Freaks and Geeks s01e16 Episode Script
Kim Kelly is My Friend
[LAUGHING.]
THEY GOT A LOTTA CRAP HERE, HUH? NO KIDDING.
I THINK I'M GONNA TRY TO SELL ALL MY JUNK.
YOU KNOW, MY CRAP IS WAY BETTER THAN THIS CRAP.
LOOK A ALL THESE BOOKS, MAN.
WHY DO PEOPLE SAVE THEIR BOOKS, LIKEREAD A BOOK TWICE? THEY'RE PROBABLY JUST BRAGGING TO US, YOU KNOW? THEY'RE LIKE, "OOH! LOOK AT ALL THESE BOOKS I'VE READ.
I'M SO CLEVER! I READ A LOT OF BOOKS AND STUFF!" OHCHECK IT OUT, MAN! THEY GOT BONGOS! YEP.
WE COULD PLAY EVIL WAYS IF WE HAD THESE.
YEAH, ACTUALLY, THAT WOULD BRING THE ANDOPOLIS DRUM KIT TO AN EVEN 30 PIECES.
31 PIECES.
ALL RIGHT.
I'M GONNA BUY THESE, MAN.
THIS GARAGE SALE RULES.
HEY, MAN, LISTEN, YOU GOTTA BE QUIE FF AT ME.
WHY? DID HE SEE YOUR REPORT CARD? YEAH.
NO, I WAS PLAYING AMERICAN BAND WHILE HE WAS WATCHING 60 MINUTES.
UM NICKWHERE ARE YOUR DRUMS? CAPTIONING MADE POSSIBLE BY DREAMWORKS TELEVISN.
L.
L.
C.
I DON'T GIVE A DAMN 'BOUT MY REPUTATION LIVIN' IN THE PAST, IT'S A NEW GENERATN GO AND DO WHAT YOU WANT TO DO AND THAT'S WHA I'M GONNA AND I DON'T GIVE A DAMN 'BOUT MY BAD REPUTATION OH, NO, NO, NO, NO, NO, NO, NO NOT ME WHAH! NO! NO, NO, NO, NO, NO, NO, NO NOT ME ME, ME, ME, ME I DON'T GIVE A DAMN 'BOUT MY REPUTATION I'VE NEVER BEEN AFRAID OF ANY DEVIATION ND I DON'T REALLY CARE IF YOU THINK I'M STRANGE I AIN'T GONNA CHANGE AND I'M NEV GONNA CARE 'BOUT MY BAD REPUTATION NOT ME! YOU HAD NO RIGHT TO GIVE MY DRUMS AWAY! THOSE DRUMS WERE MAKING YOU GO DEAF.
OTHERWISE, YOU WOULD HAVE HEARD ALL THE TIMES THAT I TRIED TO TELL YOU TO CLEAN UP YOUR ACT.
YOU KNOW THAT I'VE BEEN TRYING.
FINE.
WITH A LITTLE MORE EFFORT, YOU COULD END UP LIVING IN A CARDBOARD BOX.
THOSE DRUMS WERE MY PERSONAL PROPERTY.
YOUR ONLY PERSONAL PROPERTY IS YOUR FUTURE.
MAYBE THE DRUMS ARE MY FUTURE! WHY DON'T YOU THINK ABOUT THAT? END OF CONVERSATION.
YOU OWE ME MONEY.
EXCUSE ME? THOSE WERE MY DRUMS, I PAID FOR THEM, AND YOU SOLD THEM, AND I WANT THE MONEY.
HOW MUCH DID YOU SPEND ON DRUMS AND HOW MUCH DID YOU SPEND ON DRUGS? GIVE ME MY MONEY! END OF CONVERSATION.
FINE.
YOU KNOW WHAT? I'M OUTTA HERE, AND I HOPE THAT YOU ENJOY YOUR PEACE AND QUIET.
THERE'S SOMETHING WRONG WITH THESE CANS! HE HATES THESE CANS! THE JERK IS THE PERFECT MOVIE.
THERE ISN'T ONE SCENE IN I THAT ISN'T HILARIOUS.
NOPE.
CADDYSHACK'SBETTER.
WAY FUNNIER.
TED KNIGH IS THE FUNNIEST.
OOH, BILLY, BILLY, BILLY.
OOH, BILLY, BILLY, BILLY! HUH? NO, NO.
THAT MOVIE IS SO UNEVEN.
I MEAN, YEAH, HALF OF IT RULES, BUT HALF OF IT SUCKS.
IT'S JUST LIKESTRIPES.
YOU COULD NOT TELL ME WHAT HAPPENED IN THE SECOND HALF OF THE MOVIE.
THEY GET REASSIGNED TO EUROPE TO WORK ON A TOP SECRET MISSION CONCERNING THE URBAN ASSAULT VEHICLE.
THEN THE STUPID BORDER GUYS WOULDN'T LET THEM IN.
THAT'S WHEN, UM-- UM, SAM? CAN I TALK TO YOU FOR A SECOND? UH YEAH.
OVER HERE.
OH.
SAM, I JUS BROKE UP WITH TODD.
REALLY? WOW.
UMI'M SORRY.
DON'T BE! TODD'S A JERK.
HE'S ONLY INTERESTED IN ONE THING.
ALL THESE JOCKS ARE.
YEAH.
YEAH.
SO ANYWAYS, I WAS WONDERING, ARE YOU GONNA BE HOME TONIGHT? YEAH.
GOOD.
'CAUSE I'M GONNA CALL YOU.
I REALLY NEED SOMEONE TO TALK TO.
OK.
UH AND, YOU KNOW, ANY TIME.
HA HA.
MY GOD! IT'S HAPPENING! YOU GUYS, WHERE'S MY CHAIR? [GIGGLES.]
SHALLOTS? IT'S A POTATO.
THEY'RE SHALLOTS, RIGHT? HEY, IS ANYBODY USING THIS CHAIR? NO.
YOU CAN HAVE IT.
REALLY? THAT'S REALLY NICE OF YOU.
GRATEFUL DEAD.
MUSIC SUCKS.
CHICKS ARE HOT! YEAH.
DOES ANYBODY WANNA GIVE ME A NECK RUB? HA HA! GOD, NICK! I CAN'T BELIEVE YOU SPENT THE NIGH ON DANIEL'S FLOOR! HIS CARPET IS, LIKE, INFESTED! BETTER THAN SLEEPING IN MY MAVERICK.
KINDA.
[CHUCKLES.]
YOU GONNA GO HOME TONIGHT? NO.
NOT AS LONG AS THAT FASCIST IS THERE.
HEY, KEN, CAN I STAY AT YOUR HOUSE TONIGHT, MAN? NO.
MY DAD.
HE'LL HAVE A CONNIPTION FIT.
THANKS A LOT, MAN.
YOU KNOW, HE DOESN' EVEN LET MY GRANDMA STAY OVER.
HE'S GOT ISSUES.
WHATEVER, MAN.
THANKS.
I'D INVITE YOU OVER AGAIN, NICK, BUT YOU BLEW IT.
YOU GOTTA REMEMBER TO FLUSH THE TOILET! MY MOM ALMOST HAD A HEART ATTACK THIS MORNING.
OH! Nick: HE'S JUST JOKING.
I'M NOT JOKING! CAN YOU NOT TALK ABOUT THIS NOW, PLEASE? I HAD TO PLUNGE-- CAN YOU NOT TALK ABOUT THIS NOW, PLEASE? DEFINITELY, I WANNA STAY AT YOUR PLACE.
NO.
I--YOU KNOW WHAT? NO.
NO THANKS.
HEY, LINDSAY, YOU THINK THAT MAYBE I COULD, UH, STAY AT YOUR PLACE TONIGHT? GOD, NICK, IF IT WERE UP TO MESURE, BUT COME ON, MY DAD? HE'S WAY WORSE THAN KEN'S DAD.
YEAH.
NO, DON'T-- NO PROBLEM.
NICE TRY, THOUGH, NICK.
SHUT UP, MAN.
WHAT YOU SHOULD HAVE DONE IS YOU SHOULD HAVE PRETENDED TO CRY.
YOU WOULD HAVE BEEN IN IF YOU PRETENDED TO CRY.
DAD, GIVE ME ONE GOOD REASON WHY THERE CAN'T BE A WOMAN PRESIDENT.
IT'S CALLED 3 IRRATIONAL DAYS PER MONTH.
NOW, I WOULD HAVE NO ISSUE WITH THE OTHER 27, BUTWE'RE TALKING ABOU THE ATOMIC BOMB HERE! OH, HAROLD! DAD, THAT IS SO STUPID! YOU KNOW, MEN GET PERIODS, TOO.
IT HAS TDO WITH YOUR BODY TIDES.
MY BODY DOES NOT HAVE A TIDE.
[DOORBELL RINGS.]
THOSE RELIGIOUS PEOPLE HAVE BEEN BOTHERING ME ALL DAY.
CAN'T A MAN FINISH HIS SUPPER WITHOUT THOSE RELIGIOUS TYPES BOTHERING US? HEY, UH, MR.
WEIR.
IS LINDSAY HOME? SHE'S EATING DINNER.
OH, YEAH.
I CAN TELL.
GOD, IT SMELLS REALLY GREAT IN THERE.
LET ME GUESS.
[SNIFFS.]
MEAT? CONGRATULATIONS.
HEYNICK.
WHAT ARE YOU DOING? YOU KNOW JUST CAME BY TO SAY HEY.
I--I DIDN'T REALIZE THAT YOU GUYS WERE GONNA BE EATING SO LATE.
YOU GUYS EAT LATE.
OH! HEY, NICK.
HEY, MRS.
WEIR.
BOY, I WAS JUS SAYING YOUR POT ROAS SMELLS AMAZING.
WELL, UHWOULD YOU LIKE TO JOIN US FOR DINNER? WE'VE GOT PLENTY OF FOOD.
I MEAN, SURE, IF--YEAH! THAT WOULD ROCK! I HAVEN'T EATEN DINNER YET! IS IT OK WITH YOU, MR.
WEIR? OH.
YEAH.
YEAH.
IT WOULDROCK.
Mrs.
Weir: COME ON.
OH, WOW.
THIS WORKED OUT WELL.
[MUFFLED.]
OH, MY GOD! MRS.
WEIR THIS POT ROAS IS UNBELIEVABLE! YOU'RE EVEN A BETTER COOK THAN MY MOM.
OH, I'M SURE SHE DOES FINE.
[GIGGLES.]
