The Last Night at Tremore Beach (2024) s01e08 Episode Script

1
[rapping on door]
[nervous breathing]
[pounding on door]
[banging on door]
[thunder rumbles]
[unsettling music playing]
[knocking continues]
[knocking]
[weakly] Leo
[music dies down]
Leo
- [groans]
- [Álex strains]
- [gasps]
- [Álex] No, María. Not again. María!
What happened?
- María.
- [María groaning]
[Álex strains]
[panting]
[Álex, softly] No.
Come on.
[wind picks up]
[intense music pulsing]
THE LAST NIGHT AT TREMORE BEACH
[tense music subsides]
[Álex] No, no. It's too late.
EPISODE 8
THE LAST NIGH
No, María.
- [María] Leo.
- María, what about Leo?
- What's wrong with Leo?
- [María whimpering]
[Álex] María. No, no, no. Please.
No. Look at me.
Look at me. María.
[Álex] Bea, leave.
Get out of here!
Leave! María.
- No, no, no, no, no.
- [María] Leo.
[Álex] Don't worry.
We're here. We'll help you.
- [María] Leo.
- María.
How are you?
Are you okay? Bea, take your brother.
- Come on. Quick.
- Let's go.
[thunder rumbles]
Bea.
What's wrong?
I wanna see too. I'm old enough.
Okay. But stay close to me.
[wind whipping]
How is she doing?
- [Álex] She's losing a lot of blood.
- [María groans]
- Hold on, I know what to do. Careful.
- It's in her abdomen.
She'll lose consciousness in a bit.
[Judy] María. Can you hear me?
- [Ricciardo sighs]
- [splat]
[ominous, rhythmic music building]
Álex, this doesn't look good.
The red van is there.
Call an ambulance. Right now.
[Álex] No signal.
Go to the lighthouse to call.
[Calabria] No landline?
The storm last week broke the pole.
We still don't have a line.
[Judy] Álex, listen.
[Álex] The lighthouse is your only option.
[Calabria sighs]
- Okay. I'll try outside.
- Okay.
- There's no reception!
- We need to take her to the hospital.
- Listen. It's too late.
- No, she's still breathing.
- No ambulance!
- I need to treat the wound.
- Then we need to take her.
- There's no point!
Where's the first-aid kit?
- Please!
- Where?
In the kitchen.
Wait.
We gotta go! Judy, please!
We gotta get outta here, now!
[Judy sighs]
[distant gunfire]
[gunshots]
Ruth! You need to see this!
- Ruth!
- No fucking way.
[Judy panting]
[Judy] Don't worry.
I'll take the bullet out.
- Say something. Hey. Talk to me.
- [María] Leo.
[gunfire]
[Calabria] Álex.
- What the hell is going on?
- I told you, but you didn't listen.
I don't like the look of this.
- [Álex] He's coming.
- [Calabria] Who?
[Álex] I still don't know.
If we don't get out of here now,
he'll end up killing us all.
Shut up and get back
in the house, for fuck's sake.
[music intensifies]
Judy. Where is your car?
- In the barn, but we're not going.
- Listen.
- No!
- Listen. Look at me!
Trust me. They're all dead already.
I know it. Let's go.
Let's go. Let's go.
ROAD TO LIGHTHOUSE
Guys.
Guys. Come on.
We gotta hurry. Okay?
Let's go. Come on.
Let's go.
[thunder rumbles]
[tense music subsides]
[tires squeal]
[brakes screech]
[horn blaring]
[horn continues blaring]
Don't go anywhere.
[door opens]
[horn continues blaring]
Go. I'll cover you.
- What's happening?
- This wasn't like this.
The van would stop in front of the house.
And a man would get out, holding a rifle.
But I couldn't see everything.
Judy, you have to trust me.
- What?
- Take the car.
Protect my kids and take care of María.
Please, go. Now! Go!
[tense music playing]
Bea, I need you!
María.
Stay here. I'll be right back.
[Judy] I have to turn you.
- Like that. Come on.
- [Bea] You think you can help her?
She's not gonna make it. Help me.
Press here at the back. Okay?
- [Bea] Okay.
- [Judy] I'll take the bullet out.
Okay? You need to help us.
- You can do it, María. Come on.
- That's it.
- Lower.
- [Bea] Like this?
[Judy] That's it. Okay. Let's do it.
What's he doing here?
Stay back.
[tense music swells]
[horn stops]
[music stops]
It can't be.
That's impossible!
This can't be happening.
- It can't be.
- [Ricciardo] Ruth!
[Calabria] Search the van.
- All of it. Be careful.
- [Ricciardo] Yeah. Go. Go.
[Judy] I need more gauze.
Here you go.
Could you bring me a bucket
or something with water, please?
[Bea] Judy
- Here.
- Thanks.
[Calabria] Álex!
