Las Vegas s01e13 Episode Script

[Wolf howling.]
[Upbeat pop song playing.]
ED: This place is dead.
No money coming in.
Nobody to even watch.
Why don't you two clowns tell a joke before I go into a coma.
MIKE: Mr.
D.
ED: Hey! - You wanted to see me? - Yeah.
I need to talk to somebody.
Why don't you throw him out of his chair and take a seat? This guy's boring me to death.
You won't think I'm boring when I whup your ass.
Roll over here.
I love hitting guys in wheelchairs.
Come on.
- That's nice.
- Slow night, huh? MITCH: Dead is more like it.
ED: Guess everybody's over at that Copperfield show.
How come you didn't go? Full moon.
Brings out the crazies.
That explains Mitch then.
Did you know more crimes are committed during a full moon than any other time of the month? No, they're not.
That's wrong.
ED: There's no scientific proof that crime and a full moon are related.
One of my former employees ran every nonsensical correlation there is.
"Beware the full moon and its light.
People will party and incite.
"Dogs who never did, suddenly bite.
"Murderers will kill, this very night.
" What the hell is What are you watching, werewolf movies? I'm just saying a full moon makes people wacky.
This being Vegas, it's enough to drive a lunatic over the edge.
"Lunatic," after luna, which is Latin for ED: Moon.
MITCH: Moon.
Mitch is getting it.
[Phone ringing.]
MITCH: Getting slow, old man.
Surveillance.
What the heck does this have to do with you not going to the Copperfield show? Magicians give me the willies.
This guy's gonna make the Hoover Dam disappear tonight.
I'm not about to go out in a houseboat on Lake Mead with half of Vegas during a full moon to watch some magician make Hoover Dam disappear.
First of all, he's not "some magician.
" This is David Copperfield.
- He's not really gonna make it disappear.
- Whatever.
We got a guy at check-in who claims he just escaped from Area 51.
He's demanding to speak to the alien in charge.
- That's cute.
- Full moon brings out the lunatics.
Have Danny take care of it.
NESSA: Danny, full moons can make a girl DANNY: Make a girl what? [Cell phone ringing.]
Just a second.
Danny McCoy.
MITCH: [On phone.]
Danny, it's Mitch.
We got a guy who claims he just escaped from Area 51.
He's demanding to speak to the alien in charge.
Full moon brings them out every time.
Where is he? MITCH: Just stepped into an elevator.
Let me know what floor he got off.
I'm right behind.
You know, Nessa full moon's always the best time to take in the sights of Vegas.
Promises.
[Bell dings.]
- Hey.
- Hey.
- Slow night.
- Yeah.
Everyone's in houseboats on Lake Mead to see Copperfield make the dam disappear.
Won't they all wash downstream? - It's a trick, Mary.
- It's a joke, Danny.
Look, a chair.
You finally got rid of the Resnick brothers.
I put them in a limo after 48 hours straight at a craps table.
Two days straight? SAM: Also, I had to take these caffeine tabs to get through the night.
Damn Resnick brothers only stop for potty breaks.
They fly here three times a year on that private jet of theirs play craps for 48 hours straight.
Then they fly back to their vineyards in Redwood Valley, wherever the hell that is.
You must be exhausted.
I'm starving and PMSing.
Oh! Too much information.
And I think I'm starting to hallucinate.
The Resnick brothers - started to look cute to me.
- What? Cute? No.
You need to go home and get some sleep.
Either that or get your eyes checked.
[Sniffles.]
Will you massage my foot, Danny? It hurts.
- No.
- Why not? Please.
Look, we need to talk, Danny.
- Talk about what? - About us.
[Jazzy instrumental music.]
SAM: Wow.
I'm so wired.
Hey, how come you're not at the Copperfield show? No.
I try to never go out during a full moon.
You're afraid you'll turn into a werewolf? You think that's funny? You haven't been here long enough to know that, in Vegas, people go crazy during a full moon.
[Men laughing.]
See? Streakers.
[Men whooping.]
Anyway, David doesn't like me around ever since I dumped him.
[Sam laughing hysterically.]
You and Copperfield? Who do you think taught him how to blow-dry his hair like that? I never would have guessed, yet, upon hearing it, it makes perfect sense.
I just want to know where I stand, Danny.
That's all.
You've been sending me a lot of mixed messages lately.
You guys think I still have time to get to Lake Mead? SAM: Let me guess David invited you as his personal guest to his show.
- How'd you know? - Let's just say I - christened his houseboat.
- Shut up.
