PEN15 (2019) s02e07 Episode Script
Opening Night
1
[DOOR SHUTS.]
Day of the show! Are you excited? ANNA: Um, yeah, I guess I will be if it's not a total disaster 'cause nobody's prepped, especially Maya, so you know what, though? I don't want to talk about it, 'cause it's stressing me out.
- Dad, we're late! - KATHY: Wait, Munch.
- CURTIS: Yeah! - KATHY: Anna, here.
Here's your glitter.
Okay, so I said that I didn't want that already, so But this is to remind you that you sparkle.
Okay, cool.
Whatever.
Thank you! - Dad! - CURTIS: Coming.
- Coming, goof.
- [CLATTERING.]
So, um shoulders back.
Break a leg.
I love you.
Give me a hug.
You know what? I don't want a hug.
I don't want a hug.
I'm late.
You look beautiful, sweetie.
[DOOR SLAMS.]
SINGER: I I am hiding The you I show to you Is just a lie You take what you want You get what you take - Lie - SINGER: So high, high, high GABE: Debra.
Divorce.
Wolves.
Or what, Debra? You gonna divorce me? You gonna feed me to the wolves? No.
- Wol - [KNOCKING.]
Come in.
Hey, there you are.
Just wanted to say, break a leg.
Oh.
Um, thank you.
Uh, you too.
Uh, P.
S.
, you should totally keep your hair like that.
It looks really cool.
Thanks.
[DISTANT CHATTER.]
[LOW TONE SOUNDING.]
[INDISTINCT CHATTER.]
Phone, phone, phone, phone, phone.
Pound, pound, pound, pound, pound.
Okay, you guys.
Five minutes.
I saw you.
I saw you with my own two eyes.
You were backing away.
Backing away.
Were you doing your business with Sheila? - You rat bastard.
Rat bastard.
- Where's my hat? ANNA: Okay, places in five.
- MAYA: Hey.
- Hey.
Umm, I didn't hear from you last night.
Can't hear you.
I have my headphones on.
I didn't hear from you last night.
I didn't hear from you either.
Um, if you don't find your light, the whole thing's gonna go wacko, so Okay, do you know how many lines I have to remember right now? 422.
Congratulations.
Find your light.
The light will find me, Anna.
Like, seriously.
Honestly, all you have to do right now is just, like, pep me up.
Like, pep me up.
Just say, like, "Break a leg.
" Whatever.
What you haven't said that once to me.
- Your feelings are valid.
- MAYA: Mm-hmm.
- So are mine.
- MAYA: Mm-hmm.
And you can't take constructive criticism.
- That's my feeling.
- Are you kidding? - And good luck.
- MAYA: Okay, you just jinxed me.
It's "break a leg," so now I'm gonna be really bad in the play, but it's fine.
Let's just hold each other's hand and say, "I'm sorry.
" I'm not ready right now.
Well, I'm not really ready for it either.
I was honestly just saying it 'cause I thought it was the right thing to do.
- So - Wow.
- Places in 4 minutes, 15 seconds.
- Okay.
MAYA: Psycho.
ANNA: Yep.
Hey.
Hi.
Are you still feeling sick? No, I'm just, uh, concentrating.
'Kay, well, I'm really looking forward to 4 minutes and 32 seconds into the play.
It's our kiss.
Oh [CHUCKLES.]
Yeah.
'Kay, well - break a leg, cutie.
- GABE: You too - Cutie.
- 'Kay.
- Bye.
- GABE: Bye.
[SIGHS.]
ANNA: Actors, places.
Actors to places.
[SOFT INDISTINCT CHATTER.]
- [SIGHS.]
- [DISTANT GIGGLING.]
Shut up! [CLATTERING, SQUEAKING.]
[APPLAUSE.]
[CLEARS THROAT.]
I saw you! I saw you with my own two eyes! GABE: You're nuts.
Sheila was backing away from you.
She was scared out of her mind.
She's not in her light.
- She's not in her light.
- [SIGHS.]
She was scared out of her mind.
Honey, help me with this, will you? It's giving me a rash.
A rash, a rash.
Always something with you.
Bryce, are you there? - MAYA: Be careful with it.
- Go to two.
- Go to two.
- MAYA: Careful with it, I said.
- Jesus Christ! - All right, relax, will you? You're wriggling around like a worm, and you're hairier than a bigfoot.
[CHUCKLES.]
[AUDIENCE MEMBER COUGHS.]
Your fingers are greasy schlubs, that's why.
Forget it, will you? I said just get it off! - Jesus Christ.
- GABE: All right.
