Paranormal Lockdown (2016) s02e00 Episode Script

1 Narrator: CENTURIES OF HISTORY SURROUND PONTEFRACT.
THE EVENING SHADOW BEGINS TO FALL ACROSS THE OLD TOWN.
THIS EVENING, WE'RE OUTSIDE 30 EAST DRIVE, ALSO KNOWN AS THE BLACK MONK HOUSE.
THE POLTERGEIST ACTIVITY IN THIS HOUSE IS SAID TO BE SOME OF THE MOST VICIOUS IN EUROPE, IF NOT THE WHOLE WORLD.
IN 1966, JOE AND JEAN PRITCHARD MOVED IN TO THIS HOUSE BEHIND ME WITH THEIR CHILDREN, PHILIP AND DIANE.
THE HORRORS THAT THEN TOOK PLACE ARE THE STUFF OF NIGHTMARES.
-WHAT WAS THAT? -I THINK I JUST GOT SCRATCHED.
[BLEEP.]
-[BLEEP.]
-MY GOD! I'VE SEEN THE WAY THROUGH ALL THE PAIN I'VE WALKED THROUGH DARKNESS FIRE AND RAIN THEY FILL MY GRAVE BUT STILL MY SOUL REMAINS HERE BETWEEN HERE AND THE BEYOND -- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Katrina: A YEAR AGO, NICK AND I FACED DOWN ONE OF THE MOST HARROWING HAUNTINGS OF OUR CAREERS AT THE HINSDALE HOUSE IN UPSTATE NEW YORK.
I FEEL LIKE SOMETHING DOESN'T WANT ME HERE, THAT THERE IS SOMETHING IN THIS WOODS.
-AAH! -WHOA.
NICK? ARE YOU ALL RIGHT? I HEARD YOU SCREAM.
OH.
WHOA.
THAT IS, LIKE, OPPRESSIVE.
AH, [BLEEP.]
.
[BLEEP.]
DAMN IT! WHAT ARE YOU? EVER SINCE I'VE LEF THE HINSDALE HOUSE, THERE'S SOMETHING THAT'S BEEN HAUNTING MY HOME, HAUNTING MY FAMILY, AND HAUNTING MY DREAMS.
IT'S 3:15 RIGHT NOW.
I WAS JUST WOKEN UP BY A NIGHTMARE.
IT'S ALMOST LIKE YOU CAN STILL FEEL IT LINGERING AROUND ME.
Katrina: FOR WEEKS AFTER LEAVING, NICK HAD NIGHTMARES AND WAS WOKEN UP AT 3:00 A.
M.
BY A WOMAN WARNING HIM ABOUT THE HINSDALE HOUSE.
AND DAN, THE OWNER OF THE HOUSE, HAS CAPTURED SPIRIT VOICES ASKING, "WHERE IS NICK?" Nick: IT'S 3:00 A.
M.
AGAIN.
I'M IN MY BASEMENT.
AND I'M HEARING THIS LOUD BANGING SOUND COMING FROM SOMEWHERE IN MY HOUSE.
[ TAPPING IN DISTANCE .]
RIGHT THERE.
IT ALMOST FEELS LIKE IT'S LINGERING WITH ME.
Katrina: BUT WHATEVER ENTITY WE ENCOUNTERED THERE WASN'T FINISHED WITH US.
Veronica: NICK, WAKE UP.
VERONICA W-- WOKE ME UP OUT OF MY, UM, MY DEAD SLEEP.
AND SHE SAID THAT SOMEONE WAS IN OUR HOUSE.
THERE'S SOMEBODY WALKIN' AROUND.
AND -- BUT WHEN I WEN TO THE SECURITY CAMERA, WE BOTH SAW THIS -- THIS APPARITION JUST WALKING AROUND IN OUR BASEMENT.
Veronica: NICK, I'M REALLY SCARED.
STAY UP HERE.
STAY UP HERE WITH THE KIDS.
WHO IS THERE?! SHOW YOURSELF RIGHT NOW! I'M DOWN IN MY BASEMENT.
IT LED US DOWN HERE.
I TOLD VERONICA TO STAY UPSTAIRS.
THERE'S SOMETHING IN OUR HOUSE.
I JUST SET UP STEVE HUFF'S BRAND-NEW PORTAL WONDER BOX.
I NEVER DO THIS.
I NEVER INVESTIGATE MY HOUSE.
BUT I HAVE TO TRY TO FIGURE OU WHAT IS GOING ON.
I HAVE TO TRY TO MAKE CONTACT.
Veronica: THERE SHE IS, NICK.
Nick: GO AHEAD.
PUSH.
IS THERE SOMEONE HERE WITH ME? DID YOU FOLLOW ME TO MY HOUSE? [ INDISTINCT SPEECH .]
YES, YOU DID? [ INDISTINCT SPEECH .]
DID YOU JUST SAY "YES"? [ INDISTINCT SPEECH .]
IS MY HOUSE HAUNTED? COME BACK TO WHERE? [ INDISTINCT SPEECH .]
WHERE DID YOU COME FROM? [ INDISTINCT SPEECH .]
I'M GETTIN' GOOSE BUMPS RIGHT NOW ALL OVER MY BODY.
[ INDISTINCT SPEECH .]
AH, THERE'S SOMETHIN' HERE WITH ME.
ARE YOU FROM THE HINSDALE? DEAD? YOU'RE DEAD? WHERE DO YOU WANT ME TO GO? WHAT SHOULD I DO? [ INDISTINCT SPEECH .]
[ INDISTINCT SPEECH .]
PONTEFRACT? YOU JUST SAID "PONTEFRACT"? WHERE? PONTEFRACT, ENGLAND? I THINK THERE'S SOMETHIN' ELSE THAT IS LINGERING FROM THE HINSDALE THAT HAS A CONNECTION WITH THE BLACK MONK HOUSE.
HOW COULD THAT BE POSSIBLE? NO.
ENOUGH IS ENOUGH.
NO MORE.
ENOUGH IS ENOUGH.
THE BLACK MONK HOUSE IS A FAMOUS CASE IN PONTEFRACT, ENGLAND.
PEOPLE SAY IT'S THE MOS VIOLENT POLTERGEIST EVER KNOWN.
AND I'VE BEEN READING ABOUT I FOR YEARS.
BUT I DON'T KNOW WHAT I HAS TO DO WITH HINSDALE.
I DON'T KNOW IF ACTIVITY CAN BE CONNECTED BETWEEN TWO LOCATIONS.
AND I WANT TO TALK TO THE DEMONOLOGIST JOHN ZAFFIS TO SEE IF THERE'S A POSSIBLE CONNECTION BETWEEN HINSDALE AND THE BLACK MONK HOUSE.
EVER SINCE WE LEF HINSDALE HOUSE, WE'VE HAD WEIRD THINGS HAPPENING TO US.
HINSDALE NEVER FELT RIGHT TO ME WHEN WE WERE RESEARCHING IT, WHEN WE WERE LOOKING INTO IT.
AND I THINK WE, LIKE, THREW ALL THE BOUNDARIES OUT THE WINDOW FOR THAT.
I THINK THERE'S SOMETHING BIGGER HAPPENING HERE WITH THE BLACK MONK HOUSE.
WHAT DO YOU THINK WE'RE DEALIN' WITH? THIS CASE IS -- DATES BACK INTO THE 1960s.
THE CHILDREN WAS CHOKED IN THE HOUSE.
AND THINGS WOULD GET BROKEN.
THINGS WOULD GET THROWN AROUND.
IT WAS A HORRIFIC POLTERGEIST CASE.
I DON'T THINK THERE'S ANY BOUNDARIES IN REGARDS TO WHETHER SPIRIT CAN TRAVEL.
THESE OLD HAUNTS -- THERE'S SO MUCH THAT TIES IN WITH THEM.
YOU GOT THE HOUSES, THE LAND, THE PEOPLE, OVER THE COURSE OF TIME.
THERE'S A SEVERE DRAW TO IT.
YOU WILL FIND THIS SOMETIMES WITH THESE POLTERGEIST CASES, THAT THESE PIECES OF PROPERTY CAN HAVE A HISTORY OF SOME OF THE MOST NASTIEST THINGS THAT COULD HAVE EVER OCCURRED ON A PIECE OF LAND.
IT FEELS LIKE SOMETHING IS DRAWING US TO IT.
BUT WHEN WE GET IN THERE, THAT'S IT.
IT'S GONNA HAVE US.
I THINK YOU'RE WALKING RIGHT INTO HELL.
I'VE SEEN A LOT OF GOOD PARANORMAL PEOPLE GET DESTROYED BY THESE THINGS THAT WE CALL DEVILS AND DEMONS.
WE'RE DEALING WITH THINGS THAT ARE VERY UGLY, VERY NASTY, VERY DEMONIC.
THE NEGATIVE SPIRITS DO NOT FORGET WHO WE ARE.
-YEAH.
-THEY JUST DON'T.
AND THEY CAN RESURFACE WHEN YOU LEAST EXPECT IT.
WITH CERTAIN PIECES OF PROPERTY AND LOCATIONS, UM, WE'RE DRAWN TO THEM.
AND I FEEL LIKE THERE'S THAT CONNECTION WITHIN THE -- THE SPIRIT REALM.
THE DEMONIC WORK IN A NETWORK.
SO IF ONE ENTITY KNOWS WHO YOU ARE, THE REST OF THEM KNOW WHO YOU ARE.
THEIR WHOLE PURPOSE IS TO FIND US, MANIPULATE US, CONTROL US, AND RUIN US.
NICK IS HAVING A LOT OF STUFF HAPPEN AT -- AT HIS HOUSE AND WITH HIS FAMILY THAT SEEMS TO BE DIRECTLY CAUSED FROM HINSDALE.
AND NOW HE WANTS TO GO AND DO THE BLACK MONK CASE.
IS IT THE WISEST CHOICE? I CAN'T SAY THAT FOR SURE.
BUT I CAN'T LET HIM GO ALONE.
WHAT DO YOU THINK? I MEAN, WE'RE PRETTY MUCH RUNNING OUT OF CHOICES.
AND EVERYTHING JOHN IS SAYING TO US IS, "DON'T GO THERE.
" WE HAVE NO OTHER CHOICE.
IT'S ALMOST, LIKE, LEADING US.
-RIGHT, BUT -- -IT WANTS SOMETHING FROM US.
I THINK EVERYTHING THA JOHN SAID IS REAL AND TRUE.
YEAH.
OH, YEAH.
THIS IS OUR ONLY CHOICE.
WE HAVE TO GO TO THE BLACK MONK HOUSE.
WE HAVE TO GO ALL THE WAY AND PUT AN END TO THIS.
Narrator: THE TWO-STORY BRICK HOUSE AT 30 EAST DRIVE IS INDISTINGUISHABLE FROM ANY OTHER IN THE QUIE SUBURB OF PONTEFRACT, ENGLAND.
BUT BEHIND ITS UNASSUMING FACADE RESIDES ONE OF THE MOST DARKLY AGGRESSIVE PARANORMAL FORCES IN THE WORLD.
SET ON A HILL ONCE SOAKED BY THE BLOODIEST BATTLES THE HOUSE GARNERED WIDESPREAD INFAMY IN AUGUST 1966, WHEN THE PRITCHARD FAMILY WAS PLAGUED BY INCREASINGLY VIOLENT, UNEXPLAINABLE PHENOMENA.
JOE PRITCHARD WAS NEVER THE SAME AFTER ENCOUNTERING A DARK ENTITY IN THE COAL ROOM, WHILE HIS SON, PHILIP, WAS TORMENTED BY FLYING OBJECTS AND MENACING NOISES.
THE FAMILY'S GRANDFATHER CLOCK WAS HURLED AT JOE'S WIFE, JEAN.
AND AT THE HEIGHT OF THE FRENZY, THEIR DAUGHTER, DIANE, WAS PULLED UP A FLIGHT OF STAIRS BY INVISIBLE HANDS AT HER THROAT.
WHAT WAS THAT? BLOODY HELL DO YOU THINK YOU'RE PLAYING AT?! Narrator: LOCAL LEGEND GAVE WAY TO INTERNATIONAL ATTENTION IN 2012 WHEN THE HOUSE BECAME THE SUBJECT OF A HORROR FILM.
GO! AAH! Narrator: IN THE YEARS THAT FOLLOWED, AMATEUR AND PROFESSIONAL PARANORMAL INVESTIGATORS FLOCKED TO THE HOME, EXPECTING BIG-SCREEN THRILLS.
