Paranormal Lockdown (2016) s02e03 Episode Script

1 Katrina: I FEEL LIKE WE'RE BEING WATCHED.
IT'S HERE.
[BLEEP.]
I JUST SAW SOMETHING WALKING DOWN THE HALL.
THERE'S SOMETHING RIGHT BEHIND YOU, KATRINA.
[GASPS.]
OH.
THERE'S A SHADOW THAT JUST I DON'T FEEL RIGHT, KATRINA.
THIS IS MAPPING THIS, LIKE, THING.
[BLEEP.]
OUT OF HERE.
NO WAY.
Rob: I LOST KATRINA.
Nick: KATRINA? KATRINA! I'VE SEEN THE WAY THROUGH ALL THE PAIN I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN THEY FILL MY GRAVE BUT STILL MY SOUL REMAINS HERE BETWEEN HERE AND THE BEYOND -- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: THE OLIVER ESTATE SITS ON 54 ACRES OF UNTAMED NEW ENGLAND WILDERNESS ALONG THE NEMASKET RIVER IN MIDDLEBOROUGH, MASSACHUSETTS.
BUT THE LAND IS HEAVY WITH A HAUNTED HISTORY.
AFTER OCCUPYING THE WOODS FOR THOUSANDS OF YEARS, ENTIRE VILLAGES OF WAMPANOAG INDIANS PERISHED FROM A PLAGUE OF DISEASE BROUGH ON BY THE FIRST COLONISTS.
OVER THE ASHES OF THESE SETTLEMENTS, KNOWN LOYALIS DR.
PETER OLIVER JR.
AND HIS FAMILY BUIL THE ESTATE IN 1769.
BUT AN ANGRY MOB OF REVOLUTIONARIES FORCED THE FAMILY TO FLEE THEIR HOME AND THE COUNTRY, NEVER TO RETURN.
IN THE 1830s, EARLE SPROAT AND HIS WIFE SAW THE DEATH OF THREE OF THREE OF THEIR CHILDREN IN THE HOME.
THE OLIVER ESTATE WAS PURCHASED BY THE TOWNSHIP OF MIDDLEBOROUGH AND OPENED TO THE PUBLIC IN 2016 FOR THE FIRST TIME IN ITS 250-YEAR HISTORY.
BUT THE FIRST VISITORS WERE TERRIFIED BY OTHERWORLDLY PHENOMENON.
JUST A FEW WEEKS AFTER THIS REPORTED ACTIVITY, NICK AND KATRINA WILL BE THE FIRST PARANORMAL INVESTIGATION TEAM TO OVERNIGH IN THE OLIVER HOUSE, SPENDING 72 HOURS CONFINED TO THE PROPERTY IN AN ATTEMPT TO DETERMINE EXACTLY WHO OR WHAT STILL RESIDES IN THIS HISTORIC ESTATE.
AS BEAUTIFUL AS THIS PLACE IS, I FEEL LIKE SOMETHING'S OFF.
AS WE WERE WALKING UP THE DRIVEWAY, I ALMOST FEEL LIKE WE'RE BEING WATCHED AND WHATEVER IS HERE IS VERY WELL AWARE THAT WE'RE COMING, AND IT MIGHT NO NECESSARILY BE HAPPY ABOUT IT.
LET'S GO MEET LEILANI.
Nick: LEILANI IS A LOCAL TOWN ADMINISTRATOR WHO WORKED HARD TO RESTORE THE HISTORIC ESTATE.
-LEILANI? -HELLO? Nick: BUT VISITORS ARE BEING DRIVEN AWAY BY THE INCREASINGLY AGGRESSIVE PARANORMAL ACTIVITY.
THANK YOU GUYS SO MUCH FOR COMING.
Nick: SHE NEEDS OUR HELP TO DETERMINE WHO OR WHAT STILL RESIDES HERE.
IT'S BEEN AN UPHILL BATTLE.
I MEAN, WE'D REALLY LIKE TO BE ABLE TO SHARE I WITH PEOPLE, BUT PEOPLE HAVE SAID, "I'M AFRAID TO GO IN THAT HOUSE.
" THAT'S WHY I WANT YOU GUYS HERE -- SO PEOPLE KNOW THEY'RE SAFE.
-BUT WE DON'T KNOW YET.
AND THAT'S THE THING -- LIKE, WE WON'T KNOW UNTIL WE ACTUALLY GET IN HERE AND EMBED OURSELVES IN THE ENVIRONMENT.
SO, WHERE DO YOU WAN TO TAKE US FIRST? WHERE'S, LIKE, THE MOS PARANORMALLY ACTIVE PLACE? WELL, UPSTAIRS.
COME ON UP, AND I'LL TAKE YOU.
OKAY, GREAT.
Katrina: AS WE'RE WALKING, I'M A LITTLE OVERWHELMED WITH THE DENSITY OF THE HISTORY.
YOU CAN ALMOST FEEL THE DIFFERENT LAYERS OF PEOPLE WHO HAVE LIVED HERE.
IT ALMOST FEELS LIKE YOU'RE ENCOUNTERING EVERY SINGLE ONE OF THEM.
Leilani: HERE IS THE HUTCHINSON CHAMBER.
Nick: IT IS CLEAR LEILANI LOVES THIS HOME AND WANTS US TO CONFIRM IT IS SAFE FOR VISITORS.
-THIS IS THE INFAMOUS CLOSET.
-OH.
Nick: BUT I CAN'T HELP BUT FEEL THAT WE ARE THE UNWELCOME GUESTS RIGHT NOW.
Leilani: THE GOVERNOR, THOMAS HUTCHINSON, STAYED HERE, AND THIS IS WHERE HIS LETTERS WERE THAT BENJAMIN FRANKLIN STOLE, WHICH INCRIMINATED HIM AND THE OLIVERS AND STARTED THE SONS OF LIBERTY ON THEIR PATH TO THE REVOLUTION.
-OH, MY GOSH.
-WHEN YOU OPENED THAT, I JUST FELT THIS ELECTRICITY JOLT THROUGH MY BODY.
-REALLY? I FELT IT.
I DID.
-YOU FELT THAT, TOO? OKAY.
-I THOUGHT IT WAS A BREEZE.
YES.
-IT WASN'T JUST ME, THEN.
CAN WE GO OVER HERE IN THIS ROOM? -ABSOLUTELY.
-I SAW SOMETHING OUT OF THE CORNER OF MY EYE.
-WHAT'D YOU SEE? LITTLE FEET.
-THIS WAS THE KIDS' ROOM.
-AH, OKAY.
-THIS WAS THE KIDS' ROOM? -INTERESTING.
YEAH, MORE IMPORTANTLY, IT WAS THE SPROATS' CHILDREN'S ROOM.
MID 1800s, EARLE SPROAT, HISTORICALLY, HE WAS NO A REAL NICE MAN.