YOU DON'T GET TO BE AS TALL AS YOU ARE WITHOUT SOMEBODY DOING SOMETHING RIGH NUTRITIONALLY.
HEY, UH, SO MR.
WEIR YOU SELL SLEEPING BAGS, RIGHT? YEAH.
WHY, YOU GOING CAMPING? NO.
I'VE JUST BEEN SPENDING A LOT OF MY TIME SLEEPING ON PEOPLE'S FLOORS LATELY, SO, YOU KNOW, I THOUGHT I SHOULD PROBABLY GET A GOOD BAG.
WHY ON ETH ARE YOU SLEEPING ON PEOPLE'S FLOORS? MY DAD KICKED ME OUT OF THE HOUSE.
HE DIDN' KICK YOU OUT.
HE SOLD MY DRUMS.
THAT DOESN'T REALLY SEEM LIKE AN INVITATION TO STAY.
NOW, WAIT A MINUTE.
HE DIDN'T JUST SELL YOUR DRUMS.
I MEAN, THE MAN MUST HAVE HAD A REASON.
YEAH.
HE HAD A REALLY STUPID REASON.
HE SAID THAT MY DRUMS WERE INTERFERING WITH MY SCHOOLWORK.
I THINK MY SCHOOLWORK WAS INTERFERING WITH MY DRUMS.
TERRIBLE.
WHY DON'T YOU SPEND THE NIGHT OVER HERE? ON THE COUCH.
WHAT? REALLY? YOU MEAN IT? YEAH.
OH, MY GOSH.
MY GOSH.
YOU GUYS E THE NICES PEOPLE.
YOUR WHOLE FAMILY IS SO NICE! THANK YOU SO MUCH! OH! OH, MY GOSH.
OHI T'S LIKE YOU COOKED THIS IN HEAVEN THEN BROUGHT IT BACK DOWN HERE TO YOUR TABLE.
[GIGGLES.]
OH, STOP! Girl: BILL! BILL, I NEED TO TALK TO YOU FOR A SECOND.
IT'S ABOU YESTERDAY.
THAT WASN'T ME.
THAT WAS NEAL.
HE JUST SAID IT WAS ME.
WHAT? UH--NOTH--WHAT? [GIGGLES.]
ANYWAY SAM AND I HAD THE GREATES CONVERSATION YESTERDAY.
IT JUSTLASTED FOR HOURS! LOOK, I KNOW I CAN TRUST YOU WITH THIS, BECAUSE WE'RE LAB PARTNERS.
I LIKE SAM.
ME, TOO.
[LAUGHS.]
NO, ILIKELIKE SAM.
OH.
OH! I DON'T KNOW.
IT'S LIKE I NEVER DATE NICE GUYS.
I SHOULD TRY IT.
I MEAN, I THINK I DESERVE TO.
SO DO YOU THINK HE LIKES ME? IT'S HARD TO TELL.
WELL, DO YOU THINK YOU CAN FIND OU FOR ME? OK.
AND TELL HIM TO ASK ME TO MONA'S PARTY.
[BELL RINGS.]
THERE HE IS.
THANKS.
Teacher: EVERYONE TAKE THEIR SEATS.
WE'VE GOT A BUSY CLASS AHEAD OF US.
BILL! PSST! WHA JUST HAPPENED? CINDY WANTED ME TO FIND OU IF YOU LI-- GENTLEMEN, CAN WE SAVE THE CHITCHA FOR THE CAFETERIA? TODAY WE WILL BE HAVING A POP QUIZ.
[CLASS GROANS.]
CINDY-- GENTLEMEN! YESMR.
HAL? ALL RIGHT, NICK.
THIS IS WHAT YOU GOTTA DO.
GET HER TO STAY UP WATCHING TV WITH YOU, RIGHT, UNTIL HER PARENTS GO TO SLEEP.
THEN YOU OFFER TO GIVE A BACK RUB.
YOU DO IT RIGHT YOU'RE IN.
ALL RIGHT, LOOK.
LET'S GET THIS STRAIGHT, ALL RIGHT? LINDSAY AND I ARE JUS FRIENDS, OK? AND, ANYWAYS, I THINK IT'S REALLY COOL OF HER PARENTS TO LET ME STAY AT THE HOUSE.
THAT'S IT, ALL RIGHT? OK, MAN.
JUST FRIENDS.
I DIDN'T REALIZE.
I MEAN, YOU KNOW, LOOK, I-- IF SHE CAME TO ME IN THE MIDDLE OF THE NIGHT AND WAS, LIKE, YOU KNOW, "NICK, I LOVE YOU" I WOULDN'T TURN HER AWAY.
DID HE TRY TO GIVE YOU A BACK RUB? NO.
WELL, HE WILL.
HE IF TRIES TO GIVE YOU A FOO MASSAGERUN.
KIM, WHAT AM I GONNA DO? IT'S JUST TOO WEIRD HAVING HIM IN MY HOUSE! YOU HAVE TO KICK HIM OUT, LINDSAY! NO.
I CAN'T DO THAT.
WELL THEN YOU'RE IN FOR A LONG NIGHT.
I DON'T BELIEVE YOU.
IT'S TRUE.
IF THIS IS SOME KIND OF A JOKE AND YOU'RE TRYING TO SET ME UP, I'LL STOP BEING YOUR FRIEND.
I'M NOT KIDDING.
IT'S TRUE! SAM, YOU GOTTA ASK HER TO THAT PARTY! I DON'T--I DON' EVEN KNOW MONA! WHAT'S THE DIFFERENCE? IT'S WHAT CINDY WANTS! I THINK SHE WANTS TO BE YOUR GIRLFRIEND.
OH, MAN.
Neal: WHAT'S THE MATTER WITH YOU? YOU WANTED THIS FOR YEARS! BE A MAN! GO GET HER! YEAH, I KNOW, BUT-- BUT WHAT? I'M SCARED! WELL, THEY'RE NOT.
I CAN HEAR WHA THEY'RE SAYING RIGHT NOW.
[DEEP VOICE.]
"UH, HEY, CINDY, YOU WANT TO GO WITH ME TO MONA'S PARTY?" [HIGH VOICE.]
"WELL, I WAS KIND OF HOPING "THAT SAM WAS GONNA ASK ME, "BUT SINCE HE DOESN' SEEM INTERESTED, OK, THOR.
" OK, OK, SHUT UP.
I'M GONNA ASK HER.
HEY, CINDY? UM CAN I TALK TO YOU FOR A SECOND? HEY, SAM.
YEAH, SURE.
HEY, I'LL SEE YOU GUYS LATER.
OK, AFTER FRENCH CLASS? YEAH.
OK.
WHAT'S UP? I WAS WONDERING DO YOU WANT TO COME TO MONA'S PARTY WITH ME? I'D LOVE TO.
REALLY? REALLY.
IT'S HAPPENING.
THEY'RE SMILING.
GOING OUT WITHCINDY, AND STOPS HANGING OUT WITH US? HE WON'T.
HE'LL GET US IN WITH CINDY'S FRIENDS.
LIKE VICKY.
OH, MAN, I LOVE HER.
THOUGHT YOU SAID THEY WERE POD PEOPLE? A CULT, YOU SAID.
THEY ARE.
BUT THAT'S ONE CUL I WOULDN'T MIND JOINING.
BRING ON THE PODS.
UH, WELL I'LL SEE YOU THERE.
OK.
IT'S GONNA BE A LOT OF FUN.
YEAH.
CALL ME? OK.
SEE YA! IT'S ON.
[RUSH'STOM SAWYERPLAYS.]
NICK.
IT'S QUIET HOUR.
AM I BEING TOO LOUD? I'M SORRY.
SHOULDN'T YOU BE DOING YOUR HOMEWORK? ME? UM, YEAH, I MEAN, I WAS.
YOU WERE? THEN MAYBE YOU OUGH TO FINISH IT.
YOU'RE STARTING TO SOUND LIKE MY DAD, MR.
WEIR.
OH, YEAH? WELL, THEN, YOUR DAD IS A SMART MAN.
I'M A DRUMMER, YOU KNOW, SO, I MEAN, THIS IS MY HOMEWORK.
OH, COME ON, NICK.
THIS ISN'T HOMEWORK.
THIS IS SCREWING AROUND.
NOW, IF YOU'RE REALLY A DRUMMER, YOUR HOMEWORK WOULD BE PRACTICING YOUR DRUMS.
WELL, I'D LIKE TO BE PRACTICING MY DRUMS, YOU KNOW? BUT MY DAD GAVE THEM AWAY.
WELL, THEN YOU GO OU AND YOU FIND 2 STICKS AND YOU POUND ON A ROCK.
THAT'S WHAT A GUY WHO REALLY WANTED TO BE A DRUMMER WANTED TO BE A DRUMMER WOULD DO IF SOMEONE TOOK HIS DRUMS FROM HIM.
YOU KNOW, WHEN I WAS IN HIGH SCHOOL, I WAS WORKING IN A DEPARTMENT STORE, AND LEARNING ALL ABOUT RETAIL, AND I STILL GO STRAIGHT As.
NOW DON'T TELL ME YOU CAN'T FIND TIME TO DO BOTH THINGS.
YOU CAN'T BE THAT EASY ON YOURSELF, NICK.
PUSH YOURSELF.
YOU'RE A SMART KID.
THAT'S REALLY, UM THAT'S REALLY COOL OF YOU TO SAY, MR.
WEIR.
IT'S TRUE.
OH.
BY THE WAY, THAT DRUMMER YOU'RE LISTENING TO? YEAH.
HE'S TERRIBLE.
THAT'S NEIL PEART.
HE'S THE GREATES DRUMMER ALIVE.
WELL, NEIL PEAR COULDN'T DRUM HIS WAY OUT OF A PAPER BAG.
YOU WANT TO HEAR DRUMMING? ALL RIGHT.
COME ON.
I'LL PLAY YOU DRUMMING.
[LOUD DRUMMING.]
THAT GUY IS AMAZING.
HOW DID YOU HEAR ABOUT HIM? ARE YOU KIDDING? THESE GUYS? I GREW UP WITH GENE KRUPA AND BUDDY RICH.
OH, GOD.
HOW DO THEY DO THAT? THEY MUST HOLD THE STICKS LIKE THIS.
I CAN'T DO THAT.
I'VE NEVER BEEN ABLE TO DO THAT.
YOU CAN GO FASTER THAT WAY.
OH! GOD, HOW DO YOU LEARN TO DO THAT? I DON'T KNOW.
MAYBE THEY TOOK A LESSON? OH, MY--THAT IS INSANE.
NOBODY CAN DO THAT.
