KLASS 95: The Power of Beauty (2024) s01e23 Episode Script

1
A NETFLIX SERIES
[theme song playing]
Oh, that girl's a bombshell ♪
She likes to dance, she likes to party ♪
She sweeps up everything in her path
Like a hurricane ♪
You are left dripping
You are left empty-handed ♪
I love it when she swings her hips ♪
She's a bombshell
And there's no one like her ♪
I love it when she swings her hips ♪
Because she alone
Is the power of beauty ♪
KLASS 95
THE POWER OF BEAUTY
"THIS STORY IS A WORK OF FICTION,
BASED ON AND INSPIRED
BY REAL-LIFE EVENTS."
[intriguing music]
OUTSKIRTS OF BOGOTÁ
This is the third time
we've swept this area,
and we still can't find Elver's house.
This time the coordinates are right,
trust me.
It shows a detour on the right-hand side,
that's where we need to turn.
What was that little laugh about
when you mentioned Nico and Shaio
and their sex life?
You're mocking Nico
like you're a great lover,
a big expert
on what's sexy and what isn't.
Do you think
I don't know anything about this stuff?
We've been here now for how long?
Just talking.
You speak about others falling in love,
others having sex, but what about me?
Typical women, huh?
They don't appreciate gentlemen
who don't come on so strong.
Is that what you think?
I'm not like Elver the bad boy.
No, don't bring him up.
This has nothing to do with him.
It's too bad that we have to go.
I was about to get romantic.
Right?
[Kelly] Go slowly.
Isn't that Juanita's car?
[Vilmar] It is.
[Kelly] Come on, stop.
[suspenseful music]
Look, let's go this way,
we'll show up from behind.
[whispers] This way.
That way.
[sensual music]
-[chuckles]
-Are you all right?
-Yes, but don't ask. Come here.
-Trust me, I've waited for a long time.
But you always kill the mood
with all that yapping and talking
about Edgar, and your sweet Elver.
-Seriously, did you date that guy?
-Óscar, don't be annoying.
Next, you go off about Nico,
that imbecile and whatnot,
and the Domínguezes,
and I lose my libido and act shy.
Plus, we've been friends for a while,
so sometimes it's hard to tell
whether you're sending me a real sign,
or really touching me,
batting your eyes. If you really want
[sensual music continues]
-Are you going to stop talking now?
-Mm-hm.
Or it'll kill my mood.
-Hey, wait.
-[music fades]
Why am I naked but you're not?
That's not fair.
-[sensual music continues]
-[Óscar exhales]
Wow, Juanita.
You're gorgeous.
How did I miss all this?
[tense music]
[gasps] What was that?
[Óscar] I don't know.
[Juanita gasps]
[Óscar] Kelly!
I knew we had
the exact coordinates this time.
Give me the agenda,
that's what I came for.
Come on, give it to me!
[Vilmar] Hand over the agenda.
Did you hear her?
Admit it, you just want to see me naked.
Why don't you tell me what you need
and I'll tell you
if it's in the agenda or not?
Are you stupid?
Hand the agenda over to Kelly.
Óscar. Come on, give it to them.
We're in the middle of nowhere,
and they're willing to kill us,
wrap us in tape
Give it to them.
Give it back and you'll be safe.
I promise.
-Come take it.
-[Juanita] Óscar.
-Take it if you're a real man.
-Óscar.
-Aren't you a man?
-[Óscar moans]
[grunts, moans]
[squealing] You'll regret this, you hear?
[sobs]
Everything is here. Let's go.
Kelly!
-[moans in pain]
-Put this on.
[gunshot]
What was that?
-What are you doing?
-[laughs]
I wouldn't let them off the hook
after following them for so long.
-Let's go, leave it.
-[laughs]
[tire air escapes]
Move it!
[Óscar groans in pain]
-[exhales]
-Ow!
[squeaky voice] Hey, what did you do?
[engine starts]
Assholes,
look at what they did to the car.
-You're going to pay for this, damn it!
-[laughs]
Come on. Easy. It's okay.
[squeaky voice] What's so funny?
Did you see the car?
[laughs] I don't know, the situation.
Do you hear the way you speak?
[squeaking] Right, you'll never know
how it feels to get kicked in the balls.
-[moans]
-[chuckles]
Look at it this way.
Sure, we're screwed without the agenda,
but we're alive.
-[squeaking] No.
