Daisy Jones & the Six (2023) s01e10 Episode Script

1
Previously on Daisy Jones and the Six
Daisy. Daisy. What the
fuck are you doing?!
I can't be here, I'm sorry.
- Get out of here!
- [GLASS SHATTERS]
I hate that you were
the one who saved me.
I've been there, too. Remember?
[PARAMEDIC] Come on, everyone back.
[DAISY] You think things
happened for a reason?
I want us to be okay.
And I'm so sorry.
We can make this work.
I'm not quitting the
band to raise a baby.
Daisy
[CROWD] Encore
- Can I take this one?
- Encore
- ["MORE FUN TO MISS"]
- You'd be more fun to miss ♪
Than to be with ♪
You'd be more fun to kiss ♪
Than to be with ♪
- [DAISY] We should be together.
- I want that, too.
But she's my wife.
I'm never gonna leave
her. Isn't this enough?
Next stop, Chicago, Illinois.
[PATTI SMITH: "DANCING BAREFOOT"]
She ♪
Is benediction ♪
She ♪
Is addicted to thee ♪
She ♪
Is the root connection ♪
She ♪
Is connecting with he ♪
Here I go ♪
And I don't know why ♪
I fell so ceaselessly ♪
Could it be he's taking ♪
Over me ♪
I'm dancing barefoot ♪
Heading for a spin ♪
Some strange music ♪
Draws me in ♪
Makes me come on ♪
Like some heroine ♪
[CROWD CHEERING]
[FAN] Go, Daisy!
[CHEERING CONTINUES]
[ANNOUNCER] [OVER P.A.]
Ladies and gentlemen,
Daisy Jones and the Six!
[CHEERS AND APPLAUSE]
[BRIEF DRUM RIFF]
["REGRET ME"]
♪
You regret me and I'll regret you ♪
Except I don't care what you feel ♪
And I totally already do ♪
If you had told me that morning
that it would be our last show
I mean, I would have laughed.
With a natural gift how I move ♪
So go ahead and regret me ♪
But I'm beating you to it, dude ♪
You regret me and I'll regret you ♪
I find it perfectly natural ♪
Here in my car to be doing ♪
I was just out having
such a good time, man.
I-I I didn't want to see it.
Go ahead and regret me ♪
But I'm beating you to it, dude ♪
Go ahead and regret me ♪
But I always will, too, regret you ♪
Go ahead and regret me ♪
But I always will, too, regret you ♪
Go ahead and regret me ♪
But I always will, too, regret you ♪
[CHEERS AND APPLAUSE]
There's still a lot you don't know.
[DAISY] Good evening, Chicago!
We're so happy to be here tonight.
[BRIEF DRUM RIFF]
[INDISTINCT CHATTER]
Mommy, Mommy, Mommy,
look. Look, Mommy. Look.
Can you just take her? Thank you.
Everything all right?
I don't know, Billy, is it?
[ROD] Okay.
[BILLY] Thank you.
[BANDMATES SPEAKING INDISTINCTLY]
Sound check's at 4:00.
I saw your fucking grandma, dude.
She was having a great time, all right?
[INDISTINCT CHATTER]
Four o'clock, sound check. 4:00.
You want a ginger ale?
- It's good for you.
- No, thank you.
Sound check is at 4:00.
Not 4:05, not 4:15. Four.
- Got it?
- Yes, sir.
What do you think?
Is today the day where
you don't lose your key?
I want you to think about
how boring your life would be
without me, Rod.
Sound check's at 3:00.
I know about Daisy Standard Time.
I've used that trick myself.
- [SIMONE LAUGHS]
- [DAISY] Oh, you made it.
No, you made it.
I've been gigging here all week.
Thank you for saying yes.
Thank you for asking.
- You hungry?
- Yeah.
- All right. Let's do it.
- Let's get out of here.
Well, it'll be just like the old days.
Just two chicks singing rock and roll.
Uh, there'll be 50,000 people out there.
Daisy, it is not like the old days.
[LAUGHS]
So, what's this I'm
hearing about Attic Records?
