Paranormal Lockdown (2016) s02e02 Episode Script
Shrewsbury
1 Katrina: THIS PLACE JUST GIVES ME ANXIETY LOOKING AT IT.
Nick: I DON'T KNOW WHAT WE'RE IN FOR, BUT IT'S TIME FOR LOCKDOWN.
TOTALLY JUST SAW SOMEBODY DOWNSTAIRS.
I-I SWEAR, I -- -I SAW A SHADOW.
-YOU SAW A SHADOW? WHOA.
[ BANGS .]
THAT JUST SLAMMED SHUT.
SOMETHING JUST PULLED ON MY JACKET.
WHOA! HEY! [ GRUNTS .]
[BLEEP.]
IT'S TRYING TO KILL ME.
THERE IS SOMETHING RIGHT NEXT TO YOU.
WHOA, WHOA, WHOA, WHOA.
DON'T MOVE.
DON'T MOVE.
I'VE SEEN THE WAY THROUGH ALL THE PAIN I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN THEY FILL MY GRAVE BUT STILL MY SOUL REMAINS HERE BETWEEN HERE AND THE BEYOND -- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: HER MAJESTY'S SHREWSBURY PRISON IN SHROPSHIRE, ENGLAND, STANDS AS A GRIM MONUMEN TO ONE OF THE UNITED KINGDOM'S DARKEST AGES.
BUILT IN 1793, THE PRISON WAS SOON CRAMMED WITH BODIES, DOUBLING ITS DESIGN CAPACITY.
DAILY PUBLIC HANGINGS TOOK PLACE FOR ANY 1 OF THE 220 OFFENSES UNDER THE BLOODY CODE, WHICH RANGED FROM MURDER TO STEALING A LOAF OF BREAD.
THE EXECUTED WERE IMMEDIATELY BURIED IN UNMARKED GRAVES ON THE PRISON GROUNDS.
GUARDS FREQUENTLY REFUSED DUTY ON THE MOST HAUNTED WINGS AFTER HEARING TERRIFYING NOISES IN THE NIGH AND SEEING SHADOW FIGURES.
AFTER 220 YEARS OF OPERATION, SHREWSBURY PRISON LOCKED ITS STEEL GATES FOR GOOD IN MARCH 2013.
IT WAS REOPENED TO THE PUBLIC FOR TOURS TWO YEARS LATER.
BUT SOME STILL FEEL THERE ARE PRISONERS SERVING THEIR AFTERLIFE SENTENCES BEHIND THESE BARS.
TOURISTS WERE HORRIFIED WHEN THEY HEARD CRIES AND FELT A GHOSTLY HANGMAN'S NOOSE AROUND THEIR NECKS.
NOW NICK AND KATRINA WILL BE AMONG THE FIRS TO BE LOCKED IN SHREWSBURY PRISON SINCE ITS CLOSURE, WILLINGLY INCARCERATED IN ONE OF ENGLAND'S MOST HORRID HAUNTS FOR 72 HOURS.
THIS IS, BY FAR, THE OLDEST AND BLOODIEST PRISON WE'VE EVER STEPPED FOOT IN.
-YEAH.
I MEAN, THIS PLACE JUST GIVES ME ANXIETY LOOKING AT IT.
IT DOES.
I DON'T KNOW WHAT WE'RE IN FOR, BUT IT'S TIME FOR LOCKDOWN.
OH, WOW.
LOOK AT THIS PLACE.
THIS IS OVERWHELMING.
OH.
I FEEL NERVOUS STANDING HERE.
-TOWERING OVER US.
-YEAH.
Katrina: PRISONS GENERALLY FREAK ME OUT, THOUGH.
THEY'RE PROBABLY THE ONE PLACE THAT I HATE TO INVESTIGATE.
I KIND OF FEEL LIKE A PIECE OF MEAT WALKING THROUGH THEM.
I FEEL LIKE THESE EYES ARE JUST PIERCING RIGHT THROUGH ME.
-HELLO, GUYS.
-HEY.
Nick: WE MEET STEVE, WHO WAS AN OFFICER AT SHREWSBURY PRISON UNTIL IT CLOSED IN 2013 AND CURRENTLY LEADS TOURS FOR THE PUBLIC.
THIS FEELS PRIVILEGED TO BE ONE OF THE FIRS PARANORMAL INVESTIGATORS TO CHECK OUT A PLACE LIKE THIS.
IT'S GREAT TO HAVE YOU GUYS TO LOOK INTO WHAT GOES ON HERE.
WELL, CAN YOU TAKE US INSIDE? -COME THIS WAY.
-ALL RIGHT.
COME THIS WAY, GUYS.
Nick: DURING HIS 18 YEARS AS A GUARD AT THE PRISON, STEVE SAW AND HEARD IT ALL.
WE'RE HOPING HE CAN GUIDE US TO THE MOST HAUNTED HOT SPOTS ON THIS PROPERTY.
I READ THAT YOU GUYS STOPPED TAKING WOMEN IN THE 1920s? -SO, BEFORE THAT, THOUGH, WOULD WOMEN HAVE STAYED IN THIS WING OR THE OTHER WING? NO, THE OTHER WING.
OKAY.
SO THIS IS ALL MEN, ALWAYS.
[ BANG IN DISTANCE .]
THIS IS ALL MALE, YEAH.
WHAT -- WHAT WAS THAT? OKAY.
SO THIS IS ALL MEN, ALWAYS.
[ BANG IN DISTANCE .]
THIS IS ALL MALE, YEAH.
-WHAT -- WHAT WAS THAT? -IT HAPPENS A LOT.
-WAIT.
WHAT DO YOU MEAN IT HA-- -YOU'LL FIND OUT TONIGHT.
IT HAPPENS A LOT.
AIR OR SOMETHING THAT YOU CAN'T EXPLAIN? JUST ONE OF THOSE THINGS.
THE BUILDING'S LAUGHING AT YOU.
-IT'S LAUGHING AT US.
-IT'S LAUGHING AT US.
IT'S PLEASED PEOPLE HAVE COME BACK.
SO IT'S GREETING YOU.
SO WHEN A DOOR SHUTS, THAT'S NOT NATURAL, RIGHT? YOU HEARD THAT LOUD BANG, RIGHT? YOU WILL HEAR THAT A LO THOUGH THE NIGHT.
-REALLY? -GUARANTEE IT, YEAH.
YOU WILL HEAR IT A LOT.
IF I WAS A GAMBLING MAN, I WOULD SAY IT'S PROBABLY 127.
-YOU ALREADY KNOW -- -LISTEN.
THERE IT GOES AGAIN.
[ BANGS .]
COME ON.
THERE IT GOES RIGHT UP THERE.
THIS IS CRAZY.
AND, STEVE, THERE'S NOTHING THAT CAN CAUSE THAT TO HAPPEN, JUST TO RULE IT OU FOR MYSELF.
Steve: YOU CAN HAVE A DRAFT, BUT THEN IT WOULDN'T HAVE A DRAFT AT ONE END AND THEN AT THE OTHER.
IF IT'S BECAUSE A WINDOW'S OPEN, IT'S NOT GONNA BLOW THAT DOOR.
IT'S GONNA CLOSE THAT DOOR.
WOW.
THIS PLACE JUST GETS BIGGER AND BIGGER THE MORE WE MOVE THROUGH IT.
Nick: WE WIND THROUGH THIS MAZE OF A PRISON TO ARRIVE AT THE NOTORIOUS CELL 441 IN "A" WING.
SO, STEVE, WHAT CAN YOU TELL US ABOUT THIS CELL? WHAT'S THE MATTER? YOU TELL ME IF ANYBODY'S EVER FELT THIS BEFORE -- A HEAVINESS ON THEIR CHES IN HERE? YEAH, IN HERE, YEAH.
SOME STAFF FELT THAT WAY IN HERE.
NOW, WHEN I FIRST CAME HERE, I BELIEVE THAT A PRISONER HAD ATTEMPTED SUICIDE.
I CAN'T REMEMBER WHETHER HE DIED OR NOT.
-AND YOU FEEL THAT PRESENCE.
-YEAH, IT'S LIKE A I DON'T KNOW.
IT JUST FEELS LIKE I HAD SOMETHING HEAVY ON MY CHEST, LIKE SITTING ON IT.
-MM-HMM.
-WHERE WOULD YOU -- IF YOU DID HANG YOURSELF, I MEAN, WHERE -- WHERE WOULD YOU HANG YOURSELF? YOU COULD HANG YOURSELF FROM THE WINDOW.
THE ONES I'VE DEALT WITH, IT'S QUITE OFTEN OFF THE WINDOW.
STEVE, WOULD YOU RECOMMEND HER SLEEPING IN THAT JAIL CELL? -NO.
-WHY NOT? BECAUSE I DON'T KNOW WHAT YOU'RE PLAYING WITH.
THIS IS "C" WING.
Katrina: AND THIS IS WHERE THE WOMEN WOULD'VE BEEN HELD UNTIL 1922? YEAH.
NOW, SOME OFFICERS WOULD REFUSE, POINT-BLANK, "I'M NOT WORKING ON 'C' WING ON ME OWN.
" WHAT'S HAPPENED HERE? A NUMBER OF OFFICERS WHO, AT 3:00, 4:00 IN THE MORNING, HAVE SEEN A GRAY LADY COME OUT OF CELL NUMBER 2, WALK ALONG THERE, DISAPPEAR, TOWARDS THAT GREEN DOOR AT THE END, WHICH LEADS THROUGH TO THE HANGING ROOM.
WE HUNG AT LEAST TWO WOMEN HERE.
IT COULD BE A WOMAN GOING TO HER DEATH.
WOW.
FAR OUT.
OKAY, GUYS.
Nick: STEVE TAKES US INTO THE HANGING ROOM, ALONG THE LAST PATH WALKED BY MANY PRISONERS.
THESE BARE WALLS WERE THE FINAL SIGH OF NEARLY 100 INMATES, SOME EXECUTED AS RECENTLY AS 50 YEARS AGO.
WOW.
IT'S ALWAYS -- IT'S ALWAYS SOMETHING WHEN YOU WALK INTO A ROOM WHERE YOU KNEW PEOPLE WERE PUT TO DEATH.
PEOPLE HAVE ME THEIR DEATH, YEAH.
DOES ANYBODY EVER GE PHYSICAL SENSATIONS IN HERE? ON THE DAY TOURS WE DO, WE DO HAVE PEOPLE COME WITH YOUNGER CHILDREN.
AND THEY WERE DOING THE BI ABOUT THE HANGING, AND THE YOUNG CHILD POINTED TO THAT CORNER AND SAID, "THERE'S A BAD MAN IN THAT CORNER.
HE'S LOOKING AT ME, MUM.
" ACTIVITY IN HERE, SOMETHING THA I DON'T THINK WE CAN EXPLAIN.
IS THIS WHERE THE HATCH WOULD BE, THE DROP WOULD'VE BEEN? THE HATCH WOULD DROP HERE.
THIS NOOSE WOULD DISAPPEAR JUST BELOW THE FLOORBOARDS.
IT'S CALLED THE LONG DROP.
THE LONG DROP? IF IT'S DONE CORRECTLY, THE SECOND AND THIRD VERTEBRAE IN THE NECK SHOULD BREAK.
THEY DIE IN ABOUT THREE SECONDS.
SO, I KNOW IT'S A HANGING ROOM, BUT I'M GONNA SAY I JUST TO DOCUMENT IT.