You nasty girl.
I gotta take care of this thing for Ed.
DANNY: Maybe later.
All right? MARY: I'll come with you.
I deserve an answer, Danny.
MARY: First you're with Delinda.
Now you're sleeping with Sam? DANNY: I didn't sleep with Sam.
MARY: That's not what I heard.
[Suspenseful instrumental music.]
We got a gun.
ED: Get all security on the floor.
I'm waiting for an answer.
I don't understand [Gun fires.]
[Woman screaming.]
[Theme music.]
ED: We're just blind up there, damn it.
Why hasn't anybody called in? Nextel service and house phones are both out.
We lost communication.
ED: We got a gun on the floor.
Do something.
MIKE: We're trapped.
ED: Where the hell is Danny? DANNY: Hello! DANNY: Hello! I got a camera back online.
Looks like somebody's down.
Push in.
MITCH: No.
We don't have that function at this time.
DANNY: Looks like we're stuck.
MARY: Great.
[Cell phone beeps.]
No cell service.
The relay stations must be down or overloaded.
The whole valley's probably out.
Maybe Copperfield really did make Hoover Dam disappear.
ED: I gotta find Delinda and the girls.
I'm working on the infrared, Mr.
D.
MIKE: I gotta get out of here! [Eerie instrumental music.]
Is he dead? - Can't get any deader.
- I think I'm gonna puke.
Did you have security seal the building? It's automatic once the power goes out or something of this magnitude occurs.
DELINDA: [Whispering.]
Somebody in this room killed him, Nessa.
NESSA: I know.
SAM: You mean there's a killer among us? [Suspenseful instrumental music.]
Infrared has identified Delinda, Nessa and Sam.
Good.
It identify the victim yet? I'm working on it.
Communications are still down.
Even if we could get through to the outside, the switchboards are probably overloaded.
MIKE: I gotta get out of here.
- What's the matter with you? - Mr.
D, I gotta get out of here.
The doors won't open up without power.
Which we're never supposed to be without, but we are.
Whoa! Hey.
Wait.
We're working on the emergency generators now.
You're okay.
What about the manual-override key for the door lock? That's good.
Who's got the key tonight? MITCH: Danny.
ED: Danny.
Don't you have another one? Take it easy.
We don't need another one.
Danny can open it from the outside.
MIKE: Where's Danny? ED: I don't know.
But then we're trapped.
Listen, when the generators kick in, the doors will open.
You're safe, man.
You don't understand, Mr.
D.
I gotta get out of here.
I don't like being closed in.
- Wait a minute.
You're claustrophobic? - Why do you think I'm a valet? SAM: I have way too much caffeine in my system to handle this.
NESSA: So, he's a Las Vegas native.
Neiman-Marcus card.
The man had good taste.
NESSA: Or his wife did.
DELINDA: No wedding ring.
DELINDA: Listen.
- We've got to get word to my father.
- The house phones are down.
Sam, give me your cell phone.
Sam, cell phone.
Why are you two so calm? A man's murdered right before our face and you're acting like you see this every day.
Unless, the reason why you two are so calm is because the two of you had something to do with this.
- I think you need to take a little nap.
- I agree.
SAM: You agree? DELINDA: Yeah.
You think I should take a nap? [Laughing nervously.]
Yeah.
You would love for me to take a little nap, wouldn't you? A little nap, like this dead guy perhaps? Are you PMSing again? How you doing? How about you? Oh, just great.
Trapped in an elevator with a smiling stranger who doesn't speak and a man who won't acknowledge what happened between us.
I don't think this is the best place to discuss what happened that night.
- We made love, Danny.
- Mary, please.
And you told me that you loved me.
Elevators aren't moving, are they? I'm guessing Danny's trapped in one.
MIKE: Danny's trapped in an elevator? MIKE: Now how are we supposed to get out? ED: Mike, what the hell are you doing? Mike, that's a twin steel door.
MIKE: I gotta get out of here.
Listen, get a hold of yourself.
MIKE: Mr.
D, you just hit me.
You were freaking out on me, man.
Now, my face hurts, and I'm still freaking out.
MIKE: Thanks.
MIKE: Thanks a lot.
Did you say you loved me just to get me into bed? We're talking about five years ago.
I didn't realise there was a statute of limitations.
When I left for the Marines, I didn't know if I was gonna make it back to Vegas, okay? I just wanted you to know how I felt in case it was the last time we ever saw each other.
So you do love me? [Stammering.]
SAM: Oh, yeah.
Somebody in this casino's a killer.