Yeah, um,
that's not gonna happen anymore.
What are you talking about?
Teddy said that everything
- was
- I turned them down.
After all that shit
you gave me in Greece.
I thought this is what you wanted.
Yeah, um
I did, I did want it, it's just, um
You know, I never understood
why my first album flopped.
I used to think it
was the song selection.
Or maybe I was just
trying too many things.
Finding my voice.
But I knew my voice.
I've always known my voice.
I was just afraid to use it.
And in New York, Daisy,
I stopped being afraid.
And people went nuts.
But that's what Attic was saying no to.
I mean, sure, they were saying
yes to all the other stuff.
But
they were saying no to
the things that mattered.
My family, my heart.
Simone Jackson
turned down Attic Records.
And you did it for love.
You sentimental bitch.
Yes.
I did.
[INHALES DEEPLY]
You okay?
I don't think I can do this
anymore.
With him.
You know, if it hurts you this much
maybe you shouldn't.
[CROWD CHEERING]
["KILL YOU TO TRY"]
I've been an angel all summer long ♪
I swear I've done nothing wrong ♪
I want all of your tears to be gone ♪
Come on home ♪
Cape Cod, Santa Fe ♪
A little houseboat in Marina Del Rey ♪
We're so close to
getting so far away ♪
Come on home ♪
Where's this even coming from?
I saw you
in the kitchen this morning.
The way that you were
looking at each other.
Cami, we talked about this, all right?
You said it yourself. It's
what people want to see.
It's an act. You know that.
Just tell me the truth.
Okay, we are both adults.
We have both done things.
There's nothing
What does that mean?
- "We've both done things"?
- You know exactly what it means.
Actually I don't think
I do. What things?
How long has it been going on?
There's nothing going on. Jesus Christ!
All right, look.
I kissed her.
Once, okay, ages ago.
And for, like, a-a second.
But that's it, I swear to God.
- It meant nothing.
- Tell me you don't love her.
Tell me you don't love her.
- You can't even say it, can you?
- [ELEVATOR BELL DINGS]
- [LAUGHS]
- [DAISY] Sorry.
Sorry, I, uh
No, stay, stay.
I'm done here.
[DOOR CREAKS]
She she thinks
we're having an affair.
- [DOOR CLOSES]
- She thinks I'm in love with you.
And what did you say?
Well, I told her the truth, Daisy.
That nothing happened!
And nothing ever will.
Fuck!
[DOOR OPENS]
- Fuck!
- [DOOR SLAMS]
- [SNIFFS]
- [BILLY] How you feeling, Chicago?
[CROWD CHEERING]
I'd tell you how I was feeling,
but I always end up
saying the wrong thing.
This is "No Words."
[CHEERING, SCREAMING]
["NO WORDS"]
[ELEVATOR BELL DINGS]
[EXHALES]
Hey.
Are you okay?
Maybe you should see a doctor.
Right?
- Be on the safe side?
- Graham
I took care of it.
What are you talking about?
[DOORS CLOSE]
[ELEVATOR BELL DINGS]
[CROWD CHEERING]
There ain't no words to the song ♪
I'm here to sing ♪
No, there ain't no words ♪
To the song I came to sing ♪
Oh, I just don't
know the words, babe ♪
To tell you what I mean ♪
And I'm at the end of my mind ♪
Trying to do the right thing ♪
♪
[SONG ENDS]
[CROWD CHEERING]
["TYPE OF GUY"]
Affectations put you in your place ♪
A painting leaves you empty-eyed ♪
And I'm that same type of guy ♪
He's telling you the truth, you know.
There's nothing going on between us.
Not like that anyway.
So what's it like, then?
I don't know.
You're his first love.
You're the mother of his child.
So, what, so he's with me out
of some sort of obligation?
- Is that what it is?
- That's not what I'm saying.
No, it's actually exactly
what you're saying
that he's not with me
because he loves me,
he's with me because
he's Billy fucking Dunne
and it's the right thing to do?
You know he loves you, Camila.
He's yours!
He'll always be yours.