BUT EVER SINCE WE STOOD OU THERE, RIGHT BEFORE WE WENT IN, I'VE HAD THIS INTENSE PAIN HERE AND IN MY SHOULDER.
-REALLY? -YEAH.
IT'S LIKE HERE BUT ONLY ON THIS SIDE.
AND THAT'S WHY WHEN YOU SAID THAT THIRD AND FOURTH VERTEBRAE, I'M LIKE YOU ALWAYS POSITIONED THIS TO THE ONE SIDE.
-OH, THAT'S INTERESTING.
-YEAH.
-YOU LOOK UNCOMFORTABLE.
-I AM UNCOMFORTABLE.
IT FEELS -- IT JUST FEELS LIKE I CAN'T STRAIGHTEN IT OUT.
I THINK PERHAPS WE BEST GO OUT.
YEAH.
THERE HAS BEEN A TON OF DEATH ON THIS PROPERTY -- EXECUTIONS, MURDERS, SUICIDES -- JUST PAINFUL DEATH.
AND THESE PRISON WALLS HOLD ALL THIS ENERGY, AND THESE BODIES WERE BURIED HERE, STILL LAYING IN THIS PROPERTY, NEVER LEAVING THESE WALLS.
I'M THINKING THAT COULD BE THE PERFECT RECIPE FOR A HAUNTING.
-SEE YOU, GUYS.
-BYE.
TA-LA.
[ BREATHES DEEPLY .]
THAT'S IT.
NOW WE'RE CONFINED FOR GOOD.
LET'S GO.
Nick: THE PRISON IS MASSIVE -- MORE THAN 90,000 SQUARE FEE OF STONE, STEEL, AND WINDING NARROW HALLS.
WE BEGIN OUR INVESTIGATION ON "C" WING, THE OLDEST WING OF THE PRISON.
OH.
RIGHT.
-IT'S A DIFFERENT FEELING.
-HELLO, LADIES.
[ DOOR CREAKS .]
WE'RE GONNA START OUR 3-D MAPPING CAMERA RIGHT NOW.
THIS DEVICE WILL MAP OU ANYTHING UNEXPLAINABLE WITHIN THE ENVIRONMEN THAT SHOULDN'T BE THERE.
MM-HMM.
AND IT WILL APPEAR AS A STICK FIGURE WHEN THERE SHOULD BE NOTHING NEXT TO YOU.
AND ALSO, WE'LL CAPTURE ANOMALIES -- ORBS OR ENERGY FORMS.
IS THE LADY IN GRAY -- IS THERE A WOMAN HERE THAT'S WALKING TO THE EXECUTION ROOM? I'M GONNA WALK UP THERE.
YOU CAN BE LET OU IF YOU WANT.
ARE YOU IN HERE? CAN I SEE YOU IN THE WINDOW PLEASE? I'M GONNA PUT ON MY HEADPHONES FOR AN EVP RECORDER.
OKAY.
IF I CAN HEAR IN REALTIME.
WHILE YOU DO THAT, I'M GONNA PUT LASERS TOWARDS WHERE THEY SAW THE LADY IN GRAY.
SO, WE HAVE THE LASERS AIMED IN THAT DIRECTION BECAUSE WE SEE A LOT OF SHADOW PEOPLE.
THEY TALK ABOUT COMING DOWN THIS SECOND FLOOR AND WALKING TOWARDS THE EXECUTION ROOM.
AND THERE'S A LADY IN GRAY WHO HAS BEEN SEEN BY SOME OFFICERS KIND OF JUST WALKING DOWN HERE EARLY IN THE MORNING.
-UM -WHAT? TOTALLY JUST SAW SOMEBODY DOWNSTAIRS BY THE CAMERA.
WHERE? THERE'S A LADY IN GRAY WHO HAS BEEN SEEN BY SOME OFFICERS KIND OF JUST WALKING DOWN HERE EARLY IN THE MORNING.
-UM -WHAT? TOTALLY JUST SAW SOMEBODY DOWNSTAIRS BY THE CAMERA.
Nick: YEP.
WHERE? LIKE, RIGHT IN FRON OF THE LAPTOP.
NO.
NO ONE'S THERE.
NO ONE SHOULD BE HERE.
THAT'S CRAZY.
YOU SERIOUS? I-I SWEAR.
I -- LET'S GO TO IT.
I WAS UP THERE, AND WHAT I SAW WAS SOMEONE STANDING HERE AND THAT KIND OF WENT LIKE AND THEN WALKED OFF.
LIKE THIS.
I'M LEANING ON THE RAILING ON THE SECOND FLOOR OF "C" WING, AND OUT OF THE CORNER OF MY EYE, I SEE SOMEONE STANDING NEXT TO OUR COMPUTER EQUIPMENT.
LOOKS LIKE MALE, IS WEARING A HAT, AND IT'S ALL DARK, SILHOUETTED BY THE LIGHT OF THE COMPUTER.
AND MY FIRST THOUGHT WAS, "OH, IT'S ONE OF THE GUYS.
" BUT THEN I REALIZED THE GUYS ARE WITH ME.
Nick: WHAT DO YOU THINK ABOUT MOVING UP TO THE EXECUTION ROOM RIGHT NOW? Katrina: I THINK WE NEED TO CHECK IT OUT, BECAUSE I WAS DEFINITELY FEELING SOMETHING THERE EARLIER TODAY.
I DON'T KNOW.
IT FEELS LIKE WE'RE BEING WATCHED.
Katrina: DO YOU REMEMBER HOW HE WAS TALKING ABOUT GEORGE RILEY? -GEORGE RILEY, YEAH.
-YEAH.
1961.
PEOPLE ARE RALLYING TO GET HIM FREE, 'CAUSE THERE'S REALLY NOT MUCH EVIDENCE AGAINST HIM, OTHER THAN THE FACT HE SAID HE DID IT AND THEN HE TOOK IT BACK.
RIGHT.
THEY HANG PEOPLE AT 8:00 A.
M.
HERE.
DO YOU REMEMBER THAT BUS THAT WE SAW AT THE TOP? THAT WAS HOWARD.
HOWARD WAS A PRISON REFORMER, AND EXACTLY AT 8:00 A.
M.
, WHEN GEORGE RILEY WAS HUNG, THESE DOVES CAME OU FROM BEHIND THE BUST.
TOOK THAT AS A SIGN THAT GEORGE WAS INNOCENT.
WOW.
AND HOW POETIC IS IT THAT I WAS THEIR LAST HANGING EVER? THIS 21-YEAR-OLD BOY.
IT'S GETTING COLD.
DID YOU GUYS FEEL THAT? -NO.
JUST A COLD MASS OF AIR JUST SURROUNDED MY BODY.
IS THERE ANYONE IN HERE? CAN YOU MAKE A NOISE? CAN YOU SAY SOMETHING? IS THERE ANYONE IN HERE?! YOU'LL BE FREE.
COME ON! HEY, I WANT TO TALK TO THE BAD MAN.
THERE WAS A LITTLE BOY IN HERE NOT TOO LONG AGO WHO CALLED YOU "THE BAD MAN.
" YOU WANT TO TELL ME WHO YOU ARE? WHAT ABOU GEORGE RILEY? GEORGE, IF YOU'RE STILL HERE, ARE YOU INNOCENT? Nick: WALKING INTO THE EXECUTION ROOM.
FOLLOW ME.
FOLLOW ME INTO THIS ROOM.
CAN YOU FOLLOW ME IN? I JUST FEEL, LIKE, UM LIKE I'M HEARING THINGS.
[ LOUD BANGING IN DISTANCE .]
WHOA! [ LOUD BANGING IN DISTANCE .]
WHOA! HELLO? I SAW A SHADOW.
-YOU SAW A SHADOW? SAW A SHADOW.
-GUYS -WAIT.
THIS WAY! WHOA! HEY! [ GRUNTS .]
-GUYS -WAIT.
THIS WAY! WHOA! HEY! [ GRUNTS .]
-YOU ALL RIGHT? -YEAH, YEAH, GUYS.
OH [BLEEP.]
NO, I'M NOT ALL RIGHT.
Nick: HUH? YOU OKAY? JUST FELL DOWN THE STAIRS, NO.
Nick: I'M STANDING THERE, THINKING, "WE WERE OUT OF CONTROL.
" WE WERE CHASING SOMETHING BLIND IN THE DARK.
I DIDN'T KNOW WHAT WAS GONNA HAPPEN WHEN I OPENED THAT DOOR.
SOMETHING DISTRACTED US.
DID YOU BREAK SOMETHING OR YOU SPRAINED SOMETHING, OR WHAT HAPPENED? NO, I DON'T THINK I BROKE ANYTHING.
I JUST -- MAYBE A SPRAIN.
DEFINITELY BRUISED, LIKE, MY BACKSIDE.
-WERE YOU PUSHED? -NOT THAT -- NO, NOT THAT I WOULD -- NOT THAT I RECALL.
I MEAN, CAN YOU KEEP WALKING? HONESTLY, I DON'T KNOW.
UM, I'M GONNA TRY TO POWER THROUGH IT.
GONNA SEE HOW FAR I GET.
SOMETIMES THE BUILDINGS ARE MORE DANGEROUS THAN THE PARANORMAL.
YOU CAN GET VERY, VERY HUR DOING THIS TYPE OF WORK.
NOW IT'S TIME TO GO TO SLEEP FOR LIKE AN HOUR OR TWO.
KATRINA AND I ALWAYS SLEEP APAR ON OUR INVESTIGATIONS TO OPEN OURSELVES TO THE MOS PARANORMAL INTERACTIONS.
BUT TONIGHT, BECAUSE OF HER INJURY, I DON'T WANT TO GO FAR.
KATRINA SLEEPS ON THE GROUND FLOOR OF "C" WING, AND I AM WITHIN EARSHO BY THE UPPER CELLBLOCKS.
ROLLING ON THE RECORDER BY OURSELVES.
AFTER A FEW HOURS OF SLEEP, WE WAKE UP IN "C" WING AND REVIEW THE RECORDED EVIDENCE FROM LAST NIGHT.
[ STATIC .]
SAYS, "NICK, GET OUT.
" GEEZ! SOME CRAZY VOICES.
SO, THIS GOES ON FOR FIVE MINUTES.
ARE YOU SERIOUS? IF THIS IS THE STAR OF WHAT'S TO COME, THEN WE HAVE A LONG NIGH AHEAD OF US.
NIGHT HAS FALLEN, AND WE START OUR SECOND NIGH OF INVESTIGATION IN THE CELLS OF "A" WING.
WHAT WERE YOU LOCKED UP FOR? ARE YOU IN HERE FOR MURDER? [ BANGS .]
OH, GEEZ! [BLEEP.]
-YOU JUST FALL THROUGH THAT? -YES.
-YOU ALL RIGHT? -[ SIGHS .]
-YOU OKAY? -YEAH.
-JUST -- I LANDED ON MY ANKLES.
-GEEZ.
DO YOU WANT TO SIT RIGHT HERE? YOU CAN SIT HERE.
YEAH.
THIS PLACE DOES NO FREAKING LIKE ME -OH, MY GOD.
-AT ALL.
IT'S TRYING TO KILL ME.
THIS PLACE IS TRYING TO KILL ME.
OBVIOUSLY, YOU KNOW, YOU COULDN'T SEE THIS IN THE DARK.
AND STEVE SAID THIS BUILDING WILL DEFINITELY SAY HELLO TO YOU.