MAYBE I SHOULD TAKE A LESSON, HUH? HEY, LINDSAY, CAN I ASK YOU SOMETHING? HMM? YEAH.
CINDY AND I ARE GOING TO THIS PARTY TOGETHER, AND I THINK IT'S SORT OF LIKE A DATE.
REALLY? YES.
SHE KISSED ME GOOD-BYE TODAY IN SCHOOL, AND I DIDN'T KNOW WHAT TO DO.
I JUST STOOD THERE.
SHE KISSED YOU? YEAH.
WHAT IF SHE WANTS TO KISS ME A THE PARTY FOR REAL? YEAH? WELL, WHAT IF I DO IT WRONG? YOU CAN'T KISS WRONG.
YOU'LL KNOW WHAT TO DO WHEN IT HAPPENS.
IT'S JUST THAT I'VE NEVER HAD A GIRLFRIEND BEFORE.
JUST BE YOURSELF, SAM.
THAT'S BE A GENTLEMAN AND DON'T BE WEIRD AND DON'T SMOTHER HER.
NICK WAS SO INTO ME, HE MADE ME WANT TO MOVE TO A DIFFERENT COUNTRY.
[LAUGHTER.]
[MUSIC PLAYS.]
OH, MY GOD.
I DON'T THINK NICK'S IN LOVE WITH YOU.
I THINK HE'S IN LOVE WITH MOM AND D.
OH, MY GOD.
THIS IS THE BES FAMILY, EVER.
[WHISPERING.]
Who is it? Hey, it's Nick.
D-D-Don't opI wanted to sa that youare letting me I think it's rand your pstay here.
Go back to bed.
I really appreciate it.
You know? I need you to know that.
know.
Please just don't OK, good night.
Good night.
NG UNH! OH.
HEY.
I WAS, UH, WORKING.
HEY, UM THOSE ARE, UH, NICE PAJAMAS.
THIS IS A WHOLE NEW WORLD.
I SEE DOUBLE-DATING AND TRIPLE-DATING AND CHEERLEADERS AT YOUR HOUSE AND ME AT YOUR HOUSE.
CONGRATULATIONS, SAM.
I HEARD ABOU YOUR GOOD FORTUNE.
THANKS.
SHE'S THE ONE THA SHOULD BE THANKFUL.
YOU'RE A CATCH.
SO, CAN YOU GET BILL AND I INTO THIS PARTY? I DON'T KNOW.
I HAVEN' REALLY THOUGHT ABOUT IT.
WELL, THINK ABOUT IT.
I DON'T--I DON' WANT TO GO.
WHY NOT? EVERYONE WANTSO GO TO A MAKE-OUT PARTY.
IT'S A MAKE-OUT PARTY? UH-HUH.
NOBODY TOLD ME IT WAS A MAKE-OUT PARTY.
WELL, YOU BETTER GET READY TO MAKE OUT.
OTHERWISE SHE'S GONNA THINK YOU DON' LIKE HER.
YOU'RE NOT GONNA FRENCH KISS CINDY, ARE YOU, SAM? FRENCH KISSINGI WOUL IS GROSS.
DN'T FRENCH KISS IN A MILLION YEARS.
AND WHY THE HELL NOT? HELLO.
GERMS.
SPIT.
MUCUS.
OLD BITS OF FOOD.
THAT'S JUS TO NAME A COUPLE.
THERE'S A LO OF THINGS IN THERE.
I MEAN, WHY DO YOU HAVE TO USE YOUR TONGUE, ANYWAY? AREN'T YOU SUPPOSED TO KISS WITH YOUR LIPS? BECAUSE IT'S NO A REAL KISS UNLESS YOU USE YOUR TONGUE.
WHY? WHAT'S THE POINT? I MEAN, WHAT ARE YOU SUPPOSED TO DO? LICK THE INSIDE OF HER MOUTH? ARE YOU SUPPOSED TO LICK HER TEETH? DO YOU MAKE YOUR TONGUE HARD OR SOFT? GOD, BILL.
ENOUGH.
WHAT? I WAN TO KNOW NOW, SINCE EVERYONE SEEMS TO THINK THAT FRENCH KISSING IS SO GREAT.
OK, BILL.
YOU PUT YOUR TONGUE AGAINST HER TONGUE.
WHAT IF SHE PUTS HER TONGUE TOO FAR INTO MY MOUTH? WH-- WHAT IF I THROW UP? WHAT IF I THROW UP ALL OVER HER? WHAT IF I THROW UP IN HER MOUTH? UGH, SHUT UP, BILL! THAT'S DISGUSTING! SORRY.
WELL, I'M JUS TELLING YOU GUYS I'M NOT DOING IT.
WELL, I AM, AS SOON AS POSSIBLE.
WHAT DO YOU SAY, CAN WE GO? WELL, IF I TAKE YOU, THEN I HAVE TO TAKE GORDON AND HARRIS.
GUYS, I CAN'T MAKE IT.
I'M SAVING MY VIRGINITY FOR THE FUTURE MRS.
CRISP.
NAH, I HAVE A DATE WITH JUDITH.
EVERY NIGHT'S A MAKE-OUT PARTY WITH US.
YES.
WHOOPIE.
ALL THESE MAKE-OUT PARTIES START THE SAME WAY-- SPIN THE BOTTLE.
THAT'S WHY THIS BOTTLE IS THE KEY TO OUR MAKE-OUT FUTURE.
HE SPIN WILL DETERMINE WHETHER WE HAVE A GOOD NIGH OR A GREAT NIGHT.
YOU CAN'T CONTROL A BOTTLE, NEAL.
OH, CAN'T I? JUST WATCH.
I'VE BEEN PRACTICING ALL WEEK.
HOW'D YOU DO THAT? IT'S ALL FINGER CONTROL.
ALL YOU HAVE TO DO IS TRAIN YOURSELF TO MAKE THE BOTTLE SPIN 2 REVOLUTIONS, THEN YOU ADD OR SUBTRAC A SMALL PERCENTAGE OF TORQUE BASED ON THE POSITION OF YOUR TARGET.
THAT'S AMAZING! ALL I CAN SAY IS HELLO, LADIES! WHAT? WHAT IFTHEY DON' WANNA KISS US? THAT'S THE GENIUS PART OF THE GAME.
THEY HAVE TO! I DON'T KNOW.
I JUSTI JUS DON'T WANNA SEE THE EXPRESSION ON THEIR FACE WHEN THEY SEE THAT THE BOTTLE LANDS ON ME.
BILL, WHO CARES IF THEY LOOK DISAPPOINTED? ALL I CARE ABOU IS IF THEY LOOK DISAPPOINTED AFTER THE KISS.
BUT I KNOW THEY WON' WITH ME, BECAUSE I PLAN ON DELIVERING THE GOODS.
DO PEOPLE FREN THE BOTTLE? SOME DO.
MOST DON'T.
I DO.
I DON'T FEEL SO GOOD.
I HINK I'M GOIN' TO KATMANDU THAT'S REALLY, REALLY WHERE I'M GOIN' TO IF I EVER GET OUTTA HERE THAT'S WHAT I'M GONNA DO K-K-K-KATMANDU I THINK IT'S REALLY WHERE I'M GOIN' TO IF I EVER GET OUTTA HERE I'M GOIN' TO KATMANDU I GOT NO KICK AGAINST THE WEST COAS WARNER BROTHERS ARE SUCH GOOD HOSTS I RAISE MY WHISKEY GLASS AND GIVE 'EM A TOAS I'M SURE THEY KNOW IT'S TRUE HERE WE GO.
EVE RY TIME I BEEN THERE, IT'S BEEN GREA BUT NOW I'M LEAVIN', AND I CAN'T BE LATE AND TO MYSELF BE TRUE YOUR TURTLENECK.
TAKE OFFTHAT'S MY LOOK.
I CAN'T.
I'M NO WEARING ANYTHING UNDERNEATH.
BESIDES, I HAPPEN TO LOOK COOL IN A TURTLENECK.
SO DO I! EVERYONE LOOKS COOL IN TURTLENECKS.
THAT'S THE POINT! WE CAN'T BOTH WEAR THEM.
WE'LL LOOK LIKE THE SMOTHERS BROTHERS.
TSH.
I'M NOT GOIN' IN TOPLESS.
FINE.
I'LL TAKE MINE OFF.
NICE DICKEY! SHUT UP.
GUYS, GUYS, OK BE COOL.
YOU BE COOL.
JUST--JUST DON' EMBARRASS ME, OK? WHAT? NOW THAT YOU'RE GOING OUT WITH CINDY, YOU'RE ASHAMED OF US? DON'T EMBARRASSME.
FINE.
BE THAT WAY.
I DON'T CARE.
[NEAL MIMICKING.]
HEY, GUYS.
HEY, SAM.
YOU, UM YOU LOOK REALLY GOOD.
SO DO YOU, CINDY.
YOU LOOK BEAUTIFUL.
ANKS, SAM.
YOU'RE SWEET.
COME ON.
ARE YOU GOING IN? DON'T RUSH ME.
ARE YOU OK? YOU REMEMBER THAT SCENE AT THE BEGINNING OFANIMAL HOUSE WHERE FLOUNDER WANTS TO GET INTO THE FRATERNITY, BUT THEY DON' THINK HE'S COOL, SO THEY PUT HIM IN THAT ROOM WITH THE BLIND GUY AND THE INDIAN GUY? ABOUT TO BE SEN IKE WE'REINTO THAT ROOM.
BLIND GUYS ARE COOL.
THEY HAVE SUPERSONIC HEARING.
YOU'RE RIGHT.
LET'S MINGLE.
SO, DID YOU KIDS HAVE A GOOD DAY TODAY? UH I DON'T KNOW.
IT WAS OK.
I HAD, LIKE, THE BEST DAY, MRS.
WEIR.
I TOOK MY FIRS DRUM LESSON EVER.
OH, WOW.
A DRUM LESSON? YEAH.
HEY, HOW'D THAT GO, NICK? IT WENT SO WELL, MR.
WEIR.
THE DRUM TEACHER, TERRY BREEZE, HE'S, LIKE, THE COOLEST GUY.
HE TAUGHT ME HOW TO HOLD THE DRUMSTICKS JAZZ STYLE, LIKE THIS.
PARADIDDLE, PARADIDDLE, PARADIDDLE.
GOOD.
NICK, WHERE DID YOU GET MONEY TO TAKE DRUM LESSONS? UM, YOUR DAD.
YEAH.