You are who he'll choose
every fucking time.
And I just [SCOFFS]
You're what?
I just have to live with that.
You two are so much
alike, you know that?
You think you're these two lost souls
just fumbling your way
through the dark, but
you deserve each other.
[GUITAR STRUMMING]
[SIGHS]
[HUFFING]
[KNOCKING]
[SIGHS]
Fuck.
Geez, man, what the
fuck happened in here?
What do you want, Eddie?
Figured I should do it like a man.
Tell you in person.
I'm quitting the band.
[LAUGHING]
I'm serious, man.
- I'm done with this shit.
- What shit?
You don't even know, do you?
How hard it's been for me.
Right from the start,
the Dunne Brothers days.
As if Warren and I didn't even exist.
But, hey, look, I'm a team player, man.
I even gave up my
goddamn guitar for you.
I didn't want to play bass.
But we needed a bass player.
So I played bass.
And for what?
To hear on the master that
you rerecorded my parts?
You think I wouldn't notice?
But that shit in Pittsburgh,
that was the last straw.
I have one moment onstage.
And you steal it from me.
At our hometown show!
My grandmother was at that show.
You fucking piece of shit.
When the tour ends,
that's it, man. I'm out.
You know what I think?
I think you like feeling slighted.
I think you need to feel slighted.
'Cause otherwise, Eddie,
you'd have to deliver.
And you can't deliver.
You're just not good enough.
[LAUGHS]
If only you knew.
Yeah, what don't I know?
Use your imagination.
I'll fucking kill you.
[GRUNTS]
[DISCORDANT NOTES PLAY ON PIANO]
[GRUNTS]
This is your fault, man!
You did this.
[DOOR OPENS]
["LOOK ME IN THE EYE"]
Turn around and look me in the eye ♪
Turn around and look me ♪
In the eye ♪
Turn around and say it ♪
To my face ♪
[SNIFFLES]
[KEYS CLATTER]
[BIRDS CHIRPING]
[SHUDDERS]
[SNIFFS]
[LINE RINGING]
[JEANNE] Hello?
Hello?
Hi, Mom.
Margaret?
Is that really you?
It's really me.
I was hoping you'd call.
You got my letter then,
the pictures I sent?
[EXHALES]
Malibu Mondays.
I still don't know
how you manage to find
matching outfits every week.
And always red ones to match our hair.
Why did you send these to me?
I wanted to hear your voice.
I missed you.
And now here you are
on the TV news and
in all those magazines
making up stories, telling
people you're an orphan?
You're not an orphan,
you selfish little shit.
I'm your mother.
How about a little credit for once?
You know [LAUGHS]
Mom, sometimes I think that
that there are a million
strangers out there
who love me more than you ever did.
Well, maybe, but
they don't really
know you, now, do they?
Goodbye, Mother.
Next time you want to hear my voice,
why don't you try the fucking radio?
["LET ME DOWN EASY"]
If you're gonna let me
down, let me down easy ♪
If you're gonna let me down ♪
If you're gonna let me
down, let me down easy ♪
If you're gonna let me down ♪
Don't you go and tell
me that you love me ♪
While you're leaving if
you're gonna leave me now ♪
If you're gonna let me
down, let me down easy ♪
If you're gonna let me down ♪
[FOOTSTEPS APPROACHING]
- I tried to tell you.
- You said that you weren't sure.
No, I said that I didn't want this.
Not now.
Not ever.
You just didn't want to hear it.
[ROADIE] Check one, two, three.
Check, check.
Give me another 15
I could've come with you.
Held your hand.
Really, Graham?
You really think that
that would have helped
with that look on your face?
You really think that
that would have made
things easier for ?
Well, relationships aren't
supposed to be easy, Karen.
All right, they're
supposed to be honest.
You're gonna be alone forever.
You know that, right?
