Daisy Jones & the Six (2023) s01e08 Episode Script

1
Are you embarrassed to be with me?
I've just worked too fucking hard
to be forever be known as
"The Girlfriend" in The Six.
- Do you understand that?
- Yeah, actually, I do.
Are you sure you're okay?
[CAMILA] There were
just so many secrets.
You kept the one line that didn't work.
It was just the rest that was shit.
- [WHISTLES]
- It's not what you think, man.
I could've sworn you two were together.
How do you know we're not?
Not according to Billy.
He said it's all about the music.
And, uh, what was the name
of that recovery clinic?
- Who told you about that?
- You're a rock star, what're you gonna do?
I mean, they don't all miss
their daughter's christening.
- How could you tell him?
- You said it was all about the music.
- This is about the music.
- That's why you kissed me?
So I'd get back on the mic?
I'd say it was worth it, wouldn't you?
You're a fucking liar.
Don't put my daughter in your story.
Give me something better then.
Simone, Bernie, this
is Nicky Fitzpatrick.
The rings, please.
[PETROS SPEAKS IN GREEK]
[BELLS RINGING]
[NICKY] Maybe she's right.
Maybe you should go back.
[NICKY] I won't let
anyone hurt you ever again.
[PATTI SMITH: "DANCING BAREFOOT"]
She ♪
Is benediction ♪
She ♪
Is addicted to thee ♪
She ♪
Is the root connection ♪
She ♪
Is connecting with he ♪
Here I go ♪
And I don't know why ♪
I fell so ceaselessly ♪
Could it be he's taking ♪
Over me ♪
I'm dancing barefoot ♪
Heading for a spin ♪
Some strange music ♪
Draws me in ♪
Makes me come on ♪
Like some heroine ♪
[CAMILA GASPS] Look, Jules, it's Daddy.
[JULIA AND BILLY LAUGHING]
That's so exciting.
"Coming to a city near you this winter."
Except it wasn't true.
I mean, there was still
no trace of her anywhere.
Didn't show up for mixing, rehearsals
Well, some of us
couldn't help but wonder
if she was gone for good.
And I think one of us was
probably hoping for that.
[LAUGHTER AND CHATTERING]
I was just trying to
hold this thing together.
Let's run through "Aurora"
with that intro we were kicking around.
So you want to start
the set with "Aurora"?
That's what we decided, yeah.
Interesting.
Warren, when you're ready.
- One
- And these are the songs
that you want to sing?
That's right.
No "Regret Me"? No "Look at Us Now"?
Well, if you wanted to weigh in,
the time for that was weeks ago,
when we first started rehearing.
Do you guys need a minute?
No. Warren, count us in.
Yes, actually, we do.
What the hell is your problem?
You called me "icing."
You said I was a "head case"
to Rolling Stone magazine.
You told a journalist
about me missing the
birth of my daughter.
- So what?
- I told you that in confidence, Daisy,
because I trusted you.
Don't act like you didn't
fucking do anything.
- What does that mean?
- "Talent like Daisy's
is wasted on somebody like Daisy."
That's what you said.
You made me look weak.
You made me look like I need you.
So we both told the truth then.
[SIGHS]
[DOOR CLOSES]
[GUITAR AND DRUMS PLAY SIMPLE TUNE]
It's gonna be a long tour,
so if you'd prefer to sit this
one out, please be my guest.
There's no tour without
me, you dumb son of a bitch.
We're playing "Regret Me."
- Fine.
- And "Look at Us Now."
- No.
- Yes.
I said no, Daisy.
Warren, count us in, for
the love of fucking God.
What'd I miss?
[THE SWEET: "THE BALLROOM BLITZ"]
Who the fuck is this guy?
Everybody, this is Nicky.
My husband.
Hi.
- [THE SWEET: "THE BALLROOM BLITZ"]
- [MICK] Okay.
[BRIAN] All right, fellas.
Let's go !
♪
It's just more practical
with the costume changes.
Or you could wear less costumes.
A private dressing room
isn't that much to ask for.