BUT MANY FLED, HORRIFIED BY THE REALITIES OF THE HOME'S DARK INHABITANTS.
TO UNRAVEL ALL THE MYSTERIES OF THE BLACK MONK HOUSE, NICK AND KATRINA MUST EMBARK ON AN UNPRECEDENTED 100-HOUR INVESTIGATION.
MAN, I CAN'T BELIEVE WE'RE FINALLY HERE, TRAVELING THOUSANDS OF MILES TO GET HERE AND RESEARCHING FOR YEARS TO COME TO THIS LOCATION.
I DON'T THINK WE'RE DEALING WITH A "POLTERGEIST.
" I THINK WE'RE DEALING WITH SOMETHING THAT'S MUCH BIGGER, MUCH MORE KNOWLEDGEABLE.
AND I THINK THIS -- I THINK IT'S BEEN WATCHING US.
IN OUR DREAMS, IN OUR NIGHTMARES.
IT'S BEEN ALREADY TRYIN' TO BREAK US DOWN.
I FEEL LIKE SOMETHING'S VERY AWARE OF US.
IT STARTED FROM HINSDALE.
I THINK THE MINUTE WE WALKED ONTO THAT PROPERTY, WE'VE BEEN WATCHED.
IS THIS IT RIGHT HERE? CAN YOU STOP HERE? I'M GONNA GET OUT.
I HAVE TO SEE THE HOUSE.
THIS IS THE HOUSE? YEAH.
IT'S RIGHT HERE.
WOW.
MY WHOLE ENTIRE CAREER HAS LED UP TO THIS.
I THINK ONCE WE GO THROUGH THAT GATE, WE CAN'T TURN BACK, YOU KNOW? MY FIRST THOUGHT ON SEEING THE HOUSE IS THAT IT'S SO TINY THAT I CAN'T BELIEVE THESE HORRIFIC EVENTS HAPPENED HERE.
IT FEELS A LITTLE OVERWHELMING.
AND I FEEL LIKE WE'RE ALMOS WALKIN' INTO A TRAP.
ARE YOU READY? Nick: 3,000 MILES FROM HOME, IN PONTEFRACT, ENGLAND, WE ARE FINALLY FACE TO FACE WITH THE GREATEST CHALLENGE OF OUR CAREERS -- THE BLACK MONK HOUSE.
WOW.
THIS IS REALLY OVERWHELMING.
Katrina: MM-HMM.
EVERYTHING'S BEEN LEADING UP TO THIS MOMENT, IN MY DREAMS, MY NIGHTMARES.
WELL, I THINK IT FEELS A LITTLE NERVOUS ABOUT WALKIN' INTO ALMOST LIKE WE'RE WALKIN' INTO A TRAP.
THAT'S A GOOD WAY TO PUT IT.
I THINK, THOUGH, BEFORE WE GO IN, UM, WE SHOULD GET CAUGHT UP ON THE HISTORY.
OKAY.
Nick: TO ARM OURSELVES WITH INFORMATION, WE VISIT MIKE, A LOCAL HISTORIAN.
HE'LL BE ABLE TO GIVE US THE AREA'S BLOODY BACKGROUND, WHICH WE BELIEVE IS CONTRIBUTING TO THE TERROR AT 30 EAST DRIVE.
MIKE? HEY.
I'M KATRINA.
THANKS FOR MEETING US.
-THIS IS NICK.
-HOW YA DOIN'? -NICE TO MEET YOU.
-NICE TO MEET YA.
Katrina: UH, SO, LIKE WE SAID ON THE PHONE, WE'RE DOING RESEARCH ON PONTEFRACT.
AND WE HAVE SOME HOLES IN OUR -- IN OUR STORIES.
AND WE WERE HOPING MAYBE YOU COULD FILL THEM IN.
CERTAINLY.
WHAT IS IT ABOUT PONTEFRAC THAT MAKES IT SO SPECIAL? WELL, THERE'S JUST SO MANY STORIES AND LAYERS OF -- OF DARK HISTORY, ESPECIALLY WITH, YOU KNOW, THE CIVIL WAR, THE PILGRIMAGE OF THE GRACE.
YOU KNOW, THERE WAS A LOT, UH, OF BLOODSHED ON THE LAND WHERE WE'RE STOOD RIGHT NOW.
WHAT ABOUT 30 EAST DRIVE? HOW FAR IS THAT FROM WHERE WE'RE STANDIN' RIGHT NOW? -IS IT PRETTY CLOSE? -YEAH.
IT'S NOT JUST THE FACT THA IT'S CLOSE TO WHERE WE ARE NOW, BUT IT'S RIGHT ACROSS THE ROAD FROM ONE OF THE BIGGEST, BLOODIEST BATTLES OF THE CIVIL WAR, THE BATTLE OF CHEQUERFIELD, WHICH WAS QUITE FAMOUS.
IF YOU LOOK THROUGH THE HISTORICAL MAPS, 30 EAST DRIVE IS A JUNCTION AND ALWAYS HAS BEEN.
NOW, JUNCTIONS IN -- IN BRITISH HISTORY ARE NORMALLY ASSOCIATED WITH TWO QUITE SINISTER ASPECTS -- SUICIDES AND PUBLIC EXECUTIONS.
REALLY? SO 30 EAST DRIVE SEEMS TO BE KIND OF THE EPICENTER OF A LOT OF HORRIBLE THINGS.
CERTAINLY IS.
IT CERTAINLY DOES.
YEAH.
IN TERMS OF THE HISTORICAL ASPECTS OF PONTEFRACT, ALL THOSE OVERLYING LAYERS ALL SEEM TO MATCH UP IN ONE PARTICULAR AREA, WHICH IS 30 EAST DRIVE.
IT SOUNDS LIKE YOU HAVE ALL THIS BLOODSHED.
AND HERE'S THE FIRST LAYER, WHERE EVERYTHING KIND OF RAMPS UP IN HISTORY.
AND THEN THAT GETS DESTROYED.
AND THEN SOMETHIN' BUILDS ON TOP OF IT.
THEN THE CIVIL WAR.
THEN ALL THE OTHER HISTORY -- THE EXECUTIONS, THE MURDERS.
EVERYTHING JUST KEEPS OVERLAYERING AND LAYERING UP TO THIS POINT.
HISTORICALLY, THERE'S LAYERS AND LAYERS OF TRAGEDY, DEATH, MURDER RESULTING IN THAT ENERGY.
THERE'S THIS GREAT BLACK CLOUD OVERLYING THIS AREA.
SO I REALLY APPRECIATE YOU MEETING WITH US, TALKIN' WITH US.
-THANK YOU SO MUCH.
-THANK YOU.
THANK YOU, MIKE.
TAKE CARE.
GOOD TALKING TO YOU.
-BYE-BYE.
-THAT'S CRAZY.
THE HISTORY HERE IS SO MUCH DARKER AND BLOODIER THAN I EVER THOUGH IT WAS.
AND IF IT ADDS TO THE HAUNTINGS AT THE BLACK MONK HOUSE, THEN WE'RE GONNA BE WALKING RIGHT INTO HELL.
Nick: NOW THAT MIKE HAS GIVEN US A TOUR OF THE AREA'S TORMENTED PAST, WE HEAD TO MEET AN EXPER ON THE BLACK MONK, AUTHOR ANDY EVANS, WHOSE BOOK CHRONICLES HIS EXPERIENCE AT 30 EAST DRIVE, ALONG WITH THE HISTORY OF THE HAUNTINGS.
THANKS, ANDY, FOR MEETING WITH US.
REALLY APPRECIATE IT.
-THANK YOU.
-THANKS.
WE'VE DONE A TON OF RESEARCH.
AND WE REALLY JUST WAN TO DIG A LITTLE BI DEEPER ON SOMETHING MAYBE WE'VE MISSED.
AND YOU'VE WRITTEN A BOOK ON THE BLACK MONK HOUSE.
DO YOU WANT TO TELL US A LITTLE BIT MORE OF WHAT YOU'VE LEARNED? UM, I MEAN, I WENT INTO THE HOUSE MORE ACCIDENTALLY.
A COLLEAGUE OF MINE HAD WATCHED THE FILM "WHEN THE LIGHTS WENT OUT.
" AND THEY WERE FASCINATED BY THE HOUSE.
I EVENTUALLY TOOK HIM TO 30 EAST DRIVE AND SHOWED HIM.
AND FROM THAT DAY THEN, I JUST COULDN'T BELIEVE WHAT WERE HAPPENIN'.
DO YOU KNOW THE CASE OF THE MONK? DO YOU KNOW IF THAT'S A TRUE FACT, THAT THIS PERSON WAS HUNG FOR MURDERING AND RAPING A CHILD? I WENT AND RESEARCHED EAST DRIVE AS IT WOULD'VE BEEN.
UH, THIS IS PROBABLY 300 YEARS AGO.
IT WAS ACTUALLY AN ENCLOSED ORCHARD.
MONKS WERE -- WERE FARMING ALL THIS LAND.
SO THIS IS WHERE THE LEGEND OF THE BLACK MONK COMES IN, THEN? YEAH.
LOCAL LEGEND HAS IT -- EARLY 1600s, THE WHITE MONKS LIVED IN LOCAL PRIVATE.
UM, ONE, UNFORTUNATELY, HAD A LIKING FOR YOUNG GIRLS.
AND HE'D RAPED AND -- AND MURDERED A YOUNG GIRL.
AS LEGEND GOES, THEY THREW HIM IN A LOCAL WELL.
-OH, GEEZ.
-WOW.
UM, IN 1812, ON THE MAPS, THERE IS A WELL THERE.
IT FALLS IN WITH EAST DRIVE, WHERE IT IS NOW.
-SO THIS WHERE THE HOUSE WAS? -YEAH.
DURING LATE '60s, WHEN THE -- THE POLTERGEIST ACTIVITY STARTED, UM, THEY ALL -- THEY AUTOMATICALLY REFERRED TO I AS BEING THE BLACK MONK.
MONKS, UH, HAD STAYED IN PONTEFRACT'S HISTORY.
MY PERSONAL OPINION IS IT PRESENTED ITSELF AS THEY WANTED I TO PRESENT ITSELF, UH, IF YOU -- IF YOU UNDERSTAND WHAT I'M SAYIN'.
-SO THEY MADE THE CONNECTION.
-IT'S MANIPULATIVE.
IT'S VERY MANIPULATIVE.
YEAH, AND THEY MADE THE CONNECTION KNOWING THA THE MONKS THAT HAD LIVED THERE AT ONE POINT, RIGHT? THAT'S WHAT YOU'RE SAYING? EVERYONE KIND OF KNOWS THAT? SO, LET'S TALK ABOU THE PRITCHARD FAMILY.
THEY WERE TORMENTED BY THIS ACTIVITY.
-YEAH.
CAN YOU TELL US A LITTLE BIT ABOUT THA AND WHAT YOU RESEARCHED? JOE ACTUALLY DIED IN THE HOUSE.
HE HAD A HEART ATTACK IN THE 1980s.
WE WERE ALWAYS -- WE WERE ALWAYS LED BY THE ORIGINAL STORY FROM THE PRITCHARDS.
YOU WILL FIND THA YOU'LL GET MORE ACTIVITY IN PHILIP'S BEDROOM THAN YOU WILL DIANE'S.
DO YOU SUGGEST I SLEEP IN PHILIP'S BEDROOM? I SUGGEST IT, YEAH.
I MEAN, DOES PHILIP DO ANYTHING TO INVITE THIS IN? PHILIP'S EMOTIONS MUST HAVE BEEN ALL OVER THE PLACE.
HE'S BEEN PERSECUTED BY HIS OWN FATHER.
I MEAN, IF YOU LOOK A THE ORIGINAL STORY, WHEN THE FIRS ACTIVITY HAPPENED, DIANE WASN'T EVEN IN THE HOUSE.
ANDY, I CAN'T THANK YOU ENOUGH FOR MEETING WITH US.
THANK YOU.
THANKS FOR GIVING ME TIME AND -- THIS DEFINITELY HELPED WITH OUR RESEARCH.
Nick: WE ARE AS PREPARED AS WE'LL EVER BE TO FACE DOWN THE BLACK MONK.
BUT AS WE RETURN TO THE HOUSE, THERE'S ONE LAST PERSON WE NEED TO TALK TO.