It's changed.
[Calabria] Álex, wait!
Álex!
[Judy] More. Okay.
Okay.
[María groans]
You're still here?
What happened out there?
I think that
Something has changed.
I don't know what exactly.
But there's something different.
It's like something happened
that changed everything,
but I don't know what.
[tense music playing]
The man who was coming to kill us is dead.
[Bruno breathing shakily]
[Leo on radio] Leo to Álex.
Leo to Álex. Do you copy?
Leo to Álex. Leo to Álex. Do you copy?
[Bruno breathing nervously]
Leo to Álex. Leo to Álex. Do you copy?
Is that a radio?
It's a receiver.
The radio's in Leo's house.
[Calabria] You had a radio,
and you didn't tell us?
[static crackling on radio]
Leo?
I'm still here.
[relieved] You're alive.
What happened?
Five men broke in and tried to kill us.
One of them came here.
He's dead.
Well, you'll find the rest of them here.
Did you kill them all?
Well, I think you were right about Souza.
Maybe he is alive, and he found us, Álex.
Souza, the Butcher?
When I went down to the village
and heard your message,
I thought
you were being crazy again, Álex.
[Álex] Leo! This is Álex.
If you see a red van
in front of your house,
make sure you have a gun ready,
and be ready to use it.
You're the only one who can save us.
I don't know, Álex. I decided
that I should probably listen to you,
so I grabbed my grandpa's shotgun
and some old cartridges
I had at María's studio.
I couldn't sleep,
so I heard them breaking into our house.
- [vehicle approaching]
- [Sultán barks]
[van doors close]
- [silenced gunshot]
- [Sultán whines]
[tense music playing]
[whispers] Alicia. Alicia.
- Wake up. Shh, shh.
- What's going on?
What's going on?
[suspenseful music intensifies]
[hushes]
[men grunt]
Álex, I managed to save María
and myself, thanks to you.
Did she arrive there safely?
María is wounded, Leo.
Shot in the abdomen.
I told her to hide
before they even started shooting.
What do you mean, she's wounded?
[Álex] Well, they shot her.
And she came here,
just like in my visions.
Exactly like it.
God damn it. You said that
if we listened to you, we'd be safe, Álex.
That we could change things.
I just killed five guys.
What the hell is wrong with you?
I'm really sorry.
[sighs] Okay, how is she?
I wanna talk to her.
[sniffles] She can't talk right now.
We're trying to treat the wound.
Álex.
Will she be okay?
[labored breathing]
[tense music dies down]
I don't know.
[Leo sighs]
[radio beeps]
[exhales deeply]
[Álex] Leo.
Yeah?
Hey, hey. Are you okay?
I'm fine. It's nothing. Just a bruise.
Are you sure?
- [radio beeps]
- Leo.
- Leo!
- Let's go his way.
[Leo] Álex, come quickly.
I feel dizzy, Álex.
I'm losing a lot of blood.
Call an ambulance. We can't from here.
We'll be there soon, okay?
Hang in there, man. Hang in there.
Okay? Call an ambulance.
- Ask for backup.
- [Álex] Police too.
Copy that. Over and out.
[Leo groans]
Let's go to his place.
And on the way there, you tell me
what Souza has to do with your neighbor.
[Bruno panting]
[Calabria] Judy. Can you do it alone?
I'm trying to take the bullet out,
but she needs medical attention. Urgently.
Did you hear that?
Leo's calling an ambulance. He's alive.
We've changed it.
We did it. We've changed it.
Come on.
- It's done. We did it.
- Hurry up. We need to go to Leo's house.
We've changed it.
We're going to his house.
- [Calabria] Come on.
- [thunder rumbles]
[continues breathing shakily]
[muffled festive music playing]
[unsettling music rises]
[tires squeal]
[thunder rumbles]
[brakes screech]
[engine revving]
[Calabria] Okay, bring me up to speed.
Souza and Leo Bazán.
What's that all about?
[Álex] Leo and María are witnesses
protected by Interpol.
They've been helping them bring down
a drug trafficking network.
- The Butcher? That Souza?
- Uh-huh.
- He was dead, supposedly.
- Right, but nobody ever found his body.
[Álex] Interpol didn't make it public
so they could keep dismantling
the organization
without anyone interfering.
[unsettling music continues]
[music subsides]
[Álex] Leo! Leo!
Leo.
Leo!
[Calabria] Be careful, Ricciardo.
[unsettling music playing]
[indistinct chatter]
He said there were five,
and that they were all dead.
Go upstairs.
[Álex] Leo!
[Ricciardo] It's the police!
[Judy] Come on. Gauze.
The saline solution.
That's it. Thanks.
[sighs] I think I've got it.
Okay. [panting]
There. There.
There it is.
That's it.
María. María.
I did it. I took it out. I took it out.
