Love & Death (2023) s01e07 Episode Script
Ssssshh
1
("DON'T LET ME BE MISUNDERSTOOD"
BY NINA SIMONE PLAYING)
Baby, you understand me now ♪
If sometimes you see that I'm mad? ♪
Don't you know no one alive
can always be an angel? ♪
When everything goes
wrong, you see some bad ♪
But, oh, I'm just a soul ♪
Whose intentions are good ♪
Oh lord ♪
Please don't let me be misunderstood ♪
Doo, doo, doo ♪
Oh, oh-oh-oh baby, I'm just human ♪
Don't you know I have
faults like anyone? ♪
Sometimes, I find myself alone ♪
Regretting some little foolish thing ♪
Some simple thing ♪
That I've done ♪
'Cause I'm just a soul ♪
Whose intentions are good ♪
Oh lord, please don't let me be ♪
Misunderstood ♪
Doo, doo ♪
Don't let me be misunderstood ♪
I try so hard, so please ♪
Don't let me be misunderstood ♪
(CHURCH CHOIR SINGING)
Jerusalem ♪
♪
CANDY: The scripture says
that he who is without love
does not know God,
for God is love.
And we commend to His mercy
all who have loved and died.
That Your will for
them may be fulfilled.
As in baptism, Betty Gore put on Christ.
- (DEEP RUMBLING)
- So in Christ, may Betty Gore
- be clothed in glory
- DON (ECHOES): Candy?
CANDY: Clothed in glory
Clothed in glory
- DON CROWDER: Candy?
- CANDY (WHISPERS): Clothed in glory
DON: Candy.
Are you ready?
Did you hear me?
I'm as ready as I'm gonna get.
DON: Do not hold anything back.
If it even seems like
you're hidin', we lose.
It's time.
(MUFFLED CROWD CHATTER)
(INHALES)
- ("MAGGIE MAY" BY ROD STEWART PLAYING)
- (REPORTER CHATTER)
I think I've got
something to say to you ♪
(CROWD YELLING)
It's late September,
and I really should be ♪
Back at school ♪
I know I keep you amused ♪
But I feel I'm being used ♪
Oh, Maggie, I wished ♪
I'd never seen your face ♪
(MUSIC ECHOES, FADES)
(DRAMATIC SWELLING TONE)
(SONG FADES OUT)
(QUIET, TENSE MUSIC)
(ECHOING FOOTSTEPS)
- (FOOTSTEPS CONTINUE)
- (QUIET WHOOSH)
(FOOTSTEPS CONTINUE)
♪
- (GATE CREAKS)
- (CLEAR FOOTSTEPS)
- (CHAIRS CREAK)
- (FANS SQUEAKING)
JUDGE RYAN: Mr. Crowder,
are you ready to proceed?
Yes, Your Honor.
The defense calls Candace Montgomery.
♪
(WHISPERING CHATTER)
DON: You heard Allan Gore's testimony.
Was his description of
the affair accurate?
CANDY: Yes.
DON: It petered out into nothingness?
It was over-over?
CANDY: Yes.
DON: There was no burning ember
that made you wanna get back together?
Definitely not.
Calling your attention to
the morning of June 13th,
why'd you go to the Gore house?
We had plans to see "The
Empire Strikes Back."
Alisa wanted to go, and Jenny
very much wanted Alisa to go.
Jenny is your 7-year-old daughter?
- CANDY: Yes.
- And Alisa?
Alisa Gore, Jenny's best
friend. She had stayed the night.
Betty Gore's daughter?
- CANDY: Yes.
- DON: And you and Betty were friends?
CANDY: Yes.
DON: Prior to June 13th of this year,
had you and Mrs. Gore
ever exchanged any hostile words?
- CANDY: No.
- DON: Had you ever had
- any physical altercation?
- CANDY: No.
When's the last physical
altercation of any kind
you can remember
getting into with anyone,
other than June 13th?
I don't think there ever was any.
How about a verbal altercation?
I can't think of any.
DON: To the best of your recollection,
you have never fought with anyone,
either physically or
verbally, prior to June 13th?
That's correct.
DON: So, you went to the
Gore house that morning?
To get Alisa's bathing suit.
♪
She had a swimming lesson that day,
and if she was gonna stay another night,
I would have to take her.
DON: Did you call Mrs.
Gore prior to going?
- CANDY: No.
- BETTY: Candy.
(ECHOING) Sorry, Why call when
you can barge right in, right?
DON: How did she seem
when you got there?
She seemed a bit hurried.
Hurried?
She was planning for a big trip,
and she seemed anxious about it.
- DON: Did she invite you in?
- CANDY: Yes.
DON: And what happened
after she invited you in?
We
talked about the movie plans.
I asked her if it was
okay for Alisa to go.
We talked about the swimming lessons,
her upcoming trip.
- She introduced me to the new puppy.
- (COLLAR JINGLING)
It was a normal, friendly conversation?
- (CLOCK TICKING)
- CANDY: Very.
Until I was gettin' ready to leave.
DON: And what happened then?
(INHALES DEEPLY) Well,
I said that I should
get going as I had an errand to run
and suddenly, she blurted out
Are you having an affair with Allan?
DON: And what did you say?
Yes.
- (CLOCK TICKING)
- (BIRDS CHIRPING)
But it was a long time ago.
You wait a minute.
I thought maybe she had
found a card or a letter
that Allan or I had written,
- and maybe she just went to go get it.
- (DOOR CREAKS)
And when she reappeared?
(CREAK, ECHOING DOOR SLAM)
She had an axe.
♪
Were you in fear for
your life at that moment?
No.
Because I never dreamed
she would use it.
So what happened next?
Well, I said, under the circumstances,
I should probably bring
Alisa home after Bible class.
- And she said
- No, I don't wanna see you anymore.
- (CLANK)
- CANDY: And she put the axe down.
DON: Had you ever seen that
axe before in your life?
- CANDY: No.
- DON: Did you even know the Gores had an axe?
- CANDY: No.
- DON: What happened next?
I went into the utility room
to grab Alisa's bathing suit,
and that was about the same time
that Betty had returned from
the bathroom with a towel.
And then what happened?
♪
(WHISPERS) She just looked so hurt.
Ma'am, I'm gonna need you to speak up.
DON: Betty looked hurt?
CANDY: I put my hand on her shoulder.
And that's when I said
I am so sorry.
And she did not like that.
(GRUNTS)
(PANTING)
- You can't have him.
- CANDY: Then suddenly, she had the axe again.
BETTY: You can't have
him. You can't have him!
- I'm gonna have another baby. You can't have him.
- Please. I don't want
- You can't have him!
- I don't want him!
- (BETTY CRYING)
- Betty, don't do this.
(CRYING, GRUNTS)
(GASPS) What are you doing?
Did you think, at that moment,
she was going to kill you?
(QUIETLY) I still didn't
believe she'd ever do that.
DON: But, at some point,
your belief changed?
- CANDY: Yes.
- When?
♪
When she swung the axe up
- (STRUGGLING, SCREAMING)
- (AXE CLANGS)
and it hit me in
the side of my head.
- (CANDY PANTING)
- (BETTY GRUNTS)
- (CLANG)
- (SCREAMS)
DON: Can you describe
the force of that swing?
It seemed with every
ounce of her strength.
Were you now concerned for your life?
I knew then that she wanted to kill me.
DON: And then what happened?
♪
I grabbed the axe.
(GASPS) You
(BOTH STRUGGLING)
(GRUNTING)
(PANTING)
(STRUGGLING CONTINUES)
- (SCREAMS)
- (BARKING)
- (BANG)
- (BETTY GASPING)
- (AXE THUDS)
- (BETTY GRUNTS)
(BETTY GASPING)
- (AXE CLATTERS)
- (CANDY GASPING)
I thought I'd killed her.
(GASPING)
DON: And then what happened?
♪
I just went to leave, but
But what?
(INHALES)
(GASPING)
(BOTH PANTING)
(GRUNTING, STRUGGLING)
(BOTH YELLING)
(BOTH GRUNTING, PANTING)
Let go of me!
(SCREAMS)
(SCREAMS)
- (AXE CLANGS)
- (PANTING ECHOES)
- Please, I don't want him
- (HIGH-PITCHED RINGING)
(ECHOING) No, I don't want him!
(GASPS) Shh
- Please, I don't want him.
- (SHUSHING ECHOES)
I don't want him! No!
(SHUSHING ECHOES)
(STRUGGLING, GRUNTS)
(PANTING)
(SCREAMS)
(GRUNTS)
Ah!
(PANTING)
- (SCREAMS)
- (BLOOD SPLATTERS)
- (SCREAMS)
- (AXE CLANGS)
(SHUDDERING BREATHS)
- (SCREAMING)
- (AXE STRIKING)
(GASPS)
(BETTY SCREAMING)
- (GASPING)
- (CANDY GRUNTING)
(SCREAMING)
(BARKING)
- (AXE STRIKING)
- (CANDY GRUNTING)
♪
(AXE CLANGS)
(YELLING)
- Ah!
- (CLATTER ECHOES)
(SHUDDERING GASP)
(SNIFFLES, GASPS)
(GASPS)
(WHIMPERING)
DON: Do you recall how
many times you hit her
when she was upright?
No.
DON: What about when she was down?
I just remember being afraid
that she'd get back up again,
so I kept hitting her.