Then I want a separate green room.
- For what?
- For those of us who aren't gonna use
before every show, Daisy.
That's you. So you want a
private green room just for you.
[ROD] Managing The
Six had somehow become
the hottest gig in town.
Billy never forgot what
I'd done for him back in '71
so when he called me up
I jumped at the chance.
I don't know if you
heard, but I'm married now,
so I'd like a suite for
all these overnights.
Well, I'm married, too.
But your wife's not coming on tour.
Not the whole time but I'm sorry,
if she gets a suite, I get a suite, too.
- On a separate floor.
- Oh, even better.
Why not get separate
buses while you're at it?
- Is that possible?
- Can we do that?
Seemed like a good idea at the time.
You have one album.
This is the kinda shit you can ask for
when you're Crosby, Stills & Nash, okay?
There's no way the label's
gonna sign off on any of this.
[CHUCKLES]
They said yes to everything.
[THE SWEET: "THE BALLROOM BLITZ"]
[SPEAKING INDISTINCTLY]
Oh, take care of yourself. Mwah.
- I'm gonna miss you so much.
- I'm gonna miss you.
- Mwah.
- Bye.
[KAREN] Bye.
[ROD] Got it.
[BILLY] Put it in the driver bay.
[SPEAKING SPANISH]
Be safe.
[MAN] You're first one on, last one out.
Put the talent up front.
[GRAHAM] Okay, take
care of your mom, okay?
- Oh, Julia gets so many Graham hugs.
- Oh, I'll miss you so, so much.
- Hey.
- Huh? Can I get a Graham hug?
Mm.
- Take care of him, okay?
- [BILLY GRUNTS]
- See you soon.
- Okay.
- Gonna miss me?
- Oh. Say goodbye.
You sure you don't want to come?
Oh, yeah, it'd be so fun with
a two-and-a-half year old.
- I'm gonna miss you
- Gonna miss you.
[ROD] Billy.
Hey, man.
Come on, get this show on the road.
- All right, all right.
- Okay.
Go be a rock star.
All right.
[BUS PULLING AWAY]
Night one was in Albuquerque.
See, you-you don't
start in New York or L.A.
where the crowd is nothing
but critics and suits.
You want to start small, off-market,
where you can get your
sea legs under you,
work out the kinks.
- [MICROPHONE FEEDBACK]
- Boy, it would kill you ♪
To try ♪
Can you do that phrase again, Daisy.
I'm getting some feedback.
Maybe stop moving around so much.
I mean, the mic gets shaky
with you flittering around.
So let's fix it.
Well, how are they supposed to light you
if you can't stand still?
Hey! Excuse me!
Can you light me if I'm moving around?
Uh, I mean, yeah,
whatever you guys want.
Wonderful.
Let's run through the song.
Yeah, sure.
[KAREN] If I'm being honest,
we were pretty sure
Albuquerque would be a disaster.
["THE RIVER"]
But it was fantastic.
If I follow you to the river ♪
If I follow you to the river ♪
And the shadow crawling towards you ♪
[GUITAR RIFF]
Oh ♪
- I'd follow you to the river ♪
- I want you there ♪
In the shadow ♪
In the river ♪
Your affection is a
promise you couldn't keep ♪
I know, I know, I know,
I know, I know, oh ♪
- Oh, if I follow you to the river ♪
- Oh ♪
- If I follow you there ♪
- To the river ♪
We had to work together.
We didn't have to like each other.
And we didn't.
Thank you, Albuquerque!
[WHISTLING AND CHEERING]
[SQUEALS HAPPILY]
[NICKY] That was incredible.
[CHEERING CONTINUES]
[PHONE RINGING]
[SOFTLY] Hello.
How's my little girl? She miss me?
Billy, it's been like
two days.
Can you put her on?
[INHALES DEEPLY]
Um it's the middle of the night.
She's been asleep for hours.
Here, you can listen to her dream, okay?
Hey, baby.
It's Daddy.
[CAMILA] Okay, well, I'm
gonna go back to bed.