MAYA: Jesus Christ, I said.
Jesus Christ.
- Cue 30.
- GABE: What do you want? - Want me to stay? - ANNA: Cue 30.
GABE: Want me to go? Make up your mind, woman! Make up your mind.
No, that's cue 22.
MAYA: Yeah.
Too damn dark in this joint.
[CLINKING.]
Don't you dare make another drink.
I'm telling you, don't you do it! Or what, Debra? You gonna divorce me? You gonna feed me to the wolves? I don't have to listen to your loud-mouth crap.
- Just let me do my business.
- Yeah? Were you doing your business with Sheila? You rat bastard.
[LOUD BANG.]
You wanna do this? Let's do this.
- GABE: Let's let it all out.
Come on, baby.
- Go light.
Go light.
- GABE: Give me your best shot.
- Shit.
You get away from me.
Isn't this what you want? You don't know the first thing about what I want! - You get your hands off me, you pig! - [GASPS, PANTING.]
Or what? [SCATTERED LAUGHTER.]
[WHISPERING.]
Come on, Maya.
[AUDIENCE MEMBER COUGHS.]
[CHUCKLES.]
Or what? Or [WHISPERS.]
Come on, Maya.
[SOFT DRAMATIC MUSIC.]
MAYA: Or or [GASPS.]
[WHISPERING.]
"Or I'll scream so " Or I'll scream so loud, you won't know what hit ya! AUDIENCE MEMBER: Whoo! [LIGHT APPLAUSE.]
Yeah, yeah.
Just go to sleep.
I already am, Joe.
I already am.
[DRAMATIC OPERA MUSIC.]
SINGER: [SINGING IN ITALIAN.]
[MALE SINGER JOINS, SINGING IN ITALIAN.]
[MUSIC FADING.]
GABE: Sun's almost up.
The days are short, Joe.
The days are short.
[APPLAUSE.]
[CHEERS AND APPLAUSE.]
[CHEERS AND APPLAUSE CONTINUE.]
[SOFT DRAMATIC MUSIC.]
[MOUTHING WORDS.]
- ANNA: Ready, star? - MAYA: Let's do this.
YUKI: Maya, shut the door, please.
You get it.
[BOTH GIGGLE.]
ANNA: I mean, they're gonna swarm us.
[THE FOUR SEASONS' "DECEMBER, 1963 (OH, WHAT A NIGHT)".]
- MAYA: Hi.
- MAN: Great job tonight.
- [BOTH SPEAKING INDISTINCTLY.]
- SINGER: Oh, what a night Late December back in '63 MAYA: Oh, my God, that guy [SPUTTERS.]
So crazy! SINGER: What a very special time for me - Stop! - SINGER: As I remember, what a night MAYA: Stop! - [BOTH GIGGLING.]
- Oh, my God.
Okay.
Sorry.
Oh, attitude like crazy.
[GASPS.]
Oh, my God, cheese! Can we have some? Thank you! - Hey.
- Get outta here! Oh, sorry.
Go, go, go, go, go.
Oh, my God! Stop! SINGER: I got a funny feeling when she walked Get out.
I was about to pet him.
SINGER: As I recall it ended much too soon MAYA: Oh, sorry.
- That guy is looking - FRED: Oh, there they are! All right! No.
No, no.
Wait, wait, wait.
Stay.
- MAYA: Dad, no! - No, please.
I I gotta turn this on.
All right, smile.
Come on.
One, two, three, smile.
[CAMERA SHUTTER CLICKING.]
[LAUGHS.]
Dad! You're gonna, like, blind me.
FRED: You were amazing! Come on.
You have to get used to getting pictures taken all the time - 'cause you're a star.
- No, I'm not.
That was dope, Young Bowl.
- Thank you.
Really? - Mm-hmm.
So what, now you're a star, - you don't bring your own jacket? - No, I'm not a star.
I'm an actress.
I forgot it.
- Well done.
- Oh, thank you.
FRED: Wasn't she great? She was so good tonight.
- Dad, stop, seriously.
- FRED: I know I'm her father.
KATHY: You were amazing tonight, angel, and these are for you from me and your dad.
Techies don't get flowers.
Like but thanks.
Where's Dad? Um, I don't know, sweetie.
I I was wondering the same thing.
So that glitter I gave you Yeah, I used it.
It was an emergency, so It was a nice touch.
You probably saved the whole thing, huh? [ULULATING.]
Mom, are you out of your mind? - Don't do that.
- Oh, my God, my dad is being so annoying and so loud.
I don't know what that's like.
Ugh.
Oh, my God, it's your boyfriend.