HE DIED IN THIS HOUSE.
IT'S ACTUALLY THE SAD PART OF THE HOUSE.
THE SPROATS HAD SIX CHILDREN IN THIS FAMILY I JUST GOT GOOSE BUMPS.
AND THREE OF THEM DIED IN THIS HOUSE.
THEY DIED AS TODDLERS, AND WE HAVE HEARD THAT ONE OF THE CHILDREN, ABBY SPROAT, HOLDS A SCALDING POT -- A TEA KETTLE -- ON HERSELF AND SCALDED TO DEATH.
-WAIT, WHAT? -YEAH.
[ CHILD SCREAMS .]
[SHUDDERS.]
YEAH, NO, I MEAN, SERIOUSLY, I GET SO MANY CHILLS IN THIS ROOM.
YOU SAW TRANSPAREN SHADOW LEGS.
YEAH, LIKE, LITTLE, TINY FEET THAT WERE -- I DIDN'T SEE ALL OF IT.
IT WAS LIKE IT STOPPED HERE, BUT IT WAS DARK.
DO YOU WAN TO ROLL THE RECORDER? YOU WANT TO TRY SOMETHING REALLY QUICK? -WE CAN TRY IT IF YOU WANT.
-GO AHEAD, YEAH.
OKAY, IS THERE ANY LITTLE PERSON WITH ME, ANY LITTLE CHILD? DO YOU GUYS LIKE TO PLAY GAMES? YOU DON'T HAVE TO BE AFRAID OF US.
I'M NICK.
THIS IS KATRINA.
WE'RE GONNA BE LIVING IN THIS HOUSE FOR THE NEXT THREE DAYS.
-MM-HMM.
CAN YOU DO ME A FAVOR? CAN YOU RUN BACK IN HERE IF YOU WANT TO PLAY A GAME? I HAVE TO ASK YOU A QUESTION -- HAS ANYBODY EVER FEL LIKE THEIR HANDS HAVE BEEN HELD? -YES.
I'M GETTING THA RIGHT NOW IN MY HAND.
YES, IT'S LIKE A LITTLE KID GRABBING YOUR HAND.
-YEP.
-WOW.
Katrina: I DON'T KNOW WHAT'S TRYING TO GRASP MY HAND, AND WHAT MAKES ME NERVOUS IS WHAT COULD HAPPEN IN THE NEXT 72 HOURS WHILE I'M HERE.
-DO YOU WANT TO PLAY BACK? -YEAH.
YOU DON'T HAVE TO BE AFRAID OF US.
I'M NICK.
THIS IS KATRINA.
WE'RE GONNA BE LIVING IN THIS HOUSE FOR THE NEXT THREE DAYS.
-MM-HMM.
AND WE LOVE TO PLAY GAMES.
DO YOU GUYS LIKE TO PLAY GAMES? -THERE'S SOMETHING THERE.
-OH, PLAY THAT.
DO YOU GUYS LIKE TO PLAY GAMES? DO YOU GUYS LIKE TO PLAY GAMES? -WHAT DO YOU HEAR? -KIND OF "YES.
" "YES.
" WOW.
CAN WE CONTINUE THROUGH THE REST OF THE HOUSE? -ABSOLUTELY.
-OKAY.
LET'S HEAD DOWNSTAIRS.
OVER HERE IS ONE OF THE MOST INTERESTING SPOTS.
SOMEONE WOULD COME IN AND LOOK IN HERE AND THINK IT'S JUST A PANTRY, BUT IF YOU LOOK OVER TO THE LEFT, THERE'S A CUBBYHOLE, AND IT'S A FALSE PANEL IN THE WALL.
AND YOU CAN FI UP TO 12 PEOPLE BACK THERE.
-OH, WOW.
-WAIT, WHAT? WHERE? YEP, GO ON IN.
IF YOU LOOK DOWN -- -I CAN STAND ON THIS? IT'S SAFE? -IT IS SAFE.
GO RIGHT AHEAD.
Katrina: OKAY.
-KNEEL DOWN AND LOOK.
-OH, MY GOD.
Leilani: PEOPLE WOULD GO IN THERE.
THEY WOULD PU THE WALL BACK TOGETHER.
YOU COULDN'T TELL THERE WAS ANYBODY BACK THERE.
DURING THE REVOLUTION, THE OLIVERS WOULD HIDE THERE WHEN THE MOBS WOULD BE COMING ON THE PROPERTY.
ARE YOU SERIOUS? [ CROWD SHOUTING INDISTINCTLY .]
[ GLASS SHATTERS .]
WHAT'S UNDERNEATH HERE? -THAT'S THE BASEMENT DOWN THERE.
AT ONE TIME, THIS WOULD'VE BEEN HIDDEN, AND THEY WOULD OPEN THIS UP -OH, I SEE.
Leilani: AND NO ONE WOULD HAVE KNOWN THE BETTER THAT THERE WAS A STAIRCASE DOWN TO THE BASEMENT.
WHY WOULD THEY WAN TO KEEP THIS CONCEALED? Leilani: THIS HOUSE WAS ACTUALLY USED FOR THE UNDERGROUND RAILROAD TO GET THE SLAVES FROM THE SOUTH TO CANADA, AND THEY WOULD HIDE IN THERE.
-ANOTHER HIDING PLACE.
-RIGHT.
Nick: AS WE HEAD OU ONTO THE GROUNDS, LEILANI GIVES US HER PERSPECTIVE ON HOW THE HAUNTING ON THE OLIVER ESTATE ISN' LIMITED TO WITHIN THE FOUR WALLS OF THE HOUSE.
Leilani: SO, THESE ARE THE WOODS, WHERE THERE WERE MANY NATIVE-AMERICAN VILLAGES BECAUSE IT'S RIGHT ALONG THE RIVER.
WE'RE UNCOVERING ONE THAT'S 8,000 YEARS OLD.
-WOW.
-SO THIS HAS BEEN INHABITED BY HUMANS FOREVER.
ABOUT 1675, THERE WAS A PLAGUE HERE THAT KNOCKED OU ALMOST 90% OF THE NATIVE-AMERICAN POPULATION.
Nick: WOW.
IN SOME SENSE, THIS IS A BEAUTIFUL ENVIRONMENT, BUT THE TRAGEDY THAT ACTUALLY OCCURRED HERE, THE SUFFERING -YEP.
SOME OF THA IS LEFT HERE.
YOU CAN JUST SENSE IT.
-ABSOLUTELY.
I JUST DON'T KNOW WHAT IS OUT THERE.
RIGHT.
SO WE HAVE TO GE TO THE BOTTOM OF IT.
-THANKS SO MUCH FOR COMING.
-THANK YOU.
-YEAH, THANK YOU.
-I REALLY APPRECIATE THIS.
THANK YOU.
SEE YOU IN A COUPLE DAYS.
