Ghost Adventures (2008) s02e07 Episode Script
Moon River Brewing Company
Zak: IS SOMEONE HERE WITH US? Aaron: [ GASPS .]
SOMETHING'S BEHIND ME! SOMETHING'S HAPPENING TO ME, MAN.
IT HURTS.
NICK, WHAT'S WRONG WITH YOU, DUDE? WHAT THE [BLEEP.]
WRONG WITH HIM? SNAP OUT OF IT, DUDE.
NICK! Zak: MY NAME IS ZAK BAGANS.
I NEVER BELIEVED IN GHOSTS UNTIL I CAME FACE-TO-FACE WITH ONE, SO I SET OUT ON A QUES TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.
IS THERE ANYBODY HERE? WITH NO BIG CAMERA CREWS FOLLOWING US AROUND, I AM JOINED ONLY BY MY FELLOW INVESTIGATOR NICK GROFF AND OUR EQUIPMENT TECH, AARON GOODWIN.
THE THREE OF US WILL TRAVEL TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS, WHERE WE WILL SPEND AN ENTIRE NIGH BEING LOCKED DOWN FROM DUSK UNTIL DAWN.
Zak: IF THIS IS THE PORTAL TO HELL, WHY DON'T YOU COME UP OUT OF THAT GROUND AND GET US? RAW.
DID SOMEONE JUST SCRATCH ME?! EXTREME.
[BLEEP.]
STOP! STOP RUNNING! THESE ARE OUR GHOST ADVENTURES.
-- Captions by VITAC -- CAPTIONS PAID FOR BY THE TRAVEL CHANNEL, L.
L.
C.
[ THUNDER CRASHES .]
Zak: WE'RE IN THE HISTORIC TOWN OF SAVANNAH, GEORGIA, INVESTIGATING THE MOON RIVER BREWING COMPANY, BUILT IN 1821.
THIS PLACE IS NOTORIOUS FOR ITS ANGRY GHOSTS ATTACKING THE STAFF AND PATRONS OF THE BAR.
MANY FEAR ENTERING THOSE DOORS AFTER DARK, BUT WE CAN'T WAIT TO GE LOCKED DOWN FOR AN ENTIRE NIGH AND COME FACE-TO-FACE WITH THE EVIL ENTITIES WHO ARE SAID TO HAUN THIS OLD BUILDING.
IN 1732, GEORGIA BECAME THE 13th COLONY UNDER BRITISH RULE.
ITS CAPITAL WAS SAVANNAH.
LOCATED THROUGHOUT TOWN ARE PICTURESQUE PUBLIC SQUARES WHICH NOT ONLY DISPLAY THE BEAUTY AND HISTORY OF THE CITY, BUT SERVE AS A ROAD MAP FOR SAVANNAH'S HAUNTED PAST.
THIS IS ONE OF THE MOST HAUNTED CITIES IN THE UNITED STATES.
I'LL CORRECT YOU THERE.
IT'S THE MOST HAUNTED CITY IN THE UNITED STATES.
I AM A FIFTH-GENERATION SAVANNIAN, AND I HAVE SEEN THINGS SINCE I WAS A SMALL CHILD THAT I COULD NOT IGNORE.
Beeco: I HAVE SEEN AND EXPERIENCED THINGS THAT I DON'T UNDERSTAND AND I CAN'T EXPLAIN.
AND IT HAS TO DO WITH THE VERY VIOLENT HISTORY THAT WE'VE HAD HERE, STARTING AT THE VERY BEGINNING.
SAVANNAH, GEORGIA, UNIQUELY, HAS BEEN A BATTLEFIELD DURING EVERY WAR EVER FOUGH ON AMERICAN SOIL, INCLUDING THE SECOND BLOODIEST BATTLE OF THE AMERICAN REVOLUTION.
1,100 MEN WERE KILLED IN LESS THAN AN HOUR, AND THEY WERE BURIED WHEREVER THEY FELL.
NEARLY 100 YEARS LATER, DURING THE CIVIL WAR, UNION ARMY GENERAL WILLIAM TECUMSEH SHERMAN LED A DESTRUCTIVE MARCH THROUGH GEORGIA WHICH ENDED WITH THE SURRENDER OF SAVANNAH.
ADD TO THAT THE FACT THA WE'VE HAD FOUR GREAT FIRES.
WE HAVE A CEMETERY IN THE CENTER OF TOWN.
THERE ARE 80 MORE BURIAL GROUNDS, AND MOST OF THEM HAVE BEEN PAVED OVER AND BUILT ON TOP OF, AND THESE ARE THE RIGH CONDITIONS FOR HAUNTINGS.
WE'RE CONSIDERED TO BE THE MOST HAUNTED CITY IN THE UNITED STATES, AND WE'RE IN WHAT IS CONSIDERED TO BE THE MOST HAUNTED BUILDING.
SO YOU DO THE MATH.
NOW, THE BUILDING WE'RE IN, THIS WAS THE CITY HOTEL.
Lewis: IT WAS CALLED THE FIRST CITY HOTEL.
THEY STARTED CONSTRUCTION IN 1821.
WOW.
1821, GUYS.
IT OPENED FOR BUSINESS IN 1826.
SO, YOU GOT TO REMEMBER, THOSE ARE DIFFERENT TIMES WITH A LOT LESS RULES AND LAWS.
Caskey: THIS WAS A PLACE WHERE MEN WOULD HANG OUT AT THE BAR.
THEY WOULD LIKE TO DRINK.
THEY WOULD LIKE TO GAMBLE.
SO, YOU MIX THOSE KIND OF PEOPLE TOGETHER, AND YOU'RE GONNA HAVE A LOT OF BLOODSHED.
IN AUGUST OF 1832, THESE TWO FELLAS -- ONE BY THE NAME OF DR.
PHILIP MINIS -- HE WAS A PROMINENT DOCTOR, WELL-RESPECTED -- AND WE HAD ANOTHER FELLOW BY THE NAME OF JAMES STARK, NOT SO WELL-RESPECTED.
MADE AN INSUL TOWARDS THE DOCTOR.
IN THIS BUILDING? IN THIS BUILDING.
Silver: THE BOTTOM LINE IS, NO MATTER HOW THE DISPUTE STARTED, WE ALL KNOW HOW IT ENDED.
THE DOCTOR THAT CHECKED STARK SAID THAT THE BALL WENT THROUGH, INTO HIS SIDE, THROUGH HIS HEART, OUT OF HIS SCAPULA, AND EMBEDDED ITSELF IN THE KITCHEN DOOR.
WOW.
HE SHOT HIM GOOD.
SO, IS STARK PRESUMED TO BE ONE OF THE ANGRY SPIRITS HERE THAT'S ATTACKING PEOPLE? Caskey: I WOULD PRESUME HIM TO BE ONE OF THEM.
SHOULD WE USE HIS NAME WHEN WE'RE LOCKED DOWN TO SEE IF MAYBE WE'LL GET A RESPONSE FROM IT? I WANT TO CAUTION YOU AGAINST TAUNTING THE GHOSTS TOO TERRIBLY MUCH HERE.
THERE HAVE BEEN SOME VIOLENT INCIDENTS.
I'D COME UPSTAIRS TO FINISH UP THE PAPERWORK, AND I WAS SITTING AT THE DESK OVER HERE.
CAN I SIT DOWN WHERE YOU WERE AT? YEAH, YEAH.
ALL OF A SUDDEN, I HEARD SOME BOTTLES RATTLING FROM BEHIND ME, AND A COUPLE OF BOTTLES FLEW OFF THAT SHELF AND HIT THE DESK HERE.
REALLY? YEAH.
AND A LO OF THE STAFF MEMBERS FEAR COMING UP TO DIFFERENT AREAS UP HERE.
OH, YEAH.
THIS LANDING IN PARTICULAR.
WHEN WE WERE DOWNSTAIRS LOOKING UP, THIS IS WHERE WE'D SEE THE LADY WALKING AROUND.
Zak: THE LADY IN WHITE? YEAH, THE ONE THAT PUSHES PEOPLE AROUND.
WHAT DO WE GOT THERE, AARON? WE PUT AN "X," 'CAUSE THEY SEE FOOTSTEPS ALL THE TIME, SO IT'S GOING TO SHOO STRAIGHT DOWN HERE.
HOPEFULLY IT'LL CAPTURE AN APPARITION OR SOMETHING.
Zak: AND IF YOU COME UP HERE, THIS IS ENTERING THE RESTAURANT.
DO THESE PEOPLE HERE LITERALLY KNOW THAT THEY'RE BEING SANDWICHED IN BETWEEN LAYERS OF DARK SPIRITUAL ENERGY AND DEMONIC ATTACKS? I DON'T KNOW.
SHOULD WE ASK THEM? Parker: THE SUMMER OF 2007, I GET UP TO GO TO THE BAR.
I GET A PINT, COME ON BACK, AND AS I PASS BY THIS TELEPHONE BOOTH, I SAW A UNION SOLDIER, AND WHAT STRUCK ME WITH THIS GUY IS, I ONLY SAW ONE BUTTON AND THEN TWO BUTTONS AND THEN NOTHING ELSE.
SO IT WAS JUST, LIKE, A TORSO.
YEAH, JUST PRETTY MUCH FROM HERE UP.
YOU HAVE AN ENVIRONMENT THAT LOOKED AS IT DID 200 YEARS AGO.
THESE GHOSTS ARE ATTACHED TO THAT LOOK.
UNCHANGED, UNRENOVATED.
NOW, I'VE HEARD PEOPLE HAVE TRIED TO RENOVATE THIS PLACE AND THINGS HAVE HAPPENED.
POWER TOOLS WOULD GO MISSING.
WORKMEN WOULD GET PUSHED OFF OF LADDERS.
WE HEARD IN THE 1990s THE FOREMAN'S WIFE WAS PUSHED DOWN THE FLIGHT OF STAIRS.
YEAH, MAN.
SHE HAD BROUGHT HIM LUNCH AND WALKED UP THE STAIRWELL, THE ONE RIGHT OVER HERE.
SOMETHING CAME UP BEHIND HER AND PUSHED HER DOWN THE STAIRS.
I FIND THE ENERGY GRAVITATES TOWARDS PASSAGEWAYS, HALLWAYS, STAIRCASES.
THIS BUILDING IS A VORTEX OF ENERGY.
WHEN HURRICANE DAVID TOOK THE ROOF OFF THE BUILDING, UNTIL ABOUT 10, 15 YEARS LATER, THIS WAS LITERALLY A VACANT BUILDING.
WHEN YOU HAVE AN OLD BUILDING LIKE THIS AND SOMEBODY DOESN'T CLAIM I FOR A PERIOD OF TIME -- 10, 15, 20 YEARS -- THOUGH IT LOOKS VACAN ON THE OUTSIDE, WHO KNOWS WHO'S OCCUPYING I ON THE INSIDE? MAYBE IT'S JUST A CONSTANT WAR, THE LIVING VERSUS THE DEAD.
WE WANT TO DOCUMEN THIS EVIDENCE THAT EVERYBODY'S TALKING ABOUT.
WE ARE THE TRIGGER OBJECTS.
USE OUR ENERGY, COME AND GET US, AND WE'LL DOCUMENT IT.
CHILLINGLY, THE MOS COMMONLY DOCUMENTED SIGHTINGS AT MOON RIVER ARE CHILD SPIRITS.
ON A BUSY SATURDAY NIGHT, I WAS UPSTAIRS ON THE SECOND FLOOR GOING TO GE SOME PAPER SUPPLIES.
I WALKED ACROSS THE MAIN HALLWAY, AND I SAW A LITTLE GIRL IN A WHITE DRESS.
KIDS.
YOU'RE SEEING CHILDREN.
Labuzinsk: THERE'S A LO OF THINGS THAT HAPPEN DOWN HERE THAT YOU WOULD ONLY ASSUME IT WOULD BE CHILDREN.
YOU KNOW, THINGS MOVE.
YOU KNOW, A LOT OF THINGS ARE HIDDEN.
THE POOL TABLE IS PLAYED WITH CONSTANTLY.
IF YOU PUT ALL THE BALLS ON HERE RIGHT NOW, COME BACK IN 10 MINUTES, A COUPLE OF THEM, AT LEAST, WILL BE GONE.
BUT THERE'S ONE ROWDY SPIRI WHO NEARLY EVERY STAFF MEMBER HAS ENCOUNTERED.
IN FACT, THEY'VE EVEN GIVEN HIM A NAME.
TELL ME WHERE TOBY RUNS AROUND.
WHERE HE'S BEEN SEEN IS RUNNING AROUND THESE ROOMS IN HERE.
NOW, YOU'RE SAYING "BEING SEEN.
" ARE PEOPLE ACTUALLY SEEING A FIGURE? THEY SEE THIS SHADOWY FIGURE JUST RUN BY.
GUYS, WHY DON'T WE PUT AN "X" OVER HERE, OKAY? AND WE'LL SHOOT IT OVER HERE AND SEE IF WE CAN GET TOBY.
DO YOU HAVE ANY IDEA WHERE THESE CHILDREN MIGHT COME FROM AND IF THEY ARE GHOSTS? Lewis: WHEN YELLOW FEVER CAME THROUGH, A LOT OF THE HOTELS IN TOWN WERE CONVERTED TO HOSPITAL WARDS, ESPECIALLY FOR KIDS, OLDER PEOPLE.
BECAUSE A LOT OF KIDS DIED HERE, THEY STAYED FOR WHATEVER REASON.
Silver: IN MY OPINION, THERE ARE A LOT OF PEOPLE WHO DIED ON THE THIRD FLOOR, BECAUSE THEIR ENERGY IS STILL EVIDENT THERE.
SO, YOU CAN FEEL IT? "FEEL IT?" YOU CAN SEE IT.
COME ON.
I WANT TO TAKE YOU UPSTAIRS.
YOU CAN SEE THERE WAS A WALL HERE AND A WALL THERE AND A WALL -- THESE WERE, LIKE, LITTLE, TINY ROOMS? YOU GOT ONE FIREPLACE AT THE END OF THE HALL.
IT'S NOT GONNA HEA THIS WHOLE PLACE.
NO AIR-CONDITIONING.
AND A LOT OF PEOPLE DIED HERE OF ILLNESSES OF EVERY KIND.
TO ME, THERE'S THIS SADNESS THAT YOU FEEL THROUGHOUT THIS PLACE.
DOWNSTAIRS IN THE BASEMENT LEVEL IS WHERE IT'S GONNA GET VERY, VERY DICEY.
WHAT DO YOU MEAN "DICEY"? DICEY, DANGEROUS.
WE PUBLISH A GUIDEBOOK TO HAUNTED SAVANNAH.
THE NIGHT THAT WE HAD THE ROLLOUT PARTY HERE, THE PUBLISHER, WHO IS A GOOD CATHOLIC GIRL AND DOESN'T BELIEVE IN ALL OF THIS CRAP, SHE WAS ATTACKED PHYSICALLY.
SHE WAS ATTACKED? ATTACKED.
HER FAMILY IS SO EXTREMELY CATHOLIC, IF YOU HAD MENTIONED -- THESE PEOPLE WILL TELL YOU YOU'RE DELIRIOUS.