I took it out.
María.
- [weakly] Leo
- [Judy] Leo is fine.
They went to pick him up.
- [María] Leo
- [Judy] He's fine.
- Really, he's fine.
- [unsettling music playing]
- [María] Leo
- [Álex] Leo!
Leo, I'm here with the police.
Where are you?
[Ricciardo] We're armed!
[unsettling music playing]
[Álex breathing shakily]
[static crackling on radio]
- [Bruno panting]
- [María] Leo
[Judy] María. María. Stay with me.
- María!
- [María] Leo
- [Judy] María, listen to me.
- [María] Leo
[Judy] Leo's fine, okay?
[Sultán barks, whimpers]
[Ricciardo gasps]
[Sultán whines]
[camera shutter clicks]
[coroner] There's no exit wound.
She wasn't killed here.
She was dragged here.
A wedding ring.
María and Leo. May 12, 2007.
Leo.
[breathing shakily]
[Álex] It can't be.
Something's not right.
[Sultán whimpering]
[unsettling music intensifies]
[Ricciardo gasps]
[Sultán whines loudly]
[Judy] Just try to breathe.
[Bruno breathing shakily]
[thunder rumbles]
[quietly] No.
If Leo's dead, nothing has changed.
[hushes]
[breathing shakily]
[chilling music rises]
Hey!
[Ricciardo thuds]
Ricciardo!
[unsettling music continues]
[thunder rumbles]
[Calabria] Ricciardo!
[groans loudly]
[groans]
[unsettling music continues]
[Judy] María.
María.
[crying]
No, María, no!
[Judy] No No, María.
No
No. No, María.
- [thunder rumbles]
- [Álex groans]
[screams]
[Álex moaning]
[Álex panting]
[unsettling music dies down]
[Álex panting]
[groans loudly]
[Judy on radio] Álex, what's going on?
I need you here.
Please. Álex, Leo. Can you hear me?
[Álex grunts]
[Judy] Why are you taking so long?
Álex.
Álex, can you hear me? Leo.
Judy. Álex is fine. Don't worry.
Let me talk to him.
[Leo] He can't. He's giving a statement.
I'll put him on once he's done.
[groans]
[Leo] I don't think it'll take long
[grunts]
How's María?
The ambulance should be here
any minute now.
[breathing shakily]
[Judy] Leo, I'm sorry.
I'm sorry. [sobs]
- [radio beeps]
- [crying]
Leo.
Leo, I tried, but
Don't leave the house.
The cops are on their way there.
No, Leo, please.
First, I need to understand
what's going on.
Who broke into your house?
Who's this Souza guy
you were talking about over the radio?
Please, I need to know.
[tense music playing]
I can't talk now, Judy.
I'll call you back.
[Judy] No, Leo, please. I need to know.
Listen. Can you hear me? Leo!
Leo!
[Álex groans]
[panting]
[tense music dies down]
[Leo] I swear I would've done anything
to prevent this from happening.
[thunder rumbles]
Before the cops came in the house,
I wasn't really sure what exactly
you'd been seeing in your visions.
And the devastating consequences
it would have.
What I still don't understand is
how you did it.
Who are you, Leo?
That shouldn't matter
to you right now, Álex.
The only thing you need to know is
that I'm willing to do whatever it takes
to get out of here alive.
Tell me
Tell me your name, at least.
I've had many names, Álex.
I've been running
from the cops my whole life.
Before I was Leo, I was Álvaro.
That's the name I told María when we met.
[Leo] Souza.
María came to me because of Souza.
Souza.
Are you Souza?
[crowd screaming]
Souza is the nickname of a faceless man.
I've made up
so many stories over the years,
I don't even know who I am anymore.
[exhales]
Our whole story could be told
through the paintings María made.
- [Álex] How did you meet?
- [Leo] In Caracas.
[present] She was never my mule.
I tried to protect her.
To keep her away from all that.
[María] Everybody has the right
to a new beginning, despite past mistakes.
[Leo] That's who we were, Álex.
Álvaro and Alicia.
Two people who should never really
have crossed paths, but
who found a way to be together.
[María] We had to live
in fear for many years.
Until Daniel.
[María] You have no fucking idea of
how hard it was to lose our son.
[Leo] The police were breathing
down our necks.
The stress triggered an early labor
that ended up killing him.
María blamed herself,
and I blamed myself too.
We made a promise that we'd both disappear
and that we'd try our best
to find peace again.
And we came to Tremore.
I haven't been involved
in the business since.
Once a year, they come
and give me my cut, then I'm Leo again.
It wasn't Interpol
who came to my house, Álex.
Those guys the ornithologist saw
when he was spying on us,
they were my people.
María. María knew it.
María's the one
who devised our plan from the beginning.
City by city,
country by country, name by name.
Using money to erase any trace of us.