I'll call you tomorrow.
I love you.
♪
[MUSIC CONTINUES DISTANTLY]
[PARTY CHATTER AND MUSIC CONTINUE]
This time is gonna be different.
- This is Billy Dunne.
- And I'm Daisy Jones.
And you're listening to
KAKC AM 970 radio Tulsa.
KBOX Dallas.
"The rock of Fort Worth."
KFJZ.
That was great, Mike. Thank you.
[MIKE] Thank you all. Appreciate it.
Thanks for having us.
[CHEERING LOUDLY]
[BOSTON: "MORE THAN A FEELING"]
Oh, my God.
Tributes to the Temple of Daisy Jones.
I looked out this morning
and the sun was gone ♪
By Christmas, they had
the number three song
in the country
and the number nine song in the country.
We booked them on
Bandstand, Midnight Special.
There were rumors
about Saturday Night Live.
All the shows were selling out,
new dates being added all the time.
[BOSTON: "MORE THAN A FEELING"]
[CROWD CHEERING]
All right, take it easy.
Don't make me bring out the big guns.
♪
Hi.
What?
[CROWD SCREAMING EXCITEDLY]
It's more than a feeling ♪
More than a feeling ♪
It was every band's dream come true.
More than a feeling ♪
- I begin dreaming ♪
- Eddie, come on, get out of here.
More than a feeling ♪
Till I see Marianne walk away ♪
- Hey. All right.
- [SCREAMING EXCITEDLY]
- I see my Marianne ♪
- Hey.
Walkin' away ♪
[TEDDY] Where are we going, Don?
Something I want you to see.
Zero to 60 in under five seconds.
Top speed about 165.
You know who else drives one of these?
007 himself.
Pretty nice car.
You like it?
What's not to like?
Good, 'cause she's yours.
We've had some hits before, you and I,
but these numbers, Teddy
The phone's been ringing off the hook.
Big names, too.
You know, heroes of mine. Some of 'em.
What's it gonna take
for you to stay in house?
[SCOFFS]
Well, a lot more than a Ferrari 308.
But you already knew that
didn't you?
[CHUCKLES QUIETLY]
Here. Don't drive her too fast
we got work to do.
["KILL YOU TO TRY"]
[DAISY] Show me, I'd
blind myself to see it ♪
What is it? What is it I must do? ♪
If I tell you, promise
me you'll mean it ♪
Let me come, let me come home to you ♪
Show me, I'd blind myself to see it ♪
What is it? What is it I must do? ♪
If I tell you, promise
me you'll mean it ♪
Let me come, let me come home to you ♪
Show me, I'd blind myself to see it ♪
What is it? What is it I must do? ♪
If I tell you, promise
me you'll mean it ♪
What is it? What is it I must do? ♪
Show me, I'd blind myself to see it ♪
Let me come, let me come home to you ♪
If I tell you, promise
me you'll mean it ♪
♪
♪
So, your face is like
on-on money and shit?
No. No, no.
So you're not really a prince.
It's complicated.
- Well, do you have land or power?
- [EDDIE] Yeah, land.
Do you have a job?
I'm a student of life.
- Oh, a student of life.
- [LAUGHTER]
Look at the student of life.
Okay, me, too, man.
- [WARREN] I like that.
- I get it.
Bye, Professor.
- Student of life.
- Hey, fuck off.
Do you have a degree?
[LAUGHTER]
♪
- [INDISTINCT TALKING NEARBY]
- [HORNS HONKING]
[PEOPLE CHATTERING NEARBY]
You crazy?
Well that's like
having a favorite kid.
I dig it all, man
doo-wop, boogie-woogie,
rockabilly, country
western, gospel, honky-tonk,
big band, bebop,
swing, jazz, folk, soul.
You name it, I can dig it.
Music is my life.
I mean, hell, why else
would I do a job like this?
I love it so much I even put
up with the fucking musicians.
[LAUGHTER]
[ROD] Let me tell you what it's
like to manage a rock band.