(CEILING FANS SQUEAKING)
(SNIFFLES)
DON: When you got to the Gore house,
did you have it in your
mind to kill Betty Gore?
- No.
- After she hit you in the head the first time,
did you have it in your mind
- then to kill Betty Gore?
- No.
After she hit you the second time,
did you have it in your mind
- to kill Betty Gore?
- No.
DON: When, if ever,
did it enter your mind that
you had to kill Betty Gore
to keep from being killed?
I never thought about it.
It just happened.
♪
After you stopped hitting her,
what did you do?
(RAGGED BREATHING)
CANDY: I walked around.
I stood back, and
I looked at myself, and I was
covered with blood.
DON: What were your
feelings at that moment?
(FAUCET CREAKS, SHOWER STARTS)
CANDY: I just felt so dirty.
I had to get the blood
off. It was making me sick.
So I got into the shower.
- (WATER STREAMING)
- (RAGGED BREATHING)
(LONG EXHALE)
♪
I just wanted to make it
all go away, but I couldn't.
♪
And I kept thinking
I have to be normal.
- (BLOWING)
- (PINWHEEL SPINNING)
One thing at a time.
Father's Day cards.
Swimming lessons.
- Movies.
- (ECHOING DOOR SLAM)
One thing at a time. Normal.
DON: And when you left the
house and started to drive home,
what thoughts were running
through your mind at that moment?
That it was all a mistake.
Then it never happened.
♪
It just never happened.
But it did happen.
- You killed Betty Gore with this axe.
- (GASPS)
- Sorry, please don't make me look at that.
- You killed her with this axe!
- Stop (GASPS) Stop.
- You can look at it. Look at it!
(CRYING)
Do you need a break?
No, I'm okay.
I'm okay.
(CANDY SIGHS, SNIFFLES)
Pass the witness.
(CANDY BREATHING HEAVILY)
(PUTS DOWN AXE)
When you left the house,
the baby was there.
- (CANDY SIGHS)
- Alone. With her mother dead.
I wasn't thinking about the baby.
My mind wasn't thinking at all.
Well, it was thinking
should get in the shower.
It was thinking should
wash the blood off.
When you left the house,
you knew you had killed Betty
Gore with an axe, didn't you?
I knew.
TOM O'CONNELL: And when
you arrived back at the church,
you told no one?
I wanted to pretend it didn't happen.
Wanted to "pretend it didn't happen."
You "pretended" with your friends
and fellow congregants at the church?
- Yes.
- You "pretended" with your close friend
and former pastor, Jackie Ponder?
- Yes.
- O'CONNELL: You "pretended" with your husband?
You especially "pretended"
with the police.
I was not truthful at first.
But I was lying to myself just
as much as I was lying to them.
But you're not lying today?
No.
You said Betty Gore
went to the utility room,
then appeared with the axe?
- Yes.
- You didn't try to flee?
As I mentioned earlier,
I didn't think my life
was in danger at that time.
But later, you did?
Why didn't you run then?
At that point, I was blocked.
What about the, the door to the garage?
It was closed.
♪
Your Honor, may I approach?
I'll show you exhibit 13.
You recognize this?
It's a lens to my sunglasses.
- O'CONNELL: Sunglasses you were wearing that day?
- Yes.
This lens was found
in the garage. Did you go in the garage?
- No.
- Never?
I have never been in the Gore garage.
Then, how do you explain
the lens to your sunglasses
being in the garage?
Maybe during the struggle,
it somehow got kicked in there.
It got kicked in? While
the door was closed?
No, as I was trying to get out,
I had opened the door slightly
before Betty came back at me.
And so, maybe it got
kicked into the garage
while the door was ajar.
That's the only explanation
I can come up with.
I bet you wish you could
come up with another.
- Objection.
- First, you said the door was closed.
Now, you amend it to "slightly ajar."
Mrs. Montgomery
Are you pretending again with us now?
- Objection.
- JUDGE RYAN: Overruled.
O'CONNELL: Do you consider
yourself to be a good liar?
- Objection!
- Overruled, and stop your nonsense.
O'CONNELL: When you told
your fellow congregants
back at the church that nothing
happened at the Gore house,
did they believe you?
♪
- Yes.
- When you told Jackie Ponder, she believed you?
- Yes.
- O'CONNELL: When you told your husband,
he believed you?
- (SOFTLY) Yes.
- All these people believed you.
You must be a very good liar.
- Objection!
- And I would imagine if you could fool
the people that know you best
- Objection!
- JUDGE RYAN: Oh, alright.
♪
DON: He did damage.
I should have done more with
that fuckin' sunglasses lens.
We had a pretty good day.
- Nobody's buying Candy's testimony.
- (PHONES RINGING)
- We don't know that.
- Are you listenin' to what's being said?
ROBERT UDASHEN: The
media doesn't get a vote.
I was watching the jury
during Candy's testimony.
They were hanging on every word.
They seem to be with her.
What about Dr. Fason?
I'm not sure Judge Ryan will
find hypnosis admissible.
Yeah, well, we have to try.
Self-defense doesn't
account for 40 whacks.
We need Fason.
("WILL YOU LOVE ME TOMORROW" BY
THE SHIRELLES PLAYING ON STEREO)
(DISHES CLINKING)
Tonight, you're mine ♪
Completely ♪
- CANDY'S MOTHER: Honey.
- You give your love ♪
So sweetly ♪
Mom?
- Tonight ♪
- What are you doing here?
- Shh!
- (SINGING ECHOES, DISTORTS)
Why are you here?
You need to defend yourself, honey.
Here, take this.
(ECHOING SLICE)
(EERIE MUSIC PLAYING)
(GASPS)
- Oh
- (MUSIC SWELLS)
(GASPING)
(GROANING, PANTING)
Candy, what's wrong?
(HEAVY BREATHING)
(DOORBELL RINGING)
- (REPEATED DOORBELL RINGING)
- (LIGHTS CLICK)
PAT: Don, it's near midnight.
DON: I tried calling. Why's
the phone off the hook?
Oh, w-we're getting prank calls.
Well, I need to be able
to contact you both.
Put the phone back on the hook.
Why? What's wrong?
(SIGHS) Little change of plans.
I'm puttin' you up next.
Me? Why?
This is Texas, Pat.
Folks might be able to forgive murder.
Adultery, not so much.
I did forgive her. And do.
In fact, I-I blame myself.
- DON: Why?
- The relationship with Allan
was really more about
having someone to talk to,
and, uh, I wasn't
open enough with Candy.
I wasn't sharing myself enough.
DON: Mr. Montgomery,
when you learned what
happened in that utility room,
you continued to stand by your wife?
Of course.
Yes. Sh-She is not violent.
In-In fact, once the horror passed,
I felt some gratitude. I thanked God.
You thanked God?
PAT: Betty is a much larger woman.
Add to that, she had an axe.
Could have easily gone the other way.
Candy is loving.
She's not violent.
For this to have happened,
Betty came at her.
O'CONNELL: Did your wife
tell you what she'd done?
I think she blocked it out.
She lied to you. She kept it from you.
I don't think she really remembered.
She forgot about it, you think?
DR. FRED FASON: It's not
that she didn't remember.
She knew she had swung the axe,
but she suffered a
dissociative reaction,
which can induce a form of
amnesia to suppress anger,
- and, in this case, shame.
- Hold on.
Are you sayin' she suffered
from a mental illness?
I'm saying she could
not reconcile her actions
with who she believes herself to be,
so she, in a sense, blocked it out.
DON: Can this explain why after,
when she went back to church,
and then to Target to
buy Father's Day cards,
it was as if this
incident had never happened
in Mrs. Montgomery's mind?
She knew that it had happened,
but by forcing herself to
go about her normal day,
it was as if she were trying
to erase the reality of it.
A portion of her
personality was split off
- from her consciousness.
- Dr. Fason,
I admit I am no medical doctor,
but when a personality
gets portioned off
from somebody's consciousness,
that sure as hell sounds
like mental illness to me.
DON: Approach, Your Honor?
(QUIETLY) I don't recall you jumping in
with the prosecution's medical experts.
(QUIETLY) I can pose questions
to witnesses, sua sponte.
You know what sua sponte is, counsel?
It's Latin for "my courtroom."
DON: We would like the record
to reflect your obstruction.
JUDGE RYAN: You don't have to
introduce what I say into the record.
You know why? 'Cause if I said it,
it's already in the record.
I'm representin' a
woman who may go to jail
for the rest of her life,
so I'm going to perfect the record
so that it accurately
reflects your prejudice.
For that remark,
this court holds you in contempt.
You're already holdin' me in contempt.
Well, I'm doin' it again.
Another $100
and 72 hours in the Collin County jail,
effective immediately today
once we stand in recess.
Doctor, I'd like you to elaborate
on my client's dissociative reaction,
if you possibly can without
being abruptly interrupted.
DR. FASON: Mrs.
Montgomery couldn't fathom
that she was capable
of this kind of rage.
In fact, this woman has
an anathema to violence.
Candy Montgomery is also a person
who is excessively concerned
with what other people think of her.
This is a common personality
pattern with individuals
who struggle with
dissociative reactions.
Doctor, I'm going to
instruct you to refrain
from narrative responses.
Answer only what Mr. Crowder asks.
Is it common for individuals
who suffer dissociative reactions
to be excessively concerned
with how others perceive them?
DR. FASON: Yes.