-No?
-Aren't we alive?
-No, dude, we're not screwed.
[squeaking] I have a copy of the agenda.
What?
[scoffs] So you let them hit you
for nothing?
Agenda one, two, and three.
So you recorded the whole agenda?
[squeaking] Yes.
While I'd watch you [groans]
sleep, unable to do anything.
[romantic music]
So then
do you realize?
We're free.
We can go to Bogotá, to your place,
to mine.
But
I don't get what is so important
in that agenda
that they had to chase us for so long.
Will you tell me already?
It's nothing, there's information here
that will screw us all if it goes public.
Especially me.
Bye, wedding. Bye, trip.
Bye, happy life.
Now that it's in my hands,
they can say whatever they want,
but they won't have any proof.
And neither will you.
[Juanita] I was thinking
Well, we're not being chased anymore,
and we can't leave
because we don't have a car.
We could
pick up where we left off.
[chuckles]
I don't think we can.
[comedic music]
It's out of order.
Let's try.
Okay.
[sensual music]
-[sensual music fades]
-[moans] Oh, no, wait.
-[comedic music]
-[moans] Ow, it hurts.
Okay.
Why don't we think
about how we're going to change
the four tires on the car
and get out of here? Okay?
I'm going to make a few calls.
But you can work,
if you want, or do whatever.
Okay, yes, help me with the camera.
I think that if I tell you the story,
you might understand what's going on.
We're fine, right?
[exhales] There you go.
[Óscar] Juanita.
[door creaks]
[camera beeps, static]
Where was I? Oh, yes.
[Shaio] Okay, it's all set up.
Take a look at this place.
-It's beautiful.
-How about it, huh?
-I love it.
-Oh, that's great.
Paola, I need you to pull all your tricks
that make men go crazy, okay?
But keep acting
like the Princess of Monaco that you are.
-Mm. Okay, but on one condition.
-Sure.
You let me put on music,
because that was
-Of course, what do you want?
-I have classical, if you want.
-No, I came prepared.
-Oh, my.
Here, sweetie.
Play side B when I tell you, okay?
[Shaio] What are you doing?
Go, let's have her there, please.
-[Agustín] Grab her robe as well, please.
-[Shaio] I think
that we'll be ready after this.
-Let me know if you need anything.
-[Paola] Thank you very much.
Sweetie, Pao, over there.
Here, let me explain.
The idea is to show off your angelic side.
[Laura] Pao
[Agustín] All men will want to hang
your calendar at home, but also women.
I need you both confident and familiar.
Fierce, but approachable.
I want you to be poetic, you get me?
-All right, perfect. Ready.
-[Paola] Buddy? Put it on.
-Now?
-[Paola] Yes.
["Bonita Bossa Nova" plays]
-[Shaio] She looks great.
-[Laura] Gorgeous.
[all cheer]
Gorgeous!
That is fantastic.
Yes.
It's going to be amazing, Lau.
-We'll kill it.
-Fantastic.
-That's it!
-I love it.
-The strap.
-Oh.
No, it's spectacular.
The makeup looks perfect on her.
Give me a hand
Pao, we're going to use
this dramatic element from the set design.
I need you to own it,
and to use the light a lot
and play with it. Okay?
Okay, perfect.
[Agustín] Own it. That's it.
That's beautiful, you look gorgeous.
-[Shaio] Perfect.
-[Agustín] That's amazing.
Squint a little more.
That's right. You are the light.
That's right, lots of light.
[Shaio squeals] I love the background.
Gorgeous, beautiful.
[Agustín] Gorgeous. Super, that's it.
So fresh.
That's it, beautiful.
-Oh, can I take a minute?
-[Shaio] Of course.
-I'm a little tired.
-[Shaio] Pao, of course.
-Do you want some water?
-Water.
[Agustín] I think we got it, a couple.
[indistinct chatter]
Come, help me!
[theme song plays]
[Shaio] Careful, I'll poke your eye out.
What?
[all cheering]
To the best of the best!
-The best!
-The best of the best.
[Shaio] What if we do
the one with the hat?
Yes, you, girl, look,
stand on this side of the river.
Paola asked me for January and April.
Okay? I want you to be August.
August is breezy
-[Shaio] Cheers.
-Kites, children at dawn.
I want to see it on your face
and body, okay?
Cover that, please, you look great.
All right, a little more. That's it.
