Maigret (2016) s02e02 Episode Script
Maigret in Montmartre
1
COUNTESS: Ah, Princess Xenia Zakharovna,
all the way from Petersburg,
you are so good.
And you've brought
your exquisite daughters.
My dears, you shall
break so many hearts.
Now, this is Sir Greville Haig,
the new ambassador.
Sir Greville, I must reproach you.
You are too naughty.
Why have you brought
from London this fog?
PHILIPPE:
That's quite a party, Countess.
I'm afraid the fog is in your brain.
You want some more, but you can't
have any more, darling, can you?
Because you've had it all.
You're a woman after my own heart.
Bloody shreds.
Bloody shreds, indeed.
Now, one of us has to hawk
our backside round the Bois de Boulogne,
and I don't think yours is going
to fetch very much, do you?
I need some cash.
Money, darling. Where is it?
Cashykins.
Right. Well.
Well, then, I shall have to take this.
Just for a tick,
just until tomorrow, all right?
(KISSING) Good girl.
The Countess is not receiving!
I said the Countess is not receiving.
Hello?
Club Le Picratt, ladies and gentlemen.
Your mother wouldn't like it,
but your mother's in bed. (CHUCKLING)
20% discount with this card.
Girls, girls, you like girls, ladies?
Some do!
Step right in. Gents!
Those stumbling words
that told you what my heart meant
A fair ground's painted swings
These foolish things
Remind me of you
You came
You saw
You conquered me
When you did that to me
I knew somehow this had to be ♪
Beautiful.
So beautiful.
I have to go.
But you can't.
You've got another set.
Arlette, Arlette.
Arlette, you're my star.
People will complain.
- I might have to
- What?
You might have to what?
FRED: Arlette!
GRASSHOPPER:
Ladies and gentlemen, stop right there.
You need music, you need champagne,
you need to put some lead
in your little propelling pencil.
You need the erotic inferno
that is Arlette.
She'd give a dead man a stand.
Are you okay, miss?
ARLETTE: How many times
do I have to explain?
There must be someone
here that I can speak to.
You can speak to me, Inspector Janvier.
ARLETTE: You're not giving me answers,
there must be someone else.
JANVIER: I'll try to help you, miss.
ARLETTE: It's been hours!
JANVIER: Calm down
and I will try to assist you!
Who's this? Is he senior to you?
In every respect, miss.
Chief Inspector Maigret,
this is Arlette.
We're just trying to establish
how we can be of assistance to her.
Another bucket of cognac, maybe.
What did he say?
Could we please start at the beginning?
Please.
jANVIER: Evening, Pierre.
- PIERRE: Evening, janvier.
- I sing at a club in Pigalle.
Le Picratt, do you know it?
It has these kind of Booths.
I was doing my act,
and there was these two men.
I could hear them whispering. Okay?
While you were singing?
- When I'd finished.
- What were they saying?
They're going to kill someone.
Did they say whom?
The Countess.
Countess who'?
Well, I don't know.
Did they say how they
intended to do this or when?
You're laughing at me.
No, I'm not laughing at you.
I'm merely trying
to establish the facts.
This "Countess",
is that a stage name or
I don't bloody know, do I?
A Countess, like a lord.
You know? An aristocrat.
Do you think I'd be talking to people
like you if this wasn't urgent?
I need to lie down.
She needs to lie down.
Hmm. Let her sleep.
ARLETTE: Oscar!
Was he one of the men?
Oscar'?
Talking in the club?
- Where are you going?
- Home.
MAIGRET: I'll get someone to escort you.
ARLETTE: Don't patronize me.
Arlette, please, take my ca rd.
In case you want to talk to me again.
Tomorrow, possibly.
How long were you planning
on sitting there with your coat on?
It's 2:00 in the morning.
I know.
Happy birthday.
MADAME MAIGRET: Oh, that's sweet.
Where did you find it?
There's nothing inside, I'm afraid.
It was my mother's.
I made it for her, when I was at school.
You made it, as in you "made" it?
Inspector, we're impressed.
It's for putting things in,
fairly obviously.
Special things.
Well, that's something
that we don't do often enough.
Surprise each other.
MADAME MAIGRET: Hello, Maigret's.
Oh, hello, janvier.
Yes, of course.
I'll just get him for you.
It's janvier.
Janvier, good morning.
I'll be right there.
- Who's up there?
- Dr Paul.
Lognon's lying in wait, giving a lot of
nonsense about jurisdiction.
- He found the card you gave her.
- Oh, of course he did.
Who's this?
LOGNON: He is the concierge, Maigret.
Deaf as a post.
I've practically lost my voice shouting.
I saw the girl do her turn
the other night, down at Le Picratt.
Tremendous voice, Maigret. Great legs.
I'm taking the case.
DR PAUL: Apparently, you are
acquainted with the corpse.
When did this happen?
DR PAUL: About 2:30?
She was strangled.
She tried to fight the man off.
Broke her arm in the process,
then her neck.
-"Man"?
- Or a woman with very big hands.
Look at the bruises.
This feels like her private space.
If the killer is a man,
he was in here without her consent.
I don't think she brought men here.
And this is a fake.
This identity card. But it's a good one.
She spent some money on it.
Oh, my God.
LaPointe, I've got a job for you.
I want everything there is to know
about people in Paris, male or female,
calling themselves "Countess".
LaPointe? I want it immediately.
Yes, Chief.
DR PAUL: He's young.
Yep, that's blood.
It's fresh, and it's not hers.
The skin's unbroken.
There's some more on the floor, there.
There's nothing under the fingernails.
Or on any object that
she might have used as a weapon.
The killer must have been
already bleeding when he got here.
Or there was a third person in the room.
Excuse me.
Police judiciare. Inspector Janvier,
this is Chief Inspector Maigret.
We'd like to talk to the owner.
Fred?
If that's his name,
that's who we'd like to see.
Could you go get him, please?
Well, the thing is, I usually
let him have a lie in. Is it urgent?
Yes, it is. Madame?
Alfonsi.
Fred is your husband?
Now you're getting the idea.
Fred? People!
So, what's up, anyway? Can I help?
- Madame Alfonsi
- Oh, Rosa.
Rosa.
- Could we sit down?
- Please.
MAIGRET: We have come
to speak to you about Arlette.
Police.
(WHISPERING) Very careful, my darling,
what you say and don't say.
We don't want you going back
where you came from.
Right then, folks, who do we have here?
- Chief Inspector Maigret.
- And Inspector Janvier.
Good God. Rosa? That's Maigret.
I have a license.
Everything is in order.
I pay on the nail.
Arlette's dead.
Come again?
The girl you employ
under the stage name "Arlette"
was strangled in her bed
in the early hours of this morning.
What was her real name?
Arlette Giraud. I mean,
that's what it said on her papers.
I understand that last night,
two men were sitting together
in one of these stalls. Which one?
Two men, like a couple?
Not necessarily.
Two men together, no.
Arlette sat in one,
mind, with a young man.
It was before her show.
- Her boyfriend?
- ROSA: He wanted to be,
by the look of it.
Did you catch his name?
Rosa, do the girls have a dressing room?
Maybe I can take a little look at it?
jANVIER: Chief.
Did any of the customers
sleep with Arlette?
We don't do that.
We're a nightclub,
not a knocking shop.
MAIGRET: Did you?
- Did I what?
- Yes or no?
I have a go with all the girls
when they start, it's like
Part of the training.
None of this on the premises, mind.
There's plenty of
by-the-hour places round here.
She doesn't mind.
Ask her.
Ideally not right now,
she's a bit upset.
Who else works here?
Some musicians,
barmen, a couple of waiters, a cook,
a plongeur, that's it.
Oh, and the Grasshopper.
He's a crook back,
everybody calls him Grasshopper.
He hangs around out
the front touting for business.
Nobody who works here or comes here
is known as "The Countess"?
Or “Oscar”?
I suppose we're in
for a bit of publicity?
I suppose you are.
JANVIER: Generic description,
worse than useless.
Nice young man in a hat.
Nevertheless. We want this boyfriend,
janvier. He is key.
Was Fred sleeping with Arlette?
All the girls get the benefit
of Fred's attention.
How does Mrs Fred feel about that?
Apparently, she doesn't mind.
The girl came to us for protection.
She told us her name was Arlette.
She spun us a line about two men,
apparently non-existent,
plotting to murder a Countess.
But what she actually wanted
was for someone to keep her safe.
And I didn't see that.
And I let her stumble out of here
in the middle of the night, drunk.
Then we'd better
find the bugger responsible.
I'm the one responsible.
But I'm going
to find the man who killed her.
-(KNOCK AT DOOR)
- Yes?
We have a dead Countess.
Chief.
I've tracked down
all the aristos, emigrées,
transvestites and lunatics
calling themselves Countess,
including one woman
whose name is actually Lucille Countess.
Seventy-six of these people
living in Paris.
JANVIER: Seventy-five.
I want you to go to all the hotels
and flophouses within walking distance
of Arlette's flat. All of them.
See if anyone
remembers her taking a room.
If so, who was in the room with her?
We need this boyfriend.
What's up?
DR PAUL: It's almost as though
killing her wasn't enough.
She clearly put up a hell of a fight.
I'll tell you something else.
Same killer.
- Blood?
- DR PAUL: None that I can see.
MAIGRET: When did this happen?
Last night.
MAIGRET: Before or after the girl?
Before. Rigor's well set in.
JANVIER: So the killer
went from here to Arlette's.
Witnesses.
Establish the routes he could have
taken from this flat to hers.
Let's talk to everybody.
-(KNOCK AT DOOR)
- Who's that?
Concierge.
Tell her we'll talk to her downstairs.
JANVIER: All right, come with me.
Curious.
There are objects of value here.
Glass. Porcelain. Ivory.
But no food.
No means of cooking it or eating it.
Nothing to sustain life.
Welcome to the wonderful
world of morphine.
MAIGRET: I'll get Moers
to look at these.
JANVIER: Gendarme found this outside.
I guess it proves what we already know.
Our killer's not a thief.
MAIGRET: No.
He came to destroy lives.
What we don't know
is if he thinks he's finished.
Or if he's just getting started.
No, she married the Count
before the war, a much older man.