Cell phone service is out, too.
We have to reach my father.
[Suspenseful instrumental music.]
Oh, yeah.
Where is Ed? SAM: Isn't he always right down here whenever something happens? Unless the reason why he's not down here is because he's the killer.
She's absolutely lost her mind.
Sleep deprivation and caffeine pills will do it every time.
If this is a CIA-sanctioned hit, then that means that Mr.
Ed never left the CIA and this whole casino thing is a cover, a CIA front.
[Sam laughing knowingly.]
We have to assume he'd be here if he could.
He was probably locked in the surveillance room when the power went out, you loon.
The new electronic locks installed after 9l11 must have malfunctioned.
You think he can see us? [Laughing.]
That's a good one.
Do you think he can see us? Of course he can see us.
He's watching our every move just like he always is.
He's the puppet master! MIKE: The main air ducts lead to the central system.
MIKE: From there, I can take any branch and drop into the lobby.
MIKE: It's about a 20-plus-foot drop so I'll probably break my leg.
Maybe both, but that's okay.
This is good.
This is a good plan.
MIKE: Somebody give me a screwdriver.
- Let me just set the scene for you.
- Mary, please.
Danny, I'm trying to tell the Danny and Mary story.
Danny and I were best friends since we're two years old.
First boy I ever kissed.
Fourth grade.
Behind the swings.
- You remember? - Of course I remember.
At least you remember something.
I remember that night we spent together as if it were yesterday.
Don't jump ahead in our story, Danny.
I'm trying to tell Mr What's your name? We'll just call you Mr.
Smiley Face Man.
Danny and I we're best friends, and we do everything together, right? Well, not everything.
Except for that one time when he told me that he loved me.
Not that I didn't wanna do it, but Danny was afraid it would ruin our friendship, which is basically just guy talk for "I'd rather be doing someone else.
" Hey! Excuse me.
[Screaming.]
Hey! MIKE: Hey! So nobody in this whole room has got a screwdriver? [Mike grunts angrily.]
Someone in this casino is a cold-blooded killer a taker of human life [Tense instrumental music.]
Evil incarnate.
Where in the hell did I get this jacket? I don't remember buying this jacket.
SAM: [To herself.]
Oh my God.
What if I'm the killer and I don't remember? If this is a CIA-sanctioned hit, then that means that Ed could have brainwashed me into being the assassin.
This is just like The Manchurian Candidate.
Maybe I've killed before.
We should probably be treating Little Miss Paranoia for shock.
NESSA: We can't do anything until the caffeine pills wear off.
DELINDA: Yeah.
Ness, Sam's right about one thing.
Someone in this casino is a killer.
[Suspenseful instrumental music.]
[Tense instrumental music.]
ED: Can you push in there yet? MITCH: No.
ED: Can you do anything? MITCH: That's all the movement we have.
- If we could get one of the engineers here - Engineer? If I can get anyone in here, I wouldn't have to be here.
I'd be down there.
Wait.
There was a walkie-talkie locked over here in the pit.
Go to the equipment room and see if you can get me one.
Free at last.
ED: Whoa! Come here.
Let go of me! I'm getting out of here.
ED: I need an engineer.
Right now, you're the only one I got.
MIKE: No, Mr.
D, you can't do this.
ED: Yes, I can.
MARY: So, we go to prom together.
MARY: Nothing happens.
But, of course, I wanted something to happen.
[Laughing.]
God, I wanted something to happen.
But, you know, once again the whole friendship thing gets in the way.
I was wearing the most beautiful gown.
It was the first real dress I ever owned.
Danny bought it for me.
[Snoring.]
I bet you don't even remember what that dress looked like, do you? I remember.
Mary, you were beautiful.
Apparently not that beautiful.
So, then Danny decides that he's fleeing Las Vegas.
I didn't flee Las Vegas.
- What would you call it then? - I joined the Marines.
You left me, Danny.
She's got the eyes of a killer.
[Suspenseful instrumental music.]
Uniformed security has walkie-talkies, don't they? No, they switched over to Nextel like the rest of us.
But we do have emergency walkie-talkies in the pit.
- Ed, you can't keep a man against his will.
- Yes, I can.
I used to do it for a living.
At least I'm not torturing you.
That's not funny.
Okay, it's not.
But, look, I am a pro.
We got a killer down here with our girls.
I need your help.
- All right.
How can I help? - All right.
Good.
Just do something with these videos.
Get them to move.
MIKE: All right.
I still have that prom dress you bought me hanging in the closet.