Okay, autumn.
It's autumn, the flowers are falling,
the breeze caresses you.
-Okay, here, a little more. More.
-[camera shutter clicks]
Clear her face, please.
Give in to the breeze.
A bit more, damn it, what's the matter?
You don't speak clearly.
I can't hear what you're saying.
What I need is for you to tell me,
"Get over there, stand there,
turn around, heads on your head,"
not all that poetry.
I'm sorry for being honest, that's me.
I'm explaining the feelings
that you have to convey.
All models do it,
-but you're stiff.
-That's the issue, I'm not a professional.
I'm doing this
because I need money to pay for school.
Okay? I'm not a queen
and I'll never be one.
Paola may be very nice and all, I'm sorry,
but she does everything well
and I am who I am.
-Agustín.
-[Agustín] Hm?
I'm going to take her.
Andrea? Come here.
Let's go and talk.
Tell me, what's going on?
This is not my thing, Paola.
What I want to do is
Do whatever you want, right?
Oh, we all want the same thing.
Look, I want to be a model,
have my own business and my brand.
Why do you have to do all this?
Because it's useful.
Look, don't think about today,
think about the future, like me.
It's helpful
to start getting recognition now.
Have clients who love me,
who want me wearing their brand
so that in the future,
I can do whatever I want.
That's exactly what I want to do.
So why are you jeopardizing your job then?
Do you know what the only thing is
that will give you freedom?
Cash, babe.
As long as you're economically
independent,
you'll be able to do whatever you want,
okay?
Sure, but that guy is pretty weird,
and says a bunch of things I don't get,
he's confusing.
I don't know what he wants.
Don't worry, listen to me.
But it has to stay between us.
-Okay.
-All photographers are the same.
They only criticize, but in the end,
we're the ones doing all the work.
I can give you a tip that works for me.
[chuckles] Sure.
Imagine he's the one wearing the bikini.
Seriously, do it. Do it and then go,
stand in front of the lens
and show him how the job is done.
Hey, Paola, did you ask to play that song
because you're picturing him in a bikini?
[comedic music]
[laughs] It doesn't fail, I swear.
-Ready?
-Ready.
[Paola] Let's go.
-We're ready.
-[Agustín] That is gorgeous.
-[chuckling]
-[theme song playing]
[Agustín] That's it!
That's fantastic, yes.
The leaves are falling. That's beautiful.
Gorgeous!
-[Agustín] February's turn. Gorgeous.
-Pao, thanks.
She alone is the power of beauty ♪
[Agustín] That's it, amazing.
[Óscar] So Paola created
a modeling monster.
To the best calendar of all!
[all cheer]
Cheers!
[Agustín] It's gorgeous.
-[Shaio] She has a different attitude now.
-[Agustín] Sweet ending.
You look gorgeous. Beautiful.
Okay, show me your red lips.
Your red lips. Beautiful.
That's perfect. All right.
Fantastic. That's it.
Now the December gift.
That's amazing.
-That's it, keep that.
-Oh, no, it's really hot.
[indistinct chatter]
-[Shaio] Hey, Nico!
-[Agustín] Hey!
What are you doing?
She's hot, what can we do?
[Shaio] Is this preschool or what?
But listen, she's saying she's hot,
we don't have time, let's keep it moving.
Shaio,
we have a technical problem, you know?
What is it?
Her clothes are see-through,
the water is cold, so it'll show
-[comedic music]
-Hold it, we're switching outfits.
No, no. Wait, it's no problem.
-Let's do this. It's good.
-Are you sure?
-I think you'll like it more.
-[Agustín] Right on.
[Laura] Just look at her. No?
[Agustín] Fix her up just a bit,
don't change
what she has on her face. It's beautiful.
This is fantastic, that's how I want you.
Pure.
[whispers] Remember.
That's lovely, there, check me out. Great.
That's gorgeous, amazing.
A bit more like that.
-Spectacular. That's it.
-[laughs]
That's it.
Like that. [chuckles]
-[chuckles]
-[Agustín] Yes, beautiful.
That's gorgeous, keep that smile. There.
["Bonita Bossa Nova"
by Alejandro Calle plays]
That's wonderful, that's it.
That's it. Just a little. There.
-[Agustín] Act fresh. Gorgeous.
-Hey, hats off to you.
Now you know,
call me when you're in trouble.
That's how the calendar ride
ended for Shaio.