They lived in a hotel in Nice,
the way people did.
The Saint Simon. Very swish.
I think that when he died,
she just gave up.
I mean, the way
she lived here was just frightful.
Come in.
Maigret". Was she ever visited
by a young woman called Arlette?
- No.
- Did she have many visitors?
Scarcely any. Her doctor, mainly.
When I was told
what had happened, I sent for him,
he should be here any minute.
Bloch, his name is.
A Jew, of course,
but perfectly pleasant.
And the only other one who came
regularly was some horrid little pansy.
Forever flouncing
up and down the stairs.
God knows what they found to talk about.
- Was he here last night?
- Very likely.
Yes, yes, definitely.
What was his name, do you know?
Begins with an Frederic?
Certainly begins with an
What about "Oscar"?
Well, he's always around.
He's here right now.
Would you like to meet him?
Yes, please.
Excuse me.
Come in.
Isn't he splendid?
He is indeed.
How did you know his name?
He is a detective.
I wish you particular luck
on this one, Maigret.
jANVIER: Cats.
DR PAUL: What's he doing here?
Greetings. I'm Dr Bloch.
I know who you are.
Gentlemen.
I presume you're the police, yes?
I understand my patient
has been assaulted. How is she?
No longer in need
of your ministrations, Doctor.
Oh, God. How awful. Can I see her?
No, I'm afraid not.
We don't want extra fingerprints
at the crime scene.
Well, in that case
Why don't you come with us,
back to my office? Have a cup of coffee.
I don't quite understand
what's happening here.
Are you arresting me?
I'm merely asking you
if you want a cup of coffee, Doctor.
One thing at a time.
And don't forget your bag.
- My
-(BLOWS NOSE)
Shall I tell you what I think?
I think that if we
looked inside your bag
that we would find,
among the regular apparatus,
a surprising amount of morphine.
Because that was the basis of your
professional relationship
with the Countess, was it not?
You were her dealer.
Look. I can explain.
If a patient, all right,
is as addicted as she was,
all one can do
is regulate the consumption.
To contain the dependency.
Do you regulate
and contain a lot of your patients?
This is your one chance to answer
questions in a civilized environment.
I would urge you to concentrate.
Did you ever see a singer
called Arlette at the Club Le Picratt?
I was told she was very good.
Was she one of your patients?
- I have no idea.
- What about Oscar?
- Was he one of yours?
- Look
I've never been to this "Rat Club"
or whatever it is.
- I don't know any of these people!
- What about the rent boy?
Hmm.
Him, you do know.
- What's his name?
- Begins with an
Philippe.
Philippe Martinot. It begins with a
- Where does he live?
- No idea.
Never spoke to him.
It's possible he has the room
above the Countess.
But he's never there.
He spends the nights with his clients,
wherever they want to go.
There isn't a room above the Countess.
Up in the loft.
She lets the boy use it.
The concierge doesn't know.
GENDARME: Sir.
There's something missing.
Philippe.
We have no connection between
the Countess and Arlette.
Did they have anything in common?
Why are we still talking about Arlette?
Why can't we find out her real name?
She didn't want us to know who she was.
She didn't want anyone
to know who she was.
She didn't want Oscar
to know where she was.
You're assuming Oscar and the boyfriend
-are two different people?
- I'm assuming nothing.
I'm merely remembering that when
she cried out his name in her sleep,
it wasn't with joy.
She was terrified.
So, we have no connection
between the murdered women.
No young man in a hat.
And when Arlette was strangled
there was a third person in the room,
and we can't find them either.
Get hold of Philippe, bring him in.
I'm going to talk to those dancers.
What?
You go and spend the night sitting
in a club with a bunch of showgirls.
I go and spend the night
in the cold looking for a rent boy.
That's the chain of command.
Chief.
Mind your head.
GRASSHOPPER". Gather round, dear friends.
I want to let you in on a little secret.
Wonderful people, you need
liberation from the dull old grind.
You need Le Picratt,
as featured in Paris-soir!
20% discount with this card.
This gentleman,
clearly feeling wonderful.
- That got his attention.
- Can you help me?
Now, why would the big-time
bloodhound like you
need help from
a poor little cripple like me?
Grasshopper, he sees it once,
he has its number.
He figured it for a cop straight off.
Then it opens its mouth
and lo, it's Maigret.
Yes, looking for a murderer.
I was wondering
if you might have seen anything.
PUNTER: Is Betty on tonight?
She is indeed, my friend,
loose as a goose and hot to trot.
PUNTER: Nice to know.
We get all sorts.
We get couples,
we get men dressed as women,
we get women dressed as men,
we get priests,
we get old geezers playing
with themselves under the table
when the girls take their kit off.
Sleazeballs, losers and lost souls.
But murderers? No.
What about an Oscar?
He's your murderer, is he?
No. No Oscar.
Any more questions, sir?
You're putting off my punters.
Just one.
How well did you know Arlette?
I was thinking about having her.
Blink all you like,
but the girls know what's good for them.
All I had to do was ask.
She was generous that way.
Announcing the showgirl Betty
Chief Inspector. Welcome.
Your money's no good here tonight.
Look how the place is filling up.
You did that, putting us in the papers.
Barman, give this gentleman
whatever he desires, keep it coming.
What'll it be, comrade?
Armagnac. But I'll pay.
Anything else you'd like?
I'd like to speak to the girls.
And so you shall. Rosa! Rosa!
Chief Inspector wants the girls.
Hey. I'm auditioning
a replacement for Arlette tomorrow.
Probably a stripper.
You might like to come along.
You might find it instructive.
I'm Betty. This is Tania. You wanted us.
Please.
Can't, love. I'm on in a second.
I'm gathering information about Arlette.
About her life, her place of work.
She didn't dance, did she?
BETTY: She called it dancing.
All she had to do was walk on stage,
fellas start frothing at the mouth.
You married?
Erm
Yeah, you're married.
You have that look. What's the word?
"Contented"?
"Stricken".
Arlette had a boyfriend.
Not that I'm aware of.
His name might have been Oscar.
I suppose it might have been, dear.
I never saw him.
Poor Am].
That wasn't her name.
It was Marie Lefevre.
Well, I never.
Hey, hey, you're on.
Girls, girls, lovely girls.
Tall girls, skinny girls,
girls who are very obviously mammals.
We got 'em.
And none of them any use to you.
'Cause it's just a little corpse
looking for its grave.
Betty doesn't remember a boyfriend.
Betty's a nice girl but she's
very stupid.
She sees nothing.
Arlette really liked that boy, I think.
She didn't tell me his name.
That's why I thought he was special.
To have a secret
in this place is special.
MAIGRET: Fred doesn't like secrets?
Or is it Rosa?
Rosa is a good woman,
so you leave her alone.
- She's been very good to you?
- Alone.
So these people here tonight.
The regulars.
- Regulars.
- Do you know any of them?
- None of these people are regulars.
- Oh, come on, Tania.
What about the man
in the booth behind me?
I've never seen him before
in my life and besides, he's gone.
Ladies and gentlemen,
you need music, you need
The man who asked about Betty.
Who is he?
God knows.
He's a regular,
you addressed him as "my friend".
Everybody's my friend. And he
ain't a regular, he's a first-timer.
So how did he know Betty's name?
People round here know the girls.
Especially since you
got 'em in the paper.
Where are you?
Arlette's flat.
Where the girl was killed.
She's there, yes?
- Yes.
- And you're the murderer?
The blood on the floor. 0 positive.
The blood on the wall. B positive.
Arlette is B negative.
None of this is hers.
So there is a third person in the room
and we are both bleeding.
Are you so preoccupied with your murder
that you don't notice
someone coming in behind you?
Someone who tries to stop me.
Or just grabs me, stabs me,
because it's too late to save Arlette.
I lash out in pain.
And I'm certain
that I've killed them, too.
But after I leave, they recover.
They're still alive.
Madame Maigret,
you're a very clever woman.
But if that's what happened,
it actually makes things worse.
Because Oscar's carrying a wound.
And he'll want to find
whoever did that to him.
Because they've seen him.
He's got another person to kill.
MAIGRET: Right, Arlette was not Arlette.
She was Marie Lefevre.
So let's get onto that
very quickly, please.
I don't know where she was from,
but I'm guessing not Montmartre.
Also, the report from the morgue
says that the Countess' body
was covered in scars.
She was looking for veins.
Not on her back.
Some of the scars date back years
and look like cigarette burns.
Who was doing that to her? And why?
Where's Philippe?
The gentleman was in
when I called round.
But he promptly did a bunk
out the window.
But he won't get far.
He's a junkie chasing a fix.
He'll be out on the street
looking for trade.
The one photo that we have
got of him I've given to the uniforms.
I'll find him.
Well, you won't find him here.
You want to earn yourself some cash?
Yes. You have a room?
Give me 100 metres.
I'm so sorry. I got held up.
It's all right, sunshine.
You've found me now.
MOERS: Ah, this is epic.
- What is?
- This correspondence, from Nice.
Count to Countess.
Elderly gentleman of rarefied taste
salutes his child bride.
It's really very sweet.
How did he die?
Ah, not quite so romantic.
The press report suggests the Count fell
from the balcony, 10 floors up.
The coroner says, "A fit of dizziness."
The world says, "The old boy jumped."
Why, if they were so happy?
Well, they started happy.
But they ended up in hell.
The second year of the marriage
he started in on her.
Nothing she could do was right.
Reading between the lines, I think he
was a rather nasty piece of work.
Anyway, the note here from
the hotel manager of the Saint Simon
suggests that six months
after the funeral, she was broke.
She cut and ran to Paris,
where she fell into bad company
and paid the price.
Do we think that the Count
might have been pushed?
That's not suggested
in these documents, no.
- Are these the earlier letters?
- Yes.
MAIGRET: H m m.
I haven't finished with those.
You'll get them back.
LaPointe.
Chief. I went round all the hotels.
And nobody's let a room to Arlette.
Well, they wouldn't have.
- Why's that?
-'Cause she wasn't that sort of girl.
Lognon, just the man.
Montmartre is very much your fiefdom.
MY What?
Alfonsi told us that he took Arlette
to a hotel close to the club.
Would you mind checking around?