IN FACT, I'VE INVITED HER HERE TODAY TO TALK TO YOU.
SHE'S HERE? YEAH, SHE'S HERE.
[ MUTTERING .]
I JUST FEL A JOLT OF ELECTRICITY.
IF THERE'S SOMEBODY HERE WITH US, I WOULD LIKE TO INTRODUCE OURSELVES.
YOU HAVE FOUND SOMETHING WHICH MOST PEOPLE DIDN'T EVEN KNOW EXISTED.
AAH! WHAT THE -- WE'RE IN SAVANNAH, GEORGIA, A THE MOON RIVER BREWING COMPANY, WHERE CUSTOMERS AND STAFF ARE ROUTINELY ATTACKED BY SPIRITS.
AMONG THE VICTIMS IS CRISTINA PIVA, A LOCAL BOOK PUBLISHER WHO WAS VICIOUSLY ATTACKED IN THE BASEMENT.
THAT'S WHERE MURRAY SILVER, A FIFTH-GENERATION SAVANNIAN, IS LEADING US TO NOW.
HERE'S THE THING I WANT TO TELL YOU.
I WANT TO TELL YOU BEFORE YOU MEET HER.
I WANT TO TELL YOU HOW SERIOUS THIS [BLEEP.]
IS.
CRISTINA WAS ATTACKED.
NOW, SHE'S HERE TO HELP YOU, BUT I WANT YOU TO UNDERSTAND, THIS WOMAN'S NOT [BLEEP.]
AROUND WITH YOU.
SHE AIN'T PLAYING.
WHAT SHE'S TELLING YOU IS THE GOSPEL.
DOWN HERE IS RARELY USED EXCEPT FOR PRIVATE AFFAIRS AND OCCASIONS.
[ MUTTERING .]
HOLD ON A SECOND, MAN.
I JUST FELT, LIKE, A JOLT OF ELECTRICITY.
I FELT THAT VIBRATE THROUGH MY WHOLE BODY.
THAT WAS WEIRD! [BLEEP.]
[BLEEP.]
THIS IS THE PLACE.
AS A MATTER OF FACT, IN RECENT TIMES, WE'VE DISCOVERED BONES BURIED -- WHOA, WHOA.
WHAT? IS THERE SOMEBODY BACK THERE? LET ME CHECK.
LET ME CHECK.
I JUST SAW SOMETHING OUT OF THE CORNER OF MY EYE, LIKE SOMETHING WHITE.
I SAW SOMEBODY WALK BY.
WOW.
IF THERE'S SOMEBODY HERE WITH US, I WOULD LIKE TO INTRODUCE OURSELVES TO YOU.
I'M NOT GONNA SAY NOTHING.
I'M GONNA SEE IF YOU PICK UP ON WHAT YOU'RE SUPPOSED TO PICK UP ON.
WELL, I ALREADY FELT THAT.
I'M NOT [BLEEP.]
I FELT THAT JOLT OF ELECTRICITY GO RIGHT THROUGH ME.
Nick: ZAK, ZAK, ZAK.
OVER HERE.
WHAT'S GOING ON DOWN HERE, GUYS? I'M NOT GONNA TELL HIM, BUT THERE'S A COUPLE PLACES IN HERE -- IF HE'S FOR REAL, HE'S GONNA FIND IT.
IF HE AIN'T FOR REAL, I'M GONNA KNOW IT, BECAUSE THERE'S A SPOT IN THIS PLACE THAT'S ALWAYS CHARGED.
WE'LL SEE IF HE PICKS UP ON IT.
IS THERE SOMEBODY HERE? WHERE ARE WE? IF THERE IS -- I JUST SAW A SOLID FIGURE WALK BY.
IT WAS ALL WHITE.
IS THIS TYPICAL OF THIS PLACE? THAT'S THE TUNNEL.
THIS WAS THE OLD TUNNEL? THERE'S A TUNNEL.
THAT'S WHA THEY'VE LED YOU TO.
WAS THIS IT HERE THAT'S FILLED? THAT'S IT.
SO THEY'VE LED US TO THIS.
TUNNEL.
LISTEN, PAL, I'VE NEVER MET YOU BEFORE, AND BECAUSE I HAVE TO VET EVERYBODY, I'M NOT PLAYING WITH THIS STUFF.
I TOLD YOUR CAMERAMAN, I SAID, "WE'RE GONNA FIND OU IF THE GUY HAS ANY SENSIBILITY OR SENSITIVITY TO THIS AT ALL.
" AS FAR AS I'M CONCERNED, YOU PASSED THE TEST.
YOU HAVE FOUND SOMETHING WHICH MOST PEOPLE DIDN'T EVEN KNOW EXISTED.
YOU FOUND THE TUNNEL.
OKAY, RIGHT NOW WE HEARD THA THERE'S SOME UNDERGROUND TUNNELS THAT NOT ONLY RUN UNDERNEATH MOON RIVER BREWING COMPANY, BUT ALL THROUGH SAVANNAH.
PEOPLE WOULD GO IN THE TUNNELS THINKING THAT YELLOW FEVER BACK THEN WAS IN THE AIR AND THEY WOULD NOT GET SICK BY USING THESE UNDERGROUND TUNNELS, BUT MURRAY SAID THAT THESE UNDERGROUND TUNNELS ARE KIND OF LIKE THE GHOSTS' EXPRESSWAY, HOW GHOSTS ARE TRAVELING TO AND FROM THESE LOCATIONS.
RIGHT HERE.
COME HERE.
YEAH, LOOK.
COME HERE.
COME HERE.
COME HERE.
YOU SEE THAT OPENING RIGHT THERE? GOT TO BE ONE OF THE OPENINGS TO THE UNDERGROUND TUNNELS.
I WANT TO GET IN THERE AND CHECK THIS OUT.
OKAY.
DO YOU WANT TO GIVE ME A CAMERA? ALL RIGHT.
FILM ME FROM HERE, OKAY? [ GRUNTS .]
YOU GUYS KEEPING A LOOKOUT? YEAH.
YEAH, WE'RE WATCHING.
OKAY.
WOW.
THERE'S, LIKE, SOMETHING ALIVE RIGHT HERE.
[ CAT HISSES .]
AAH! AAH! Aaron: WHAT THE YEAH! THAT WAS AWESOME! [ SIGHS .]
DID YOU GET THAT? YEAH.
WITH THE TUNNELS SEALED UP, WE WENT BACK TO THE BASEMENT.
I'M TRYING TO LOOK FOR A SPO RIGHT NOW THAT WE CAN SET UP ONE OF OUR "X" CAMERAS AND FILM THIS AREA.
IS THIS LOCATION WHERE WE'VE DONE THE MOST X's EVER? DO WE HAVE ANY MORE DUCT TAPE LEFT? I THINK THIS WAS MEAN FOR THIS TABLE, THOUGH.
HOLD ON.
Silver: SON OF A [BLEEP.]
HE FOUND IT AGAIN.
THIS IS THE OTHER HOT SPOT.
WHAT DO YOU MEAN I FOUND IT, MURRAY, BECAUSE -- THIS IS WHERE CRISTINA WAS ATTACKED, PAL.
CRISTINA'S GONNA TELL YOU THIS IS WHERE SHE WAS ATTACKED BY A SPIRIT.
AND THAT'S WHY IT TOOK A LOT OF GUTS FOR THAT GIRL TO COME OVER HERE TODAY TO TALK TO YOU, BECAUSE SHE AIN'T BEEN IN HERE SINCE.
OKAY, WE'RE HERE WITH CRISTINA RIGHT NOW, AND, CRISTINA, DID SOMETHING HAPPEN TO YOU DURING THIS PARTY? WELL, WE HAD ENERGY THAT WAS NOT OF FLESH AND BONES, I CAN TELL YOU.
IT WAS REALLY WEIRD.
I WAS COMING DOWN THAT HALLWAY.
I WAS ALONE, AND I CAME TO THIS BACK ROOM, WAS RIGHT HERE.
WHEN I GOT TO HERE, AS IF, LIKE, THIS WAS A PHYSICAL PRESENCE ON MY NECK.
THROWN BACK, BACK, PUSHING ME BACK.
I WAS CHOKING AND COUGHING.
I COULD NOT BREATHE.
KIND OF GRAB YOU BY THE NECK, LIKE, "DON'T COME IN HERE"? I DID NOT CROSS THIS THRESHOLD.
I DON'T BELIEVE IN THIS STUFF.
I MEAN, I DID NOT BELIEVE IN THIS STUFF.
DO YOU BELIEVE NOW? OH, MY GOSH.
I MEAN, I GET THE GOOSE BUMPS JUST TALKING ABOUT IT.
IT'S SO VIVID.
I WAS STANDING AT THE BAR, I WAS BARTENDING, AND ALL OF A SUDDEN, I SEE SOMETHING CAME OUT OF THE WALL.
IT WAS ABOUT THIS TALL.
CREEPED OU AND JUST KNELT DOWN AND STARED AT ME FOR A GOOD FIVE MINUTES.
IT WAS JUST THIS BLACK, FOGGY-BLACK, CREEPY-BLACK THING.
THIS WASN'T A HUMAN.
NO, NOT BY ANY MEANS.
REALLY? ABSOLUTELY NOT.
COINCIDENTALLY, WE JUST INTERVIEWED SOMEBODY, AND SHE WAS ACTUALLY VERY BRUTALLY ATTACKED BY WHAT SHE THOUGH WAS A DEMONIC ENTITY.
I'M GONNA ASK YOU, AARON, WHERE DID THAT HAPPEN? RIGHT HERE.
RIGHT WHERE YOU'RE STANDING.
RIGHT HERE.
THIS SPOT.
SEE, I KNEW THE THING WAS NOT HUMAN.
THE THING IS EVIL.
SOMETHING HAPPENED HERE, PAL.
AND IT WASN' A KID'S BIRTHDAY PARTY.
OBVIOUSLY, YOU'RE SUPPOSED TO BE HERE.
I-I THINK I AM NOW.
I'M GONNA BE HONEST WITH YOU.
EARLIER, IT WAS JUST ANOTHER LOCATION.
NO, NO.
THIS IS SAVANNAH.
IT'S DIFFERENT HERE.
COME ON! GO, GO, GO! IS SOMEONE HERE WITH US? ALL IT TAKES IS ONE PUSH, AND YOU CAN CRITICALLY INJURE ME.
LET'S GO.
LET'S SEE IT.
DO IT! SO, LET'S GET LOCKED IN.
YOU REMEMBER GENE, THE OWNER.
GENE, WHAT'S UP, MAN? THANK YOU FOR, AGAIN, HAVING US.
WE'RE NOT GONNA ADD FUEL TO THE FIRE, BUT IF WE DO, PLEASE DON'T GET MAD AT US IF YOU HAVE A LOT MORE POLTERGEIST ACTIVITY EVENTS HAPPENING.
I'D REALLY LIKE MY GHOSTS BACK THE WAY I GOT THEM NOW.
WE'RE GONNA ROWDY THEM UP, OKAY? I'M JUST GONNA -- NO BULL [BLEEP.]
OKAY? I'M JUS BEING HONEST WITH YOU.
OKAY, LOCK US IN HERE.
AND WILL YOU BE HERE AT DAWN? 6:30, I'LL BE HERE.
LET'S DO THIS, GUYS.
THERE HE GOES.
THIS IS ONE OF THE LOCATIONS WHERE YOU DRIVE BY, PEOPLE COME IN HERE, HAVE SOMETHING TO EAT, THEY HAVE A BEER, AND THEY HAVE NO IDEA THAT WE INTERVIEWED -- WE HAD TO TURN AWAY INTERVIEWS BECAUSE WE HAD SO MANY.
THERE WAS WAY TOO MANY WITH PEOPLE BEING HARMED, PEOPLE WITH POLTERGEISTS.
NOW IT'S OUR TURN.
IT IS OUR TURN.
WE USE A LOT OF EQUIPMENT.
THIS IS HOW YOU REALLY BACK UP EVIDENCE, WHEN YOU USE SCIENTIFIC PIECES OF EQUIPMENT.
BECAUSE WE DON'T HAVE AN ACTUAL BLUEPRIN OR MAP OF THIS LOCATION, I'VE WRITTEN DOWN A TOTAL OF 10 STATIC NIGHT VISION CAMERAS WHERE WE MARKED OUR X's EARLIER.
NUMBER ONE IS THE FIRST-FLOOR STAIRS.
THIS IS WHERE THEY SEE AN APPARITION OF A LADY IN WHITE AND WHERE THE FOREMAN'S WIFE WAS PUSHED DOWN THE FLIGHT OF STAIRS.
NUMBER TWO, THE OFFICE.
THIS IS WHERE THE GENERAL MANAGER, CHRIS, HAD BOTTLES THROWN AT HIM.
NUMBER THREE AND FOUR ARE BOTH ON THE THIRD FLOOR.
IT'S THE HALLWAY AND THE ROOM THEY SEE THE LADY IN WHITE, WHO IS SUPPOSED TO BE VERY MEAN, ACTUALLY.
NUMBER FIVE, THE FOURTH-FLOOR GRAND ROOM.
THIS IS WHERE THEY CAPTURE TONS OF UNEXPLAINED ANOMALIES.
NUMBER SIX, THE POOL TABLE BACK ROOM.
THIS IS WHERE THE LADY WAS ATTACKED AND ALSO WHERE AN EMPLOYEE SAW THAT DEMONIC ENTITY.
REMEMBER, AARON, THE SHADOW FIGURE.
NUMBER SEVEN, THE POOL TABLE.
THIS IS WHERE THEY SEE ALL THE BALLS UNEXPLAINABLY MOVING ALL THE TIME.
WHAT THE [BLEEP.]
DID YOU JUST HEAR THAT? AT THIS EXACT MOMENT, LOUD DRAGGING NOISES DIRECTLY ABOVE US ON THE SECOND FLOOR INTERRUPTED OUR "X" CAMERA SETUP.
WHAT THE [BLEEP.]
COME ON! OH, SORRY! Shh, shh, shh, shh! WHO'S UP HERE? WHO'S UP HERE?! GO IN, GO IN, GO IN.
PUSH IN.
HOLD ON.
HOLD ON! I DEMAND YOU TO TELL ME WHO IS UP HERE NOW! IT WAS RIGHT HERE.
IT WAS RIGHT HERE.
IT WAS RIGHT HERE.
THERE'S NO ONE.
THERE'S [BLEEP.]
NO ONE HERE, MAN.
COME HERE.
CHECK UP THIS FLIGHT REAL QUICK.
NICK, GO UP THAT FLIGHT! IS SOMEONE HERE WITH US? IF YOU ARE, SPEAK UP! WAIT, WAIT, WAIT, WAIT, WAIT.
UP HERE, ZAK.
YOU DON'T LIKE US BEING LOCKED IN HERE, DO YOU? WELL, GUESS WHAT -- THERE'S NO ONE IN THE OFFICE.
WE'RE NOT GOING ANYWHERE! WAIT.
LISTEN.
DIDN'T YOU HEAR THE FOOTSTEPS? Aaron: I HEAR A WOMAN TALKING.