OUTSKIRTS OF BOGOTÁ
Your kiss will make me fly ♪
This is going to be amazing.
[music fades]
[dramatic music]
That's when she realized
she had a hit for a calendar,
the new best model in the world,
and a huge threat to her idea
of winning Berny back. [grunts]
But Shaio's huge issue was one thing,
and the idea that started
this whole thing was another.
-Remember?
-[Juanita] Of course.
The ticking bomb between Edgar,
the consul, and Kelly.
[Juanita] Uh-huh.
[dramatic music]
Right on time
for your dental appointment, Miss Kelly.
[Kelly] Thanks.
[door closes]
Go over to Edgar, Elver.
I'll let you know when I'm done.
-As you wish, Miss Kelly.
-[Kelly] Thanks.
Excuse me, miss,
what office are you going to?
[tense music]
To Dr. Domínguez's.
Oh, okay, top floor.
Thank you.
[Óscar] Elver stayed outside
and waited for Kelly,
without realizing that the office basement
was connected to the hotel basement.
[elevator dings]
-[knocks softly]
-[door opens]
-What's up, Teach?
-Relax, nobody followed you.
It's a perfect plan.
[in English] You want a drink?
[in Spanish] What?
Would you like something to drink? Wine?
All right, yes, some wine.
I came to apologize, Teach.
I didn't think Edgar would get that way
just because you're giving me
English lessons.
If I was your boyfriend,
I'd also be worried.
Oh, no, but him and I are not together.
[dramatic music]
[exhales] I don't know how to explain.
You don't have to explain,
but don't tell me lies.
If you weren't his girlfriend,
he wouldn't be following you,
and you wouldn't be shaking here,
hiding out with me.
But I'm not shaking.
Is there something else I need to know?
Look,
I don't need to know much about Edgar.
The Secret Service has an eye on him,
he's a criminal.
Money laundering, cocaine trafficking,
and dangerous friendships.
What I don't get is how a woman like you
is with a man like him.
It's a coincidence.
I was looking for a job
and after I ran away from Hollman,
well, he was around the agency.
Actually, that's where we met,
and he helped me get into the agency.
I suppose it's gratitude
more than anything else.
Like what?
I don't know, love, for example.
[laughs] No.
Of course not. It's not love.
Gratitude.
Lots of gratitude.
[sensual music]
So what about this place?
How did you find it?
Well, this place is for us to meet
without Edgar getting between us,
if that's okay.
Sure.
Who lent it to you?
I rented it out.
We have it for the whole week,
which is how long
the dental treatment takes.
So cheers.
[in English] Cheers.
During the next week,
they'd take early classes with Edgar.
[in English] Let's start
with something easy.
-[Edgar] Mm-hm.
-Okay? So
-[in English] What's your name?
-Kelly.
[in English] No, but say, "My name is"
-My name is Kelly.
-Kelly.
Little Kelly.
-[in English] Very good.
-Kelly.
[in English] What about you?
What's your name?
Edgar.
[in English] No, but you have to say,
"My name is"
Bryan.
No, not my name. Your name.
What is your name?
Edgar.
You know what?
Let's go with something else.
-What do you do for a living?
-[in English] Um, "I am model."
Very good, what about you?
What do you do for a living?
[dramatic music]
-Hmm? What do you do for a living?
-What do you do?
-[in Spanish] Your profession?
-Yes
[in English] Designer of art.
-You're a designer?
-Art.
He's an artist. You're an artist?
And they'd hang in the afternoon.
[theme song playing]
[Óscar] The consul learned how to dance,
showed her his favorite movies
Why did that jerk say that?
[laughs]
[indistinct chatter]
[Óscar] and told her how he started out
in the military,
before joining the diplomatic service.
Let's point.
[Óscar] And he taught her
how to make a real hot dog.
-Mm.
-[laughs]
[mumbles]
On the last day, Edgar couldn't manage
even the smiles during class,
let alone the darn dental treatment.
So he went to see for himself.
He began to follow her early.
[dramatic music]
-Miss Kelly.
-Thank you, Elver.
-[Kelly] Hello.
-[doorman] Good afternoon, miss.
[elevator dings]
[elevator dings]
-[clears throat] Hello.
-Hello.
-How are you doing?
-Fine, thanks.
Quick question, what's in the basement?
The parking lot.
Oh, and it's right next
to the hotel behind it.