CAROL HAS LIVED NEXT DOOR FOR ALMOST 30 YEARS AND IS NO STRANGER TO THE SINISTER ACTIVITY AT THE HOUSE.
SO, YOU LIVE HERE, NEXT DOOR.
AND HOW LONG HAVE YOU LIVED HERE? 29 YEARS.
SO, THEN, DID YOU KNOW THE FAMILY THAT LIVED HERE DURING THE HAUNTING? YES, I DID.
THEY WERE THE MOST LOVING COUPLE.
JOE LIKED TO DRINK.
HE LIKED TO PARTY.
THAT'S HOW IT WAS TILL HE GO LOCKED IN THE COAL HOUSE.
AND HE COME OUT OF THERE A BROKEN MAN.
-HOW BAD DID THAT GET? -IT AFFECTED HIM BAD.
HE DIDN'T WANT TO BE IN THIS HOUSE.
HE WANTED TO MOVE.
BUT JEAN WAS VERY STRONG AND WOULDN'T MOVE.
NO ONE WEREN'T MOVIN' HER OUT OF HER DREAM HOME.
WHAT HAPPENED TO JOE? DID HE PASS AWAY IN THIS HOUSE? YES.
I FEEL, LIKE, DRAWN.
I FEEL DRAWN TO THAT WINDOW UP THERE.
LIKE, SOMEBODY DARK.
YEP.
LIKE, A DARK, NEGATIVE FIGURE IS LOOKIN' AT US.
HE'D BEEN OUT FOR A NIGHT, GOT DRUNK.
HE GOT UP IN THE MIDDLE OF THE NIGHT.
HE VOMITED.
HE CHOKED ON HIS VOMIT.
AND HE HAD A MASSIVE HEART ATTACK AND COLLAPSED ON THE BATHROOM FLOOR AND DIED.
THAT'S A HORRIBLE WAY TO DIE.
SO, DO YOU THINK THAT WHATEVER IS HERE CONTRIBUTED TO HIS DEATH? OH, DEFINITELY.
DEFINITELY.
WHAT DO YOU THINK IS IN THERE? THERE'S NOT ONE THING IN THERE.
THERE'S A FEW THINGS IN THERE.
YOU THINK THERE'S SOMETHING EVIL, THAT IS OVERPOWERING? DEFINITELY.
IT'S A DEMON.
THAT'S WHAT WE BELIEVE.
IT'S NOT NICE AT ALL.
IT GROWLS.
LET'S JUST PUT IT THAT WAY.
IT GROWLS.
AND WHEN IT GROWLS, YOU RUN.
CAN YOU SHOW US AROUND REALLY QUICK? CAN WE WALK THROUGH, JUST TO GET OUR BEARINGS, WHERE WE'RE GONNA BE? I'D RATHER NOT TAKE YOU 'ROUND THE HOUSE 'CAUSE I DO NOT LIKE THE HOUSE WHATSOEVER.
BUT I HAVE A GOOD, DEAR FRIEND OF THE FAMILY.
HE WILL TAKE YOU AROUND THE HOUSE.
HE'S -- HE'S, UH, KNOWN ABOUT THIS HOUSE SINCE HE WAS 8 YEARS OLD.
CAN YOU TELL HIM MAYBE TO MEET US INSIDE? YEAH.
THAT'S FINE, YEAH.
WE'LL SEE YOU IN A LITTLE BIT.
THANK YOU.
ALL RIGHT.
YOU READY TO GO IN HERE? NO.
YOU'RE NOT? AFTER HEARIN' THAT STORY, I MEAN, I HAVE MY GUARD UP NOW.
I JUST FELT SOMETHING MOVE UP BEHIND MY BACK.
I HAVE MY GUARD UP NOW.
IT SMELLS FUNNY.
OH, WOW.
DOESN'T IT FEEL LIKE YOU JUST WALKED INTO SOMETHING THAT YOU SHOULDN'T HAVE? YOU KNOW, LIKE, I -- I FEEL LIKE I HAVE, LIKE, A WEIGHT PRESSING DOWN ON MY ARMS AND MY SHOULDERS.
IT DOES FEEL OPPRESSIVE IN HERE, DOESN'T IT? DO YOU KNOW WHO WE ARE?! I JUST FELT SOMETHING MOVE UP BEHIND MY BACK.
ARE YOU SERIOUS? YEAH.
I'M FEELIN' I FEEL VERY WEIRD.
I DO, TOO, RIGHT NOW.
I THINK THERE'S SOMETHIN' -- [BLEEP.]
WHAT? THOUGHT I JUST SAW THE CHANDELIER JUST -- WHOOSH -- MOVE AND THEN STOP.
YOU CAN SEE THAT, RIGHT? MAN, I FEEL SO [BLEEP.]
AGGRESSIVE.
UGH! WE SHOULD TALK TO PHIL, SET A PLAN OF ATTACK, AND GET ALL OF OUR EQUIPMENT, BECAUSE RIGHT NOW, IT'S JUST, LIKE -- WE'RE FEELING EMOTIONS AND EVERYTHING.
BUT WE NEED TO VALIDATE AND DOCUMENT THIS.
SO LET'S -- LET'S TALK TO PHIL.
Nick: PHIL GREW UP IN THE NEIGHBORHOOD AND SERVES AS AN UNOFFICIAL CARETAKER FOR THE HOUSE.
HELLO, THERE.
HI.
I'M PHIL.
-PHIL, KATRINA.
-NICE TO MEET YOU.
NICE TO MEET YOU.
WELCOME TO ENGLAND.
YOU JUST WOULDN' BELIEVE THE THINGS THAT WOULD HAPPEN IN THIS HOUSE.
IF WE GO THROUGH OVER HERE, WE GOT THE COAL WELL.
Katrina: THIS IS WHERE -- THIS IS WHERE JOE WAS -- THIS WAS WHERE JOE OH, WOW.
OH, MY GOD.
HE WENT IN.
IT'S A LITTLE THIS IS THE ORIGINAL DOOR WHAT WAS IN THE HOUSE.
-OKAY.
-WHY -- AS YOU CAN SEE ON THE DOOR, THERE'S NO LOCKS.
SO THERE'S NAUGH PHYSICALLY THERE THAT CAN HOLD YOU IN.
I'M GONNA CLOSE I FOR JUST A SECOND.
YEAH.
GO AHEAD.
BUT YET TRY TO GET OUT, KAT.
WOW.
SO HE WAS STUCK IN THERE AND COULDN'T GET OUT.
NO.
HE COULD NOT.
AND HE TRIED AND HE TRIED AND HE TRIED TO BARREL OUT HIS WAY OUT OF HERE.
WELL, YOU WANT TO SHOW US THE REST? ARE THESE -- ARE THESE ALWAYS LIKE THIS, CROOKED? WE COME IN AND USED TO -- AND THOSE STRAIGHTENED THIS MORNING BEFORE YOU COME IN.
YEAH.
I WALKED IN HERE.
THAT'S THE FIRST THING I SAW.
THEY'RE, LIKE, SUDDENLY CROOKED OR SOMETHIN'.
WE COME IN HERE A GOOD FEW WEEK AGO, AND THERE WERE A KNIFE LODGED IN THERE.
THERE WAS A KNIFE? A KNIFE.
WE DO NOT LIKE KNIVES IN THIS PROPERTY.
WHY DON'T YOU LIKE? BECAUSE THINGS GET THROWN.
I JUST REALIZED -- I DIDN' THINK ABOUT IT TILL NOW -- THE VERY FIRST DEMONIC CASE I WENT ON, 10 YEARS AGO, I REMEMBER I WALKED IN AND I FELT A BUNCH OF DIFFERENT THINGS.
I FELT SICK.
I FELT WHATEVER.
BUT THE ONE THING I DO REMEMBER I FEL WAS THIS FEELING OF, LIKE, JUST COMPLETE -- BEING COMPLETELY DRAINED EVERY TIME I WENT IN THE HOUSE.
AND THIS IS REMINDING ME OF THAT.
I FEEL LIKE I'M GONNA THROW UP.
ARE YOU SERIOUS? YEAH.
I'M NOT KIDDING.
KATRINA JUST MENTIONS DEMONIC HAUNTINGS, AND SOMETHING JUST HITS ME WITH A FORCE.
WHATEVER YOU JUST SAID, YOU JUST TRIGGERED SOMETHIN'.
THE THING JUST, LIKE, WENT THROUGH INTO MY BODY.
AND MY EYES OH, I'M GONNA BE SICK.
[ CLEARS THROAT .]
YOU SAID SOMETHIN', AND IT JUST TRIGGERED IT.
WHAT DID I S-- I WAS TALKING ABOU MY FIRST DEMONIC CASE I WENT ON.
OH, STOP TALKIN' ABOUT THAT.
IS THAT IT? CAN'T SIT THERE.
IT JUST, LIKE, LITERALLY JUST [BLEEP.]
BREEZED BY MY FACE.
I HAD TO WALK AWAY FROM THAT.
I DON'T WAN TO FEEL THAT AGAIN.
LIKE, YOU LOOK REALLY SCARED.
WELL, I'M FEELIN' IT.
I'M NOT LYING.
YEAH.
NO, NO, NO, NO.
I MEAN, I'M CONFIRMING, LIKE, YOU LOOK SCARED.
YOU LOOK SHAKEN.
WELL, I AM.
SOMEONE'S WALKIN' DOWN THE STEPS.
WHO IS THAT? FEET.
JUST WALKIN' DOWN THE STEPS.
YOU GUYS HEARD THAT, RIGHT? DID EVERYONE HEAR THAT? THAT WAS FEET WALKIN' ON CARPET DOWN THESE STEPS.
HERE WE HAVE THE STAIRS.
THESE ARE THE STAIRS WHERE DIANE WAS TAKEN FROM TOP TO BOTTOM, DRAGGED UP BY HER THROAT.
YOU'RE STILL HERE, AREN'T YOU? Nick: THE VICTIM OF THE GREATEST VIOLENCE WAS THE PRITCHARDS' TEEN DAUGHTER, DIANE, WHO WAS PULLED UP THE STAIRS BY HER THROA FROM AN UNSEEN FORCE.
Bates: DRAGGING HER WITH SOME SPEED.
NOW, YOU GOT TO BEAR IN MIND, SHE'S A YOUNG WOMAN.
WHAT COULD POSSIBLY GRAB YOU? SO THAT WOULD TAKE A PRETTY STRONG FORCE PHYSICALLY.
WHAT HAS THAT POWER AND THAT ENERGY TO JUST GRAB SOMEBODY AROUND THE NECK AND JUST DRAG YOU UP THE STAIRS? NOW, AS YOU SEE UP TOP, THERE'S A CLOCK.
THE ORIGINAL GRANDMOTHER CLOCK WAS CHUCKED DOWN THE STAIRS.
-IT LANDED IN PIECES.
-HMM.
THAT CLOCK DOES NOT WORK, BUT YOU WILL HEAR IT TICK.
AND YOU WILL HEAR IT CHIME.
[ TICKING .]
IN ALL THE HOUSE, YOU WILL GET MARBLES CHUCKED AT YOU.
YOU WILL GET STONES CHUCKED AT YOU.
YOU WILL GET SCREWS GETTING CHUCKED AT YOU.
WHERE THEY COME FROM, WE DON'T KNOW.
Katrina: I WAS JUS ABOUT TO ASK THAT.
PHILIP'S ROOM -- WE HAVE HAD A LOT OF PEOPLEBEING LET'S SAY, AFFECTED IN THIS ROOM.
YOU GET LOTS OF ACTIVITY.
DID -- DID JOE PASS AWAY UP HERE? Bates: UH, HE ACTUALLY DIED IN HERE.
-JOE PASSED AWAY IN HERE? -YES.
UH, A HEART ATTACK.
CHOKED ON HIS OWN VOMIT.
AND THAT WAS DURING THE '70s THAT HAPPENED OR? YEAH.
WHAT'S WRONG? DID YOU JUST PUSH ME? Bates: I SEEN YOUR JACKET.
I SAW YOUR JACKET GO THEN.
I SAW YOUR JACKET.
I SAW YOUR JACKET GO THEN.
I FELT A HAND JUST PUSH ON MY BACK RIGHT HERE.
BUT I HEARD THIS CLOCK.
DOES THIS CLOCK WORK? I HEARD IT GOIN' "CH-CH-CH-CH" AND THEN I FELT THE HAND PUSH.
DON'T WORK.