NICK'SONNA WORK PART-TIME AS A STOCK BOY AT MY STORE TO PAY FOR HIS LESSONS.
Jean: LESSONS.
GOOD FOR YOU.
ALL RIGHT.
I'LL GET THE HAM, AND WE'LL EAT.
LET ME HELP YOU, MRS.
WEIR, 'CAUSE HAMS CAN BE HEAVY.
JEEZ.
DAD, THAT'S REALLY NICE OF YOU.
WHAT DO YOU MEAN? I JUST MEAN AT YOU'RE PLAYING RECORDS FOR NICK AND GIVING HIM DRUM LESSONS AND LETTING HIM STAY AT THE HOUSE.
THAT'S WHAT'S THE DEAL? WELL, I'M TRYING TO HELP THE KID OUT.
WHAT, YOU DON' WANT ME TO? NO, I'M JUS WONDERING WHY, WHEN NICK HAS A PROBLEM, YOU'RE NICE AND LOGICAL.
WHEN I DO, YOU JUST YELL AT ME.
THAT'S BECAUSE I EXPECT MORE FROM YOU.
NICK'S FATHER IS A HARD MAN.
MY OLD MAN WAS THE SAME WAY.
YEAH, I KNOW THE FEELING.
LINDSAY? TRUST ME, YOU DON'T.
NOW, ANYTIME YOU WANNA DANCE WITH ME TO GENE KRUPA, I'LL BE AROUND.
[LAUGHTER.]
OH, WHY DOES THE BOTTLE KEEP LANDING ON ME? HEY, HOW COME THE BOTTLE NEVER LANDS ON ME? Girl: OK.
WHOSE SPIN? [LAUGHTER.]
THAT'S 3 TIMES.
NOW IT'S 7 MINUTES IN HEAVEN.
Boy: HEY, I'LL GIVE YOU 8 1/2.
Girl: ALL RIGHT, CINDY.
YOUR SPIN.
OH, YES! SAM, I'M SORRY.
YEAH, SORRY, SAM.
COME ON, CINDY.
[DOORBELL RINGS.]
YES? HELLO.
I'M NICK'S FATHER.
OH.
WELL, I'M HAROLD WEIR.
IT'S A PLEASURE MEET YOU, SIR.
COME ON IN.
NICK, IT'S TIME TO COME HOME.
OK.
COULD I TALK TO YOU IN THE KITCHEN FOR A MINUTE? SURE.
LOOK, I APPRECIATE YOUR LETTING NICK STAY HERE.
OH, IT WAS OUR PLEASURE.
THAT'S QUITE A KID YOU'VE GOT THERE.
YEAH.
SO, UH YOU GAVE HIS DRUMS AWAY, HUH? I GUESS THEY MAY BE PRETTY DISTRACTING.
YOU HAVE NO IDEA.
EH, THINGS KIDS WILL GET INTO.
WHEN I WAS A KID, I WAS ALWAYS BRINGING DOGS HOME.
UH-HUH.
WELL, TEENAGERS WILL TRY ALL SORTS OF THINGS.
SOMETIMES YOU JUS GOTTA LET 'EM BE KIDS.
HAROLD, HOW OLD IS YOUR SON? YOU CALL ME WHEN HE TURNS 16.
HELLO THERE.
GREAT.
2 MORE GUYS.
OH, GOD.
I LAY MY HEAD ON THE RAILROAD TRACKS I'M WAITIN' FOR THE DOUBLE "E" IT'S KIND OF ON ME A LITTLE.
NO, IT'S NOT.
POOR, POOR, PITIFUL ME OH, OF COURSE.
POOR, POOR, PITIFUL ME POOR, POOR, PITIFUL ME THANKS.
THESE YOUNG GIRLS WON'T LET ME BE LORD, HAVE MERCY ON ME WOE IS ME WHOO! OK, BECKY.
OH, MY GOD.
JUSTQUICKLY.
COME ON.
ON THE CHEEK.
OH! GOD! THIS IS RIDICULOUS.
THERE IS OBVIOUSLY SOMETHING WRONG WITH THAT BOTTLE.
IT KEEPS LANDING ON YOU, BILL.
SWITCH WITH HER.
Bill: WHAT? OK.
OH, WOE IS ME OK.
I'M SPINNING AGAIN.
NO! [LAUGHTER.]
HEY, JUST KISS HIM AND GET IT OVER WITH.
Girl: OK, VICKI.
YOUR TURN.
SHE TOOK ME BACK TO THE HYATT HOUSE I DON'T WANNA TALK ABOUT I HEY! THAT'S 3.
VICKI AND BILL ARE GOIN' IN FOR 7 MINUTES IN HEAVEN.
Kids: VICKI AND BILL SHUT UP, YOU GUYS! SITTIN' IN A TREE COME O N.
LET'S JUST GE THIS OVER WITH.
HUH! NEVER MIND UNBELIEVLE.
WHOO-HOO! CLOSE THE DOOR.
POOR, POOR, PITIFUL ME WELL, UH, THANKS AGAIN.
I HOPE HE WASN' TOO MUCH TROUBLE.
OH, NO.
HE WASN' ANY TROUBLE AT ALL.
I'LL BE OU IN THE CAR.
OK.
GOOD NIGHT.
YOU GUYS SURE YOU DON'T WANNA ADOPT ME? YOU SURE YOU'RE GONNA BE OK? YEAH.
I MEAN, HE CAME LOOKING FOR ME, RIGHT? DIDN'T REALLY THINK THAT WAS GONNA HAPPEN.
HEY, STOP BY ANY TIME.
Nick: I WILL.
I'LL SEE YOU AT SCHOOL.
YEAH.
I'LL SEE YOU AT SCHOOL.
UM, YOU KNOW, I JUST THANK YOU SO MUCH.
Jean: GOOD NIGHT.
GOOD NIGHT.
I'M REALLY GLAD YOU COULD MAKE IT TONIGHT, SAM.
YEAH, ME, TOO.
CINDY, DO YOU WANNA GO IN ONE OF THESE ROOMS AND TALK OR SOMETHING? OK.
OK.
DON'T EVEN THINK ABOUT IT, OK? LS GOOD.
JUST STAY AWAY FROM ME, OK? YOU'RE NOT GONNA TOUCH ME, AND YOU ARE DEFI IT? YOU KNOW--YOU KNOW WHAT? YOU'RE A JERK.
YOU'RE A JERWAS JUST TRYINGTO MAK I COULDN'T BE LESS HAPPY YOU'RE A JERWAS JUST TRYINGTO MAKTO BE IN HERE WITH YOU, SO QUIT ACTING LIKE I'M HOPING I CAN KISS YOU.
IT'S ACTUAWANT TO DO RIGHT NOW.
YOU KNOW WHAT,OK? THAT WASN' NICE OF ME.
3 MINUTES AND 26-- 26 SECONDS LEFTIN HEAVEN.
WELL, HERE WE ARE.
YEAH.
HERE WE ARE.
[TURNS RADIO ON.]
WELL, MAYBE WE SHOULD LISTEN TO SOME MUSIC.
YOU--UH-- CAN I ASK YOU A QUESON? WHAT? PRETTY? I DON'T KNOW.
KE, THIS ISTHE ONLY WAY THAT I'VE EVER LOOKED.
R 'CAUSE THEY'REEVER NICE TO ME.
[CHUCKLES.]
WELL THIS IS NOT TRUE, BILL.
EVERY TIME I LOOK AT YOU, YOU LOOK LIKE YOU'RE HAVING A PRETTY GOOD TIME.
YEAH.
YEAH.
YOU'RE ALWAYS LAUGHING OR SOMETHING.
SO WHAT ARE YOU LAUGHING ABOUT? I WATCMOVIES IN MY HEAD.
HEH HEH HEY, DAD.
THAT WAS REALLY NICE WHAT YOU DID FOR NICK.
I'M SORRY YOU THINK I DON'T TREAT YOU RIGH SOMETIMES.
I DIDN'T SAYTHAT,DAD.
I JUST WISH YOU COULD TALK TO ME LIKE YOU TALK TO NICK.
YOU KNOW WHA THE DIFFERENCE IS BETWEEN YOU AND NICK? YOU'RE MY DAUGHTER.
ANDEVERY SECOND YOU'RE OUT OF THIS HOUSE, EVERY SECOND THAT I CAN'T SEE YOU OR KNOW WHAT YOU'RE DOING, IT'S IT'S ABSOLUTE TORTURE FOR ME.
DAD, I CAN'T STAY INSIDE ALL THE TIME.
I KNOW.
WHY NOT? [LGHS.]
GOOD NIGHT, HONEY.
ALL RIGHT.
GOOD NIGHT, DAD.
SO ALL THE CANS BEHIND STEVE MARTIN START SPRINGING HOLES, AND STEVE MARTIN SAYS, "THERE'S SOMETHING WRONG WITH THESE CANS.
" AND HE SEES THE GUY SHOOTING, AND HE SAYS, "THAT GUY HATES THESE CANS.
" [BOTH LAUGHING.]
IT'S REALLY FUNNY.
[SIGHS.]
THERE'S SOMETHIN' YOU SHOULD KNOW, BABE THE HELL.
I'VE EN YOU SMILIN' WHAT? WHAT? DON'T EVER I'V WHEN YOU RUN I'VE MADE MY MIND UP THAT IT'S MEANT TO BE SOMEDAY, LADY, YOU'LL ACCOMPANY ME SOMEDAY, LADY, YOU'LL ACCOMPANY ME OUT WHERE THE RIVERS MEET THE SOUNDIN' SEA YOU'RE HIGH ABOVEE NOW, YOU'RE WILD AND FREE AH, BUT SOMEDAY, LADY, YOU'LL ACCOMPANY ME SOMEDAY, LADY, YOU'LL ACCOMPANY ME YEAH UMCINDY, CAN I KISS YOU? OF COURSE.
SOME PEOPLE SAY THAT LOVE'S A LOSIN' GAME YOU START WITH FIRE, BUT YOU LOSE THE FLAME THE ASHES SMOLDER, BUT THE WARM'S SOON GONE YOU END UP COLD AND LONELY OH! HOLD ON ONE SECOND.
I'LL TAKE MY CHANCES, BABE I'LL RISK IT ALL I'LL WIN YOUR LOVE LL DE MY MIND UP BILL, YOUR 7 MINUTES WERE UP 5 MINUTES AGO.
VICKI, YOUR NIGHTMARE'S OVER.
SOMEDAY, LADY, YOU'LL ACCOMPANY ME BILL.
GOD, THIS REALLY SUCKS.
[KNOCKING.]