-CAN YOU WALK, KATRINA? -YEAH, I CAN WALK.
ALL RIGHT, IF YOU CAN STAND UP, LET'S TRY TO STAND UP.
I THINK I CAN STAND.
THANKS.
-YEAH.
YEAH, I'M ALL RIGHT.
JUST TAKE, HONESTLY -- YEAH.
TAKE YOUR TIME.
YEAH.
JUST WATCH WHERE -- [ Chuckling .]
JUST WATCH WHERE -- WATCH WHERE YOU'RE GOING.
[ BOTH LAUGH .]
-[BLEEP.]
-GEEZ.
YOU'RE JUST -- YOU ARE JUST GETTING BEAT UP ON THIS ONE.
IT'S, LIKE, CRAZY.
I KNOW, RIGHT? Nick: SHE'S ONE OF THE TOUGHEST PEOPLE I KNOW.
IT'S TRULY AWESOME TO HAVE A PERSON THAT'S RIGHT THERE BY MY SIDE.
IF SOMETHING GOES DOWN AND ONE OF US GETS HURT, WE KEEP MOVING.
WE KEEP PUSHING THROUGH.
72 HOURS MEANS 72 HOURS.
ALL RIGHT, I'M JUST GETTING READY TO GO INTO THE TUNNELS NOW.
CHECK, CHECK.
I'M GOING IN THE TUNNELS.
Copy that.
Good luck.
HELLO? [ BREATHES DEEPLY .]
OKAY.
I'M IN "A" WING.
UM, NICK IS DOWNSTAIRS IN THE TUNNELS.
[ BREATHES DEEPLY .]
IS ANYBODY HERE? Nick: IS ANYONE DOWN HERE? CAN YOU COME ON OU AND SHOW YOURSELF? [ LOUD BANG .]
WHOA! [ LOUD BANG .]
Nick: WHOA! THAT CAME FROM UPSTAIRS.
KATRINA! I'D BETTER GET UPSTAIRS.
I'M IN A CELLBLOCK ON THE FIRST FLOOR OF "A" BLOCK AND I'M GONNA SEE IF I CAN GET ANYTHING, BUT I REALLY, REALLY TRULY BELIEVE THAT WHATEVER IS HERE IS WITH NICK.
I THINK IT EITHER [ LOUD BANG .]
HELLO? HELLO? -KATRINA! -NICK! I'M COMING UP.
HOLD ON.
-WHERE ARE YOU? -I'M RIGHT HERE.
I'M IN "A" BLOCK, FIRST FLOOR.
ALL RIGHT, HERE I COME.
OH, MY GOD.
Nick: WHAT HAPPENED? ARE YOU OKAY? Katrina: I WAS ABOUT TO DO AN EVP SESSION.
I WAS IN A CELL, AND I WAS ABOUT TO DO AN EVP SESSION.
I WAS JUST GONNA LET IT ROLL.
AND THEN I HEARD A DOOR.
-WEIRD.
I DON'T KNOW WHERE IT CAME FROM.
IT CAME FROM SOMEWHERE AROUND THIS AREA, I THOUGHT.
DEFINITELY SOMEWHERE -- I WAS DOWN THAT WAY, SO IT CAME THIS WAY.
Nick: WE'LL STICK TOGETHER THE REST OF THE NIGHT.
"A" WING.
IT'S QUIET IN HERE.
DO YOU WANT US TO COME UPSTAIRS? I SAW A SHADOW RUN RIGHT BY THAT DOOR.
Katrina: WHERE? -THAT'S A DOOR? -YEAH.
SOMETHING RAN RIGHT BY IT.
REALLY FAST.
BUT IT WAS REALLY WEIRD.
[ TAPPING .]
WHAT'S THAT NOISE? [ TAPPING .]
Rob: FOOTSTEPS.
IS THERE SOMEONE DOWN THERE? THAT WAS SERIOUS FOOTSTEPS COMING AT US.
LOOK DOWN THAT WAY.
SEEMS LIKE YOU'RE STALLING TO ME.
I AM.
IS SOMETHING TELLING YOU NOT TO GO IN THERE? MAYBE THAT'S WHAT IT IS.
YOU'VE BEEN STANDING OUTSIDE THIS DOOR FOR ABOUT 10 MINUTES NOW.
MAYBE THAT'S WHAT IT IS.
I DON'T KNOW.
I DIDN'T EVEN THINK ABOUT IT.
SERIOUSLY, DO YOU NOT WAN TO GO IN THAT ROOM? Nick: I'M JUST FEELING THIS -- THIS FEAR, AND I HAVE TO STAY AND CONFRON IT AND TELL MY MIND TO STOP.
"DO NOT LEAVE.
" AND THIS IS THE ROOM I'M JUST GONNA HAVE TO SLEEP IN.
ALL RIGHT, THE SUN'S COMING UP.
I THINK NOW'S THE PERFECT TIME TO GET OUR SLEEPING BAGS.
LET'S GET SET UP.
-LET'S DO IT.
GONNA TRY USING THIS RECORDER REALLY QUICK JUST TO SEE IF THERE'S ANYTHING IN HERE.
ALL RIGHT.
OKAY.
HERE WE GO.
ROLLING ON THE RECORDER.
AND IT'S COMPLETELY SILENT NOW.
WERE YOU DOWN HERE FOR HELP? ROLLING ON THE RECORDER.
AND IT'S COMPLETELY SILENT NOW.
WERE YOU DOWN HERE FOR HELP? [ STATIC .]
I THINK IT SAID "HELP" IN THERE SOMEWHERE.
YEAH.
THAT WAS JUST "HELP ME.
" WERE YOU DOWN HERE FOR HELP? Nick: THE SPIRIT VOICE WE CAPTURED ON RECORDER IS TRYING TO TELL US SOMETHING.
AND KATRINA AND I FEEL LIKE WE HAVE TO TELL STEVE.
I ALMOST FEEL LIKE WE'RE MISSING SOMETHING.
WE DON'T KNOW EVERYTHING ABOUT THE INTERVENTION ROOM, AND I DON'T HAVE ANY INFORMATION ON IT.
AND HOPEFULLY STEVE CAN GIVE US SOME CLARIFICATION OF WHAT EXACTLY HAPPENED IN THAT ROOM.
WITH KATRINA INJURED, WE'RE GONNA HAVE TO CHANGE UP OUR TACTIC OF HOW WE'RE GONNA INVESTIGATE THE REST OF THIS LOCATION.
WE CAN'T JUST CHASE THINGS IN THE DARK.
I'M THINKING SHE SHOULD REST, REVIEW EVIDENCE, AND I'M GONNA HAVE TO ISOLATE MYSELF IN "C" WING.
I THINK I'M GONNA TRY TO MAKE AN INTELLIGENT RESPONSE IN COMMUNICATION WITH THE GEOBOX.
AND I'LL GO UP BY MYSELF FOR A LITTLE BIT.
ARE YOU OKAY TO KEEP REVIEWING? -YEAH, I'M GONNA KEEP REVIEWING.
YOU GO UP THERE.
UM IF ANYTHING HAPPENS, LET ME KNOW.
Nick: THE PORTABLE GEOBOX USES VIBRATIONS, RADIO WAVES, AND ELECTROMAGNETIC FREQUENCIES TO GIVE SPIRITS A VOICE.
ARE YOU IN THERE? I'M GONNA OPEN THE DOOR.
BE NICE.
IF I OPEN THE DOOR, BE GOOD.
WHO IS IN THIS ROOM? [ GEOBOX PULSING .]
WHO IS THAT SPEAKING? CAN YOU TELL ME WHAT YOUR NAME IS? CAN YOU TELL ME WHO YOU ARE? WERE YOU PART OF THE DEATH ROW SENTENCE? WERE YOU PART OF THE DEATH ROW SENTENCE? IT'S COLD RIGHT HERE.
IT'S FREEZING.
IS THAT YOUR VOICE THAT I'M HEARING, THAT I'M ALSO SENSING? AM I SENSING SOMETHING? [ BANGS .]
AM I SENSING SOMETHING? [ BANGS .]
WHOA.
THAT JUST SLAMMED SHUT.
THAT JUST SLAMMED SHUT.
[ GASPS .]
RIGHT BEHIND ME, THIS DOOR SLAMMED SHUT.
CAN YOU CLOSE ANOTHER JAIL CELL? [ GASPS .]
DO YOU HEAR THAT? THERE'S SOMETHING MOVING AROUND IN THE JAIL.
[ THUDS .]
IT'S WALKING UP.
I JUST HEARD FOOTSTEPS.
ARE YOU LEADING ME TO THE EXECUTION ROOM? IS THAT WHERE YOU WANT ME TO GO? ALL RIGHT, I'M GONNA WALK TO YOU.
I'M FOLLOWING YOUR FOOTSTEPS.
ALL RIGHT, I'M WALKING INTO THE HANGING ROOM.
IF YOU CAN FOLLOW ME DOWN TO THE HANGING ROOM, HERE'S YOUR CHANCE.
I'M ENTERING NOW.
FOLLOW MY FOOTSTEPS.
COME ON.
ARE YOU IN HERE? CAN YOU WALK ME THROUGH WHAT HAPPENED TO YOU? IF YOU JUST SHOW ME, THEN MAYBE I'LL BE ABLE TO UNDERSTAND WHAT YOU WENT THROUGH.
IT IS FREEZING RIGHT HERE.
THERE'S LIKE A COLDNESS MOVING AND IT STOPPED.
WHAT DO YOU WANT TO TELL ME? DO YOU WAN TO TELL ME SOMETHING? MAN, I'M GETTING PAIN IN MY SIDE.
LIKE, RIGHT HERE, I'M FEELING PAIN I MY CHEST.
LIKE, RIGHT HERE, I'M FEELING PAIN I MY CHEST LIKE I DID THE FIRST TIME I WAS WALK GET THE [BLEEP.]
OUT OF HERE.
THAT'S NO.
THAT IS [BLEEP.]
MOVING.
HOLY [BLEEP.]
ARE YOU MOVING THAT? OH, MY AS I MOVE CLOSE TO THE ROPE, MY MIC PICKS UP INTERFERENCE THAT COULD BE CAUSED FROM A BURST OF STATIC ELECTRICITY, WHICH WE BELIEVE IS ENERGY CONNECTED TO A SPIRIT'S PRESENCE.
GET THE CAMERA OFF.
THERE'S SOMETHING IN HERE WITH ME.
[ BREATHING HEAVILY .]
WAS THAT YOU? GEORGE RILEY.
CAN YOU JUST SHOW ME THAT YOU'RE HERE WITH ME? CAN YOU MOVE THAT NOOSE AGAIN? ALL RIGHT.
I'M GONNA GO BACK, AND I'M GONNA TELL KATRINA WHAT JUST HAPPENED WITH THIS NOOSE MOVING.
I GOT TO SHOW HER THIS FOOTAGE.
YOU GOT TO SEE WHAT I CAPTURED.
WHAT'D YOU GET? IT WAS CRAZY UP IN THE "C" BLOCK.
YEAH, WHAT HAPPENED? LET ME CUE IT UP SO YOU CAN SEE WHAT I CAPTURED RIGHT HERE.
[ GASPS .]
I DON'T EVEN RECOGNIZE IT.
AND THENI SEE IT.
-HOLY CRAP.
-I KNOW.
LITERALLY, I HAVE CHILLS JUST WATCHING IT AGAIN.