It's partly why Mrs. Montgomery
emotionally walled herself off
from the events of that day.
It was only when I hypnotized her
that she was fully able
to access her memory.
How so?
DR. FASON: I was able
to age-regress her
to the time when she first experienced
a dissociative reaction.
It happened when she was 4 years old.
She was involved in a race of some sort
with a little boy who
was older than her,
and the winner got to
pump some water into a jar.
She was mad because she lost,
and she threw the jar into the pump,
and it broke.
A piece of glass from that broken jar
came back and hit her in the forehead
and she was bleeding down her face.
When she was taken to the hospital,
she was very frightened about
what was going to happen to her.
(YOUNG CANDY SCREAMING)
DR. FASON: And she was screaming.
- DR. FASON: Her mother said
- (ECHOING) Shh!
What will they think of you in
the waiting room? Stop crying.
(SCREAMING)
Shh! Shh!
- Shh!
- (TENSE CRESCENDO)
(SCREAMING FADES OUT)
DON: She relayed this to
you while under hypnosis?
Correct. She had no
conscious memory of it.
Even under hypnosis,
she was very frightened
of expressing the
feelings that she felt.
It took a very definitive suggestion
that when I counted to three,
she would express those feelings.
I counted to three. One
- two, three.
- Shh!
(PRIMAL SCREAM)
(ECHOING, FADING)
(SILENCE)
DR. FASON: Honestly, it was a scream
a sound, that I had never heard before.
- Triggered by her mother saying "shh"?
- DR. FASON: Yes.
Is it any coincidence that
Betty Gore also said
"shh"?
It is not.
I look at that explosion
of violence with Betty Gore
as being the result of the anger
that had been buried within her
and blocked off all that time
since she was 4 years of age.
- When I told her that, she said
- CANDY: Oh, my God.
Do you mean I killed my mother?
♪
DON: Was she killing
her mother in a way?
DR. FASON: No. She was defending
herself against an attack by Betty Gore.
But, the depth of rage and violence,
that did in part come from something
that happened with her mother.
Let me ask you one final question.
Did Candace Montgomery,
at any time during June 13th, 1980,
knowingly, uh, that is
on a conscious level,
intend to kill Betty Gore?
I do not believe so.
Your Honor, we pass the witness.
(O'CONNELL CLEARS THROAT)
Defendant hit the victim
41 times with an axe.
She pulverized Betty Gore's
face into a soft mulch.
Your testimony is that she did so
because Betty said "shh,"
reminding the defendant of her mother?
My testimony is that
she was defending herself
against Mrs. Gore's
attack, and the violence
unleashed a rage that had
been within her for decades.
A rage caused by her mother saying "shh"
when she was 4 years old?
Not necessarily caused
by, but fueled by.
O'CONNELL: So, she's sane
enough to argue self-defense,
but not sane enough to be responsible
for chopping Betty Gore into bits?
Again,
her initial impulse
was to defend herself,
but during the struggle,
she lost control.
Just so I'm clear.
She knew she was hitting Betty Gore
- over and over with an axe?
- DR. FASON: Yes.
And she was swinging it out of rage?
- Yes.
- Thank you.
♪
(BIRDS CHIRPING)
CANDY: So is it okay for us to talk now?
Now that my testimony is over?
It's okay.
Why did you make me look
at the axe like that?
I needed emotion.
Our case is you had an emotional break.
I needed the jury to
see a flicker of it.
- (INHALES)
- (DISTANT CHATTER)
So what now?
Betty Gore had it comin'.
- I need the jury to see a flicker of that, too.
- You're jokin'.
We can't risk her being too sympathetic.
♪
CATHERINE COOPER: I wouldn't
say she was mean, Betty,
but she could be ornery.
Snappish is how I'd describe her.
I'll say she was mean.
Betty Gore could be
quite confrontational.
- Can you give us an example?
- PASTOR RON: Well,
she would let out dismissive
snorts during my sermons,
right out there in front where
everyone could see and hear
'cause she was in the choir.
And not long after I arrived at Lucas,
she told me to go
back where I came from.
- Betty Gore didn't like you?
- She hated me.
Candy didn't like me much
either. At least, not at first,
but Candy was cordial.
Betty could be vicious.
O'CONNELL: You eulogized this woman.
Y-You called her a beautiful person.
She was beautiful, as
are all God's creatures.
But she had a streak.
I pass the witness.
As the hour is late,
seems like a good time to take a break.
For the day.
- ("SLIPPIN' INTO DARKNESS" BY WAR PLAYING)
- (GAVEL BANGS)
Slippin' into darkness ♪
(SHUTTER SNAPPING)
(DOOR BUZZES)
I was slippin' into darkness ♪
Yeah ♪
(DROPS OBJECT)
(THUDDING, CLATTERING)
Take my mind ♪
(DOOR BUZZES)
Beyond the dreams ♪
Where I talk to my brother ♪
Whoa, ho, ho ♪
(DOOR BUZZES)
CAROL CROWDER: What made
him change his mind?
DON: Robert made an emergency call
- to the Court of Criminal Appeals.
- (DISTANT SIREN)
Honestly, I wish he hadn't.
If I did time during trial,
more ammo with the appellate court.
- Oh.
- (OPENS DOOR)
Thank you.
(OPENS, SHUTS CAR DOOR)
(SIGHING)
What are you doin'?
We knew Betty Gore.
Were friends with her.
For you to just throw
dirt on her like that
I didn't do that.
CAROL: Yes, you did. You
called her pastor to the stand,
to say what? That, that
God was okay with this?
I just established
that Betty could be antagonistic.
Which is the truth.
This case is gonna be your legacy, Don.
Oh, balls.
Legacy is you live, you die.
With any luck, it'll have
mattered a nick you did the former.
This whole thing is gonna eat at you.
It may rot at you.
♪
I got enough on my plate
without this shit, Carol.
(RUMMAGING IN PURSE)
(KEYS JINGLE)
Basically, the doctor said
she acted out of self-defense,
and then transformed into
an unconscious killing machine.
Even the victim's pastor
weighed in with a shot,
along with other parishioners.
PASTOR RON (ON TV): God loves everybody.
And he loved Betty Gore.
All I said she could be a handful.
I have never seen Betty
be unkind to anyone.
She was a wonderful
human being. Excuse me.
(CLICK)
(CLOCK TICKING)
(ALLAN SIGHS)
It cannot be healthy for
you to be watching all this.
I can't be in the room
until closing arguments, so this is
the only way I know what's going on.
I put all of this in motion.
Betty's dead
because I cheated on her.
You couldn't have possibly foreseen
You won't survive if you continue
to punish yourself this way.
I'm so grateful for your support.
I just feel so alone.
You're not alone.
You're not.
♪
(BIRDS CHIRPING)
- (SHOWER RUNNING)
- ("HOLD THE LINE" BY TOTO PLAYING)
It's not in the way that you hold me ♪
It's not in the way you say you care ♪
It's not in the way you've
been treating my friends ♪
It's not in the way that
you stayed till the end ♪
It's not in the way you look ♪
Or the things that
you say that you'll do ♪
Hold the line ♪
Love isn't always on time ♪
Whoa, whoa, whoa ♪
Hold the line ♪
(SONG ECHOES, FADES OUT)
I'm not about to presume what you know,
but I think I can safely figure
that all of you can figure
Candy Montgomery didn't
wake up on June 13th, 1980,
with a plan to kill Betty Gore.
She didn't cook her kids breakfast,
head off to Bible school,
perform a parable in the sanctuary,
drive out to Wylie to pick up
Alisa's swimsuit, and then say,
"Hey, while I'm at it,
let's kill Betty Gore with an axe."
That makes zero sense.
Zero.
What happened here is not just
the most plausible scenario.
It's also exactly what Candy told you.
She got there. Betty
was in a dark place,
agitated that she might be pregnant,
upset that her husband had left town.
Then, after some odd
perfunctory conversation,
Betty suddenly confronted
Candy with the weapon.
A struggle occurred. Candy
reacted in self-defense
- after being struck with the axe.
- (SMACKS HAND)
And durin' that violent struggle,
she snapped.
Dr. Fason confirmed that Candy
was truthful in her account.
He also found that the violence
triggered a childhood trauma,
rendering Candy into a rage
that caused her to go outside herself.
Candy's testimony was not contradicted,
not once, not by anyone.
Nor was Dr. Fason's medical opinion.
All the police investigators,
the medical examiner,
the pathologist, none of them,
none could rule out self-defense.
So how can you?
None could exclude
that it was Betty Gore
who first came at Candy with that axe.
So how can you?
What they all did agree on?
A tremendous struggle took place.
And if this were a planned thing,
it was maybe the worst
planned crime ever.
Candy told people at the church
that she was headed
to Betty Gore's house.
Nor was there any motive.
As both Allan Gore and Candy testified,
my client would stand nothing
to gain from killing Betty.
The affair would not have been resumed.
Neither Candy nor
Allan had any interest.
It was over.
♪
In Candy's mind,
when Betty Gore came at her
and struck her with that axe,
Betty was no longer human.
She had turned into an
animal in search of prey
and what ensued in that utility room
was a violent death fight.
Betty Gore was a much larger woman.
Adrenaline had to take over
Candy in order to survive.
Adrenaline did take over
and human life was lost.
When a person gets killed,
it's natural to wanna
hold someone accountable.
It's natural for you
to wanna fix things.
To make it right.