It's not easy to vanish
and reemerge every so often like that.
Trust me, Álex.
And it was all going well until tonight.
[door opens]
[unsettling music playing]
- [gun fires]
- [officer 1 grunts]
[gun cocks]
[officer 2 groans]
[footsteps moving downstairs]
[officer 3 groans]
[Leo inhales sharply]
All this time,
it wasn't her they were after. It was me.
María saved us
with her escape plan,
and it was my fault she died tonight.
- [gun fires]
- [body thuds]
- [gun fires]
- [body thuds]
[Leo] I tried to change
what you saw, Álex.
I tried to save the two of us.
But I underestimated you.
I underestimated what you saw.
For the first time in my life,
I lowered my guard,
and I wasn't able to protect her
or myself.
It's over. They're dead.
- [María gasps] You're hurt.
- I'm fine.
- It's a bruise. Don't worry.
- It's not. We need a hospital.
[Leo] María wanted me to go to a hospital,
but we both knew that was absurd.
Listen to me.
We both know what we have to do now.
No.
Five goddamn Interpol cops
were shot dead in our house.
It was only a matter of time
before more would come.
So I tried to convince María to follow
the plan we'd devised so long ago.
But then the fish
started falling from the sky.
[fish thudding wetly]
And we both realized that everything
you'd warned us about was about to happen,
and it would affect
your entire family too.
That's when the whole thing
started to go south.
Because one of them was still alive.
- [glass shatters]
- [María moans]
[officer 4 groans]
[Leo] As she was running away,
I realized that was the exact moment
you had been seeing for so long.
[quietly] María.
[thunder rumbles]
[weakly] Leo.
And that neither María nor
the goddamn cop that managed to flee,
even after I shot him,
were able to tell you anything
because you didn't know who I was yet.
María
She wanted to warn me about you.
- Leo
- [Álex] What's wrong with Leo?
[thunder rumbles]
One thing I know for sure is that
I'm never going back to jail in my life.
I'm really sorry about this.
I didn't want it to happen.
But I guess you were right.
Fate can't be changed.
[thunder rumbles]
And I've tried, Álex.
[Álex exhales]
[Leo] Believe me, I've tried.
[Judy on radio] Álex. Leo.
- Judy. Judy.
- Can you hear me?
[cries out]
[Judy] Álex? Can you hear me?
[Álex panting] Judy.
[cries out]
Judy. Judy.
[Judy] Álex?
- [Álex groans]
- [Judy] Please.
- Leo.
- [Álex] Judy.
- Leo!
- [groans]
Can you hear me?
- [thunder crashes]
- [panting]
[Judy] Álex.
- Judy!
- Álex. Can you hear me?
[Álex strains] Judy.
[groaning]
[moans]
[Judy] Álex?
Leo? Do you copy?
- Can you hear me? Do you copy?
- [handcuffs click]
[Judy] Álex!
Leo! Can you hear me?
I'm sorry,
but I can't let you talk to her.
[Álex] Please.
I'm begging you. Listen to me.
- [Judy] Are you there?
- Listen to me.
Can you guys hear me?
Please, do you copy?
Álex, can you hear me?
- Listen to me.
- [Judy] Leo.
Listen to me. Please.
It was written, Álex.
- And it can't be changed.
- Help me [choking]
[muffled grunting]
- [Judy] Álex.
- [Álex cries out]
Álex, can you hear me?
Álex! Leo, can you hear me?
[Álex grunts]
Judy.
I'm sorry. He's still talking to the cops.
We'll call you in a bit.
Leo, let me talk to Álex.
Judy, there are four dead bodies
in my house. All right?
Please, Leo. Everything that's going on,
it all matches Álex's visions.
[muffled scream]
[Judy] And I'm scared.
Because the last thing Álex said
was something would happen to us.
To his kids. And to me.
And I'm I'm scared. Leo.
Judy, calm down. Don't worry. Don't worry.
He saw me dead too, right?
And here I am, talking to you. Okay?
[Judy] I need you here, right now.
Now, please.
I'm begging you.
[Leo] Okay. We're coming your way.
- Talk soon.
- [radio beeps]
[eerie music playing]
[crying softly]
- [Álex grunts]
- [static crackling on radio]
This is Souza. I need backup. Anyone copy?
[irritated] This is Souza.
I need backup. Anyone copy? Over.
- [man] Copy. What is it?
- I was found.
I have six bodies in my house
and a problem to solve at the neighbor's.
- I need backup.
- Where? At the usual place?
[Leo] The usual place.
I need a quick getaway.
I want no faces and no names, okay?
- [man] Someone will be there in an hour.
- [Leo] Over and out.
[suspenseful music playing]
[coughs]
Are you expecting someone, Álex?
Who is it?
- Leo, please.
- Don't call me Leo.