Is that pathetic or what? [Soft instrumental music.]
[Snoring.]
Do you wanna know why I never went after you why I never let anything happen all those times you wanted to? Yeah, I do.
Because I couldn't possibly live up to your expectations.
You put me so high on a pedestal that if I fell off, I'd never hit the ground.
Don't you dare try to play the "performance anxiety" card with me.
It's beneath you.
I was there the night we made love.
Remember? Believe me, you had no performance problems.
- That's not what I mean.
- Then what do you mean, Danny? I see the way you look at me.
You're always telling me what I can and can't do.
If I'm with another guy, you get jealous.
When I kiss you, you kiss me back.
What exactly do you mean? [Stammering.]
I don't [Mary sighs sadly.]
ED: [On walkie-talkie.]
Did you girls know that Mike has a claustrophobia problem? NESSA: Yeah.
Why do you think he's a valet? I wish someone had told me.
He's driving me nuts.
DELINDA: Do you have playback on any of your cameras? The whole system's down.
I got one camera working, and Mike's working on the others.
I'm definitely calling the NAACP.
Holding a brother against his will.
ED: [On walkie-talkie.]
What can any of you tell me about the victim? Las Vegas native.
Neiman-Marcus credit card.
No wedding ring.
No wedding ring.
That doesn't mean he's not married.
You've been waiting to tear into me for five years now, haven't you? Yeah.
Yeah, I guess I have.
[Soft instrumental music.]
Mary, what exactly did you expect to happen? - I thought we'd end up together.
- You mean married.
Yeah.
White picket fence, kids dogs, swimming pool, whole nine yards.
In this fantasy world of yours, I suppose I took over the family business.
Right? Yeah, we had Sunday dinners with your dad sat on the porch while he played with the kids.
I thought we'd grow old together, Danny.
We made love one time.
[Stutters.]
And obviously, it meant more to me than it did to you.
I guess I should have told you how I felt a long time ago.
How long have you felt like this? Since fourth grade.
When you kissed me behind the swings.
Now what? We can still be friends.
[Soft instrumental music continues.]
[Mary sobbing.]
ED: [On walkie-talkie.]
Just listen up.
You two, you grab Sam I don't think Sam's gonna be much help.
She's going down the "Colonel Mustard in the kitchen with the gun" route.
They're all probably in on this together.
[Tense instrumental music.]
Which means I'm the only innocent one.
That means they have to kill me, too.
[Laughing.]
Hey.
Ed? We have our murder weapon.
Now all we need is the murderer.
[Fast-paced instrumental music.]
[Heavy breathing.]
[Fast-paced instrumental music continues.]
.
357 wheel gun.
They don't use that anymore.
Got another camera back online.
Can you push in on that one? What happened to "Thank you, Mike, for getting me another monitor"? Thank you, Mike, for getting me another monitor.
Can you push in on those people up there? You do realise I'm rerouting auxiliary power on the fly? I see.
So, I'll take that as a no.
- I'm working on it.
- Right.
Listen, Ness.
Get that weapon and lock it in the pit.
See if you can move the people to the north side of the casino so we can look at them on both our cameras.
I'm trying here, Mr.
D.
Don't you think the killer will get a little suspicious if I have everyone move? Tell them it's a precaution, in case we go dark again.
ED: [On walkie-talkie.]
I'm pretty sure this is a crime of passion.
The killer used a revolver, threw it in the trash can when the lights went out.
Had no exit strategy.
ED: It's not a professional.
We need everyone to move to the north end of the casino so Ed can get a good look.
Can I have your attention, please? We need everyone to move to the north end of the casino.
It's just a precaution in case we lose all the lights.
Excuse me.
We need you to move to the north end of the casino, please.
DANNY: Did you honestly think that we'd be married? [Mary sobs.]
Yeah.
MARY: I did.
[Soft instrumental music.]
I guess it's because you were always my knight in shining armour.
Your knight in shining armour.
That's what I'm talking about.
You put me on this pedestal How many times did you save me from my father, Danny? A few.
He never touched me again, you know.
That's because you came to live with us.
MARY: No.
It's because you beat the crap out of him.
He deserved it for what he did to me.
Yeah.
I got zoom, baby.
You are a "geni-ass.
" Now, can you rig me up some gunpowder-residue test? I'd need ultraviolet light on the floor in order to pick up anything from here.
ED: Right.
ED: Delinda, you got black lights in Mystique, don't you? Yeah.
The back room's full of them.
ED: I need one.
- I'll be back in a minute.