Show the managers a picture of Fred.
Chief, I've already
been to every single one.
You, come with me.
I had a feeling
that Arlette was significant.
I was going to marry her.
Oh. LaPointe.
We have been looking for you.
-"Young man in a hat".
- I know.
I know. I'm sorry.
I did try to say.
I hadn't actually asked her yet.
I only met her three times,
but that can be enough, can't it?
Yes. That can be enough.
The first time we met
it was professional,
you know? I was just a punter,
buying the champagne.
But the third time, the last time,
we connected.
We really connected.
What did you talk about?
Arlette didn't
want to talk about herself.
She said, "just like me as I am now."
I told her I'd have liked her
as she was then.
But she said, "No. You wouldn't."
She was, erm, she was born
in a town called Lisieux.
Her aunt makes frocks, I think.
She said nothing about life at the club?
Only that Alfonsi's wife
had been kind to her.
She was kind to all the girls.
You were there last night with Arlette?
Earlier in the evening, I was.
But I couldn't stay for her first set.
So she must've gone straight
from the club to the Quai.
To you.
Did you see anyone
who could have been an Oscar?
I only saw her, Chief.
That place could have been
filled with dope-crazed axe murderers,
I wouldn't have noticed.
Marie Lefevre.
Does that name mean anything to you?
Anything else in that last conversation?
Anything at all? Think.
Arlette had this brooch.
It was an emerald, very classy.
I asked her, "Where did you get it"
and she said,
"It was given me, in Nice."
- Then she clammed up.
- Nice.
Go to the Hotel Saint Simon
and get a list of every member of staff
who's moved on since the Count died,
where they've gone and why.
Chief. Chief?
Mmm?
Are you getting rid of me?
No, I'm sending you
to the heart of the case.
That's how Arlette
and the Countess are connected.
Same time, same city, same hotel.
It's the link. Dig it out.
Where are you going?
Madame Dussardier?
My name is Maigret.
Police judiciare in Paris.
Please come in.
MADAME DUSSARDIER:
The first duty of a lady is gaiety.
She must be able and willing to sing,
dance, play the piano.
In her conversation,
she must scintillate.
That's what I was taught.
What I was not taught was how to sew.
It was not appropriate.
And yet here I am,
taking business into my own house.
A seamstress.
I saw the paper yesterday
and recognized the girl as my niece.
You won't find her mother here,
by the way. She's long gone.
She disowned the girl the day
she was thrown out of the convent.
- For what offense?
- The same offense.
Committed again and again with
the most deplorable men of the town.
Some people are born bad.
I'm not sure I believe that.
The autopsy revealed
that Marie had given birth
when she was much younger.
Possibly as young as 13.
The whole of Lisieux
was paralyzed with dread.
Who was the father?
It could have been anybody.
Thirteen.
Poor child.
(SIGHS) "Poor child"? I don't think so.
She knew what she was at.
What happened to the baby?
It was born dead.
I learned this
from my husband.
You see,
he thought the child might be his.
He tracked the girl all the way
to the Riviera. He found her,
working as a chambermaid in some hotel.
The Saint Simon.
The name of the hotel
was not a detail that concerned me.
But my husband was right.
He was the father of the child.
I'm afraid it will be
necessary for me to speak to him.
Well, then you'll need to have friends
in the highest of high places.
My husband hanged himself.
The girl's enchantment
lay all over him, you see.
It lay all over every man she ever met.
That was her curse.
MAIGRET: The Countess, Arlette, Nice.
- MADAME MAIGRET: Could you move those?
- Sorry.
Did you really burn
all my letters to you?
You'd made me very, very cross.
I was on a case.
You were on a case, I was waiting
in church, standing there like a lemon.
It was a rehearsal.
It's not that I missed
the actual wedding.
Please, let's not
dredge this all up again.
I'm just saying it was unfortunate.
That's the thing.
What's the thing?
At the heart of this case
is a man who feels aggrieved.
Could I ask you to do something for me,
if you can, just for 10 minutes,
just while I have you here?
Stop worrying about your murderer.
Eat.
That's the key.
I'm really sorry.
MAIGRET: Roll up your sleeves.
- No.
- Do as you're told,
you filthy little fairy.
MAIGRET: That's enough.
Why won't you let us see your arms?
The evidence of what
illegal activity would become apparent?
You have your addiction and I have mine.
An addiction you shared
with your Countess,
who was murdered.
The only interesting question is,
were you there when she was murdered?
I know for a fact
that you were, Philippe.
That's why you ran away.
How did you know?
Oh, I didn't.
But I do now.
So that's your problem, isn't it?
He killed her,
but he didn't quite kill you.
And now you're scared.
I'd like a lawyer, please.
Oh, I'm sure you would.
You probably know a few lawyers,
in your line of work.
But I wouldn't rely on these
professional people
to rally to your cause.
Take Dr Bloch, for instance.
He gave you up like that.
I don't think you need
a lawyer, Philippe.
What you need is a hit.
Isn't that right?
Your eyeballs are itching,
your skin's on fire.
Your brain is crawling with wasps.
All you're thinking is,
"Give me morphine."
Well, I can't.
But what I can do is to set you free.
Tell me what I need to know, Philippe,
and you can leave.
And janvier here will have to find
someone else to terrorise.
Marie Lefevre.
Also known as Arlette.
Have you ever heard that name?
I'm telling you nothing.
You really are very frightened,
aren't you?
Nothing!
- FRED: Slacking again.
- Everything I do.
Everything you do, what?
Defile it. With your filthy hands.
You still got a headache, my darling?
Everything-
You know what's good for you, don't you?
Huh?
- A bit of bed.
- I'm not tired.
Who's talking about tired?
If you hit me, I'll scream.
Well, don't do that,
'cause then I might get a headache.
Ahh! Stop!
TANIA: Leave her!
That man is a shit.
ROSA: No, no, no, no, no, no
You should be take this
and you should rip
Tania, put it down. Tania,
you're forgetting yourself. Enough.
Fred took me in, like I took you in.
I've done some bad things in my time
and he's never asked questions,
never passed judgment. What I have now,
it's not much of a life.
But what there is I owe to him.
Do you understand?
You watch yourself, girl.
We don't want you back in prison.
You're a slave.
No, Tania. I'm a wife.
Now clear that up, please.
jANVIER: Oh, for God's sake.
What's this?
The, er,
person being interviewed fell over, sir.
Isn't that right?
Well, I don't want him
falling over again. Is that clear?
He's a human being,janvier.
Madras cotton, lovely. Thank you.
I'll wash it for you.
Philippe.
The man who killed your friend
has also killed a young woman.
And I think he might kill again.
(MUTTERING) I can't do it.
It's really starting to bite now,
isn't it?
You need to get out of this place.
But you have
a crucial piece of information
that I know you're scared to part with.
But I need it.
You saw Oscar. You saw his face.
Help me to catch this man, Philippe.
Tell me what he looked like.
No. No. No. I can't.
Chief.
This is a list of the surviving
and traceable pre-war staff
from the Saint Simon in Nice.
Seventeen names,
but two of which might be of interest.
There's one,
Nathalie Moncoeur, housekeeper,
because she now lives
just around the corner.
And Oscar Bonvoisin.
He's a chauffeur.
Whereabouts are unknown.
BUTLER: This way, sir.
Nathalie Moncoeur?
- Sorry?
- My name's Maigret.
Sorry, lover, I can't hear a word.
Police judiciare.
I was wondering if I could
ask you a few questions?
- Am I in trouble?
- Not in the least.
I wanted to ask you about
your time in Nice, before the war.
Working at the hotel Saint Simon.
That's going back a bit.
Indeed.
I need information about some people who
were permanent residents at the time.
The Count and Countess von Farnheim.
Oh, yeah.
Horrible old man, he was.
Beastly to his wife.
He died, didn't he?
He did.
She ran off somewhere?
She came here, in fact. To Paris.
Did she?
I never knew that.
What's she been up to?
I also wanted to ask about
another member of staff at the hotel.
He was employed as a chauffeur.
Oscar Bonvoisin.
That's him.
We're trying to trace Oscar,
and we're having trouble
tracking him down.
I was hoping you might be able to
give me a physical description of him.
You mean, what did he look like?
- Yeah.
- No. Sorry.
Why not, may I ask?
Didn't you notice, love?
I'm blind.
NATHALIE: You're thinking,
I don't know how she does it.
She must get burned all the time.
The answer is,
I do get burned now and then,
but I put up with it.
And I do the job by sonar.
Sonar?
Yeah. Like they have in submarines.
I can tell where things
are in the room by the way they sound.
That's why I have
the wireless on, you see.
The music bounces around, guides me.
So you would have
known Oscar by his voice?
I did.
It's funny
I thought I heard him arguing
in the market the other day.
It wasn't him, was it?
Would it worry you if it were?
After what he did to Marie Lefevre, yes.
What did he do to her?
He turned her into a whore.
Every hotel,
there's a fella that a man
can ask if he wants a woman.
A fella who knows.
At the Saint Simon, it was Oscar.
He was well-placed, you see.
He'd drive the hotel Bentley
to the station to collect the guest.
The guest says,
"I've heard you can get me a girl."
"For the right price," says Oscar,
"I can get you a girl
like you've never had in your life."
God, he worked Marie into the ground.
Proper bastard, he was.
He must've had a hold over
her and the Countess.
They were close, those two.
They left the hotel the same day.
Guest and chambermaid,
left the hotel together.
It was Oscar, wasn't it?
He's followed them.
He's here.
jANVIER: Chief?
I'm going to release Philippe.
Right. I see.
May I ask why?
He's down there refusing
We follow him.
Oscar thinks he's killed Philippe.
He'll be surprised
to learn that he didn't.
He'll want to finish the job off.
Goodness knows what he wants.
But he's watching us.
And we've got to be very, very careful.
You can't just throw me
out into the street. He'll kill me!
He may try. Philippe-
Oh, my God.
But he won't succeed,
because wherever you go, we will go.
You won't see us. Oscar won't see us.
But we'll be there.
You know, Countess couldn't talk
about him when she was straight.
When she was high
"The day Oscar finds me," she said,
"he'll cut me into tiny bloody shreds."
I'm going to take care of you, Philippe.