Leo Bazán died tonight.
Don't hurt my family.
They're innocent. Please.
- I'm begging you.
- They all know who I am now, Álex.
Look, if you hurt my family,
I swear I'll kill you.
That's not gonna happen, Álex.
Please. I'm begging you.
No.
[Álex] Paula!
Paula!
[quietly] Come on.
Paula, no!
[unsettling music intensifies]
[Álex] Paula!
- Let's go.
- Mom!
Bea!
- Bea! Bea!
- Mom!
[Álex] Bea! Bea, no!
- Mom! Mom!
- Bea!
- Mom.
- [Paula] Bea!
[Judy] Wait!
- Sweetie, are you okay?
- It was horrible!
- [Judy] Let's go inside. We're not safe.
- What's going on?
The neighbors.
Police are coming. Let's go inside!
Paula!
You expect me to believe
that out of all the places in
[Bea gasps]
Mom!
- [sinister music swells]
- [Álex] No!
No!
[bullet casings click]
[both scream]
[gunfire continues]
No!
[casings clink]
[gunfire]
[both scream]
Paula.
[chilling music continues]
[Judy panting]
Come on! Now! Now!
Run, Bea, run!
[Álex] Judy!
Not to the car! To the lighthouse!
Let's go! Get in the car! Hurry! Come on!
Come on! Get in the car! Come on.
Run, run!
Go! Go!
Go! Hurry!
Get in! Get in! Let's go!
Let's go!
[suspenseful music playing]
[thunder rumbles]
[Judy panting]
[engine sputtering]
It won't start.
It won't start. It won't start!
It won't start!
- [engine sputtering]
- [Judy] Come on, please! Just start!
[Judy] Start!
Come on. Please, come on. Come on.
Come on! Come on!
Come on!
Come on! Come on!
[Álex] To the lighthouse!
You have to go to the lighthouse, come on!
- Start it already! For fuck's sake!
- Come on!
[Judy] Start, start!
[Judy] Start! God damn it, start!
It won't start! It won't start!
Come on. Come on.
Come on.
Shit! Come on! Start the car!
[Judy] Come on!
That's it. That's it. That's it.
[Bea screams]
[tire hisses]
[bullet casing clatters]
[Álex] Go to the lighthouse!
The lighthouse! To the lighthouse!
[engine sputters]
- Judy, he's coming! Start the car!
- It won't start! I'm trying. I'm trying.
[Bea] Shit, come on, start the car!
Come on, start the car, Judy!
[Bea screams]
I'm trying.
No!
[Judy] No!
No!
No, no, no. No!
[Álex] Guys! No!
No, no. No. No.
- [glass shatters]
- [thunder crashes]
[sinister music subsides]
[mournful music playing]
[screaming]
[scream echoes]
[monitors beeping]
- Álex.
- [suspenseful music rising]
Are you all right?
- [Judy's scream echoes]
- [suspenseful music subsides]
[birds singing]
[Álex exhales]
[Leo] Put her on the bed, Number Four.
[ominous music playing]
[Leo] You and Six,
put the others in the van.
[Four] Okay.
[Leo groans]
[exhales deeply]
[Leo] Number three,
put this on him, please.
[Three] Will this work?
[Leo] It will.
At least until they do the autopsy.
And by then, I'll already be far away.
[shotgun cocks]
[Leo exhales]
[closet door opens]
[zipper opens]
[trunk of van opens]
[doors close]
[Leo] One, you come with me.
Two and Three,
take the van with the bodies
and bring them to the designated location.
Four and Five, go to the house
across from here
and bring the cars parked there
straight to the scrapyard.
Understood?
- [Four] Yes, sir.
- [Five] Okay.
[One] Both houses are cleared.
There's only him left.
[Leo exhales]
[sighs]
I'm really sorry, Álex.
But it's the end of the road for you.
It's not the end.
[Leo] I'm afraid it is.
It can't be the end.
It's impossible.
Ramiro.
[Álex panting]
He came to visit me in the hospital.
The news on TV.
I've seen much more than just this, Leo.
Ramiro's visit
It didn't happen yet, and it will.
It felt as real
as the pain I'm feeling right now.
[weakly] It burns right now.
I'm scared.
I'm very scared.
You said
that whatever's written can't be changed.
Unless you have all the pieces
of the puzzle, and now I do.
[tense music building]
I have them all.
[Leo] You're missing the last one, Álex.
- [blast echoes]
- [birds cry]
- [tense music dies down]
- [engine revving]
[Leo] Did you talk to the scrapyard guys?
[One] Soon as we get rid of the bodies,
we'll give them the cars,
and it'll be like nothing ever happened.
What a night, huh?
[Leo inhales sharply] What a night.
My last night in Tremore.