THIS IS THE PERFECT RECIPE FOR A HAUNTING.
-YEAH.
-WE HAVE TRAGEDY, THE FAMILIES BEING RIPPED APART, PASSED AWAY FROM DISEASES, FROM ACCIDENTS.
WE JUST DON'T KNOW WHAT TYPE OF SPIRITS WE'RE GONNA COMMUNICATE WITH.
IT COULD JUST BE LOVED ONES LOOKING FOR EACH OTHER -MM-HMM.
-NOT KNOWING THAT THEY'RE ACTUALLY PASSED ON.
BECAUSE THERE IS THOSE LAYERS OF HISTORY AND VERY TRAUMATIC HISTORY -DON'T PUT YOUR GUARD DOWN.
-WE DON'T QUITE KNOW WHAT'S HERE.
-RIGHT.
ALL RIGHT, WELL, NIGHT 1 -- HERE WE GO.
LET'S START INVESTIGATING.
Nick: NIGHT HAS FALLEN, AND THE LOCKDOWN IS UNDER WAY, WITH ONLY ME, KATRINA, AND OUR CAMERAMAN ROB LEF AT THE OLIVER ESTATE FOR THE NEXT THREE DAYS.
WE HOPE OUR NEW EQUIPMEN WILL HELP US DETERMINE WHAT SPIRITS STILL LIVE HERE AND IF THEY MEAN US HARM.
-SO, WE HAVE THE NEW GEOBOX.
-YEAH, IT'S PORTABLE.
IT CONVERTS ELECTROMAGNETIC FREQUENCIES INTO AUDIO.
-LASERS ARE GOOD TO GO.
-OKAY.
WHOA, DID YOU -- OUT OF THE CORNER OF MY EYE, A SHADOW MOVED THAT WAY.
HOLD ON.
I JUST WANT TO SEE.
YOU GOT THE CAMERA? COOL.
I SAW A SHADOW MOVE BACK THIS WAY.
Nick: HELLO? IS THERE ANYONE IN HERE? IT'S JUS THE THREE OF US NOW.
HOLY [BLEEP.]
OH, MY GOD.
PUT YOUR HAND RIGHT HERE.
NO JOKE.
THERE'S A MASSIVE STATIC CHARGE RIGHT HERE.
Katrina: THAT'S ACTUALLY VERY, VERY WEIRD.
ISN'T IT? IT'S THAT SAME STATIC-Y FEELING I HAD IN THE NURSERY TODAY.
ABBY? CAN YOU TALK TO US? ARE ANY OF THE SPROAT CHILDREN HERE? IT'S HE-- UP HERE.
OH, MY GOD.
-ARE YOU OKAY? -NO, IT'S -WHAT'S THE MATTER? NO, IT'S -- IT'S REALLY -- IT'S HERE.
OH, MY GOD.
ARE YOU OKAY? LET'S MOVE INTO THIS ROOM.
Nick: IT'S SO WEIRD RIGHT NOW.
LIKE, IN THIS HALLWAY, I FELT A HAND COME ON MY NECK, LIKE GRAB MY NECK.
A MAN GRABBING MY NECK IS WHAT IT FELT LIKE.
-LIKE, "GET OUT OF HERE, BUDDY"? -THAT'S WHAT IT FELT LIKE.
"THIS IS MY HOUSE.
" RIGHT.
KNOWING THERE IS SOME SORT OF SPIRIT IN HERE THAT POSSIBLY COULD PULL ME OR PUSH ME, IT'S VERY SCARY.
AND I'M THINKING TO MYSELF, YOU KNOW, "YOU REALLY HAVE TO HAVE YOUR GUARD UP.
YOU HAVE TO BE GROUNDED.
" Nick: YOU WANT TO TRY TO COMMUNICATE RIGHT NOW? -YEAH, YEAH.
YEAH.
-YOU WANT TO DO THAT? [ STATIC CRACKLING .]
IS THERE SOMEONE HERE WITH ME? [ CRACKLING CONTINUES .]
LET'S KEEP MOVING.
KEEP MOVING UNTIL YOU FEEL IT.
THAT'S WHEN WE WANT TO STOP AND TRY TO CONNECT WITH IT.
PLEASE LEAD US TO WHERE YOU ARE SO WE CAN COMMUNICATE WITH YOU.
PLEASE LEAD US TO WHERE YOU ARE SO WE CAN COMMUNICATE WITH YOU.
SO WE CAN COMMUNICATE WITH YOU.
WITH YOU.
YOU SAY, "I'M HERE"? -YEAH.
[ STATIC CRACKLING .]
I'M FEELING I RIGHT NOW.
WHOA.
BACK OUT HERE.
IS EARLE SPROAT HERE? WHOA.
-WHAT HAPPENED? -LIKE, I'M ABOUT TO STEP, AND IT'S, LIKE, GOING TO PUSH ME.
-ARE YOU SERIOUS? -I SWEAR TO GOD.
WHAT DO YOU THINK? I THINK I WANT TO GRAB SOME MORE EQUIPMENT RIGHT NOW.
Nick: WITH THIS MUCH ACTIVITY RIGHT OFF THE BAT UPSTAIRS, WE DECIDE TO SEE IF THE ENERGY IS CONSISTEN ON OTHER FLOORS.
[ DOOR OPENS, WOOD CREAKS .]
THAT'S JUST CREEPY.
WATCH YOUR HEAD.
-OKAY.
OH, IT'S SUCH A WEIRD FEELING DOWN HERE.
WHEW.
OH, I FELT, LIKE, WICKED NEGATIVE ALL OF A SUDDEN.
-YOU FELT NEGATIVE? -YES.
IT WAS A HIDING SPO FOR THE UNDERGROUND RAILROAD.
Katrina: IT REALLY JUST BRINGS IT HOME JUST HOW DESPERATE THEY WERE.
IT'S HORRIBLE.
YEP.
WELL, THAT WAS SLAVERY.
YOU WANT TO TRY TO COMMUNICATE? -YEAH.
-PLAY THIS BACK.
ALL RIGHT, I'LL TAKE MY CAMERA? PLAY THIS BACK.
ALL RIGHT, I'LL TAKE MY CAMERA? DID YOU HEAR THAT? THERE WAS SOMETHING BACK THERE THAT JUST GOES, "Shh!" RIGHT BEHIND YOU.
HELLO? CAN YOU DO IT ONE MORE TIME SO WE CAN HEAR YOU? Katrina: JUST THOUGH ABOUT SOMETHING -- -WHAT? -WELL, HISTORICALLY, I MEAN, IF YOU WERE HIDING IN A BASEMENT -YEAH.
-AND YOU'RE TRYING TO GET AWAY FROM PEOPLE, LIKE, AND PEOPLE COME DOWN HERE YELLING AND TALKING, YOU'RE GONNA TELL THEM TO SHUT UP.