["MORE FUN TO MISS"]
[DAISY] Last time I hit a lick ♪
Was when I heard the
church bells a-chimin' ♪
You'd be just as fun
as a jammed-up gun ♪
Another shot at just
the wrong place in time ♪
More fun to miss ♪
Than to be with ♪
More fun to kiss ♪
Than to be with ♪
More fun to miss ♪
Than to be with ♪
Ah ♪
Ah ♪
You'll be more fun to miss ♪
Than to be with ♪
You'll be more fun to kiss ♪
Than to be with ♪
You'll be more fun to miss ♪
Than to be with ♪
You'll be more fun to miss ♪
Do you have a machine or any way
I can leave a message
for when she's back?
[KNOCKING]
Yes. It's Room 909. Thanks.
- [KNOCKING]
- I just got in here! Fuck off!
Fuck.
Cam, hey, Cami.
Cami, hey. It's, uh it's me.
I-I-I don't know where
you are, and, look,
I know I know you're angry. I-I
[SIGHS]
If there's any part of you
that wants to make this work,
please, just-just-just
come to the show tonight?
Please?
[ROCK MUSIC PLAYING FAINTLY]
I love you.
I-I need my girls.
[PHONE RINGING]
- Studio A.
- [BILLY] Uh, Teddy Price, please?
Uh, he's in a session
at the moment. Can I take a message?
No, no, it's, uh
- It's fine.
- Is that you, Billy?
Yeah. Hi. Hi, Deb.
Jesus Christ.
- Let me get him.
- No, it's it's fi Uh
[LAUGHS]
My man, Billy Dunne.
Hey, Teddy. Hey. Hey.
Hey, what's going on, son? Uh,
don't you have a show in a minute?
Yeah, I-I just, uh
I, uh
Billy?
No, I'm good, man. I'm, uh
I-I just I just
wanted to hear your voice.
You know, I wanted to
make sure you were taking
all your pills, and
Hey, you don't have to worry about me.
Good.
Okay, that's good.
Is that the real reason you called?
Billy?
I love you, Teddy.
- [KNOCKING]
- [MAN] Come on. Hurry up, asshole.
- Let's go!
- Billy?
[DIAL TONE]
Let's go!
Billy Dunne?
Holy shit, man. I got tickets tonight!
[STAMMERS] Let me buy you a drink.
Least I can do. Let me buy you a drink.
Bartender, couple
Jacks for me and my man
- Billy Dunne right here.
- Coming up.
[MAN] [LAUGHING] Holy shit, dude.
You realize who this is, right?
[DRINK POURING]
Billy, come on.
[INDISTINCT CHATTER]
[THE SAINTS: "THIS PERFECT DAY"]
- [SNIFFS]
- [PHONE RINGING]
Don't talk to me about what you done ♪
Ain't nothing has
changed, it all goes on ♪
[ROD'S ASSISTANT] Daisy,
where the fuck are you?
[PHONE RINGING]
I've seen them drive around in cars ♪
All look the same, get drunk in bars ♪
And don't talk back, we
got no social rights ♪
[PHONE CONTINUES RINGING]
Anyone have a guess where they might be?
Anyone?
For fuck's sake.
[INDISTINCT CHATTER]
Not like Billy to be
missing sound check.
It's a nice shiner you got there.
- [MICROPHONE FEEDBACK]
- [BRIEF BASS RIFF]
Eddie?
[INDISTINCT SHOUTING IN DISTANCE]
[MAN] All right.
What'd you say to him, man?
Nothing. Just, uh,
some shit that needed
to be said, that's all.
Eddie, look, I'm gonna
say some stuff, all right,
and-and you're gonna promise
that you're not gonna hate me for it.
What the fuck is wrong with you?
So what if Billy's an asshole?
So what if you're not the guy?
I mean, you are you
are in the biggest band
in the fucking world right now.
You get to fly around on jet planes
and-and sleep on $100 bills,
and we get to play songs
that-that millions of people listen to,
and they fucking love 'em.
They love 'em, Eddie.
- What? That's not enough for you?
- Warren
No, no, man. I'm-I'm serious.
Like, this shit does not happen.
To anyone.
We're the luckiest
motherfuckers in the world, bro.
Warren, all due respect,
I think I may be looking
for a little more out
of life than you are.
[CHUCKLES] Yeah, man.