ARE YOU SERIOUS? GIVE ME THE CAMERA.
GIVE ME THE CAMERA.
LOOK OUT THE WINDOW.
IT'S STILL LIGHT OUT.
WE JUST GOT LOCKED IN 10 MINUTES AGO.
Nick: WE WERE GOING THROUGH OUR "X" CAMERAS AT BASE [ SIGHS .]
AND WE WERE INSTANTLY INTERRUPTED, AND WE ARE ALL SHAKEN UP WITH ADRENALINE RUSH, JUST PUMPED UP.
THIS IS WHAT I HEARD.
THAT'S EXACTLY IT, BU IT SOUNDED LIKE CHAINS, TOO.
YEAH.
YES! YES! METALLIC SOUND.
NO LONGER HEARING THE FOOTSTEPS OR DRAGGING SOUNDS, WE DECIDED TO GO BACK DOWN TO BASE AND FINISH MAPPING OU OUR "X" CAMERAS.
NUMBER NINE, THE TUNNEL ROOM.
THIS IS WHERE THEY THINK THAT THE SPIRITS STILL ENTER THIS PLACE FROM.
NUMBER 10, THE RESTAURANT AREA, WHERE WE ARE RIGHT NOW.
RIGHT THERE IS WHERE THE POLICE OFFICER SAW A CIVIL WAR SOLDIER.
SO, THIS TIME, I WASN'T INTERRUPTED, BUT I'M COMING AFTER YOU TO SEE WHO MADE THAT NOISE, AND WE'RE NOT SCARED! WE DECIDED TO BEGIN OUR INVESTIGATION ON THE SECOND FLOOR BECAUSE THAT'S WHERE WE HEARD THOSE MYSTERIOUS NOISES.
THEY HAVE TRIED RENOVATING THESE LEVELS UP HERE, BUT THEY CANNOT DO IT.
THE LAST TIME WHAT THE [BLEEP.]
BRO.
YOU HEARIGHT?T, TOO, YES, YES.
HOLD ON.
HOLD ON.
THE LAST TIME THEY TRIED TO RENOVATE THIS PLACE I'M A LITTLE OUT OF BREATH 'CAUSE THERE'S A LO OF STUFF GOING ON RIGHT NOW.
THE FOREMAN'S WIFE DELIVERED LUNCH TO HER HUSBAND, AND SHE WAS VIOLENTLY PUSHED DOWN THE STAIRS.
I'M ROLLING ON MY DIGITAL RECORDER TO TRY TO CAPTURE EVPs, OR ELECTRONIC VOICE PHENOMENONS.
BETTER YET, NICK, CAN I START OFF? YEAH, GO AHEAD.
I WANT THE NAME OF THE PERSON WHO MADE THAT NOISE FOR US.
DO YOU STILL THINK THIS IS THE CITY HOTEL? RIGHT AT THIS MOMENT, WE ALL HEARD AN EERIE DISEMBODIED LAUGH, WHICH WE ALSO CAPTURED ON OUR DIGITAL RECORDER.
[ GASPS .]
Shh! I JUST HEARD PEOPLE LAUGH.
ARE YOU LAUGHING AT US? I GOT CHILLS GOING DOWN MY SPINE, GUYS.
ZAK, IT CAME FROM THE THIRD FLOOR, RIGHT HERE, ON THE TOP OF THE STAIRCASE.
[BLEEP.]
IT WAS RIGHT UP THERE.
I HEARD THIS LAUGHTER COME FROM UP THERE.
THAT'S WHERE I HEARD IT, TOO, NICK.
IS THERE A WOMAN UP HERE? THIS IS WHERE THEY SAID THEY SAW THE LADY IN WHITE, RIGHT, ZAK? A LADY IN WHITE? YEAH.
WHERE THEY PUSHED THE WOMAN DOWN THE STAIRS.
HOLD ON, GUYS.
I'M LOOKING OVER HERE.
I WANT TO KNOW WHO THIS IS, OKAY? JUST GIVE ME A SECOND.
ZAK, STAY RIGHT THERE.
I AM [BLEEP.]
FREEZING.
ARE YOU COLD? STAY RIGHT THERE.
SEE IF YOU CAN GET PUSHED OFF THE TOP OF THOSE STAIRS.
DUDE! IT'S COLD RIGHT HERE.
ARE YOU THE NOTORIOUS ONE? Shh! JUST THEN, WE ALL HEARD A FEMALE VOICE, AND THIS TIME, IT APPEARED TO BE SAYING SOMETHING TO US.
HERE'S THE ENHANCED AUDIO.
ARE YOU THE NOTORIOUS ONE? Shh! Shh! Shh! Shh! WAS THIS FEMALE VOICE WARNING ME NOT TO STAND AT THE TOP OF THE STAIRS? I'M GONNA TURN MY BACK, AND ALL IT TAKES IS ONE PUSH, AND YOU COULD PROBABLY VERY SERIOUSLY AND CRITICALLY INJURE ME.
WHOA.
I DON'T KNOW IF THAT WAS MY BALANCE.
LET'S GO.
LET'S SEE IT.
DO IT AGAIN.
DO IT! RIGHT THERE, YOU COULD CLEARLY HEAR ANOTHER FEMALE VOICE RESPONDING TO MY REQUEST, AND WE ALL HEARD I WITH OUR OWN EARS.
HERE'S THE ENHANCED AUDIO.
I HEAR A WOMAN.
I-I-I HEAR A WOMAN.
I HEARD IT SAY, "I DON'T WANNA.
" I HEARD A FEMALE SAY, "I DON'T WANNA.
" DUDE, I HEARD THAT, TOO, AARON.
I SWEAR TO GOD.
IT WAS, "I DON'T WANNA.
" BECAUSE OF ALL THIS ACTIVITY WE WERE HEARING, WE DECIDED TO SET UP ONE OF OUR STATIC NIGHT VISION CAMERAS ON THIS STAIRCASE AS WELL AS LEAVING AN E.
M.
PUMP, WHICH EMITS ELECTROMAGNETIC ENERGY THAT SPIRITS CAN EASILY USE TO MANIFEST THEMSELVES.
EXACTLY 25 MINUTES AND 4 SECONDS AFTER WE LEFT THE AREA, THIS CAMERA CAPTURED WHA SOUNDS LIKE A MAN LAUGHING.
SOMETHING HAPPENED.
SOMETHING HAPPENED.
IT JUST WENT OUT.
Zak: DID YOU SCREW ALL OF OUR EQUIPMENT UP? ARE YOU THE LADY IN WHITE? [ GASPS .]
WE'VE ONLY BEEN IN OUR LOCKDOWN A FEW SHORT HOURS AND HAVE ALREADY ENCOUNTERED A NUMBER OF CHILLING NOISES AND DISEMBODIED VOICES.
OKAY, RIGHT NOW, WE'RE STILL HEARING ALL KINDS OF UNEXPLAINED THINGS.
A LOT OF CRAZY STUFF IS GOING ON RIGHT NOW, SO WE'RE GONNA TAKE I TO THE SCIENTIFIC SIDE.
THIS GUN-LOOKING THING I HAVE RIGHT HERE HAS A SENSOR AND A WORD DATABASE INSIDE OF IT.
SPIRITS CAN MANIPULATE THIS WORD DATABASE BY EXERTING DIFFEREN SPIRITUAL ENERGIES IN CHOOSING THEIR WORDS THAT THEY WISH TO COMMUNICATE WITH US.
THESE GOGGLES I HAVE HAVE TWO VIDEO SCREENS, 'CAUSE RIGHT HERE IS A NIGHT VISION CAMERA, AND WHEREVER I POINT THIS, I CAN ACTUALLY SEE THE WORDS ON THE SCREEN, AS WELL.
AARON'S ALSO GONNA HAVE A SECOND SET OF EYES, WHERE I'M GONNA BE POINTING THIS, AND THEN HE'LL ALSO BE ABLE TO SEE THE WORDS.
AGAIN, WE CAN WALK AROUND FOR TWO HOURS AND NOT SEE ONE WORD.
SO, LET'S TRY AND COMMUNICATE WITH THE SPIRITS HERE AND SEE IF THEY HAVE ANY RELEVANCE ON WHAT THEY'RE TELLING US.
THIS IS CREEPY, DUDE.
HOLY CRAP.
IS THIS WHERE YOU LIVE, UP HERE? IS THIS WHERE YOU SLEEP? THAT'S A WATER BOTTLE.
FOR REAL? YEAH.
WE'RE NEAR WATER.
HOLD ON.
HOLD ON.
DUDE, I KNOW WHAT THIS IS.
ARE YOU LURING US TO RIGHT HERE, WHERE THIS BOTTLE OF WATER IS LAYING? IS THIS WHERE YOU WANTED US TO COME? THIS IS CREEPY-LOOKING, MAN.
AARON.
HERE, COME HERE.
PUT THESE ON.
PUT THOSE ON.
OKAY.
JUST STAND HERE.
LOOK.
STAND HERE.
I'M GONNA PUT THIS HERE, OKAY? YOU CONTINUE TO OPERATE -- WHAT DID IT SAY? GENDER.
SISTER.
YOU TALKING TO ME RIGHT NOW 'CAUSE I'M HOLDING THIS? DID YOU WANT AARON TO HOLD IT? DUDE, I GOT THE GOOSE BUMPS SO BAD RIGHT NOW, BRO.
CAN YOU TALK OUT LOUD TO US RIGHT NOW? RIGHT NOW, WE'RE TRYING TWO WAYS TO COMMUNICATE WITH THEM.
AARON HAS THAT.
I'M GOING FOR EVPs.
OKAY.
GENDER, SISTER.
ARE YOU A WOMAN? ARE YOU THE LADY IN WHITE? [ GASPS .]
Shh, shh, shh, shh! JUST THEN, AARON AND I BOTH HEARD A STRANGE KNOCKING SOUND.
IT WAS AS IF SOMETHING WERE RESPONDING TO ME.
[ GASPS .]
Shh, shh, shh, shh! SOMETHING HAPPENED.
SOMETHING HAPPENED.
IT JUST WENT OUT.
WHAT DID? WHAT JUST HAPPENED? SOMETHING'S TAMPERING WITH THIS RIGHT NOW, MAN.
IT DOESN'T EVER DO THIS.
I HAVE NO VISUAL CONTAC WITH YOU GUYS.
RIGHT NOW, OUR VIDEO EQUIPMEN IS GOING A LITTLE BIT NUTS RIGHT NOW.
WHOA.
I'M NOT SEEING ANYTHING.
AT THIS EXACT MOMENT, OUR DIGITAL RECORDER CAPTURED AN EXTREMELY CLEAR ELECTRONIC VOICE PHENOMENON WHICH APPEARED TO BE TELLING US SOMETHING.
WAS THIS A SPIRIT DRAWING ENERGY FROM OUR EQUIPMEN AND CAUSING IT TO MALFUNCTION SO THAT IT COULD COMMUNICATE WITH US? YOU KNOW WHAT I'M GONNA DO? I'M GONNA RENOVATE THIS PLACE SO THAT WE CAN HAVE A BUNCH MORE PEOPLE UP HERE.
THESE FLOORS, THEY'VE TRIED RENOVATING IT MANY TIMES, BUT WHEN PEOPLE COME IN HERE AND TRY AND WORK ON IT, THEY'LL MESS WITH THE TOOLS AND THROW THEM, AND THIS IS WHEN THE FOREMAN'S WIFE CAME UP HERE AND GOT THROWN DOWN THE STAIRS.
THEY DON'T LIKE WHEN IT GETS RENOVATED, SO LET'S SEE IF WE CAN ANGER THEM.
IT'S JUST GOING HAYWIRE, MAN.
I'VE NEVER SEEN IT DO THIS.
AARON, HANG ON.
JUST KEEP THAT THERE.
DID YOU SCREW ALL OF OUR EQUIPMENT UP? WE'RE BACK? REMOVE WHAT? DUDE, REMOVE STAIRS.
STEP.
THE LADDER.
WHAT IF I DON'T REMOVE THE STEP? WHAT ARE YOU GONNA DO TO ME? [ GASPS .]
YELL.
WHOA, DUDE! HOLY [BLEEP.]
STOP, DUDE! WHAT? SOMETHING JUST PASSED RIGHT IN FRONT OF THIS THING.
WHOA! SOMETHING'S BEHIND ME! SOMETHING'S HAPPENING TO ME, MAN.
IT HURTS.
IT HURTS.
IT HURTS.
SHORTLY AFTER PLACING A LADDER ON THE RAFTERS OF THE FOURTH-FLOOR GRAND ROOM, OUR WORD DATABASE, WHICH TRANSLATES SPIRITUAL ENERGY INTO SPOKEN WORDS, COMMANDED US TO REMOVE THE LADDER.
WHAT IF I DON'T REMOVE THE STEP? WHAT ARE YOU GONNA DO TO ME? [ GASPS .]
YELL.
WHAT ARE YOU GONNA DO TO ME? "YELL.
" WELL, THEN, START YELLING, 'CAUSE HE AIN'T MOVING IT.
YELL.
WHAT THE HELL'S THAT GONNA DO? THAT AIN'T GONNA SCARE ME.
NO TALKING.
WE DECIDED TO SET UP A STATIC NIGHT VISION CAMERA TO SEE IF WE COULD CAPTURE ANY ACTIVITY AROUND THE LADDER, BUT ON OUR WAY DOWNSTAIRS TO RETRIEVE ANOTHER CAMERA, SOMETHING CAUGH NICK'S ATTENTION.
WHAT'S WRONG? Nick: I HEARD, LIKE, HANDS GO ACROSS MY BACK.
WELL, MAYBE IT WANTS TO COMMUNICATE WITH YOU.
NICK, DO EVP REAL QUICK.
THAT WAS -- THAT WAS REALLY WEIRD.
IF YOU WANT TO TALK TO ME, NOW'S YOUR CHANCE TO DO IT.
IS THERE A LADY HERE WITH US THAT DOES NOT LIKE GUYS? DON'T BE AFRAID.
COME ON.
SAY SOMETHING.
YOU SHOULD BE AFRAID IF YOU'RE HARMING PEOPLE.
DID YOU HEAR THAT? YES.
WAS IT LIKE A, "AAAH!" YEAH, IT WAS A SCREAM.
IT WAS THE YELL, DUDE! THAT WAS THE YELL! WE MANAGED TO CAPTURE THIS UNEXPLAINED YELL ON OUR DIGITAL RECORDER.
WAS THIS A SPIRIT THA WE BELIEVE JUST THREATENED US AFTER I SET UP THE LADDER ON THE FOURTH FLOOR? AFTER WE RAISED THE AUDIO FROM THIS YELL, YOU CAN ALSO HEAR A MALE VOICE EMBEDDED WITHIN THIS CREEPY SCREAM SAYING, "THEY GOT," AND SOMETHING AFTER THA WE WERE UNABLE TO DECIPHER.