THAT'S NOT JUST, LIKE, A SWAY, LIKE WIND COULD COME IN.
THAT'S A JERK.
-YEAH.
I GOT A PAIN IN MY SIDE, KIND OF LIKE WHAT YOU HAD, AND THEN IT MOVED.
LOOK, IT MOVES UP TOP.
MM-HMM.
LIKE SOMETHING KIND OF DROPPED DOWN.
THIS IS PROBABLY ONE OF THE BEST PIECES OF FOOTAGE I HAVE EVER SEEN IN MY 10-YEAR CAREER IN THE PARANORMAL FIELD.
THERE IS A PERFECT SHO ON THE NOOSE.
NICK IS THE ONLY ONE IN THE ROOM, AND HE'S NOT ANYWHERE NEAR THE NOOSE.
ALL THE WINDOWS ARE CLOSED.
THERE'S NO AIR DRAFTS.
AND NOT ONLY THAT, THIS ISN' JUST A SWAY OF THE ROPE.
THIS IS A DELIBERATE YANK.
IF YOU THINK ABOUT IT, "C" WING IS RIGHT IN BETWEEN THE TWO HANGING ROOMS.
RIGHT.
YOU HAVE IT RIGHT ABOVE THE ORIGINAL JAIL.
YOU HAVE WOMEN, POSSIBLY CHILDREN, YOU HAVE MEN.
IT'S A LO IN ONE LITTLE AREA.
THAT'S PARANORMAL -- YOU NEVER KNOW WHA YOU'RE GONNA GET, RIGHT? OR WHEN.
AND I THINK THE NEXT PHASE FOR OUR INVESTIGATION, LET'S USE 3-D MAPPING CAMERAS AND TRY TO REALLY SEE IF WE CAN CAPTURE SOMETHING INCREDIBLE.
Nick: AS DARKNESS FALLS ON THE LAS NIGHT OF OUR INVESTIGATION, WE RETURN TO THE HANGING ROOM WITH OUR FULL ARSENAL OF EQUIPMENT.
WE ARE DETERMINED TO MAKE DIRECT CONTAC WITH WHATEVER PULLED THE ROPE EARLIER TODAY.
ALL RIGHT, SO WE HAVE WELDON'S VIDEO GHOST BOX, AND WE'RE GONNA TRY TO TAP INTO SOME RADIO FREQUENCIES THAT HOPEFULLY WE CAN TRY TO MAKE SOME COMMUNICATION WITH THE VOICES AND ALSO SEE -- -UM IF WE CAN SEE SHADOWS.
WHAT? I THINK SOMETHING JUST PULLED ON MY JACKET.
I SWEAR TO GOD.
I DON'T KNOW -- LIKE, I WAS STANDING HERE LIKE THIS, JUST READING THAT.
MY CAMERA'S ON ME.
IT WOULD BE ON MY CAMERA.
I MEAN, LOOK.
IT'S NOT LIKE -YEAH.
STUCK ON MY MIC OR ANYTHING, SO I DON'T KNOW WHAT WOULD'VE DONE THAT.
THIS ISN'T JUST A LITTLE TUG.
THIS IS A DELIBERATE YANK.
LIKE, "HEY, TURN AROUND," OR, "HEY, YOU KNOW, LOOK AT ME.
" IT WAS SOMETHING TO GRAB MY ATTENTION, AND IT MOST CERTAINLY DID.
THERE IT WAS.
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.
IT TOTALLY GOT TUGGED.
-DID YOU? LET ME SEE.
-HOLY CRAP.
YEAH.
-YEAH, YOU GOT A TUG.
-DID YOU SEE IT? YEAH.
SOMETHING, LIKE, YANKED YOUR JACKET.
WOW.
Nick: WE DECIDE TO SET UP THE 3-D MAPPING CAMERA TO SEE IF WHATEVER TUGGED ON KATRINA'S COA WILL TAKE SHAPE FOR US USING THIS TECHNOLOGY.
GEORGE RILEY? GEORGE, IF THIS IS YOU WHO WE THINK WE'RE COMMUNICATING WITH, CAN YOU STAND NEXT TO ME? WHOA, WHOA, WHOA, WHOA, WHOA! DON'T MOVE.
DON'T MOVE.
THERE IS SOMETHING RIGHT NEXT TO YOU.
WHOA, WHOA, WHOA, WHOA, WHOA! DON'T MOVE.
DON'T MOVE.
THERE IS SOMETHING RIGHT NEXT TO YOU.
KATRINA, TAKE A STEP TO YOUR LEFT.
NO, GO THE OTHER WAY.
KEEP GOING.
KEEP GOING.
RIGHT THERE.
PUT YOUR HAND DOWN.
IT'S FREEZING RIGHT HERE.
-ROB, CAN YOU SEE HER? -MM-HMM.
DO YOU SEE ANYTHING NEXT TO HER? WHERE IS SHE? I'M RIGHT HERE.
THERE IS A FIGURE RIGHT THERE.
WHAT IS -- WHAT DO YOU FEEL RIGHT THERE, KATRINA? CAN YOU SEE THIS? IT FEELS COLD OVER HERE.
LOOK AT THIS THING.
WHOA.
OH! IT'S -- IT'S TOUCHING YOU! IT'S TOUCHING HER.
LOOKIT, LOOKIT.
IT'S TOUCHING HER ARM.
CAN YOU SEE THIS? UM, UM, ARE YOU TRYING TO TOUCH ME? IT GRABBED HER.
IT GRABBED HER HAND.
IT'S GROWING.
OH, MY GOD.
IT'S GROWING! IT'S ABOUT TO STAND UP.
THIS -- I'VE NEVER SEEN THIS BEFORE.
THIS IS CRAZY.
WAS THAT YOU THAT MOVED THE NOOSE? IT WENT AWAY.
JUST WAIT TILL YOU SEE THIS.
THIS WILL BLOW YOUR MIND AWAY.
I'VE NEVER SEEN FOOTAGE LIKE THIS, AND IT'S ABSOLUTELY INCREDIBLE.
Katrina: WHAT? SO THIS THING APPEARS.
[ Chuckling .]
WHAT? JUST WATCH.
IT GETS REALLY WEIRD.
IT APPEARS.
YOU'RE THERE, RIGHT? -YEAH.
NOW WATCH.
IT, LIKE, TOTALLY GRABS AHOLD OF YOU.
SEE THAT? -YEAH.
HUH.
ISN'T THAT WEIRD? LOOK AT IT.
IT'S, LIKE, POKING ME.
YEAH.
LOOKIT.
YOU CAN SEE ITS HAND! YOU CAN SEE ITS HAND RIGHT THERE.
IT'S LIKE, "ARE YOU REAL? ARE YOU REAL?" -YEAH.
-YEAH.
Nick: THIS 3-D MAPPING EXPERIMEN SHOWS US THE MOST INCREDIBLE EVIDENCE YET.
WE DON'T KNOW IF THE FIGURE INTERACTING WITH KATRINA IS GEORGE RILEY, THE LAST MAN PUT TO DEATH IN THE ROOM, BUT SOMETHING OR SOMEONE THAT WE CAN'T SEE WITH OUR EYES OR CAMERAS IS CLEARLY MAPPED OUT.
OUR 72 HOURS AT SHREWSBURY PRISON ARE NEARLY OVER, BUT WE CAN'T DEPAR WITHOUT SHARING SOME OF THE EVIDENCE WE'VE RECORDED WITH STEVE.
WE NEED HIM TO CLARIFY SOME OF OUR FINDINGS.
GOOD TO SEE YOU, YEAH.
-YOU SURVIVED IT, THEN? -YEAH.
OH, WE'RE EXHAUSTED.
-YEAH, BARELY.
WE HAD A LOT OF REALLY INTERESTING EXPERIENCES, THOUGH, THAT WE WANTED TO CHA WITH YOU ABOUT.
YEAH.
DO YOU WANT TO PULL UP A CHAIR? COME SIT DOWN.
WE WANT TO SHOW YOU THIS BEFORE YOU LET US OUT.
I HAVE TO TELL YOU, IN MY YEARS OF DOING THIS WORK, THIS IS PROBABLY ONE OF THE MOST INCREDIBLE PIECES OF FOOTAGE I'VE SEEN.
-RIGHT? -YES.
I'LL LET YOU JUDGE FOR YOURSELF, BUT, NICK, DO YOU WAN TO TELL HIM THE REST? YEAH, NO, YOU SET IT UP PERFECT.
JUST SHOW HIM.
-ALL RIGHT.
BUT WHAT YOU'RE GONNA BE LOOKING FOR IS JUST WATCH THE NOOSE RIGHT THERE, HANGING.
AND THEN RIGHT HERE.
Steve: MM.
BUT THERE'S NO LOGICAL EXPLANATION FOR THAT, IS THERE? YOU SEE, IT'S INTERESTING.
YOU CAN SEE THERE WHEN IT MOVED, BUT IT'S SOMETHING THAT -- NOW, EVEN IF THE WINDOWS WERE OPEN, I'VE NEVER SEEN THAT ROPE SWING LIKE THAT.
-WINDOWS WERE CLOSED.
-YEAH.
AND THE WINDOWS ARE CLOSED, SO, YEAH.
THE LAST HANGING IN THERE, 1961, VERY CONTROVERSIAL.
-MR.
RILEY? -GEORGE RILEY, YEAH, YEAH.
SO, DO YOU THINK IT COULD BE HIM? IF I HAD TO HAZARD A GUESS, THAT WOULD BE THE MOST TROUBLED SOUL IN THERE.
TELL HIM ABOU WHAT WE GOT NEXT.
WE GOT SOME REALLY INTERESTING EVPs IN THE INTERVENTION SUITE.
IT'S ALMOST LIKE THEY'RE CHOKING.
THERE IS A HISTORY WITH THAT ROOM WHICH INVOLVES ME.
THE LAST SUICIDE I DEALT WITH WHEN I WORKED ON THE PRISONER AND ACTUALLY LOST HIM WAS IN THERE.
REALLY? FOR ME, AS AN OFFICER, IT WAS SAD, BECAUSE I DIDN'T RECOGNIZE THE PRISONER AT THE TIME, BUT HE HAD BEEN ON A PREVIOUS TIME IN PRISON.
HE'S A DECENT PRISONER, SO I WAS REALLY QUITE, QUITE SAD.
WHAT'S INTERESTING TO ME IS THAT, OUT OF ALL THE CELLS WE COULD'VE PICKED TO SLEEP IN, WE PICKED THE ONE THAT HAS A VERY EMOTIONAL TIE TO YOU.
FOR ME, IT'S REALLY GOOD AND INTERESTING TO SEE THIS KIND OF THING.
BUT YOU DO REALIZE I'VE GO TO CONTINUE TO DO TOURS AND WANDER AROUND THE PLACE IN THE DARK.
THANKS FOR THAT.
CHEERS.
[ BOTH LAUGH .]
Nick: THROUGH THE COURSE OF OUR 72-HOUR INVESTIGATION AT THE SHREWSBURY PRISON, WE EXPERIENCED THE RESIDUAL DOOR SLAMS AND PHANTOM FOOTSTEPS OF THE THOUSANDS INCARCERATED HERE.
BUT IT WAS THE RESTLESS SPIRITS TRYING TO FIND PEACE OR SEEKING RECOGNITION OF THEIR INNOCENCE THAT MADE CLEAR CONTAC FROM THE OTHER SIDE OF ONE OF ENGLAND'S MOST HAUNTED PRISONS.