-YOU'RE GIVING UP THEIR SPOT.
RIGHT.
SHOULD WE BE QUIET? I HEARD THAT.
I HEARD THAT.
-WHAT WAS THAT? -IT WAS LIKE A "Shh.
" Katrina: IT WAS OVER HERE, THOUGH.
IT'S CREEPY DOWN HERE.
THERE'S SOMETHING.
DO YOU WANT US TO BE QUIET? THAT "Shh" SOUND WAS CRAZY.
-WOULD YOU SLEEP DOWN HERE? -WOULD I SLEEP DOWN HERE? WOULD YOU SLEEP DOWN HERE? [ Chuckling .]
I DON'T KNOW.
Nick: AFTER INVESTIGATING LATE INTO THE NIGH WITH HAUNTING RESULTS, WE RETURN UPSTAIRS TO SLEEP.
Katrina: THE PARANORMAL DOESN' ALWAYS HAPPEN WHEN YOU ASK IT TO HAPPEN.
SO SLEEPING AND PUTTING YOURSELF IN A VULNERABLE POSITION IS A REALLY GREAT WAY TO SEE IF SOMETHING CHOOSES TO INTERACT WITH YOU.
Nick: WHILE I SLEEP IN THE HUTCHINSON ROOM, WHERE I FIRST FELT SPIRIT ENERGY ON OUR WALK-THROUGH, KATRINA IS SLEEPING IN THE NURSERY, WHERE SHE SENSED CHILDLIKE ACTIVITY EARLIER IN THE DAY.
I HAVE MY TEMPERATURE GAUGE RIGHT THERE ON THE FLOOR.
YOU CAN SEE IT FLUCTUATING.
ALSO, WHEN I WALK, IT PICKS UP VIBRATIONS.
GOOD NIGHT.
WISH US LUCK.
[GASPS.]
OH.
[GASPS.]
OH.
Katrina: I WAKE UP THINKING, "DON'T OPEN YOUR EYES, BECAUSE I DON'T WANT TO SEE WHAT'S AT THE END OF MY BED RIGHT NOW," AND STAYED UNDER MY COVERS.
SOMEBODY DEFINITELY WOKE ME UP.
AFTER A BRIEF SLEEP, WE MEET UP IN THE MORNING TO DISCUSS KATRINA'S ENCOUNTER.
YEAH, SO, THERE IT IS.
SO, HERE I AM, LIKE, DEAD ASLEEP.
I DIDN'T REALIZE THAT I ACTUALLY, LIKE, GOT UP.
[ GASPS .]
OH.
AND I REMEMBER THINKING -- -YOU LOOK LIKE YOU GO REALLY SCARED RIGHT THERE.
AT THE TIME, I'M LIKE, "SOMETHING'S, LIKE, MESSING WITH ME.
SOMETHING IS AT MY FEET.
" OBVIOUSLY, IT MADE ME AWARE.
-RIGHT.
-YOU KNOW? IT'S KIND OF BECOMING CLEAR THAT WE MIGHT BE DEALING WITH A COUPLE OF THINGS IN THE HOUSE.
I AGREE.
I TOTALLY AGREE.
SO, WHAT'S HAPPENING IN THE HOUSE? WHY ARE SO MANY LAYERS OF ACTIVITY HERE? I THINK PARTS OF THIS FOUNDATION OF THIS HOUSE BEING BUILT -- YOU HAVE LAND THAT HAS SO MUCH HISTORY AND SO MUCH TRAGEDY.
I THINK IT COULD BE A CONTRIBUTOR TO THE HOUSE.
SO WE DEFINITELY HAVE TO INVESTIGATE THE WOODS.
GO CHECK IT OU WHILE WE HAVE DAYLIGHT.
Nick: WITH SO MANY LAYERS OF ACTIVITY AT THE OLIVER HOUSE, WE WONDER IF THERE'S SOMETHING IN THE ENVIRONMENT FUELING IT.
I REALLY WANT TO KIND OF JUST GO INTO THE WOODS AND FEEL OU THIS WHOLE ENTIRE LAND.
Nick: THE WOODS ARE THE FOUNDATION OF THIS PROPERTY'S TRAGEDY AND MAY HOLD AN ANSWER TO THIS QUESTION.
Katrina: LITERALLY, THOUSANDS OF FAMILIES DIED RIGHT HERE IN THESE WOODS.
I WONDER WHAT WE'RE STEPPING ON -OH, WOW.
-AND IF WE'RE GONNA, LIKE, DISRESPECT -- -IF IT'S BURIAL GROUND OR -- RIGHT.
'CAUSE THEY SAID 90% OF THIS TRIBE PERISHED FROM DISEASE.
-YEAH.
YEP.
SO IMAGINE PEOPLE JUST LAID OU THROUGHOUT THIS WOODS, YOU KNOW, THE RIVERFRONT.
-YEAH.
-I MEAN, THAT'S INCREDIBLE.
Katrina: IT'S ALWAYS IN THE BACK OF MY HEAD THAT I AM MESSING WITH THINGS THAT MIGHT AFFECT ME FOR THE REST OF MY LIFE.
THERE'S SOMETHING DEFINITELY OMINOUS ABOUT THIS WOODS, IN A WAY.
-TOTALLY, YEAH.
DOESN'T IT FEEL LIKE THAT? I FEEL LIKE I'M BEING -- IT'S LIKE I'M UNDER A MAGNIFYING GLASS.
BEING ANALYZED? JUST SORT OF, LIKE, BEING VERY CLOSELY WATCHED.
YOU ALWAYS HAVE TO HAVE THA IN THE BACK OF YOUR MIND THAT, AT THE END OF THE DAY, YOU DON'T KNOW WHAT YOU'RE MESSING WITH.
Nick: LET'S GO THIS WAY.
Nick: THERE'S SOMETHING IN THIS WOODS THAT IS LURKING AND SCARING KATRINA.
IF WE CAN GET OFF THE BEATEN PATH A LITTLE BIT, MAYBE WE'LL FIND SOMETHING A LITTLE BIT CLOSER FOR WHA WE'RE LOOKING FOR.
AND I KNOW SHE'S ALONG TO RIDE WITH ME AND SHE'S GONNA DO IT, BUT I KNOW SHE'S NERVOUS AT THE SAME TIME.
WE CAN KEEP GOING UP HERE A LITTLE BIT FURTHER, BUT WE CAN RUN THE SPIRIT BOX AND SEE IF WE CAN CAPTURE ANY VOICES COMING THROUGH ON RADIO FREQUENCY.
[ STATIC CRACKLING .]
HELLO? [ CRACKLING CONTINUES .]
DO YOU ALLOW VISITORS BACK HERE TO COME AND SPEAK WITH YOU? DO YOU KNOW THE HOUSE AT THE EDGE OF THE WOODS? [ BANG IN DISTANCE .]