BILL.
BILL.
HELLO, BILL.
THEY GOT A LOTTA CRAP HERE, HUH? NO KIDDING.
I THINK I'M GONNA TRY TO SELL ALL MY JUNK.
YOU KNOW, MY CRAP IS WAY BETTER THAN THIS CRAP.
LOOK A ALL THESE BOOKS, MAN.
WHY DO PEOPLE SAVE THEIR BOOKS, LIKEREAD A BOOK TWICE? THEY'RE PROBABLY JUST BRAGGING TO US, YOU KNOW? THEY'RE LIKE, "OOH! LOOK AT ALL THESE BOOKS I'VE READ.
I'M SO CLEVER! I READ A LOT OF BOOKS AND STUFF!" OHCHECK IT OUT, MAN! THEY GOT BONGOS! YEP.
WE COULD PLAY EVIL WAYS IF WE HAD THESE.
YEAH, ACTUALLY, THAT WOULD BRING THE ANDOPOLIS DRUM KIT TO AN EVEN 30 PIECES.
31 PIECES.
ALL RIGHT.
I'M GONNA BUY THESE, MAN.
THIS GARAGE SALE RULES.
HEY, MAN, LISTEN, YOU GOTTA BE QUIE FF AT ME.
WHY? DID HE SEE YOUR REPORT CARD? YEAH.
NO, I WAS PLAYING AMERICAN BAND WHILE HE WAS WATCHING 60 MINUTES.
UM NICKWHERE ARE YOUR DRUMS? CAPTIONING MADE POSSIBLE BY DREAMWORKS TELEVISN.
L.
L.
C.
I DON'T GIVE A DAMN 'BOUT MY REPUTATION LIVIN' IN THE PAST, IT'S A NEW GENERATN GO AND DO WHAT YOU WANT TO DO AND THAT'S WHA I'M GONNA AND I DON'T GIVE A DAMN 'BOUT MY BAD REPUTATION OH, NO, NO, NO, NO, NO, NO, NO NOT ME WHAH! NO! NO, NO, NO, NO, NO, NO, NO NOT ME ME, ME, ME, ME I DON'T GIVE A DAMN 'BOUT MY REPUTATION I'VE NEVER BEEN AFRAID OF ANY DEVIATION ND I DON'T REALLY CARE IF YOU THINK I'M STRANGE I AIN'T GONNA CHANGE AND I'M NEV GONNA CARE 'BOUT MY BAD REPUTATION NOT ME! YOU HAD NO RIGHT TO GIVE MY DRUMS AWAY! THOSE DRUMS WERE MAKING YOU GO DEAF.
OTHERWISE, YOU WOULD HAVE HEARD ALL THE TIMES THAT I TRIED TO TELL YOU TO CLEAN UP YOUR ACT.
YOU KNOW THAT I'VE BEEN TRYING.
FINE.
WITH A LITTLE MORE EFFORT, YOU COULD END UP LIVING IN A CARDBOARD BOX.
THOSE DRUMS WERE MY PERSONAL PROPERTY.
YOUR ONLY PERSONAL PROPERTY IS YOUR FUTURE.
MAYBE THE DRUMS ARE MY FUTURE! WHY DON'T YOU THINK ABOUT THAT? END OF CONVERSATION.
YOU OWE ME MONEY.
EXCUSE ME? THOSE WERE MY DRUMS, I PAID FOR THEM, AND YOU SOLD THEM, AND I WANT THE MONEY.
HOW MUCH DID YOU SPEND ON DRUMS AND HOW MUCH DID YOU SPEND ON DRUGS? GIVE ME MY MONEY! END OF CONVERSATION.
FINE.
YOU KNOW WHAT? I'M OUTTA HERE, AND I HOPE THAT YOU ENJOY YOUR PEACE AND QUIET.
THERE'S SOMETHING WRONG WITH THESE CANS! HE HATES THESE CANS! THE JERK IS THE PERFECT MOVIE.
THERE ISN'T ONE SCENE IN I THAT ISN'T HILARIOUS.
NOPE.
CADDYSHACK'SBETTER.
WAY FUNNIER.
TED KNIGH IS THE FUNNIEST.
OOH, BILLY, BILLY, BILLY.
OOH, BILLY, BILLY, BILLY! HUH? NO, NO.
THAT MOVIE IS SO UNEVEN.
I MEAN, YEAH, HALF OF IT RULES, BUT HALF OF IT SUCKS.
IT'S JUST LIKESTRIPES.
YOU COULD NOT TELL ME WHAT HAPPENED IN THE SECOND HALF OF THE MOVIE.
THEY GET REASSIGNED TO EUROPE TO WORK ON A TOP SECRET MISSION CONCERNING THE URBAN ASSAULT VEHICLE.
THEN THE STUPID BORDER GUYS WOULDN'T LET THEM IN.
THAT'S WHEN, UM-- UM, SAM? CAN I TALK TO YOU FOR A SECOND? UH YEAH.
OVER HERE.
OH.
SAM, I JUS BROKE UP WITH TODD.
REALLY? WOW.
UMI'M SORRY.
DON'T BE! TODD'S A JERK.
HE'S ONLY INTERESTED IN ONE THING.
ALL THESE JOCKS ARE.
YEAH.
YEAH.
SO ANYWAYS, I WAS WONDERING, ARE YOU GONNA BE HOME TONIGHT? YEAH.
GOOD.
'CAUSE I'M GONNA CALL YOU.
I REALLY NEED SOMEONE TO TALK TO.
OK.
UH AND, YOU KNOW, ANY TIME.
HA HA.
MY GOD! IT'S HAPPENING! YOU GUYS, WHERE'S MY CHAIR? [GIGGLES.]
SHALLOTS? IT'S A POTATO.
THEY'RE SHALLOTS, RIGHT? HEY, IS ANYBODY USING THIS CHAIR? NO.
YOU CAN HAVE IT.
REALLY? THAT'S REALLY NICE OF YOU.
GRATEFUL DEAD.
MUSIC SUCKS.
CHICKS ARE HOT! YEAH.
DOES ANYBODY WANNA GIVE ME A NECK RUB? HA HA! GOD, NICK! I CAN'T BELIEVE YOU SPENT THE NIGH ON DANIEL'S FLOOR! HIS CARPET IS, LIKE, INFESTED! BETTER THAN SLEEPING IN MY MAVERICK.
KINDA.
[CHUCKLES.]
YOU GONNA GO HOME TONIGHT? NO.
NOT AS LONG AS THAT FASCIST IS THERE.
HEY, KEN, CAN I STAY AT YOUR HOUSE TONIGHT, MAN? NO.
MY DAD.
HE'LL HAVE A CONNIPTION FIT.
THANKS A LOT, MAN.
YOU KNOW, HE DOESN' EVEN LET MY GRANDMA STAY OVER.
HE'S GOT ISSUES.
WHATEVER, MAN.
THANKS.
I'D INVITE YOU OVER AGAIN, NICK, BUT YOU BLEW IT.
YOU GOTTA REMEMBER TO FLUSH THE TOILET! MY MOM ALMOST HAD A HEART ATTACK THIS MORNING.
OH! Nick: HE'S JUST JOKING.
I'M NOT JOKING! CAN YOU NOT TALK ABOUT THIS NOW, PLEASE? I HAD TO PLUNGE-- CAN YOU NOT TALK ABOUT THIS NOW, PLEASE? DEFINITELY, I WANNA STAY AT YOUR PLACE.
NO.
I--YOU KNOW WHAT? NO.
NO THANKS.
HEY, LINDSAY, YOU THINK THAT MAYBE I COULD, UH, STAY AT YOUR PLACE TONIGHT? GOD, NICK, IF IT WERE UP TO MESURE, BUT COME ON, MY DAD? HE'S WAY WORSE THAN KEN'S DAD.
YEAH.
NO, DON'T-- NO PROBLEM.
NICE TRY, THOUGH, NICK.
SHUT UP, MAN.
WHAT YOU SHOULD HAVE DONE IS YOU SHOULD HAVE PRETENDED TO CRY.
YOU WOULD HAVE BEEN IN IF YOU PRETENDED TO CRY.
DAD, GIVE ME ONE GOOD REASON WHY THERE CAN'T BE A WOMAN PRESIDENT.
IT'S CALLED 3 IRRATIONAL DAYS PER MONTH.
NOW, I WOULD HAVE NO ISSUE WITH THE OTHER 27, BUTWE'RE TALKING ABOU THE ATOMIC BOMB HERE! OH, HAROLD! DAD, THAT IS SO STUPID! YOU KNOW, MEN GET PERIODS, TOO.
IT HAS TDO WITH YOUR BODY TIDES.
MY BODY DOES NOT HAVE A TIDE.
[DOORBELL RINGS.]
THOSE RELIGIOUS PEOPLE HAVE BEEN BOTHERING ME ALL DAY.
CAN'T A MAN FINISH HIS SUPPER WITHOUT THOSE RELIGIOUS TYPES BOTHERING US? HEY, UH, MR.
WEIR.
IS LINDSAY HOME? SHE'S EATING DINNER.
OH, YEAH.
I CAN TELL.
GOD, IT SMELLS REALLY GREAT IN THERE.
LET ME GUESS.
[SNIFFS.]
MEAT? CONGRATULATIONS.
HEYNICK.
WHAT ARE YOU DOING? YOU KNOW JUST CAME BY TO SAY HEY.
I--I DIDN'T REALIZE THAT YOU GUYS WERE GONNA BE EATING SO LATE.
YOU GUYS EAT LATE.
OH! HEY, NICK.
HEY, MRS.
WEIR.
BOY, I WAS JUS SAYING YOUR POT ROAS SMELLS AMAZING.
WELL, UHWOULD YOU LIKE TO JOIN US FOR DINNER? WE'VE GOT PLENTY OF FOOD.
I MEAN, SURE, IF--YEAH! THAT WOULD ROCK! I HAVEN'T EATEN DINNER YET! IS IT OK WITH YOU, MR.
WEIR? OH.
YEAH.
YEAH.
IT WOULDROCK.
Mrs.
Weir: COME ON.
OH, WOW.
THIS WORKED OUT WELL.
[MUFFLED.]
OH, MY GOD! MRS.
WEIR THIS POT ROAS IS UNBELIEVABLE! YOU'RE EVEN A BETTER COOK THAN MY MOM.
OH, I'M SURE SHE DOES FINE.
[GIGGLES.]
YOU DON'T GET TO BE AS TALL AS YOU ARE WITHOUT SOMEBODY DOING SOMETHING RIGH NUTRITIONALLY.