SO I WANT TO ASK YOU, HAS ANYBODY SAID THEY'VE SEEN A MAN WITH, LIKE, HAIR ABOUT THIS LENGTH? WHY'D YOU ASK THAT? I KEPT IT TO MYSELF.
BUT WHEN WE WERE -- WHEN WE WERE STANDING HERE, AND I COULD SEE YOU IN THE MIRROR, I LOOKED UP FOR A SECOND, AND IT WASN'T YOU.
IT WAS, LIKE, THIS GUY WITH KIND OF, LIKE, UH, LIKE, DIRTY BLOND, ALMOST LIGHT-BROWN HAIR.
ARE YOU SERIOUS? NO.
YOU JUST CARRY ON GOING AS YOU'RE GOING.
END OF THE WEEK.
WHAT YOU GET.
IT ALMOST KIND OF LOOKED LIKE IT WAS BALDING IN THE FRONT.
BUT IT WAS, LIKE, HERE AND KIND OF SHAGGY.
WHO'S SHE DESCRIBING? YOU'RE POSSIBLY DESCRIBING JOE THEN.
-WHO? -JOE.
-JOE? -WHO DIED.
THAT'S WHO YOU'RE POSSIBLY DESCRIBING.
BUT PEOPLE SEE HIM IN DIFFERENT WAYS.
OH, MY GOSH.
I JUST GOT GOOSE BUMPS.
ALL RIGHT.
THANKS, PHIL, FOR, UM, SHOWING US AROUND.
CAN YOU GE CAROL FOR US NOW? NOT A PROBLEM, MATE.
SHE CAN LOCK US IN.
ENJOYED MEETING YOU.
ALL RIGHT.
THANK YOU.
AND ENJOY YOUR STAY.
OKAY.
THANKS.
WE JUST GOT MORE ACTIVITY ON THAT WALK-THROUGH THAN MOST INVESTIGATORS GE ON AN ENTIRE INVESTIGATION.
I WOULD VERY MUCH SAY THAT THIS IS LEADING ME TO BELIEVE THIS IS DEMONIC.
WHAT DOES IT WANT FROM US? IT WANTS US.
WHY, THOUGH? WHY DOES IT WANT US? BECAUSE WE'VE MESSED WITH IT.
IT KNOWS US.
I FEEL LIKE EVERYTHING HE SAID, IT WAS LIKE, "THIS HAPPENS, THIS HAPPENS, AND WE FEEL THIS.
" AND I'M LIKE, "YOU'RE NOT DESCRIBING, LIKE, A HAPPY, LITTLE GHOST, YOU KNOW? YOU'RE DESCRIBING NEGATIVE THINGS," WHERE IF I TOOK THIS -- IF I WAS THE CASE MANAGER AND SOMEBODY PUT THIS CASE ON MY DESK, I WOULD SAY, "ALL RIGHT, WELL, THIS IS, OBVIOUSLY, A VERY DARK HAUNTING THAT REQUIRES A LOT OF SKILL FROM AN INVESTIGATOR.
THIS ISN'T JUST SOMETHING YOU WALK INTO AS AN AMATEUR.
" YOU KNOW WHAT I MEAN? YEAH.
THIS IS A COMMITMENT, BECAUSE IT GOES BEYOND THIS HOUSE.
IT WANTS US.
THAT'S THEIR WHOLE POINT.
THEY WANT TO MANIPULATE ANYBODY THAT THINKS THEY HAVE POWER OVER IT.
I THINK IT'S ON A BIGGER LEVEL.
WE HAVE TO STAY COMPLETELY GROUNDED, BECAUSE IT'S JUST YOU AND ME.
BUT HERE'S THE THING, THOUGH.
WE HAVE TO CONFRONT IT.
WE'RE CONFRONTING THIS, BECAUSE IT'S PERSONALLY ALREADY IN OUR LIVES -- THAT RIPPLE EFFEC FROM THE HINSDALE HOUSE BACK IN THE UNITED STATES.
AND NOW HERE WE ARE AT THE BLACK MONK HOUSE IN ENGLAND, AND IT -- THE ENERGY -- IT DREW US HERE.
YEAH.
WHERE HERE, STANDING IN THIS PLACE.
IT DOESN'T MATTER IF WE SAY IT OUT LOUD, TELEPATHICALLY.
HOWEVER YOU WANT TO TRY TO PUT INTO TEX AND TERMS, IT DOESN'T MATTER.
YEAH.
WE'RE HERE, AND IT'S AFFECTING US.
WHAT HAPPENED IN THERE REALLY TOOK ME OFF GUARD.
I'M NOT READY FOR THIS.
THAT WAS WEIRD.
ALL RIGHT.
LET'S TRY TO FOCUS A LITTLE BIT OKAY.
AND JUST SHAKE WHATEVER OFF ISHAPPENING TO US.
YEAH.
LET'S GO.
ALL RIGHT.
LET'S GE A LAST BREATH OF FRESH AIR.
ALL RIGHT.
CAROL, PLEASE LOCK US IN.
I WANT THESE SPIRITS AND WHATEVER ELSE IS IN HERE TO KNOW THAT WE TRULY ARE CONFINED TO THIS LOCATION FOR 100 HOURS.
AND YOU HAVE THE ONLY KEY.
SO UNLOCK US AT THAT 100 HOURS.
AND IF ANYTHING HAPPENS, DON'T OPEN THAT DOOR.
NOBODY'S GONNA GET IN.
NOBODY'S GONNA GET OUT.
TRUST ME ON THAT ONE.
YOU'RE GONNA GET LOCKED IN.
AND I WISH YOU ALL THE LUCK IN THE WORLD.
-YOU'RE GONNA NEED IT.
-TRUST ME.
ALL RIGHT.
LOCK THIS DOOR.
Nick: KATRINA AND I ARE CHAINED INTO 30 EAST DRIVE, CONFINED TO THIS PROPERTY, UNDER LOCK AND KEY, FOR 100 HOURS.
Nick: SO, WE HAVE AN ARSENAL OF EQUIPMENT.
YEAH, WE DO.
IT'S GONNA BE CRAZY.
WE HAVE OUR STANDARD DIGITAL RECORDER.
WE HAVE OUR SPIRIT BOX.
AND THEN, THESE GUYS -- JUST LITTLE STATIC SENSORS.
SO, ANY TIME THERE IS STATIC ELECTRICITY AROUND IT, IT SHOULD LIGHT UP BLUE.
WE HAVE A NEW PORTABLE GEOBOX.
I LOVE IT.
IT'S PORTABLE NOW.
YEAH.
AND THE VOICES ARE MUCH CLEARER, TOO.
IT WORKS ON RADIO FREQUENCY.
IT WORKS ON EMF.
AND IT ALSO WORKS ON VIBRATIONAL WAVES.
SO IT'S GONNA MODULATE ALL OF THEM.
AND WE'RE GONNA BE ABLE TO HEAR IT COMING THROUGH THIS SPEAKER.
SO WE HAVE OUR LASER GRID.
WE CAN USE THIS TO TRY TO INDICATE SHADOWS, APPARITIONS, ANYTHING ELSE THAT MIGHT OCCUR IN THE PHENOMENA AND BREAK THE LASER BEAMS.
YEAH.
YOU READY TO DO THIS? YEAH.
WE HAVE A LONG, LONG TIME AHEAD OF US.
HOPEFULLY, ALL THE EQUIPMENT WE HAVE CAN VALIDATE SOME OF THESE CLAIMS.
LET'S JUST GO FULL-BLAST INTO THIS.
INTO IT.
Katrina: I HAD A CASE 10 YEARS AGO.
AND IT WAS MY FIRS DEMONIC CASE, BUT WE DIDN'T KNOW IT WAS DEMONIC.
SO WE WENT THINKING IT WAS JUST A NORMAL, EVERYDAY KIND OF HAUNTING.
YEAH.
DIDN'T PUT TOO MUCH STOCK INTO IT.
EVERY SINGLE TIME I WALKED INTO THAT HOUSE, I GOT NAUSEOUS.
I HAD HEADACHES.
I JUST HAD VERY NEGATIVE THOUGHTS ABOUT ALL THE PEOPLE AROUND ME.
AND I FEL COMPLETELY DRAINED.
LIKE, THAT IS AN ENTITY THAT HAS SHOWN UP THROUGHOUT MY CAREER MULTIPLE TIMES.
SO THE FACT THAT YOU SAID YOU WERE FEELING SICK AND YOU ALMOST FELT LIKE SOMETHING TOOK OVER YOU AND I DON'T WANT TO JUMP THE GUN, BECAUSE I REALLY DON'T KNOW WHAT'S HERE.
BUT MY FEAR IS THAT MAYBE IT'S THAT SAME ENTITY.
FORGET THE PARANORMAL.
LIKE, THIS IS OUR LIVES.
WE'RE -- WE'RE PLAYING WITH FIRE HERE.
PERSONALLY, I WANT TO CONFRONT IT.
BUT WHAT DO YOU PERSONALLY WANT TO DO? WHAT'S THE ACCOMPLISHMEN HERE? WHAT'S THE ENDGAME FOR US? OR IS THERE ONE? ENDGAME.
I DON'T THINK THERE IS ONE.
IF WE CAN FOCUS AND JUS GET OUR EQUIPMENT READY, GET READY FOR THE NIGHT, AND KEEP MOVING THROUGH CAN ANYBODY HEAR US IN THIS HOUSE?! IT'S JUST THE THREE OF US IN HERE NOW -- KATRINA, ROB, AND MYSELF.
YOU ALREADY KNOW US.
YOU'VE BEEN PLAYING GAMES, HIDING, MAKING NOISES.
Katrina: MAKING US FEEL SICK.
CAN YOU KNOCK SOMETHING OFF THE WALL AGAIN? WHAT'S WRONG? IT JUST FEELS REALLY WEIRD UP THERE.
-UPSTAIRS? -JUST LOOKING UP THERE.
I WANT TO CAPTURE IT.
I WANT TO DOCUMENT IT.
IT'S SO [BLEEP.]
WEIRD YOU SAID THAT.
WHY? WERE YOU THINKING IT? NO.
JUST BECAUSE HE SAID THAT, AND I'M, LIKE, PROTECTIVE OVER MY FAMILY, SO PROTECTIVE, YOU KNOW.
IT'S LIKE I GOT ANGRY THERE FOR A SECOND.
OKAY.
YOU'VE REALLY GOT OUR ATTENTION.
IT'S GETTING COLD.
THE TEMPERATURE'S DROPPING RIGHT HERE.
WHAT IS IT THAT YOU WOULD DO IF YOU COULD ACTUALLY BE HERE WITH US RIGHT NOW? DO YOU JUST HEAR US? WHY CAN'T THAT CLOCK FALL AGAIN, ON THE TOP OF THE STAIRS? WHY IS IT SO DIFFICUL TO MOVE THINGS? DO YOU NEED A LOT OF ENERGY? OKAY.
YOU'VE REALLY GO OUR ATTENTION.
IT'S GETTING COLD.
THE TEMPERATURE'S DROPPING RIGHT HERE.
WHAT IS IT THAT YOU WOULD DO IF YOU COULD ACTUALLY BE HERE WITH US RIGHT NOW? DO YOU JUST HEAR US? WHY CAN'T THAT CLOCK FALL AGAIN, ON THE TOP OF THE STAIRS? WHY IS IT SO DIFFICUL TO MOVE THINGS? DO YOU NEED A LOT OF ENERGY? [ STATIC .]
IT'S SAYING SOMETHING.
[ STATIC .]
HOLD ON.
NEED A LOT OF ENERGY? [ STATIC .]
[ GASPS .]
DO YOU KNOW LATIN? NO.
WAS IT -- OH, GOD.
WAS IT SPEAKING LATIN? TO ME, IT SOUNDS LATIN.
I'M GETTING CHILLS.
I GOT THE SHAKES.
AND I GOT THE STATIC CHARGE.
LISTEN TO THIS, GUYS.
THIS IS SO [BLEEP.]
WEIRD.
[ STATIC .]
DESPARATA.
WHAT IS DESPARATA? -WHAT DID YOU HEAR? -YOU DID NOT HEAR THAT? -NO.
-MOVING.
I DID NOT HEAR IT.
LIKE WSHHHH! SOMETHING BEING DRAGGED.
-DESPARATA.
-DESPARATA.
-LOOK THAT UP.
-IT'S SOMETHING LIKE THAT.
THAT IS A -- I THINK -- I HAVE A TRANSLATOR ON MY PHONE.
I CAN LOOK IT UP.