I'm going to put my most
dependable officer in charge of you.
He will be personally responsible
for your safety. At all times.
LOGNON: So.
There are places out there, Maigret,
that your boy LaPointe
doesn't know about.
Innocent little lamb that he is.
There's a particularly
salubrious joint in Anvers.
I showed the manageress
a picture of Arlette.
She says, "Oh, yes. Regular guest,
"but I don't think she was on the game.
"She just seems to burn through men."
So, I show her the picture of Fred.
"Recognize him"?
"Of course," she says,
"that's Freddy Alfonsi from the Picratt.
"No, no. The girl
never came here with him."
Okay. Call me if you need to know
more about my What was it?
- Fiefdom.
- Fiefdom.
Philippe Martinot is still alive.
Is that code or something?
No, it's valuable information.
Not to me it ain't. Never heard of him.
Valuable to Oscar.
Who you met with me. Right here.
Valuable to Oscar.
And, if you pass it on,
valuable to you.
If you're so keen to catch the bastard,
what are you doing hanging around here?
Because I have to be here.
If, as you say,
I'm going to catch the bastard.
Ladies and gentlemen.
It's that time of evening
And let me tell you, we have a fabulous
collection of a little something
FRED: One and push and one and grind
and shakey, shakey, shakey.
One and push and one
and grind and No, no.
Watch and learn.
Inspector!
I told you to come, and you did.
This is, er, Jacqueline.
- Genevieve.
- Genevieve.
She's going to show you what she can do.
All right, five, six, seven, eight.
One, two and one
Okay, okay, that's enough.
We need Rosa on the case. Rosa?
Come and have a seat, darling.
We'll have another bash in a minute.
So, how goes
the thrilling world of crime? Eh?
Santa.
Why did you lie to me, Fred?
Okay -
Nitty gritty.
What exactly did I lie about?
You said you slept with Arlette.
But you didn't.
I'm sure you wanted to, very much.
And she might have complied.
But you didn't want her to comply,
did you?
You wanted her to want you.
I loved her.
I loved her so much.
If she'd have agreed to
come away with me, I would've gone.
Bosh.
Goodbye to all this crap.
"Come away with you"?
When she'd been at the pastis,
she'd start to weep.
I don't know what
she was running away from.
Rosa never tells that stuff,
and I never ask.
I don't care what she'd done.
I'd have married her.
Yeah.
Don't tell her, Maigret.
Please.
What's up?
I think your husband needs you.
And so I do, my angel.
(KISSING) I need you
to sprinkle a little bit of stardust.
ROSA: (SIGHS) Okay.
Come on, sweetheart.
- Let's give it another go.
- I promise, I'll work hard.
PHILIPPE: I mean, you know, don't you?
I'll do anything. I'll
just give me some.
Mr Maigret, telephone.
ROSA: Okay, right, turn around,
sweetheart, turn around.
And tits, hips
Maigret.
He's hooked up with the good
Dr Bloch in a café in Guy Moquet.
Pretending to be strangers.
They are having a right old chat.
My guess is Philippe's
telling him everything's fine,
he's got a ticket
to buy drugs tonight but
The doc's not having it.
He thinks it's a sting.
Yup, there he goes.
Forget Bloch. Stick as close
to Philippe as you possibly can.
ROSA: Finish.
You want me to sit on his lap as well?
Human being, janvier. Human being.
And saunter off like you own the place.
"Saunter", dear, not "march".
I know!
That's the best I can do
in the time available.
We've got to open up.
Every minute we're apart
is like a dagger to my heart.
Come on, darling.
Fred's not the man
you're looking for, you know.
He's not a killer.
I think I'd have known by now
if he were.
As it happens, I agree.
But I think you know who killed Arlette.
Were you there?
Sorry, I'm I'm finding it hard to
keep track of this. Am I the killer now?
Tania warned me to leave you alone.
Look, every one of my girls
has something to hide.
They're on the run,
they're lost, they're afraid.
The Grasshopper finds them
on the street and sends them to me.
And he does this because
he is a good and moral person.
The Grasshopper has no morality.
He does it for the cash,
like he does everything else.
I was told that
you were kind to Arlette,
that you are kind to all the girls
who pass through your hands.
Look, the girls come.
If it is at all possible,
I give them a job. That's all.
A place of safety.
Yeah.
Where they are molested by your husband.
I can't protect them from everything.
How about the Countess?
(SIGHS) I could do nothing for her.
I could see she was lost to the drugs.
When they first arrived
in Paris, I told Marie,
"Whatever binds you
to the Countess, let it go."
And she did.
She was a good girl.
just find him, Maigret.
For all our sakes.
Maigret.
I'm sorry, Chief. I've lost him.
Philippe did a runner
between Guy Moquet and Brochant.
Janvier says he's heading east.
Mmm.
If you ask me, Maigret, it's a bluff.
He'll double back on himself
to the Bois de Boulogne.
That's his office,
that's where he'll feel safe.
I agree. Redirect everybody. Lognon?
"Longon?
Hmm?
Let's get to him before Oscar does.
MALE PROSTITUTE: Hey, you.
I need a friend. To keep me warm.
FEMALE PROSTITUTE:
Philippe, good to see you.
-(LAUGHING)
- Not tonight. Sorry.
GRASSHOPPER: Club Le Picratt.
Your mother wouldn't like it,
but your mother's in bed.
20% discount, with this card.
You, sir.
Can we lift your spirits?
We can do wonders. Miracles.
We've been known to raise the dead.
OSCAR: The rent boy?
PHILIPPE: No. Thank you.
I've been driving up and down
this bloody road for half an hour.
I'm sorry, I'm sorry.
It took me forever to shift him.
I ended up having to jump through
some horrid little window in a bog.
I did tell you that they gave me
permission to score tonight, didn't I?
You do have the dope, yes?
In my bag-
But first we're going
to find somewhere quiet.
Where you can say thank you to me.
Stop that! Stop that! Jesus.
You're having a psychotic episode.
It's the morphine, get over it.
(WHIMPERING) Take me home with you.
I can't, I can't
I can't do this any more!
Get out the bloody car. Out!
I'm telling.
- You little shit.
-(GRUNTING)
jANVIER: I see you, Doctor. I see you!
It's okay. It's all right, kid,
it's all right. You're safe.
I've found you now.
- Maigret'.
- Chief, I think I have something.
A fella called the switchboard just now.
Go on.
He says he knows Oscar Bonvoisin.
Did he give his name?
No, but he knows where he lives. Sir?
I'm listening.
Rue Pouchet. Number 264a.
That's here in Paris.
Now, that could be a lie
but it's worth a punt.
Shall I come pick you up?
No, I'll get a cab.
Taxi.
Rue Pouchet. Fast as you can.
Enjoy the rest of your evening, sir.
Ta.
Unlucky, Maigret.
We sell to the highest bidder.
CABMAN: It's definitely
down here somewhere.
Excuse me.
264, 265.
264a must be down that alley somewhere.
Shall I wait for you?
No.
It's too cold to hang about.
You go home to your family.
It's not my family, Maigret.
The photos came with the cab.
MAIGRET: Hey! Hey!
Oh, God, you made me
Are you coming to bed or what?
Can I talk to you
without you losing your temper?
I don't know, let's see.
I can't promise.
I think we have to stop.
Who's the "we" in that sentence
and what are we supposed to stop?
You and me and everything here.
I think we should leave Paris
and start again somewhere else.
If you're in trouble, my angel,
I'm very sorry to hear it,
but there is no question
of us giving up this club.
So that's one less thing
for you to worry about.
MAIGRET: Stop! Stop, police.
Could you take me to Montmartre?
OSCAR: Maigret.
Where's Rosa?
- Is she dead?
- OSCAR: No.
She will be in a minute, though,
because I'm going to kill her.
And you're going to watch me do it.
Then I kill myself.
And you watch that too. (CHUCKLES)
Oh, poor Maigret,
running about after, er,
what's-his-name, the rent boy.
That was a waste of time, wasn't it?
Stop moving!
I'd just like to get
a few things straight.
I'd like to talk about Marie.
She turned up at the Hotel Saint Simon,
looking for work.
Just a child.
She was taken on as
chambermaid on the 10th floor.
Then she saw at first hand
the Count's cruelty to his wife.
And then, one day, the Countess cracked
and she threw
the Count over the balcony.
OSCAR: Ah.
She got him halfway over.
But he fought back, see?
She needed help.
- From Marie.
-(CHUCKLES)
Together,
they pitched
the old bastard over the rail.
And you saw them both do it.
I'm disappointed.
I thought I was in pursuit
of a fascinatingly complex,
sexually deranged psychopath.
When, in fact,
you're just a blackmailer.
Oh. Also a pimp. Let's not forget that.
No, let's not forget that.
Marie serviced your clients.
And the Countess paid you money
so that you'd keep quiet.
And when the money ran out,
she fled to Paris,
taking Marie with her.
She gave Marie a new name,
new identity. Hid her from me.
Didn't you?
MAIGRET: Rosa was
at Marie's flat, wasn't she?
You bitch.
Protecting her to the end.
And you attacked her too?
Be fair.
She had just stuck her knife in me.
Even you might have lost your rag.
You've got a bit of a problem
with temper, Oscar.
Yeah, I have also got a problem
with septicemia, but let's not quibble.
I've worked so bloody hard, Maigret.
By rights, my last few yea rs
should have been comfortable.
You turned a damaged child
into a prostitute
so that you could be comfortable?
You are beyond contempt,
beyond redemption. Beyond mercy.
Why didn't you come to me
after Oscar killed Arlette?
Because you'd have found out
about all the others.
MAIGRET: The other women
whose lives you'd saved?
Do you think I'd pursue them
after all they've suffered?
I wouldn't do that.
I wanted to,
to go on helping people like that.
People like me. Like Arlette.
It's the only meaningful thing
I've ever done.
Arlette wouldn't have
gone back to Oscar, would she?
No.
Nothing would have made her go back.
Because of you.
That's why he killed her.
You're up.
Do you want to talk to me about it?
Not immediately.
Things have been a bit hectic.
One pipe, and I'll come to bed.
What are these?
These are my letters.
I was angry. But I wasn't a fool.