[henchmen grunting]
[somber string music playing]
[dramatic string music intensifies]
[unsettling music continues]
[metronome ticking]
[high-pitched ringing]
[gasps]
[ringing subsides]
[metronome ticking]
Álex?
[Álex panting]
[Leo] Álex.
Are you okay?
[breathing shakily]
[Leo, echoing] Álex?
[Álex shivering]
[Leo] Álex!
What happened?
- [ticking subsides]
- [Leo] Álex?
[thunder rumbles]
We need to take him to a hospital!
Help me lift him up!
- [inhales sharply]
- [electricity crackles]
[sounds distort]
[Judy] Our secret's gone to shit.
[sounds become muffled]
Don't move!
[scream echoes]
[music subsides]
[echoing resonates]
You're in the provincial hospital.
Do you know why you're here?
You were struck by lightning.
Do you remember?
You've been lucky.
If your neighbors hadn't found you,
the aftereffects could've been grave.
But we were just in time
to prevent greater damage.
You scared the hell out of us, kid.
[María] How are you?
[doctor] I'm going to sit you up, okay?
Tell me if you feel dizzy. Here we go.
[eerie piano music playing]
The electric shock was strong.
It's normal to feel disoriented.
Do you know what day it is?
[breathing shakily]
[Leo] Álex.
Do you remember what happened last night?
[Judy] No! No!
We had dinner
at our place with Peio and Viviana.
And if it's not?
I'll have that marvelous
hunting shotgun waiting for them.
- [blast echoes]
- Do you remember?
- [chuckles]
- [María] We shouldn't have let you leave.
- Not during a storm like that.
- [Leo] Yeah, well
[Leo] Best thing you can do is run away.
- [Judy] Don't leave the house.
- [thunder rumbles]
She kept calling you,
and you were talking about her
in your sleep.
[breathing shakily]
Thanks for calling me.
[crying] No! No!
[weakly] Judy.
Judy. Judy.
[doctor] You should go home and rest.
[Leo] We won't leave him alone.
We're his only family here.
I called Eva. She's uh
She's covering my shift,
so I can stay. No problem.
- [María] Are you sure?
- Yeah.
[María] We wouldn't mind staying,
in case you're
[softly] We're sure.
[tense string music playing]
[María] Okay.
Okay, well, let us know
when you get the results.
[doctor] I'll walk you to the exit.
I'll be right back.
[Judy] Okay.
[dramatic string music playing]
[Judy] What's up with you?
Our secret's gone to shit, huh?
[sighs]
[music fades]
I need to go to the bathroom.
- [Judy] I'll go get a bedpan.
- No.
Álex, I was a nurse.
- I've seen worse things.
- Worse things. Yeah.
I know.
[unsettling music playing]
[exhales]
Help me [groans]
Holy shit.
There it is.
Does it hurt?
[Álex] They talk to me.
[doctor] They're called
Lichtenberg figures,
named after the German physicist
Georg Christoph Lichtenberg.
They result from capillaries rupturing
due to an electrical current passing
through the body.
The good news is
that they'll subside in no time.
And the bad news is that
they'll cause discomfort for a few days.
Headaches, disorientation,
and skin irritation.
How do you know?
Have you had them before?
SHIPWRECK FURY BLANCHARD
MISSING AFTER SAILBOAT SINKS
[unsettling music continues]
MARRIED COUPLE RESIDING IN BRAZIL
DECLARED MISSING
None of it has happened yet.
[intense, energetic music playing]
I couldn't know about it.
I've seen much more than just this, Leo.
Ramiro's visit.
He came to visit me in the hospital.
The fuck are you on about?
[Álex] Estrella would still be alive
if it wasn't for me.
TRAGEDY STRIKES IN THE WORLD OF MUSIC
ESTRELLA ESCUDÉ DIES
THE YOUNG PIANIST DIES
AFTER WINNING A SCHOLARSHIP
The news on TV hasn't happened.
[reporter on TV]
suspicions might be accurate.
An anonymous source
[Álex] It will happen.
[plays wrong note]
- [reporter] wasn't driving the car.
- Elvira!
- No, Estrella! She's my daughter!
- [officer] Hey! Calm down.
- [officer] We have to take her away.
- My daughter!
[sighs]
[voicemail box beeps]
Hello, this is Ramiro.
I can't talk right now.
Leave a message. Thanks.
Ramiro?
Um, this is Álex de la Fuente.
I don't know if you still have
my phone number.
Um
[somber music playing]
Um, when you hear this message,
please get in touch with me
as soon as you're able.
There's something I need
to tell you about Estrella.
I think you deserve to know.
I'd rather do it in person.
So, uh
I'm at the provincial hospital right now,
the one near Tremore.
That's all.
[cell phone locks]
[inhales deeply]
[exhales]
[somber music fades]
[gentle music playing]
I was surprised when I got that call.
I didn't expect to see you again.