YES.
PLEASE DO.
OH, I FEEL CHILLS.
WANT ME TO DO IT NOW? OOH, IT'S NOT GOOD, SOMETHING BAD.
-DESPARATA.
-LOOK THAT UP.
DESPARATA.
Nick: WE'RE SO EXHAUSTED.
I MEAN, WE'VE BEEN UP FOR SO LONG.
NOW, IT'S TIME TO LAY IN SOME OF THE MOST HAUNTED SPOTS.
[ CLATTERING .]
[ CLATTERING .]
[ DOOR CREAKS .]
THE DOOR OPENED.
[ CLATTERING .]
[ CLATTERING .]
I'M EXHAUSTED.
THIS DOOR OPENED ON ITS OWN LAST NIGHT.
GOD, IT'S HOT.
I KNOW IT IS.
-DID YOU SLEEP? -I GOT SCARED AT FIRST.
DID YOU? I HAD THIS SHUT.
I MEAN, I-I LITERALLY JUMPED.
AND I THOUGHT SOMETHING WAS BEHIND ME.
I KEPT WAKING UP, AND I WAS STAYING AWAKE.
THEN, SUDDENLY, BOOM.
ALL RIGHT.
I'M, LIKE, SHAKING.
WHAT'S WRONG? UH, EVERYTHING.
Nick: LET'S GO IN HERE AND TRY TO SEE IF WE CAN TALK TO WHATEVER'S IN HERE.
DID YOU COME FROM THIS CLOSET? HMM.
PRETTY QUIE IN THIS ROOM.
QUIET SO FAR, YEAH.
CAN YOU ROLL THIS BALL FOR US? CAN YOU ROLL THAT BALL? CAN YOU TELL US WHAT YOU NEED? IF I TAKE THIS BALL RIGHT HERE AND PUT IT HERE, CAN YOU TRY TO PUSH I ACROSS THE FLOOR SO THE CAMERAS CAN SEE IT? THANK YOU.
SO THE CAMERAS CAN SEE IT? SO THE CAMERAS CAN SEE IT? GOOD JOB! THAT WAS AWESOME.
HERE'S THE THING, THOUGH -- NOW WE'RE WELCOMING IT.
MM-HMM.
-ARE WE TALKING TO A LITTLE KID? -WE MIGHT NOT BE.
IT JUST TOUCHES IT LIGHTLY.
RIGHT? SO IT'S LIKE, "OH, THIS IS INNOCENT," NOT, LIKE VOOF! IT FLIES ACROSS THE ROOM OR ANYTHING.
SO WE MIGHT HAVE GOTTEN A BALL CAPTURED ON CAMERA MOVING.
-YEAH.
LET'S REVIEW THAT.
-OKAY.
EVERYTHING JUST SLOWLY BECAME CALM.
IT'S ALMOST LIKE THE ATMOSPHERE SETTLED, LIKE IT WAS BUILDING UP ALL THIS ENERGY AGAIN AND READY TO JUMP OU AND ATTACK US.
AND I STARTED TO FEEL AGITATED.
POLTERGEISTS DON'T ALWAYS HAPPEN ON CUE.
MNH-MNH.
POLTERGEISTS HAPPEN WHEN THEY WANT TO HAPPEN.
WE CAN BE SITTING HERE AND SUDDENLY, IT -- AND THAT'S -- TO BE HONEST, I'M NOT SO SURE WE'RE DEALING WITH A POLTERGEIST.
YOU THINK WE'RE DEALING WITH A DEMON, HUH? WELL, I THINK WE'RE -- WHATEVER YOU WANT TO LABEL AS DEMON.
[ CLICK .]
-YOU GUYS HEARD THAT, RIGHT? -YEAH.
WHAT WAS THAT? WHAT THE [BLEEP.]
IS THAT? DID YOU HEAR THAT? IT WAS LIKE A LOW SOMETHING JUST HIT ME ON THE BACK.
SOMETHING JUST WAS THROWN AT ME.
WHAT WAS THROWN AT YOU? I DON'T KNOW.
WHERE'D IT GO? I LITERALLY JUST GOT HI BY SOMETHING IN THE BACK.
-YOU GUYS DIDN'T SEE THAT? -NO.
IT HIT ME RIGHT BACK HERE.
I FELT BOOM.
AND THEN I HEARD I HIT THE GROUND.
-I JUST STEPPED ON SOMETHING.
-OH, WHAT IS THAT? WHAT THE [BLEEP.]
? GET THE [BLEEP.]
OUT OF THERE.
SOMETHING JUST WAS THROWN AT ME.
WHAT WAS THROWN AT YOU? I DON'T KNOW.
-I JUST STEPPED ON SOMETHING.
-OH, WHAT IS THAT? WHAT THE [BLEEP.]
? GET THE [BLEEP.]
OUT OF THERE.
-WHAT IS IT? -A MARBLE.
ARE YOU KIDDING ME? I GOT HIT IN THE BACK BY THAT.
IN ALL THE HOUSE, YOU WILL GET MARBLES CHUCKED AT YOU.
YOU GUYS CAN HEAR THA HITTING THE GROUND, RIGHT? I HEARD IT ON YOUR MIC.
HOW'D THIS COME OU OF THIN AIR? CLASSIC POLTERGEIST ACTIVITY.
ALL RIGHT.
YOU'RE FREAKING ME OUT.
I HAD A DREAM ABOUT THIS PLACE, AND THINGS WERE MATERIALIZING.
IT WAS THE NIGHT BEFORE WE CAME.
YOU'RE TRIPPING ME OUT.
ARE YOU SERIOUS? YEAH.
WHICH MAKES ME WONDER IF YOUR DREAM IS GONNA COME TRUE NEXT.
WHAT DO YOU MEAN? WELL, IF MY DREAM -- MY DREAM WASN'T B-- MY DREAM WAS BAD.
I KNOW.
THAT'S WHAT I'M SAYING.
YOU CAN'T SAY THAT.
Nick: SO, WE HAVE LASERS RUNNING DOWN THE STAIRCASE.
IF ANYTHING BREAKS THE SHADOW, THE CAMERA RIGHT THERE THAT'S STRICTLY INFRARED NIGHT-VISION WILL CAPTURE IT.
I'M HOPING WE'LL SEE SOMETHING PASS THROUGH THE SHADOWS.
YOU SAW SOMETHING FLY? YEAH.
THERE WAS, LIKE, AN ANOMALY.
SO LET'S SUM THIS UP, BECAUSE THE SUN'S COMING UP.
WE SHOULD PROBABLY LAY DOWN AND GET ANOTHER HOUR OF SLEEP.
I CAN'T BELIEVE -- I FEEL LIKE IT'S PROGRESSIVELY GETTING WORSE.
WHICH MAKES SENSE, BECAUSE IF YOU THINK ABOU THE PRITCHARDS, THAT'S WHAT IT WAS FOR THEM.
IT JUS PROGRESSIVELY GOT WORSE.
I CAN'T BELIEVE WE WENT ALL NIGHT.
THAT'S INSANE.
Nick: WE'RE GONNA SLEEP AT THE BLACK MONK HOUSE TO GO THROUGH THE POLTERGEIST ACTIVITY.
WE HAVE TO TRULY LIVE THERE, IN THE ENVIRONMENT, 100 HOURS TO SEE FOR OURSELF IF IT IS REALLY HAUNTED.
GOOD MORNING.
Katrina: NICKY? THIS IS CRAZY, WHAT WE'RE DOING.
I KNOW.
[ SIGHS .]
KNOWING THAT YOU GUYS CAME HERE TO BASICALLY RID YOURSELVES OF IT Katrina: YEAH.
IT HAS THE HOME-FIELD ADVANTAGE.
WHY WOULD IT EVEN COME OU IN THE FIRST PLACE? THE WHOLE POINT OF THESE MORE INTELLIGENT, DARKER THINGS IS TO BREAK YOU DOWN, TO RUIN YOUR LIFE, TO PUT NEGATIVITY INTO YOUR LIFE.
IT FEELS LIKE WE'RE IN A WAR, BUT THIS IS JUST ONE BATTLE.
IT'S -- IT'S A CONTINUATION OF HINSDALE.
IT'S A CONTINUATION OF, I'M SURE, THE NEXT PLACE WE GO THAT FEELS LIKE THIS.
YOU KNOW, THEY ALL KNOW YOU, SO IT'S -- THEY'RE TRACKING US.
IT'S WEIRD.
I JUST FEEL WEIRD.
NICK, WHEN YOU WERE SICK, WHAT DID IT FEEL LIKE? EXTREMELY ILL, LIKE SOMETHING WAS TRYING TO CHANNEL THROUGH MY BODY, IS THE BEST WAY TO DESCRIBE IT.
AND JUST SICK, AND LIKE EVIL WAS, LIKE, JUST SUDDENLY GRABBED AHOLD OF ME AND WAS TRYING TO, LIKE GET AT YOU, YOU KNOW? Katrina: I FEEL, LIKE, SLIGHTLY NAUSEOUS.
YOU OKAY? YEAH.
IT'S JUST -- [ Chuckling .]
YOU'RE OKAY, FEELING NAUSEOUS? [ Chuckling .]
FEELING OKAY, NAUSEOUS.
I DON'T KNOW.
IT'S JUST, UM I DON'T KNOW.
LIKE, MY STOMACH STARTED TO TURN.
IS THERE SOMEBODY HERE MAKING ME FEEL NAUSEOUS? Nick: DO YOU STILL FEEL NAUSEOUS? YOU FEEL -- -NO.
-DO YOU FEEL SICK? -NO.
I FEEL ALL RIGHT.
IT'S WEIRD, 'CAUSE [Chuckling.]
NOW I'M FEELING NAUSEOUS.
NOW YOU FEEL NAUSEOUS? JUST SLIGHTLY.
NOT AS BAD AS YOU WERE.
NO, IT'S NOT LIKE A, "OH, MY GOSH, I'M GONNA THROW UP.
" IT'S LIKE JUST OFF, MAYBE? IT'S LIKE, YOU KNOW HOW YOU AND I GET CAR SICKNESS? YOU KNOW, IN THE VERY BEGINNING, WHEN YOU CAN FEEL IT, THAT'S WHAT IT FELT LIKE.
IT'S LIKE MY WHOLE STOMACH WAS TURNING.
I COULD, LIKE, FEEL IT HERE.
MM-HMM.
Nick: NOW WE'RE GETTING LATE INTO THE DAY.
THE HOUSE IS SHIFTING.
Katrina: WE'RE VULNERABLE RIGHT NOW.
WE'RE NEW TO THIS LOCATION.
I MEAN, IT'S TRYING TO FEED AND FIGURE US OUT.
"HOW DO I BREAK IT? HOW DO I GET TO THIS PERSON? HOW DO I USE THEM? HOW DO I MAKE THEM GO AGAINST EACH OTHER? WHAT'S GONNA BE THEIR FEAR?" AND IF THAT'S THE CASE, THEN IT ALREADY KNOWS ALL THAT.
[ OBJECT TAPS .]
-YOU HEARD THAT THUMP, RIGHT? -MM-HMM, I HEARD THAT.
THAT KNIFE, WAS THA THE SOUND WE JUST HEARD? THAT WASN'T THERE.
I JUST WALKED UPSTAIRS.
IT WASN'T SITTING THERE.
-WHAT DO YOU THINK? -I HEARD IT PLAIN AS DAY.
AND I KNOW THA THAT THING WAS IT WAS UP ON THAT LEDGE.
Nick: ALL RIGHT.
BEFORE WE MOVE I THINK THAT'S A WARNING.
I THINK IF IT WANTED TO THROW I AT YOU, IT COULD HAVE.
YOU KNOW WHAT, THOUGH, ROB? LIKE, IT'S A WARNING, AND I HEAR YOU, AND YOU'RE ABSOLUTELY RIGHT.
BUT AT THIS PART, IT'S LIKE, WHAT IS A WARNING ANYMORE? LIKE, I KEEP GETTING WARNINGS.
I KEEP GETTING PUSHED.
-RIGHT.
I KEEP GETTING TOUCHED.
I KEEP FEELING ILL.
LIKE, THERE IS NO WARNINGS.
I THINK -- I THINK IT'S NOT A WARNING.
I THINK IT'S WAY PAST THAT.
THE WARNING WAS IN OUR DREAMS AND OUR NIGHTMARES BEFORE WE GOT HERE.
THAT WAS THE WARNING.