- Okay.
Bye.
[Suspenseful instrumental music.]
[Heavy breathing.]
[Clattering.]
[Suspenseful instrumental music continues.]
Is somebody there? Hello? Danica, is that you? Kylie? DANNY: Emergency power should have restored service to the elevators by now.
MARY: It has been a long time, hasn't it? DANNY: Yeah.
Too long.
[Soft instrumental music.]
[Whispering.]
Why haven't they tried anything yet? What are they waiting for? You see No.
I just need to stay calm, 'cause that's what they're trying to do.
They are trying to drive me insane so they can point the finger at me, and I'll take the fall for the murder.
That's not gonna happen because I am gonna figure this all out.
It's gonna be their word against mine.
NESSA: Hey.
SAM: Hey.
- Are you okay, Sam? - Yeah.
Yes, I'm fine.
Maybe you should lie down and get some sleep.
No, I'm fine.
NESSA: Sure? SAM: Oh, yeah, I'm sure.
NESSA: Okay.
SAM: Okay, see you later.
[Mimicking Nessa.]
"Maybe you should lie down and get some sleep.
" I never trusted her and that English accent.
That's not her accent.
[Laughing.]
[Clattering.]
[Suspenseful instrumental music.]
[Heavy breathing.]
[Screams.]
[Snoring.]
[Romantic instrumental music.]
Where the hell is Delinda with that black light? She should have been back by now.
ED: Ness, find out what's taking Delinda so long.
NESSA: I'm on it.
NESSA: I'll be back in a sec.
Talk to Ed.
Yeah, I'm gonna talk to Ed.
I'll talk to Ed.
Ed's the mastermind behind this whole thing and Ness and Delinda are his evil little minions.
See, I never trusted those supermodel bitches.
They've been planning this for weeks.
Months! [Soft instrumental music.]
Delinda? [Tense instrumental music.]
Delinda, are you in here? Delinda.
[Clinking.]
Delinda, is that you? [Tense instrumental music intensifies.]
[Screams.]
How long does it take to find a black light in a room full of black lights? Where'd you say that air duct leads to? Well, upon further evaluation after I did my techniques to calm down a bit I realised it doesn't go where I thought it did.
- Where does it go? - It doesn't.
It's a closed-in system.
Sam, go find out where Delinda and Ness are, will you? They're gonna do me in in the Mystique.
Sam, can you hear me? [Tense instrumental music.]
Sam, answer me.
- Yeah.
I hear you, Ed.
- Okay, be careful.
[Laughing.]
Right.
He set me up, but "be careful.
" Okay, Sam.
How am I? I'm okay.
Just think.
Think, Samantha.
[Suspenseful instrumental music.]
ED: She have a gun in her hand? MIKE: I think so.
What the hell's she doing? Sam, why do you have a gun in your hand? ED: Sam.
[Tense instrumental music.]
[Glass crunching.]
[Screaming.]
[Gunshots firing.]
[Siren wailing.]
MIKE: That sounded like gunfire.
Sam, what the hell is going on? I need to see in Mystique right now.
Mr.
D, it's not gonna happen.
Look, I'll be right back.
Delinda, Nessa.
ED: [On walkie-talkie.]
Somebody.
MARY: Tell me you don't have feelings.
DANNY: I do.
I have feelings.
- But - But I Mary I'm just not ready for the whole "white picket fence" thing.
- That's a cop-out.
You know it.
- No, it's not.
Okay, listen.
When I left for the Marines the only thing that I brought with me from here was a picture of you.
DANNY: That's it.
Nothing else.
How's that supposed to make me feel, Danny? [Stammers.]
MARY: You know what I think? You're afraid to commit because of what happened to your mother.
My mother died when I was just a kid.
It has nothing to do with this.
You saw what losing her did to your father, and you're afraid it'll happen to you if you get too close to someone, and it's not just me.
Danny, any woman.
[Soft instrumental music.]
That's one of the reasons you ran off and joined the Marines, isn't it? It's because we were living under the same roof and getting too close.
You couldn't handle it.
Why can't things just be the way they were? Because they can't, Danny.
Sam, please.
Can you hear me? MIKE: Look, Ed, if we could somehow cut our way through the surveillance duct here we could get to the main ducting system for the whole casino.
But we'd need a laser or something to that effect to cut our way through the metal.
Then laser it is.
Mitch go to my locker.
Get out my kit.
[Whispering.]
Where is she? [Whispering.]
What're you doing? She's shooting at us.
I think the kick of the gun knocked her down.