[JOE MONTGOMERY'S "SINCE YOU FELL IN LOVE".]
SINGER: Everybody was in love Everyone but me FRED: Oh, there he is! The man of the house.
Gabe, you were great tonight.
- Dad, stop.
- Ow! Maya, stop it.
- [OVERLAPPING CHATTER.]
- See you guys.
FRED: Uh, hi.
We're we're her parents.
- Yeah, that's Gabe.
- So nice to meet you.
Yeah, it's good to officially meet you.
You know, she talked about you - about rehearsals and everything.
- No, I didn't.
- Well, you did.
- MAYA: Stop.
You're literally killing me.
Okay.
Okay.
Hey, listen.
I want a picture of you.
I want a picture of the both of you; come on.
The stars of the show.
Right here, come on, together.
All right? A little closer.
- Dad, stop.
- FRED: Yeah, that's good.
All right, you ready? - One, two, three, grandkids! - Dad, don't say that.
Like - All right, all right, all right.
- MAYA: He's so embarrassing.
- I'm sorry.
- [GROANS.]
Sorry.
Your hair looks different.
It's hot.
Thanks.
You too.
Your your hair is hot.
- Thanks.
- Welcome.
[SNIFFS.]
Um I didn't see you after the play.
Yeah.
- Okay.
- Okay.
- Okay.
- FRED: Hey, are you guys hungry? Would you like some groovy nachos? Dad, don't say "groovy nachos"! Oh, I'd like an order of groovy nachos too.
FRED: Two orders of groovy nachos, and I want a Coke for that table over there for that young man.
Dad, don't, or I'll stick an ice pick up your butthole! Stop! - ANNA: Oh, no, you okay, hon'? - MAYA: No.
ANNA: [WHISPERING.]
What's wrong? - Close it.
- What? Okay.
- Close it! Hold it.
- I'll I'll keep it closed.
- What's wrong, girl? You okay? - Yeah, I'm fine, I just, like, I was out there with Gabe, and I just, like, tried to grab his hand like this - That's so cute.
- and he went No, and he went like that.
Maybe his hand slipped.
No, but then when we were onstage, we were planning to do a real kiss, and he put his hand over his mouth, like, at the last second.
- It's okay.
Hey, I'm sorry sorry.
- Stop, we're in here! Just two more seconds.
Is it my breath? [EXHALES.]
[SNIFFS.]
It's good.
- No, no, really - Oh, my God! No, no, no, no.
No, it's good.
And do you know can I ask you a question? Were you nervous out there, for your kiss? I mean, yeah, 'cause it's, like, in front of everyone, and like, it's my first kiss.
So he was probably nervous too.
I think that you just gotta do it again, and you gotta go for what you want, and it's gonna happen.
Okay, yeah.
Yeah, all right.
Fine.
I'm just gonna I see how he looks at you.
- Stop.
- It's true.
- Okay.
All right, fine.
- Let's do this.
Okay, but be quiet.
I don't want to be obvious about it.
Okay, just like, literally don't look, and like, if Hey.
Oh, my God, my dad's here.
- I'm gonna say hi.
- Oh, my God, really? Okay, I'll be there in a sex sec.
[BOTH CHUCKLE.]
What's up? You always say that.
Yeah.
True.
Um So Yeah.
[LAUGHS.]
- What? - I just, you know wanted to say that, uh, you know What? You were you I you were just really good in the play.
No, I wasn't.
- No, yes, you were, seriously.
- No.
I knew you were funny, but I've never seen you like that before.
You're really [SNIFFS.]
good.
Thanks.
And I I also wanted to say, like, you know, once and for all or whatever, that, uh never mind.
No.
Say it.
Fool.
I'm I'm really sorry about everything.
I I wish I didn't do all that stuff.
Fool.
- What are you even doing here? - SAM: [CHUCKLES.]
I'm, you know I'm with Gabe.
We're celebrating.
- Oh, yeah.
- SAM: Yeah.
My boyfriend.
- Yes.
Yeah, your boyfriend.
- MAYA: Yeah.
SAM: Um what was what was up with that kiss in the play? I don't know.
- Why? - No reason.
Nothing.
- Why? Did he say something? - No.
[SNIFFS.]
Um, but I mean, you know, I wouldn't have put my hand over my mouth.
[LAUGHS.]
So you know, I guess I should've auditioned.
- So or something.
- I don't know.
Maybe.
- Yeah.
- I guess you should've.
- SAM: Yeah.
- Or not.
I don't know.
- SAM: Yeah.
- MAYA: 'Kay.
Bye.
Bye.