Right.
Well, you keep looking, Eddie.
[MAN] Lighting tech
- Where are you going?
- Me?
I don't know.
Maybe I'm gonna go smoke a joint,
pop some $1,000 champagne.
Or you know what maybe
I'll call my girlfriend,
the movie star.
See you tonight, bro!
[ROADIES SPEAKING INDISTINCTLY]
[BILLY] I-I don't know where
you are, and I Look, I
I know you're angry. I-I
If there's any part of you
that wants to make this work,
please, just-just just
come to the show tonight?
Please?
I love you.
I-I need my girls.
[SNIFFLES, SIGHS]
[CROWD CHEERING]
You know, you really
lucked out, Chicago.
[CHEERING SWELLS]
Ladies and gentlemen, please welcome
to the stage my sister
and my best friend Simone Jackson!
[APPLAUSE AND CHEERING]
[DRUMS PLAYING DRAMATIC RIFF]
Hey, man, serious question.
Are you okay tonight?
I've never been okay, Rod.
["THE RIVER"]
I could have rode,
danced with the wind ♪
Tell me again why you resist ♪
Such a lonely, lonely, lonely ♪
Road ♪
You'd never guess, I'd never know ♪
But we're on the same
side and it's slow ♪
The lonely, lonely, lonely ♪
Road ♪
If I follow you to the river ♪
If I cruise out to the sea ♪
Will you stay with me forever? ♪
Will you chase me in my dreams? ♪
If I throw it all in the river ♪
And let the rhythm take the lead ♪
Will it stay with you and never ♪
Let you leave, or me? ♪
Ooh, ah-la, ah-la ♪
Ooh, ah-la, ah ♪
♪
- Hey.
- [SIGHS]
You're trying to fucking
kill me, aren't you?
She-She's not here, is she? Camila?
- Is she here?
- Cami No, man.
She's not here either.
[SIGHS]
[PANTING]
[SIMONE AND WARREN
SPEAKING INDISTINCTLY]
Oh. Wow.
Um Daisy
Finally. Great! Gang's all here, huh?
You look scared, Rod.
And you should be.
Okay.
All right, this time's
for real, everybody.
What?
You don't like my makeup?
You're drinking again.
So, we have to go soon,
but we can't leave
without paying some dues.
I'm gonna need your help.
- You with me?!
- [APPLAUSE AND CHEERING]
On drums, a man who
keeps time like a Rolex
and who cuts grooves like a knife.
It's Mr. Warren Rojas!
[APPLAUSE AND CHEERING]
Ladies and gentlemen
[FANS SHOUTING INDISTINCTLY]
The classiest, coolest
cucumber ever to play keys.
It's Ms. Karen Sirko!
- [APPLAUSE AND CHEERING]
- [KAREN PLAYS RIFF]
Up next, as good a man
as you'll you'll ever meet.
But sometimes I forget how
lucky I am that he's my brother.
It's Graham Dunne, everyone!
- [APPLAUSE AND CHEERING]
- [GRAHAM PLAYS UPBEAT RIFF]
On bass
Well, that's Eddie Roundtree.
[APPLAUSE AND CHEERING]
All right, wait, wait,
wait. Let's try
Let's try that again, shall we?
The master of the low-end hammer,
the man, the face who
keeps pace on the bass,
the groove layer, the
four-string slayer.
It's Eddie Demetrius Roundtree!
- [APPLAUSE AND CHEERING]
- [EDDIE PLAYS UPBEAT RIFF]
I love you, brother.
Go fuck yourself. You're done.
And finally, well, do
I even need to say it?
[APPLAUSE AND CHEERING SWELL]
Well, I want to hear you say it.
It's Daisy Jones, everyone.
[APPLAUSE AND CHEERING SWELL]
Billy Dunne, everybody.