[tense music]
-Hotel?
-[doorman] Yes, sir.
-Thank you.
-[doorman] No problem.
How sad.
It's the last day here.
No, let's not think about that.
Why don't we play a game instead?
-A game?
-Yes, a game.
You share three of your dreams
that haven't come true.
[melancholic music]
Three dreams?
Let's see.
To truly fall in love.
Go out a lot.
Travel around the world,
visit every country.
And to not have to work again.
And to not have to do anything
I don't want to for anybody
or anything.
I don't think I follow.
Yes, I don't want to go back
to a guy I don't want to be with.
I don't want to starve again,
like I used to back in that town.
And I don't want to sacrifice myself
for my mom, my cousin, or anybody.
I want a normal life.
So what are your three dreams? Tell me.
Well, um, I also want to fall in love.
Not with just anybody,
but with an authentic woman,
who won't lie to me,
who won't be after me
just to get help with a visa.
I'm not after you for a visa.
You don't know that.
Hey, I didn't say anything.
I'd also like her
to be into having a family.
Traveling around the world
and coming along to enjoy my yacht.
[chuckles]
[romantic music]
The most important thing
is that she doesn't lie to me.
I was with a woman once
who turned out to be a liar,
who broke my heart.
[in English]
That's never gonna happen again.
No.
[in Spanish] Never again.
It can't happen again.
That's not a way to live.
But hey, let me ask you this
How will we meet?
Edgar will always be following me,
that guy won't leave me alone
for a second.
Look, don't worry.
I'll let you know how.
I'll call your house phone.
Okay?
[romantic music intensifies]
[dramatic music]
[Bryan] You have to try
to avoid Edgar as much as you can,
and remember, I'll call you.
[Kelly] Okay, Teach. Deal.
So, it was nice to see you.
-Be well.
-Take care.
You too.
[in English] Thank you.
[engine starts]
[dramatic musical flourish]
[in English] Hello, hello.
[in Spanish] How was the treatment?
[dramatic music fades]
Why don't you believe me
if I'm telling you the truth?
I was simply talking to him
about the visa,
my visa,
and I was also talking about yours.
Why didn't you talk about that in class?
I tried to, but he said
he doesn't like to mix things.
He doesn't like to talk about the visa
and English.
[laughs] But he likes to mix
the dental with the visa subject.
[tense music]
You know what?
You're right.
I feel like a fool
worrying over your visa.
Right.
Next time I see him,
I'll tell him to forget about your visa
and only focus on mine.
No.
You won't tell him anything,
you're not seeing him again.
I found another English teacher.
And don't worry about the visa.
We'll figure it out.
Oh, okay, then.
Let me know when the class
with the new teacher is scheduled,
so that I can keep learning.
And
can Elver take me home?
Of course.
Tomorrow.
[dramatic music]
We're going to stay here tonight.
I told everybody
that we're having a romantic evening.
You will do everything I tell you to,
Kelly.
Tonight you'll become
the woman I always dreamed you'd be.
You'll show me everything
you have learned.
Just for me.
-[dramatic music fades]
-[traffic humming]
Oh, no, give me the details.
How can it just say,
"Paola Turbay behaved nicely"?
I want to know what being nice means.
Did she wave, did she recognize you?
-Did she talk? What did she do?
-Hey, it's been a week
since they got back
from the calendar shoot, and you insist
-on asking questions.
-I want to know everything.
Honey, more cheese? Look, eat.
Put it on the arepa.
-No, Auntie, thanks.
-[Nayibe] Some juice? Here.
How come you lost your appetite?
I don't believe it.
Eat up, you look a bit down.
I'm guessing that poor Shaio
must've been affected
by you and Berny being there, no?
Yes, I mean, what could you do?
No, I still don't understand
why you would go with him.
It's really hard on Shaio.
What do you mean?
Look, Nayibe,
the girl was out with a friend.
It's not the girl's fault, is it?
She was with Berny,
and Shaio showed up there.
[Giselle] Go on, tell me,
how did that meeting go?
Let me get you some warm milk. Ow!
Ow!
[gags]
Wow, the girl got sick. Oh!
Oh, sweetie.
[vomits, spits]
[coughs]
[pants]
Take this baking soda in big gulps,
it will make you feel better.
-[Giselle] What could it be?
-She's cold.
-[gags]
-Perhaps you were out
drinking water from the pool
or from the river or?