WELL, I'M READY TO GO HOME.
-ME, TOO.
Nick: I DON'T KNOW WHAT WE'RE IN FOR, BUT IT'S TIME FOR LOCKDOWN.
TOTALLY JUST SAW SOMEBODY DOWNSTAIRS.
I-I SWEAR, I -- -I SAW A SHADOW.
-YOU SAW A SHADOW? WHOA.
[ BANGS .]
THAT JUST SLAMMED SHUT.
SOMETHING JUST PULLED ON MY JACKET.
WHOA! HEY! [ GRUNTS .]
[BLEEP.]
IT'S TRYING TO KILL ME.
THERE IS SOMETHING RIGHT NEXT TO YOU.
WHOA, WHOA, WHOA, WHOA.
DON'T MOVE.
DON'T MOVE.
I'VE SEEN THE WAY THROUGH ALL THE PAIN I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN THEY FILL MY GRAVE BUT STILL MY SOUL REMAINS HERE BETWEEN HERE AND THE BEYOND -- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: HER MAJESTY'S SHREWSBURY PRISON IN SHROPSHIRE, ENGLAND, STANDS AS A GRIM MONUMEN TO ONE OF THE UNITED KINGDOM'S DARKEST AGES.
BUILT IN 1793, THE PRISON WAS SOON CRAMMED WITH BODIES, DOUBLING ITS DESIGN CAPACITY.
DAILY PUBLIC HANGINGS TOOK PLACE FOR ANY 1 OF THE 220 OFFENSES UNDER THE BLOODY CODE, WHICH RANGED FROM MURDER TO STEALING A LOAF OF BREAD.
THE EXECUTED WERE IMMEDIATELY BURIED IN UNMARKED GRAVES ON THE PRISON GROUNDS.
GUARDS FREQUENTLY REFUSED DUTY ON THE MOST HAUNTED WINGS AFTER HEARING TERRIFYING NOISES IN THE NIGH AND SEEING SHADOW FIGURES.
AFTER 220 YEARS OF OPERATION, SHREWSBURY PRISON LOCKED ITS STEEL GATES FOR GOOD IN MARCH 2013.
IT WAS REOPENED TO THE PUBLIC FOR TOURS TWO YEARS LATER.
BUT SOME STILL FEEL THERE ARE PRISONERS SERVING THEIR AFTERLIFE SENTENCES BEHIND THESE BARS.
TOURISTS WERE HORRIFIED WHEN THEY HEARD CRIES AND FELT A GHOSTLY HANGMAN'S NOOSE AROUND THEIR NECKS.
NOW NICK AND KATRINA WILL BE AMONG THE FIRS TO BE LOCKED IN SHREWSBURY PRISON SINCE ITS CLOSURE, WILLINGLY INCARCERATED IN ONE OF ENGLAND'S MOST HORRID HAUNTS FOR 72 HOURS.
THIS IS, BY FAR, THE OLDEST AND BLOODIEST PRISON WE'VE EVER STEPPED FOOT IN.
-YEAH.
I MEAN, THIS PLACE JUST GIVES ME ANXIETY LOOKING AT IT.
IT DOES.
I DON'T KNOW WHAT WE'RE IN FOR, BUT IT'S TIME FOR LOCKDOWN.
OH, WOW.
LOOK AT THIS PLACE.
THIS IS OVERWHELMING.
OH.
I FEEL NERVOUS STANDING HERE.
-TOWERING OVER US.
-YEAH.
Katrina: PRISONS GENERALLY FREAK ME OUT, THOUGH.
THEY'RE PROBABLY THE ONE PLACE THAT I HATE TO INVESTIGATE.
I KIND OF FEEL LIKE A PIECE OF MEAT WALKING THROUGH THEM.
I FEEL LIKE THESE EYES ARE JUST PIERCING RIGHT THROUGH ME.
-HELLO, GUYS.
-HEY.
Nick: WE MEET STEVE, WHO WAS AN OFFICER AT SHREWSBURY PRISON UNTIL IT CLOSED IN 2013 AND CURRENTLY LEADS TOURS FOR THE PUBLIC.
THIS FEELS PRIVILEGED TO BE ONE OF THE FIRS PARANORMAL INVESTIGATORS TO CHECK OUT A PLACE LIKE THIS.
IT'S GREAT TO HAVE YOU GUYS TO LOOK INTO WHAT GOES ON HERE.
WELL, CAN YOU TAKE US INSIDE? -COME THIS WAY.
-ALL RIGHT.
COME THIS WAY, GUYS.
Nick: DURING HIS 18 YEARS AS A GUARD AT THE PRISON, STEVE SAW AND HEARD IT ALL.
WE'RE HOPING HE CAN GUIDE US TO THE MOST HAUNTED HOT SPOTS ON THIS PROPERTY.
I READ THAT YOU GUYS STOPPED TAKING WOMEN IN THE 1920s? -SO, BEFORE THAT, THOUGH, WOULD WOMEN HAVE STAYED IN THIS WING OR THE OTHER WING? NO, THE OTHER WING.
OKAY.
SO THIS IS ALL MEN, ALWAYS.
[ BANG IN DISTANCE .]
THIS IS ALL MALE, YEAH.
WHAT -- WHAT WAS THAT? OKAY.
SO THIS IS ALL MEN, ALWAYS.
[ BANG IN DISTANCE .]
THIS IS ALL MALE, YEAH.
-WHAT -- WHAT WAS THAT? -IT HAPPENS A LOT.
-WAIT.
WHAT DO YOU MEAN IT HA-- -YOU'LL FIND OUT TONIGHT.
IT HAPPENS A LOT.
AIR OR SOMETHING THAT YOU CAN'T EXPLAIN? JUST ONE OF THOSE THINGS.
THE BUILDING'S LAUGHING AT YOU.
-IT'S LAUGHING AT US.
-IT'S LAUGHING AT US.
IT'S PLEASED PEOPLE HAVE COME BACK.
SO IT'S GREETING YOU.
SO WHEN A DOOR SHUTS, THAT'S NOT NATURAL, RIGHT? YOU HEARD THAT LOUD BANG, RIGHT? YOU WILL HEAR THAT A LO THOUGH THE NIGHT.
-REALLY? -GUARANTEE IT, YEAH.
YOU WILL HEAR IT A LOT.
IF I WAS A GAMBLING MAN, I WOULD SAY IT'S PROBABLY 127.
-YOU ALREADY KNOW -- -LISTEN.
THERE IT GOES AGAIN.
[ BANGS .]
COME ON.
THERE IT GOES RIGHT UP THERE.
THIS IS CRAZY.
AND, STEVE, THERE'S NOTHING THAT CAN CAUSE THAT TO HAPPEN, JUST TO RULE IT OU FOR MYSELF.
Steve: YOU CAN HAVE A DRAFT, BUT THEN IT WOULDN'T HAVE A DRAFT AT ONE END AND THEN AT THE OTHER.
IF IT'S BECAUSE A WINDOW'S OPEN, IT'S NOT GONNA BLOW THAT DOOR.
IT'S GONNA CLOSE THAT DOOR.
WOW.
THIS PLACE JUST GETS BIGGER AND BIGGER THE MORE WE MOVE THROUGH IT.
Nick: WE WIND THROUGH THIS MAZE OF A PRISON TO ARRIVE AT THE NOTORIOUS CELL 441 IN "A" WING.
SO, STEVE, WHAT CAN YOU TELL US ABOUT THIS CELL? WHAT'S THE MATTER? YOU TELL ME IF ANYBODY'S EVER FELT THIS BEFORE -- A HEAVINESS ON THEIR CHES IN HERE? YEAH, IN HERE, YEAH.
SOME STAFF FELT THAT WAY IN HERE.
NOW, WHEN I FIRST CAME HERE, I BELIEVE THAT A PRISONER HAD ATTEMPTED SUICIDE.
I CAN'T REMEMBER WHETHER HE DIED OR NOT.
-AND YOU FEEL THAT PRESENCE.
-YEAH, IT'S LIKE A I DON'T KNOW.
IT JUST FEELS LIKE I HAD SOMETHING HEAVY ON MY CHEST, LIKE SITTING ON IT.
-MM-HMM.
-WHERE WOULD YOU -- IF YOU DID HANG YOURSELF, I MEAN, WHERE -- WHERE WOULD YOU HANG YOURSELF? YOU COULD HANG YOURSELF FROM THE WINDOW.
THE ONES I'VE DEALT WITH, IT'S QUITE OFTEN OFF THE WINDOW.
STEVE, WOULD YOU RECOMMEND HER SLEEPING IN THAT JAIL CELL? -NO.
-WHY NOT? BECAUSE I DON'T KNOW WHAT YOU'RE PLAYING WITH.
THIS IS "C" WING.
Katrina: AND THIS IS WHERE THE WOMEN WOULD'VE BEEN HELD UNTIL 1922? YEAH.
NOW, SOME OFFICERS WOULD REFUSE, POINT-BLANK, "I'M NOT WORKING ON 'C' WING ON ME OWN.
" WHAT'S HAPPENED HERE? A NUMBER OF OFFICERS WHO, AT 3:00, 4:00 IN THE MORNING, HAVE SEEN A GRAY LADY COME OUT OF CELL NUMBER 2, WALK ALONG THERE, DISAPPEAR, TOWARDS THAT GREEN DOOR AT THE END, WHICH LEADS THROUGH TO THE HANGING ROOM.
WE HUNG AT LEAST TWO WOMEN HERE.
IT COULD BE A WOMAN GOING TO HER DEATH.
WOW.
FAR OUT.
OKAY, GUYS.
Nick: STEVE TAKES US INTO THE HANGING ROOM, ALONG THE LAST PATH WALKED BY MANY PRISONERS.
THESE BARE WALLS WERE THE FINAL SIGH OF NEARLY 100 INMATES, SOME EXECUTED AS RECENTLY AS 50 YEARS AGO.
WOW.
IT'S ALWAYS -- IT'S ALWAYS SOMETHING WHEN YOU WALK INTO A ROOM WHERE YOU KNEW PEOPLE WERE PUT TO DEATH.
PEOPLE HAVE ME THEIR DEATH, YEAH.
DOES ANYBODY EVER GE PHYSICAL SENSATIONS IN HERE? ON THE DAY TOURS WE DO, WE DO HAVE PEOPLE COME WITH YOUNGER CHILDREN.
AND THEY WERE DOING THE BI ABOUT THE HANGING, AND THE YOUNG CHILD POINTED TO THAT CORNER AND SAID, "THERE'S A BAD MAN IN THAT CORNER.
HE'S LOOKING AT ME, MUM.
" ACTIVITY IN HERE, SOMETHING THA I DON'T THINK WE CAN EXPLAIN.
IS THIS WHERE THE HATCH WOULD BE, THE DROP WOULD'VE BEEN? THE HATCH WOULD DROP HERE.
THIS NOOSE WOULD DISAPPEAR JUST BELOW THE FLOORBOARDS.
IT'S CALLED THE LONG DROP.
THE LONG DROP? IF IT'S DONE CORRECTLY, THE SECOND AND THIRD VERTEBRAE IN THE NECK SHOULD BREAK.
THEY DIE IN ABOUT THREE SECONDS.
SO, I KNOW IT'S A HANGING ROOM, BUT I'M GONNA SAY I JUST TO DOCUMENT IT.