DID YOU GUYS JUST HEAR DRUMS? [ BANG IN DISTANCE .]
-YOU HEARD DRUMS? -YEAH.
YEAH.
I DEFINITELY DID.
I HEARD I ON THE MIKE.
THE SUN'S STARTING TO COME DOWN PRETTY LOW, SO I WANT TO HEAD BACK, 'CAUSE IT'S GONNA GET DARK SOON.
THE WOODS HAVE DEFINITELY INTRIGUED ME.
THERE IS SOMETHING DEFINITELY GOING ON BACK THERE.
Nick: I'M READY TO TAKE I TO THE NEXT LEVEL -- NIGHT 2.
WE BEGIN OUR SECOND EVENING OF INVESTIGATION IN THE NURSERY WHERE SOMETHING INTERRUPTED KATRINA'S SLEEP LAST NIGHT.
Nick: ALL RIGHT, KATRINA, ARE YOU READY TO TRY THE EXPERIMENT? YEAH.
WE'RE GONNA MONITOR YOU IN 3-D.
PRETTY MUCH YOU CAN SEE EVERYTHING IN THE ROOM BUT IN A DIFFERENT SPECTRUM OF LIGHT.
AND IT WILL MAP YOU OU LIKE A STICK FIGURE, SO WE'LL SEE YOUR HANDS AND YOUR ARMS.
HOPEFULLY, WHATEVER SPIRITS ARE HERE, IT WILL BE DRAWN TO THIS ROOM.
AND THIS WILL MAP OU THAT SPIRI OR THAT ENERGY SO WE CAN SEE IT VISUALLY.
SO, GO AHEAD.
GO ON OUT THERE, AND LET'S SEE WHAT HAPPENS.
Nick: I WAN TO DISCOVER SOMETHING NEW, DOCUMENT SOMETHING THAT'S GONNA REVOLUTIONIZE THE WAY THE PARANORMAL FIELD LOOKS AT THINGS.
Nick: OKAY, THERE YOU GO.
GOTCHA.
IS THERE SOMEBODY UP HERE WITH ME? DO YOU WANT TO PLAY? I KNOW YOU'RE PROBABLY REALLY CURIOUS ABOUT WHO I AM AND WHO MY FRIENDS ARE.
WHOA! THERE'S SOMETHING RIGHT BEHIND YOU.
WHAT? Nick: WHOA! THERE'S SOMETHING RIGHT BEHIND YOU, KATRINA.
WHAT? STAY RIGHT THERE.
DON'T MOVE.
DON'T MOVE.
-OKAY.
-IT'S TRYING TO TOUCH YOU.
-WHAT? YEAH, THERE'S SOMETHING RIGHT BEHIND YOU.
DON'T MOVE.
DON'T MOVE.
WHOA! IT'S, LIKE, LITERALLY TRYING TO FORM.
IT'S THE SIZE OF A CHILD.
IT'S ABOU YOUR WAIST HIGH.
IT'S STILL BEHIND ME? CAN I MOVE? -YES.
WHOA! -CAN I TURN AROUND? THERE IT -- IT'S WITH YOU! IT'S WITH YOU! WOW! I JUST GOT GOOSE BUMPS.
THIS WAS ABSOLUTELY AMAZING.
I'M EXCITED BY THE PARANORMAL ACTIVITY WE ARE DOCUMENTING RIGHT NOW.
THIS IS THE GREAT THING ABOUT PARANORMAL RESEARCH.
YOU NEVER KNOW WHAT'S GONNA HAPPEN.
Katrina: OH, MY GOD.
THE EXPERIENCES ARE JUST WILD.
THIS IS AMAZING.
WHAT WE DOCUMENTED WAS ABSOLUTELY AMAZING.
YEAH.
BUT THE QUESTION IS, "WHAT IS IT?" WE HAVE A DAY AND A HALF LEF TO FIGURE IT OUT.
Nick: KATRINA DECIDES TO STAY IN THE NURSERY AGAIN TO SEE IF THE ACTIVITY CONTINUES OVERNIGHT I HAVE TWO TOY BALLS SET UP, LIKE, A TEDDY-BEAR PUPPY, AND I PU STATIC-ELECTRICITY SENSORS AROUND THE BALL AND AROUND THE PUPPY.
IN THEORY, IF SOMETHING DOES PLAY WITH THEM, THE SENSORS WILL LIGHT UP.
Nick: WHILE I RETURN TO THE HUTCHINSON ROOM, WHERE I FIRST FELT ENERGY DURING OUR TOUR.
[ SIGHS .]
I KEPT FEELING LIKE I WAS BEING STARED A THROUGH THIS ROOM OVER HERE.
AND AT ONE POINT, I LOOKED UP, AND I SWEAR I SAW A LITTLE KID STARING AT ME.
THERE WAS A KID JUST STANDING RIGHT HERE.
HE WAS ABOUT THIS TALL.
HEY.
Nick: THERE SHE IS.
YOU'RE WEARING YOUR SHOES? YEAH, YEAH, JUST IN CASE.
LET'S GO.
HAVE YOU BEEN UP THIS WHOLE TIME? YEAH.
I HAD A DREAM -- LIKE, EARLE SPROA CAME TO ME.
-OH, REALLY? -IT WAS REALLY WEIRD.
I DON'T KNOW WHY, 'CAUSE I WOKE UP AND WAS ALMOST, LIKE, PANICKING AND THEN THINKING ABOUT MY DAUGHTER AND AND THEN I KNOW I SAW A KID.
-REALLY? -I'LL SHOW YOU WHERE.
IT WAS A GIRL THAT YOU SAW, RIGHT? -A BOY.
-OH.
I SAW THE KID RIGHT HERE.
AND I COULD SEE THE OUTLINE.
-OH, IT WAS IN HERE.
-LIKE, THE LEGS -- YEAH.
-HE WAS THIS TALL.
-WOW.
[ KNOCK ON DOOR .]
Nick: LEILANI MENTIONED THAT A LITTLE GIRL ON A TOUR TOLD HER MOTHER SHE WAS PLAYING WITH A CHILD IN THE HOUSE.
WE DECIDE TO INVITE THEM BACK TO SEE IF THE GIRL'S DESCRIPTION OF THE SPIRIT MATCHES THE FIGURE I SAW LAST NIGHT.
SHE WAS SITTING LITERALLY RIGHT HERE PLAYING AND JUST TALKING TO HERSELF.
AND THEN, SHE STARTED TALKING ABOUT A LITTLE GIRL.
I GO, "WHERE'S THE LITTLE GIRL?" SHE GOES, "SHE'S IN THE BEDROOM.
" Nick: MM-HMM.
ELLIOTT.
-[ LAUGHS .]
DID YOU SEE A LITTLE KID RIGHT HERE PLAYING THE OTHER DAY? -YEAH.
