Creamerie (2021) s02e01 Episode Script

(dramatic music)
(trio panting)
(Bobby screaming)
- [Bobby] Fuck you!
Fuck you!
Traitor!
Fucking traitor!
(Bobby screaming)
(dramatic music)
(Alex panting)
(Jamie whimpering)
(Lane chuckles)
(Alex yells)
(dramatic music)
(hand thuds)
- [Lane] Secure the principals!
Secure the principals!
(dramatic music)
(Alex groans)
Get her!
We need backup!
(Jamie groans)
(dramatic music)
(glass clangs)
(Pip whimpering)
(shoes clopping)
- Fuck.
- Hold still!
(machine buzzing)
(Bobby groaning)
(machine buzzing)
(zipper unzips)
Stop moving!
(fist thuds)
(bodies thud)
(Bobby groans)
(body thuds)
(Bobby groans)
- Go, go!
- Stop!
- Oh, an exit, another exit!
- Go, go, go!
(door clangs)
Catch me!
(Bobby groans)
(lock clanks)
- Ow, get off my foot.
- Fucking freezing in here.
- Go, go, go, move!
- I can't move.
- Where's the exit?
Pip, where's the exit?
- Well, technically, this is an
exit
from that room.
- This is a fucking storage
freezer, Pip!
- It is not a storage freezer.
- [Guard] They've locked
themselves
in a storage freezer.
(Bobby sighs)
Get the battering ram!
- Get the battering--
- In my defense,
if we weren't in here,
you'd all be beaten to death by
now.
- 'Cause you ran away.
- I beg your pardon?
I was reconnoitering the area.
- Yeah, for you to leave us
there.
- To help us.
- Oh, please,
to help yourself, you mean.
- [Pip] Look,
while you're all busy picking on
me,
it's important to note
that, on an objective betrayal
scale,
Jackson betrayed you guys
way more than I have.
- Don't fucking go there, Pip.
(door clangs)
(door clangs)
(all whimpering)
- [Guard] Hold!
The assets!
- The assets?
(dramatic music)
- Holy fuck.
- The assets.
(dramatic music)
Oh.
- Ugh.
- Okay, come out,
calmly and quietly,
and we guarantee no harm
will come to you.
If you don't,
then we'll have no choice but to
hurt you.
So, you better come out right
now.
- Whoa.
- [Guard] On the count of three.
All right, three,
two
(dramatic music)
- Everybody, get back!
I said get back,
or your spermatozoal
assets will hit the ground.
(vials clinking)
I swear, we'll do it.
- Get back!
- [Pip] Just give us reason!
- Nice and slow.
- Get away!
- Hey, hey, easy,
no sudden moves.
- Straight forward,
keep driving forward.
(vials clinking)
(patients moaning)
- Help!
- I'm sorry.
(patient moaning)
- Please, please, please!
- Psst.
(glass chinks)
(patient moaning)
- It's working.
- That's right, everybody.
Good choices.
- [Alex] What are you saying?
- Management 101.
- What?
- They've got the stick,
now they're ready for the
carrot.
(vials clinking)
- Ow!
- Why are we stopping?
- Because there's only stairs,
there's no more building exits.
Fuck!
- Just pick the bloody thing up.
- [Guard] All right, all right,
freeze!
That is enough!
Stay where you are!
(dramatic music)
Hand over the assets.
Hand them over safely,
and no harm will come to you.
(man screaming)
(glass chinking)
(vials shattering)
- Go, go, go, go!
(dramatic music)
(alarm blaring)
- Please return
to your designated area.
Making unwell choices will lead
to regrettable consequences.
- Which door?
(door thuds)
- [Loudspeaker] Please return
to your designated area.
- Hi, I'm Daniel.
- Making unwell choices
- will lead to regrettable
consequences.
- [Alex] Alex.
- [Loudspeaker] Please return
to your designated area.
- Great,
we head over that way!
- Making unwell choices
- Come on!