BUT EVER SINCE WE STOOD OU THERE, RIGHT BEFORE WE WENT IN, I'VE HAD THIS INTENSE PAIN HERE AND IN MY SHOULDER.
-REALLY? -YEAH.
IT'S LIKE HERE BUT ONLY ON THIS SIDE.
AND THAT'S WHY WHEN YOU SAID THAT THIRD AND FOURTH VERTEBRAE, I'M LIKE YOU ALWAYS POSITIONED THIS TO THE ONE SIDE.
-OH, THAT'S INTERESTING.
-YEAH.
-YOU LOOK UNCOMFORTABLE.
-I AM UNCOMFORTABLE.
IT FEELS -- IT JUST FEELS LIKE I CAN'T STRAIGHTEN IT OUT.
I THINK PERHAPS WE BEST GO OUT.
YEAH.
THERE HAS BEEN A TON OF DEATH ON THIS PROPERTY -- EXECUTIONS, MURDERS, SUICIDES -- JUST PAINFUL DEATH.
AND THESE PRISON WALLS HOLD ALL THIS ENERGY, AND THESE BODIES WERE BURIED HERE, STILL LAYING IN THIS PROPERTY, NEVER LEAVING THESE WALLS.
I'M THINKING THAT COULD BE THE PERFECT RECIPE FOR A HAUNTING.
-SEE YOU, GUYS.
-BYE.
TA-LA.
[ BREATHES DEEPLY .]
THAT'S IT.
NOW WE'RE CONFINED FOR GOOD.
LET'S GO.
Nick: THE PRISON IS MASSIVE -- MORE THAN 90,000 SQUARE FEE OF STONE, STEEL, AND WINDING NARROW HALLS.
WE BEGIN OUR INVESTIGATION ON "C" WING, THE OLDEST WING OF THE PRISON.
OH.
RIGHT.
-IT'S A DIFFERENT FEELING.
-HELLO, LADIES.
[ DOOR CREAKS .]
WE'RE GONNA START OUR 3-D MAPPING CAMERA RIGHT NOW.
THIS DEVICE WILL MAP OU ANYTHING UNEXPLAINABLE WITHIN THE ENVIRONMEN THAT SHOULDN'T BE THERE.
MM-HMM.
AND IT WILL APPEAR AS A STICK FIGURE WHEN THERE SHOULD BE NOTHING NEXT TO YOU.
AND ALSO, WE'LL CAPTURE ANOMALIES -- ORBS OR ENERGY FORMS.
IS THE LADY IN GRAY -- IS THERE A WOMAN HERE THAT'S WALKING TO THE EXECUTION ROOM? I'M GONNA WALK UP THERE.
YOU CAN BE LET OU IF YOU WANT.
ARE YOU IN HERE? CAN I SEE YOU IN THE WINDOW PLEASE? I'M GONNA PUT ON MY HEADPHONES FOR AN EVP RECORDER.
OKAY.
IF I CAN HEAR IN REALTIME.
WHILE YOU DO THAT, I'M GONNA PUT LASERS TOWARDS WHERE THEY SAW THE LADY IN GRAY.
SO, WE HAVE THE LASERS AIMED IN THAT DIRECTION BECAUSE WE SEE A LOT OF SHADOW PEOPLE.
THEY TALK ABOUT COMING DOWN THIS SECOND FLOOR AND WALKING TOWARDS THE EXECUTION ROOM.
AND THERE'S A LADY IN GRAY WHO HAS BEEN SEEN BY SOME OFFICERS KIND OF JUST WALKING DOWN HERE EARLY IN THE MORNING.
-UM -WHAT? TOTALLY JUST SAW SOMEBODY DOWNSTAIRS BY THE CAMERA.
WHERE? THERE'S A LADY IN GRAY WHO HAS BEEN SEEN BY SOME OFFICERS KIND OF JUST WALKING DOWN HERE EARLY IN THE MORNING.
-UM -WHAT? TOTALLY JUST SAW SOMEBODY DOWNSTAIRS BY THE CAMERA.
Nick: YEP.
WHERE? LIKE, RIGHT IN FRON OF THE LAPTOP.
NO.
NO ONE'S THERE.
NO ONE SHOULD BE HERE.
THAT'S CRAZY.
YOU SERIOUS? I-I SWEAR.
I -- LET'S GO TO IT.
I WAS UP THERE, AND WHAT I SAW WAS SOMEONE STANDING HERE AND THAT KIND OF WENT LIKE AND THEN WALKED OFF.
LIKE THIS.
I'M LEANING ON THE RAILING ON THE SECOND FLOOR OF "C" WING, AND OUT OF THE CORNER OF MY EYE, I SEE SOMEONE STANDING NEXT TO OUR COMPUTER EQUIPMENT.
LOOKS LIKE MALE, IS WEARING A HAT, AND IT'S ALL DARK, SILHOUETTED BY THE LIGHT OF THE COMPUTER.
AND MY FIRST THOUGHT WAS, "OH, IT'S ONE OF THE GUYS.
" BUT THEN I REALIZED THE GUYS ARE WITH ME.
Nick: WHAT DO YOU THINK ABOUT MOVING UP TO THE EXECUTION ROOM RIGHT NOW? Katrina: I THINK WE NEED TO CHECK IT OUT, BECAUSE I WAS DEFINITELY FEELING SOMETHING THERE EARLIER TODAY.
I DON'T KNOW.
IT FEELS LIKE WE'RE BEING WATCHED.
Katrina: DO YOU REMEMBER HOW HE WAS TALKING ABOUT GEORGE RILEY? -GEORGE RILEY, YEAH.
-YEAH.
1961.
PEOPLE ARE RALLYING TO GET HIM FREE, 'CAUSE THERE'S REALLY NOT MUCH EVIDENCE AGAINST HIM, OTHER THAN THE FACT HE SAID HE DID IT AND THEN HE TOOK IT BACK.
RIGHT.
THEY HANG PEOPLE AT 8:00 A.
M.
HERE.
DO YOU REMEMBER THAT BUS THAT WE SAW AT THE TOP? THAT WAS HOWARD.
HOWARD WAS A PRISON REFORMER, AND EXACTLY AT 8:00 A.
M.
, WHEN GEORGE RILEY WAS HUNG, THESE DOVES CAME OU FROM BEHIND THE BUST.
TOOK THAT AS A SIGN THAT GEORGE WAS INNOCENT.
WOW.
AND HOW POETIC IS IT THAT I WAS THEIR LAST HANGING EVER? THIS 21-YEAR-OLD BOY.
IT'S GETTING COLD.
DID YOU GUYS FEEL THAT? -NO.
JUST A COLD MASS OF AIR JUST SURROUNDED MY BODY.
IS THERE ANYONE IN HERE? CAN YOU MAKE A NOISE? CAN YOU SAY SOMETHING? IS THERE ANYONE IN HERE?! YOU'LL BE FREE.
COME ON! HEY, I WANT TO TALK TO THE BAD MAN.
THERE WAS A LITTLE BOY IN HERE NOT TOO LONG AGO WHO CALLED YOU "THE BAD MAN.
" YOU WANT TO TELL ME WHO YOU ARE? WHAT ABOU GEORGE RILEY? GEORGE, IF YOU'RE STILL HERE, ARE YOU INNOCENT? Nick: WALKING INTO THE EXECUTION ROOM.
FOLLOW ME.
FOLLOW ME INTO THIS ROOM.
CAN YOU FOLLOW ME IN? I JUST FEEL, LIKE, UM LIKE I'M HEARING THINGS.
[ LOUD BANGING IN DISTANCE .]
WHOA! [ LOUD BANGING IN DISTANCE .]
WHOA! HELLO? I SAW A SHADOW.
-YOU SAW A SHADOW? SAW A SHADOW.
-GUYS -WAIT.
THIS WAY! WHOA! HEY! [ GRUNTS .]
-GUYS -WAIT.
THIS WAY! WHOA! HEY! [ GRUNTS .]
-YOU ALL RIGHT? -YEAH, YEAH, GUYS.
OH [BLEEP.]
NO, I'M NOT ALL RIGHT.
Nick: HUH? YOU OKAY? JUST FELL DOWN THE STAIRS, NO.
Nick: I'M STANDING THERE, THINKING, "WE WERE OUT OF CONTROL.
" WE WERE CHASING SOMETHING BLIND IN THE DARK.
I DIDN'T KNOW WHAT WAS GONNA HAPPEN WHEN I OPENED THAT DOOR.
SOMETHING DISTRACTED US.
DID YOU BREAK SOMETHING OR YOU SPRAINED SOMETHING, OR WHAT HAPPENED? NO, I DON'T THINK I BROKE ANYTHING.
I JUST -- MAYBE A SPRAIN.
DEFINITELY BRUISED, LIKE, MY BACKSIDE.
-WERE YOU PUSHED? -NOT THAT -- NO, NOT THAT I WOULD -- NOT THAT I RECALL.
I MEAN, CAN YOU KEEP WALKING? HONESTLY, I DON'T KNOW.
UM, I'M GONNA TRY TO POWER THROUGH IT.
GONNA SEE HOW FAR I GET.
SOMETIMES THE BUILDINGS ARE MORE DANGEROUS THAN THE PARANORMAL.
YOU CAN GET VERY, VERY HUR DOING THIS TYPE OF WORK.
NOW IT'S TIME TO GO TO SLEEP FOR LIKE AN HOUR OR TWO.
KATRINA AND I ALWAYS SLEEP APAR ON OUR INVESTIGATIONS TO OPEN OURSELVES TO THE MOS PARANORMAL INTERACTIONS.
BUT TONIGHT, BECAUSE OF HER INJURY, I DON'T WANT TO GO FAR.
KATRINA SLEEPS ON THE GROUND FLOOR OF "C" WING, AND I AM WITHIN EARSHO BY THE UPPER CELLBLOCKS.
ROLLING ON THE RECORDER BY OURSELVES.
AFTER A FEW HOURS OF SLEEP, WE WAKE UP IN "C" WING AND REVIEW THE RECORDED EVIDENCE FROM LAST NIGHT.
[ STATIC .]
SAYS, "NICK, GET OUT.
" GEEZ! SOME CRAZY VOICES.
SO, THIS GOES ON FOR FIVE MINUTES.
ARE YOU SERIOUS? IF THIS IS THE STAR OF WHAT'S TO COME, THEN WE HAVE A LONG NIGH AHEAD OF US.
NIGHT HAS FALLEN, AND WE START OUR SECOND NIGH OF INVESTIGATION IN THE CELLS OF "A" WING.
WHAT WERE YOU LOCKED UP FOR? ARE YOU IN HERE FOR MURDER? [ BANGS .]
OH, GEEZ! [BLEEP.]
-YOU JUST FALL THROUGH THAT? -YES.
-YOU ALL RIGHT? -[ SIGHS .]
-YOU OKAY? -YEAH.
-JUST -- I LANDED ON MY ANKLES.
-GEEZ.
DO YOU WANT TO SIT RIGHT HERE? YOU CAN SIT HERE.
YEAH.
THIS PLACE DOES NO FREAKING LIKE ME -OH, MY GOD.
-AT ALL.
IT'S TRYING TO KILL ME.
THIS PLACE IS TRYING TO KILL ME.
OBVIOUSLY, YOU KNOW, YOU COULDN'T SEE THIS IN THE DARK.
AND STEVE SAID THIS BUILDING WILL DEFINITELY SAY HELLO TO YOU.
-CAN YOU WALK, KATRINA? -YEAH, I CAN WALK.