WE DECIDED TO SET UP OUR STATIC NIGHT VISION CAMERA ON OUR "X" RIGHT HERE ON THE THIRD FLOOR TO TRY AND CATCH ON VIDEO WHATEVER JUST MADE THAT YELL, AND AT EXACTLY 13 MINUTES AFTER WE HIT RECORD, WE CAPTURED A STRANGE LIGHT ANOMALY WHICH APPEARS AT THE SAME TIME UNEXPLAINED FOOTSTEPS CAN BE HEARD.
Zak: NICK AND I HAVE THESE INFRARED DIGITAL STILL CAMERAS.
NICK.
THERE YOU ARE.
Aaron: WHOA! YOU ALMOST NAILED HIM! IT'S HAPPENED ONCE BEFORE.
IT'S VERY HARD TO SEE.
I CAN'T SEE ANYTHING.
AARON, TURN IT OFF, IF YOU WILL, JUST TO GIVE A REFERENCE OF HOW DARK IT IS.
CAN YOU SEE ME? NOPE.
OKAY, TURN IT BACK ON.
THERE, THERE'S ME.
THAT'S WHY I CAN'T SEE ANYTHING.
SO, NICK AND I ARE GONNA GO DOWNSTAIRS INTO THE BASEMENT, WHERE THEY'VE SEEN APPARITIONS, ALL KINDS OF CRAZY STUFF.
I'LL GO IMMEDIATELY TO THE RIGHT.
AND LET'S JUST STAR DOING THIS.
AARON, YOU READY? STAY WITH US.
[ COUGHS .]
YOU READY? KILL THAT LIGHT.
JUST SO I CAN SEE MY FEET.
NO.
NO.
TRY IT.
IF YOU FALL, YOU FALL.
WE'RE NOT DOING IT.
NO LIGHTS.
READY? HOLD ON, DUDE.
OH.
THANKS, NICK.
YEAH, IT'S WORKING.
IF YOU'RE DOWN HERE, COME ON OUT.
SHOW YOURSELF.
IS ANYBODY BACK HERE AT THE BAR? WHOA, DUDE! WHAT? HOLY [BLEEP.]
STOP, DUDE! WHAT? WHAT? SOMETHING JUST PASSED RIGHT IN FRONT OF THIS THING HERE, DUDE.
WHOA.
IT'S COLD IN HERE.
IT IS COLD.
[BLEEP.]
IT WENT RIGHT -- AAAH! THERE'S SOMETHING HERE! SOMETHING'S BEHIND ME! DUDE, SOMETHING [BLEEP.]
RUSHED PAST ME, BRO, LIKE A BIG [BLEEP.]
IT WENT RIGHT BY THIS POOL TABLE.
HOLD STILL.
HOLD STILL.
READY? OH, MY GOD.
TAKING A PICTURE.
DIDN'T HAPPEN.
NO, IT DIDN'T WORK.
DO IT AGAIN.
TELL ME.
SOMETHING MADE IT NOT WORK, BRO.
DID IT GO OFF? SOMETHING JUST SHU HIS CAMERA DOWN, BRO.
AND NOW MY CAMERA DOESN'T WORK.
I JUST CAUGHT SOME GLOWING THING HIT YOUR HEAD.
AND NOW MY CAMERA DOESN'T WORK.
WHAT HAPPENED? SOMETHING JUST FLEW INTO YOUR HEAD.
ME? YEAH.
ARE YOU SERIOUS? I SWEAR TO GOD.
THIS IS THAT EXACT SAME SPO WHERE BILLIE SAID SHE SAW THIS WEIRD FIGURE JUST COME RIGHT OU OF THIS CORNER.
TOBY, ARE YOU THE LITTLE [BLEEP.]
THAT KEEPS ATTACKING WOMEN HERE? YOU'RE LIKE A LITTLE [BLEEP.]
COME OVER HERE.
I'LL JUST SMACK YOU.
STAND RIGHT HERE.
I'LL SMACK YOU.
I'M USING PROVOCATION RIGHT NOW, AND SO IS NICK, BECAUSE ALL THE INTERVIEWS WE HAD, THERE'S NOTHING BUT ATTACKS -- VIOLENT ATTACKS ON THE LIVING.
SO WE'RE HERE TO STAND UP TO YOU.
IF YOU DON'T LIKE US HERE, THEN NOW'S YOUR TIME TO LET US KNOW.
[ GASPS .]
I JUST CAUGHT A LAUGH.
WE ENHANCED THE VOLUME FROM AARON'S CAMERA, AND WE WERE ABLE TO FAINTLY HEAR THIS UNEXPLAINED LAUGH.
COME HERE, NICK.
COME HERE FOR A SECOND.
COME HERE.
COME HERE.
[BLEEP.]
ALL THIS.
[BLEEP.]
ALL THIS, AARON.
DON'T WORRY ABOUT THE SHOT.
COME HERE.
SOMETHING'S HAPPENING TO ME, MAN.
SOMETHING IS HAPPENING TO ME RIGHT NOW.
THE BACK OF MY HEAD IS [BLEEP.]
KILLING ME RIGHT NOW.
MINE TOO.
IT HURTS.
IT HURTS.
IT HURTS.
ARE YOU SQUEEZING HIS HEAD RIGHT NOW? ARE YOU TRYING TO STRANGLE HIM? NO.
I CAN'T EVEN TOUCH IT.
IT'S SO TENDER RIGHT HERE.
MOMENTS LATER, THE SAME MYSTERIOUS PAIN THAT HIT ME WAS INFLICTED UPON NICK.
AND AT THIS SAME MOMENT, WE CAPTURED THIS STRANGE BALL OF LIGH THAT SEEMS TO TRAVEL FROM ME, THEN MAKES A HARD TURN IMMEDIATELY OVER NICK BEFORE IT VANISHES INTO THIN AIR.
I'LL GIVE YOU CREDIT.
IT HURT, BUT I LIKED IT.
YOU GAVE US EVIDENCE.
YOU GAVE ME A SIGN.
BUT NOW WE WANT YOU TO MOVE SOMETHING.
WE WANT YOU TO THROW SOMETHING ACROSS THE ROOM SO WE CAN GE PHYSICAL EVIDENCE.
AARON, JUST KEEP ROLLING.
NICK, WHAT'S WRONG WITH YOU, DUDE? WHAT THE [BLEEP.]
WRONG WITH HIM? SNAP OUT OF IT, DUDE.
NICK! WHILE IN THE BASEMENT, NICK AND I BEGAN EXPERIENCING INTENSE PHYSICAL PRESSURE THROUGHOUT OUR BODIES.
FIGHTING THROUGH IT, WE AWAITED ANOTHER SIGN.
AARON, JUST KEEP ROLLING.
THERE WAS A KNOCK RIGHT THERE.
THERE WAS A KNOCK RIGHT THERE.
MAKE ANOTHER NOISE FOR US.
[ TAP .]
THAT WAS GOOD.
YOU CAN HEAR MY VOICE, CAN'T YOU? CAN YOU DO IT AGAIN? Zak: MAKE A NOISE! MAN, MY ENERGY IS DRAINED.
WHAT IS YOUR NAME? CAN YOU PLEASE COME HERE AND JUST TALK TO US? [BLEEP.]
DUDE.
YOU LOOK WEIRD, BRO.
WHAT'S WRONG WITH YOU, NICK? WHAT THE [BLEEP.]
WRONG WITH HIM? Aaron: I DON'T KNOW, BUT I GO ONE MINUTE OF TAPE LEFT.
NICK, WHAT'S WRONG WITH YOU, DUDE? SNAP OUT OF IT, DUDE.
SHE'S RIGHT BEHIND YOU, DUDE.
TURN AROUND, BRO.
THEY'RE RIGHT [BLEEP.]
BEHIND YOU! AT THIS EXACT MOMENT, OUR DIGITAL RECORDER CAPTURED AN EVP WHICH SOUNDS LIKE A MALE VOICE RESPONDING TO ME.
THEY'RE RIGHT [BLEEP.]
BEHIND YOU.
IMMEDIATELY FOLLOWING THE UNEXPLAINED VOICE, WE NOTICED A DARK SHADOW DART OUT FROM BEHIND NICK, MOVING VERY QUICKLY FROM RIGHT TO LEFT.
UPON FURTHER ANALYSIS OF THE VIDEO, YOU CAN CLEARLY SEE THE SHADOW FROM MY ARM AND HAND HERE.
NICK'S SHADOW IS HERE.
AND THE ONLY OTHER QUESTIONABLE SHADOW WOULD BE FROM MY HEAD AND SHOULDER, AND THIS SHADOW IS CLEARLY SEEN HERE.
WITH ONLY A SINGLE INFRARED-CAMERA LIGHT SOURCE, THERE IS ABSOLUTELY NO REASONABLE EXPLANATION FOR THIS AWKWARD-MOVING SHADOW FIGURE.
NICK, LOOK UP.
LOOK AT ME.
NICK! SNAP OUT OF IT, DUDE.
WHAT? Shh! JUST COME HERE, DUDE.
COME HERE.
CHILL, CHILL, CHILL, CHILL.
WHAT THE [BLEEP.]
WRONG WITH YOU? HUH? WHAT THE [BLEEP.]
WRONG WITH YOU? WHAT'S WRONG WITH HIM, AARON? TALK TO HIM.
TALK, WOULD YOU? I DON'T KNOW WHAT'S WRONG WITH HIM.
I'M DEALING WITH [BLEEP.]
YOU BLACKED OUT? I BLACKED OUT.
HOLD ON.
Shh! ALL RIGHT.
I DON'T REMEMBER.
HOPING TO MAKE SENSE OF WHAT HAPPENED TO NICK, WE HEADED TO WESTON, WEST VIRGINIA, TO MEET WITH SEAN SULLIVAN AND KEVIN GROSE, WHO SPECIALIZE IN VIDEO ANALYSIS WITH THE GREENBRIER PARANORMAL SOCIETY.
WE FIRST SHOWED THEM THE LIGHT ANOMALY THAT APPEARED ON THE THIRD FLOOR AT THE SAME TIME FOOTSTEPS WERE HEARD.
Zak: WE TRIED TO DEBUNK IT, YOU KNOW WHAT I MEAN, IMMEDIATELY AS DUST.
THAT'S NOT DUST, BECAUSE IT'S GOING IN A -- IT'S GOING IN A PATTERN.
DUST HAS THAT SNOWFALL EFFECT, WHICH MEANS IT'LL JUST COME OFF OR MAYBE SWIRL DOWN BUT STILL GO IN A DOWNWARD ANGLE.
THIS GOES COMPLETELY HORIZONTAL TO THE LEFT.
THIS GOES HORIZONTAL, COMES DOWN, CURVES, AND THEN GOES BACK HORIZONTALLY AGAIN.
IT'S RIGHT IN THE SAME POIN OF ORIGIN, TOO, 'CAUSE WHERE YOU SEE MY FINGERS, THIS IS WHERE IT COMES IN.
SO, THAT'S THE PATH.
IT'S A PATH.
AND THAT ONLY MANIFESTS AND DISAPPEARS WITHIN THAT LITTLE AREA.
YEAH.
WE'VE GOT PEOPLE LAUGHING UP HERE LIKE THERE'S A PARTY FROM THE HOTEL GOING ON.
YOU KNOW WHAT I MEAN? SO, YOU THINK THAT THIS -- I'M GONNA HAVE TO GO WITH RESIDUAL IMPRIN BECAUSE OF THE FOOTSTEPS ALONG WITH IT.
I'VE HAD ISSUES AT SOME OF OUR LOCKDOWNS, BUT WE'VE NEVER HAD A POSSESSION.
DOWN IN THE BASEMENT'S A VERY BAD PLACE.
WHEN WE WENT DOWN THERE, A LOT OF THINGS STARTED HAPPENING.
Nick: THINGS FLY INTO OUR HEAD, LEADING UP TO THIS EVEN THAT YOU GUYS ARE ABOUT TO SEE.
I BASICALLY START BLACKING OU RIGHT HERE.
GOOD LORD.
NEXT, WE PLAYED BACK THE DARK SHADOW THAT DARTED ACROSS THE ROOM BEHIND NICK.
WATCH.
IT GOES UP, AND THEN RIGHT IN THERE, IT CHANGES SHAPE.
WATCH.
THE FIGURE EXPANDS AS IT GOES OUT.
IT'S LIKE SMOKE, BLACK SMOKE.
LIKE A BLACK MIST.
IT WAS JUST THIS BLACK, FOGGY-BLACK, CREEPY-BLACK THING.
Zak: AND WHAT HAVE THEY PORTRAYED BLACK MIST AS BEING? A NEGATIVE ENTITY.
Nick: I JUST STARTED TO FADE AWAY, JUST BLACK OUT AND ZONE OUT, AND ALL I REMEMBER IS VOICES IN MY HEAD SAYING, "KILL HIM, KILL HIM, KILL HIM.
" I'D SAY THERE WAS DEFINITELY SOME SORT OF INTELLIGENT, LIKE, A SWAPPING, LIKE AN INTELLIGENT TRANSFERENCE INTO YOURS.
SO WHETHER IT WAS A POSSESSION OR NOT, I CAN'T SAY, 'CAUSE IT DEFINITELY SEEMED LIKE THERE WAS AN INTELLIGENT-TYPE TRANSFERENCE.
OH, WOW.
THAT WAS NOT A LOOK OF FEAR.
THAT WAS A LOOK OF INTENT.
THAT'S A GOOD WORD, BECAUSE I FELT, LIKE, JUST ANGER, MORE OF, YOU KNOW, MURDER.
YOU FELT A MOTIVATION TO COMMIT HARM.
YEAH, TAKE ZAK AND AARON OUT.
LIKE, THEY WERE THE ONLY TWO IN THERE.
Zak: I FELT LIKE THERE WAS A DARK THING OF ENERGY, LIKE A DARK BUBBLE OF ENER-- YOU COULD FEEL IT.
YOU HAD SMALL PARANORMAL EVENTS THAT LED TO A MAJOR PARANORMAL EVENT.
WHICH WOULD BE? I WOULD SAY A PARTIAL POSSESSION.
MAYBE I OPENED MYSELF UP A LITTLE TOO MUCH ON THIS ONE.
USE OUR ENERGY, COME AND GET US, AND WE'LL DOCUMENT IT.
IT'S POSSIBLE, AND IT'S ALSO POSSIBLE TARGETING, TOO, BECAUSE WHERE ZAK IS SO CONFRONTATIONAL AND YOU'RE REALLY MORE LAID-BACK AND MORE SOFT-SPOKEN.
IT PICKED YOU AS AN EASIER TARGET.
WE TRAVELED TO SAVANNAH, GEORGIA, ONE OF AMERICA'S MOST BEAUTIFUL YET HAUNTED CITIES.
FOR TWO CENTURIES, THE BUILDING THAT HOUSES THE MOON RIVER BREWING COMPANY HAS BEEN A SANCTUARY TO THE GHOSTLY SPIRITS OF THE CRIMINAL, THE AILING, AND THE POOR.
UNRENOVATED, UNSETTLING, AND COMPLETELY UNPREDICTABLE.
SOMETHING HAPPENED.
IT JUST WENT OUT.
IT HAS BEEN THE SITE OF COUNTLESS PHYSICAL ATTACKS.
WE LOCKED OURSELVES IN TO DRAW OUT THESE EVIL ENTITIES, BUT, IN THE PROCESS, NEARLY LOST ONE OF OUR OWN.