Mom, why would I drink
the water in the pool?
[Giselle] What did you eat
that didn't sit well?
I mean, I don't know, Mom,
the usual when you're out.
[dramatic musical flourish]
[upbeat music]
[slurps]
Honestly, not much.
Giselle, come here.
Let me ask you something.
[upbeat music fades]
Why don't you ask her
if she's being careful, hmm?
Let's hope she's not preg Then it's
goodbye career, everything. A waste.
[Giselle] Don't be so presumptuous.
How could you say that about her?
[emotional music]
-[door closes]
-Giselle
What is it?
Mom, please come here.
[dramatic music]
[sniffles]
[knocking on door]
Kelly, sweetheart.
Can you tell me what's going on?
I thought you had slept at Edgar's,
that's why I didn't call you.
[sniffles]
[knocking on door]
[Kelly sobs]
Imagine where I ended up spending
the night to be feeling the way I do.
What is it, sweetheart? What happened?
Kelly!
You have no idea
what I went through last night.
You have no idea.
What is it? Tell me.
[sighs] Look, Mom,
I've never asked you for anything.
Not even what you asked of me
-when you got mugged.
-What happened? Tell me!
Tell me now. What's wrong? Speak up.
[whispers] What happened?
I need a favor from you.
[inhales deeply] I need you to help me
get rid of Edgar.
[dramatic music]
What?
[cell phone rings]
Wait.
[cell phone beeps]
Hello?
Good morning, and a good day to you,
Nayibe. I'm glad you picked up.
-Do you have a moment?
-Yes. Yes, tell me.
-Kelly is showering. Tell me.
-All right, perfect.
So let's not waste time.
I need your help urgently.
With what?
You need to help me get rid of the consul.
[dramatic music continues]
I understand, and could you please
explain to me what you mean by that?
I need him out of your daughter's life.
Considering Kelly's story
about English classes,
and you not being attentive,
that guy made progress with her.
I won't allow it.
What are you thinking?
You need to find me two girls
as beautiful as they are daring,
willing to do anything.
Girls who want money and will keep quiet.
Okay, yes, sir.
[Edgar] Don't tell Kelly about this, okay?
[Nayibe] Goodbye.
[closes cell phone]
Will you tell me what's going on?
First, you get us into a huge problem
with Hollman, and now this?
I got you into a huge problem
with Hollman?
Did you already forget
why I ended up with him?
Don't be ungrateful, Mom.
Haven't you realized yet
what kind of person Edgar is?
But you went along with it, right?
The cell phone, the clothes.
Because I'm stupid, Mom, stupid.
I thought he was different,
that it would be different, but no.
It was the same shit.
[sobs]
Help me out, will you?
Please.
Listen, Kelly.
We're in trouble.
You're telling me this,
and Edgar just called me
asking me to keep you away
from the consul.
What can I do about it?
Tell me, who should I listen to?
Tell me.
Kelly.
At least tell me what happened.
Tell me, otherwise, how can I help you?
Kelly, open up.
[sighs]
["Los Caminos De La Vida"
by Marbelle plays]
The paths of life
Aren't what I dreamed ♪
Not as I envisioned ♪
Not as I believed ♪
The roads of life
Are treacherous to tread ♪
Burdensome to bear ♪
I find no escape ♪
I thought life
was different when I was young ♪
I once believed things were easy
Like yesterday ♪
That my cherished mother
Toiled so hard ♪
Wear this.
What's this?
I'm not wearing that, I'm not Laura.
Oh, I know, it's just a game.
Then call her to play with her.
I'm heading home now.
But you like to play
with the little gringo. How did it go?
[imitates Bryan] Oh, Kelly,
tell me about your life.
Tell me about your tough life
over there in Barrancas, Kelly, darling.
Kelly, did you really
sacrifice for your cousin?
You didn't tell me anything.
And how do you know all that?
I know everything, Kelly.
Don't forget.
So you better behave
and do everything I tell you to do.
Put this on.
Not as I believed ♪
["Los Caminos De la Vida"
by Marbelle continues]
The roads of life
Are treacherous to tread ♪
Burdensome to bear ♪
I find no escape ♪
[laughs]
You look so wonderful.
Look.
The roads of life
Are treacherous to tread ♪
Burdensome to bear ♪
I find no escape ♪
[pants]
[moans]
[somber music]