[APPLAUSE AND CHEERING SWELL]
["AURORA"]
[BILLY AND DAISY]
You found me in flames ♪
It's the daylight of change ♪
And all that stuff is done ♪
You're my morning sun ♪
Aurora ♪
You're my morning sun ♪
When I was away ♪
You called from the fever dream ♪
My crazy ways are done ♪
You're my morning sun ♪
My Aurora ♪
You're my morning sun ♪
[BILLY] I kind of think I
wanna make it last forever ♪
[DAISY] Oh, I kind of think
I wanna make it last forever ♪
Mmm, I kind of think I
wanna make it last forever ♪
Oh, I kind of think I wanna make it ♪
Aurora, I am here ♪
And I won't disappear again ♪
How soon can you come? ♪
You're my morning sun ♪
Aurora, you're the one ♪
You're my morning sun ♪
Aurora, you're the one ♪
- [SONG ENDS]
- [APPLAUSE AND CHEERING]
[MAN] Come on, Daisy!
[WOMAN] Yeah! [WHOOPS]
[PANTING]
[DAISY] Tell me.
What is this? [PANTING]
- She left me.
- What?
She's leaving.
[BILLY MOANS]
[MUTTERS]
- Billy.
- What?
Yeah.
I love you. Okay?
And if you want to live out of a
suitcase, sleeping on tour buses
for the next 20 years,
then great. So do I.
- You don't.
- Yes. I do.
Kids, no kids. I don't care.
I love you.
[CROWD CHEERING IN DISTANCE]
Just say you feel the
same, and we'll be fine.
I'm so sorry, Graham.
Hey, what are you doing?
Hey. This isn't who you are.
Yes, it is, Daisy.
We don't have to fight it anymore.
All right, you and me, we-we're broken.
All right, let's just
be broken together.
- Let's just be broken together, all right?
- Billy, I
- Let's be broken.
- No, stop.
- Just be with me
- Stop.
[DAISY PANTING]
[CROWD STOMPING RHYTHMICALLY]
I don't want
to be broken.
[CROWD CHEERING]
Encore! Encore!
Encore! Encore!
[WOMAN WHOOPS]
[WOMAN] "Look at Us Now"!
"Look at Us Now"!
"Look at Us Now"!
[CROWD] "Look at Us Now"!
"Look at Us Now"! "Look at Us Now"!
"Look at Us Now"!
- "Look at Us Now"!
- [CHEERING]
"Look at Us Now"! "Look at Us Now"!
"Look at Us Now"!
"Look at Us Now"!
"Look at Us Now"! "Look at Us Now"!
"Look at Us Now!" "Look at Us Now"!
Let me hear it if
you're in love tonight.
[CHEERING SWELLS]
I've been in love.
[MAN] We love you!
And it hurts, doesn't it?
[CHEERING]
But it doesn't have to.
[CHEERING, WHISTLING]
Love doesn't have to be bombs
and tears and blood.
Love can be peace.
[CHEERING, WHISTLING]
And it can be beautiful.
[FANS SHOUTING INDISTINCTLY]
And if you're lucky
enough to find somebody
who lifts you up
[MAN] We love you, Daisy!
even when you don't deserve it
that's where the light is.
[CHEERING]
So, my wish for you tonight,
ladies and gentlemen, is,
find someone who helps
you see the light.
[CHEERING SWELLS]
[WHISTLING, CHEERING]
This is a love song.
["LOOK AT US NOW"]
[CROWD CHEERING]
[CROWD] Baby, baby, baby ♪
Do you know who you are? ♪
Is it out of our hands? ♪
Tell me, tell me, tell me ♪
How we made it this far ♪
Did we unravel a long time ago? ♪
Is there too much we
don't want to know? ♪
I wish it was easy, but it isn't so ♪
[QUIETLY] Go.
Oh, we could make a good thing bad ♪
Oh ♪
We could make a good thing bad ♪
Beaumont Hotel.
[GUITAR SOLO PLAYING]
How did we get here?
How do we get out? ♪
We used to be something to see ♪
But, baby, look at us now ♪
Oh, baby, look at us now ♪
Oh, baby, look at us now ♪
♪
How did we get here?
How do we get out? ♪
This thing we been
doin' ain't working out ♪
♪
Oh how did we get here? ♪
- How do we get out? ♪
- Camila, wait, wait.