I did.
Everything okay?
Do you know him?
[doctor] No, why?
He was in there with Álex.
Have you been experiencing
any headaches lately?
The ticktock.
It's gone away now.
The ticktock?
The throbbing headache. I don't feel it.
But you have felt it?
Yeah, but it won't come back.
- Well, you don't know that.
- I know.
Trust me.
[calming music continues]
These are pretty strong.
Pretty strong, yeah.
Who was that man talking to you
this morning at the hospital?
His name's Ramiro.
You don't wanna talk about him?
Not now.
[peaceful music continues]
[birds singing]
I was waiting to get back to tell you.
Don't worry.
I know we don't have a landline.
Look.
He comes in and out
through a hole in the basement.
Be careful if you go downstairs.
There's a leak,
and the pipe will burst any minute now.
[plastic crinkles]
[metronome ticking]
[water dripping]
[electricity crackles]
[calming music fades]
[playing enchanting melody]
I don't like this house, Judy.
Can I stay at the hostel with you?
Yeah, sure. Until you're feeling better.
[tune concludes]
[metronome ticking]
[final note echoes]
[recorder beeps]
[playing "For Judy"]
[delicate, gentle melody continues]
That's beautiful.
Is it new?
I composed it for you.
- What?
- [Álex] In two or three days.
I recall so many details,
it's amazing, really.
What do you recall?
I completed the puzzle.
Are you sure you're all right, Álex?
I'll be able to link all of the themes.
I'll grab your stuff so we can go.
[piano continues playing downstairs]
[Socks meows]
Hey there, kitty.
[Socks purring]
[orchestral version
of "For Judy" continues]
[Socks meows]
Judy.
Would you mind stopping
by Leo and Maria's?
Did you lock the house?
Thanks.
[metronome ticking]
[music grows ominous]
[cinematic music building]
Hello?
[Sultán barking]
- [Álex] Hey
- [barks]
Where are they?
[loud splashing]
[Sultán barks]
[suspenseful music dies down]
- [María] Hey, wow!
- [Leo] Oh, man!
- Look at him!
- [María laughs] How are you?
- How is our electric man doing?
- Good.
I came to say goodbye.
- You're leaving?
- Yeah.
To Amsterdam. I wanna see my kids.
- And I'm gonna ask Judy to come with me.
- When will you be back?
I might not come back.
What?
Life gave me a second chance,
so I have to make the most of it.
I wanna do the best I can,
avoid every mistake I can avoid now.
But you're okay?
[Álex] Yeah.
I need a new beginning.
I mean, didn't you come to Tremore
for that reason?
Yeah. And thanks to Tremore,
I found out I've been pretending
to be someone I'm not.
I need to make peace
with my past and start fresh.
I need peace.
We're gonna miss you so much, Álex.
[softly] Thank you for everything.
Well, shit
[chuckles]
We didn't see this coming.
Huh.
If you ever need anything,
and whenever you need it, we'll be here.
I know you and I will meet again, Leo.
We'll have plenty of time to talk.
I hope so.
[suspenseful melody continues]
[line ringing on phone]
- [woman] National Police, how can I help?
- [Álex] Good afternoon.
I'm calling to inform you
of the whereabouts
of a man you've been searching for.
His name is Souza.
Also known as the Butcher.
[woman] I'll connect you with Interpol.
- [man] Who is this?
- [Álex] My name doesn't matter.
I know you're looking
for Souza in the Tremore area.
Or you will be very soon.
What do you know about him?
I just wanted to tell you that
he lives in the remodeled house
above Diente Beach on the cliffs,
near the lighthouse.
The other house is empty.
He lives there with his wife.
She doesn't know anything
about all of this.
If you go now, you'll find him unarmed.
- [officer 1] Police!
- [officer 2] Go! Police!
[officer 1] Go!
[Sultán barking]
[officer 1] Hey! Don't move! Don't move!
Put your hands up!
- [music subsides]
- [thrilling music playing]
[man] We've got Souza.
I've just been told he's in Tremore.
In a house above Diente Beach.
It has to be here.
[calming tune playing]
[gulls calling]
[clock ticking]
[line ringing]
[Niels] He was busy. Too-doo.
- Get it?
- [family laughs]
- [cell phone vibrating]
- It's really good.
[takes a deep breath]
Yes, Álex?
Is this a bad time?
- Yeah, we're having lunch.
- I can call some other time if you want.
No, it's fine. What's up?
I just wanted to check
how the kids are doing.
Fine. They got a break from school.
They're a little hyper right now,
but we're coping with it.
What about you?
How are you?
Good.
A little busy, actually.
Niels got a call from work,
and he might have go
to Greece for a few days.
If you don't mind,
I could look after the kids.
Really? Just like that?
Just like that.