-YOU DID? -YEAH.
I PLAYED -WAS IT A GIRL? -WITH A BOY.
INTERESTING.
DID THE BOY TELL YOU HIS NAME? -NO.
-NO? Nick: COOL, YEAH, I REALLY APPRECIATE YOU JUST LETTING YOUR DAUGHTER WALK THROUGH HERE AND CAN TALK ABOUT YOUR EXPERIENCE, 'CAUSE IT ACTUALLY HELPED VALIDATE ME.
MAYBE HER BEING HERE AGAIN TODAY WILL HELP SOMETHING HAPPEN TONIGHT FOR YOU GUYS.
I HOPE SO.
WELL, I APPRECIATE IT.
THANK YOU SO MUCH.
-OH, YOU'RE VERY WELCOME.
Nick: ELLIOTT'S PRESENCE IN THE HOUSE THIS AFTERNOON MAY LURE THE CHILD SPIRITS WE BELIEVE WE'VE ENCOUNTERED TO MAKE CONTACT WITH US, BUT WE WON'T KNOW WHAT SHE STIRRED UP UNTIL WE STAR OUR LAST NIGHT OF INVESTIGATION.
SO, WHAT I WANT TO DO -- I WANT TO TRY THIS EXPERIMENT.
THIS IS AN INFRASOUND GENERATOR.
BASICALLY, WHAT THIS DOES -- EVPs, OR ELECTRONIC VOICE PHENOMENAS, ARE BELIEVED TO RECORD IN INFRASOUND FREQUENCY.
IT'S THE FREQUENCY WHERE SPIRITS COMMUNICATE WITHIN.
AND THIS IS AN INFRASOUND GENERATOR.
SO IF WE CAN INDUCE THE ENVIRONMENT WITH INFRASOUND, POSSIBLY WE CAN ENHANCE ANY PARANORMAL ACTIVITY.
SO IT'S KIND OF LIKE KNOCKING ON THE DOOR, BANGING REALLY LOUDLY ON THE FRONT DOOR AND SAYING, "WAKE UP!" AND HOPEFULLY, THIS HELPS THE SPIRITS TO MANIFEST, COMMUNICATE WITH US, AND GIVE THEM A LITTLE BIT MORE ENERGY WHERE THEY CAN SHOW THEIR SELVES.
[ GENERATOR HUMMING LOUDLY .]
IF YOU CAN HEAR ME, IF THIS HELPS YOU USE THE ENERGY, USE THIS TO MANIFEST! SPEAK TO US! COMMUNICATE WITH US! FEEL FREE TO COME FORTH AND TOUCH US! WE WAN TO SEE YOU NOW! [ HUMMING STOPS .]
Katrina: DID YOU HEAR THAT, NICK? ROB SMELLED GUNPOWDER.
WHAT'D YOU SAY? Rob: ABOUT 10 SECONDS AFTER YOU STARTED THAT THING, I WAS STANDING RIGHT HERE, AND I SMELLED GUNPOWDER REALLY STRONG.
-REALLY? -YEAH.
REALLY STRONG.
NOW WE'RE GONNA COMMUNICATE.
WE'RE TAKING IT SLOW.
[ STATIC CRACKLING .]
EARLE SPROAT.
"UPSTAIRS.
" -YOU WANT TO GO UPSTAIRS? -GO AHEAD.
KEEP GOING.
LET'S MOVE.
WE'RE COMING UPSTAIRS.
IS THAT OKAY? [ CRACKLING CONTINUES .]
[ THUD .]
Katrina: GEEZ.
-WHAT'S THE MATTER? -I-I LOST MY BALANCE.
[ CRACKLING CONTINUES .]
IS IT OKAY IF I'M UPSTAIRS WITH YOU? -IS SHE OKAY? YOU OKAY, KATRINA? -YES.
I WAS JUST, LIKE, TAKING IT IN.
IT'S, LIKE, TALKING.
"SOMETHING IS DEAD"? "ALL THE SPIRITS"? [BLEEP.]
I JUST SAW SOMETHING WALKING DOWN THE HALL.
THERE WAS A SHADOW THAT JUST -- ROB, A BLACK MASS JUST MOVED DOWN IT.
IT WAS COMING AT ME.
AND I LOOKED AT IT, AND IT JUST WENT [ IMITATES WIND BLOWING .]
Nick: [ BREATHES DEEPLY .]
Nick: MAN, DO YOU FEEL THAT JOLT OF ENERGY? Katrina: I MEAN, WELL, THE HOUSE FEELS DIFFERENT TONIGHT.
IT DOES, DOESN'T IT? IT FEELS TOTALLY, TOTALLY DIFFERENT.
I THOUGH THAT WAS JUST ME FROM, LIKE, TURNING THE INFRASOUND ON.
YEAH, NO, I FELT IT, TOO.
WHAT ARE YOU FEELING? I DON'T EVEN WAN TO USE THE WORD "AGGRESSIVE," BUT SOMETHING MORE POWERFUL, SOMETHING MOREUH [ CREAK .]
THE [BLEEP.]
WAS THAT? WHAT WAS THAT? Rob: I HEARD THAT.
-KATRINA, DID YOU HEAR -- -YEAH, OH, YEAH.
IT WAS RIGHT NEXT TO YOU.
[ CHUCKLES NERVOUSLY .]
I HEARD THAT.
BACK HERE? [ THUNKING, CREAKING .]
GET THE [BLEEP.]
OUT OF HERE.
NO WAY.
[ THUNK .]
-WHAT WAS THAT? -FOOTSTEPS? -WAS THAT JUST ME? -NO.
OH, MY GOD.
Nick: WHAT ARE YOU FEELING? I DON'T EVEN WAN TO USE THE WORD "AGGRESSIVE," BUT SOMETHING MORE POWERFUL, SOMETHING MOREUH [ CREAK .]
THE [BLEEP.]
WAS THAT? WHAT WAS THAT? Rob: I HEARD THAT.
-KATRINA, DID YOU HEAR -- -YEAH, OH, YEAH.
IT WAS RIGHT NEXT TO YOU.
[ CHUCKLES NERVOUSLY .]
I HEARD THAT.
BACK HERE? [ THUNKING, CREAKING .]
GET THE [BLEEP.]
OUT OF HERE.
NO WAY.
[ THUNK .]
-WHAT WAS THAT? -FOOTSTEPS? -WAS THAT JUST ME? -NO.
OH, MY GOD.
THIS IS CRAZY.
WHERE WAS THAT FOOTSTEPS? YOU HEARD FOOTSTEPS, RIGHT? -HERE.
-WHERE? -HERE.
HELLO? IN THERE.
CHECK THERE.
-ANYTHING? -NOPE.