[UPBEAT MUSIC PLAYING.]
So well, how was it? How was the play? It was good.
It was bumpy at first, and then it got better, but pretty good.
Anna made such an impact as the stage manager, - and there was point whe - Yeah, that's great.
[CHUCKLES.]
Hey.
Did, uh, Kathy give you the flowers that we got you? - Yes.
- [CHUCKLES.]
- Thank you so much.
- Absolutely.
They're so pretty.
Where did you guys get them? Uh, where did we get the flowers, Kathy? I got them from Stop and Shop.
- CURTIS: Really? - Yes.
You know, there are much better places to get flowers than Stop and Shop.
Right? [CLEARS THROAT.]
Hey, did your mom clap, or did she do that weird yodeling thing that she does? She did the weird yodel thing.
- It was so embarrassing.
- CURTIS: [LAUGHS.]
ANNA: Honestly.
- CURTIS: Mm-hmm.
- Where were you? You want to know? You ready? [KEYS JINGLING.]
- Did you get a new car? - [LAUGHING.]
- New! Used.
- ANNA: What kind? CURTIS: It's a Solara.
- It's right out back.
- Excuse me.
CURTIS: It's really cool.
You're gonna love it.
So that's where you were.
- CURTIS: Uh-huh.
- That's great.
- It's a convertible too.
- MAYA: [GASPS.]
Oh, my God, Curt, you got a frickin' convertible? CURTIS: Yep, I got a convertible.
- MAYA: Can we go in it? - CURTIS: Absolutely.
- MAYA: Oh, my God.
- Just don't drive it too far.
- MAYA: Oh, my God.
- [LAUGHS.]
- Oh, my God.
- ANNA: He got a convertible.
MAYA: Um, I love your earring, by the way, Curt.
You know, I've always had the hole.
I just got a new hoop.
[CHUCKLES.]
MAYA: Oh, my God, your dad is crazy.
SAM: So I did this weasel.
Here, I did the gloves.
I also did the barbed wire.
Wait, wait.
You did all of this? Yeah, last night I went to Kinkos.
- I even got the glossy - Guy guys, guys.
This is this is great.
- I think we're ready to distribute.
- ANNA: Sorry.
- SAM: Right? That's what I was thinking.
- Hey.
Um, Anna's dad got a new convertible, - and we were gonna, like, check it out.
- Maya! What? He did.
- He did.
- Do you wanna come? - Hell yeah.
- Yeah.
ANNA: The only thing sorry, you guys.
There's only room for one, so I don't know how to decide, but I'm thinking Maya's boyfriend - [QUIET LAUGHTER.]
- MAYA: Stop.
- Sorry.
- GABE: That's me, so Just so they have time to be like - Stop.
- All right, I'm I'm gonna go.
- 'Kay.
- Don't eat all the pizza.
I won't.
JAFEER: That's some bullshit.
Yeah, whatever.
- ANNA: Shut up! - MAYA: [LAUGHING.]
[GASPS.]
- ANNA: Oh, my God, you guys.
- Wait, is it this car? ANNA: No, it's the convertible.
- MAYA: Oh, my God! - ANNA: It's pretty sleek.
- That's amazing.
That's like my - MAYA: Yeah.
Oh, my God.
Steve.
- GABE: That's pretty cool.
- MAYA: I'm gonna go in the front seat, - and you can go in the b what? - Steve.
- Hi.
- Hey.
Steve.
[CHUCKLES.]
- What's up? - STEVE: 'Sup? - ANNA: You're here.
- Try not to tell anyone.
We're just looking at my dad's, um, convertible.
It's new, so You mean that sweet Solara? Uh, the convertible? Yeah.
[SNIFFS.]
So let's check it out.
'Kay.
STEVE: Does your dad know that he can get the upgrade to the sports package? These are pretty sweet, though.
He's got the JBL stereo.
Yeah.
So many stars.
STEVE: Yeah.
They're all dead.
MAYA: [CHUCKLES.]
I think that we need to, like, leave them alone.
- MAYA: Stop.
- You guys need to get a room.
MAYA: Anna! - Don't get my dad's seats dirty.
- That's disgusting.
Or do, and just wipe it down after.
It's Model 3B high-perforated leather.
- Yeah.
- Yeah.
[CHUCKLES.]
Should we go up? - Um sure.
- 'Kay.
.
So did your parents see the show? Mom did.
She, uh she loved the glitter thing, by the way.
I told her that wasn't me.
That was all Kone.
"Cameron-esque" was my exact phrase.
As in, James.
[QUIETLY.]
Yeah.