- will lead to--
(door thuds)
(guards shouting)
- Oh, I used to make this
shortcut
when I was a Good Boy.
Oh, they keep snacks in there.
I knew the combination.
- [Loudspeaker] Outside,
there's trauma and sickness.
Prioritise your wellness
- What the?
- by staying inside.
Hey!
- Hey.
- Who are these guys?
- They're the Good Boys.
Don't worry about them.
- Don't worry?
(door thudding)
Hey!
Hey, you!
Come here, come here.
- Hi.
- Come here, we're getting you
out.
- We're just sitting ducks here,
can't someone run ahead
with Daniel or something?
- You mean you?
- Well, could be me.
- No, it couldn't.
- What's with you today?
- [Jamie] Today?
- How many times do I have
to say I'm sorry, Jamie?
- Well, that's just it.
You think it's about the saying.
- [Bobby] Come to the door,
so I can talk to you.
- [Daniel] Dude, you're wasting
your time.
- No man left behind.
(door thuds)
(Bobby groans)
(door thuds)
(door thuds)
(Bobby groans)
(button beeps)
(lock clicks)
(door lock clicks)
- Return to your--
- Uh
- Oh, hi, Daniel.
- The door's not locked?
- Why would the door be locked?
- [Loudspeaker] Return to your--
(doors thudding)
- Okay, come on,
you two are coming with us now.
Come on, come on!
- No, no, no.
We're all good, thank you.
- You don't wanna leave?
- To go where?
Outside?
- Outside there is trauma
and sickness--
- Anyway,
it's dessert night, tonight.
- We're getting jelly
after the expressing.
(suspenseful music rising)
Nacho?
- Ugh.
No.
- Oh, what about your
girlfriends?
- Beg your pardon?
- Okay, come on.
You two, come on,
let's go, let's go!
(Bobby thuds)
- Stop!
(door creaks)
(door thuds)
(Bobby groans)
- Help!
Outsiders at the Good Boy door.
Repeat, outsiders at the Good
Boy door,
right now!
(suspenseful music)
- [Loudspeaker] Outside
there's trauma and sickness.
Prioritise your wellness
by staying inside.
(lips smacking)
(door thuds)
- This is it, the back way out!
(shoes clopping)
(Alex groaning)
(all groaning)
(lever clicking)
- [Bobby] There's no power!
(Pip panting)
Hey, get that shelf,
push it in front of the door!
(Bobby grunts)
- [Alex] Move!
- They're almost here!
(Alex groans)
Stop gawping and help us, Pip!
- They're here!
(shovel scrapes)
(door clanks)
(metal clanks)
(Bobby groans)
(shelf clanking)
(Bobby groaning)
(dramatic music)
- Three, two
(all groaning)
Is there another exit?
- [Daniel] No, this is it.
We need a remote.
- Pip, what are you doing?
- We had an automatic garage
door at home.
(chains clinking)
- Oh my God, Pip,
you're doing it!
- Of course I'm doing it.
Are you always so gam-jeom
in times of strife?
(Bobby groans)
(door thudding)
- Daniel, come on!
Come on!
- Pip, they're coming,
come down now.
(chains clanking)
(door thuds)
Run, Pip, run!
- Open up!
- What?
- I said open it!
- That's what I'm trying to do.
- [Jamie] Pip, come on!
(dramatic music)
(shelves thuds)
- Go!
In here!
It needs to go all the way down
before going up again.
(boots clopping)
- Come on, Pip!
No, Pip, you can make it!
- I really am sorry, Jamie.
(boots clopping)
- Grab her!
- No!
(Pip screaming)
No!
(door rattling)
(door thuds)
- Come on, Jamie!
(sombre music)
Come on, let's go!
- No.
- Come, we got to go.
- No!
- Get up!
- No!
- Come on, get the fuck in the
car!
(doors thud)
(shoes clopping)
(sombre music)
Come on, the door's opening!