SOMETHING'S BEHIND ME! SOMETHING'S HAPPENING TO ME, MAN.
IT HURTS.
NICK, WHAT'S WRONG WITH YOU, DUDE? WHAT THE [BLEEP.]
WRONG WITH HIM? SNAP OUT OF IT, DUDE.
NICK! Zak: MY NAME IS ZAK BAGANS.
I NEVER BELIEVED IN GHOSTS UNTIL I CAME FACE-TO-FACE WITH ONE, SO I SET OUT ON A QUES TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.
IS THERE ANYBODY HERE? WITH NO BIG CAMERA CREWS FOLLOWING US AROUND, I AM JOINED ONLY BY MY FELLOW INVESTIGATOR NICK GROFF AND OUR EQUIPMENT TECH, AARON GOODWIN.
THE THREE OF US WILL TRAVEL TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS, WHERE WE WILL SPEND AN ENTIRE NIGH BEING LOCKED DOWN FROM DUSK UNTIL DAWN.
Zak: IF THIS IS THE PORTAL TO HELL, WHY DON'T YOU COME UP OUT OF THAT GROUND AND GET US? RAW.
DID SOMEONE JUST SCRATCH ME?! EXTREME.
[BLEEP.]
STOP! STOP RUNNING! THESE ARE OUR GHOST ADVENTURES.
-- Captions by VITAC -- CAPTIONS PAID FOR BY THE TRAVEL CHANNEL, L.
L.
C.
[ THUNDER CRASHES .]
Zak: WE'RE IN THE HISTORIC TOWN OF SAVANNAH, GEORGIA, INVESTIGATING THE MOON RIVER BREWING COMPANY, BUILT IN 1821.
THIS PLACE IS NOTORIOUS FOR ITS ANGRY GHOSTS ATTACKING THE STAFF AND PATRONS OF THE BAR.
MANY FEAR ENTERING THOSE DOORS AFTER DARK, BUT WE CAN'T WAIT TO GE LOCKED DOWN FOR AN ENTIRE NIGH AND COME FACE-TO-FACE WITH THE EVIL ENTITIES WHO ARE SAID TO HAUN THIS OLD BUILDING.
IN 1732, GEORGIA BECAME THE 13th COLONY UNDER BRITISH RULE.
ITS CAPITAL WAS SAVANNAH.
LOCATED THROUGHOUT TOWN ARE PICTURESQUE PUBLIC SQUARES WHICH NOT ONLY DISPLAY THE BEAUTY AND HISTORY OF THE CITY, BUT SERVE AS A ROAD MAP FOR SAVANNAH'S HAUNTED PAST.
THIS IS ONE OF THE MOST HAUNTED CITIES IN THE UNITED STATES.
I'LL CORRECT YOU THERE.
IT'S THE MOST HAUNTED CITY IN THE UNITED STATES.
I AM A FIFTH-GENERATION SAVANNIAN, AND I HAVE SEEN THINGS SINCE I WAS A SMALL CHILD THAT I COULD NOT IGNORE.
Beeco: I HAVE SEEN AND EXPERIENCED THINGS THAT I DON'T UNDERSTAND AND I CAN'T EXPLAIN.
AND IT HAS TO DO WITH THE VERY VIOLENT HISTORY THAT WE'VE HAD HERE, STARTING AT THE VERY BEGINNING.
SAVANNAH, GEORGIA, UNIQUELY, HAS BEEN A BATTLEFIELD DURING EVERY WAR EVER FOUGH ON AMERICAN SOIL, INCLUDING THE SECOND BLOODIEST BATTLE OF THE AMERICAN REVOLUTION.
1,100 MEN WERE KILLED IN LESS THAN AN HOUR, AND THEY WERE BURIED WHEREVER THEY FELL.
NEARLY 100 YEARS LATER, DURING THE CIVIL WAR, UNION ARMY GENERAL WILLIAM TECUMSEH SHERMAN LED A DESTRUCTIVE MARCH THROUGH GEORGIA WHICH ENDED WITH THE SURRENDER OF SAVANNAH.
ADD TO THAT THE FACT THA WE'VE HAD FOUR GREAT FIRES.
WE HAVE A CEMETERY IN THE CENTER OF TOWN.
THERE ARE 80 MORE BURIAL GROUNDS, AND MOST OF THEM HAVE BEEN PAVED OVER AND BUILT ON TOP OF, AND THESE ARE THE RIGH CONDITIONS FOR HAUNTINGS.
WE'RE CONSIDERED TO BE THE MOST HAUNTED CITY IN THE UNITED STATES, AND WE'RE IN WHAT IS CONSIDERED TO BE THE MOST HAUNTED BUILDING.
SO YOU DO THE MATH.
NOW, THE BUILDING WE'RE IN, THIS WAS THE CITY HOTEL.
Lewis: IT WAS CALLED THE FIRST CITY HOTEL.
THEY STARTED CONSTRUCTION IN 1821.
WOW.
1821, GUYS.
IT OPENED FOR BUSINESS IN 1826.
SO, YOU GOT TO REMEMBER, THOSE ARE DIFFERENT TIMES WITH A LOT LESS RULES AND LAWS.
Caskey: THIS WAS A PLACE WHERE MEN WOULD HANG OUT AT THE BAR.
THEY WOULD LIKE TO DRINK.
THEY WOULD LIKE TO GAMBLE.
SO, YOU MIX THOSE KIND OF PEOPLE TOGETHER, AND YOU'RE GONNA HAVE A LOT OF BLOODSHED.
IN AUGUST OF 1832, THESE TWO FELLAS -- ONE BY THE NAME OF DR.
PHILIP MINIS -- HE WAS A PROMINENT DOCTOR, WELL-RESPECTED -- AND WE HAD ANOTHER FELLOW BY THE NAME OF JAMES STARK, NOT SO WELL-RESPECTED.
MADE AN INSUL TOWARDS THE DOCTOR.
IN THIS BUILDING? IN THIS BUILDING.
Silver: THE BOTTOM LINE IS, NO MATTER HOW THE DISPUTE STARTED, WE ALL KNOW HOW IT ENDED.
THE DOCTOR THAT CHECKED STARK SAID THAT THE BALL WENT THROUGH, INTO HIS SIDE, THROUGH HIS HEART, OUT OF HIS SCAPULA, AND EMBEDDED ITSELF IN THE KITCHEN DOOR.
WOW.
HE SHOT HIM GOOD.
SO, IS STARK PRESUMED TO BE ONE OF THE ANGRY SPIRITS HERE THAT'S ATTACKING PEOPLE? Caskey: I WOULD PRESUME HIM TO BE ONE OF THEM.
SHOULD WE USE HIS NAME WHEN WE'RE LOCKED DOWN TO SEE IF MAYBE WE'LL GET A RESPONSE FROM IT? I WANT TO CAUTION YOU AGAINST TAUNTING THE GHOSTS TOO TERRIBLY MUCH HERE.
THERE HAVE BEEN SOME VIOLENT INCIDENTS.
I'D COME UPSTAIRS TO FINISH UP THE PAPERWORK, AND I WAS SITTING AT THE DESK OVER HERE.
CAN I SIT DOWN WHERE YOU WERE AT? YEAH, YEAH.
ALL OF A SUDDEN, I HEARD SOME BOTTLES RATTLING FROM BEHIND ME, AND A COUPLE OF BOTTLES FLEW OFF THAT SHELF AND HIT THE DESK HERE.
REALLY? YEAH.
AND A LO OF THE STAFF MEMBERS FEAR COMING UP TO DIFFERENT AREAS UP HERE.
OH, YEAH.
THIS LANDING IN PARTICULAR.
WHEN WE WERE DOWNSTAIRS LOOKING UP, THIS IS WHERE WE'D SEE THE LADY WALKING AROUND.
Zak: THE LADY IN WHITE? YEAH, THE ONE THAT PUSHES PEOPLE AROUND.
WHAT DO WE GOT THERE, AARON? WE PUT AN "X," 'CAUSE THEY SEE FOOTSTEPS ALL THE TIME, SO IT'S GOING TO SHOO STRAIGHT DOWN HERE.
HOPEFULLY IT'LL CAPTURE AN APPARITION OR SOMETHING.
Zak: AND IF YOU COME UP HERE, THIS IS ENTERING THE RESTAURANT.
DO THESE PEOPLE HERE LITERALLY KNOW THAT THEY'RE BEING SANDWICHED IN BETWEEN LAYERS OF DARK SPIRITUAL ENERGY AND DEMONIC ATTACKS? I DON'T KNOW.
SHOULD WE ASK THEM? Parker: THE SUMMER OF 2007, I GET UP TO GO TO THE BAR.
I GET A PINT, COME ON BACK, AND AS I PASS BY THIS TELEPHONE BOOTH, I SAW A UNION SOLDIER, AND WHAT STRUCK ME WITH THIS GUY IS, I ONLY SAW ONE BUTTON AND THEN TWO BUTTONS AND THEN NOTHING ELSE.
SO IT WAS JUST, LIKE, A TORSO.
YEAH, JUST PRETTY MUCH FROM HERE UP.
YOU HAVE AN ENVIRONMENT THAT LOOKED AS IT DID 200 YEARS AGO.
THESE GHOSTS ARE ATTACHED TO THAT LOOK.
UNCHANGED, UNRENOVATED.
NOW, I'VE HEARD PEOPLE HAVE TRIED TO RENOVATE THIS PLACE AND THINGS HAVE HAPPENED.
POWER TOOLS WOULD GO MISSING.
WORKMEN WOULD GET PUSHED OFF OF LADDERS.
WE HEARD IN THE 1990s THE FOREMAN'S WIFE WAS PUSHED DOWN THE FLIGHT OF STAIRS.
YEAH, MAN.
SHE HAD BROUGHT HIM LUNCH AND WALKED UP THE STAIRWELL, THE ONE RIGHT OVER HERE.
SOMETHING CAME UP BEHIND HER AND PUSHED HER DOWN THE STAIRS.
I FIND THE ENERGY GRAVITATES TOWARDS PASSAGEWAYS, HALLWAYS, STAIRCASES.
THIS BUILDING IS A VORTEX OF ENERGY.
WHEN HURRICANE DAVID TOOK THE ROOF OFF THE BUILDING, UNTIL ABOUT 10, 15 YEARS LATER, THIS WAS LITERALLY A VACANT BUILDING.
WHEN YOU HAVE AN OLD BUILDING LIKE THIS AND SOMEBODY DOESN'T CLAIM I FOR A PERIOD OF TIME -- 10, 15, 20 YEARS -- THOUGH IT LOOKS VACAN ON THE OUTSIDE, WHO KNOWS WHO'S OCCUPYING I ON THE INSIDE? MAYBE IT'S JUST A CONSTANT WAR, THE LIVING VERSUS THE DEAD.
WE WANT TO DOCUMEN THIS EVIDENCE THAT EVERYBODY'S TALKING ABOUT.
WE ARE THE TRIGGER OBJECTS.
USE OUR ENERGY, COME AND GET US, AND WE'LL DOCUMENT IT.
CHILLINGLY, THE MOS COMMONLY DOCUMENTED SIGHTINGS AT MOON RIVER ARE CHILD SPIRITS.
ON A BUSY SATURDAY NIGHT, I WAS UPSTAIRS ON THE SECOND FLOOR GOING TO GE SOME PAPER SUPPLIES.
I WALKED ACROSS THE MAIN HALLWAY, AND I SAW A LITTLE GIRL IN A WHITE DRESS.
KIDS.
YOU'RE SEEING CHILDREN.
Labuzinsk: THERE'S A LO OF THINGS THAT HAPPEN DOWN HERE THAT YOU WOULD ONLY ASSUME IT WOULD BE CHILDREN.
YOU KNOW, THINGS MOVE.
YOU KNOW, A LOT OF THINGS ARE HIDDEN.
THE POOL TABLE IS PLAYED WITH CONSTANTLY.
IF YOU PUT ALL THE BALLS ON HERE RIGHT NOW, COME BACK IN 10 MINUTES, A COUPLE OF THEM, AT LEAST, WILL BE GONE.
BUT THERE'S ONE ROWDY SPIRI WHO NEARLY EVERY STAFF MEMBER HAS ENCOUNTERED.
IN FACT, THEY'VE EVEN GIVEN HIM A NAME.
TELL ME WHERE TOBY RUNS AROUND.
WHERE HE'S BEEN SEEN IS RUNNING AROUND THESE ROOMS IN HERE.
NOW, YOU'RE SAYING "BEING SEEN.
" ARE PEOPLE ACTUALLY SEEING A FIGURE? THEY SEE THIS SHADOWY FIGURE JUST RUN BY.
GUYS, WHY DON'T WE PUT AN "X" OVER HERE, OKAY? AND WE'LL SHOOT IT OVER HERE AND SEE IF WE CAN GET TOBY.
DO YOU HAVE ANY IDEA WHERE THESE CHILDREN MIGHT COME FROM AND IF THEY ARE GHOSTS? Lewis: WHEN YELLOW FEVER CAME THROUGH, A LOT OF THE HOTELS IN TOWN WERE CONVERTED TO HOSPITAL WARDS, ESPECIALLY FOR KIDS, OLDER PEOPLE.
BECAUSE A LOT OF KIDS DIED HERE, THEY STAYED FOR WHATEVER REASON.
Silver: IN MY OPINION, THERE ARE A LOT OF PEOPLE WHO DIED ON THE THIRD FLOOR, BECAUSE THEIR ENERGY IS STILL EVIDENT THERE.
SO, YOU CAN FEEL IT? "FEEL IT?" YOU CAN SEE IT.
COME ON.
I WANT TO TAKE YOU UPSTAIRS.
YOU CAN SEE THERE WAS A WALL HERE AND A WALL THERE AND A WALL -- THESE WERE, LIKE, LITTLE, TINY ROOMS? YOU GOT ONE FIREPLACE AT THE END OF THE HALL.
IT'S NOT GONNA HEA THIS WHOLE PLACE.
NO AIR-CONDITIONING.
AND A LOT OF PEOPLE DIED HERE OF ILLNESSES OF EVERY KIND.
TO ME, THERE'S THIS SADNESS THAT YOU FEEL THROUGHOUT THIS PLACE.
DOWNSTAIRS IN THE BASEMENT LEVEL IS WHERE IT'S GONNA GET VERY, VERY DICEY.
WHAT DO YOU MEAN "DICEY"? DICEY, DANGEROUS.
WE PUBLISH A GUIDEBOOK TO HAUNTED SAVANNAH.
THE NIGHT THAT WE HAD THE ROLLOUT PARTY HERE, THE PUBLISHER, WHO IS A GOOD CATHOLIC GIRL AND DOESN'T BELIEVE IN ALL OF THIS CRAP, SHE WAS ATTACKED PHYSICALLY.
SHE WAS ATTACKED? ATTACKED.
HER FAMILY IS SO EXTREMELY CATHOLIC, IF YOU HAD MENTIONED -- THESE PEOPLE WILL TELL YOU YOU'RE DELIRIOUS.