Um, are you close with your mom? She's the strongest woman I know.
And your dad? He doesn't live here.
They're divorced.
Mine are too.
- But your dad's here? - ANNA: Yeah.
They're divorcing, but they kind of share the house.
Sounds worse than the "every other weekend" deal.
- Oh, yeah.
- STEVE: Yeah.
I don't know.
- It's weird.
- STEVE: [CHUCKLES.]
Want some? Um Yeah, like, I just have to check if Maya might want some too.
I think she might be a little busy.
- Little man's making his move.
- ANNA: Yeah.
[DOOR CREAKS.]
[DRAMATIC MUSICAL FLOURISH.]
[SINGER VOCALIZING SOFTLY.]
- What? - What? - It's - What? - It's - No, I'm just happy.
For her.
For Maya.
[LAUGHS QUIETLY.]
- Yeah, fine.
Whatever.
- [LAUGHS.]
Can't believe I'm doing this.
It's no big deal.
[LAUGHS QUIETLY.]
Oh, my God.
- Sorry.
[COUGHS.]
- Yeah, that's how you know it's the good stuff.
Oh, my God.
Am I gonna get drunk? Yeah.
[LAUGHING.]
Oh, my God.
Oh, my God.
[MIMICS ENGINE REVVING.]
[MIMICS TIRES SQUEALING.]
Pull over! It's the cops! I said, it's the cops, bitch! [CHUCKLES.]
You're funny.
No, I'm not.
You are.
Are you mad at me? No.
Do you wanna, like, kiss me now? Someone could see.
Um We can just put the seats down.
[WHIRRING.]
[SOFT MUSIC.]
[CHUCKLES.]
[SIGHS HEAVILY.]
- GABE: [KISSES.]
- MAYA: Uh - GABE: [KISSING.]
- MAYA: Uh That's my jaw.
Um Uh - What? - What? You know how when we sort of kissed in my room, you said that you had butterflies? Yeah.
I I didn't.
Okay.
I'm sorry.
I still think that you're one of the best actors I've ever known, and it was an honor to share the stage with you.
It j 'Kay.
It's not you.
I'm just trying to be honest.
I'm gonna I'm gonna go inside.
- Okay.
- Okay.
'Kay.
[SOBS.]
- [DOOR CREAKS, CLOSES.]
- [CRYING.]
[MELLOW MUSIC.]
[LAUGHS QUIETLY.]
I'm buzzed.
[BOTH LAUGHING.]
Oh, my God.
What happened to funny man? [MAYA SNIFFLES.]
Maya Um, I have to go check on Maya.
So bye.
You do you, Kone.
May [QUIETLY.]
Hey.
- What happened? - Nothing.
Was the kiss bad? No.
I got dumped.
- [CRIES.]
He dumped me.
- No.
Yeah.
- What is wrong with him? - I don't know.
ANNA: He's such an idiot.
My heart hurts, like I can feel your heart energy, and it's gonna get better.
- Okay? - Yeah.
And you're gonna have a million boyfriends in your life, May, and they're all gonna be so lucky.
- [LAUGHING.]
No, I'm not.
- Yeah, you are.
No, I'm not.
No, I know I'm ugly now.
And I'm okay with it.
Don't say that.
It's not true.
- I don't care.
- ANNA: I do.
[SIGHS.]
[SOFT MUSIC.]
See that one little star up there? Where? The brightest one that's a little droopy.
- Yeah.
- That's you.
[LAUGHING WEAKLY.]
Well, all the stars are dead.
They're still bright, even at their lowest.
Just like you.
[CHUCKLES.]
[LAUGHS.]
Thanks.
[SNIFFS.]
[KNOCKING.]
- Oh, my God.
- CURTIS: You girls ready to go? - MAYA: Yeah.
- Dad, yeah.
- Right, May? - MAYA: Yeah, let's go.
- Okay.
Keys? - ANNA: Okay.
Thanks.
Did you tell Mom that we're leaving? Yeah, yeah.
She's just in a nasty mood.
Is she okay? I feel like I should go say bye.
Okay.
Be right back, May.
[SOFT MUSIC.]
CURTIS: Don't get caught in her crossfire.
[CHUCKLES.]
[LAUGHTER, INDISTINCT CHATTER.]
Oh, Anna, where's Maya? KATHY: [SNIFFLING.]
Hey, Mom.
Hello, sweetie.
Just paying the check.
I just want to say, like, bye.
Bye.
Have have fun in the car.
Um Sorry.
I just also, like, want to say that I'm sorry that that I'm, like, kind of not nice to you sometimes.