We're driving all
over hell and creation,
city to city, roadies
and crew, the whole nine,
and not one person not one
ever asks how we're
always stocked up on gas.
Or beer.
Or the special tea Daisy likes
that you can only get
shipped in from Thailand.
No one says "thank you," no
one notices a goddamn thing
until something goes wrong.
I know.
You said you won't have
that part till the morning.
But let me ask you something.
You like rock and roll?
Can't say I do, partner.
But I bet your kids love it.
Now, you get me that crankshaft
in the next half an hour
you could be father
of the fucking year.
♪
["TWO AGAINST THREE"]
The days were wide open ♪
At the heart of all of my joy ♪
Boys were invincible lovers ♪
Just begging to be destroyed ♪
[ROD] It's one thing dealing
with station attendants,
but Daisy and Billy?
That was a whole other kettle of fish.
["THE RIVER"]
If I follow you to the river ♪
If I follow you to the river ♪
Oh, the shadows crawling towards you ♪
Oh ♪
I'll follow you to the river ♪
In the shadow, in the river ♪
Your affection is a
promise you couldn't keep ♪
I know, I know, I know,
I know, I know, oh ♪
If I follow you to the river ♪
- If I follow you down ♪
- To the river ♪
To the river, your affection ♪
- I follow you ♪
- Is a promise ♪
You couldn't keep ♪
I know, I know, I know, I
know, I know I want you there ♪
- I'll follow you to the river ♪
- I know ♪
In the shadow ♪
I know, I know, I
know, I know, I know ♪
- I know I want you there ♪
- Oh ♪
I know, I know, I want you there ♪
[DAISY] Thank you, Houston!
[CHEERING FADES]
What's wrong?
When he's in the room
you're not yourself.
Have you noticed that?
[INHALES DEEPLY]
I'm always myself.
But you care what he thinks.
And that makes you a little less you.
[REPORTER] Over here, Billy.
- Billy.
- Billy
[CLAMORING]
Who makes that coat, Daisy?
- I don't know.
- And your shoes?
Why are you asking me
about my clothes, man?
I mean, why don't you ask Billy
- about that dumb-looking shirt he has on?
- [LAUGHTER]
"More fun to miss than to be with."
- Who's that about?
- Ah, come on, man.
They're just songs.
Is that true, Daisy?
No song is ever just a song.
You guys gonna ask us any questions?
What's going on with the two of you?
- Who, Eddie and me?
- [LAUGHTER]
Do you still think Daisy is a headcase?
That's, uh, that's not what I said.
[REPORTER] It's right
here, in quotations.
Anyone else got a question? Yes, sir.
Why aren't you playing "Look
at Us Now" on this tour?
Well, it's, uh, it's
a great song but, uh
you know, we're a different band now.
We have lots of great songs,
so we just needed to make
room for the new songs
That's not the reason.
- [REPORTERS CLAMORING]
- [ROD] Hot damn, look at the time.
Sorry, folks, that's
gonna have to be it.
[REPORTERS CLAMORING]
- [WOMAN] Hey, Daisy, come back, please.
- Thank you.
[REPORTER] Billy.
- We done?
- Just one more question.
[BILLY] Hey!
When are you gonna grow the fuck up?
Hopefully never.
When are you gonna stop
being a fucking liar?
What am I lying about now?
Your whole fucking
life is a fucking lie.
- I mean, do you fucking hear
- It's one thing after another with you.
the shit that come
out of your mouth, man?
Like, did you fucking
hear yourself back there?
- [SCOFFS]
- I fucking know you.
And you know I do, and
that's what scares you, huh?
- You think I'm full of shit?
- I do.
- You think I'm full of shit? Me, yeah?
- I do, yeah.
What about you, huh?
What about you and Nicky?
What about it? What about it?
What, you want believe that that's real?
That you're happy? That you're in love?
I am happy! And I am in love!
Oh, come on.
I know you, too, Daisy.
You don't know a goddamn thing.
I know what it looks like
when you're in love with someone.