It may even cause some
of you to wanna believe
the police version of
this. But I remind you,
the police version itself
cannot rule out self-defense.
(SIGHS) John Steinbeck
once wrote that,
"There are those among us who
live in rooms of experience
that you and I cannot enter."
If you're worried about
whether or not Mrs. Montgomery
has been punished in this case,
don't.
She lives in that room of experience.
(CANDY SIGHS)
She lives in it and she's locked in it
and it now constitutes a cell.
A jail cell.
♪
There won't be a day in
the life of Mrs. Montgomery
where she'll ever put out of her
mind that she committed this act
on June 13th, 1980.
There has been an American tragedy
played out in this courtroom.
But a conviction is
not a proper solution
to this particular tragedy.
The state has not proved its case.
Reasonable doubt exists.
Good luck to you.
♪
(CLEARS THROAT)
Mr. Crowder hits the point
that Mrs. Montgomery's
testimony was not refuted.
The person to refute Candy
Montgomery's testimony isn't here.
She's dead. Chopped to bits.
See, that's the thing, when
two people are in a room,
and one ends up murdered,
you only get a single version of events.
Let's look at Candy Montgomery's.
I suspect it quite helped
her that all the evidence
was available to her before she formed
her irrefutable testimony.
- Objection.
- Overruled.
Sit down, Mr. Crowder.
He didn't interrupt you.
♪
Mr. Crowder argues
none of this makes sense.
I won't ask you to make sense of it.
I'll just ask you to
look at what happened.
Candy Montgomery struck Betty
Gore 41 times with an axe.
Murdering her, disfiguring her,
breaking bones, severing arteries,
obliterating her skull and face.
That is not consistent
with self-defense.
Mr. Crowder had the temerity
to say Betty Gore stopped being human.
I ask you, who stopped being human here?
Who was the animal?
He wants you to believe her.
To find her testimony credible.
Seriously?
She's lied at every turn. To the police,
to her friends, to her own husband.
It was only after she was caught,
cold with a thumbprint match
that Candy Montgomery
decided to become truthful.
♪
Self-defense.
That's a lie. Hitting
an unconscious woman
over and over and over with an axe
as she lay there in her blood,
that's not self-defense.
Because Betty said "shh,"
just like my mother did when I was 4?
It insults this court's intelligence.
It insults yours.
Candy Montgomery knew she
couldn't possibly explain
her actions on June 13th,
so she chose to deny them.
She chose to lie. On June 14th,
on the 15th, on June 16th,
the 17th, the 18th,
she stuck to the same story.
With the police, her
friends, her husband.
She left Betty alive,
went to Target to get
a Father's Day card.
Then, as the truth catches up to her,
she pivots. Self-defense.
As for 41 whacks
Shh
You deserve better.
Betty Gore deserves better.
♪
Both lawyers were strong,
both made their points,
and both were not above
playing to the emotion.
This case stirred up such
strong and visceral feelings,
and neither attorney
shied away from them.
- (INDISTINCT CHATTER)
- (SHUTTERS SNAPPING)
Hey, what do you What do you think?
It's closer than I'd like it to be.
We just have to wait.
Well, whatever happens, I'm
sure it'll all be for the best.
(CHATTER CONTINUES)
(ECHOING SHUTTER SNAPS)
- Sherry's keeping the kids?
- Mm-hmm. For now.
Till there's a verdict.
- (CUTLERY CLINKING)
- (CANDY SIGHS)
You know, my mom always said
that there's no better comfort food
than Salisbury steak and macaroni.
(SOFT LAUGH)
You talk to her recently?
- Mm-hmm.
- Other than the, the dream?
This mornin'. She sends her prayers.
And her prayers usually take.
She's not mad at you, you think?
She can't be thrilled.
Especially after she reads that.
No, I just told her to stay
away from the newspapers
or anything like that.
Mm. Right.
Well, I just can't wait
for all this to be over
and I can go back to
having a normal life
and go to the market
without people staring at me.
Candy, I think no matter what happens,
this will never be over.
Well, if they find me innocent.
The jury can't find you innocent.
They can only find you not guilty.
And there's a difference.
We have no chance at a normal life here.
We're going to have to leave McKinney.
Let's just pray we get that chance.
Well, I thought your testimony was good.
Thank you. (SOFT LAUGH)
I don't know if I deserve you, Pat.
But I'm sure lucky to have you.
We're both lucky.
♪
Well, I think I wanna go
back and wait it out with Don
'cause I you know, I just am feeling
a little too anxious sittin' here.
(LAUGHS) Yeah. Okay.
(QUIET HALL CHATTER)
- (CANDY SIGHS)
- Don! Don!
They're back.
The jury. They have a verdict.
- Already?
- ELAINE CARPENTER: The judge just called.
I've got the car ready to take us back.
We'll meet you there.
♪
(BRAKES SQUEAK)
(MUFFLED CROWD CHATTER)
(CROWD YELLING)
(YELLING CONTINUES)
(SHUTTER SNAPS)
- (INDISTINCT CHATTER)
- (SHUTTERS SNAPPING)
(PANTING)
Gentlemen, comin' through.
(CROWD YELLING)
BAILIFF: All rise!
(COURT STANDING)
JUDGE RYAN: You may be
seated, ladies and gentlemen.
I have some instructions for
the attorneys, the parties,
the spectators.
When I read the verdict into the record,
I want no reaction from
anyone in this courtroom.
Whatever that verdict
might be, no vocal reaction,
no physical reaction.
And now don't think I'm
picking on y'all. That's standard.
Alright, bring the jury in.
(QUIET FOOTSTEPS)
- (DOOR SHUTS)
- Be seated.
Alright then, Mr. Foreman, has
the jury reached a verdict, sir?
FOREMAN: Your Honor, we have.
(PAPER RUSTLING)
(CEILING FANS SQUEAKING)
Will the defendant please rise?
(CHAIRS CREAK)
We, the jury
find the defendant not guilty.
(CROWD MURMURING)
- (CANDY GASPING)
- Each member of the jury
that concurs with this verdict,
will you indicate it to me
by raising your right hand?
- The court will accept the verdict
- (ECHOING GASP)
and order it filed.
This case is adjourned.
- (GAVEL BANGS)
- (CANDY CRYING)
♪
(MUFFLED CRYING)
DON (ECHOING): Congratulations, Candy.
(MUFFLED COURT CHATTER)
(EXCITED CHATTER)
- (CROWD JEERING, YELLING)
- (SHUTTERS SNAPPING)
- (SHUTTER SNAPPING)
- How do you feel about it? Were you shocked?
(YELLING CONTINUES)
(TENSE MUSIC BUILDING)
- (BIRDS CHIRPING)
-
JENNY: What about our beds and stuff?
CANDY: Well, the movers
will come for that, baby.
We just take what we need for now.
The movers will bring it
all the way to Georgia?
Yep. That's why we call them movers.
(CAR APPROACHES)
(ENGINE CUTS, CAR DOOR OPENS)
Why don't you guys go say
goodbye to Miss Sherry?
- I forgot something.
- SHERRY: Hi, hey, bud.
Hey, how are you doin'?
Good? You're gonna be good,
right? Okay. See you guys.
♪
I promise I'll call as
soon as we get there.
Okay. You better.
(SHERRY SIGHS)
CANDY: Are we all set?
- PAT: Yeah, yeah.
- CANDY: Yeah?
(BIRDS CHIRPING)
(BRAKES SQUEAK, ENGINE CUTS)
- I won't be long.
- Okay.
(TENSE MUSIC)
(ECHOING DOGS BARKING)
(RINGS DOORBELL)
(DOOR OPENS)
- (DOOR CREAKING)
- (CANDY SIGHS)
I would've called, but I was
afraid you might say don't come.
Anyway
Pat, me, and the kids
are leavin' McKinney,
and we're gonna go try and start anew
near my folks in, in Georgia.
So I just wanted to
come by and say goodbye.
- Okay.
- Also, Allan
I'm sorry.
For everything that happened.
I never meant (STAMMERS)
Me, too. I'm sorry, too.
Betty and I, we were good friends.
You know, she was a
She was a good person.
We were a lot alike
in some ways. Just a
good, good person.
Anyway
I wish you a good life, Allan.
Yeah. I wish you a good life, too.
Well
(SIGHS)
Okay.
Bye-bye.