Nick: THAT WAS WEIRD, HUH? HOW LONG DID YOU HAVE THE INFRASOUND ON, LIKE A MINUTE, NOT EVEN? -I DON'T KNOW.
I WANT TO GO BACK IN THE BASEMENT.
YEAH.
KATRINA, GO IN THE BASEMENT.
TELL ME IF YOU HEAR ME WALKING, 'CAUSE I WANT TO REPLICATE THIS AND SEE WHAT THAT WAS.
'CAUSE IT DEFINITELY WASN' THE HOUSE SHIFTING, RIGHT? NO.
JESUS.
[ BREATHES DEEPLY .]
OKAY, SO, LET ME GO.
I'M WALKING.
I'M WALKING.
OKAY, READY? -YEAH.
[ FOOTSTEPS .]
Katrina: HMM, THERE.
LIKE, WHEREVER YOU ARE NOW.
RIGHT HERE? SO, HERE? -YEAH.
-HERE, HERE.
-YEAH, RIGHT THERE.
SO THAT DOESN'T -- THAT'S -- THAT'S PHANTOM -- WE JUST CAPTURED PHANTOM BOOTS.
THIS INFRASOUND, IT ACTUALLY MIGHT HAVE ACTUALLY WORKED.
Katrina: CRAZY STUFF IS HAPPENING IN THIS HALLWAY.
YEAH.
I THINK WE NEED TO SET UP THE 3-D MAPPING CAMERA AND SEE IF WE CAN GE ANY VISUAL EVIDENCE.
-YEAH, I AGREE.
LET'S GO.
-OKAY.
Nick: TO TAKE ADVANTAGE OF THE ENERGY THAT THE INFRASOUND GENERATOR IS DRAWING IN, WE DECIDE TO DO ANOTHER 3-D MAPPING EXPERIMENT.
IS EARLE SPROAT HERE? ARE ANY OF THE SPROAT CHILDREN HERE? IT'S SAFE TO COME OUT.
CAN YOU TOUCH MY SHOULDER OR MY ARM OR MY HANDS? UM I THINK IT'S, LIKE -- WHATEVER IS IN THIS HALL IS ATTRACTED TO YOU, NICK.
OKAY.
DO YOU WANT TO START RECORDING? -YEP.
Nick: YOU MAPPING ME? Katrina: THERE IT GOES.
EARLE, CAN YOU MOVE INTO THIS ROOM? ARE ALL THREE OF YOUR CHILDREN HERE? THERE IT GOES AGAIN.
ARE YOU PROTECTING THE HOUSE? YOU DON'T HAVE TO BE AFRAID.
WE'RE JUST VISITING.
OH, THERE'S, LIKE, A LITTLE WHAT? ARE WE SUPPOSED TO GET THIS BLACK? THERE WAS, LIKE, A LITTLE BLACK.
NO.
WHAT DO YOU MEAN? THERE WAS SOME SOR OF BLACK ANOMALY.
IT WENT INTO THE BASEMENT.
ARE YOU IN THERE? CAN YOU COME BACK OUT? COME ON BACK OUT.
HERE, MOVE WITH ME.
WHAT THE -- -CAN YOU COME OUT? -UM, NICK -YEAH? -OKAY, ALL RIGHT, DON'T MOVE.
-WHAT? -THERE'S A FIGURE.
OH, I FEEL SO WEIRD.
WHAT ARE YOU SEEING? IT'S JUST MAPPING THIS, LIKE -- OH, MY GOD.
MY WHOLE -- MY EYES ARE WATERING UP.
THERE'S SOMETHING MOVING THROUGH MY BODY RIGHT NOW.
NO, I KNOW.
I CAN SEE IT.
I FEEL STATIC CHARGE ALL THROUGH MY BODY.
THIS IS CRAZY.
OH, MY GOD.
I FEEL EMOTIONS.
LIKE, I JUST WANT TO -- LIKE, I FEEL SAD.
LIKE, I WANT TO, LIKE BREAK DOWN.
[ SIGHS .]
EARLE SPROAT.
I'M HAPPY YOU WERE ABLE TO REACH OUT TO ME.
THANK YOU FOR DOING THAT.
THANK YOU FOR CONNECTING WITH ME AND MAKING ME FEEL WHAT YOU FELT.
IT'S OKAY.
THERE'S GONNA BE PEOPLE COMING HERE AND LEAVING ON A VISIT, BUT THIS IS YOUR HOUSE.
WE JUST WANTED TO LET YOU KNOW THAT.
-WHAT ARE YOU FEELING? -[ SIGHS .]
I THINK THEY'RE HAPPY, AND THEY'RE JUST -- THEY'RE BEING PROTECTIVE.
THERE IT GOES AGAIN.
WHAT IS THAT? AGAIN, THERE'S SOME SOR OF BLACK ANOMALY IN THE BASEMEN BY THE CUBBYHOLE.
I'M GONNA GO IN AFTER IT.
I'M GRABBING MY CAMERA.
I'M GONNA GO IN HERE.
WE CAPTURED THESE BLACK MASSES THAT FLEW INTO THAT BASEMENT DOOR.
NOW, WHAT'S INTERESTING IS, I'M THINKING THAT THEY WEN RIGHT INTO THE CUBBYHOLE, THE SECRET PASSAGE, SO THAT'S MY INSTINCTS -- GO RIGHT IN THERE, SEARCH IT OUT, AND TRY TO MAKE CONTACT.
KATRINA AND I SPLIT UP TO CONTINUE OUR INVESTIGATION SOLO.
I FOLLOW THE ANOMALIES INTO THE SECRET COMPARTMEN ABOVE THE BASEMEN WHILE SHE EXPLORES THE KITCHEN.
OKAY, I'M GONNA GO EXPLORE.
THAT IS, UM -- THAT'S KIND OF SCARY.
CLOSE IT.
[ DOOR CLOSES .]
IS IT OUT HERE? [ DOOR OPENS .]
I HAVEN'T GONE OUTSIDE EXCEPT FOR, UM WHEN NICK, ROB, AND I [ GASPS .]
[ SIGHS .]
I JUST FEEL -- I FEEL, LIKE, EMOTI-- I FEEL EMOTIONALLY TIED TO THESE WOODS ON SOME LEVEL.
I FEEL [ GASPS, SIGHS .]
I DON'T KNOW.
DID WE SEE YOU OUTSIDE, DOWN THE HALLWAY? DID YOU COME IN HERE TO HIDE? WHAT WERE YOU HIDING FROM? KATRINA? KATRINA? KATRINA! WHAT, ROB? -I-I LOST KATRINA.
-WHAT? -I DON'T KNOW WHERE SHE IS.
-KATRINA! -KATRINA! DOOR'S OPEN.
-DID SHE GO OUTSIDE? I HAVEN'T GONE OUTSIDE EXCEPT FOR, UM WHEN NICK, ROB, AND I [ GASPS .]