I THINK THIS IS TRYING TO BUILD ENERGY TO THROW IT AT US.
I DON'T THINK IT'S NECESSARILY, "HERE'S A WARNING.
I'M PUSHING I DOWN THE STAIRS.
NEXT TIME, IT'S GONNA COME AT YOU.
" I THINK IT'S TRYING TO COME AT US.
IT JUST HASN'T HAD THE OPPORTUNITY TO DO I OR THE RIGHT ENERGY TO PUSH IT.
I DON'T -- I DON'T KNOW, MAN.
THIS IS JUST MY THEORY.
THIS IS MY GUESS, BUT I GO OFF MY GUT INSTINCT.
AND I THINK MY INSTINCT'S RIGHT ON THIS ONE.
WHEN WE LEAST EXPECT IT JUST NATURALLY TALKING -WHEN WE START FEELING COMFORTABLE.
I MEAN, NOISES ALL AROUND US.
WE GO DOWNSTAIRS -- NOISE DOWNSTAIRS.
GO UPSTAIRS -- NOISE UPSTAIRS.
BREATH COMING UP THE STAIRWAY, LIKE, WHAT THE [BLEEP.]
DO YOU KNOW WHAT I MEAN? THIS THING IS CONFUSING THE CRAP OUT OF US AND [ GROWL .]
WHAT WAS THAT? WAS THAT A GROWL? Nick: THAT KNIFE, WAS THA THE SOUND WE JUST HEARD? THAT WASN'T THERE.
I JUST WALKED UPSTAIRS.
IT WASN'T SITTING THERE.
I MEAN, NOISES ALL AROUND US.
WE GO DOWNSTAIRS -- NOISE DOWNSTAIRS.
GO UPSTAIRS -- NOISE UPSTAIRS.
BREATH COMING UP THE STAIRWAY.
LIKE, WHAT THE [BLEEP.]
? DO YOU KNOW WHAT I MEAN? THIS THING IS CONFUSING THE CRAP OUT OF US AND [ GROWL .]
-WHAT WAS THAT? -WAS THAT A GROWL? THIS THING IS CONFUSING THE CRAP OUT OF US AND [ GROWL .]
US AND [ GROWL .]
WHAT WAS THAT? WAS THAT A GROWL? WHAT THE [BLEEP.]
THERE'S NO MORE WARNINGS.
THIS THING IS IN WAR WITH US.
GOOD VERSUS EVIL, COLLIDING AT THIS MOMENT RIGHT NOW.
AND IT'S A BATTLE.
IT'S A BATTLE TO MAKE IT OU OF HERE 100 HOURS LATER.
WE'VE HAD WARNINGS IN OUR NIGHTMARES, OUR DREAMS.
THAT WAS OUR WARNING.
NOW WE'RE HERE, AND THIS THING WANTS TO WREAK HAVOC AND HELL ON OUR LIFE AND DESTROY US FOR WHAT REASON? MAYBE BECAUSE WE'RE BATTLING OU OTHER EVIL THINGS AT LOCATIONS AND IT KNOWS US.
THIS THING PROBABLY RUNS THAT.
IT'S ALMOST LIKE, HERE'S THE HIERARCHY.
WE'RE IN THE HEART OF IT.
[BLEEP.]
KNIVES FLYING AND [BLEEP.]
BEING IN THIS HOUSE, IT'S ALMOST LIKE BEING NEXT TO A COILED SNAKE.
IT SEEMS CALM, BUT IT COULD ATTACK AT ANY MOMENT.
WHERE DO YOU WANT TO START TONIGHT? I WAS THINKING THE STAIRS.
-YEAH.
YOU WANT TO GO TO THE STAIRS? -I DO.
LET'S WALK AROUND AND TRY THE ITC.
-OKAY.
-WELDON'S VIDEO GHOST BOX.
KEITH WELDON SPECIFICALLY DESIGNED THIS.
AND IT'S REALLY COOL BECAUSE IT WORKS ON INSTRUMENTAL TRANSCOMMUNICATION, WHICH BASICALLY MANIPULATES THE SIGNAL THAT'S COMING IN HERE, RADIO FREQUENCY THAT WE'LL SCAN.
AND ALSO, YOU'LL BE ABLE TO HEAR THE AUDIBLE SOUND THAT SPIRITS CAN COMMUNICATE AND MODULATE.
AND ALSO, WE'LL BE ABLE TO SEE A VISUAL.
SO IT'S BASICALLY LIKE THE GEOBOX BUT ALSO VISUAL.
THAT'S EXACTLY IT.
YEAH.
SO I'M HOPING WE CAN SEE THE SHADOW FIGURES OF THE MAN THAT'S BEEN SEEN HERE.
IT'S THE VIDEO-PHONE TO THE DEAD.
IT'S THE VIDEO-PHONE TO THE DEAD.
TELL ME WHAT YOU WANT FROM US! -YEAH.
-DIE.
OH.
IT JUST SAID "DIE.
" THAT WAS TERRIFYING.
WHO ARE YOU?! DO YOU SEE THAT? -FOOTSTEPS.
-THAT WAS LOUD.
IT RAN FOR IT, RAN UP THE STAIRS.
Nick: UPON REVIEWING THE ITC FOOTAGE OF THIS MOMENT, WE DISCOVER THIS FIGURE LOOMING AT THE TOP OF THE STAIRS.
Rob: YOU ALL RIGHT? I DON'T KNOW, MAN.
I DON'T FEEL RIGHT.
DID YOU HEAR SOMETHING, ROB? I SWEAR, I JUST HEARD SOMETHING RIGHT HERE, LITERALLY RIGHT BEHIND ME.
WHAT DID YOU HEAR? IT WAS, LIKE, A LOW GROWL.
ARE YOU WALKING AROUND UP HERE AND PACING BACK AND FORTH? IT FEELS STRANGE IN THIS ROOM.
IT'S HEAVY IN HERE.
WHAT WAS THAT? [ KNOCKS ON DOOR .]
[ DOOR CREAKING .]
OKAY.
I OPENED THE CLOSET DOOR SO YOU CAN COME OUT.
DO YOU STILL FEEL IT IN HERE? NOT OVER HERE, NO.
WHERE DO YOU THINK IT MOVED TO? I DON'T KNOW.
I HAVE NO CLUE.
I WALKED IN HERE, AND I GOT REALLY DIZZY AND ANTSY.
WHAT ABOUT YOU? I CAN FEEL THAT SOMETHING IS JUST KIND OF HOVERING AND WAITING.
AND IT'S JUST RIGHT THERE, WAITING TO MAKE ITS MOVE.
DOESN'T IT SEEM LIKE IT CALMED DOWN? LET'S JUST WALK THROUGH THE HOUSE.
AND THEN, ALL OF A SUDDEN, IT FLIPS.
THIS HOUSE IS VERY STRANGE.
SO, IT'S TIME FOR BED.
UM, WE'VE BEEN UP ALL NIGHT INVESTIGATING.
IT'S, LIKE, 6:00 A.
M.
I'M EXHAUSTED.
I'M GONNA SLEEP IN HERE.
WE HAVE A PRETTY GOOD SHOT OF THE DOOR.
SO IF ANYTHING HAPPENS, WE GET IT ON CAMERA.
THIS PLACE HAS COMPLETELY DRAINED US FOR THE LAST COUPLE DAYS.
I'M GONNA GO GET KATRINA, SEE IF SHE'S UP.
THEN I'LL GO GET ROB.
HEY, GOOD MORNING.
-MORNING.
-GOOD MORNING.
[BLEEP.]
Nick: NEARING THE 72-HOUR MARK OF OUR LOCKDOWN, WE CAN'T HELP BUT THINK WE WOULD NORMALLY BE PREPARING TO LEAVE.
IT'S RAINING OUTSIDE TODAY.
YOU CAN SEE THESE DROPLETS ON THE WINDOW.
WE SET UP ALL OF OUR CAMERAS.
WE HAVE OUR 3-D MAPPING IMAGING CAMERA OVER THERE.
AND ALSO, WE HAVE OUR ITC, INSTRUMENTAL TRANSCOMMUNICATION.
AND I JUST FEEL CONFUSED.
I FEEL SO CONFU-- IT'S MOVING.
I CHECKED IT.
IT'S EMPTY.
THERE'S NO BATTERIES.
-IT'S [BLEEP.]
GOING NUTS.
THIS THING IS GOING NUTS.
IT WAS ACTUALLY GOING FAST A SECOND AGO.
AND NOW IT'S, LIKE, COMING TO A PACE.
LOOKIT -- SEE, IT'S, LIKE, MOVING, BUT THERE'S NO BATTERIES.
-IT DOESN'T WORK.
YOU KNOW, THE -- IF YOU KNOW WHAT I MEAN? THAT CLOCK'S BEEN STUCK ON THE SAME TIME FOR 4 DAYS NOW.
I DON'T KNOW.
IT'S GETTING WEIRD.
I JUST DON'T -- I DON'T FEEL RIGHT.
YOU OKAY? [ SIGHS .]
YOU ALL RIGHT? WHAT'S GOING ON? -I'M GONNA BE SICK.
UGH [BLEEP.]
IS MY NOSE BLEEDING? Rob: WE WERE ALL FEELING IT.
IT'S LIKE IT WAS SPREAD OU BETWEEN THE THREE OF US EVERY OTHER TIME.
AND NOW IT'S ALL COMPLETELY ON NICK.
Katrina: THAT'S A REALLY GOOD POINT.
IT'S CENTERING ON HIM.
I THINK HE OPENS HIMSELF UP A LOT WITHOUT REALIZING IT.
IT'S LIKE, RIGHT UP FRONT, IT WANTED TO SHOW HIM WHAT IT CAN DO.
AND SO MAYBE NOW IT'S GONNA FINISH IT? I DON'T LOOK GOOD.
ARE YOU ALL RIGH IF I GO UPSTAIRS? GO AHEAD.
JUST KEEP GOING, NO MATTER WHAT HAPPENS.
THIS IS WHY WE'RE HERE.
I'M NOT STOPPING FOR THIS.
IT CAN TRY TO BREAK ME, BUT IT'S NOT.
IS THIS THE BES YOU CAN DO? IS THAT IT? JUST MAKE SOMEBODY SICK? SINCE THE HOUSE HAS BEEN SO QUIET, WE NEED TO INVITE THE SPIRIT IN TO SEE IF WE CAN DRAW IT OU AND CONFRONT IT FACE-TO-FACE.
SO NOW WERE PRETTY MUCH TELLING THIS THING, YOU KNOW, WE'RE OPEN BOOKS.
-COME ON.
-COME ON.
BRING IT.
YOU KNOW, DO WHATEVER YOU NEED TO DO.
THIS HOUSE IS SO WEIRD.
I'M, LIKE, SH-- IT KEEPS SHIFTING.
ONE MINUTE, IT FEELS TOTALLY PEACEFUL.
AND THE NEXT MINUTE, IT FEELS SINISTER.
I THINK WE'RE JUS SO AT OUR WITS' END THAT WE'RE WILLING TO TRY JUST ABOUT ANYTHING, WHICH IS A VERY BAD IDEA.
IT'S NOT A GOOD IDEA.
-ENTER THIS ROOM! COME TO MY VOICE.
Katrina: I THINK WE'RE JUST SO AT OUR WITS' END THAT WE'RE WILLING TO TRY JUST ABOUT ANYTHING, WHICH IS A VERY BAD IDEA.
IT'S NOT A GOOD IDEA.
ENTER THIS ROOM! COME TO MY VOICE.
Katrina: ARE YOU AFRAID OF US? IS THAT WHY YOU'RE ONLY DOING PARLOR TRICKS? COME ON.
IF I STAND HERE HERE'S YOUR CHANCE.
WE'RE SEPARATED.
YOU EVER WANTED TO DO SOMETHING TO EITHER OF US, THIS IS THE BEST TIME TO DO IT.
Nick: HERE'S YOUR CHANCE TO APPEAR.
WE LEAVE THE CAMERA ROLLING DOWNSTAIRS WHILE WE GO UP TO INVESTIGATE PHILIP AND DIANE'S BEDROOMS.
NOW THAT WE HAVE CHALLENGED THE SPIRIT, WE GO TO SEE IF WE HAVE AWOKEN MORE ENERGY.
Katrina: I FEEL SICK JUS COMING UP THE STAIRS.
-YOU DO? -YEAH.
JUST WHEN WE CAME UP, AND I LANDED HERE, IT WAS THAT CAR SICKNESS FEELING AGAIN.