HEY, UH, SO MR.
WEIR YOU SELL SLEEPING BAGS, RIGHT? YEAH.
WHY, YOU GOING CAMPING? NO.
I'VE JUST BEEN SPENDING A LOT OF MY TIME SLEEPING ON PEOPLE'S FLOORS LATELY, SO, YOU KNOW, I THOUGHT I SHOULD PROBABLY GET A GOOD BAG.
WHY ON ETH ARE YOU SLEEPING ON PEOPLE'S FLOORS? MY DAD KICKED ME OUT OF THE HOUSE.
HE DIDN' KICK YOU OUT.
HE SOLD MY DRUMS.
THAT DOESN'T REALLY SEEM LIKE AN INVITATION TO STAY.
NOW, WAIT A MINUTE.
HE DIDN'T JUST SELL YOUR DRUMS.
I MEAN, THE MAN MUST HAVE HAD A REASON.
YEAH.
HE HAD A REALLY STUPID REASON.
HE SAID THAT MY DRUMS WERE INTERFERING WITH MY SCHOOLWORK.
I THINK MY SCHOOLWORK WAS INTERFERING WITH MY DRUMS.
TERRIBLE.
WHY DON'T YOU SPEND THE NIGHT OVER HERE? ON THE COUCH.
WHAT? REALLY? YOU MEAN IT? YEAH.
OH, MY GOSH.
MY GOSH.
YOU GUYS E THE NICES PEOPLE.
YOUR WHOLE FAMILY IS SO NICE! THANK YOU SO MUCH! OH! OH, MY GOSH.
OHI T'S LIKE YOU COOKED THIS IN HEAVEN THEN BROUGHT IT BACK DOWN HERE TO YOUR TABLE.
[GIGGLES.]
OH, STOP! Girl: BILL! BILL, I NEED TO TALK TO YOU FOR A SECOND.
IT'S ABOU YESTERDAY.
THAT WASN'T ME.
THAT WAS NEAL.
HE JUST SAID IT WAS ME.
WHAT? UH--NOTH--WHAT? [GIGGLES.]
ANYWAY SAM AND I HAD THE GREATES CONVERSATION YESTERDAY.
IT JUSTLASTED FOR HOURS! LOOK, I KNOW I CAN TRUST YOU WITH THIS, BECAUSE WE'RE LAB PARTNERS.
I LIKE SAM.
ME, TOO.
[LAUGHS.]
NO, ILIKELIKE SAM.
OH.
OH! I DON'T KNOW.
IT'S LIKE I NEVER DATE NICE GUYS.
I SHOULD TRY IT.
I MEAN, I THINK I DESERVE TO.
SO DO YOU THINK HE LIKES ME? IT'S HARD TO TELL.
WELL, DO YOU THINK YOU CAN FIND OU FOR ME? OK.
AND TELL HIM TO ASK ME TO MONA'S PARTY.
[BELL RINGS.]
THERE HE IS.
THANKS.
Teacher: EVERYONE TAKE THEIR SEATS.
WE'VE GOT A BUSY CLASS AHEAD OF US.
BILL! PSST! WHA JUST HAPPENED? CINDY WANTED ME TO FIND OU IF YOU LI-- GENTLEMEN, CAN WE SAVE THE CHITCHA FOR THE CAFETERIA? TODAY WE WILL BE HAVING A POP QUIZ.
[CLASS GROANS.]
CINDY-- GENTLEMEN! YESMR.
HAL? ALL RIGHT, NICK.
THIS IS WHAT YOU GOTTA DO.
GET HER TO STAY UP WATCHING TV WITH YOU, RIGHT, UNTIL HER PARENTS GO TO SLEEP.
THEN YOU OFFER TO GIVE A BACK RUB.
YOU DO IT RIGHT YOU'RE IN.
ALL RIGHT, LOOK.
LET'S GET THIS STRAIGHT, ALL RIGHT? LINDSAY AND I ARE JUS FRIENDS, OK? AND, ANYWAYS, I THINK IT'S REALLY COOL OF HER PARENTS TO LET ME STAY AT THE HOUSE.
THAT'S IT, ALL RIGHT? OK, MAN.
JUST FRIENDS.
I DIDN'T REALIZE.
I MEAN, YOU KNOW, LOOK, I-- IF SHE CAME TO ME IN THE MIDDLE OF THE NIGHT AND WAS, LIKE, YOU KNOW, "NICK, I LOVE YOU" I WOULDN'T TURN HER AWAY.
DID HE TRY TO GIVE YOU A BACK RUB? NO.
WELL, HE WILL.
HE IF TRIES TO GIVE YOU A FOO MASSAGERUN.
KIM, WHAT AM I GONNA DO? IT'S JUST TOO WEIRD HAVING HIM IN MY HOUSE! YOU HAVE TO KICK HIM OUT, LINDSAY! NO.
I CAN'T DO THAT.
WELL THEN YOU'RE IN FOR A LONG NIGHT.
I DON'T BELIEVE YOU.
IT'S TRUE.
IF THIS IS SOME KIND OF A JOKE AND YOU'RE TRYING TO SET ME UP, I'LL STOP BEING YOUR FRIEND.
I'M NOT KIDDING.
IT'S TRUE! SAM, YOU GOTTA ASK HER TO THAT PARTY! I DON'T--I DON' EVEN KNOW MONA! WHAT'S THE DIFFERENCE? IT'S WHAT CINDY WANTS! I THINK SHE WANTS TO BE YOUR GIRLFRIEND.
OH, MAN.
Neal: WHAT'S THE MATTER WITH YOU? YOU WANTED THIS FOR YEARS! BE A MAN! GO GET HER! YEAH, I KNOW, BUT-- BUT WHAT? I'M SCARED! WELL, THEY'RE NOT.
I CAN HEAR WHA THEY'RE SAYING RIGHT NOW.
[DEEP VOICE.]
"UH, HEY, CINDY, YOU WANT TO GO WITH ME TO MONA'S PARTY?" [HIGH VOICE.]
"WELL, I WAS KIND OF HOPING "THAT SAM WAS GONNA ASK ME, "BUT SINCE HE DOESN' SEEM INTERESTED, OK, THOR.
" OK, OK, SHUT UP.
I'M GONNA ASK HER.
HEY, CINDY? UM CAN I TALK TO YOU FOR A SECOND? HEY, SAM.
YEAH, SURE.
HEY, I'LL SEE YOU GUYS LATER.
OK, AFTER FRENCH CLASS? YEAH.
OK.
WHAT'S UP? I WAS WONDERING DO YOU WANT TO COME TO MONA'S PARTY WITH ME? I'D LOVE TO.
REALLY? REALLY.
IT'S HAPPENING.
THEY'RE SMILING.
GOING OUT WITHCINDY, AND STOPS HANGING OUT WITH US? HE WON'T.
HE'LL GET US IN WITH CINDY'S FRIENDS.
LIKE VICKY.
OH, MAN, I LOVE HER.
THOUGHT YOU SAID THEY WERE POD PEOPLE? A CULT, YOU SAID.
THEY ARE.
BUT THAT'S ONE CUL I WOULDN'T MIND JOINING.
BRING ON THE PODS.
UH, WELL I'LL SEE YOU THERE.
OK.
IT'S GONNA BE A LOT OF FUN.
YEAH.
CALL ME? OK.
SEE YA! IT'S ON.
[RUSH'STOM SAWYERPLAYS.]
NICK.
IT'S QUIET HOUR.
AM I BEING TOO LOUD? I'M SORRY.
SHOULDN'T YOU BE DOING YOUR HOMEWORK? ME? UM, YEAH, I MEAN, I WAS.
YOU WERE? THEN MAYBE YOU OUGH TO FINISH IT.
YOU'RE STARTING TO SOUND LIKE MY DAD, MR.
WEIR.
OH, YEAH? WELL, THEN, YOUR DAD IS A SMART MAN.
I'M A DRUMMER, YOU KNOW, SO, I MEAN, THIS IS MY HOMEWORK.
OH, COME ON, NICK.
THIS ISN'T HOMEWORK.
THIS IS SCREWING AROUND.
NOW, IF YOU'RE REALLY A DRUMMER, YOUR HOMEWORK WOULD BE PRACTICING YOUR DRUMS.
WELL, I'D LIKE TO BE PRACTICING MY DRUMS, YOU KNOW? BUT MY DAD GAVE THEM AWAY.
WELL, THEN YOU GO OU AND YOU FIND 2 STICKS AND YOU POUND ON A ROCK.
THAT'S WHAT A GUY WHO REALLY WANTED TO BE A DRUMMER WANTED TO BE A DRUMMER WOULD DO IF SOMEONE TOOK HIS DRUMS FROM HIM.
YOU KNOW, WHEN I WAS IN HIGH SCHOOL, I WAS WORKING IN A DEPARTMENT STORE, AND LEARNING ALL ABOUT RETAIL, AND I STILL GO STRAIGHT As.
NOW DON'T TELL ME YOU CAN'T FIND TIME TO DO BOTH THINGS.
YOU CAN'T BE THAT EASY ON YOURSELF, NICK.
PUSH YOURSELF.
YOU'RE A SMART KID.
THAT'S REALLY, UM THAT'S REALLY COOL OF YOU TO SAY, MR.
WEIR.
IT'S TRUE.
OH.
BY THE WAY, THAT DRUMMER YOU'RE LISTENING TO? YEAH.
HE'S TERRIBLE.
THAT'S NEIL PEART.
HE'S THE GREATES DRUMMER ALIVE.
WELL, NEIL PEAR COULDN'T DRUM HIS WAY OUT OF A PAPER BAG.
YOU WANT TO HEAR DRUMMING? ALL RIGHT.
COME ON.
I'LL PLAY YOU DRUMMING.
[LOUD DRUMMING.]
THAT GUY IS AMAZING.
HOW DID YOU HEAR ABOUT HIM? ARE YOU KIDDING? THESE GUYS? I GREW UP WITH GENE KRUPA AND BUDDY RICH.
OH, GOD.
HOW DO THEY DO THAT? THEY MUST HOLD THE STICKS LIKE THIS.
I CAN'T DO THAT.
I'VE NEVER BEEN ABLE TO DO THAT.
YOU CAN GO FASTER THAT WAY.
OH! GOD, HOW DO YOU LEARN TO DO THAT? I DON'T KNOW.
MAYBE THEY TOOK A LESSON? OH, MY--THAT IS INSANE.
NOBODY CAN DO THAT.