- (DOOR SHUTS)
- (SHAKY SIGH)
(DEEP SIGH)
(INHALES, EXHALES)
- (JAUNTY PIANO MUSIC)
- (CAR DOOR OPENS)
(STARTS ENGINE)
(SHIFTS GEAR)
♪
Hallelujah ♪
Sing a song ♪
Hallelujah ♪
We'll follow along ♪
With a simple word ♪
A single word ♪
We bless the sky, the tree, the bird ♪
And we fill our heart with joy ♪
Hallelujah ♪
Hallelujah ♪
Sounds of love ♪
Hallelujah ♪
The sunshine above ♪
Hallelujah ♪
The bells will go ringing ♪
And dinging from dawn till night ♪
Hallelujah ♪
Hallelujah ♪
Sounds of love ♪
Hallelujah ♪
The sunshine above ♪
Hallelujah ♪
The bells will go ringing ♪
And dinging from dawn till night ♪
Hallelujah, hallelujah! ♪
Hallelujah ♪
The bells will go ringing ♪
And dinging from dawn till night ♪
Hallelujah ♪
(SONG ENDS)
♪
("DON'T LET ME BE MISUNDERSTOOD"
BY NINA SIMONE PLAYING)
Baby, you understand me now ♪
If sometimes you see that I'm mad? ♪
Don't you know no one alive
can always be an angel? ♪
When everything goes
wrong, you see some bad ♪
But, oh, I'm just a soul ♪
Whose intentions are good ♪
Oh lord ♪
Please don't let me be misunderstood ♪
Doo, doo, doo ♪
Oh, oh-oh-oh baby, I'm just human ♪
Don't you know I have
faults like anyone? ♪
Sometimes, I find myself alone ♪
Regretting some little foolish thing ♪
Some simple thing ♪
That I've done ♪
'Cause I'm just a soul ♪
Whose intentions are good ♪
Oh lord, please don't let me be ♪
Misunderstood ♪
Doo, doo ♪
Don't let me be misunderstood ♪
I try so hard, so please ♪
Don't let me be misunderstood ♪
(CHURCH CHOIR SINGING)
Jerusalem ♪
♪
CANDY: The scripture says
that he who is without love
does not know God,
for God is love.
And we commend to His mercy
all who have loved and died.
That Your will for
them may be fulfilled.
As in baptism, Betty Gore put on Christ.
- (DEEP RUMBLING)
- So in Christ, may Betty Gore
- be clothed in glory
- DON (ECHOES): Candy?
CANDY: Clothed in glory
Clothed in glory
- DON CROWDER: Candy?
- CANDY (WHISPERS): Clothed in glory
DON: Candy.
Are you ready?
Did you hear me?
I'm as ready as I'm gonna get.
DON: Do not hold anything back.
If it even seems like
you're hidin', we lose.
It's time.
(MUFFLED CROWD CHATTER)
(INHALES)
- ("MAGGIE MAY" BY ROD STEWART PLAYING)
- (REPORTER CHATTER)
I think I've got
something to say to you ♪
(CROWD YELLING)
It's late September,
and I really should be ♪
Back at school ♪
I know I keep you amused ♪
But I feel I'm being used ♪
Oh, Maggie, I wished ♪
I'd never seen your face ♪
(MUSIC ECHOES, FADES)
(DRAMATIC SWELLING TONE)
(SONG FADES OUT)
(QUIET, TENSE MUSIC)
(ECHOING FOOTSTEPS)
- (FOOTSTEPS CONTINUE)
- (QUIET WHOOSH)
(FOOTSTEPS CONTINUE)
♪
- (GATE CREAKS)
- (CLEAR FOOTSTEPS)
- (CHAIRS CREAK)
- (FANS SQUEAKING)
JUDGE RYAN: Mr. Crowder,
are you ready to proceed?
Yes, Your Honor.
The defense calls Candace Montgomery.
♪
(WHISPERING CHATTER)
DON: You heard Allan Gore's testimony.
Was his description of
the affair accurate?
CANDY: Yes.
DON: It petered out into nothingness?
It was over-over?
CANDY: Yes.
DON: There was no burning ember
that made you wanna get back together?
Definitely not.
Calling your attention to
the morning of June 13th,
why'd you go to the Gore house?
We had plans to see "The
Empire Strikes Back."
Alisa wanted to go, and Jenny
very much wanted Alisa to go.
Jenny is your 7-year-old daughter?
- CANDY: Yes.
- And Alisa?
Alisa Gore, Jenny's best
friend. She had stayed the night.
Betty Gore's daughter?
- CANDY: Yes.
- DON: And you and Betty were friends?
CANDY: Yes.
DON: Prior to June 13th of this year,
had you and Mrs. Gore
ever exchanged any hostile words?
- CANDY: No.
- DON: Had you ever had
- any physical altercation?
- CANDY: No.
When's the last physical
altercation of any kind
you can remember
getting into with anyone,
other than June 13th?
I don't think there ever was any.
How about a verbal altercation?
I can't think of any.
DON: To the best of your recollection,
you have never fought with anyone,
either physically or
verbally, prior to June 13th?
That's correct.
DON: So, you went to the
Gore house that morning?
To get Alisa's bathing suit.
♪
She had a swimming lesson that day,
and if she was gonna stay another night,
I would have to take her.
DON: Did you call Mrs.
Gore prior to going?
- CANDY: No.
- BETTY: Candy.
(ECHOING) Sorry, Why call when
you can barge right in, right?
DON: How did she seem
when you got there?
She seemed a bit hurried.
Hurried?
She was planning for a big trip,
and she seemed anxious about it.
- DON: Did she invite you in?
- CANDY: Yes.
DON: And what happened
after she invited you in?
We
talked about the movie plans.
I asked her if it was
okay for Alisa to go.
We talked about the swimming lessons,
her upcoming trip.
- She introduced me to the new puppy.
- (COLLAR JINGLING)
It was a normal, friendly conversation?
- (CLOCK TICKING)
- CANDY: Very.
Until I was gettin' ready to leave.
DON: And what happened then?
(INHALES DEEPLY) Well,
I said that I should
get going as I had an errand to run
and suddenly, she blurted out
Are you having an affair with Allan?
DON: And what did you say?
Yes.
- (CLOCK TICKING)
- (BIRDS CHIRPING)
But it was a long time ago.
You wait a minute.
I thought maybe she had
found a card or a letter
that Allan or I had written,
- and maybe she just went to go get it.
- (DOOR CREAKS)
And when she reappeared?
(CREAK, ECHOING DOOR SLAM)
She had an axe.
♪
Were you in fear for
your life at that moment?
No.
Because I never dreamed
she would use it.
So what happened next?
Well, I said, under the circumstances,
I should probably bring
Alisa home after Bible class.
- And she said
- No, I don't wanna see you anymore.
- (CLANK)
- CANDY: And she put the axe down.
DON: Had you ever seen that
axe before in your life?
- CANDY: No.
- DON: Did you even know the Gores had an axe?
- CANDY: No.
- DON: What happened next?
I went into the utility room
to grab Alisa's bathing suit,
and that was about the same time
that Betty had returned from
the bathroom with a towel.
And then what happened?
♪
(WHISPERS) She just looked so hurt.
Ma'am, I'm gonna need you to speak up.
DON: Betty looked hurt?
CANDY: I put my hand on her shoulder.
And that's when I said
I am so sorry.
And she did not like that.
(GRUNTS)
(PANTING)
- You can't have him.
- CANDY: Then suddenly, she had the axe again.
BETTY: You can't have
him. You can't have him!
- I'm gonna have another baby. You can't have him.
- Please. I don't want
- You can't have him!
- I don't want him!
- (BETTY CRYING)
- Betty, don't do this.
(CRYING, GRUNTS)
(GASPS) What are you doing?
Did you think, at that moment,
she was going to kill you?
(QUIETLY) I still didn't
believe she'd ever do that.
DON: But, at some point,
your belief changed?
- CANDY: Yes.
- When?
♪
When she swung the axe up
- (STRUGGLING, SCREAMING)
- (AXE CLANGS)
and it hit me in
the side of my head.
- (CANDY PANTING)
- (BETTY GRUNTS)
- (CLANG)
- (SCREAMS)
DON: Can you describe
the force of that swing?
It seemed with every
ounce of her strength.
Were you now concerned for your life?
I knew then that she wanted to kill me.
DON: And then what happened?
♪
I grabbed the axe.
(GASPS) You
(BOTH STRUGGLING)
(GRUNTING)
(PANTING)
(STRUGGLING CONTINUES)
- (SCREAMS)
- (BARKING)
- (BANG)
- (BETTY GASPING)
- (AXE THUDS)
- (BETTY GRUNTS)
(BETTY GASPING)
- (AXE CLATTERS)
- (CANDY GASPING)
I thought I'd killed her.
(GASPING)
DON: And then what happened?
♪
I just went to leave, but
But what?
(INHALES)
(GASPING)
(BOTH PANTING)
(GRUNTING, STRUGGLING)
(BOTH YELLING)
(BOTH GRUNTING, PANTING)
Let go of me!
(SCREAMS)
(SCREAMS)
- (AXE CLANGS)
- (PANTING ECHOES)
- Please, I don't want him
- (HIGH-PITCHED RINGING)
(ECHOING) No, I don't want him!
(GASPS) Shh
- Please, I don't want him.
- (SHUSHING ECHOES)
I don't want him! No!
(SHUSHING ECHOES)
(STRUGGLING, GRUNTS)
(PANTING)
(SCREAMS)
(GRUNTS)
Ah!
(PANTING)
- (SCREAMS)
- (BLOOD SPLATTERS)
- (SCREAMS)
- (AXE CLANGS)
(SHUDDERING BREATHS)
- (SCREAMING)
- (AXE STRIKING)
(GASPS)
(BETTY SCREAMING)
- (GASPING)
- (CANDY GRUNTING)
(SCREAMING)
(BARKING)
- (AXE STRIKING)
- (CANDY GRUNTING)
♪
(AXE CLANGS)
(YELLING)
- Ah!
- (CLATTER ECHOES)
(SHUDDERING GASP)
(SNIFFLES, GASPS)
(GASPS)
(WHIMPERING)
DON: Do you recall how
many times you hit her
when she was upright?
No.
DON: What about when she was down?
I just remember being afraid
that she'd get back up again,
so I kept hitting her.