[laughing inaudibly]
[gentle, heartfelt music intensifies]
Álex, are you okay?
[laughing inaudibly]
Paula, um
I want you to be happy.
And
I wanna make up
for all the bad things I've done.
I wasn't myself.
I'm sorry.
[Paula] Should I send the kids
to spend a few days with you there?
[Álex] No.
- I'll go to you. Is that okay?
- Are you sure?
Yeah.
And, uh
[Judy speaking indistinctly]
if you don't mind, I could bring someone.
Okay? I'll be there
at around six, if that's okay.
Does that work?
Her name is Judy.
She's a wonderful woman.
Sure.
Okay, well
We'll look at flights
for tomorrow, and we'll let you know.
[Paula] Okay.
I think we're gonna leave
in like two or three days.
Okay. Perfect.
So we'll have time to meet up
and talk for a bit.
That sounds great.
- Can I talk to the kids now?
- Sure.
[Paula] It's Dad.
Hey! Hi, Papa.
[sniffles]
Oh hey.
[sniffles]
[crying]
[emotional melody continues]
[Judy] Amsterdam? With your kids?
[emotional melody subsides]
I can't leave the hostel unattended
for so many days.
There's Eva.
And you can hire someone else if you want.
Well, I don't know if I do.
[unsettling tune rises]
We agreed this wouldn't happen.
[gentle music playing]
It's happening because I'm suggesting it.
Well, I don't want you to do that.
Álex.
[sighs]
There's a lot you don't know about me.
I came to Tremore
with no direction,
to find myself, just like you.
I don't know if I've done it yet.
All I know is that when
when I close this chapter,
I want to be free.
I don't want to suffer.
[bittersweet melody playing]
And I don't know
if that will be possible if I'm with you.
[emotional tune dies down]
[Socks purring]
[Judy urinating]
[reporter] Now, turning to other news,
we have an update
on a case that has remained unsolved
for more than two decades
and might finally be coming to a close.
Twenty years ago,
a promising young pianist
passed away in a car accident.
Estrella Escudé, 21 years old,
was coming back home
after winning a scholarship
to study at the prestigious
Is that the man
from the hospital this morning?
[reporter] when she lost control
of her vehicle.
Yeah.
[reporter] Ramiro Escudé,
the owner of a building company
who's linked to cases of extortion
Álex, what's going on?
I, uh I don't I don't get it.
You've been acting very strangely
since we left the hospital.
I don't know what's going on.
I know you're afraid.
I know you didn't get those scars
in a car accident.
I know all of it, Judy. Toulouse.
Listen. I know what they did to you,
those five bastards.
[Judy sighs]
Who told you that?
You.
In a few days.
You did that at your house too,
speaking in the future. Why?
I love you, Judy.
I love you.
And I know you love me too.
And you're right.
Nothing's written.
It all depends on
what we do in the moment.
And I'm not gonna miss this opportunity.
I can choose, and I choose you.
And if you choose me, we can live here,
in London, in Amsterdam
Wherever you want.
But whatever you choose
don't do it out of fear.
Judy, please, let's just go away
for a couple of days.
Just till things calm down
after what's ahead.
What do you mean by that?
Leo and María.
What about them?
You'll understand soon.
Just like my mother.
What she did to Estrella years ago.
Your mother?
The news on TV.
Judy.
My mom had a gift.
She called it "the instinct."
The lightning awakened it in me.
- [metronome clicking]
- [playing uplifting melody]
[song concludes]
[breathing shakily]
[chuckles softly]
- [waves crashing in distance]
- [metronome continues ticking]
[recorder beeps]
[sighs]
["I Can See Clearly Now"
by Johnny Nash playing]
I can see clearly now the rain is gone ♪
I can see all obstacles in my way ♪
Gone are the dark clouds
That had me blind ♪
It's gonna be a bright ♪
THE LAST NIGHT AT TREMORE BEACH
I think I can make it now
The pain is gone ♪
All of the bad feelings
Have disappeared ♪
Here is that rainbow
I've been prayin' for ♪
It's gonna be a bright ♪
Bright ♪
- Bright ♪
- Bright ♪
Sunshiny day ♪
Look all around ♪
There's nothing but blue skies ♪
Look straight ahead
Nothing but blue skies ♪
I can see clearly now the rain is gone ♪
I can see all obstacles in my way ♪
Gone are the dark clouds
That had me blind ♪
It's gonna be a bright ♪
- Bright ♪
- Bright ♪
Sunshiny day ♪
It's gonna be a bright ♪
- Bright ♪
- Bright ♪
- Bright ♪
- Sunshiny day ♪
- It's gonna be a bright ♪
- Bright ♪
- Bright ♪
- Bright ♪
Sunshiny day ♪
- Oh, what a bright ♪
- Bright ♪
- Bright ♪
- Bright ♪
Sunshiny day ♪