(engine rumbling)
(door thuds)
(engine rumbling)
(gentle sombre music)
- Whoa!
- Hey, hey, hey, hey!
Hey, hey, get the fuck down!
Down!
Hey, stay the fuck in the car.
You wanna go back there?
Put your seatbelt on.
- I'm sorry, I'm sorry,
I'm sorry, sorry.
Just, oh my God, can you
Whoo, can't you smell that, bro?
Can't you taste that sunlight?
Oh, thank you!
Thank you, thank you, thank you
so much,
thank you.
This is so good to talk to you!
So good to just talk.
They wouldn't let us talk, back
there.
I love you, man.
We love you.
And I'm not being weird, okay,
I'm not being weird,
and you ask any of the
other same place boys,
they'll tell you,
they'll be like, "Oh,
there goes Daniel again."
"Telling us that he loves us."
"Bloody classic Daniel", classic
me.
But you know, every time
I say it, I mean it.
- Well, but you just said
that they won't let
you talk to each other,
back there.
- No, not there.
No, the real safe place,
not that hellhole.
- [Bobby] But there's more men
at another safe place?
- [Daniel] Yeah, of course.
I came from there.
- [Daniel] You came from there?
- Yeah, me and Hamish got
sick of the real safe place
about like four years ago,
so, we tried to make it off on
our own.
That's how we got stuck in the
hellhole.
- [Bobby] Who's Hamish?
- [Daniel] You met him.
He's one of the Good Boys,
the one with the eyes.
- Oh, yeah, yeah, yeah.
What happened to him?
- [Daniel] Oh, bro,
some minds just snap, eh?
You feed them enough nachos and
jelly,
and they just go
(fingers snap)
- [Alex] Hey, at the real safe
place,
was there anyone with a
moon tattoo up their arm?
- [Daniel] Yeah, the Sisterhood.
Yeah, they ran the safe place.
You know them?
- That's resistance.
You were at the resistance.
Guys, don't you see?
The resistance, the real safe
place,
the Sisterhood, it's the same
thing.
Hunter knew my ma.
They were part of it.
- [Jamie] How many people
are in the Sisterhood?
How many guns do they have?
- [Bobby] Oh fuck!
(tyres screeching)
(passengers groaning)
(Jamie whimpers)
- [Alex] What is it, what's
wrong?
- [Jamie] Shit, the northern
checkpoint.
- [Alex] Turn around, go back.
- There's no fucking way I'm
going back.
(suspenseful music)
(engine droning)
(suspenseful music)
(handbrake clacks)
(suspenseful music)
(window swooshes)
(suspenseful music)
- Abundance to you all.
- [Both] Abundance.
- What's your business?
- We're with DOC.
- Oh, yeah?
- Department of Conservation.
- Doing what?
- Catching those big feral cats
there
everyone's been talking about.
- Oh my goddess, yes.
Scary, aren't they?
- Yeah.
- Wait, DOC?
You said DOC?
- DOC.
- You must know my friend,
Gina?
She's head of operations.
- Yeah, Gina,
yeah.
- Everyone knows Gina.
(guard chuckles)
- Nobody knows Gina.
I made Gina up.
(dramatic music)
Who are you really?
- Shit.
(dramatic music)
All right, on the count of
three.
- We had a fight
With the cats.
(dramatic music)
(Bobby grunts)
(metal clinks)
- Ssh.
- [Guard] Who are you,
and why are you leaving Hiro
Valley?
(dramatic music)
See this button?
I press this button,
and three things happen.
(dramatic music)
One,
road spikes pop out of the
ground,
all up and down this pass.
Two,
Wellness guards come out racing
to these GPS coords.
And three,
I get more action than I've had
in a long time.
(guard chuckling)
You know what's funny?
They call this a panic button.
You know, I've been out here,
protecting Hiro Valley for four
years,
watching our Lane make
this country well again.
Just me,
waiting for sneaky,
unwell reprobates like you.
I'm not the one who panics
when I press this.
You are.