MAYBE I SHOULD TAKE A LESSON, HUH? HEY, LINDSAY, CAN I ASK YOU SOMETHING? HMM? YEAH.
CINDY AND I ARE GOING TO THIS PARTY TOGETHER, AND I THINK IT'S SORT OF LIKE A DATE.
REALLY? YES.
SHE KISSED ME GOOD-BYE TODAY IN SCHOOL, AND I DIDN'T KNOW WHAT TO DO.
I JUST STOOD THERE.
SHE KISSED YOU? YEAH.
WHAT IF SHE WANTS TO KISS ME A THE PARTY FOR REAL? YEAH? WELL, WHAT IF I DO IT WRONG? YOU CAN'T KISS WRONG.
YOU'LL KNOW WHAT TO DO WHEN IT HAPPENS.
IT'S JUST THAT I'VE NEVER HAD A GIRLFRIEND BEFORE.
JUST BE YOURSELF, SAM.
THAT'S BE A GENTLEMAN AND DON'T BE WEIRD AND DON'T SMOTHER HER.
NICK WAS SO INTO ME, HE MADE ME WANT TO MOVE TO A DIFFERENT COUNTRY.
[LAUGHTER.]
[MUSIC PLAYS.]
OH, MY GOD.
I DON'T THINK NICK'S IN LOVE WITH YOU.
I THINK HE'S IN LOVE WITH MOM AND D.
OH, MY GOD.
THIS IS THE BES FAMILY, EVER.
[WHISPERING.]
Who is it? Hey, it's Nick.
D-D-Don't opI wanted to sa that youare letting me I think it's rand your pstay here.
Go back to bed.
I really appreciate it.
You know? I need you to know that.
know.
Please just don't OK, good night.
Good night.
NG UNH! OH.
HEY.
I WAS, UH, WORKING.
HEY, UM THOSE ARE, UH, NICE PAJAMAS.
THIS IS A WHOLE NEW WORLD.
I SEE DOUBLE-DATING AND TRIPLE-DATING AND CHEERLEADERS AT YOUR HOUSE AND ME AT YOUR HOUSE.
CONGRATULATIONS, SAM.
I HEARD ABOU YOUR GOOD FORTUNE.
THANKS.
SHE'S THE ONE THA SHOULD BE THANKFUL.
YOU'RE A CATCH.
SO, CAN YOU GET BILL AND I INTO THIS PARTY? I DON'T KNOW.
I HAVEN' REALLY THOUGHT ABOUT IT.
WELL, THINK ABOUT IT.
I DON'T--I DON' WANT TO GO.
WHY NOT? EVERYONE WANTSO GO TO A MAKE-OUT PARTY.
IT'S A MAKE-OUT PARTY? UH-HUH.
NOBODY TOLD ME IT WAS A MAKE-OUT PARTY.
WELL, YOU BETTER GET READY TO MAKE OUT.
OTHERWISE SHE'S GONNA THINK YOU DON' LIKE HER.
YOU'RE NOT GONNA FRENCH KISS CINDY, ARE YOU, SAM? FRENCH KISSINGI WOUL IS GROSS.
DN'T FRENCH KISS IN A MILLION YEARS.
AND WHY THE HELL NOT? HELLO.
GERMS.
SPIT.
MUCUS.
OLD BITS OF FOOD.
THAT'S JUS TO NAME A COUPLE.
THERE'S A LO OF THINGS IN THERE.
I MEAN, WHY DO YOU HAVE TO USE YOUR TONGUE, ANYWAY? AREN'T YOU SUPPOSED TO KISS WITH YOUR LIPS? BECAUSE IT'S NO A REAL KISS UNLESS YOU USE YOUR TONGUE.
WHY? WHAT'S THE POINT? I MEAN, WHAT ARE YOU SUPPOSED TO DO? LICK THE INSIDE OF HER MOUTH? ARE YOU SUPPOSED TO LICK HER TEETH? DO YOU MAKE YOUR TONGUE HARD OR SOFT? GOD, BILL.
ENOUGH.
WHAT? I WAN TO KNOW NOW, SINCE EVERYONE SEEMS TO THINK THAT FRENCH KISSING IS SO GREAT.
OK, BILL.
YOU PUT YOUR TONGUE AGAINST HER TONGUE.
WHAT IF SHE PUTS HER TONGUE TOO FAR INTO MY MOUTH? WH-- WHAT IF I THROW UP? WHAT IF I THROW UP ALL OVER HER? WHAT IF I THROW UP IN HER MOUTH? UGH, SHUT UP, BILL! THAT'S DISGUSTING! SORRY.
WELL, I'M JUS TELLING YOU GUYS I'M NOT DOING IT.
WELL, I AM, AS SOON AS POSSIBLE.
WHAT DO YOU SAY, CAN WE GO? WELL, IF I TAKE YOU, THEN I HAVE TO TAKE GORDON AND HARRIS.
GUYS, I CAN'T MAKE IT.
I'M SAVING MY VIRGINITY FOR THE FUTURE MRS.
CRISP.
NAH, I HAVE A DATE WITH JUDITH.
EVERY NIGHT'S A MAKE-OUT PARTY WITH US.
YES.
WHOOPIE.
ALL THESE MAKE-OUT PARTIES START THE SAME WAY-- SPIN THE BOTTLE.
THAT'S WHY THIS BOTTLE IS THE KEY TO OUR MAKE-OUT FUTURE.
HE SPIN WILL DETERMINE WHETHER WE HAVE A GOOD NIGH OR A GREAT NIGHT.
YOU CAN'T CONTROL A BOTTLE, NEAL.
OH, CAN'T I? JUST WATCH.
I'VE BEEN PRACTICING ALL WEEK.
HOW'D YOU DO THAT? IT'S ALL FINGER CONTROL.
ALL YOU HAVE TO DO IS TRAIN YOURSELF TO MAKE THE BOTTLE SPIN 2 REVOLUTIONS, THEN YOU ADD OR SUBTRAC A SMALL PERCENTAGE OF TORQUE BASED ON THE POSITION OF YOUR TARGET.
THAT'S AMAZING! ALL I CAN SAY IS HELLO, LADIES! WHAT? WHAT IFTHEY DON' WANNA KISS US? THAT'S THE GENIUS PART OF THE GAME.
THEY HAVE TO! I DON'T KNOW.
I JUSTI JUS DON'T WANNA SEE THE EXPRESSION ON THEIR FACE WHEN THEY SEE THAT THE BOTTLE LANDS ON ME.
BILL, WHO CARES IF THEY LOOK DISAPPOINTED? ALL I CARE ABOU IS IF THEY LOOK DISAPPOINTED AFTER THE KISS.
BUT I KNOW THEY WON' WITH ME, BECAUSE I PLAN ON DELIVERING THE GOODS.
DO PEOPLE FREN THE BOTTLE? SOME DO.
MOST DON'T.
I DO.
I DON'T FEEL SO GOOD.
I HINK I'M GOIN' TO KATMANDU THAT'S REALLY, REALLY WHERE I'M GOIN' TO IF I EVER GET OUTTA HERE THAT'S WHAT I'M GONNA DO K-K-K-KATMANDU I THINK IT'S REALLY WHERE I'M GOIN' TO IF I EVER GET OUTTA HERE I'M GOIN' TO KATMANDU I GOT NO KICK AGAINST THE WEST COAS WARNER BROTHERS ARE SUCH GOOD HOSTS I RAISE MY WHISKEY GLASS AND GIVE 'EM A TOAS I'M SURE THEY KNOW IT'S TRUE HERE WE GO.
EVE RY TIME I BEEN THERE, IT'S BEEN GREA BUT NOW I'M LEAVIN', AND I CAN'T BE LATE AND TO MYSELF BE TRUE YOUR TURTLENECK.
TAKE OFFTHAT'S MY LOOK.
I CAN'T.
I'M NO WEARING ANYTHING UNDERNEATH.
BESIDES, I HAPPEN TO LOOK COOL IN A TURTLENECK.
SO DO I! EVERYONE LOOKS COOL IN TURTLENECKS.
THAT'S THE POINT! WE CAN'T BOTH WEAR THEM.
WE'LL LOOK LIKE THE SMOTHERS BROTHERS.
TSH.
I'M NOT GOIN' IN TOPLESS.
FINE.
I'LL TAKE MINE OFF.
NICE DICKEY! SHUT UP.
GUYS, GUYS, OK BE COOL.
YOU BE COOL.
JUST--JUST DON' EMBARRASS ME, OK? WHAT? NOW THAT YOU'RE GOING OUT WITH CINDY, YOU'RE ASHAMED OF US? DON'T EMBARRASSME.
FINE.
BE THAT WAY.
I DON'T CARE.
[NEAL MIMICKING.]
HEY, GUYS.
HEY, SAM.
YOU, UM YOU LOOK REALLY GOOD.
SO DO YOU, CINDY.
YOU LOOK BEAUTIFUL.
ANKS, SAM.
YOU'RE SWEET.
COME ON.
ARE YOU GOING IN? DON'T RUSH ME.
ARE YOU OK? YOU REMEMBER THAT SCENE AT THE BEGINNING OFANIMAL HOUSE WHERE FLOUNDER WANTS TO GET INTO THE FRATERNITY, BUT THEY DON' THINK HE'S COOL, SO THEY PUT HIM IN THAT ROOM WITH THE BLIND GUY AND THE INDIAN GUY? ABOUT TO BE SEN IKE WE'REINTO THAT ROOM.
BLIND GUYS ARE COOL.
THEY HAVE SUPERSONIC HEARING.
YOU'RE RIGHT.
LET'S MINGLE.
SO, DID YOU KIDS HAVE A GOOD DAY TODAY? UH I DON'T KNOW.
IT WAS OK.
I HAD, LIKE, THE BEST DAY, MRS.
WEIR.
I TOOK MY FIRS DRUM LESSON EVER.
OH, WOW.
A DRUM LESSON? YEAH.
HEY, HOW'D THAT GO, NICK? IT WENT SO WELL, MR.
WEIR.
THE DRUM TEACHER, TERRY BREEZE, HE'S, LIKE, THE COOLEST GUY.
HE TAUGHT ME HOW TO HOLD THE DRUMSTICKS JAZZ STYLE, LIKE THIS.
PARADIDDLE, PARADIDDLE, PARADIDDLE.
GOOD.
NICK, WHERE DID YOU GET MONEY TO TAKE DRUM LESSONS? UM, YOUR DAD.
YEAH.
NICK'SONNA WORK PART-TIME AS A STOCK BOY AT MY STORE TO PAY FOR HIS LESSONS.