I heard a thump.
NESSA: She's clearly gone mad.
Absolutely stark raving mad.
And who's he? He scared the hell out of me.
I almost peed myself.
He claims he escaped from Area 51.
Was looking for the alien in charge when the lights went.
DELINDA: He ducked inside to hide.
Apparently, the lights always go out right before "they" come.
The lights go out, and then they come.
MAN: They always come.
[Tense instrumental music.]
He was trying to save us from them.
Maybe he's our killer.
DELINDA: Not unless he can shoot a gun with his toes.
Okay, what happened to his hands? DELINDA: You don't wanna know.
- I'm going in.
- Be careful.
DELINDA: [Whispering.]
Sam! [Suspenseful instrumental music.]
ED: This is kind of like commando school, Mike.
MIKE: I never went to commando school.
I went to engineering school.
MIKE: And believe me, this is nothing like engineering school.
You don't know what you were missing.
MIKE: Yes, I do.
[Sombre instrumental music.]
MIKE: To the left, Ed.
Right there.
ED: [Panting.]
Hang on a minute.
MIKE: You gotta breathe so loud? It's driving me nuts.
MIKE: That's pretty impressive.
ED: You tell anybody about this MIKE: I know, you'll have to kill me.
MIKE: Yeah, or something close to it.
[Rhythmic instrumental music.]
It's Dad.
ED: You girls okay? NESSA: Yeah, we're fine.
What the heck's the matter with her? ED: Oh, the Resnick brothers.
[Loud clattering.]
MIKE: Don't leave me in here.
ED: Who the hell's leaving you? Get your claustrophobic ass out of there.
[Computers beeping.]
ED: [On walkie-talkie.]
Mitch, grab the handheld ultraviolet.
Meet me on the floor.
MITCH: 10-4.
[Both exclaiming in relief.]
MARY: Here, wait.
Let me help you.
[Soft instrumental music.]
You're right.
I am afraid.
You've been the one consistent female presence in my life since my mother died, and I don't want to lose that.
[Stammering.]
I don't want to I don't wanna lose you like my father lost my mother.
But you're not your father, Danny.
And I'm not your mother.
Yeah.
[Soft instrumental music continues.]
What is it? It's a foreign-language translator.
This guy doesn't speak English.
What does it say? It says, "For God's sakes, marry her already.
" Hey.
What happened? You tried to shoot us.
That's what happened.
You don't remember? I remember the lights going out in the casino.
That's the last thing Okay, let's get you up.
[Sam groans.]
SAM: Hey.
SAM: [Murmuring.]
Who's that? [Exclaims in surprise.]
Why is there a gun on the floor? Long story.
ED: I'll take care of this.
DELINDA: Don't worry your pretty little head.
SAM: Why does he [Tense instrumental music.]
Ruben.
Lock this up, will you? MARY: Oh, my God! What happened? DANNY: What's going on? - Sam.
- Yeah? Come here.
Give me your hand.
The other one.
What the hell is that? Everybody put their hands out, please.
Palms down.
[Suspenseful instrumental music.]
ED: Over.
Nowhere to run there, young lady.
ED: Put her in holding.
Wait for the cops to come.
GUARD: Yes, sir.
This way, ma'am.
Kind of piss you off, did he? ED: Thanks a lot, guys.
COP: If we have any other questions, we'll let you know.
ED: If you need me, I'll be over there.
So, who was she? She was the dead guy's wife.
He was cheating on her.
Told you.
Full moon makes people go wacky.
[Delinda chuckles.]
ED: I'm kind of thinking that it was the "he was cheating on her" part.
Not the full moon.
You were right.
It was a crime of passion.
So she got all dressed up just to kill him? - Damn.
- Don't cheat on your wife.
- Delinda, I'm not even married.
- Whatever.
I gotta go home.
It's been really a long night.
ED: I'm tired.
Find out why those emergency generators didn't kick in, all right? And you, please go see somebody about that problem.
[Men whooping excitedly.]
[All laughing.]
Good night.
"Beware the full moon and its light.
" Tell me about it.
Sam tried to shoot us.
[Snoring.]
But apparently she wasn't as bad as Mike.
So I got a little claustrophobia problem.
That's not what I heard.
[Lmitating Mike.]
"I gotta get out of here!" Wait.
We haven't heard much from you two.
What were you doing trapped in that elevator? Yes.
What were you doing? Just talking.
DELINDA: Did anyone hear what happened with Copperfield and the Hoover Dam? [Cheerful pop song playing.]
[Wolf howling.]