- ["THE RIVER"]
- [DAISY] Oh, oh, oh, oh ♪
- If I follow you there ♪
- To the river ♪
In the river, your
affection is a promise ♪
You couldn't keep ♪
I know, I know, I know, I know ♪
- I know I want you there ♪
- I'll follow ♪
- I'll follow you to the river ♪
- I go ♪
To the shadow ♪
- If I follow ♪
- I know, I know, I know, I know, I know ♪
I know I want you there ♪
I know, I know I want you there ♪
Thank you! Good night!
[CROWD CHEERING]
[BOTTLES CLANKING]
[GLASS SHATTERS]
[BILLY SIGHS]
How many of those have you had?
I'm throwing 'em, I'm not drinking 'em.
Want to talk about it?
You want to break some shit?
♪
[LAUGHS]
♪
Hello, Mrs. Dunne.
Hello, Mr. Dunne.
[BOTH LAUGHING]
They've got this great sort of
- surf rock sound to them,
- Mm-hmm.
so I was thinking of shooting
the cover out in Zuma.
Maybe magic hour
with the band standing right in
front of the ocean, and, uh
you know, the waves in the background.
They'd be lucky to have you.
[QUIETLY] Thank you.
You deserve it.
I love you.
- [MUFFLED MUSIC PLAYING NEARBY]
- [PEOPLE CHATTERING]
- Come on. Let's go get ready.
- Can we
Can we just stay in bed?
What, and not go to the party?
And not go anywhere. Ever.
- Uh-uh, Billy.
- Mm-hmm.
Come on.
Let's go.
[PARTY CHATTER CONTINUES]
All right, I'm up, I'm up.
[SPEAKING SPANISH]
- You're here.
- Surprise.
♪
♪
- Hi. Hi.
- Hi.
Oh, only you could get Billy to a party.
You remember Nicky?
- Yes, hi, Nicky.
- [NICKY] Hi. [CHUCKLES]
- Hi. How are you?
- How are you?
- I'm good, I'm good.
- It's nice to see you.
- Would you like a drink?
- Yes, please. Thank you.
I would really love a drink.
Oh, guys, I've missed you.
I really have. Thank you.
- Well, thank you.
- Thank you.
So start from the top.
What have I missed, hmm?
♪
Moral of the story is don't
hide your fucking drugs
in your favorite guitar case.
I really miss that guitar.
♪
What you got to say? ♪
I'm gonna get a breath
of fresh air, okay?
I'll be back in a second.
Hey.
Hi. [LAUGHS]
- Hey.
- Hi.
So, can we, uh
Could we-could we talk about it?
- Please?
- We don't have to talk about it.
Well, it's I-I would
feel better, you know.
Eddie, it's
Then-then why?
I'm just trying to understand.
I was confused and I was hurt
and you were there for me.
You're always there for me.
Well, I can be there again.
Look, I am glad that it happened.
I am,
but it's just never
going to happen again.
[DOOR OPENS, CLOSES]
♪
[NICKY] No.
I said, "We'll never hit the ground."
- I remember. You tell it.
- You sure?
- Yes.
- Okay.
So we jumped and everything got slow,
- and I looked at Daisy
- [DOOR CLOSES]
and the moon was like
it was like it was in her hand,
and she was placing it there in the sky.
The Italians have an expression
[SPEAKING ITALIAN]
You're my twin soul.
And then we smacked into the water
and I thought we were dead.
[LAUGHTER]
Which is, you know, a
little bit less romantic.
[CHUCKLES]
♪
I have to go.
I do.
I love you.
- Hey.
- Hmm?
I love you.
Me, too.
[LAUGHS SOFTLY]
[KNOCKING ON DOOR]
- Hi.
- Morning.
Wow, that's a lot of food.
Yeah, well, I noticed you
didn't eat dinner last night
or lunch, for that matter.
Thank you.
You got some mail there, too.
♪
♪
I see you still like to watch.