ALL RIGHT, IF YOU CAN STAND UP, LET'S TRY TO STAND UP.
I THINK I CAN STAND.
THANKS.
-YEAH.
YEAH, I'M ALL RIGHT.
JUST TAKE, HONESTLY -- YEAH.
TAKE YOUR TIME.
YEAH.
JUST WATCH WHERE -- [ Chuckling .]
JUST WATCH WHERE -- WATCH WHERE YOU'RE GOING.
[ BOTH LAUGH .]
-[BLEEP.]
-GEEZ.
YOU'RE JUST -- YOU ARE JUST GETTING BEAT UP ON THIS ONE.
IT'S, LIKE, CRAZY.
I KNOW, RIGHT? Nick: SHE'S ONE OF THE TOUGHEST PEOPLE I KNOW.
IT'S TRULY AWESOME TO HAVE A PERSON THAT'S RIGHT THERE BY MY SIDE.
IF SOMETHING GOES DOWN AND ONE OF US GETS HURT, WE KEEP MOVING.
WE KEEP PUSHING THROUGH.
72 HOURS MEANS 72 HOURS.
ALL RIGHT, I'M JUST GETTING READY TO GO INTO THE TUNNELS NOW.
CHECK, CHECK.
I'M GOING IN THE TUNNELS.
Copy that.
Good luck.
HELLO? [ BREATHES DEEPLY .]
OKAY.
I'M IN "A" WING.
UM, NICK IS DOWNSTAIRS IN THE TUNNELS.
[ BREATHES DEEPLY .]
IS ANYBODY HERE? Nick: IS ANYONE DOWN HERE? CAN YOU COME ON OU AND SHOW YOURSELF? [ LOUD BANG .]
WHOA! [ LOUD BANG .]
Nick: WHOA! THAT CAME FROM UPSTAIRS.
KATRINA! I'D BETTER GET UPSTAIRS.
I'M IN A CELLBLOCK ON THE FIRST FLOOR OF "A" BLOCK AND I'M GONNA SEE IF I CAN GET ANYTHING, BUT I REALLY, REALLY TRULY BELIEVE THAT WHATEVER IS HERE IS WITH NICK.
I THINK IT EITHER [ LOUD BANG .]
HELLO? HELLO? -KATRINA! -NICK! I'M COMING UP.
HOLD ON.
-WHERE ARE YOU? -I'M RIGHT HERE.
I'M IN "A" BLOCK, FIRST FLOOR.
ALL RIGHT, HERE I COME.
OH, MY GOD.
Nick: WHAT HAPPENED? ARE YOU OKAY? Katrina: I WAS ABOUT TO DO AN EVP SESSION.
I WAS IN A CELL, AND I WAS ABOUT TO DO AN EVP SESSION.
I WAS JUST GONNA LET IT ROLL.
AND THEN I HEARD A DOOR.
-WEIRD.
I DON'T KNOW WHERE IT CAME FROM.
IT CAME FROM SOMEWHERE AROUND THIS AREA, I THOUGHT.
DEFINITELY SOMEWHERE -- I WAS DOWN THAT WAY, SO IT CAME THIS WAY.
Nick: WE'LL STICK TOGETHER THE REST OF THE NIGHT.
"A" WING.
IT'S QUIET IN HERE.
DO YOU WANT US TO COME UPSTAIRS? I SAW A SHADOW RUN RIGHT BY THAT DOOR.
Katrina: WHERE? -THAT'S A DOOR? -YEAH.
SOMETHING RAN RIGHT BY IT.
REALLY FAST.
BUT IT WAS REALLY WEIRD.
[ TAPPING .]
WHAT'S THAT NOISE? [ TAPPING .]
Rob: FOOTSTEPS.
IS THERE SOMEONE DOWN THERE? THAT WAS SERIOUS FOOTSTEPS COMING AT US.
LOOK DOWN THAT WAY.
SEEMS LIKE YOU'RE STALLING TO ME.
I AM.
IS SOMETHING TELLING YOU NOT TO GO IN THERE? MAYBE THAT'S WHAT IT IS.
YOU'VE BEEN STANDING OUTSIDE THIS DOOR FOR ABOUT 10 MINUTES NOW.
MAYBE THAT'S WHAT IT IS.
I DON'T KNOW.
I DIDN'T EVEN THINK ABOUT IT.
SERIOUSLY, DO YOU NOT WAN TO GO IN THAT ROOM? Nick: I'M JUST FEELING THIS -- THIS FEAR, AND I HAVE TO STAY AND CONFRON IT AND TELL MY MIND TO STOP.
"DO NOT LEAVE.
" AND THIS IS THE ROOM I'M JUST GONNA HAVE TO SLEEP IN.
ALL RIGHT, THE SUN'S COMING UP.
I THINK NOW'S THE PERFECT TIME TO GET OUR SLEEPING BAGS.
LET'S GET SET UP.
-LET'S DO IT.
GONNA TRY USING THIS RECORDER REALLY QUICK JUST TO SEE IF THERE'S ANYTHING IN HERE.
ALL RIGHT.
OKAY.
HERE WE GO.
ROLLING ON THE RECORDER.
AND IT'S COMPLETELY SILENT NOW.
WERE YOU DOWN HERE FOR HELP? ROLLING ON THE RECORDER.
AND IT'S COMPLETELY SILENT NOW.
WERE YOU DOWN HERE FOR HELP? [ STATIC .]
I THINK IT SAID "HELP" IN THERE SOMEWHERE.
YEAH.
THAT WAS JUST "HELP ME.
" WERE YOU DOWN HERE FOR HELP? Nick: THE SPIRIT VOICE WE CAPTURED ON RECORDER IS TRYING TO TELL US SOMETHING.
AND KATRINA AND I FEEL LIKE WE HAVE TO TELL STEVE.
I ALMOST FEEL LIKE WE'RE MISSING SOMETHING.
WE DON'T KNOW EVERYTHING ABOUT THE INTERVENTION ROOM, AND I DON'T HAVE ANY INFORMATION ON IT.
AND HOPEFULLY STEVE CAN GIVE US SOME CLARIFICATION OF WHAT EXACTLY HAPPENED IN THAT ROOM.
WITH KATRINA INJURED, WE'RE GONNA HAVE TO CHANGE UP OUR TACTIC OF HOW WE'RE GONNA INVESTIGATE THE REST OF THIS LOCATION.
WE CAN'T JUST CHASE THINGS IN THE DARK.
I'M THINKING SHE SHOULD REST, REVIEW EVIDENCE, AND I'M GONNA HAVE TO ISOLATE MYSELF IN "C" WING.
I THINK I'M GONNA TRY TO MAKE AN INTELLIGENT RESPONSE IN COMMUNICATION WITH THE GEOBOX.
AND I'LL GO UP BY MYSELF FOR A LITTLE BIT.
ARE YOU OKAY TO KEEP REVIEWING? -YEAH, I'M GONNA KEEP REVIEWING.
YOU GO UP THERE.
UM IF ANYTHING HAPPENS, LET ME KNOW.
Nick: THE PORTABLE GEOBOX USES VIBRATIONS, RADIO WAVES, AND ELECTROMAGNETIC FREQUENCIES TO GIVE SPIRITS A VOICE.
ARE YOU IN THERE? I'M GONNA OPEN THE DOOR.
BE NICE.
IF I OPEN THE DOOR, BE GOOD.
WHO IS IN THIS ROOM? [ GEOBOX PULSING .]
WHO IS THAT SPEAKING? CAN YOU TELL ME WHAT YOUR NAME IS? CAN YOU TELL ME WHO YOU ARE? WERE YOU PART OF THE DEATH ROW SENTENCE? WERE YOU PART OF THE DEATH ROW SENTENCE? IT'S COLD RIGHT HERE.
IT'S FREEZING.
IS THAT YOUR VOICE THAT I'M HEARING, THAT I'M ALSO SENSING? AM I SENSING SOMETHING? [ BANGS .]
AM I SENSING SOMETHING? [ BANGS .]
WHOA.
THAT JUST SLAMMED SHUT.
THAT JUST SLAMMED SHUT.
[ GASPS .]
RIGHT BEHIND ME, THIS DOOR SLAMMED SHUT.
CAN YOU CLOSE ANOTHER JAIL CELL? [ GASPS .]
DO YOU HEAR THAT? THERE'S SOMETHING MOVING AROUND IN THE JAIL.
[ THUDS .]
IT'S WALKING UP.
I JUST HEARD FOOTSTEPS.
ARE YOU LEADING ME TO THE EXECUTION ROOM? IS THAT WHERE YOU WANT ME TO GO? ALL RIGHT, I'M GONNA WALK TO YOU.
I'M FOLLOWING YOUR FOOTSTEPS.
ALL RIGHT, I'M WALKING INTO THE HANGING ROOM.
IF YOU CAN FOLLOW ME DOWN TO THE HANGING ROOM, HERE'S YOUR CHANCE.
I'M ENTERING NOW.
FOLLOW MY FOOTSTEPS.
COME ON.
ARE YOU IN HERE? CAN YOU WALK ME THROUGH WHAT HAPPENED TO YOU? IF YOU JUST SHOW ME, THEN MAYBE I'LL BE ABLE TO UNDERSTAND WHAT YOU WENT THROUGH.
IT IS FREEZING RIGHT HERE.
THERE'S LIKE A COLDNESS MOVING AND IT STOPPED.
WHAT DO YOU WANT TO TELL ME? DO YOU WAN TO TELL ME SOMETHING? MAN, I'M GETTING PAIN IN MY SIDE.
LIKE, RIGHT HERE, I'M FEELING PAIN I MY CHEST.
LIKE, RIGHT HERE, I'M FEELING PAIN I MY CHEST LIKE I DID THE FIRST TIME I WAS WALK GET THE [BLEEP.]
OUT OF HERE.
THAT'S NO.
THAT IS [BLEEP.]
MOVING.
HOLY [BLEEP.]
ARE YOU MOVING THAT? OH, MY AS I MOVE CLOSE TO THE ROPE, MY MIC PICKS UP INTERFERENCE THAT COULD BE CAUSED FROM A BURST OF STATIC ELECTRICITY, WHICH WE BELIEVE IS ENERGY CONNECTED TO A SPIRIT'S PRESENCE.
GET THE CAMERA OFF.
THERE'S SOMETHING IN HERE WITH ME.
[ BREATHING HEAVILY .]
WAS THAT YOU? GEORGE RILEY.
CAN YOU JUST SHOW ME THAT YOU'RE HERE WITH ME? CAN YOU MOVE THAT NOOSE AGAIN? ALL RIGHT.
I'M GONNA GO BACK, AND I'M GONNA TELL KATRINA WHAT JUST HAPPENED WITH THIS NOOSE MOVING.
I GOT TO SHOW HER THIS FOOTAGE.
YOU GOT TO SEE WHAT I CAPTURED.
WHAT'D YOU GET? IT WAS CRAZY UP IN THE "C" BLOCK.
YEAH, WHAT HAPPENED? LET ME CUE IT UP SO YOU CAN SEE WHAT I CAPTURED RIGHT HERE.
[ GASPS .]
I DON'T EVEN RECOGNIZE IT.
AND THENI SEE IT.
-HOLY CRAP.
-I KNOW.
LITERALLY, I HAVE CHILLS JUST WATCHING IT AGAIN.
THAT'S NOT JUST, LIKE, A SWAY, LIKE WIND COULD COME IN.
THAT'S A JERK.