I JUST FEEL -- I FEEL, LIKE, EMOTI-- I FEEL EMOTIONALLY TIED TO THESE WOODS ON SOME LEVEL.
I FEEL [ GASPS, SIGHS .]
I DON'T KNOW.
DID WE SEE YOU OUTSIDE, DOWN THE HALLWAY? DID YOU COME IN HERE TO HIDE? WHAT WERE YOU HIDING FROM? KATRINA? KATRINA! WHAT, ROB? -I-I LOST KATRINA.
-WHAT? -I DON'T KNOW WHERE SHE IS.
-KATRINA! -KATRINA! DOOR'S OPEN.
-DID SHE GO OUTSIDE? KATRINA? KATRINA! THIS ISN'T -- KATRINA! DO YOU HEAR HER? -NO.
Rob: I DON'T HEAR HER MIKE AT ALL.
Katrina: NICK! Nick: MY HEART IS RACING, AND I KNOW I HAVE TO GE TO HER RIGHT AWAY, BECAUSE I THINK THERE'S SOMETHING EXTREMELY WRONG.
KATRINA! -YEAH? -WHERE ARE YOU? -I'M RIGHT HERE.
OH, MY GOD.
[ SIGHS .]
Katrina: YOU OKAY? -I WAS YELLING FOR YOU.
-OH.
-ARE YOU OKAY? -I DON'T KNOW.
I JUST -- W-WHAT MADE YOU COME OUT HERE IN THE WOODS? YOU KNOW, HONESTLY, I DON'T KNOW.
I JUST SORT OF FEL LIKE I NEEDED TO BE HERE FOR A LITTLE BIT.
I DON'T THINK WHAT WE EXPERIENCED THE LAST COUPLE DAYS, THAT IT WAS JUST FROM THE HOUSE.
IT POSSIBLY COULD HAVE COME FROM THE LAND.
YEAH.
THE NATIVE AMERICANS LOVED THIS LAND RIGHT.
OVER THE LAS COUPLE HUNDRED YEARS.
PEOPLE WHO HAVE LIVED HERE LOVED THIS HOUSE.
DO YOU FEEL, LIKE, A CONNECTION? THEY'RE CONNECTED BY THE FAC THAT NOBODY WILLINGLY LEFT.
ALL OF THEM ARE FORCED TO LEAVE THIS PROPERTY.
YOU'RE ABSOLUTELY RIGHT.
THE SPIRITS ARE STILL HERE BECAUSE THIS IS THEIR HOME, AND THEY WANTED TO STAY.
YOU READY TO HEAD BACK INTO THE HOUSE? -YEAH.
-LET'S GET OUT OF HERE.
SOMETIMES, I GET SO WRAPPED UP IN PARANORMAL INVESTIGATING THAT I FORGE THAT THESE WERE ONCE PEOPLE.
THIS WAS ONCE WHERE PEOPLE LIVED, AND NOW THEY'RE STILL LIVING HERE AS GHOSTS.
BEFORE WE LEAVE, WE HAVE TO REPORT OUR FINDINGS TO LEILANI.
SHE'S ANXIOUS TO HEAR IF THE HISTORY OF THE OLIVER HOUSE CAN BE SHARED OR IF THE SPIRITS WAN IT ALL TO THEMSELVES.
-HEY.
-HI.
SO, WE'RE READY TO JUMP RIGHT INTO IT.
IT'S DEFINITELY HAUNTED.
-YEAH.
THERE'S DEFINITELY SOMETHING HERE, BUT I DON'T THINK IT'S MALICIOUS.
I THINK THEY'RE HAPPY AND THEY'RE JUST TRYING TO FIGURE OU WHO IS TRESPASSING.
AND EARLE SPROAT CONNECTED WITH ME, AND, FOR ME, THAT WAS VERY PERSONAL.
AND IT MADE ME THINK ABOUT MY KIDS AND WHAT I WOULD'VE WENT THROUGH.
HE WAS HIDING A LOT OF PAIN.
THREE KIDS, AND -- YEAH.
SO, WHAT WE THINK MIGHT BE ONE OF THE REASONS WHY THIS PLACE IS HOLDING SO MANY SPIRITS IS BECAUSE WE HAVE THE NATIVE AMERICANS, WHO, YOU KNOW, HUNDREDS OF YEARS AGO, DIED ON THIS LAND SO TRAGICALLY.
IT COULD VERY WELL HAVE KIND OF CHARGED THE LAND THAT THE PROPERTY IS ON.
IT COULD KIND OF AC AS ALMOST LIKE, UM A DEVICE TO HONE THEM HERE IF THEY WANTED TO STAY.
I DON'T REALLY GET THE SENSE THAT ANYBODY'S STUCK HERE.
IT ALMOS KIND OF SEEMS LIKE -EMOTIONS.
-EMOTIONS, AND THEY WANT TO BE HERE -ATTACHED TO IT.
AND PROTECTIVE SO IT'S OKAY TO BRING PEOPLE IN HERE FOR TOURS.
YEAH.
THE SPIRITS ARE INNOCENT.
THEY JUST WANT TO UNDERSTAND WHO'S COMING INTO THEIR SPACE.
-THANK YOU.
-AND REALLY APPRECIATE YOU ALLOWING US TO HAVE THIS OPPORTUNITY TO INVESTIGATE IT.
-YEAH, THANK YOU SO MUCH.
-YEAH, THANK YOU.
REALLY APPRECIATE IT.
-THANKS.
WELL, WE'LL DEFINITELY BE BACK.
THANK YOU -- ANYTIME.
YOU KNOW HOW TO GET ME.
-YEAH.
-HAVE A SAFE TRIP HOME.
IT'S CRAZY TO THINK WE SLEPT IN A PLACE THAT BEN FRANKLIN SLEPT IN.
-I AGREE.
THE HAUNTINGS, THEY DEFINITELY HAD A PERSONAL AFFECT ON ME.
MM.
BUT NOT WHAT WE EXPECTED.
NO.
WELL, ESPECIALLY WITH WHA HAPPENED IN THE WOODS, YOU KNOW? I REALLY THINK THA THAT SERVES AS THE CHARGE FOR THIS PLACE CONTINUE BEING HAUNTED.
I AGREE.
WE DEFINITELY HAVE TO COME BACK SOMEDAY.
YEAH.
THIS WAS A PARANORMAL DREAM.
Katrina: IN OUR BRIEF TIME HERE, I DIDN'T SEE ANYTHING THAT, YOU KNOW, WAS NEGATIVE OR NEEDS TO BE CHANGED.
AND I THINK THE BEST THING WE CAN DO WHEN GOING TO THE OLIVER HOUSE IS OBSERVE AND BE RESPECTFUL.
AND IF YOU ENCOUNTER A GHOST HERE, JUST BE EXCITED THAT YOU GOT TO EXPERIENCE IT.