And I can't think of anything
more precious to put in there.
COUNTESS: Ah, Princess Xenia Zakharovna,
all the way from Petersburg,
you are so good.
And you've brought
your exquisite daughters.
My dears, you shall
break so many hearts.
Now, this is Sir Greville Haig,
the new ambassador.
Sir Greville, I must reproach you.
You are too naughty.
Why have you brought
from London this fog?
PHILIPPE:
That's quite a party, Countess.
I'm afraid the fog is in your brain.
You want some more, but you can't
have any more, darling, can you?
Because you've had it all.
You're a woman after my own heart.
Bloody shreds.
Bloody shreds, indeed.
Now, one of us has to hawk
our backside round the Bois de Boulogne,
and I don't think yours is going
to fetch very much, do you?
I need some cash.
Money, darling. Where is it?
Cashykins.
Right. Well.
Well, then, I shall have to take this.
Just for a tick,
just until tomorrow, all right?
(KISSING) Good girl.
The Countess is not receiving!
I said the Countess is not receiving.
Hello?
Club Le Picratt, ladies and gentlemen.
Your mother wouldn't like it,
but your mother's in bed. (CHUCKLING)
20% discount with this card.
Girls, girls, you like girls, ladies?
Some do!
Step right in. Gents!
Those stumbling words
that told you what my heart meant
A fair ground's painted swings
These foolish things
Remind me of you
You came
You saw
You conquered me
When you did that to me
I knew somehow this had to be ♪
Beautiful.
So beautiful.
I have to go.
But you can't.
You've got another set.
Arlette, Arlette.
Arlette, you're my star.
People will complain.
- I might have to
- What?
You might have to what?
FRED: Arlette!
GRASSHOPPER:
Ladies and gentlemen, stop right there.
You need music, you need champagne,
you need to put some lead
in your little propelling pencil.
You need the erotic inferno
that is Arlette.
She'd give a dead man a stand.
Are you okay, miss?
ARLETTE: How many times
do I have to explain?
There must be someone
here that I can speak to.
You can speak to me, Inspector Janvier.
ARLETTE: You're not giving me answers,
there must be someone else.
JANVIER: I'll try to help you, miss.
ARLETTE: It's been hours!
JANVIER: Calm down
and I will try to assist you!
Who's this? Is he senior to you?
In every respect, miss.
Chief Inspector Maigret,
this is Arlette.
We're just trying to establish
how we can be of assistance to her.
Another bucket of cognac, maybe.
What did he say?
Could we please start at the beginning?
Please.
jANVIER: Evening, Pierre.
- PIERRE: Evening, janvier.
- I sing at a club in Pigalle.
Le Picratt, do you know it?
It has these kind of Booths.
I was doing my act,
and there was these two men.
I could hear them whispering. Okay?
While you were singing?
- When I'd finished.
- What were they saying?
They're going to kill someone.
Did they say whom?
The Countess.
Countess who'?
Well, I don't know.
Did they say how they
intended to do this or when?
You're laughing at me.
No, I'm not laughing at you.
I'm merely trying
to establish the facts.
This "Countess",
is that a stage name or
I don't bloody know, do I?
A Countess, like a lord.
You know? An aristocrat.
Do you think I'd be talking to people
like you if this wasn't urgent?
I need to lie down.
She needs to lie down.
Hmm. Let her sleep.
ARLETTE: Oscar!
Was he one of the men?
Oscar'?
Talking in the club?
- Where are you going?
- Home.
MAIGRET: I'll get someone to escort you.
ARLETTE: Don't patronize me.
Arlette, please, take my ca rd.
In case you want to talk to me again.
Tomorrow, possibly.
How long were you planning
on sitting there with your coat on?
It's 2:00 in the morning.
I know.
Happy birthday.
MADAME MAIGRET: Oh, that's sweet.
Where did you find it?
There's nothing inside, I'm afraid.
It was my mother's.
I made it for her, when I was at school.
You made it, as in you "made" it?
Inspector, we're impressed.
It's for putting things in,
fairly obviously.
Special things.
Well, that's something
that we don't do often enough.
Surprise each other.
MADAME MAIGRET: Hello, Maigret's.
Oh, hello, janvier.
Yes, of course.
I'll just get him for you.
It's janvier.
Janvier, good morning.
I'll be right there.
- Who's up there?
- Dr Paul.
Lognon's lying in wait, giving a lot of
nonsense about jurisdiction.
- He found the card you gave her.
- Oh, of course he did.
Who's this?
LOGNON: He is the concierge, Maigret.
Deaf as a post.
I've practically lost my voice shouting.
I saw the girl do her turn
the other night, down at Le Picratt.
Tremendous voice, Maigret. Great legs.
I'm taking the case.
DR PAUL: Apparently, you are
acquainted with the corpse.
When did this happen?
DR PAUL: About 2:30?
She was strangled.
She tried to fight the man off.
Broke her arm in the process,
then her neck.
-"Man"?
- Or a woman with very big hands.
Look at the bruises.
This feels like her private space.
If the killer is a man,
he was in here without her consent.
I don't think she brought men here.
And this is a fake.
This identity card. But it's a good one.
She spent some money on it.
Oh, my God.
LaPointe, I've got a job for you.
I want everything there is to know
about people in Paris, male or female,
calling themselves "Countess".
LaPointe? I want it immediately.
Yes, Chief.
DR PAUL: He's young.
Yep, that's blood.
It's fresh, and it's not hers.
The skin's unbroken.
There's some more on the floor, there.
There's nothing under the fingernails.
Or on any object that
she might have used as a weapon.
The killer must have been
already bleeding when he got here.
Or there was a third person in the room.
Excuse me.
Police judiciare. Inspector Janvier,
this is Chief Inspector Maigret.
We'd like to talk to the owner.
Fred?
If that's his name,
that's who we'd like to see.
Could you go get him, please?
Well, the thing is, I usually
let him have a lie in. Is it urgent?
Yes, it is. Madame?
Alfonsi.
Fred is your husband?
Now you're getting the idea.
Fred? People!
So, what's up, anyway? Can I help?
- Madame Alfonsi
- Oh, Rosa.
Rosa.
- Could we sit down?
- Please.
MAIGRET: We have come
to speak to you about Arlette.
Police.
(WHISPERING) Very careful, my darling,
what you say and don't say.
We don't want you going back
where you came from.
Right then, folks, who do we have here?
- Chief Inspector Maigret.
- And Inspector Janvier.
Good God. Rosa? That's Maigret.
I have a license.
Everything is in order.
I pay on the nail.
Arlette's dead.
Come again?
The girl you employ
under the stage name "Arlette"
was strangled in her bed
in the early hours of this morning.
What was her real name?
Arlette Giraud. I mean,
that's what it said on her papers.
I understand that last night,
two men were sitting together
in one of these stalls. Which one?
Two men, like a couple?
Not necessarily.
Two men together, no.
Arlette sat in one,
mind, with a young man.
It was before her show.
- Her boyfriend?
- ROSA: He wanted to be,
by the look of it.
Did you catch his name?
Rosa, do the girls have a dressing room?
Maybe I can take a little look at it?
jANVIER: Chief.
Did any of the customers
sleep with Arlette?
We don't do that.
We're a nightclub,
not a knocking shop.
MAIGRET: Did you?
- Did I what?
- Yes or no?
I have a go with all the girls
when they start, it's like
Part of the training.
None of this on the premises, mind.
There's plenty of
by-the-hour places round here.
She doesn't mind.
Ask her.
Ideally not right now,
she's a bit upset.
Who else works here?
Some musicians,
barmen, a couple of waiters, a cook,
a plongeur, that's it.
Oh, and the Grasshopper.
He's a crook back,
everybody calls him Grasshopper.
He hangs around out
the front touting for business.
Nobody who works here or comes here
is known as "The Countess"?
Or “Oscar”?
I suppose we're in
for a bit of publicity?
I suppose you are.
JANVIER: Generic description,
worse than useless.
Nice young man in a hat.
Nevertheless. We want this boyfriend,
janvier. He is key.
Was Fred sleeping with Arlette?
All the girls get the benefit
of Fred's attention.
How does Mrs Fred feel about that?
Apparently, she doesn't mind.
The girl came to us for protection.
She told us her name was Arlette.
She spun us a line about two men,
apparently non-existent,
plotting to murder a Countess.
But what she actually wanted
was for someone to keep her safe.
And I didn't see that.
And I let her stumble out of here
in the middle of the night, drunk.
Then we'd better
find the bugger responsible.
I'm the one responsible.
But I'm going
to find the man who killed her.
-(KNOCK AT DOOR)
- Yes?
We have a dead Countess.
Chief.
I've tracked down
all the aristos, emigrées,
transvestites and lunatics
calling themselves Countess,
including one woman
whose name is actually Lucille Countess.
Seventy-six of these people
living in Paris.
JANVIER: Seventy-five.
I want you to go to all the hotels
and flophouses within walking distance
of Arlette's flat. All of them.
See if anyone
remembers her taking a room.
If so, who was in the room with her?
We need this boyfriend.
What's up?
DR PAUL: It's almost as though
killing her wasn't enough.
She clearly put up a hell of a fight.
I'll tell you something else.
Same killer.
- Blood?
- DR PAUL: None that I can see.
MAIGRET: When did this happen?
Last night.
MAIGRET: Before or after the girl?
Before. Rigor's well set in.
JANVIER: So the killer
went from here to Arlette's.
Witnesses.
Establish the routes he could have
taken from this flat to hers.
Let's talk to everybody.
-(KNOCK AT DOOR)
- Who's that?
Concierge.
Tell her we'll talk to her downstairs.
JANVIER: All right, come with me.
Curious.
There are objects of value here.
Glass. Porcelain. Ivory.
But no food.
No means of cooking it or eating it.
Nothing to sustain life.
Welcome to the wonderful
world of morphine.
MAIGRET: I'll get Moers
to look at these.
JANVIER: Gendarme found this outside.
I guess it proves what we already know.
Our killer's not a thief.
MAIGRET: No.
He came to destroy lives.
What we don't know
is if he thinks he's finished.
Or if he's just getting started.
No, she married the Count
before the war, a much older man.
They lived in a hotel in Nice,
the way people did.