["REGRET ME"]
So go ahead and regret me ♪
But I'm beating you to it, dude ♪
- Ah ♪
- You regret me ♪
And I'll regret you ♪
You couldn't handle your liquor ♪
And you can't seem
to handle the truth ♪
I'm the slippage in the system ♪
And I'm perfectly ready to strike ♪
So go ahead and regret me ♪
But I'm not easing up on this mic ♪
I was the only one who seemed
to notice something had changed.
♪
You regret me, and I'll regret you ♪
[MICROPHONE FEEDBACK]
I find it perfectly natural
here in my car to be doing ♪
[MUFFLED MUSIC PLAYING]
- Hey.
- Hey, Graham.
Uh hi.
I've been looking all over for you.
Ooh, uh, sorry.
Uh, sorry, just
- Ah
- [LAUGHTER]
All right, come on, give me 20 bucks.
Oh, great, that was a bet.
You know they got medicine now
that could fix all that up for you, man.
No, nobody has VD for a whole year.
Well, then what could it be?
Are you into dudes now or something?
Look, I don't have to explain
myself to you guys, all right?
[EDDIE] It's okay if you are, you know.
I'd still love you, man.
[WARREN] I mean, me, too.
Just not like that.
[LAUGHTER]
Guys, he's not into dudes.
And his dick is
it's perfect.
We've been screwing
since the album sessions.
In the studio, in the car.
- Karen.
- On this bus.
You guys have just been
too up your own fucking asses to notice.
[LAUGHING]
Now, come on, come on.
- Come on, let's get serious.
- Come on.
You don't believe me?
[SIGHS QUIETLY]
[CAR HORN HONKING IN DISTANCE]
Oh, shit, what time is it?
I have to go. I have
to go to soundcheck.
Daisy Jones doesn't need to rehearse.
Yes, I do. I do.
God, fuck.
I don't want that. That's
I don't want that right now.
Come on.
Come on. Don't make me do it on my own.
I mean, I can stay if
you want, but, you know,
Karen's pretty settled
on the other bus, so
Graham.
You can sleep wherever
you want, man. It's fine.
Hey.
I'm happy for you.
Thanks.
[OVERLAPPING CHATTER]
You can't tell me you don't see it.
She's tripping up on stage,
she's mixing up the lyrics. Come on.
I'm not blind, Billy.
What do you want me to do about it?
I-I want you to talk to her.
Okay. And tell her what?
The truth.
[LAUGHING]
Oh, you're serious.
I have a lot of responsibilities, Billy,
but being honest ain't one of 'em.
And being honest around here
gets you nothing but fired.
Talk to the husband.
Maybe he can get through to her.
She's never taken this much before.
[SCOFFS]
Don't pretend like you care.
What the fuck does that mean?
You just want her to need you.
That's all you care about.
You see, she doesn't need you.
It must kill you, doesn't it?
Yeah, this isn't about you
or your marriage or
whatever. I'm trying
- Get out of my way.
- Don't fucking touch me.
Or what?
Or I'll knock your fucking
teeth out, that's what.
[LAUGHS] Okay.
- Oh, is that funny?
- Yeah.
Is that funny? Huh?
What, you think you're somebody
because you're silk shirts
and your fancy shoes.
You're shit, man.
You're nothing.
And you'd be no one without her.
I guess that makes two
of us then, doesn't it?
[GRUNTING]
I'd been wanting to punch
that royal prick since Tulsa.
- [GRUNTING]
- [ROD] Hey.
- Come here.
- Are you out of your fucking mind?
Fuck.
What the fuck is wrong with you, huh?!
Everybody calm down.
We still got a show to do.
[BILLY] Fuck this.
He's crazy.
- What'd he say?
- ["THE RIVER"]
- Ooh ♪
- Ooh ♪
I know, in the shadow,
in the shadow ♪
[SINGING INDISTINCTLY]
Something was off from the beginning.
I mean, he did punch
her husband in the face.
It was really bad energy.
We just needed to get through it.