(CEILING FANS SQUEAKING)
(SNIFFLES)
DON: When you got to the Gore house,
did you have it in your
mind to kill Betty Gore?
- No.
- After she hit you in the head the first time,
did you have it in your mind
- then to kill Betty Gore?
- No.
After she hit you the second time,
did you have it in your mind
- to kill Betty Gore?
- No.
DON: When, if ever,
did it enter your mind that
you had to kill Betty Gore
to keep from being killed?
I never thought about it.
It just happened.
♪
After you stopped hitting her,
what did you do?
(RAGGED BREATHING)
CANDY: I walked around.
I stood back, and
I looked at myself, and I was
covered with blood.
DON: What were your
feelings at that moment?
(FAUCET CREAKS, SHOWER STARTS)
CANDY: I just felt so dirty.
I had to get the blood
off. It was making me sick.
So I got into the shower.
- (WATER STREAMING)
- (RAGGED BREATHING)
(LONG EXHALE)
♪
I just wanted to make it
all go away, but I couldn't.
♪
And I kept thinking
I have to be normal.
- (BLOWING)
- (PINWHEEL SPINNING)
One thing at a time.
Father's Day cards.
Swimming lessons.
- Movies.
- (ECHOING DOOR SLAM)
One thing at a time. Normal.
DON: And when you left the
house and started to drive home,
what thoughts were running
through your mind at that moment?
That it was all a mistake.
Then it never happened.
♪
It just never happened.
But it did happen.
- You killed Betty Gore with this axe.
- (GASPS)
- Sorry, please don't make me look at that.
- You killed her with this axe!
- Stop (GASPS) Stop.
- You can look at it. Look at it!
(CRYING)
Do you need a break?
No, I'm okay.
I'm okay.
(CANDY SIGHS, SNIFFLES)
Pass the witness.
(CANDY BREATHING HEAVILY)
(PUTS DOWN AXE)
When you left the house,
the baby was there.
- (CANDY SIGHS)
- Alone. With her mother dead.
I wasn't thinking about the baby.
My mind wasn't thinking at all.
Well, it was thinking
should get in the shower.
It was thinking should
wash the blood off.
When you left the house,
you knew you had killed Betty
Gore with an axe, didn't you?
I knew.
TOM O'CONNELL: And when
you arrived back at the church,
you told no one?
I wanted to pretend it didn't happen.
Wanted to "pretend it didn't happen."
You "pretended" with your friends
and fellow congregants at the church?
- Yes.
- You "pretended" with your close friend
and former pastor, Jackie Ponder?
- Yes.
- O'CONNELL: You "pretended" with your husband?
You especially "pretended"
with the police.
I was not truthful at first.
But I was lying to myself just
as much as I was lying to them.
But you're not lying today?
No.
You said Betty Gore
went to the utility room,
then appeared with the axe?
- Yes.
- You didn't try to flee?
As I mentioned earlier,
I didn't think my life
was in danger at that time.
But later, you did?
Why didn't you run then?
At that point, I was blocked.
What about the, the door to the garage?
It was closed.
♪
Your Honor, may I approach?
I'll show you exhibit 13.
You recognize this?
It's a lens to my sunglasses.
- O'CONNELL: Sunglasses you were wearing that day?
- Yes.
This lens was found
in the garage. Did you go in the garage?
- No.
- Never?
I have never been in the Gore garage.
Then, how do you explain
the lens to your sunglasses
being in the garage?
Maybe during the struggle,
it somehow got kicked in there.
It got kicked in? While
the door was closed?
No, as I was trying to get out,
I had opened the door slightly
before Betty came back at me.
And so, maybe it got
kicked into the garage
while the door was ajar.
That's the only explanation
I can come up with.
I bet you wish you could
come up with another.
- Objection.
- First, you said the door was closed.
Now, you amend it to "slightly ajar."
Mrs. Montgomery
Are you pretending again with us now?
- Objection.
- JUDGE RYAN: Overruled.
O'CONNELL: Do you consider
yourself to be a good liar?
- Objection!
- Overruled, and stop your nonsense.
O'CONNELL: When you told
your fellow congregants
back at the church that nothing
happened at the Gore house,
did they believe you?
♪
- Yes.
- When you told Jackie Ponder, she believed you?
- Yes.
- O'CONNELL: When you told your husband,
he believed you?
- (SOFTLY) Yes.
- All these people believed you.
You must be a very good liar.
- Objection!
- And I would imagine if you could fool
the people that know you best
- Objection!
- JUDGE RYAN: Oh, alright.
♪
DON: He did damage.
I should have done more with
that fuckin' sunglasses lens.
We had a pretty good day.
- Nobody's buying Candy's testimony.
- (PHONES RINGING)
- We don't know that.
- Are you listenin' to what's being said?
ROBERT UDASHEN: The
media doesn't get a vote.
I was watching the jury
during Candy's testimony.
They were hanging on every word.
They seem to be with her.
What about Dr. Fason?
I'm not sure Judge Ryan will
find hypnosis admissible.
Yeah, well, we have to try.
Self-defense doesn't
account for 40 whacks.
We need Fason.
("WILL YOU LOVE ME TOMORROW" BY
THE SHIRELLES PLAYING ON STEREO)
(DISHES CLINKING)
Tonight, you're mine ♪
Completely ♪
- CANDY'S MOTHER: Honey.
- You give your love ♪
So sweetly ♪
Mom?
- Tonight ♪
- What are you doing here?
- Shh!
- (SINGING ECHOES, DISTORTS)
Why are you here?
You need to defend yourself, honey.
Here, take this.
(ECHOING SLICE)
(EERIE MUSIC PLAYING)
(GASPS)
- Oh
- (MUSIC SWELLS)
(GASPING)
(GROANING, PANTING)
Candy, what's wrong?
(HEAVY BREATHING)
(DOORBELL RINGING)
- (REPEATED DOORBELL RINGING)
- (LIGHTS CLICK)
PAT: Don, it's near midnight.
DON: I tried calling. Why's
the phone off the hook?
Oh, w-we're getting prank calls.
Well, I need to be able
to contact you both.
Put the phone back on the hook.
Why? What's wrong?
(SIGHS) Little change of plans.
I'm puttin' you up next.
Me? Why?
This is Texas, Pat.
Folks might be able to forgive murder.
Adultery, not so much.
I did forgive her. And do.
In fact, I-I blame myself.
- DON: Why?
- The relationship with Allan
was really more about
having someone to talk to,
and, uh, I wasn't
open enough with Candy.
I wasn't sharing myself enough.
DON: Mr. Montgomery,
when you learned what
happened in that utility room,
you continued to stand by your wife?
Of course.
Yes. Sh-She is not violent.
In-In fact, once the horror passed,
I felt some gratitude. I thanked God.
You thanked God?
PAT: Betty is a much larger woman.
Add to that, she had an axe.
Could have easily gone the other way.
Candy is loving.
She's not violent.
For this to have happened,
Betty came at her.
O'CONNELL: Did your wife
tell you what she'd done?
I think she blocked it out.
She lied to you. She kept it from you.
I don't think she really remembered.
She forgot about it, you think?
DR. FRED FASON: It's not
that she didn't remember.
She knew she had swung the axe,
but she suffered a
dissociative reaction,
which can induce a form of
amnesia to suppress anger,
- and, in this case, shame.
- Hold on.
Are you sayin' she suffered
from a mental illness?
I'm saying she could
not reconcile her actions
with who she believes herself to be,
so she, in a sense, blocked it out.
DON: Can this explain why after,
when she went back to church,
and then to Target to
buy Father's Day cards,
it was as if this
incident had never happened
in Mrs. Montgomery's mind?
She knew that it had happened,
but by forcing herself to
go about her normal day,
it was as if she were trying
to erase the reality of it.
A portion of her
personality was split off
- from her consciousness.
- Dr. Fason,
I admit I am no medical doctor,
but when a personality
gets portioned off
from somebody's consciousness,
that sure as hell sounds
like mental illness to me.
DON: Approach, Your Honor?
(QUIETLY) I don't recall you jumping in
with the prosecution's medical experts.
(QUIETLY) I can pose questions
to witnesses, sua sponte.
You know what sua sponte is, counsel?
It's Latin for "my courtroom."
DON: We would like the record
to reflect your obstruction.
JUDGE RYAN: You don't have to
introduce what I say into the record.
You know why? 'Cause if I said it,
it's already in the record.
I'm representin' a
woman who may go to jail
for the rest of her life,
so I'm going to perfect the record
so that it accurately
reflects your prejudice.
For that remark,
this court holds you in contempt.
You're already holdin' me in contempt.
Well, I'm doin' it again.
Another $100
and 72 hours in the Collin County jail,
effective immediately today
once we stand in recess.
Doctor, I'd like you to elaborate
on my client's dissociative reaction,
if you possibly can without
being abruptly interrupted.
DR. FASON: Mrs.
Montgomery couldn't fathom
that she was capable
of this kind of rage.
In fact, this woman has
an anathema to violence.
Candy Montgomery is also a person
who is excessively concerned
with what other people think of her.
This is a common personality
pattern with individuals
who struggle with
dissociative reactions.
Doctor, I'm going to
instruct you to refrain
from narrative responses.
Answer only what Mr. Crowder asks.
Is it common for individuals
who suffer dissociative reactions
to be excessively concerned
with how others perceive them?
DR. FASON: Yes.
It's partly why Mrs. Montgomery
emotionally walled herself off
from the events of that day.