Jean: LESSONS.
GOOD FOR YOU.
ALL RIGHT.
I'LL GET THE HAM, AND WE'LL EAT.
LET ME HELP YOU, MRS.
WEIR, 'CAUSE HAMS CAN BE HEAVY.
JEEZ.
DAD, THAT'S REALLY NICE OF YOU.
WHAT DO YOU MEAN? I JUST MEAN AT YOU'RE PLAYING RECORDS FOR NICK AND GIVING HIM DRUM LESSONS AND LETTING HIM STAY AT THE HOUSE.
THAT'S WHAT'S THE DEAL? WELL, I'M TRYING TO HELP THE KID OUT.
WHAT, YOU DON' WANT ME TO? NO, I'M JUS WONDERING WHY, WHEN NICK HAS A PROBLEM, YOU'RE NICE AND LOGICAL.
WHEN I DO, YOU JUST YELL AT ME.
THAT'S BECAUSE I EXPECT MORE FROM YOU.
NICK'S FATHER IS A HARD MAN.
MY OLD MAN WAS THE SAME WAY.
YEAH, I KNOW THE FEELING.
LINDSAY? TRUST ME, YOU DON'T.
NOW, ANYTIME YOU WANNA DANCE WITH ME TO GENE KRUPA, I'LL BE AROUND.
[LAUGHTER.]
OH, WHY DOES THE BOTTLE KEEP LANDING ON ME? HEY, HOW COME THE BOTTLE NEVER LANDS ON ME? Girl: OK.
WHOSE SPIN? [LAUGHTER.]
THAT'S 3 TIMES.
NOW IT'S 7 MINUTES IN HEAVEN.
Boy: HEY, I'LL GIVE YOU 8 1/2.
Girl: ALL RIGHT, CINDY.
YOUR SPIN.
OH, YES! SAM, I'M SORRY.
YEAH, SORRY, SAM.
COME ON, CINDY.
[DOORBELL RINGS.]
YES? HELLO.
I'M NICK'S FATHER.
OH.
WELL, I'M HAROLD WEIR.
IT'S A PLEASURE MEET YOU, SIR.
COME ON IN.
NICK, IT'S TIME TO COME HOME.
OK.
COULD I TALK TO YOU IN THE KITCHEN FOR A MINUTE? SURE.
LOOK, I APPRECIATE YOUR LETTING NICK STAY HERE.
OH, IT WAS OUR PLEASURE.
THAT'S QUITE A KID YOU'VE GOT THERE.
YEAH.
SO, UH YOU GAVE HIS DRUMS AWAY, HUH? I GUESS THEY MAY BE PRETTY DISTRACTING.
YOU HAVE NO IDEA.
EH, THINGS KIDS WILL GET INTO.
WHEN I WAS A KID, I WAS ALWAYS BRINGING DOGS HOME.
UH-HUH.
WELL, TEENAGERS WILL TRY ALL SORTS OF THINGS.
SOMETIMES YOU JUS GOTTA LET 'EM BE KIDS.
HAROLD, HOW OLD IS YOUR SON? YOU CALL ME WHEN HE TURNS 16.
HELLO THERE.
GREAT.
2 MORE GUYS.
OH, GOD.
I LAY MY HEAD ON THE RAILROAD TRACKS I'M WAITIN' FOR THE DOUBLE "E" IT'S KIND OF ON ME A LITTLE.
NO, IT'S NOT.
POOR, POOR, PITIFUL ME OH, OF COURSE.
POOR, POOR, PITIFUL ME POOR, POOR, PITIFUL ME THANKS.
THESE YOUNG GIRLS WON'T LET ME BE LORD, HAVE MERCY ON ME WOE IS ME WHOO! OK, BECKY.
OH, MY GOD.
JUSTQUICKLY.
COME ON.
ON THE CHEEK.
OH! GOD! THIS IS RIDICULOUS.
THERE IS OBVIOUSLY SOMETHING WRONG WITH THAT BOTTLE.
IT KEEPS LANDING ON YOU, BILL.
SWITCH WITH HER.
Bill: WHAT? OK.
OH, WOE IS ME OK.
I'M SPINNING AGAIN.
NO! [LAUGHTER.]
HEY, JUST KISS HIM AND GET IT OVER WITH.
Girl: OK, VICKI.
YOUR TURN.
SHE TOOK ME BACK TO THE HYATT HOUSE I DON'T WANNA TALK ABOUT I HEY! THAT'S 3.
VICKI AND BILL ARE GOIN' IN FOR 7 MINUTES IN HEAVEN.
Kids: VICKI AND BILL SHUT UP, YOU GUYS! SITTIN' IN A TREE COME O N.
LET'S JUST GE THIS OVER WITH.
HUH! NEVER MIND UNBELIEVLE.
WHOO-HOO! CLOSE THE DOOR.
POOR, POOR, PITIFUL ME WELL, UH, THANKS AGAIN.
I HOPE HE WASN' TOO MUCH TROUBLE.
OH, NO.
HE WASN' ANY TROUBLE AT ALL.
I'LL BE OU IN THE CAR.
OK.
GOOD NIGHT.
YOU GUYS SURE YOU DON'T WANNA ADOPT ME? YOU SURE YOU'RE GONNA BE OK? YEAH.
I MEAN, HE CAME LOOKING FOR ME, RIGHT? DIDN'T REALLY THINK THAT WAS GONNA HAPPEN.
HEY, STOP BY ANY TIME.
Nick: I WILL.
I'LL SEE YOU AT SCHOOL.
YEAH.
I'LL SEE YOU AT SCHOOL.
UM, YOU KNOW, I JUST THANK YOU SO MUCH.
Jean: GOOD NIGHT.
GOOD NIGHT.
I'M REALLY GLAD YOU COULD MAKE IT TONIGHT, SAM.
YEAH, ME, TOO.
CINDY, DO YOU WANNA GO IN ONE OF THESE ROOMS AND TALK OR SOMETHING? OK.
OK.
DON'T EVEN THINK ABOUT IT, OK? LS GOOD.
JUST STAY AWAY FROM ME, OK? YOU'RE NOT GONNA TOUCH ME, AND YOU ARE DEFI IT? YOU KNOW--YOU KNOW WHAT? YOU'RE A JERK.
YOU'RE A JERWAS JUST TRYINGTO MAK I COULDN'T BE LESS HAPPY YOU'RE A JERWAS JUST TRYINGTO MAKTO BE IN HERE WITH YOU, SO QUIT ACTING LIKE I'M HOPING I CAN KISS YOU.
IT'S ACTUAWANT TO DO RIGHT NOW.
YOU KNOW WHAT,OK? THAT WASN' NICE OF ME.
3 MINUTES AND 26-- 26 SECONDS LEFTIN HEAVEN.
WELL, HERE WE ARE.
YEAH.
HERE WE ARE.
[TURNS RADIO ON.]
WELL, MAYBE WE SHOULD LISTEN TO SOME MUSIC.
YOU--UH-- CAN I ASK YOU A QUESON? WHAT? PRETTY? I DON'T KNOW.
KE, THIS ISTHE ONLY WAY THAT I'VE EVER LOOKED.
R 'CAUSE THEY'REEVER NICE TO ME.
[CHUCKLES.]
WELL THIS IS NOT TRUE, BILL.
EVERY TIME I LOOK AT YOU, YOU LOOK LIKE YOU'RE HAVING A PRETTY GOOD TIME.
YEAH.
YEAH.
YOU'RE ALWAYS LAUGHING OR SOMETHING.
SO WHAT ARE YOU LAUGHING ABOUT? I WATCMOVIES IN MY HEAD.
HEH HEH HEY, DAD.
THAT WAS REALLY NICE WHAT YOU DID FOR NICK.
I'M SORRY YOU THINK I DON'T TREAT YOU RIGH SOMETIMES.
I DIDN'T SAYTHAT,DAD.
I JUST WISH YOU COULD TALK TO ME LIKE YOU TALK TO NICK.
YOU KNOW WHA THE DIFFERENCE IS BETWEEN YOU AND NICK? YOU'RE MY DAUGHTER.
ANDEVERY SECOND YOU'RE OUT OF THIS HOUSE, EVERY SECOND THAT I CAN'T SEE YOU OR KNOW WHAT YOU'RE DOING, IT'S IT'S ABSOLUTE TORTURE FOR ME.
DAD, I CAN'T STAY INSIDE ALL THE TIME.
I KNOW.
WHY NOT? [LGHS.]
GOOD NIGHT, HONEY.
ALL RIGHT.
GOOD NIGHT, DAD.
SO ALL THE CANS BEHIND STEVE MARTIN START SPRINGING HOLES, AND STEVE MARTIN SAYS, "THERE'S SOMETHING WRONG WITH THESE CANS.
" AND HE SEES THE GUY SHOOTING, AND HE SAYS, "THAT GUY HATES THESE CANS.
" [BOTH LAUGHING.]
IT'S REALLY FUNNY.
[SIGHS.]
THERE'S SOMETHIN' YOU SHOULD KNOW, BABE THE HELL.
I'VE EN YOU SMILIN' WHAT? WHAT? DON'T EVER I'V WHEN YOU RUN I'VE MADE MY MIND UP THAT IT'S MEANT TO BE SOMEDAY, LADY, YOU'LL ACCOMPANY ME SOMEDAY, LADY, YOU'LL ACCOMPANY ME OUT WHERE THE RIVERS MEET THE SOUNDIN' SEA YOU'RE HIGH ABOVEE NOW, YOU'RE WILD AND FREE AH, BUT SOMEDAY, LADY, YOU'LL ACCOMPANY ME SOMEDAY, LADY, YOU'LL ACCOMPANY ME YEAH UMCINDY, CAN I KISS YOU? OF COURSE.
SOME PEOPLE SAY THAT LOVE'S A LOSIN' GAME YOU START WITH FIRE, BUT YOU LOSE THE FLAME THE ASHES SMOLDER, BUT THE WARM'S SOON GONE YOU END UP COLD AND LONELY OH! HOLD ON ONE SECOND.
I'LL TAKE MY CHANCES, BABE I'LL RISK IT ALL I'LL WIN YOUR LOVE LL DE MY MIND UP BILL, YOUR 7 MINUTES WERE UP 5 MINUTES AGO.
VICKI, YOUR NIGHTMARE'S OVER.
SOMEDAY, LADY, YOU'LL ACCOMPANY ME BILL.
GOD, THIS REALLY SUCKS.
[KNOCKING.]
BILL.
BILL.
HELLO, BILL.