We used to be something to see ♪
Oh, baby, look at us now ♪
Baby, look at us now ♪
This thing we been doin' ♪
Ain't working out ♪
Why can't you just admit it to me? ♪
Oh, baby, look at us now ♪
Baby, look at us now ♪
Oh ♪
We could make a good thing bad ♪
Oh ♪
We could make a good thing bad ♪
[SONG ENDS]
[APPLAUSE, CHEERING]
What the fuck happened out there?
Why'd Billy walk off?
I mean, what the hell's going
on with everyone tonight?
- [CROWD CHEERING]
- [WOMAN] Come on, Billy!
[WHISPERS INDISTINCTLY]
[CAMILA] What could she possibly
give you that I can't, hmm?
How could she possibly ever
love you better than I do?
She doesn't love me any better.
- Then what?
- She
What is it?
She just sees me.
The all of me.
And I don't?
I don't let you.
- I can't let you.
- [SNIFFLES]
If you knew how many
times a day I sit and think
about setting my life
on fire, our lives
I loved you since I was 18 years old.
You think I don't see every side of you?
[SIGHS]
Look, neither of us have been perfect.
I never wanted the perfect life.
I just wanted my life,
my husband.
[CAMILA SIGHS]
[JULIA] Mommy?
[FEMALE INTERVIEWER]
I remember that night.
She was wearing the purple dress
with the those earrings you got her.
And-and you were crying, both of you.
I'd-I'd I'd never
seen you cry before.
You were so little.
What do ? Uh
I mean, how do you remember that?
I remember a lot more
than you think, Dad.
Good night, sweetie.
I'll work for it.
I promise.
- [OVERLAPPING CHATTER]
- [MUSIC PLAYING FAINTLY]
There's this place in Minnesota.
Nobody's gonna know.
Teddy's gonna call ahead and
make all the arrangements.
- Thank you.
- Mm-hmm.
[SIMONE SNIFFLES]
You've left family before.
You can handle it.
I know.
I just really loved this one.
Yeah.
Next morning, we were
waiting on the bus.
I remember thinking it would be okay.
We'd been through hell, but
we were on the other side of it now.
I mean, I'm trying to figure
out how to tell everybody
Daisy's leaving.
And then I see Eddie.
♪
♪
The irony is,
the chosen ones never
know they are chosen.
I wanted to be a rock and roll star.
To travel the world and
play music for strangers.
And that's what I did.
It's what I still do.
I moved back home
to Hazelwood.
I fell in love and started a family.
I got a wife and kids now who are
my whole world.
I've got Karen to thank for that.
I'd probably still be pining after her
if she hadn't been, uh, brutally
honest with me that night.
I mean, I told him
what he needed to hear.
But I wasn't being honest with him.
I went and formed my own band.
We weren't bad, just,
you know.
I'm still out there playing gigs.
My life's fine. It's, uh
It's totally fine.
I've been a session
drummer for years now.
I mean, I've been on some
some records, you know?
Uh, classics.
I married Lisa back in '82.
Still can't believe she said yes.
One. Two.
- Ready?
- Three.
No one asks me to sign
their tits anymore,
but that's okay.
Actually, that's not
true. Lisa sometimes.
She'll, you know, just to be nice.
Bernie and I, we opened this club.
It's ours, and we play it all.
Whatever gets you up and moving.
Sometimes I even get up there myself.
Still brings the house down.
And I quit the business
once and for all after that.
I was heartbroken when they fell apart.
More than I'd been with
any other band. I just
didn't think I could take
another blow, you know?
Get your heart broken
enough times, you
you stop falling in love. [CHUCKLES]
Except,
no, you don't.
But that's a story for another time.
Teddy died in '83.
They found him hunched
over a sound board after
another all-nighter.
He died doing what he loved,
just like he said he would.
Teddy, how do you want
the world to remember you?
- The world? Come on now, Merv.
- [LAUGHS]
[TEDDY SIGHS, MUTTERS]
The world won't remember me.
But they will remember the music.
And, uh
I'm plenty good with that.