The Saint Simon. Very swish.
I think that when he died,
she just gave up.
I mean, the way
she lived here was just frightful.
Come in.
Maigret". Was she ever visited
by a young woman called Arlette?
- No.
- Did she have many visitors?
Scarcely any. Her doctor, mainly.
When I was told
what had happened, I sent for him,
he should be here any minute.
Bloch, his name is.
A Jew, of course,
but perfectly pleasant.
And the only other one who came
regularly was some horrid little pansy.
Forever flouncing
up and down the stairs.
God knows what they found to talk about.
- Was he here last night?
- Very likely.
Yes, yes, definitely.
What was his name, do you know?
Begins with an Frederic?
Certainly begins with an
What about "Oscar"?
Well, he's always around.
He's here right now.
Would you like to meet him?
Yes, please.
Excuse me.
Come in.
Isn't he splendid?
He is indeed.
How did you know his name?
He is a detective.
I wish you particular luck
on this one, Maigret.
jANVIER: Cats.
DR PAUL: What's he doing here?
Greetings. I'm Dr Bloch.
I know who you are.
Gentlemen.
I presume you're the police, yes?
I understand my patient
has been assaulted. How is she?
No longer in need
of your ministrations, Doctor.
Oh, God. How awful. Can I see her?
No, I'm afraid not.
We don't want extra fingerprints
at the crime scene.
Well, in that case
Why don't you come with us,
back to my office? Have a cup of coffee.
I don't quite understand
what's happening here.
Are you arresting me?
I'm merely asking you
if you want a cup of coffee, Doctor.
One thing at a time.
And don't forget your bag.
- My
-(BLOWS NOSE)
Shall I tell you what I think?
I think that if we
looked inside your bag
that we would find,
among the regular apparatus,
a surprising amount of morphine.
Because that was the basis of your
professional relationship
with the Countess, was it not?
You were her dealer.
Look. I can explain.
If a patient, all right,
is as addicted as she was,
all one can do
is regulate the consumption.
To contain the dependency.
Do you regulate
and contain a lot of your patients?
This is your one chance to answer
questions in a civilized environment.
I would urge you to concentrate.
Did you ever see a singer
called Arlette at the Club Le Picratt?
I was told she was very good.
Was she one of your patients?
- I have no idea.
- What about Oscar?
- Was he one of yours?
- Look
I've never been to this "Rat Club"
or whatever it is.
- I don't know any of these people!
- What about the rent boy?
Hmm.
Him, you do know.
- What's his name?
- Begins with an
Philippe.
Philippe Martinot. It begins with a
- Where does he live?
- No idea.
Never spoke to him.
It's possible he has the room
above the Countess.
But he's never there.
He spends the nights with his clients,
wherever they want to go.
There isn't a room above the Countess.
Up in the loft.
She lets the boy use it.
The concierge doesn't know.
GENDARME: Sir.
There's something missing.
Philippe.
We have no connection between
the Countess and Arlette.
Did they have anything in common?
Why are we still talking about Arlette?
Why can't we find out her real name?
She didn't want us to know who she was.
She didn't want anyone
to know who she was.
She didn't want Oscar
to know where she was.
You're assuming Oscar and the boyfriend
-are two different people?
- I'm assuming nothing.
I'm merely remembering that when
she cried out his name in her sleep,
it wasn't with joy.
She was terrified.
So, we have no connection
between the murdered women.
No young man in a hat.
And when Arlette was strangled
there was a third person in the room,
and we can't find them either.
Get hold of Philippe, bring him in.
I'm going to talk to those dancers.
What?
You go and spend the night sitting
in a club with a bunch of showgirls.
I go and spend the night
in the cold looking for a rent boy.
That's the chain of command.
Chief.
Mind your head.
GRASSHOPPER". Gather round, dear friends.
I want to let you in on a little secret.
Wonderful people, you need
liberation from the dull old grind.
You need Le Picratt,
as featured in Paris-soir!
20% discount with this card.
This gentleman,
clearly feeling wonderful.
- That got his attention.
- Can you help me?
Now, why would the big-time
bloodhound like you
need help from
a poor little cripple like me?
Grasshopper, he sees it once,
he has its number.
He figured it for a cop straight off.
Then it opens its mouth
and lo, it's Maigret.
Yes, looking for a murderer.
I was wondering
if you might have seen anything.
PUNTER: Is Betty on tonight?
She is indeed, my friend,
loose as a goose and hot to trot.
PUNTER: Nice to know.
We get all sorts.
We get couples,
we get men dressed as women,
we get women dressed as men,
we get priests,
we get old geezers playing
with themselves under the table
when the girls take their kit off.
Sleazeballs, losers and lost souls.
But murderers? No.
What about an Oscar?
He's your murderer, is he?
No. No Oscar.
Any more questions, sir?
You're putting off my punters.
Just one.
How well did you know Arlette?
I was thinking about having her.
Blink all you like,
but the girls know what's good for them.
All I had to do was ask.
She was generous that way.
Announcing the showgirl Betty
Chief Inspector. Welcome.
Your money's no good here tonight.
Look how the place is filling up.
You did that, putting us in the papers.
Barman, give this gentleman
whatever he desires, keep it coming.
What'll it be, comrade?
Armagnac. But I'll pay.
Anything else you'd like?
I'd like to speak to the girls.
And so you shall. Rosa! Rosa!
Chief Inspector wants the girls.
Hey. I'm auditioning
a replacement for Arlette tomorrow.
Probably a stripper.
You might like to come along.
You might find it instructive.
I'm Betty. This is Tania. You wanted us.
Please.
Can't, love. I'm on in a second.
I'm gathering information about Arlette.
About her life, her place of work.
She didn't dance, did she?
BETTY: She called it dancing.
All she had to do was walk on stage,
fellas start frothing at the mouth.
You married?
Erm
Yeah, you're married.
You have that look. What's the word?
"Contented"?
"Stricken".
Arlette had a boyfriend.
Not that I'm aware of.
His name might have been Oscar.
I suppose it might have been, dear.
I never saw him.
Poor Am].
That wasn't her name.
It was Marie Lefevre.
Well, I never.
Hey, hey, you're on.
Girls, girls, lovely girls.
Tall girls, skinny girls,
girls who are very obviously mammals.
We got 'em.
And none of them any use to you.
'Cause it's just a little corpse
looking for its grave.
Betty doesn't remember a boyfriend.
Betty's a nice girl but she's
very stupid.
She sees nothing.
Arlette really liked that boy, I think.
She didn't tell me his name.
That's why I thought he was special.
To have a secret
in this place is special.
MAIGRET: Fred doesn't like secrets?
Or is it Rosa?
Rosa is a good woman,
so you leave her alone.
- She's been very good to you?
- Alone.
So these people here tonight.
The regulars.
- Regulars.
- Do you know any of them?
- None of these people are regulars.
- Oh, come on, Tania.
What about the man
in the booth behind me?
I've never seen him before
in my life and besides, he's gone.
Ladies and gentlemen,
you need music, you need
The man who asked about Betty.
Who is he?
God knows.
He's a regular,
you addressed him as "my friend".
Everybody's my friend. And he
ain't a regular, he's a first-timer.
So how did he know Betty's name?
People round here know the girls.
Especially since you
got 'em in the paper.
Where are you?
Arlette's flat.
Where the girl was killed.
She's there, yes?
- Yes.
- And you're the murderer?
The blood on the floor. 0 positive.
The blood on the wall. B positive.
Arlette is B negative.
None of this is hers.
So there is a third person in the room
and we are both bleeding.
Are you so preoccupied with your murder
that you don't notice
someone coming in behind you?
Someone who tries to stop me.
Or just grabs me, stabs me,
because it's too late to save Arlette.
I lash out in pain.
And I'm certain
that I've killed them, too.
But after I leave, they recover.
They're still alive.
Madame Maigret,
you're a very clever woman.
But if that's what happened,
it actually makes things worse.
Because Oscar's carrying a wound.
And he'll want to find
whoever did that to him.
Because they've seen him.
He's got another person to kill.
MAIGRET: Right, Arlette was not Arlette.
She was Marie Lefevre.
So let's get onto that
very quickly, please.
I don't know where she was from,
but I'm guessing not Montmartre.
Also, the report from the morgue
says that the Countess' body
was covered in scars.
She was looking for veins.
Not on her back.
Some of the scars date back years
and look like cigarette burns.
Who was doing that to her? And why?
Where's Philippe?
The gentleman was in
when I called round.
But he promptly did a bunk
out the window.
But he won't get far.
He's a junkie chasing a fix.
He'll be out on the street
looking for trade.
The one photo that we have
got of him I've given to the uniforms.
I'll find him.
Well, you won't find him here.
You want to earn yourself some cash?
Yes. You have a room?
Give me 100 metres.
I'm so sorry. I got held up.
It's all right, sunshine.
You've found me now.
MOERS: Ah, this is epic.
- What is?
- This correspondence, from Nice.
Count to Countess.
Elderly gentleman of rarefied taste
salutes his child bride.
It's really very sweet.
How did he die?
Ah, not quite so romantic.
The press report suggests the Count fell
from the balcony, 10 floors up.
The coroner says, "A fit of dizziness."
The world says, "The old boy jumped."
Why, if they were so happy?
Well, they started happy.
But they ended up in hell.
The second year of the marriage
he started in on her.
Nothing she could do was right.
Reading between the lines, I think he
was a rather nasty piece of work.
Anyway, the note here from
the hotel manager of the Saint Simon
suggests that six months
after the funeral, she was broke.
She cut and ran to Paris,
where she fell into bad company
and paid the price.
Do we think that the Count
might have been pushed?
That's not suggested
in these documents, no.
- Are these the earlier letters?
- Yes.
MAIGRET: H m m.
I haven't finished with those.
You'll get them back.
LaPointe.
Chief. I went round all the hotels.
And nobody's let a room to Arlette.
Well, they wouldn't have.
- Why's that?
-'Cause she wasn't that sort of girl.
Lognon, just the man.
Montmartre is very much your fiefdom.
MY What?
Alfonsi told us that he took Arlette
to a hotel close to the club.
Would you mind checking around?
Show the managers a picture of Fred.