It's okay.
It's okay.
No, it's not, 'cause you don't deserve it.
And I also want to say, like I'm sorry that, like, Dad's not nice to you sometimes.
I I never want you to I I don't want you to to have to see me like this anymore.
I never want you to see me like this again.
I I don't want you to be like this.
I'm sorry, I'm be mean to again.
- [SNIFFS.]
- KATHY: You're so beautiful.
No [SNIFFS.]
[GIGGLES.]
- I love you.
- I love you.
And I think you are strong, just so you know.
I really do, actually.
Honestly, you're so strong, you're like behind-the-scenes strong.
Like, you don't even know what that means 'cause you're not a techie, but like, it means a lot.
- Okay.
- And also Thanks for the glitter.
- [LAUGHS.]
- Seriously.
You saved the whole show.
- [LAUGHS.]
- [CAR HORN HONKS.]
- So wonderful.
- [CAR HORN HONKS.]
- Oh.
Um - You should go.
No, but I don't have to drive with him, honestly.
- I can just drive with you.
- Oh, no.
It's okay.
You should go.
You're gonna go, and you're gonna have fun.
You're gonna go with your friends.
Come on.
I'll see you at home.
Yes.
Have fun.
You were so great tonight.
- No, I wasn't.
- Yeah, you were.
YUKI: Is she not gonna say good-bye? No, she wanted me to tell you that she's gonna wait in there.
- Is she okay? - Yeah.
- She had a little thing with a boy.
- Oh.
- [SNIFFS.]
- YUKI: Yeah? - You all set? - ANNA: Mm-hmm.
- Hey, good job tonight.
Really good.
- CURTIS: Good night.
- Thanks.
- Good night.
- Good to see you.
- CURTIS: See you.
Take care.
ANNA: Did you beep at me, Maya? Maya, don't forget to brush your teeth.
- I know.
- Proud of you! MAYA: Dad, stop.
[ZIPS LOUDLY.]
[ENGINE RUMBLING.]
[THE CHIFFONS' "ONE FINE DAY" PLAYING.]
- All set? - Mm-hmm.
- Bye.
- Bye! ANNA: Bye! SINGERS: Shooby-dooby-dooby Dooby-doo, wop-bop SINGER: One fine day - SAM: Maya! - SINGER: You'll look at me And you will know our love was meant to be One fine day You're gonna want me for your girl SINGERS: Shooby-dooby-dooby Dooby-doo, wop-bop Shooby-dooby-dooby Dooby-doo, wop-bop CURTIS: We're gonna have some adventures in this baby, aren't we? Me and you.
SINGER: Proud to have me right by your side One fine day - Did your mom tell you? - ANNA: Hmm? SINGER: You're gonna want me for your girl Hmm? - What? - She's getting the house.
But, um but I get to look for a new apartment.
SINGER: Who only wants to run around Will you help me with that? SINGER: I'll be waiting And someday, darling You'll come to me You'll have to decide who you want to live with.
Me or your mom.
SINGER: We'll meet once more And then you'll want the love You threw away before One fine day You're gonna want me for your girl [SINGERS VOCALIZING.]
One fine day You're gonna want me for your girl SINGERS: One fine day You're gonna want me for your girl - SINGER: One fine day - SINGERS: One fine day You're gonna want me for your girl SINGER: One fine day [SWEEPING ORCHESTRAL MUSIC.]
Day of the show! Are you excited? ANNA: Um, yeah, I guess I will be if it's not a total disaster 'cause nobody's prepped, especially Maya, so you know what, though? I don't want to talk about it, 'cause it's stressing me out.
- Dad, we're late! - KATHY: Wait, Munch.
- CURTIS: Yeah! - KATHY: Anna, here.
Here's your glitter.
Okay, so I said that I didn't want that already, so But this is to remind you that you sparkle.
Okay, cool.
Whatever.
Thank you! - Dad! - CURTIS: Coming.
- Coming, goof.
- [CLATTERING.]
So, um shoulders back.
Break a leg.
I love you.
Give me a hug.
You know what? I don't want a hug.
I don't want a hug.
I'm late.
You look beautiful, sweetie.
[DOOR SLAMS.]
SINGER: I I am hiding The you I show to you Is just a lie You take what you want You get what you take - Lie - SINGER: So high, high, high GABE: Debra.
Divorce.
Wolves.
Or what, Debra? You gonna divorce me? You gonna feed me to the wolves? No.
- Wol - [KNOCKING.]
Come in.
Hey, there you are.
Just wanted to say, break a leg.
Oh.
Um, thank you.
Uh, you too.
