight at 445 Ituzaingó St.
[EDHA.]
The extramarital bond is therefore confirmed and the declarant's testimony confirms the alibi.
" See? He had a lover and was with her that day.
OK.
Give me the name, tell me who she is.
I need you to find out.
That page is missing.
I need to know who she is.
I'll wait for your call.
[SIGHS.]
You should go home.
Are you sure? Yes.
I'll take care of Ollanta.
Thank you.
[EDHA.]
Tonight, Teo and I are united by a search for the truth.
A truth hidden by others but mostly by ourselves.
Before moving forward together, we have to see our stories through and we have to do it on our own.
Take separate paths so we can later reunite.
- Come on, relax a little.
- No, I don't want to.
I can't believe that chick was there.
Is she a model too? I can't believe it either.
- Paloma has no standards.
- She didn't know.
People are so weird.
Here.
No, I have to go to my dad's.
You're the only person who wants to go back to jail.
I don't want to go back.
He's a pain.
He was never around, now he wants to look after me.
- What will you do? - I don't know.
I don't know if I should go back to my mom's.
We should live together somewhere.
I can't stand my parents either.
- Shall we? - Let's do it.
- [SEBASTIÃN.]
Shall we? - Let's do it.
[THEY LAUGH.]
[DELFINA.]
Come on, do something naughty for once in your life.
- [SEBASTIÃN.]
That's the spirit! - [DELFINA.]
Yeah! - Smoke it right.
- Yeah, smoke it and like it.
[PEOPLE RAPPING IN BACKGROUND.]
[SEBASTIÃN LAUGHS.]
My dad is acting really weird.
[DELFINA.]
They argued a lot today.
I don't want to know.
[LAUGHS.]
- Looks like Elena got grumpy and high.
- I'm not high yet.
[RAPPERS IN BACKGROUND.]
Hey! [BEATBOXING.]
[RAPPING.]
Rapping texts, smoking pot, Watching my mind activate with the dope When the night falls, I burn out a jay, Words pour out of me, my mind flies away Even if a killjoy says it's bad for me, This natural fruit fills me with glee To share this, with all my brothers Like with the rhymes, From one to the other [CROWD.]
Whoa! [RAPPING.]
By the window in my room I have a holy plant I tend to it and smoke it I love it And though I know it's banned I don't think it's wrong To share it with my pals In spring, I sow the fruit In winter I harvest it, roll it, enjoy it [CROWD.]
Whoa! [BEATBOXING.]
That idiot is Edha's daughter.
Her father is a judge.
So what? We can make lots of money.
I know, but I don't like it.
Celia, you've never thought of going to Milan.
It's a dream.
Yes, it's a dream, but that girl worries me sick.
I'll call Paloma and tell her you're not going.
The other girl is going.
- I didn't say that.
- Yes, you didn't say it.
You said some other stupidity.
We don't choose who goes.
What matters is that Paloma takes us with her.
[BREATHES DEEPLY.]
Listen to me.
This is what I need to change my life.
- Don't fuck it up.
Is that clear? - Yes.
- [EDHA.]
Durruti.
- I made some calls.
I have to check the info, but I think I know who the woman is.
- Who? - MarÃa Antonia Gómez.
She goes by "Marita.
" What's her address? Mom? [CELLPHONE RINGS.]
- Hi, Dad.
- [JÃUREGUI.]
Elena, are you OK? Yes, I'm at Mom's.
You were coming back early.
Put your mother on.
She's sleeping.
She'll kill me if I wake her up.
Tomorrow is an important day, Elena.
- Why? What happens? - What happens? They decide if I'm part of the Supreme Court.
It's nothing.
- Oh, impressive.
- Impressive, yes.
I don't have time to play cab driver or run after a problematic teenager.
I'm not problematic.
Who told you that? I'm not an idiot.
I want you home.
Let me stay at Mom's, I'll come tomorrow.
- You're coming now.
- I don't get it.
Is that a house or a prison? Let me stay at Mom's.
I'll come tomorrow.
[HANGS UP.]
[SIGHS.]
CLOTHES MADE TO MEASURE! [DOORBELL RINGS.]
[DOOR BUZZES OPEN.]
[DOORBELL RINGS.]
- Hello.
- Marita? Yes? I'm Edha.
Inés and Lorenzo's daughter, Edha Abadi.
You worked at our home, remember me? Yes.
Yes, of course you were a child.
Can I come in? Hey! Welcome.
Do you like it? It wasn't an accident.
Talk.
You finally realized? It took you a while.
You couldn't stand it when Manito left the factory.
Your brother was very rude.
I taught him everything.
I gave him a place, and he fucked me over.
Good riddance.
- You set fire to the factory.
- No.
It wasn't me, though I should have.
But it wasn't me.
Now get out.
- Who did it then? - How should I know? I wouldn't tell you, I'm no rat.
Who set fire to the factory? - Talk.
- Don't make a mistake.
[MAN.]
Drop the gun.
Manito? Subtitle translation by: Jonathan Hemming