IN FACT, I'VE INVITED HER HERE TODAY TO TALK TO YOU.
SHE'S HERE? YEAH, SHE'S HERE.
[ MUTTERING .]
I JUST FEL A JOLT OF ELECTRICITY.
IF THERE'S SOMEBODY HERE WITH US, I WOULD LIKE TO INTRODUCE OURSELVES.
YOU HAVE FOUND SOMETHING WHICH MOST PEOPLE DIDN'T EVEN KNOW EXISTED.
AAH! WHAT THE -- WE'RE IN SAVANNAH, GEORGIA, A THE MOON RIVER BREWING COMPANY, WHERE CUSTOMERS AND STAFF ARE ROUTINELY ATTACKED BY SPIRITS.
AMONG THE VICTIMS IS CRISTINA PIVA, A LOCAL BOOK PUBLISHER WHO WAS VICIOUSLY ATTACKED IN THE BASEMENT.
THAT'S WHERE MURRAY SILVER, A FIFTH-GENERATION SAVANNIAN, IS LEADING US TO NOW.
HERE'S THE THING I WANT TO TELL YOU.
I WANT TO TELL YOU BEFORE YOU MEET HER.
I WANT TO TELL YOU HOW SERIOUS THIS [BLEEP.]
IS.
CRISTINA WAS ATTACKED.
NOW, SHE'S HERE TO HELP YOU, BUT I WANT YOU TO UNDERSTAND, THIS WOMAN'S NOT [BLEEP.]
AROUND WITH YOU.
SHE AIN'T PLAYING.
WHAT SHE'S TELLING YOU IS THE GOSPEL.
DOWN HERE IS RARELY USED EXCEPT FOR PRIVATE AFFAIRS AND OCCASIONS.
[ MUTTERING .]
HOLD ON A SECOND, MAN.
I JUST FELT, LIKE, A JOLT OF ELECTRICITY.
I FELT THAT VIBRATE THROUGH MY WHOLE BODY.
THAT WAS WEIRD! [BLEEP.]
[BLEEP.]
THIS IS THE PLACE.
AS A MATTER OF FACT, IN RECENT TIMES, WE'VE DISCOVERED BONES BURIED -- WHOA, WHOA.
WHAT? IS THERE SOMEBODY BACK THERE? LET ME CHECK.
LET ME CHECK.
I JUST SAW SOMETHING OUT OF THE CORNER OF MY EYE, LIKE SOMETHING WHITE.
I SAW SOMEBODY WALK BY.
WOW.
IF THERE'S SOMEBODY HERE WITH US, I WOULD LIKE TO INTRODUCE OURSELVES TO YOU.
I'M NOT GONNA SAY NOTHING.
I'M GONNA SEE IF YOU PICK UP ON WHAT YOU'RE SUPPOSED TO PICK UP ON.
WELL, I ALREADY FELT THAT.
I'M NOT [BLEEP.]
I FELT THAT JOLT OF ELECTRICITY GO RIGHT THROUGH ME.
Nick: ZAK, ZAK, ZAK.
OVER HERE.
WHAT'S GOING ON DOWN HERE, GUYS? I'M NOT GONNA TELL HIM, BUT THERE'S A COUPLE PLACES IN HERE -- IF HE'S FOR REAL, HE'S GONNA FIND IT.
IF HE AIN'T FOR REAL, I'M GONNA KNOW IT, BECAUSE THERE'S A SPOT IN THIS PLACE THAT'S ALWAYS CHARGED.
WE'LL SEE IF HE PICKS UP ON IT.
IS THERE SOMEBODY HERE? WHERE ARE WE? IF THERE IS -- I JUST SAW A SOLID FIGURE WALK BY.
IT WAS ALL WHITE.
IS THIS TYPICAL OF THIS PLACE? THAT'S THE TUNNEL.
THIS WAS THE OLD TUNNEL? THERE'S A TUNNEL.
THAT'S WHA THEY'VE LED YOU TO.
WAS THIS IT HERE THAT'S FILLED? THAT'S IT.
SO THEY'VE LED US TO THIS.
TUNNEL.
LISTEN, PAL, I'VE NEVER MET YOU BEFORE, AND BECAUSE I HAVE TO VET EVERYBODY, I'M NOT PLAYING WITH THIS STUFF.
I TOLD YOUR CAMERAMAN, I SAID, "WE'RE GONNA FIND OU IF THE GUY HAS ANY SENSIBILITY OR SENSITIVITY TO THIS AT ALL.
" AS FAR AS I'M CONCERNED, YOU PASSED THE TEST.
YOU HAVE FOUND SOMETHING WHICH MOST PEOPLE DIDN'T EVEN KNOW EXISTED.
YOU FOUND THE TUNNEL.
OKAY, RIGHT NOW WE HEARD THA THERE'S SOME UNDERGROUND TUNNELS THAT NOT ONLY RUN UNDERNEATH MOON RIVER BREWING COMPANY, BUT ALL THROUGH SAVANNAH.
PEOPLE WOULD GO IN THE TUNNELS THINKING THAT YELLOW FEVER BACK THEN WAS IN THE AIR AND THEY WOULD NOT GET SICK BY USING THESE UNDERGROUND TUNNELS, BUT MURRAY SAID THAT THESE UNDERGROUND TUNNELS ARE KIND OF LIKE THE GHOSTS' EXPRESSWAY, HOW GHOSTS ARE TRAVELING TO AND FROM THESE LOCATIONS.
RIGHT HERE.
COME HERE.
YEAH, LOOK.
COME HERE.
COME HERE.
COME HERE.
YOU SEE THAT OPENING RIGHT THERE? GOT TO BE ONE OF THE OPENINGS TO THE UNDERGROUND TUNNELS.
I WANT TO GET IN THERE AND CHECK THIS OUT.
OKAY.
DO YOU WANT TO GIVE ME A CAMERA? ALL RIGHT.
FILM ME FROM HERE, OKAY? [ GRUNTS .]
YOU GUYS KEEPING A LOOKOUT? YEAH.
YEAH, WE'RE WATCHING.
OKAY.
WOW.
THERE'S, LIKE, SOMETHING ALIVE RIGHT HERE.
[ CAT HISSES .]
AAH! AAH! Aaron: WHAT THE YEAH! THAT WAS AWESOME! [ SIGHS .]
DID YOU GET THAT? YEAH.
WITH THE TUNNELS SEALED UP, WE WENT BACK TO THE BASEMENT.
I'M TRYING TO LOOK FOR A SPO RIGHT NOW THAT WE CAN SET UP ONE OF OUR "X" CAMERAS AND FILM THIS AREA.
IS THIS LOCATION WHERE WE'VE DONE THE MOST X's EVER? DO WE HAVE ANY MORE DUCT TAPE LEFT? I THINK THIS WAS MEAN FOR THIS TABLE, THOUGH.
HOLD ON.
Silver: SON OF A [BLEEP.]
HE FOUND IT AGAIN.
THIS IS THE OTHER HOT SPOT.
WHAT DO YOU MEAN I FOUND IT, MURRAY, BECAUSE -- THIS IS WHERE CRISTINA WAS ATTACKED, PAL.
CRISTINA'S GONNA TELL YOU THIS IS WHERE SHE WAS ATTACKED BY A SPIRIT.
AND THAT'S WHY IT TOOK A LOT OF GUTS FOR THAT GIRL TO COME OVER HERE TODAY TO TALK TO YOU, BECAUSE SHE AIN'T BEEN IN HERE SINCE.
OKAY, WE'RE HERE WITH CRISTINA RIGHT NOW, AND, CRISTINA, DID SOMETHING HAPPEN TO YOU DURING THIS PARTY? WELL, WE HAD ENERGY THAT WAS NOT OF FLESH AND BONES, I CAN TELL YOU.
IT WAS REALLY WEIRD.
I WAS COMING DOWN THAT HALLWAY.
I WAS ALONE, AND I CAME TO THIS BACK ROOM, WAS RIGHT HERE.
WHEN I GOT TO HERE, AS IF, LIKE, THIS WAS A PHYSICAL PRESENCE ON MY NECK.
THROWN BACK, BACK, PUSHING ME BACK.
I WAS CHOKING AND COUGHING.
I COULD NOT BREATHE.
KIND OF GRAB YOU BY THE NECK, LIKE, "DON'T COME IN HERE"? I DID NOT CROSS THIS THRESHOLD.
I DON'T BELIEVE IN THIS STUFF.
I MEAN, I DID NOT BELIEVE IN THIS STUFF.
DO YOU BELIEVE NOW? OH, MY GOSH.
I MEAN, I GET THE GOOSE BUMPS JUST TALKING ABOUT IT.
IT'S SO VIVID.
I WAS STANDING AT THE BAR, I WAS BARTENDING, AND ALL OF A SUDDEN, I SEE SOMETHING CAME OUT OF THE WALL.
IT WAS ABOUT THIS TALL.
CREEPED OU AND JUST KNELT DOWN AND STARED AT ME FOR A GOOD FIVE MINUTES.
IT WAS JUST THIS BLACK, FOGGY-BLACK, CREEPY-BLACK THING.
THIS WASN'T A HUMAN.
NO, NOT BY ANY MEANS.
REALLY? ABSOLUTELY NOT.
COINCIDENTALLY, WE JUST INTERVIEWED SOMEBODY, AND SHE WAS ACTUALLY VERY BRUTALLY ATTACKED BY WHAT SHE THOUGH WAS A DEMONIC ENTITY.
I'M GONNA ASK YOU, AARON, WHERE DID THAT HAPPEN? RIGHT HERE.
RIGHT WHERE YOU'RE STANDING.
RIGHT HERE.
THIS SPOT.
SEE, I KNEW THE THING WAS NOT HUMAN.
THE THING IS EVIL.
SOMETHING HAPPENED HERE, PAL.
AND IT WASN' A KID'S BIRTHDAY PARTY.
OBVIOUSLY, YOU'RE SUPPOSED TO BE HERE.
I-I THINK I AM NOW.
I'M GONNA BE HONEST WITH YOU.
EARLIER, IT WAS JUST ANOTHER LOCATION.
NO, NO.
THIS IS SAVANNAH.
IT'S DIFFERENT HERE.
COME ON! GO, GO, GO! IS SOMEONE HERE WITH US? ALL IT TAKES IS ONE PUSH, AND YOU CAN CRITICALLY INJURE ME.
LET'S GO.
LET'S SEE IT.
DO IT! SO, LET'S GET LOCKED IN.
YOU REMEMBER GENE, THE OWNER.
GENE, WHAT'S UP, MAN? THANK YOU FOR, AGAIN, HAVING US.
WE'RE NOT GONNA ADD FUEL TO THE FIRE, BUT IF WE DO, PLEASE DON'T GET MAD AT US IF YOU HAVE A LOT MORE POLTERGEIST ACTIVITY EVENTS HAPPENING.
I'D REALLY LIKE MY GHOSTS BACK THE WAY I GOT THEM NOW.
WE'RE GONNA ROWDY THEM UP, OKAY? I'M JUST GONNA -- NO BULL [BLEEP.]
OKAY? I'M JUS BEING HONEST WITH YOU.
OKAY, LOCK US IN HERE.
AND WILL YOU BE HERE AT DAWN? 6:30, I'LL BE HERE.
LET'S DO THIS, GUYS.
THERE HE GOES.
THIS IS ONE OF THE LOCATIONS WHERE YOU DRIVE BY, PEOPLE COME IN HERE, HAVE SOMETHING TO EAT, THEY HAVE A BEER, AND THEY HAVE NO IDEA THAT WE INTERVIEWED -- WE HAD TO TURN AWAY INTERVIEWS BECAUSE WE HAD SO MANY.
THERE WAS WAY TOO MANY WITH PEOPLE BEING HARMED, PEOPLE WITH POLTERGEISTS.
NOW IT'S OUR TURN.
IT IS OUR TURN.
WE USE A LOT OF EQUIPMENT.
THIS IS HOW YOU REALLY BACK UP EVIDENCE, WHEN YOU USE SCIENTIFIC PIECES OF EQUIPMENT.
BECAUSE WE DON'T HAVE AN ACTUAL BLUEPRIN OR MAP OF THIS LOCATION, I'VE WRITTEN DOWN A TOTAL OF 10 STATIC NIGHT VISION CAMERAS WHERE WE MARKED OUR X's EARLIER.
NUMBER ONE IS THE FIRST-FLOOR STAIRS.
THIS IS WHERE THEY SEE AN APPARITION OF A LADY IN WHITE AND WHERE THE FOREMAN'S WIFE WAS PUSHED DOWN THE FLIGHT OF STAIRS.
NUMBER TWO, THE OFFICE.
THIS IS WHERE THE GENERAL MANAGER, CHRIS, HAD BOTTLES THROWN AT HIM.
NUMBER THREE AND FOUR ARE BOTH ON THE THIRD FLOOR.
IT'S THE HALLWAY AND THE ROOM THEY SEE THE LADY IN WHITE, WHO IS SUPPOSED TO BE VERY MEAN, ACTUALLY.
NUMBER FIVE, THE FOURTH-FLOOR GRAND ROOM.
THIS IS WHERE THEY CAPTURE TONS OF UNEXPLAINED ANOMALIES.
NUMBER SIX, THE POOL TABLE BACK ROOM.
THIS IS WHERE THE LADY WAS ATTACKED AND ALSO WHERE AN EMPLOYEE SAW THAT DEMONIC ENTITY.
REMEMBER, AARON, THE SHADOW FIGURE.
NUMBER SEVEN, THE POOL TABLE.
THIS IS WHERE THEY SEE ALL THE BALLS UNEXPLAINABLY MOVING ALL THE TIME.
WHAT THE [BLEEP.]
DID YOU JUST HEAR THAT? AT THIS EXACT MOMENT, LOUD DRAGGING NOISES DIRECTLY ABOVE US ON THE SECOND FLOOR INTERRUPTED OUR "X" CAMERA SETUP.
WHAT THE [BLEEP.]
COME ON! OH, SORRY! Shh, shh, shh, shh! WHO'S UP HERE? WHO'S UP HERE?! GO IN, GO IN, GO IN.
PUSH IN.
HOLD ON.
HOLD ON! I DEMAND YOU TO TELL ME WHO IS UP HERE NOW! IT WAS RIGHT HERE.
IT WAS RIGHT HERE.
IT WAS RIGHT HERE.
THERE'S NO ONE.
THERE'S [BLEEP.]
NO ONE HERE, MAN.
COME HERE.
CHECK UP THIS FLIGHT REAL QUICK.
NICK, GO UP THAT FLIGHT! IS SOMEONE HERE WITH US? IF YOU ARE, SPEAK UP! WAIT, WAIT, WAIT, WAIT, WAIT.
UP HERE, ZAK.
YOU DON'T LIKE US BEING LOCKED IN HERE, DO YOU? WELL, GUESS WHAT -- THERE'S NO ONE IN THE OFFICE.
WE'RE NOT GOING ANYWHERE! WAIT.
LISTEN.
DIDN'T YOU HEAR THE FOOTSTEPS? Aaron: I HEAR A WOMAN TALKING.
ARE YOU SERIOUS? GIVE ME THE CAMERA.