Chief, I've already
been to every single one.
You, come with me.
I had a feeling
that Arlette was significant.
I was going to marry her.
Oh. LaPointe.
We have been looking for you.
-"Young man in a hat".
- I know.
I know. I'm sorry.
I did try to say.
I hadn't actually asked her yet.
I only met her three times,
but that can be enough, can't it?
Yes. That can be enough.
The first time we met
it was professional,
you know? I was just a punter,
buying the champagne.
But the third time, the last time,
we connected.
We really connected.
What did you talk about?
Arlette didn't
want to talk about herself.
She said, "just like me as I am now."
I told her I'd have liked her
as she was then.
But she said, "No. You wouldn't."
She was, erm, she was born
in a town called Lisieux.
Her aunt makes frocks, I think.
She said nothing about life at the club?
Only that Alfonsi's wife
had been kind to her.
She was kind to all the girls.
You were there last night with Arlette?
Earlier in the evening, I was.
But I couldn't stay for her first set.
So she must've gone straight
from the club to the Quai.
To you.
Did you see anyone
who could have been an Oscar?
I only saw her, Chief.
That place could have been
filled with dope-crazed axe murderers,
I wouldn't have noticed.
Marie Lefevre.
Does that name mean anything to you?
Anything else in that last conversation?
Anything at all? Think.
Arlette had this brooch.
It was an emerald, very classy.
I asked her, "Where did you get it"
and she said,
"It was given me, in Nice."
- Then she clammed up.
- Nice.
Go to the Hotel Saint Simon
and get a list of every member of staff
who's moved on since the Count died,
where they've gone and why.
Chief. Chief?
Mmm?
Are you getting rid of me?
No, I'm sending you
to the heart of the case.
That's how Arlette
and the Countess are connected.
Same time, same city, same hotel.
It's the link. Dig it out.
Where are you going?
Madame Dussardier?
My name is Maigret.
Police judiciare in Paris.
Please come in.
MADAME DUSSARDIER:
The first duty of a lady is gaiety.
She must be able and willing to sing,
dance, play the piano.
In her conversation,
she must scintillate.
That's what I was taught.
What I was not taught was how to sew.
It was not appropriate.
And yet here I am,
taking business into my own house.
A seamstress.
I saw the paper yesterday
and recognized the girl as my niece.
You won't find her mother here,
by the way. She's long gone.
She disowned the girl the day
she was thrown out of the convent.
- For what offense?
- The same offense.
Committed again and again with
the most deplorable men of the town.
Some people are born bad.
I'm not sure I believe that.
The autopsy revealed
that Marie had given birth
when she was much younger.
Possibly as young as 13.
The whole of Lisieux
was paralyzed with dread.
Who was the father?
It could have been anybody.
Thirteen.
Poor child.
(SIGHS) "Poor child"? I don't think so.
She knew what she was at.
What happened to the baby?
It was born dead.
I learned this
from my husband.
You see,
he thought the child might be his.
He tracked the girl all the way
to the Riviera. He found her,
working as a chambermaid in some hotel.
The Saint Simon.
The name of the hotel
was not a detail that concerned me.
But my husband was right.
He was the father of the child.
I'm afraid it will be
necessary for me to speak to him.
Well, then you'll need to have friends
in the highest of high places.
My husband hanged himself.
The girl's enchantment
lay all over him, you see.
It lay all over every man she ever met.
That was her curse.
MAIGRET: The Countess, Arlette, Nice.
- MADAME MAIGRET: Could you move those?
- Sorry.
Did you really burn
all my letters to you?
You'd made me very, very cross.
I was on a case.
You were on a case, I was waiting
in church, standing there like a lemon.
It was a rehearsal.
It's not that I missed
the actual wedding.
Please, let's not
dredge this all up again.
I'm just saying it was unfortunate.
That's the thing.
What's the thing?
At the heart of this case
is a man who feels aggrieved.
Could I ask you to do something for me,
if you can, just for 10 minutes,
just while I have you here?
Stop worrying about your murderer.
Eat.
That's the key.
I'm really sorry.
MAIGRET: Roll up your sleeves.
- No.
- Do as you're told,
you filthy little fairy.
MAIGRET: That's enough.
Why won't you let us see your arms?
The evidence of what
illegal activity would become apparent?
You have your addiction and I have mine.
An addiction you shared
with your Countess,
who was murdered.
The only interesting question is,
were you there when she was murdered?
I know for a fact
that you were, Philippe.
That's why you ran away.
How did you know?
Oh, I didn't.
But I do now.
So that's your problem, isn't it?
He killed her,
but he didn't quite kill you.
And now you're scared.
I'd like a lawyer, please.
Oh, I'm sure you would.
You probably know a few lawyers,
in your line of work.
But I wouldn't rely on these
professional people
to rally to your cause.
Take Dr Bloch, for instance.
He gave you up like that.
I don't think you need
a lawyer, Philippe.
What you need is a hit.
Isn't that right?
Your eyeballs are itching,
your skin's on fire.
Your brain is crawling with wasps.
All you're thinking is,
"Give me morphine."
Well, I can't.
But what I can do is to set you free.
Tell me what I need to know, Philippe,
and you can leave.
And janvier here will have to find
someone else to terrorise.
Marie Lefevre.
Also known as Arlette.
Have you ever heard that name?
I'm telling you nothing.
You really are very frightened,
aren't you?
Nothing!
- FRED: Slacking again.
- Everything I do.
Everything you do, what?
Defile it. With your filthy hands.
You still got a headache, my darling?
Everything-
You know what's good for you, don't you?
Huh?
- A bit of bed.
- I'm not tired.
Who's talking about tired?
If you hit me, I'll scream.
Well, don't do that,
'cause then I might get a headache.
Ahh! Stop!
TANIA: Leave her!
That man is a shit.
ROSA: No, no, no, no, no, no
You should be take this
and you should rip
Tania, put it down. Tania,
you're forgetting yourself. Enough.
Fred took me in, like I took you in.
I've done some bad things in my time
and he's never asked questions,
never passed judgment. What I have now,
it's not much of a life.
But what there is I owe to him.
Do you understand?
You watch yourself, girl.
We don't want you back in prison.
You're a slave.
No, Tania. I'm a wife.
Now clear that up, please.
jANVIER: Oh, for God's sake.
What's this?
The, er,
person being interviewed fell over, sir.
Isn't that right?
Well, I don't want him
falling over again. Is that clear?
He's a human being,janvier.
Madras cotton, lovely. Thank you.
I'll wash it for you.
Philippe.
The man who killed your friend
has also killed a young woman.
And I think he might kill again.
(MUTTERING) I can't do it.
It's really starting to bite now,
isn't it?
You need to get out of this place.
But you have
a crucial piece of information
that I know you're scared to part with.
But I need it.
You saw Oscar. You saw his face.
Help me to catch this man, Philippe.
Tell me what he looked like.
No. No. No. I can't.
Chief.
This is a list of the surviving
and traceable pre-war staff
from the Saint Simon in Nice.
Seventeen names,
but two of which might be of interest.
There's one,
Nathalie Moncoeur, housekeeper,
because she now lives
just around the corner.
And Oscar Bonvoisin.
He's a chauffeur.
Whereabouts are unknown.
BUTLER: This way, sir.
Nathalie Moncoeur?
- Sorry?
- My name's Maigret.
Sorry, lover, I can't hear a word.
Police judiciare.
I was wondering if I could
ask you a few questions?
- Am I in trouble?
- Not in the least.
I wanted to ask you about
your time in Nice, before the war.
Working at the hotel Saint Simon.
That's going back a bit.
Indeed.
I need information about some people who
were permanent residents at the time.
The Count and Countess von Farnheim.
Oh, yeah.
Horrible old man, he was.
Beastly to his wife.
He died, didn't he?
He did.
She ran off somewhere?
She came here, in fact. To Paris.
Did she?
I never knew that.
What's she been up to?
I also wanted to ask about
another member of staff at the hotel.
He was employed as a chauffeur.
Oscar Bonvoisin.
That's him.
We're trying to trace Oscar,
and we're having trouble
tracking him down.
I was hoping you might be able to
give me a physical description of him.
You mean, what did he look like?
- Yeah.
- No. Sorry.
Why not, may I ask?
Didn't you notice, love?
I'm blind.
NATHALIE: You're thinking,
I don't know how she does it.
She must get burned all the time.
The answer is,
I do get burned now and then,
but I put up with it.
And I do the job by sonar.
Sonar?
Yeah. Like they have in submarines.
I can tell where things
are in the room by the way they sound.
That's why I have
the wireless on, you see.
The music bounces around, guides me.
So you would have
known Oscar by his voice?
I did.
It's funny
I thought I heard him arguing
in the market the other day.
It wasn't him, was it?
Would it worry you if it were?
After what he did to Marie Lefevre, yes.
What did he do to her?
He turned her into a whore.
Every hotel,
there's a fella that a man
can ask if he wants a woman.
A fella who knows.
At the Saint Simon, it was Oscar.
He was well-placed, you see.
He'd drive the hotel Bentley
to the station to collect the guest.
The guest says,
"I've heard you can get me a girl."
"For the right price," says Oscar,
"I can get you a girl
like you've never had in your life."
God, he worked Marie into the ground.
Proper bastard, he was.
He must've had a hold over
her and the Countess.
They were close, those two.
They left the hotel the same day.
Guest and chambermaid,
left the hotel together.
It was Oscar, wasn't it?
He's followed them.
He's here.
jANVIER: Chief?
I'm going to release Philippe.
Right. I see.
May I ask why?
He's down there refusing
We follow him.
Oscar thinks he's killed Philippe.
He'll be surprised
to learn that he didn't.
He'll want to finish the job off.
Goodness knows what he wants.
But he's watching us.
And we've got to be very, very careful.
You can't just throw me
out into the street. He'll kill me!
He may try. Philippe-
Oh, my God.
But he won't succeed,
because wherever you go, we will go.
You won't see us. Oscar won't see us.
But we'll be there.
You know, Countess couldn't talk
about him when she was straight.
When she was high
"The day Oscar finds me," she said,
"he'll cut me into tiny bloody shreds."
I'm going to take care of you, Philippe.
I'm going to put my most
dependable officer in charge of you.