EARLIER, IT WAS JUST IN MY THROAT.
NOW, IT, LIKE, WENT INTO MY STOMACH.
-WAS THAT YOU? -MNH-MNH.
DO YOU THINK IT'S COMING AFTER YOU NOW? I THINK THERE'S SOMETHING VERY WEIRD ABOUT THIS HOUSE.
[ STATIC ECHOING .]
GO AHEAD.
CALL IT OUT.
ARE YOU MAKING ME SICK RIGHT NOW? WHAT OR WHO IS MAKING ME SICK? [ STATIC ECHOING .]
IS IT THIS HOUSE? OR IS IT SOMETHING ELSE? [ STATIC ECHOING .]
-GO AHEAD, KATRINA.
-TURN IT OFF? WHATEVER YOU THINK.
I WANT TO SEE IF ARE YOU STILL FEELING DIZZY RIGHT HERE? [ SIGHS .]
NOT AS BAD AS I WAS BEFORE.
TRY STANDING UP.
OR WALK -- WALK THROUGH HERE.
I WANT TO JUST SEE WHERE IT'S HITTING YOU.
I FEEL IT A LITTLE BIT, BUT IT'S NOT AS -- IT'S NOT LIKE WHEN I FIRST WALKED UP HERE.
LET'S REGROUP IN THE LIVING ROOM.
SO YOU WERE FEELING ILL UP HERE.
I WAS FEELING ILL DOWNSTAIRS.
IT WAS PROBABLY THE STRONGES I'VE EVER FELT THE NAUSEA.
REALLY? SO IT'S BUILDING POWER, THEN.
I MEAN, IT FEL PRETTY STRONG TO ME.
THAT WAS THE WORST.
I GOT HIT BAD DOWN HERE.
-YEAH.
-LET'S GO IN THERE.
DID YOU CLOSE THIS? -WHAT? NO.
IT SMELLS FUNNY.
-UGH, IT DOES SMELL WEIRD.
-DOESN'T IT? IT SMELLS LIKE SOMETHING'S BURNING IN HERE.
I'M GONNA RE-- I'M GONNA PLAY THIS BACK.
-OKAY.
-LET ME JUST SEE.
CAN YOU GUYS SEE? -YEAH.
WHOA! WHAT WAS THAT? -WHAT'D YOU SEE? -I SAW A FIGURE.
NUH-UH, GET OUT.
YEAH.
LOOKIT, RIGHT THERE.
-WHERE? -RIGHT HERE.
-I SAW A FIGURE.
-NUH-UH, GET OUT.
RIGHT HERE.
WHO IS THAT? THAT WAS [BLEEP.]
WEIRD.
-WHOA.
-ISN'T THAT WEIRD? Rob: IT JUST GLIDED STRAIGHT PAST THAT DOOR.
I'VE ALWAYS BEEN A SKEPTIC.
BUT SPENDING THE TIME WE SPENT HERE, THERE ARE A LOT OF THINGS THAT HAVE HAPPENED THAT I CAN'T EXPLAIN.
PLAY THAT AGAIN? IT'S DEFINITELY TRAN-- LIKE, IT HAS A TRANSPARENCY TO IT.
YOU SEE THAT? I'LL FREEZE IT ON THE FRAME.
LOOK AT THAT.
IT'S BLURRED OUT.
I CAN'T EVEN MAKE OU WHAT THAT IS.
I CAN'T EVEN MAKE IT OUT.
SEE HOW TRANSPARENT IT IS? IT COMES BY, THOUGH, THE DOOR.
YEP.
WATCH.
THAT IS BIZARRE.
SO, HERE'S THE THING.
IT WAS ME, YOU, AND ROB UPSTAIRS.
SO, THIS FIGURE WALKS FROM THE KITCHEN, TOWARDS THE STAIRS.
Nick: AS WE REVIEW THE EVIDENCE, WE NOTICE THE DOOR CLOSING AFTER THE FIGURE PASSES THROUGH.
WE ALSO SEE SEVERAL BLACK MASSES MOVING ACROSS THE FLOOR, INTO THE ROOM.
EVEN OUR ITC CAMERA PICKS UP A HUGE STATIC DISTURBANCE AS THE DOOR CLOSES.
THERE'S SOMETHING HAPPENING WITH THE ENVIRONMEN THAT'S INDUCING THIS -- THIS LOCATION WITH MORE ENERGY.
SO THESE THINGS ARE MANIFESTING AND MAKING YOU FEEL LIKE THAT, MAKING ME FEEL LIKE THAT.
ROB WAS FEELING IT, TOO.
I MEAN, WE ALL WITNESSED THIS.
-YEAH.
-THIS IS INCREDIBLE.
WE WERE ASKING FOR IT.
WHO DO YOU THINK IT IS? I DON'T KNOW WHO IT IS, EITHER.
YOU WERE CALLING IT OUT.
I WAS CALLING IT.
YEAH.
WE WERE UPSTAIRS DOING IT.
I FEEL THE STORM IS COMING, AND IT'S GONNA ERUPT.
I DON'T KNOW IF IT'S THE RAIN OR THE HOUSE OR THE ENVIRONMENT.
BUT THE ACTIVITY, IT'S RAMPING UP.
YOU ASKED FOR I TO ATTACK YOU, TOTALLY OPENED YOURSELF UP SO YOU COULD MEET THIS THING.
AND IT DID.
WE CAME THIS FAR.
YOU KNOW, WE CAN'T STOP NOW.
LOOK AT THE STUFF WE'RE GETTING.
THAT'S CRAZY.
LET'S GET READY FOR THE NIGH AND JUST PREPARE OURSELF, ALL RIGHT? OKAY.
OH, MY GOD.
IT'S SO WEIRD IN HERE.
IF YOU COULD ONLY SEE WHAT I SEE.
I'M IN COMPLETE DARKNESS RIGHT NOW.
I'LL COVER THE I.
R.
LIGHT.
HERE'S -- HERE'S WHAT I SEE.
OH [BLEEP.]
OW.
I JUST GOT STABBED RIGHT IN THE LEG.
KATRINA! -HUH? I JUST GOT STABBED IN THE LEG! Katrina: ARE YOU SERIOUS? I WAS IN THE COAL ROOM, AND I -- I LITERALLY WAS JUS STANDING IN THE COAL ROOM, AND I JUST GOT STABBED RIGHT IN THE LEG.
-DO YOU HAVE ANY MARKINGS? -LOOK AT THIS, RIGHT HERE.
IT'S SHOWING UP.
-SORRY, SORRY, SORRY.
OH, LOOK.
IT'S SHOWING UP MORE AND MORE, MORE AND MORE.
[BLEEP.]
IT'S ACTUALLY APPEARING IN FRONT OF US.
I WAS STANDING IN THE COAL ROOM IN THE DARK.
AND SUDDENLY, I JUST GOT -- IT FELT LIKE A STAB.
DIDN'T EVEN FEEL LIKE A SCRATCH.
IT FELT LIKE SOMETHING JUS STABBED ME RIGHT IN THE LEG.
YOU OKAY? I'VE NEVER BEEN SCRATCHED LIKE THAT.
[BLEEP.]
I DON'T KNOW.
I'M GOING BACK IT ENDS TONIGHT! UH, NICK IS IN THE COAL HOLE RIGHT NOW, CONFRONTING WHATEVER JUST HURT HIM.
YEAH.
THAT'S WHERE JOE PRITCHARD, UMNOBODY KNOWS WHAT HAPPENED TO JOE.
HE WOULDN'T TALK ABOUT IT.
BUT FROM ALL ACCOUNTS, HE WAS A CHANGED MAN AFTER THAT NIGHT.
JOE WAS EXPERIENCING A HAUNTING IN HIS HOUSE, DIDN'T KNOW HOW TO HANDLE IT.
NICK IS EXPERIENCING A HAUNTING IN HIS HOME WITH HIS FAMILY.
HE DOESN'T KNOW HOW TO HANDLE IT.
SO THEY'RE VERY SIMILAR IN THAT WAY OF BOTH MEN WHO WANT TO HELP AND FIX WHATEVER THIS ISSUE IS, JUST APPROACHING I A LITTLE DIFFERENT.
JOE IGNORED IT.
NICK IS GOING, LIKE, HEAD-ON INTO IT.
KATRINA'S ALONE, BY HERSELF, IN THE HOUSE.
CAN YOU GO TO HER AND SAY SOMETHING? TELL HER SOMETHING ON THE RECORDER.
TELL HER SOMETHING TO HER FACE.
I'M IN HERE.
AND IF ALL YOU'RE GONNA DO IS TRY TO TOUCH ME AND HARM ME, THAT MEANS NOTHING TO ME.
THERE'S A GROWL HAPPENING IN HERE! IS HE OKAY? NICK? I THINK I JUST SAW MY LIFE PASS BEFORE MY EYES.
-WHAT DO YOU MEAN? -YOU CAN SEE IT.
FINALLY, YOU SEE THE END.
DID YOU SEE HOW YOU WERE GONNA DIE? I DON'T KNOW.
I SAW SOMETHING WAS IN THERE.
I WAS THERE.
[ KATRINA SIGHS .]
I WENT IN THE COAL HOLE.
HERE WE GO.
[BLEEP.]
[BLEEP.]
I THINK I JUST GOT SCRATCHED.
DID I JUST GET SCRATCHED? YO, I THINK I JUST GOT SCRATCHED.
I CAN'T SEE.
I NEED A LIGHT.
WHERE? -DO YOU SEE IT? ROB.
-I'M LOOKING.
-RIGHT THERE, I GOT A SHOT.
CAN YOU GET IT, ROB? -YEP.
I SEE IT RIGHT THERE.
-IS THAT ALL RIGHT? -THAT'S TWO, RIGHT? -WAIT.
IT'S SHOWING -- HOLY [BLEEP.]
IT'S -- IT BROKE YOUR SKIN.
-ARE YOU [BLEEP.]
KIDDING ME? -COME HERE.
-I SEE IT.
-IT BROKE HER SKIN.
[ GASPS .]
RIGHT BEHIND YOU, THERE WAS SHUFFLING.
RIGHT BEHIND YOU.
IT JUST RAN UP ON YOU, ROB.
YOU OKAY? YOU OKAY? -YEAH.
NO.
I -- THERE'S NO I'M WEARING TWO SHIRTS.
I'M WEARING TWO [BLEEP.]
SHIRTS.
I KNOW.
I KNOW.
I KNOW.
LIKE, WHAT THE [BLEEP.]
THERE'S SOMEONE UPSTAIRS.
THERE'S SOMEONE UPSTAIRS.
IT JUST RAN.
CHILLS.
I'M GETTING GOOSE BUMPS ALL OVER MY BODY.
GOD, IT SMELLS LIKE SULFUR.
YEAH, GET YOUR PERSPECTIVE.
IN CASE IT COMES OU IN FRONT OF YOU, YOU HAVE TO FILM IT.
-I DON'T FEEL GOOD.
-KATRINA.
I FEEL LIKE [BLEEP.]
THIS [BLEEP.]
IS SO WEIRD.
[ THUMP .]
-WHAT WAS THAT THUMP? -IT WAS UP THERE.
IN THE [BLEEP.]
ATTIC? ARE YOU UP THERE? ARE YOU HI-- [BLEEP.]
[BLEEP.]
ARE YOU UP THERE? YOU HI-- [BLEEP.]
[BLEEP.]
MOTHER[BLEEP.]
THAT'S SCARY AS [BLEEP.]
-ON YOU.
SOMEONE JUST TOUCHED ME ON THE BACK.
[ EXHALES SHARPLY .]
THAT THING CAME FLYING! THAT, LIKE, LAUNCHED! LIKE, HOLY [BLEEP.]
WHATEVER IS IN THAT COAL ROOM IS DEFINITELY DONE PLAYING LITTLE GAMES.
THUMP, THUMP UPSTAIRS IN THE ATTIC.
I GO TO THE ATTIC -- BOOM.
THIS THING I NEED MY CAMERA.
I FEEL LIKE A HAND'S GONNA COME OUT AND RIP MY HEAD OFF.
ARE YOU UP HERE? KATRINA, IF ANYTHING HAPPENS, PULL ME DOWN.
OKAY.
CAN YOU SHOW YOURSELF? [ BREATHING HEAVILY .]
I'M GONNA PUT THIS OUT THERE BECAUSE I DON'T WANT, LIKE, ANY KID AT HOME TRYING TO, LIKE, IMITATE WHAT WE DO.