Uh, P.
S.
, you should totally keep your hair like that.
It looks really cool.
Thanks.
[DISTANT CHATTER.]
[LOW TONE SOUNDING.]
[INDISTINCT CHATTER.]
Phone, phone, phone, phone, phone.
Pound, pound, pound, pound, pound.
Okay, you guys.
Five minutes.
I saw you.
I saw you with my own two eyes.
You were backing away.
Backing away.
Were you doing your business with Sheila? - You rat bastard.
Rat bastard.
- Where's my hat? ANNA: Okay, places in five.
- MAYA: Hey.
- Hey.
Umm, I didn't hear from you last night.
Can't hear you.
I have my headphones on.
I didn't hear from you last night.
I didn't hear from you either.
Um, if you don't find your light, the whole thing's gonna go wacko, so Okay, do you know how many lines I have to remember right now? 422.
Congratulations.
Find your light.
The light will find me, Anna.
Like, seriously.
Honestly, all you have to do right now is just, like, pep me up.
Like, pep me up.
Just say, like, "Break a leg.
" Whatever.
What you haven't said that once to me.
- Your feelings are valid.
- MAYA: Mm-hmm.
- So are mine.
- MAYA: Mm-hmm.
And you can't take constructive criticism.
- That's my feeling.
- Are you kidding? - And good luck.
- MAYA: Okay, you just jinxed me.
It's "break a leg," so now I'm gonna be really bad in the play, but it's fine.
Let's just hold each other's hand and say, "I'm sorry.
" I'm not ready right now.
Well, I'm not really ready for it either.
I was honestly just saying it 'cause I thought it was the right thing to do.
- So - Wow.
- Places in 4 minutes, 15 seconds.
- Okay.
MAYA: Psycho.
ANNA: Yep.
Hey.
Hi.
Are you still feeling sick? No, I'm just, uh, concentrating.
'Kay, well, I'm really looking forward to 4 minutes and 32 seconds into the play.
It's our kiss.
Oh [CHUCKLES.]
Yeah.
'Kay, well - break a leg, cutie.
- GABE: You too - Cutie.
- 'Kay.
- Bye.
- GABE: Bye.
[SIGHS.]
ANNA: Actors, places.
Actors to places.
[SOFT INDISTINCT CHATTER.]
- [SIGHS.]
- [DISTANT GIGGLING.]
Shut up! [CLATTERING, SQUEAKING.]
[APPLAUSE.]
[CLEARS THROAT.]
I saw you! I saw you with my own two eyes! GABE: You're nuts.
Sheila was backing away from you.
She was scared out of her mind.
She's not in her light.
- She's not in her light.
- [SIGHS.]
She was scared out of her mind.
Honey, help me with this, will you? It's giving me a rash.
A rash, a rash.
Always something with you.
Bryce, are you there? - MAYA: Be careful with it.
- Go to two.
- Go to two.
- MAYA: Careful with it, I said.
- Jesus Christ! - All right, relax, will you? You're wriggling around like a worm, and you're hairier than a bigfoot.
[CHUCKLES.]
[AUDIENCE MEMBER COUGHS.]
Your fingers are greasy schlubs, that's why.
Forget it, will you? I said just get it off! - Jesus Christ.
- GABE: All right.
MAYA: Jesus Christ, I said.
Jesus Christ.
- Cue 30.
- GABE: What do you want? - Want me to stay? - ANNA: Cue 30.
GABE: Want me to go? Make up your mind, woman! Make up your mind.
No, that's cue 22.
MAYA: Yeah.
Too damn dark in this joint.
[CLINKING.]
Don't you dare make another drink.
I'm telling you, don't you do it! Or what, Debra? You gonna divorce me? You gonna feed me to the wolves? I don't have to listen to your loud-mouth crap.
- Just let me do my business.
- Yeah? Were you doing your business with Sheila? You rat bastard.
[LOUD BANG.]
You wanna do this? Let's do this.
- GABE: Let's let it all out.
Come on, baby.
- Go light.
Go light.
- GABE: Give me your best shot.
- Shit.
You get away from me.
Isn't this what you want? You don't know the first thing about what I want! - You get your hands off me, you pig! - [GASPS, PANTING.]
Or what? [SCATTERED LAUGHTER.]
[WHISPERING.]
Come on, Maya.
[AUDIENCE MEMBER COUGHS.]
[CHUCKLES.]
Or what? Or [WHISPERS.]
Come on, Maya.
[SOFT DRAMATIC MUSIC.]
MAYA: Or or [GASPS.]
[WHISPERING.]