GIVE ME THE CAMERA.
LOOK OUT THE WINDOW.
IT'S STILL LIGHT OUT.
WE JUST GOT LOCKED IN 10 MINUTES AGO.
Nick: WE WERE GOING THROUGH OUR "X" CAMERAS AT BASE [ SIGHS .]
AND WE WERE INSTANTLY INTERRUPTED, AND WE ARE ALL SHAKEN UP WITH ADRENALINE RUSH, JUST PUMPED UP.
THIS IS WHAT I HEARD.
THAT'S EXACTLY IT, BU IT SOUNDED LIKE CHAINS, TOO.
YEAH.
YES! YES! METALLIC SOUND.
NO LONGER HEARING THE FOOTSTEPS OR DRAGGING SOUNDS, WE DECIDED TO GO BACK DOWN TO BASE AND FINISH MAPPING OU OUR "X" CAMERAS.
NUMBER NINE, THE TUNNEL ROOM.
THIS IS WHERE THEY THINK THAT THE SPIRITS STILL ENTER THIS PLACE FROM.
NUMBER 10, THE RESTAURANT AREA, WHERE WE ARE RIGHT NOW.
RIGHT THERE IS WHERE THE POLICE OFFICER SAW A CIVIL WAR SOLDIER.
SO, THIS TIME, I WASN'T INTERRUPTED, BUT I'M COMING AFTER YOU TO SEE WHO MADE THAT NOISE, AND WE'RE NOT SCARED! WE DECIDED TO BEGIN OUR INVESTIGATION ON THE SECOND FLOOR BECAUSE THAT'S WHERE WE HEARD THOSE MYSTERIOUS NOISES.
THEY HAVE TRIED RENOVATING THESE LEVELS UP HERE, BUT THEY CANNOT DO IT.
THE LAST TIME WHAT THE [BLEEP.]
BRO.
YOU HEARIGHT?T, TOO, YES, YES.
HOLD ON.
HOLD ON.
THE LAST TIME THEY TRIED TO RENOVATE THIS PLACE I'M A LITTLE OUT OF BREATH 'CAUSE THERE'S A LO OF STUFF GOING ON RIGHT NOW.
THE FOREMAN'S WIFE DELIVERED LUNCH TO HER HUSBAND, AND SHE WAS VIOLENTLY PUSHED DOWN THE STAIRS.
I'M ROLLING ON MY DIGITAL RECORDER TO TRY TO CAPTURE EVPs, OR ELECTRONIC VOICE PHENOMENONS.
BETTER YET, NICK, CAN I START OFF? YEAH, GO AHEAD.
I WANT THE NAME OF THE PERSON WHO MADE THAT NOISE FOR US.
DO YOU STILL THINK THIS IS THE CITY HOTEL? RIGHT AT THIS MOMENT, WE ALL HEARD AN EERIE DISEMBODIED LAUGH, WHICH WE ALSO CAPTURED ON OUR DIGITAL RECORDER.
[ GASPS .]
Shh! I JUST HEARD PEOPLE LAUGH.
ARE YOU LAUGHING AT US? I GOT CHILLS GOING DOWN MY SPINE, GUYS.
ZAK, IT CAME FROM THE THIRD FLOOR, RIGHT HERE, ON THE TOP OF THE STAIRCASE.
[BLEEP.]
IT WAS RIGHT UP THERE.
I HEARD THIS LAUGHTER COME FROM UP THERE.
THAT'S WHERE I HEARD IT, TOO, NICK.
IS THERE A WOMAN UP HERE? THIS IS WHERE THEY SAID THEY SAW THE LADY IN WHITE, RIGHT, ZAK? A LADY IN WHITE? YEAH.
WHERE THEY PUSHED THE WOMAN DOWN THE STAIRS.
HOLD ON, GUYS.
I'M LOOKING OVER HERE.
I WANT TO KNOW WHO THIS IS, OKAY? JUST GIVE ME A SECOND.
ZAK, STAY RIGHT THERE.
I AM [BLEEP.]
FREEZING.
ARE YOU COLD? STAY RIGHT THERE.
SEE IF YOU CAN GET PUSHED OFF THE TOP OF THOSE STAIRS.
DUDE! IT'S COLD RIGHT HERE.
ARE YOU THE NOTORIOUS ONE? Shh! JUST THEN, WE ALL HEARD A FEMALE VOICE, AND THIS TIME, IT APPEARED TO BE SAYING SOMETHING TO US.
HERE'S THE ENHANCED AUDIO.
ARE YOU THE NOTORIOUS ONE? Shh! Shh! Shh! Shh! WAS THIS FEMALE VOICE WARNING ME NOT TO STAND AT THE TOP OF THE STAIRS? I'M GONNA TURN MY BACK, AND ALL IT TAKES IS ONE PUSH, AND YOU COULD PROBABLY VERY SERIOUSLY AND CRITICALLY INJURE ME.
WHOA.
I DON'T KNOW IF THAT WAS MY BALANCE.
LET'S GO.
LET'S SEE IT.
DO IT AGAIN.
DO IT! RIGHT THERE, YOU COULD CLEARLY HEAR ANOTHER FEMALE VOICE RESPONDING TO MY REQUEST, AND WE ALL HEARD I WITH OUR OWN EARS.
HERE'S THE ENHANCED AUDIO.
I HEAR A WOMAN.
I-I-I HEAR A WOMAN.
I HEARD IT SAY, "I DON'T WANNA.
" I HEARD A FEMALE SAY, "I DON'T WANNA.
" DUDE, I HEARD THAT, TOO, AARON.
I SWEAR TO GOD.
IT WAS, "I DON'T WANNA.
" BECAUSE OF ALL THIS ACTIVITY WE WERE HEARING, WE DECIDED TO SET UP ONE OF OUR STATIC NIGHT VISION CAMERAS ON THIS STAIRCASE AS WELL AS LEAVING AN E.
M.
PUMP, WHICH EMITS ELECTROMAGNETIC ENERGY THAT SPIRITS CAN EASILY USE TO MANIFEST THEMSELVES.
EXACTLY 25 MINUTES AND 4 SECONDS AFTER WE LEFT THE AREA, THIS CAMERA CAPTURED WHA SOUNDS LIKE A MAN LAUGHING.
SOMETHING HAPPENED.
SOMETHING HAPPENED.
IT JUST WENT OUT.
Zak: DID YOU SCREW ALL OF OUR EQUIPMENT UP? ARE YOU THE LADY IN WHITE? [ GASPS .]
WE'VE ONLY BEEN IN OUR LOCKDOWN A FEW SHORT HOURS AND HAVE ALREADY ENCOUNTERED A NUMBER OF CHILLING NOISES AND DISEMBODIED VOICES.
OKAY, RIGHT NOW, WE'RE STILL HEARING ALL KINDS OF UNEXPLAINED THINGS.
A LOT OF CRAZY STUFF IS GOING ON RIGHT NOW, SO WE'RE GONNA TAKE I TO THE SCIENTIFIC SIDE.
THIS GUN-LOOKING THING I HAVE RIGHT HERE HAS A SENSOR AND A WORD DATABASE INSIDE OF IT.
SPIRITS CAN MANIPULATE THIS WORD DATABASE BY EXERTING DIFFEREN SPIRITUAL ENERGIES IN CHOOSING THEIR WORDS THAT THEY WISH TO COMMUNICATE WITH US.
THESE GOGGLES I HAVE HAVE TWO VIDEO SCREENS, 'CAUSE RIGHT HERE IS A NIGHT VISION CAMERA, AND WHEREVER I POINT THIS, I CAN ACTUALLY SEE THE WORDS ON THE SCREEN, AS WELL.
AARON'S ALSO GONNA HAVE A SECOND SET OF EYES, WHERE I'M GONNA BE POINTING THIS, AND THEN HE'LL ALSO BE ABLE TO SEE THE WORDS.
AGAIN, WE CAN WALK AROUND FOR TWO HOURS AND NOT SEE ONE WORD.
SO, LET'S TRY AND COMMUNICATE WITH THE SPIRITS HERE AND SEE IF THEY HAVE ANY RELEVANCE ON WHAT THEY'RE TELLING US.
THIS IS CREEPY, DUDE.
HOLY CRAP.
IS THIS WHERE YOU LIVE, UP HERE? IS THIS WHERE YOU SLEEP? THAT'S A WATER BOTTLE.
FOR REAL? YEAH.
WE'RE NEAR WATER.
HOLD ON.
HOLD ON.
DUDE, I KNOW WHAT THIS IS.
ARE YOU LURING US TO RIGHT HERE, WHERE THIS BOTTLE OF WATER IS LAYING? IS THIS WHERE YOU WANTED US TO COME? THIS IS CREEPY-LOOKING, MAN.
AARON.
HERE, COME HERE.
PUT THESE ON.
PUT THOSE ON.
OKAY.
JUST STAND HERE.
LOOK.
STAND HERE.
I'M GONNA PUT THIS HERE, OKAY? YOU CONTINUE TO OPERATE -- WHAT DID IT SAY? GENDER.
SISTER.
YOU TALKING TO ME RIGHT NOW 'CAUSE I'M HOLDING THIS? DID YOU WANT AARON TO HOLD IT? DUDE, I GOT THE GOOSE BUMPS SO BAD RIGHT NOW, BRO.
CAN YOU TALK OUT LOUD TO US RIGHT NOW? RIGHT NOW, WE'RE TRYING TWO WAYS TO COMMUNICATE WITH THEM.
AARON HAS THAT.
I'M GOING FOR EVPs.
OKAY.
GENDER, SISTER.
ARE YOU A WOMAN? ARE YOU THE LADY IN WHITE? [ GASPS .]
Shh, shh, shh, shh! JUST THEN, AARON AND I BOTH HEARD A STRANGE KNOCKING SOUND.
IT WAS AS IF SOMETHING WERE RESPONDING TO ME.
[ GASPS .]
Shh, shh, shh, shh! SOMETHING HAPPENED.
SOMETHING HAPPENED.
IT JUST WENT OUT.
WHAT DID? WHAT JUST HAPPENED? SOMETHING'S TAMPERING WITH THIS RIGHT NOW, MAN.
IT DOESN'T EVER DO THIS.
I HAVE NO VISUAL CONTAC WITH YOU GUYS.
RIGHT NOW, OUR VIDEO EQUIPMEN IS GOING A LITTLE BIT NUTS RIGHT NOW.
WHOA.
I'M NOT SEEING ANYTHING.
AT THIS EXACT MOMENT, OUR DIGITAL RECORDER CAPTURED AN EXTREMELY CLEAR ELECTRONIC VOICE PHENOMENON WHICH APPEARED TO BE TELLING US SOMETHING.
WAS THIS A SPIRIT DRAWING ENERGY FROM OUR EQUIPMEN AND CAUSING IT TO MALFUNCTION SO THAT IT COULD COMMUNICATE WITH US? YOU KNOW WHAT I'M GONNA DO? I'M GONNA RENOVATE THIS PLACE SO THAT WE CAN HAVE A BUNCH MORE PEOPLE UP HERE.
THESE FLOORS, THEY'VE TRIED RENOVATING IT MANY TIMES, BUT WHEN PEOPLE COME IN HERE AND TRY AND WORK ON IT, THEY'LL MESS WITH THE TOOLS AND THROW THEM, AND THIS IS WHEN THE FOREMAN'S WIFE CAME UP HERE AND GOT THROWN DOWN THE STAIRS.
THEY DON'T LIKE WHEN IT GETS RENOVATED, SO LET'S SEE IF WE CAN ANGER THEM.
IT'S JUST GOING HAYWIRE, MAN.
I'VE NEVER SEEN IT DO THIS.
AARON, HANG ON.
JUST KEEP THAT THERE.
DID YOU SCREW ALL OF OUR EQUIPMENT UP? WE'RE BACK? REMOVE WHAT? DUDE, REMOVE STAIRS.
STEP.
THE LADDER.
WHAT IF I DON'T REMOVE THE STEP? WHAT ARE YOU GONNA DO TO ME? [ GASPS .]
YELL.
WHOA, DUDE! HOLY [BLEEP.]
STOP, DUDE! WHAT? SOMETHING JUST PASSED RIGHT IN FRONT OF THIS THING.
WHOA! SOMETHING'S BEHIND ME! SOMETHING'S HAPPENING TO ME, MAN.
IT HURTS.
IT HURTS.
IT HURTS.
SHORTLY AFTER PLACING A LADDER ON THE RAFTERS OF THE FOURTH-FLOOR GRAND ROOM, OUR WORD DATABASE, WHICH TRANSLATES SPIRITUAL ENERGY INTO SPOKEN WORDS, COMMANDED US TO REMOVE THE LADDER.
WHAT IF I DON'T REMOVE THE STEP? WHAT ARE YOU GONNA DO TO ME? [ GASPS .]
YELL.
WHAT ARE YOU GONNA DO TO ME? "YELL.
" WELL, THEN, START YELLING, 'CAUSE HE AIN'T MOVING IT.
YELL.
WHAT THE HELL'S THAT GONNA DO? THAT AIN'T GONNA SCARE ME.
NO TALKING.
WE DECIDED TO SET UP A STATIC NIGHT VISION CAMERA TO SEE IF WE COULD CAPTURE ANY ACTIVITY AROUND THE LADDER, BUT ON OUR WAY DOWNSTAIRS TO RETRIEVE ANOTHER CAMERA, SOMETHING CAUGH NICK'S ATTENTION.
WHAT'S WRONG? Nick: I HEARD, LIKE, HANDS GO ACROSS MY BACK.
WELL, MAYBE IT WANTS TO COMMUNICATE WITH YOU.
NICK, DO EVP REAL QUICK.
THAT WAS -- THAT WAS REALLY WEIRD.
IF YOU WANT TO TALK TO ME, NOW'S YOUR CHANCE TO DO IT.
IS THERE A LADY HERE WITH US THAT DOES NOT LIKE GUYS? DON'T BE AFRAID.
COME ON.
SAY SOMETHING.
YOU SHOULD BE AFRAID IF YOU'RE HARMING PEOPLE.
DID YOU HEAR THAT? YES.
WAS IT LIKE A, "AAAH!" YEAH, IT WAS A SCREAM.
IT WAS THE YELL, DUDE! THAT WAS THE YELL! WE MANAGED TO CAPTURE THIS UNEXPLAINED YELL ON OUR DIGITAL RECORDER.
WAS THIS A SPIRIT THA WE BELIEVE JUST THREATENED US AFTER I SET UP THE LADDER ON THE FOURTH FLOOR? AFTER WE RAISED THE AUDIO FROM THIS YELL, YOU CAN ALSO HEAR A MALE VOICE EMBEDDED WITHIN THIS CREEPY SCREAM SAYING, "THEY GOT," AND SOMETHING AFTER THA WE WERE UNABLE TO DECIPHER.
WE DECIDED TO SET UP OUR STATIC NIGHT VISION CAMERA ON OUR "X" RIGHT HERE ON THE THIRD FLOOR TO TRY AND CATCH ON VIDEO WHATEVER JUST MADE THAT YELL, AND AT EXACTLY 13 MINUTES AFTER WE HIT RECORD, WE CAPTURED A STRANGE LIGHT ANOMALY WHICH APPEARS AT THE SAME TIME UNEXPLAINED FOOTSTEPS CAN BE HEARD.