It was only when I hypnotized her
that she was fully able
to access her memory.
How so?
DR. FASON: I was able
to age-regress her
to the time when she first experienced
a dissociative reaction.
It happened when she was 4 years old.
She was involved in a race of some sort
with a little boy who
was older than her,
and the winner got to
pump some water into a jar.
She was mad because she lost,
and she threw the jar into the pump,
and it broke.
A piece of glass from that broken jar
came back and hit her in the forehead
and she was bleeding down her face.
When she was taken to the hospital,
she was very frightened about
what was going to happen to her.
(YOUNG CANDY SCREAMING)
DR. FASON: And she was screaming.
- DR. FASON: Her mother said
- (ECHOING) Shh!
What will they think of you in
the waiting room? Stop crying.
(SCREAMING)
Shh! Shh!
- Shh!
- (TENSE CRESCENDO)
(SCREAMING FADES OUT)
DON: She relayed this to
you while under hypnosis?
Correct. She had no
conscious memory of it.
Even under hypnosis,
she was very frightened
of expressing the
feelings that she felt.
It took a very definitive suggestion
that when I counted to three,
she would express those feelings.
I counted to three. One
- two, three.
- Shh!
(PRIMAL SCREAM)
(ECHOING, FADING)
(SILENCE)
DR. FASON: Honestly, it was a scream
a sound, that I had never heard before.
- Triggered by her mother saying "shh"?
- DR. FASON: Yes.
Is it any coincidence that
Betty Gore also said
"shh"?
It is not.
I look at that explosion
of violence with Betty Gore
as being the result of the anger
that had been buried within her
and blocked off all that time
since she was 4 years of age.
- When I told her that, she said
- CANDY: Oh, my God.
Do you mean I killed my mother?
♪
DON: Was she killing
her mother in a way?
DR. FASON: No. She was defending
herself against an attack by Betty Gore.
But, the depth of rage and violence,
that did in part come from something
that happened with her mother.
Let me ask you one final question.
Did Candace Montgomery,
at any time during June 13th, 1980,
knowingly, uh, that is
on a conscious level,
intend to kill Betty Gore?
I do not believe so.
Your Honor, we pass the witness.
(O'CONNELL CLEARS THROAT)
Defendant hit the victim
41 times with an axe.
She pulverized Betty Gore's
face into a soft mulch.
Your testimony is that she did so
because Betty said "shh,"
reminding the defendant of her mother?
My testimony is that
she was defending herself
against Mrs. Gore's
attack, and the violence
unleashed a rage that had
been within her for decades.
A rage caused by her mother saying "shh"
when she was 4 years old?
Not necessarily caused
by, but fueled by.
O'CONNELL: So, she's sane
enough to argue self-defense,
but not sane enough to be responsible
for chopping Betty Gore into bits?
Again,
her initial impulse
was to defend herself,
but during the struggle,
she lost control.
Just so I'm clear.
She knew she was hitting Betty Gore
- over and over with an axe?
- DR. FASON: Yes.
And she was swinging it out of rage?
- Yes.
- Thank you.
♪
(BIRDS CHIRPING)
CANDY: So is it okay for us to talk now?
Now that my testimony is over?
It's okay.
Why did you make me look
at the axe like that?
I needed emotion.
Our case is you had an emotional break.
I needed the jury to
see a flicker of it.
- (INHALES)
- (DISTANT CHATTER)
So what now?
Betty Gore had it comin'.
- I need the jury to see a flicker of that, too.
- You're jokin'.
We can't risk her being too sympathetic.
♪
CATHERINE COOPER: I wouldn't
say she was mean, Betty,
but she could be ornery.
Snappish is how I'd describe her.
I'll say she was mean.
Betty Gore could be
quite confrontational.
- Can you give us an example?
- PASTOR RON: Well,
she would let out dismissive
snorts during my sermons,
right out there in front where
everyone could see and hear
'cause she was in the choir.
And not long after I arrived at Lucas,
she told me to go
back where I came from.
- Betty Gore didn't like you?
- She hated me.
Candy didn't like me much
either. At least, not at first,
but Candy was cordial.
Betty could be vicious.
O'CONNELL: You eulogized this woman.
Y-You called her a beautiful person.
She was beautiful, as
are all God's creatures.
But she had a streak.
I pass the witness.
As the hour is late,
seems like a good time to take a break.
For the day.
- ("SLIPPIN' INTO DARKNESS" BY WAR PLAYING)
- (GAVEL BANGS)
Slippin' into darkness ♪
(SHUTTER SNAPPING)
(DOOR BUZZES)
I was slippin' into darkness ♪
Yeah ♪
(DROPS OBJECT)
(THUDDING, CLATTERING)
Take my mind ♪
(DOOR BUZZES)
Beyond the dreams ♪
Where I talk to my brother ♪
Whoa, ho, ho ♪
(DOOR BUZZES)
CAROL CROWDER: What made
him change his mind?
DON: Robert made an emergency call
- to the Court of Criminal Appeals.
- (DISTANT SIREN)
Honestly, I wish he hadn't.
If I did time during trial,
more ammo with the appellate court.
- Oh.
- (OPENS DOOR)
Thank you.
(OPENS, SHUTS CAR DOOR)
(SIGHING)
What are you doin'?
We knew Betty Gore.
Were friends with her.
For you to just throw
dirt on her like that
I didn't do that.
CAROL: Yes, you did. You
called her pastor to the stand,
to say what? That, that
God was okay with this?
I just established
that Betty could be antagonistic.
Which is the truth.
This case is gonna be your legacy, Don.
Oh, balls.
Legacy is you live, you die.
With any luck, it'll have
mattered a nick you did the former.
This whole thing is gonna eat at you.
It may rot at you.
♪
I got enough on my plate
without this shit, Carol.
(RUMMAGING IN PURSE)
(KEYS JINGLE)
Basically, the doctor said
she acted out of self-defense,
and then transformed into
an unconscious killing machine.
Even the victim's pastor
weighed in with a shot,
along with other parishioners.
PASTOR RON (ON TV): God loves everybody.
And he loved Betty Gore.
All I said she could be a handful.
I have never seen Betty
be unkind to anyone.
She was a wonderful
human being. Excuse me.
(CLICK)
(CLOCK TICKING)
(ALLAN SIGHS)
It cannot be healthy for
you to be watching all this.
I can't be in the room
until closing arguments, so this is
the only way I know what's going on.
I put all of this in motion.
Betty's dead
because I cheated on her.
You couldn't have possibly foreseen
You won't survive if you continue
to punish yourself this way.
I'm so grateful for your support.
I just feel so alone.
You're not alone.
You're not.
♪
(BIRDS CHIRPING)
- (SHOWER RUNNING)
- ("HOLD THE LINE" BY TOTO PLAYING)
It's not in the way that you hold me ♪
It's not in the way you say you care ♪
It's not in the way you've
been treating my friends ♪
It's not in the way that
you stayed till the end ♪
It's not in the way you look ♪
Or the things that
you say that you'll do ♪
Hold the line ♪
Love isn't always on time ♪
Whoa, whoa, whoa ♪
Hold the line ♪
(SONG ECHOES, FADES OUT)
I'm not about to presume what you know,
but I think I can safely figure
that all of you can figure
Candy Montgomery didn't
wake up on June 13th, 1980,
with a plan to kill Betty Gore.
She didn't cook her kids breakfast,
head off to Bible school,
perform a parable in the sanctuary,
drive out to Wylie to pick up
Alisa's swimsuit, and then say,
"Hey, while I'm at it,
let's kill Betty Gore with an axe."
That makes zero sense.
Zero.
What happened here is not just
the most plausible scenario.
It's also exactly what Candy told you.
She got there. Betty
was in a dark place,
agitated that she might be pregnant,
upset that her husband had left town.
Then, after some odd
perfunctory conversation,
Betty suddenly confronted
Candy with the weapon.
A struggle occurred. Candy
reacted in self-defense
- after being struck with the axe.
- (SMACKS HAND)
And durin' that violent struggle,
she snapped.
Dr. Fason confirmed that Candy
was truthful in her account.
He also found that the violence
triggered a childhood trauma,
rendering Candy into a rage
that caused her to go outside herself.
Candy's testimony was not contradicted,
not once, not by anyone.
Nor was Dr. Fason's medical opinion.
All the police investigators,
the medical examiner,
the pathologist, none of them,
none could rule out self-defense.
So how can you?
None could exclude
that it was Betty Gore
who first came at Candy with that axe.
So how can you?
What they all did agree on?
A tremendous struggle took place.
And if this were a planned thing,
it was maybe the worst
planned crime ever.
Candy told people at the church
that she was headed
to Betty Gore's house.
Nor was there any motive.
As both Allan Gore and Candy testified,
my client would stand nothing
to gain from killing Betty.
The affair would not have been resumed.
Neither Candy nor
Allan had any interest.
It was over.
♪
In Candy's mind,
when Betty Gore came at her
and struck her with that axe,
Betty was no longer human.
She had turned into an
animal in search of prey
and what ensued in that utility room
was a violent death fight.
Betty Gore was a much larger woman.
Adrenaline had to take over
Candy in order to survive.
Adrenaline did take over
and human life was lost.
When a person gets killed,
it's natural to wanna
hold someone accountable.
It's natural for you
to wanna fix things.
To make it right.