(suspenseful music)
(vehicle thudding)
(palm thuds)
(guard groans)
(button thuds)
(door lock clicks)
(Jamie groans)
(door thuds)
(door lock clicks)
(Jamie grunts)
(elbow thuds)
(Alex whimpers)
(dramatic music)
(both grunting)
- Get the fuck off me.
Fuck you!
(all groaning)
(guard thuds)
- [Alex] Jamie, take it!
- Let go!
(head thuds)
(body thuds)
Ow!
(suspenseful music)
- Jackson!
- [Alex] Jackson?
- Hey!
(suspenseful music)
- [Bobby] Come on, Daniel!
- [Daniel] Wait up!
- [Alex] Jamie!
Jamie, come on!
(suspenseful music)
(bodies thud)
(suspenseful music)
- No!
Bobby!
(fist thuds)
Get off him!
(fist thuds)
Stop!
(fist thuds)
- [Bobby] We don't have
time to sit around here
and fake this anymore.
(Jackson gasping)
- [Alex] I need to talk to my
brother.
(Jackson panting)
- [Bobby] Yeah, except he
isn't just your brother,
is he, Alex?
(Jackson panting)
He's a lying fucking snake
who pretends to be best friend,
so he can strap you down and
degrade you
like fucking animal.
- Alex.
(Jackson coughs)
Alex, please.
- Hey, bro.
Why were you in the truck?
- Alex, where's my bag?
- Answer the fucking question.
- I know you're angry.
(metal clinking)
I was trying to escape.
- Bullshit!
When you found me,
we were out in the bush for
weeks.
You could've escaped at any
time.
- No, no, no, you don't
understand.
She got into my head.
(Bobby chuckles)
- Are you really gonna listen
to this shit, Alex?
- [Jackson] When I saw you,
something switched inside of me.
I swear, it's true.
- What happened to you?
(metal clinking)
- [Bobby] We don't have time for
this.
- [Alex] How did you get there?
Why didn't you try to find us?
Why didn't you tell us you were
alive?
- [Jackson] She made me do it.
- [Alex] She made you do it?
Does she make you wear that ugly
wig?
- [Daniel] Yeah, what's with the
wig?
- [Bobby] Don't start things.
- [Alex] Is that what she does,
she tells you what to do,
and you follow her like a sheep?
- [Jackson] Alex, you don't
understand.
Please, I'm hurt.
- [Alex] Tell me the truth,
what happened in Warrington?
Why didn't you try to find me?
I could've helped you, Jackson.
- [Bobby] Alex, I'm not
about to get caught,
'cause you wanted a family
reunion, okay?
They are out there right now,
looking for us!
- [Alex] Why don't you
stop your dick-swinging
and calm the fuck down.
Daniel?
We need to take him back
to the real safe place,
find out more.
Isn't that the Sisterhood's
thing?
To protect his kind?
- Yeah, but--
- But what?
- But the guy's a guy honey
trap.
- So?
- [Daniel] So, I'd be a pretty
shitty guy
to bring him back to more guys.
- [Alex] It's not his fault.
She made him do it.
- Oh, wow the fuck wee, Alex.
- You heard him.
- And you believe him?
He stowed away in the back of
that ute,
so he could go out and get more
meat
for his fucking mistress!
- No.
- [Alex] We don't know that.
- [Daniel] I do.
(metal clinking)
He's the pied piper.
He kissed the girl that gave him
the pipe
to pipe his happy song with,
which we heard like moths to a
flame.
And before we knew it,
it's been four years
of having my nut harvested.
- All right, Daniel.
- Four years
of being pumped and dumped
- Yeah, okay,
- In a dentist chair.
- That's enough.
It's decided.
Two against one.
(metal clinking)
- Excuse me?
- Yeah, you're excused.
(metal clinking)
- What are you doing?
(strap whooshes)
(metal clinking)
What are you doing?
- You heard him.
We can't take him with us.
We can't leave him here to keep
piping.