-YEAH.
I GOT A PAIN IN MY SIDE, KIND OF LIKE WHAT YOU HAD, AND THEN IT MOVED.
LOOK, IT MOVES UP TOP.
MM-HMM.
LIKE SOMETHING KIND OF DROPPED DOWN.
THIS IS PROBABLY ONE OF THE BEST PIECES OF FOOTAGE I HAVE EVER SEEN IN MY 10-YEAR CAREER IN THE PARANORMAL FIELD.
THERE IS A PERFECT SHO ON THE NOOSE.
NICK IS THE ONLY ONE IN THE ROOM, AND HE'S NOT ANYWHERE NEAR THE NOOSE.
ALL THE WINDOWS ARE CLOSED.
THERE'S NO AIR DRAFTS.
AND NOT ONLY THAT, THIS ISN' JUST A SWAY OF THE ROPE.
THIS IS A DELIBERATE YANK.
IF YOU THINK ABOUT IT, "C" WING IS RIGHT IN BETWEEN THE TWO HANGING ROOMS.
RIGHT.
YOU HAVE IT RIGHT ABOVE THE ORIGINAL JAIL.
YOU HAVE WOMEN, POSSIBLY CHILDREN, YOU HAVE MEN.
IT'S A LO IN ONE LITTLE AREA.
THAT'S PARANORMAL -- YOU NEVER KNOW WHA YOU'RE GONNA GET, RIGHT? OR WHEN.
AND I THINK THE NEXT PHASE FOR OUR INVESTIGATION, LET'S USE 3-D MAPPING CAMERAS AND TRY TO REALLY SEE IF WE CAN CAPTURE SOMETHING INCREDIBLE.
Nick: AS DARKNESS FALLS ON THE LAS NIGHT OF OUR INVESTIGATION, WE RETURN TO THE HANGING ROOM WITH OUR FULL ARSENAL OF EQUIPMENT.
WE ARE DETERMINED TO MAKE DIRECT CONTAC WITH WHATEVER PULLED THE ROPE EARLIER TODAY.
ALL RIGHT, SO WE HAVE WELDON'S VIDEO GHOST BOX, AND WE'RE GONNA TRY TO TAP INTO SOME RADIO FREQUENCIES THAT HOPEFULLY WE CAN TRY TO MAKE SOME COMMUNICATION WITH THE VOICES AND ALSO SEE -- -UM IF WE CAN SEE SHADOWS.
WHAT? I THINK SOMETHING JUST PULLED ON MY JACKET.
I SWEAR TO GOD.
I DON'T KNOW -- LIKE, I WAS STANDING HERE LIKE THIS, JUST READING THAT.
MY CAMERA'S ON ME.
IT WOULD BE ON MY CAMERA.
I MEAN, LOOK.
IT'S NOT LIKE -YEAH.
STUCK ON MY MIC OR ANYTHING, SO I DON'T KNOW WHAT WOULD'VE DONE THAT.
THIS ISN'T JUST A LITTLE TUG.
THIS IS A DELIBERATE YANK.
LIKE, "HEY, TURN AROUND," OR, "HEY, YOU KNOW, LOOK AT ME.
" IT WAS SOMETHING TO GRAB MY ATTENTION, AND IT MOST CERTAINLY DID.
THERE IT WAS.
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.
IT TOTALLY GOT TUGGED.
-DID YOU? LET ME SEE.
-HOLY CRAP.
YEAH.
-YEAH, YOU GOT A TUG.
-DID YOU SEE IT? YEAH.
SOMETHING, LIKE, YANKED YOUR JACKET.
WOW.
Nick: WE DECIDE TO SET UP THE 3-D MAPPING CAMERA TO SEE IF WHATEVER TUGGED ON KATRINA'S COA WILL TAKE SHAPE FOR US USING THIS TECHNOLOGY.
GEORGE RILEY? GEORGE, IF THIS IS YOU WHO WE THINK WE'RE COMMUNICATING WITH, CAN YOU STAND NEXT TO ME? WHOA, WHOA, WHOA, WHOA, WHOA! DON'T MOVE.
DON'T MOVE.
THERE IS SOMETHING RIGHT NEXT TO YOU.
WHOA, WHOA, WHOA, WHOA, WHOA! DON'T MOVE.
DON'T MOVE.
THERE IS SOMETHING RIGHT NEXT TO YOU.
KATRINA, TAKE A STEP TO YOUR LEFT.
NO, GO THE OTHER WAY.
KEEP GOING.
KEEP GOING.
RIGHT THERE.
PUT YOUR HAND DOWN.
IT'S FREEZING RIGHT HERE.
-ROB, CAN YOU SEE HER? -MM-HMM.
DO YOU SEE ANYTHING NEXT TO HER? WHERE IS SHE? I'M RIGHT HERE.
THERE IS A FIGURE RIGHT THERE.
WHAT IS -- WHAT DO YOU FEEL RIGHT THERE, KATRINA? CAN YOU SEE THIS? IT FEELS COLD OVER HERE.
LOOK AT THIS THING.
WHOA.
OH! IT'S -- IT'S TOUCHING YOU! IT'S TOUCHING HER.
LOOKIT, LOOKIT.
IT'S TOUCHING HER ARM.
CAN YOU SEE THIS? UM, UM, ARE YOU TRYING TO TOUCH ME? IT GRABBED HER.
IT GRABBED HER HAND.
IT'S GROWING.
OH, MY GOD.
IT'S GROWING! IT'S ABOUT TO STAND UP.
THIS -- I'VE NEVER SEEN THIS BEFORE.
THIS IS CRAZY.
WAS THAT YOU THAT MOVED THE NOOSE? IT WENT AWAY.
JUST WAIT TILL YOU SEE THIS.
THIS WILL BLOW YOUR MIND AWAY.
I'VE NEVER SEEN FOOTAGE LIKE THIS, AND IT'S ABSOLUTELY INCREDIBLE.
Katrina: WHAT? SO THIS THING APPEARS.
[ Chuckling .]
WHAT? JUST WATCH.
IT GETS REALLY WEIRD.
IT APPEARS.
YOU'RE THERE, RIGHT? -YEAH.
NOW WATCH.
IT, LIKE, TOTALLY GRABS AHOLD OF YOU.
SEE THAT? -YEAH.
HUH.
ISN'T THAT WEIRD? LOOK AT IT.
IT'S, LIKE, POKING ME.
YEAH.
LOOKIT.
YOU CAN SEE ITS HAND! YOU CAN SEE ITS HAND RIGHT THERE.
IT'S LIKE, "ARE YOU REAL? ARE YOU REAL?" -YEAH.
-YEAH.
Nick: THIS 3-D MAPPING EXPERIMEN SHOWS US THE MOST INCREDIBLE EVIDENCE YET.
WE DON'T KNOW IF THE FIGURE INTERACTING WITH KATRINA IS GEORGE RILEY, THE LAST MAN PUT TO DEATH IN THE ROOM, BUT SOMETHING OR SOMEONE THAT WE CAN'T SEE WITH OUR EYES OR CAMERAS IS CLEARLY MAPPED OUT.
OUR 72 HOURS AT SHREWSBURY PRISON ARE NEARLY OVER, BUT WE CAN'T DEPAR WITHOUT SHARING SOME OF THE EVIDENCE WE'VE RECORDED WITH STEVE.
WE NEED HIM TO CLARIFY SOME OF OUR FINDINGS.
GOOD TO SEE YOU, YEAH.
-YOU SURVIVED IT, THEN? -YEAH.
OH, WE'RE EXHAUSTED.
-YEAH, BARELY.
WE HAD A LOT OF REALLY INTERESTING EXPERIENCES, THOUGH, THAT WE WANTED TO CHA WITH YOU ABOUT.
YEAH.
DO YOU WANT TO PULL UP A CHAIR? COME SIT DOWN.
WE WANT TO SHOW YOU THIS BEFORE YOU LET US OUT.
I HAVE TO TELL YOU, IN MY YEARS OF DOING THIS WORK, THIS IS PROBABLY ONE OF THE MOST INCREDIBLE PIECES OF FOOTAGE I'VE SEEN.
-RIGHT? -YES.
I'LL LET YOU JUDGE FOR YOURSELF, BUT, NICK, DO YOU WAN TO TELL HIM THE REST? YEAH, NO, YOU SET IT UP PERFECT.
JUST SHOW HIM.
-ALL RIGHT.
BUT WHAT YOU'RE GONNA BE LOOKING FOR IS JUST WATCH THE NOOSE RIGHT THERE, HANGING.
AND THEN RIGHT HERE.
Steve: MM.
BUT THERE'S NO LOGICAL EXPLANATION FOR THAT, IS THERE? YOU SEE, IT'S INTERESTING.
YOU CAN SEE THERE WHEN IT MOVED, BUT IT'S SOMETHING THAT -- NOW, EVEN IF THE WINDOWS WERE OPEN, I'VE NEVER SEEN THAT ROPE SWING LIKE THAT.
-WINDOWS WERE CLOSED.
-YEAH.
AND THE WINDOWS ARE CLOSED, SO, YEAH.
THE LAST HANGING IN THERE, 1961, VERY CONTROVERSIAL.
-MR.
RILEY? -GEORGE RILEY, YEAH, YEAH.
SO, DO YOU THINK IT COULD BE HIM? IF I HAD TO HAZARD A GUESS, THAT WOULD BE THE MOST TROUBLED SOUL IN THERE.
TELL HIM ABOU WHAT WE GOT NEXT.
WE GOT SOME REALLY INTERESTING EVPs IN THE INTERVENTION SUITE.
IT'S ALMOST LIKE THEY'RE CHOKING.
THERE IS A HISTORY WITH THAT ROOM WHICH INVOLVES ME.
THE LAST SUICIDE I DEALT WITH WHEN I WORKED ON THE PRISONER AND ACTUALLY LOST HIM WAS IN THERE.
REALLY? FOR ME, AS AN OFFICER, IT WAS SAD, BECAUSE I DIDN'T RECOGNIZE THE PRISONER AT THE TIME, BUT HE HAD BEEN ON A PREVIOUS TIME IN PRISON.
HE'S A DECENT PRISONER, SO I WAS REALLY QUITE, QUITE SAD.
WHAT'S INTERESTING TO ME IS THAT, OUT OF ALL THE CELLS WE COULD'VE PICKED TO SLEEP IN, WE PICKED THE ONE THAT HAS A VERY EMOTIONAL TIE TO YOU.
FOR ME, IT'S REALLY GOOD AND INTERESTING TO SEE THIS KIND OF THING.
BUT YOU DO REALIZE I'VE GO TO CONTINUE TO DO TOURS AND WANDER AROUND THE PLACE IN THE DARK.
THANKS FOR THAT.
CHEERS.
[ BOTH LAUGH .]
Nick: THROUGH THE COURSE OF OUR 72-HOUR INVESTIGATION AT THE SHREWSBURY PRISON, WE EXPERIENCED THE RESIDUAL DOOR SLAMS AND PHANTOM FOOTSTEPS OF THE THOUSANDS INCARCERATED HERE.
BUT IT WAS THE RESTLESS SPIRITS TRYING TO FIND PEACE OR SEEKING RECOGNITION OF THEIR INNOCENCE THAT MADE CLEAR CONTAC FROM THE OTHER SIDE OF ONE OF ENGLAND'S MOST HAUNTED PRISONS.
WELL, I'M READY TO GO HOME.
-ME, TOO.