It may even cause some
of you to wanna believe
the police version of
this. But I remind you,
the police version itself
cannot rule out self-defense.
(SIGHS) John Steinbeck
once wrote that,
"There are those among us who
live in rooms of experience
that you and I cannot enter."
If you're worried about
whether or not Mrs. Montgomery
has been punished in this case,
don't.
She lives in that room of experience.
(CANDY SIGHS)
She lives in it and she's locked in it
and it now constitutes a cell.
A jail cell.
♪
There won't be a day in
the life of Mrs. Montgomery
where she'll ever put out of her
mind that she committed this act
on June 13th, 1980.
There has been an American tragedy
played out in this courtroom.
But a conviction is
not a proper solution
to this particular tragedy.
The state has not proved its case.
Reasonable doubt exists.
Good luck to you.
♪
(CLEARS THROAT)
Mr. Crowder hits the point
that Mrs. Montgomery's
testimony was not refuted.
The person to refute Candy
Montgomery's testimony isn't here.
She's dead. Chopped to bits.
See, that's the thing, when
two people are in a room,
and one ends up murdered,
you only get a single version of events.
Let's look at Candy Montgomery's.
I suspect it quite helped
her that all the evidence
was available to her before she formed
her irrefutable testimony.
- Objection.
- Overruled.
Sit down, Mr. Crowder.
He didn't interrupt you.
♪
Mr. Crowder argues
none of this makes sense.
I won't ask you to make sense of it.
I'll just ask you to
look at what happened.
Candy Montgomery struck Betty
Gore 41 times with an axe.
Murdering her, disfiguring her,
breaking bones, severing arteries,
obliterating her skull and face.
That is not consistent
with self-defense.
Mr. Crowder had the temerity
to say Betty Gore stopped being human.
I ask you, who stopped being human here?
Who was the animal?
He wants you to believe her.
To find her testimony credible.
Seriously?
She's lied at every turn. To the police,
to her friends, to her own husband.
It was only after she was caught,
cold with a thumbprint match
that Candy Montgomery
decided to become truthful.
♪
Self-defense.
That's a lie. Hitting
an unconscious woman
over and over and over with an axe
as she lay there in her blood,
that's not self-defense.
Because Betty said "shh,"
just like my mother did when I was 4?
It insults this court's intelligence.
It insults yours.
Candy Montgomery knew she
couldn't possibly explain
her actions on June 13th,
so she chose to deny them.
She chose to lie. On June 14th,
on the 15th, on June 16th,
the 17th, the 18th,
she stuck to the same story.
With the police, her
friends, her husband.
She left Betty alive,
went to Target to get
a Father's Day card.
Then, as the truth catches up to her,
she pivots. Self-defense.
As for 41 whacks
Shh
You deserve better.
Betty Gore deserves better.
♪
Both lawyers were strong,
both made their points,
and both were not above
playing to the emotion.
This case stirred up such
strong and visceral feelings,
and neither attorney
shied away from them.
- (INDISTINCT CHATTER)
- (SHUTTERS SNAPPING)
Hey, what do you What do you think?
It's closer than I'd like it to be.
We just have to wait.
Well, whatever happens, I'm
sure it'll all be for the best.
(CHATTER CONTINUES)
(ECHOING SHUTTER SNAPS)
- Sherry's keeping the kids?
- Mm-hmm. For now.
Till there's a verdict.
- (CUTLERY CLINKING)
- (CANDY SIGHS)
You know, my mom always said
that there's no better comfort food
than Salisbury steak and macaroni.
(SOFT LAUGH)
You talk to her recently?
- Mm-hmm.
- Other than the, the dream?
This mornin'. She sends her prayers.
And her prayers usually take.
She's not mad at you, you think?
She can't be thrilled.
Especially after she reads that.
No, I just told her to stay
away from the newspapers
or anything like that.
Mm. Right.
Well, I just can't wait
for all this to be over
and I can go back to
having a normal life
and go to the market
without people staring at me.
Candy, I think no matter what happens,
this will never be over.
Well, if they find me innocent.
The jury can't find you innocent.
They can only find you not guilty.
And there's a difference.
We have no chance at a normal life here.
We're going to have to leave McKinney.
Let's just pray we get that chance.
Well, I thought your testimony was good.
Thank you. (SOFT LAUGH)
I don't know if I deserve you, Pat.
But I'm sure lucky to have you.
We're both lucky.
♪
Well, I think I wanna go
back and wait it out with Don
'cause I you know, I just am feeling
a little too anxious sittin' here.
(LAUGHS) Yeah. Okay.
(QUIET HALL CHATTER)
- (CANDY SIGHS)
- Don! Don!
They're back.
The jury. They have a verdict.
- Already?
- ELAINE CARPENTER: The judge just called.
I've got the car ready to take us back.
We'll meet you there.
♪
(BRAKES SQUEAK)
(MUFFLED CROWD CHATTER)
(CROWD YELLING)
(YELLING CONTINUES)
(SHUTTER SNAPS)
- (INDISTINCT CHATTER)
- (SHUTTERS SNAPPING)
(PANTING)
Gentlemen, comin' through.
(CROWD YELLING)
BAILIFF: All rise!
(COURT STANDING)
JUDGE RYAN: You may be
seated, ladies and gentlemen.
I have some instructions for
the attorneys, the parties,
the spectators.
When I read the verdict into the record,
I want no reaction from
anyone in this courtroom.
Whatever that verdict
might be, no vocal reaction,
no physical reaction.
And now don't think I'm
picking on y'all. That's standard.
Alright, bring the jury in.
(QUIET FOOTSTEPS)
- (DOOR SHUTS)
- Be seated.
Alright then, Mr. Foreman, has
the jury reached a verdict, sir?
FOREMAN: Your Honor, we have.
(PAPER RUSTLING)
(CEILING FANS SQUEAKING)
Will the defendant please rise?
(CHAIRS CREAK)
We, the jury
find the defendant not guilty.
(CROWD MURMURING)
- (CANDY GASPING)
- Each member of the jury
that concurs with this verdict,
will you indicate it to me
by raising your right hand?
- The court will accept the verdict
- (ECHOING GASP)
and order it filed.
This case is adjourned.
- (GAVEL BANGS)
- (CANDY CRYING)
♪
(MUFFLED CRYING)
DON (ECHOING): Congratulations, Candy.
(MUFFLED COURT CHATTER)
(EXCITED CHATTER)
- (CROWD JEERING, YELLING)
- (SHUTTERS SNAPPING)
- (SHUTTER SNAPPING)
- How do you feel about it? Were you shocked?
(YELLING CONTINUES)
(TENSE MUSIC BUILDING)
- (BIRDS CHIRPING)
-
JENNY: What about our beds and stuff?
CANDY: Well, the movers
will come for that, baby.
We just take what we need for now.
The movers will bring it
all the way to Georgia?
Yep. That's why we call them movers.
(CAR APPROACHES)
(ENGINE CUTS, CAR DOOR OPENS)
Why don't you guys go say
goodbye to Miss Sherry?
- I forgot something.
- SHERRY: Hi, hey, bud.
Hey, how are you doin'?
Good? You're gonna be good,
right? Okay. See you guys.
♪
I promise I'll call as
soon as we get there.
Okay. You better.
(SHERRY SIGHS)
CANDY: Are we all set?
- PAT: Yeah, yeah.
- CANDY: Yeah?
(BIRDS CHIRPING)
(BRAKES SQUEAK, ENGINE CUTS)
- I won't be long.
- Okay.
(TENSE MUSIC)
(ECHOING DOGS BARKING)
(RINGS DOORBELL)
(DOOR OPENS)
- (DOOR CREAKING)
- (CANDY SIGHS)
I would've called, but I was
afraid you might say don't come.
Anyway
Pat, me, and the kids
are leavin' McKinney,
and we're gonna go try and start anew
near my folks in, in Georgia.
So I just wanted to
come by and say goodbye.
- Okay.
- Also, Allan
I'm sorry.
For everything that happened.
I never meant (STAMMERS)
Me, too. I'm sorry, too.
Betty and I, we were good friends.
You know, she was a
She was a good person.
We were a lot alike
in some ways. Just a
good, good person.
Anyway
I wish you a good life, Allan.
Yeah. I wish you a good life, too.
Well
(SIGHS)
Okay.
Bye-bye.
- (DOOR SHUTS)
- (SHAKY SIGH)
(DEEP SIGH)
(INHALES, EXHALES)
- (JAUNTY PIANO MUSIC)
- (CAR DOOR OPENS)
(STARTS ENGINE)
(SHIFTS GEAR)
♪
Hallelujah ♪
Sing a song ♪
Hallelujah ♪
We'll follow along ♪
With a simple word ♪
A single word ♪
We bless the sky, the tree, the bird ♪
And we fill our heart with joy ♪
Hallelujah ♪
Hallelujah ♪
Sounds of love ♪
Hallelujah ♪
The sunshine above ♪
Hallelujah ♪
The bells will go ringing ♪
And dinging from dawn till night ♪
Hallelujah ♪
Hallelujah ♪
Sounds of love ♪
Hallelujah ♪
The sunshine above ♪
Hallelujah ♪
The bells will go ringing ♪
And dinging from dawn till night ♪
Hallelujah, hallelujah! ♪
Hallelujah ♪
The bells will go ringing ♪
And dinging from dawn till night ♪
Hallelujah ♪
(SONG ENDS)
♪