WE OPENED OURSELVES WAY TOO MUCH AND TO EVERYTHING THAT'S HERE.
WE'VE PUT ZERO BOUNDARIES UP.
AND THIS LITTLE [BLEEP.]
WHOEVER IT IS, IS JUST SHOWING US -- "OH, REALLY? YOU WANT TO PLAY WITH ME? I'LL SHOW YOU HOW MUCH I CAN PLAY WITH YOU.
" [ SIGHS .]
I'VE NEVER HAD ANYTHING PHYSICAL HAPPEN TO ME ON A DEMONIC CASE I'VE BEEN ON.
Nick: I THINK THE WHOLE THING ALL ALONG WAS TO COME HERE TO THIS LOCATION, WHERE THIS NEGATIVE THING WAS, AND TO SPONGE I WITH OUR BODIES.
WE'RE TAKING THE GARBAGE OUT, IS THE BEST WAY TO DESCRIBE IT.
YEAH.
YOU KNOW, HINSDALE WAS BAD.
AND WE DON'T, LIKE, FULLY KNOW WHAT WAS AT HINSDALE.
I WORRY THAT MAYBE WE MADE IT WORSE.
I FEEL LIKE I WENT AGAINST EVERYTHING I WAS EVER TAUGH ABOUT THIS FIELD AND THAT -- THAT SIDE OF IT.
-WE'RE ALMOST THROUGH, KATRINA.
-I KNOW.
IT'S FINE.
Nick: WITH ONLY A FEW HOURS LEF BEFORE THE DOOR IS UNCHAINED, WE'RE DEALING WITH AN AGGRESSIVE DEMONIC PRESENCE.
I'M AFRAID WE'VE GONE TOO FAR THIS TIME.
WE'VE COME 3,000 MILES AND SPENT MOS OF OUR INVESTIGATION TAUNTING THE DEMON TO SHOW ITSELF, TO ATTACK US.
AND NOW IT HAS.
OUR NEW MISSION IS TO ATTEMP TO LEAVE THIS THING BEHIND FOREVER.
CAN'T WAIT TO GET OUT OF HERE.
-I KNOW.
YOU WANT TO THROW THA IN THAT CASE? YEAH.
I'M STILL TRYING TO, LIKE, GO THROUGH EVERYTHING IN MY HEAD AND PROCESS I AND, YOU KNOW, TRYING TO THINK OF RATIONAL EXPLANATIONS.
WE CAPTURED SOME OF THE MOST AMAZING EVIDENCE.
AND IT DID LIVE UP TO ITS REPUTATION.
BUT I'M A LITTLE NERVOUS THA SOMETHING MIGHT LINGER WITH US.
IT GOT A LITTLE PIECE OF US LAST NIGHT.
-IT DID.
-AND WE NEED TO MAKE SURE THAT IT DOESN'T GE THE REST OF US.
I'M READY FOR THAT DOOR TO BE UNLOCKED SO WE CAN GET OUT OF HERE.
-OKAY, GUYS.
-HEY, CAROL.
WE HAD A COUPLE OF PRETTY CRAZY DAYS HERE.
Nick: YEAH.
IT WAS -- IT WAS CRAZY.
-SO I'M JUST GLAD YOU'RE OKAY.
-WHEN WE CLOSE THIS DOOR, WHEN WE WALK AWAY FROM THIS HOUSE, WE'RE LEAVING IT BEHIND.
WE HAVE TO.
-I HOPE YOU DO.
WE HAVE TO.
WE HAVE TO.
THERE'S BEEN TOO MUCH LEADING UP TO THIS POINT.
YOU KNOW, ENOUGH IS ENOUGH.
OR WHATEVER THIS DEMONIC ENTITY IS -WHATEVER IT WAS.
-WE'RE LEAVING IT.
WE ASKED FOR IT TO -- WE ASKED FOR IT TO DO.
WE MADE CONTACT WITH IT.
SHOWED ITSELF IN MULTIPLE WAYS.
IT'S DEFINITELY EVIL, AND IT WILL LATCH ON.
AND IT WILL HIT YOU WHEN YOU LEAST EXPECT IT.
YEAH.
AND YOU KNOW, I'M REALLY GLAD YOU'RE GOING TO GET AWAY FROM I AND YOU'RE GOING TO GET A REST FROM IT.
-THANK YOU SO MUCH.
-THANKS, CAROL.
-THANK YOU.
-APPRECIATE IT.
LET ME KNOW IF I WAS WRONG.
-ALL RIGHT.
-OKAY, BYE.
YOU READY? LET'S SHUT THIS DOOR AND WALK AWAY FROM THIS.
YOU READY? -OH, I'M READY.
ALL RIGHT.
I'M HAPPY TO LEAVE THIS PLACE.
Katrina: A HUNDRED-HOUR LOCKDOWN IS PROBABLY ONE OF THE MOST CHALLENGING THINGS I'VE EVER DONE.
BUT I THINK WE ACCOMPLISHED WHAT WE SET OUT TO DO.
I HOPE, BY CONFRONTING WHATEVER THIS THING IS, WE WERE ABLE TO RID OURSELVES OF WHATEVER WAS HAUNTING US.
I'M GOING OVER THE FOOTAGE OF THIS FIGURE THAT WE CAPTURED AND THE DOOR SHUTTING AT THE BLACK MONK HOUSE.
[ BANG .]
THERE IT IS AGAIN.
THAT'S THAT NOISE.
I HEARD THAT! IT'S HAPPENING AGAIN.
IT HAS NOT LEFT.
IT HAS NOT LEFT.
IT'S STILL HERE.
GOT A CALL FROM NICK, HE DIDN'T REALLY GIVE ME A WHOLE LOT OF DETAIL, JUST TOLD ME, "WE HAVE TO GO TO HINSDALE.
WE HAVE TO GO TO HINSDALE.
I'M LEAVING.
YOU HAVE TO COME.
GET ROB.
I CALLED DAN, THE OWNER, AND TOLD HIM TO OPEN IT UP FOR US.
" AND THAT'S AS MUCH AS I KNOW.
IT'S LIKE EVERYTHING WAS JUS LEADING BACK TO THIS.
NICK? -YEAH? ARE YOU ALL RIGHT? I WILL NEVER, EVER FORGET THE MINUTE I WALKED IN THAT DOOR, WHEN I WAS COMING IN FROM THE WOODS, AND I SAW HIS FACE.
IT WAS LIKE HE WAS A CHANGED PERSON.
I'VE NEVER HEARD NICK SO UPSE BEFORE ABOUT A PLACE.
AND THIS WAS WORSE THAN THE FIRST TIME WE WENT TO HINSDALE.
THIS IS HOW THIS STUFF WORKS.
THEY GET INSIDE YOUR HEAD.
THEY FOLLOW YOU HOME.
THEY MESS WITH YOUR LIFE.
AND THEN YOU BECOME OBSESSED.
AND THAT'S WHEN IT GETS DANGEROUS.
THIS IS IT.
GEEZ, THERE IT IS.
DO YOU SEE NICK? Rob: HERE'S HIS CAR.
WONDER IF HE'S WAITING OUT THERE.
NICK? HE'S NOT EVEN IN THE CAR.
NICK? NICK? NICK? HELLO? GEEZ.
NICK? Nick: GO AHEAD! DO IT! Katrina: NICK? AH, THERE'S THAT SMELL.
I KNEW IT WAS ENOUGH! NICK? NICK.
DON'T YOU WANT TO JUS SLAM SOMETHING, HUH? WHAT? DON'T I WANT TO WHAT? -YOU SMELL THAT? -YEAH.
THAT SMELL, AND THEN IT GOES AWAY.
AND I'M TALKING TO THE NEGATIVE ENTITY THAT'S HERE, THIS NEGATIVE ENERGY THAT JUST MOVED IN THIS ROOM.
[BLEEP.]
DO YOU FEEL THAT? WHOA.
THERE'S [BLEEP.]
HURTING MY BACK.
[ GRUNTS .]
IT'S HURTING MY BACK.
-WHERE? WHERE? WHERE? ALL THIS.
OH.
OH, OH, OH, WAIT, WAIT, WAIT.
OH, I CAN'T TAKE IT.
DON'T -- WAIT.
STOP MOVING FOR A SECOND.
I CAN'T.
IT'S JUST LATCHING ON TO ME.
YOU HAVE MARKS ALL OVER YOUR BACK.
YOU CAN PHYSICALLY HURT ME.
-NO.
-YOU CAN BEAT ME DOWN.
YOU CAN SCRATCH ME.
YOU IF I HAVE TO GIVE UP MYSELF TO PROTECT MY FAMILY, I'LL DO IT! NO, NICK, NICK, NICK, NICK.
WHERE ARE YOU? I WILL SACRIFICE EVERYTHING -NICK.
-TO PROTECT KATRINA -NICK.
-MY FAMILY, EVERYTHING! NICK, NICK.
I WILL SACRIFICE MY OWN [BLEEP.]
BODY, [GROANS.]
MY SPIRIT, MY SOUL, MY ENERGY.
THAT WILL BE FOREVER.
TRY TAKING THAT FROM ME.
'CAUSE YOU KNOW WHAT? THAT'S MINE.
ENOUGH TERRORIZING MY FAMILY! ENOUGH OF THAT.
-HOLD ON, NICK.
I CAN'T -- I CAN'T STOP.
I CAN'T STOP.
YOU NEED TO STOP 'CAUSE THIS IS WHAT IT WANTS.
YOU'RE GIVING IT EXACTLY WHAT IT WANTS.
I CAN'T SEE.
YOU NEED TO STAND UP TO THIS THING WITHOUT SACRIFICING YOURSELF, BECAUSE THAT'S AN INVITATION INTO YOU.
I JUST WANT TO GO HOME, BUT I -- I CAN'T.
YOU DON'T SACRIFICE YOURSELF, NICK.
YOU HAVE TO -- YOU HAVE TO PUT UP THAT WALL.
THAT'S WHAT THIS IS ABOUT TONIGHT.
ALL OF THIS WILL NEVER COMPLETELY GO AWAY, BECAUSE YOU DO WHAT YOU DO.
THIS IS A PIVOTAL POIN FOR US ON OUR JOURNEY, WHAT WE'VE BEEN LOOKING FOR.
AT SOME POINT, YOU JUST HAVE TO ACCEPT THAT THIS IS -- THIS IS PART OF WHO YOU ARE, PART OF IT.
THIS IS PAR OF YOUR JOURNEY.
THIS IS PART OF THE PATH YOU HAD TO TAKE.
THIS WILL NEVER STOP.
THE ONLY WAY TO MAKE THIS STOP FOR YOU IS TO COMPLETELY LEAVE THE FIELD FOREVER AND NEVER COME BACK.
DO YOU ACCEPT EVERYTHING THAT'S GONNA HAPPEN DOING THIS WORK? OR ARE YOU GONNA WALK AWAY FROM IT? THIS WAS WHAT WE WERE DESTINED TO DO.
YOU EITHER ACCEPT IT, OR YOU WALK AWAY FROM IT.
I GOT TO GET BACK TO MY FAMILY.
ALL RIGHT.
LET'S GET YOU HOME.
Nick: KATRINA AND I HAVE BEEN TO THE DARKEST PLACES IN THE WORLD.
AND NOW WE HAVE FACED PURE EVIL.
AH, I FEEL BETTER.
I FEEL LIKE EVERY MOMEN THAT WE JUST WENT THROUGH WAS ALL WORTH IT.
WE SURVIVED THIS BATTLE, BUT TO PROTECT OURSELVES AND OUR LOVED ONES, WE WILL ALWAYS BE WAGING THIS WAR.
I AM GONNA KEEP INVESTIGATING THE PARANORMAL BECAUSE THAT IS MY PASSION.
THIS IS WHAT I WAS MEANT TO DO.
YOU EITHER RUN AWAY FROM THESE THINGS, OR YOU STAND YOUR GROUND AND YOU TRY TO FIGHT THEM.
Nick: AS WE CONTINUE OUR SEARCH FOR THE TRUTH, THE HAUNTINGS IN OUR HOMES WILL SUBSIDE SO LONG AS WE NEVER GIVE SOMETHING THE POWER OVER US AND INVITE IT IN.
AND WHEN WE CONFRONT DARKNESS LIKE THIS AGAIN, WE NOW KNOW HOW TO RID OURSELF OF IT FOREVER.