And we sure as hell don't have
time
to stick around and be caught
again.
- Jamie?
(sombre music)
- [Bobby] If she had something
to say,
she would've said it by now.
Three against one.
- [Alex] Jamie, what the fuck?
- [Jackson] Hey, wait.
Wait, wait, wait, what are
you
Hey.
- What are you doing?
- What needs to be done.
- Whoa, whoa, whoa, whoa.
- Are you fucking kidding me?
- Get up!
- Whoa, whoa, whoa, whoa!
- [Alex] This this noose off of
him!
- What the fuck?
(metal clinks)
Hey, hey, stop, stop, stop!
Stop, stop, please, please
(metal clinking)
- You all okay to watch us
fucking lynch my brother?
- Get it off me.
- Is this what we're doing here
tonight?
- Alex, Alex, Alex.
- [Alex] Fuck you!
Get it off him!
(rope creaking)
- It's just a guy!
(intense morose music)
- Get it off!
(intense morose music)
(indistinct shouting)
Take it off!
(intense morose music)
(rope creaking)
(intense morose music)
(Jackson gasping)
(intense morose music)
(knife chinks)
(rope whooshes)
(body thuds)
(Jackson gasps)
(Jamie panting)
- If anyone is gonna kill this
man,
it's going to be me.
He was my husband!
I gave him my heart!
He's mine!
So, if anyone has a problem with
that,
you're gonna have to go through
me.
- So, what, you're on
his side now too, huh?
(Jackson grunting)
- No.
Not for a second.
(boot thuds)
(Jackson groans)
(button clicking)
- No!
- It's all right.
- [Daniel] What is that?
- This is the battery
to the GPS button that
Jackson is pressing,
trying to get us recaptured
again.
(Jackson panting)
Play me again, fucker.
(hand whooshes)
(battery plonks)
We're going to the real safe
place,
and we're bringing your friends
back
to storm Lane's shit.
- [Daniel] Oh, I can't do that.
- [Jamie] Yes, you can.
- [Daniel] If he escapes,
the Sisterhood could all die.
- [Jamie] If he escapes,
but he won't.
(knife thuds)
(Jackson screaming)
(flesh sloshes)
- Fucking
(Jackson screaming)
(flesh sloshes)
(Jackson panting)
Fuck you all!
Fuck you all!
(indistinct)
- If he gives me one more
reason,
I'll finish the job myself.
(Jackson moaning)
(sombre music)
- Let's go.
(sombre music)
(Jackson moaning)
(sombre music)
(Jackson groans)
(door clicks)
(door thuds)
(Jackson groans)
- You okay?
(Jackson whimpering)
- No.
(Jackson whimpering)
- Oh my God.
- Yeah, me neither.
(Jackson whimpering)
(gentle tense music)
(metal clinks)
(Pip panting)
(gentle tense music)
(Pip grunts)
(gentle tense music)
(shoes clopping)
- I trust you're rested,
unwell.
Let's not beat around the bush.
- I do prefer my bush unbeaten.
- Where have you taken my Bobby
and Daniel?
(Pip sighs)
- I honestly have no idea.
(gentle tense music)
- Do you choose abundance
or scarcity?
- It's kind of a rhetorical
question.
- Abundance
or scarcity?
- Lane,
I've been in your custody the
whole time.
These interrogation tactics
feel a bit misplaced.
- You choose scarcity.
(hands clapping)
(gentle tense music)
- This whole hair-touching,
beige, bland energy,
aura thing you're doing
is not gonna magically produce
information
I'm not privy to.
- I know.
Which is why I've asked
Dr. Garvey to assist
in this matter.
(metal clattering)
(machine buzzing)
- Good morning, Phillipa.
(gentle tense music)
(machine beeping)
(cogs clacking)
(metal thuds)
(machine buzzing)
(Doc Garvey chuckles)
(gentle tense music fading)
(dramatic music)
(dramatic music drops off)
(static hisses)
(lively music)