Zak: NICK AND I HAVE THESE INFRARED DIGITAL STILL CAMERAS.
NICK.
THERE YOU ARE.
Aaron: WHOA! YOU ALMOST NAILED HIM! IT'S HAPPENED ONCE BEFORE.
IT'S VERY HARD TO SEE.
I CAN'T SEE ANYTHING.
AARON, TURN IT OFF, IF YOU WILL, JUST TO GIVE A REFERENCE OF HOW DARK IT IS.
CAN YOU SEE ME? NOPE.
OKAY, TURN IT BACK ON.
THERE, THERE'S ME.
THAT'S WHY I CAN'T SEE ANYTHING.
SO, NICK AND I ARE GONNA GO DOWNSTAIRS INTO THE BASEMENT, WHERE THEY'VE SEEN APPARITIONS, ALL KINDS OF CRAZY STUFF.
I'LL GO IMMEDIATELY TO THE RIGHT.
AND LET'S JUST STAR DOING THIS.
AARON, YOU READY? STAY WITH US.
[ COUGHS .]
YOU READY? KILL THAT LIGHT.
JUST SO I CAN SEE MY FEET.
NO.
NO.
TRY IT.
IF YOU FALL, YOU FALL.
WE'RE NOT DOING IT.
NO LIGHTS.
READY? HOLD ON, DUDE.
OH.
THANKS, NICK.
YEAH, IT'S WORKING.
IF YOU'RE DOWN HERE, COME ON OUT.
SHOW YOURSELF.
IS ANYBODY BACK HERE AT THE BAR? WHOA, DUDE! WHAT? HOLY [BLEEP.]
STOP, DUDE! WHAT? WHAT? SOMETHING JUST PASSED RIGHT IN FRONT OF THIS THING HERE, DUDE.
WHOA.
IT'S COLD IN HERE.
IT IS COLD.
[BLEEP.]
IT WENT RIGHT -- AAAH! THERE'S SOMETHING HERE! SOMETHING'S BEHIND ME! DUDE, SOMETHING [BLEEP.]
RUSHED PAST ME, BRO, LIKE A BIG [BLEEP.]
IT WENT RIGHT BY THIS POOL TABLE.
HOLD STILL.
HOLD STILL.
READY? OH, MY GOD.
TAKING A PICTURE.
DIDN'T HAPPEN.
NO, IT DIDN'T WORK.
DO IT AGAIN.
TELL ME.
SOMETHING MADE IT NOT WORK, BRO.
DID IT GO OFF? SOMETHING JUST SHU HIS CAMERA DOWN, BRO.
AND NOW MY CAMERA DOESN'T WORK.
I JUST CAUGHT SOME GLOWING THING HIT YOUR HEAD.
AND NOW MY CAMERA DOESN'T WORK.
WHAT HAPPENED? SOMETHING JUST FLEW INTO YOUR HEAD.
ME? YEAH.
ARE YOU SERIOUS? I SWEAR TO GOD.
THIS IS THAT EXACT SAME SPO WHERE BILLIE SAID SHE SAW THIS WEIRD FIGURE JUST COME RIGHT OU OF THIS CORNER.
TOBY, ARE YOU THE LITTLE [BLEEP.]
THAT KEEPS ATTACKING WOMEN HERE? YOU'RE LIKE A LITTLE [BLEEP.]
COME OVER HERE.
I'LL JUST SMACK YOU.
STAND RIGHT HERE.
I'LL SMACK YOU.
I'M USING PROVOCATION RIGHT NOW, AND SO IS NICK, BECAUSE ALL THE INTERVIEWS WE HAD, THERE'S NOTHING BUT ATTACKS -- VIOLENT ATTACKS ON THE LIVING.
SO WE'RE HERE TO STAND UP TO YOU.
IF YOU DON'T LIKE US HERE, THEN NOW'S YOUR TIME TO LET US KNOW.
[ GASPS .]
I JUST CAUGHT A LAUGH.
WE ENHANCED THE VOLUME FROM AARON'S CAMERA, AND WE WERE ABLE TO FAINTLY HEAR THIS UNEXPLAINED LAUGH.
COME HERE, NICK.
COME HERE FOR A SECOND.
COME HERE.
COME HERE.
[BLEEP.]
ALL THIS.
[BLEEP.]
ALL THIS, AARON.
DON'T WORRY ABOUT THE SHOT.
COME HERE.
SOMETHING'S HAPPENING TO ME, MAN.
SOMETHING IS HAPPENING TO ME RIGHT NOW.
THE BACK OF MY HEAD IS [BLEEP.]
KILLING ME RIGHT NOW.
MINE TOO.
IT HURTS.
IT HURTS.
IT HURTS.
ARE YOU SQUEEZING HIS HEAD RIGHT NOW? ARE YOU TRYING TO STRANGLE HIM? NO.
I CAN'T EVEN TOUCH IT.
IT'S SO TENDER RIGHT HERE.
MOMENTS LATER, THE SAME MYSTERIOUS PAIN THAT HIT ME WAS INFLICTED UPON NICK.
AND AT THIS SAME MOMENT, WE CAPTURED THIS STRANGE BALL OF LIGH THAT SEEMS TO TRAVEL FROM ME, THEN MAKES A HARD TURN IMMEDIATELY OVER NICK BEFORE IT VANISHES INTO THIN AIR.
I'LL GIVE YOU CREDIT.
IT HURT, BUT I LIKED IT.
YOU GAVE US EVIDENCE.
YOU GAVE ME A SIGN.
BUT NOW WE WANT YOU TO MOVE SOMETHING.
WE WANT YOU TO THROW SOMETHING ACROSS THE ROOM SO WE CAN GE PHYSICAL EVIDENCE.
AARON, JUST KEEP ROLLING.
NICK, WHAT'S WRONG WITH YOU, DUDE? WHAT THE [BLEEP.]
WRONG WITH HIM? SNAP OUT OF IT, DUDE.
NICK! WHILE IN THE BASEMENT, NICK AND I BEGAN EXPERIENCING INTENSE PHYSICAL PRESSURE THROUGHOUT OUR BODIES.
FIGHTING THROUGH IT, WE AWAITED ANOTHER SIGN.
AARON, JUST KEEP ROLLING.
THERE WAS A KNOCK RIGHT THERE.
THERE WAS A KNOCK RIGHT THERE.
MAKE ANOTHER NOISE FOR US.
[ TAP .]
THAT WAS GOOD.
YOU CAN HEAR MY VOICE, CAN'T YOU? CAN YOU DO IT AGAIN? Zak: MAKE A NOISE! MAN, MY ENERGY IS DRAINED.
WHAT IS YOUR NAME? CAN YOU PLEASE COME HERE AND JUST TALK TO US? [BLEEP.]
DUDE.
YOU LOOK WEIRD, BRO.
WHAT'S WRONG WITH YOU, NICK? WHAT THE [BLEEP.]
WRONG WITH HIM? Aaron: I DON'T KNOW, BUT I GO ONE MINUTE OF TAPE LEFT.
NICK, WHAT'S WRONG WITH YOU, DUDE? SNAP OUT OF IT, DUDE.
SHE'S RIGHT BEHIND YOU, DUDE.
TURN AROUND, BRO.
THEY'RE RIGHT [BLEEP.]
BEHIND YOU! AT THIS EXACT MOMENT, OUR DIGITAL RECORDER CAPTURED AN EVP WHICH SOUNDS LIKE A MALE VOICE RESPONDING TO ME.
THEY'RE RIGHT [BLEEP.]
BEHIND YOU.
IMMEDIATELY FOLLOWING THE UNEXPLAINED VOICE, WE NOTICED A DARK SHADOW DART OUT FROM BEHIND NICK, MOVING VERY QUICKLY FROM RIGHT TO LEFT.
UPON FURTHER ANALYSIS OF THE VIDEO, YOU CAN CLEARLY SEE THE SHADOW FROM MY ARM AND HAND HERE.
NICK'S SHADOW IS HERE.
AND THE ONLY OTHER QUESTIONABLE SHADOW WOULD BE FROM MY HEAD AND SHOULDER, AND THIS SHADOW IS CLEARLY SEEN HERE.
WITH ONLY A SINGLE INFRARED-CAMERA LIGHT SOURCE, THERE IS ABSOLUTELY NO REASONABLE EXPLANATION FOR THIS AWKWARD-MOVING SHADOW FIGURE.
NICK, LOOK UP.
LOOK AT ME.
NICK! SNAP OUT OF IT, DUDE.
WHAT? Shh! JUST COME HERE, DUDE.
COME HERE.
CHILL, CHILL, CHILL, CHILL.
WHAT THE [BLEEP.]
WRONG WITH YOU? HUH? WHAT THE [BLEEP.]
WRONG WITH YOU? WHAT'S WRONG WITH HIM, AARON? TALK TO HIM.
TALK, WOULD YOU? I DON'T KNOW WHAT'S WRONG WITH HIM.
I'M DEALING WITH [BLEEP.]
YOU BLACKED OUT? I BLACKED OUT.
HOLD ON.
Shh! ALL RIGHT.
I DON'T REMEMBER.
HOPING TO MAKE SENSE OF WHAT HAPPENED TO NICK, WE HEADED TO WESTON, WEST VIRGINIA, TO MEET WITH SEAN SULLIVAN AND KEVIN GROSE, WHO SPECIALIZE IN VIDEO ANALYSIS WITH THE GREENBRIER PARANORMAL SOCIETY.
WE FIRST SHOWED THEM THE LIGHT ANOMALY THAT APPEARED ON THE THIRD FLOOR AT THE SAME TIME FOOTSTEPS WERE HEARD.
Zak: WE TRIED TO DEBUNK IT, YOU KNOW WHAT I MEAN, IMMEDIATELY AS DUST.
THAT'S NOT DUST, BECAUSE IT'S GOING IN A -- IT'S GOING IN A PATTERN.
DUST HAS THAT SNOWFALL EFFECT, WHICH MEANS IT'LL JUST COME OFF OR MAYBE SWIRL DOWN BUT STILL GO IN A DOWNWARD ANGLE.
THIS GOES COMPLETELY HORIZONTAL TO THE LEFT.
THIS GOES HORIZONTAL, COMES DOWN, CURVES, AND THEN GOES BACK HORIZONTALLY AGAIN.
IT'S RIGHT IN THE SAME POIN OF ORIGIN, TOO, 'CAUSE WHERE YOU SEE MY FINGERS, THIS IS WHERE IT COMES IN.
SO, THAT'S THE PATH.
IT'S A PATH.
AND THAT ONLY MANIFESTS AND DISAPPEARS WITHIN THAT LITTLE AREA.
YEAH.
WE'VE GOT PEOPLE LAUGHING UP HERE LIKE THERE'S A PARTY FROM THE HOTEL GOING ON.
YOU KNOW WHAT I MEAN? SO, YOU THINK THAT THIS -- I'M GONNA HAVE TO GO WITH RESIDUAL IMPRIN BECAUSE OF THE FOOTSTEPS ALONG WITH IT.
I'VE HAD ISSUES AT SOME OF OUR LOCKDOWNS, BUT WE'VE NEVER HAD A POSSESSION.
DOWN IN THE BASEMENT'S A VERY BAD PLACE.
WHEN WE WENT DOWN THERE, A LOT OF THINGS STARTED HAPPENING.
Nick: THINGS FLY INTO OUR HEAD, LEADING UP TO THIS EVEN THAT YOU GUYS ARE ABOUT TO SEE.
I BASICALLY START BLACKING OU RIGHT HERE.
GOOD LORD.
NEXT, WE PLAYED BACK THE DARK SHADOW THAT DARTED ACROSS THE ROOM BEHIND NICK.
WATCH.
IT GOES UP, AND THEN RIGHT IN THERE, IT CHANGES SHAPE.
WATCH.
THE FIGURE EXPANDS AS IT GOES OUT.
IT'S LIKE SMOKE, BLACK SMOKE.
LIKE A BLACK MIST.
IT WAS JUST THIS BLACK, FOGGY-BLACK, CREEPY-BLACK THING.
Zak: AND WHAT HAVE THEY PORTRAYED BLACK MIST AS BEING? A NEGATIVE ENTITY.
Nick: I JUST STARTED TO FADE AWAY, JUST BLACK OUT AND ZONE OUT, AND ALL I REMEMBER IS VOICES IN MY HEAD SAYING, "KILL HIM, KILL HIM, KILL HIM.
" I'D SAY THERE WAS DEFINITELY SOME SORT OF INTELLIGENT, LIKE, A SWAPPING, LIKE AN INTELLIGENT TRANSFERENCE INTO YOURS.
SO WHETHER IT WAS A POSSESSION OR NOT, I CAN'T SAY, 'CAUSE IT DEFINITELY SEEMED LIKE THERE WAS AN INTELLIGENT-TYPE TRANSFERENCE.
OH, WOW.
THAT WAS NOT A LOOK OF FEAR.
THAT WAS A LOOK OF INTENT.
THAT'S A GOOD WORD, BECAUSE I FELT, LIKE, JUST ANGER, MORE OF, YOU KNOW, MURDER.
YOU FELT A MOTIVATION TO COMMIT HARM.
YEAH, TAKE ZAK AND AARON OUT.
LIKE, THEY WERE THE ONLY TWO IN THERE.
Zak: I FELT LIKE THERE WAS A DARK THING OF ENERGY, LIKE A DARK BUBBLE OF ENER-- YOU COULD FEEL IT.
YOU HAD SMALL PARANORMAL EVENTS THAT LED TO A MAJOR PARANORMAL EVENT.
WHICH WOULD BE? I WOULD SAY A PARTIAL POSSESSION.
MAYBE I OPENED MYSELF UP A LITTLE TOO MUCH ON THIS ONE.
USE OUR ENERGY, COME AND GET US, AND WE'LL DOCUMENT IT.
IT'S POSSIBLE, AND IT'S ALSO POSSIBLE TARGETING, TOO, BECAUSE WHERE ZAK IS SO CONFRONTATIONAL AND YOU'RE REALLY MORE LAID-BACK AND MORE SOFT-SPOKEN.
IT PICKED YOU AS AN EASIER TARGET.
WE TRAVELED TO SAVANNAH, GEORGIA, ONE OF AMERICA'S MOST BEAUTIFUL YET HAUNTED CITIES.
FOR TWO CENTURIES, THE BUILDING THAT HOUSES THE MOON RIVER BREWING COMPANY HAS BEEN A SANCTUARY TO THE GHOSTLY SPIRITS OF THE CRIMINAL, THE AILING, AND THE POOR.
UNRENOVATED, UNSETTLING, AND COMPLETELY UNPREDICTABLE.
SOMETHING HAPPENED.
IT JUST WENT OUT.
IT HAS BEEN THE SITE OF COUNTLESS PHYSICAL ATTACKS.
WE LOCKED OURSELVES IN TO DRAW OUT THESE EVIL ENTITIES, BUT, IN THE PROCESS, NEARLY LOST ONE OF OUR OWN.