Everything that I have
and everything that I have done
my music
my sobriety
my daughter
is all because I left that night.
[JULIA] Have you been
in love since then?
Many times.
I'm sure you've read about some of 'em.
But with Billy, it was different.
[BILLY] Everything that
made Daisy burn made me burn.
[DAISY] Everything I loved about
the world, he loved about it.
[BILLY] Everything I struggled
with, she struggled with.
[DAISY] We were two halves,
in that way you almost
never find with anyone.
[BILLY] But at the same
time, we were a, a mess.
Two natural disasters
who needed to heal.
[DAISY] And I don't think
we would have done that.
I mean, I know we wouldn't have.
At least not then.
Jules, you know all this.
You know. I mean
Please, Dad?
Okay.
So I got out of rehab,
started going to therapy,
joined the program,
did some actual self-reflection
for the first time in my life.
Yeah, it wasn't easy.
Took years, but it helped.
And I won your mother back.
Plus, I, uh
I got to right some wrongs.
Never miss a school play
or a soccer game.
See you become the amazing,
amazing woman you've become.
And then, when your mother got sick
I, uh
I'm sorry.
I mean, she was the
reason I joined the band.
She was the reason I stayed.
You know I would have been there
at the funeral.
Just, I didn't I
didn't know if, um
She saw a future for me that
I couldn't see for myself,
and she was right.
I can't.
But she was the love of my life.
And I can say that now
and know it's the truth.
Give me all the
platinum albums you want,
the success, the fame, all of it.
And I would hand it all back to you
for one more minute with her.
[BILLY SNIFFLES]
[BILLY SIGHS]
[WARREN] What's crazy is that
anyone even remembers The Six.
[EDDIE] When "Aurora"
was released on CD,
we sold another, what,
two million, three million?
You know, it came on in
the car the other day.
The, uh, classic rock station. [LAUGHS]
I thought that was crazy.
It's fun to think you
did something, you know?
Left your mark on the world.
[JULIA] Would you ever
want to do it again?
Do what, honey?
You know.
I don't know how your mother
would have felt about that.
I do.
[CLICK, MECHANICAL WHIRRING]
[BEEP]
[CAMILA] Here, Jules?
[SIGHS]
[LAUGHS SOFTLY] Okay.
I look ridiculous.
[SIGHS]
[JULIA] You look beautiful.
You always look beautiful, Mom.
Wait a second.
[CAMILA SIGHS]
So, who else are you talking to?
[JULIA] Whoever's willing.
Uh, the guys.
Uncle Graham, Rod.
Are you talking to Daisy?
[JULIA] I might.
[CAMILA] I'd like you to.
Just tell her that, uh,
I'm happy for her.
She's made such a beautiful
life for herself, and
Well, I've always been her biggest fan.
[JULIA] I'll tell her, Mom.
And you know what else?
Tell your father to give her a call.
What?
[JULIA] No, I'm just surprised.
[CAMILA] You shouldn't be.
We have had such a wonderful marriage,
your father and I.
We chose each other.
But nothing in life is ever as simple
as we want it to be.
So one day, when he's ready,
tell your father to
give Daisy Jones a call.
And tell Daisy Jones to answer.
At the very least,
those two still owe me a song.
[ROLLING STONES: "SHINE A LIGHT"]
May the good Lord ♪
Shine a light on you, yeah ♪
Make every song you sing ♪
Your favorite tune ♪
May the good Lord ♪
Shine a light on you, yeah ♪
Warm like the evening sun ♪
Na-na-na-na, yeah ♪
♪
Come on up now, come on up now ♪
Come on up now, come on up ♪
- Come on ♪
- May the good Lord ♪
- Yeah, yeah, yeah ♪
- Shine a light on you ♪
Ah, my Lord ♪
Make every song you sing ♪
Your favorite tune ♪
- May the good Lord ♪
- Yeah, yeah, Lord ♪
- Shine a light on you ♪
- My, my, my, my ♪
Warm like the evening sun ♪
My, my, my, my, my, yeah ♪
Yeah ♪