You there, I know, I
know, I know, I know ♪
I know I want you there ♪
I know, I know, I know, I know ♪
I know I want you there, I ♪
[MUSIC CONTINUES MUFFLED]
[HIGH-PITCHED RINGING]
[CROWD EXCLAIMS]
[VOCALIZING]
[LAUGHING]
What, did I look at you wrong?
You're fucking bleeding, Daisy.
[LAUGHING] So are you.
You should go to the medic.
- [SONG CONTINUES]
- [CROWD CHANTING] Daisy, Daisy, Daisy
You're not going back out there, Daisy.
You're done.
[CHANTING CONTINUES] Daisy, Daisy
Do you hear them?
Daisy, Daisy, Daisy,
Daisy, Daisy, Daisy
You'll know when I'm done.
Daisy, Daisy, Daisy, Daisy
[CROWD CHEERING LOUDLY]
Shh
[CROWD QUIETS]
Now where do we stand? ♪
Baby, baby, baby ♪
No one knows who you are ♪
Mm ♪
And if this was your plan ♪
Tell me tell me why ♪
You've been crying in the dark ♪
- [CROWD SINGING ALONG]
- We unraveled a long time ago ♪
We lost and we couldn't let it go ♪
I wish it was easy, but it isn't so ♪
So, baby ♪
Oh ♪
- We could make a good thing bad ♪
- [CHEERING]
Oh ♪
We could make a good thing bad ♪
[CROWD CHEERING]
♪
[SCREAMING HAPPILY]
I'm telling you, you don't need
♪
[TALKING INDISTINCTLY]
- You don't need anyone.
- I know.
[LAUGHTER]
- [SCREAMS]
- Oh.
Come on, Billy, it's just a song.
It's not just a song, Rod.
It-It's it's a fucking mutiny.
- You know, fuck this.
- Where are you going?
I'm kicking her out of the band.
Billy.
You can't just fire Daisy.
Watch me.
Well, at least talk to
the rest of the band.
Fuck you, Rod, this is my band.
- I need to talk to her.
- Everything's fine.
Okay, she's fine. Just go.
Go, please.
Open the door, Nicky.
- No.
- Open the fucking door.
Daisy.
[THE BELLAMY BROTHERS:
"LET YOUR LOVE FLOW "]
Daisy?
Daisy. Daisy.
Rod! She's not breathing, man!
Daisy. All right, all right, all right.
It's okay. I'm here.
- Daisy
- [ROD] I need you to get a message for me
to Dr. Jacoby on Trinity Road.
♪
Daisy.
Tell him "Rod Reyes
has a toothache in Room 1205."
- He'll know what to do.
- Come on.
What the fuck are you doing?
I'm sorry, I
I can't be here, so, um, I'll
I'm sorry.
[DOOR OPENS AND CLOSES]
Right here.
All right, stay with me. Stay with me.
Wake up. Wake up.
♪
Please. Please, please, please, please.
Please don't, please don't.
[SONG FADES]
[SONG FADES IN]
♪
[QUIETLY] It's you.
As it warms your face,
you can't hold back ♪
Just let your love flow ♪
Like a mountain stream ♪
And let your love grow ♪
With the smallest of dreams ♪
And let your love show ♪
And you'll know what I
mean, it's the season ♪
Let your love fly ♪
Like a bird on a wing ♪
And let your love bind you ♪
To all living things ♪
And let your love shine ♪
And you'll know what I
mean, that's the reason ♪
Just let your love flow ♪
Like a mountain stream ♪
And let your love grow ♪
With the smallest of dreams ♪
And let your love show ♪
And you'll know what I
mean, it's the season ♪
Let your love fly ♪
Like a bird on a wing ♪
And let your love bind you ♪
To all living things ♪
And let your love shine ♪
And you'll know what I
mean, that's the reason ♪
Just let your love flow ♪
Like a mountain stream ♪
And let your love grow ♪
With the smallest of dreams ♪
And let your love show ♪
And you'll know what I
mean, it's the season ♪
Let your love fly ♪
Like a bird on a wing ♪
And let your love bind you ♪
To all living things ♪
And let your love shine ♪
And you'll know what I
mean, that's the reason ♪