He will be personally responsible
for your safety. At all times.
LOGNON: So.
There are places out there, Maigret,
that your boy LaPointe
doesn't know about.
Innocent little lamb that he is.
There's a particularly
salubrious joint in Anvers.
I showed the manageress
a picture of Arlette.
She says, "Oh, yes. Regular guest,
"but I don't think she was on the game.
"She just seems to burn through men."
So, I show her the picture of Fred.
"Recognize him"?
"Of course," she says,
"that's Freddy Alfonsi from the Picratt.
"No, no. The girl
never came here with him."
Okay. Call me if you need to know
more about my What was it?
- Fiefdom.
- Fiefdom.
Philippe Martinot is still alive.
Is that code or something?
No, it's valuable information.
Not to me it ain't. Never heard of him.
Valuable to Oscar.
Who you met with me. Right here.
Valuable to Oscar.
And, if you pass it on,
valuable to you.
If you're so keen to catch the bastard,
what are you doing hanging around here?
Because I have to be here.
If, as you say,
I'm going to catch the bastard.
Ladies and gentlemen.
It's that time of evening
And let me tell you, we have a fabulous
collection of a little something
FRED: One and push and one and grind
and shakey, shakey, shakey.
One and push and one
and grind and No, no.
Watch and learn.
Inspector!
I told you to come, and you did.
This is, er, Jacqueline.
- Genevieve.
- Genevieve.
She's going to show you what she can do.
All right, five, six, seven, eight.
One, two and one
Okay, okay, that's enough.
We need Rosa on the case. Rosa?
Come and have a seat, darling.
We'll have another bash in a minute.
So, how goes
the thrilling world of crime? Eh?
Santa.
Why did you lie to me, Fred?
Okay -
Nitty gritty.
What exactly did I lie about?
You said you slept with Arlette.
But you didn't.
I'm sure you wanted to, very much.
And she might have complied.
But you didn't want her to comply,
did you?
You wanted her to want you.
I loved her.
I loved her so much.
If she'd have agreed to
come away with me, I would've gone.
Bosh.
Goodbye to all this crap.
"Come away with you"?
When she'd been at the pastis,
she'd start to weep.
I don't know what
she was running away from.
Rosa never tells that stuff,
and I never ask.
I don't care what she'd done.
I'd have married her.
Yeah.
Don't tell her, Maigret.
Please.
What's up?
I think your husband needs you.
And so I do, my angel.
(KISSING) I need you
to sprinkle a little bit of stardust.
ROSA: (SIGHS) Okay.
Come on, sweetheart.
- Let's give it another go.
- I promise, I'll work hard.
PHILIPPE: I mean, you know, don't you?
I'll do anything. I'll
just give me some.
Mr Maigret, telephone.
ROSA: Okay, right, turn around,
sweetheart, turn around.
And tits, hips
Maigret.
He's hooked up with the good
Dr Bloch in a café in Guy Moquet.
Pretending to be strangers.
They are having a right old chat.
My guess is Philippe's
telling him everything's fine,
he's got a ticket
to buy drugs tonight but
The doc's not having it.
He thinks it's a sting.
Yup, there he goes.
Forget Bloch. Stick as close
to Philippe as you possibly can.
ROSA: Finish.
You want me to sit on his lap as well?
Human being, janvier. Human being.
And saunter off like you own the place.
"Saunter", dear, not "march".
I know!
That's the best I can do
in the time available.
We've got to open up.
Every minute we're apart
is like a dagger to my heart.
Come on, darling.
Fred's not the man
you're looking for, you know.
He's not a killer.
I think I'd have known by now
if he were.
As it happens, I agree.
But I think you know who killed Arlette.
Were you there?
Sorry, I'm I'm finding it hard to
keep track of this. Am I the killer now?
Tania warned me to leave you alone.
Look, every one of my girls
has something to hide.
They're on the run,
they're lost, they're afraid.
The Grasshopper finds them
on the street and sends them to me.
And he does this because
he is a good and moral person.
The Grasshopper has no morality.
He does it for the cash,
like he does everything else.
I was told that
you were kind to Arlette,
that you are kind to all the girls
who pass through your hands.
Look, the girls come.
If it is at all possible,
I give them a job. That's all.
A place of safety.
Yeah.
Where they are molested by your husband.
I can't protect them from everything.
How about the Countess?
(SIGHS) I could do nothing for her.
I could see she was lost to the drugs.
When they first arrived
in Paris, I told Marie,
"Whatever binds you
to the Countess, let it go."
And she did.
She was a good girl.
just find him, Maigret.
For all our sakes.
Maigret.
I'm sorry, Chief. I've lost him.
Philippe did a runner
between Guy Moquet and Brochant.
Janvier says he's heading east.
Mmm.
If you ask me, Maigret, it's a bluff.
He'll double back on himself
to the Bois de Boulogne.
That's his office,
that's where he'll feel safe.
I agree. Redirect everybody. Lognon?
"Longon?
Hmm?
Let's get to him before Oscar does.
MALE PROSTITUTE: Hey, you.
I need a friend. To keep me warm.
FEMALE PROSTITUTE:
Philippe, good to see you.
-(LAUGHING)
- Not tonight. Sorry.
GRASSHOPPER: Club Le Picratt.
Your mother wouldn't like it,
but your mother's in bed.
20% discount, with this card.
You, sir.
Can we lift your spirits?
We can do wonders. Miracles.
We've been known to raise the dead.
OSCAR: The rent boy?
PHILIPPE: No. Thank you.
I've been driving up and down
this bloody road for half an hour.
I'm sorry, I'm sorry.
It took me forever to shift him.
I ended up having to jump through
some horrid little window in a bog.
I did tell you that they gave me
permission to score tonight, didn't I?
You do have the dope, yes?
In my bag-
But first we're going
to find somewhere quiet.
Where you can say thank you to me.
Stop that! Stop that! Jesus.
You're having a psychotic episode.
It's the morphine, get over it.
(WHIMPERING) Take me home with you.
I can't, I can't
I can't do this any more!
Get out the bloody car. Out!
I'm telling.
- You little shit.
-(GRUNTING)
jANVIER: I see you, Doctor. I see you!
It's okay. It's all right, kid,
it's all right. You're safe.
I've found you now.
- Maigret'.
- Chief, I think I have something.
A fella called the switchboard just now.
Go on.
He says he knows Oscar Bonvoisin.
Did he give his name?
No, but he knows where he lives. Sir?
I'm listening.
Rue Pouchet. Number 264a.
That's here in Paris.
Now, that could be a lie
but it's worth a punt.
Shall I come pick you up?
No, I'll get a cab.
Taxi.
Rue Pouchet. Fast as you can.
Enjoy the rest of your evening, sir.
Ta.
Unlucky, Maigret.
We sell to the highest bidder.
CABMAN: It's definitely
down here somewhere.
Excuse me.
264, 265.
264a must be down that alley somewhere.
Shall I wait for you?
No.
It's too cold to hang about.
You go home to your family.
It's not my family, Maigret.
The photos came with the cab.
MAIGRET: Hey! Hey!
Oh, God, you made me
Are you coming to bed or what?
Can I talk to you
without you losing your temper?
I don't know, let's see.
I can't promise.
I think we have to stop.
Who's the "we" in that sentence
and what are we supposed to stop?
You and me and everything here.
I think we should leave Paris
and start again somewhere else.
If you're in trouble, my angel,
I'm very sorry to hear it,
but there is no question
of us giving up this club.
So that's one less thing
for you to worry about.
MAIGRET: Stop! Stop, police.
Could you take me to Montmartre?
OSCAR: Maigret.
Where's Rosa?
- Is she dead?
- OSCAR: No.
She will be in a minute, though,
because I'm going to kill her.
And you're going to watch me do it.
Then I kill myself.
And you watch that too. (CHUCKLES)
Oh, poor Maigret,
running about after, er,
what's-his-name, the rent boy.
That was a waste of time, wasn't it?
Stop moving!
I'd just like to get
a few things straight.
I'd like to talk about Marie.
She turned up at the Hotel Saint Simon,
looking for work.
Just a child.
She was taken on as
chambermaid on the 10th floor.
Then she saw at first hand
the Count's cruelty to his wife.
And then, one day, the Countess cracked
and she threw
the Count over the balcony.
OSCAR: Ah.
She got him halfway over.
But he fought back, see?
She needed help.
- From Marie.
-(CHUCKLES)
Together,
they pitched
the old bastard over the rail.
And you saw them both do it.
I'm disappointed.
I thought I was in pursuit
of a fascinatingly complex,
sexually deranged psychopath.
When, in fact,
you're just a blackmailer.
Oh. Also a pimp. Let's not forget that.
No, let's not forget that.
Marie serviced your clients.
And the Countess paid you money
so that you'd keep quiet.
And when the money ran out,
she fled to Paris,
taking Marie with her.
She gave Marie a new name,
new identity. Hid her from me.
Didn't you?
MAIGRET: Rosa was
at Marie's flat, wasn't she?
You bitch.
Protecting her to the end.
And you attacked her too?
Be fair.
She had just stuck her knife in me.
Even you might have lost your rag.
You've got a bit of a problem
with temper, Oscar.
Yeah, I have also got a problem
with septicemia, but let's not quibble.
I've worked so bloody hard, Maigret.
By rights, my last few yea rs
should have been comfortable.
You turned a damaged child
into a prostitute
so that you could be comfortable?
You are beyond contempt,
beyond redemption. Beyond mercy.
Why didn't you come to me
after Oscar killed Arlette?
Because you'd have found out
about all the others.
MAIGRET: The other women
whose lives you'd saved?
Do you think I'd pursue them
after all they've suffered?
I wouldn't do that.
I wanted to,
to go on helping people like that.
People like me. Like Arlette.
It's the only meaningful thing
I've ever done.
Arlette wouldn't have
gone back to Oscar, would she?
No.
Nothing would have made her go back.
Because of you.
That's why he killed her.
You're up.
Do you want to talk to me about it?
Not immediately.
Things have been a bit hectic.
One pipe, and I'll come to bed.
What are these?
These are my letters.
I was angry. But I wasn't a fool.
And I can't think of anything
more precious to put in there.