"Or I'll scream so " Or I'll scream so loud, you won't know what hit ya! AUDIENCE MEMBER: Whoo! [LIGHT APPLAUSE.]
Yeah, yeah.
Just go to sleep.
I already am, Joe.
I already am.
[DRAMATIC OPERA MUSIC.]
SINGER: [SINGING IN ITALIAN.]
[MALE SINGER JOINS, SINGING IN ITALIAN.]
[MUSIC FADING.]
GABE: Sun's almost up.
The days are short, Joe.
The days are short.
[APPLAUSE.]
[CHEERS AND APPLAUSE.]
[CHEERS AND APPLAUSE CONTINUE.]
[SOFT DRAMATIC MUSIC.]
[MOUTHING WORDS.]
- ANNA: Ready, star? - MAYA: Let's do this.
YUKI: Maya, shut the door, please.
You get it.
[BOTH GIGGLE.]
ANNA: I mean, they're gonna swarm us.
[THE FOUR SEASONS' "DECEMBER, 1963 (OH, WHAT A NIGHT)".]
- MAYA: Hi.
- MAN: Great job tonight.
- [BOTH SPEAKING INDISTINCTLY.]
- SINGER: Oh, what a night Late December back in '63 MAYA: Oh, my God, that guy [SPUTTERS.]
So crazy! SINGER: What a very special time for me - Stop! - SINGER: As I remember, what a night MAYA: Stop! - [BOTH GIGGLING.]
- Oh, my God.
Okay.
Sorry.
Oh, attitude like crazy.
[GASPS.]
Oh, my God, cheese! Can we have some? Thank you! - Hey.
- Get outta here! Oh, sorry.
Go, go, go, go, go.
Oh, my God! Stop! SINGER: I got a funny feeling when she walked Get out.
I was about to pet him.
SINGER: As I recall it ended much too soon MAYA: Oh, sorry.
- That guy is looking - FRED: Oh, there they are! All right! No.
No, no.
Wait, wait, wait.
Stay.
- MAYA: Dad, no! - No, please.
I I gotta turn this on.
All right, smile.
Come on.
One, two, three, smile.
[CAMERA SHUTTER CLICKING.]
[LAUGHS.]
Dad! You're gonna, like, blind me.
FRED: You were amazing! Come on.
You have to get used to getting pictures taken all the time - 'cause you're a star.
- No, I'm not.
That was dope, Young Bowl.
- Thank you.
Really? - Mm-hmm.
So what, now you're a star, - you don't bring your own jacket? - No, I'm not a star.
I'm an actress.
I forgot it.
- Well done.
- Oh, thank you.
FRED: Wasn't she great? She was so good tonight.
- Dad, stop, seriously.
- FRED: I know I'm her father.
KATHY: You were amazing tonight, angel, and these are for you from me and your dad.
Techies don't get flowers.
Like but thanks.
Where's Dad? Um, I don't know, sweetie.
I I was wondering the same thing.
So that glitter I gave you Yeah, I used it.
It was an emergency, so It was a nice touch.
You probably saved the whole thing, huh? [ULULATING.]
Mom, are you out of your mind? - Don't do that.
- Oh, my God, my dad is being so annoying and so loud.
I don't know what that's like.
Ugh.
Oh, my God, it's your boyfriend.
[JOE MONTGOMERY'S "SINCE YOU FELL IN LOVE".]
SINGER: Everybody was in love Everyone but me FRED: Oh, there he is! The man of the house.
Gabe, you were great tonight.
- Dad, stop.
- Ow! Maya, stop it.
- [OVERLAPPING CHATTER.]
- See you guys.
FRED: Uh, hi.
We're we're her parents.
- Yeah, that's Gabe.
- So nice to meet you.
Yeah, it's good to officially meet you.
You know, she talked about you - about rehearsals and everything.
- No, I didn't.
- Well, you did.
- MAYA: Stop.
You're literally killing me.
Okay.
Okay.
Hey, listen.
I want a picture of you.
I want a picture of the both of you; come on.
The stars of the show.
Right here, come on, together.
All right? A little closer.
- Dad, stop.
- FRED: Yeah, that's good.
All right, you ready? - One, two, three, grandkids! - Dad, don't say that.
Like - All right, all right, all right.
- MAYA: He's so embarrassing.
- I'm sorry.
- [GROANS.]
Sorry.
Your hair looks different.
It's hot.
Thanks.
You too.
Your your hair is hot.
- Thanks.
- Welcome.
[SNIFFS.]
Um I didn't see you after the play.
Yeah.
- Okay.
- Okay.
- Okay.
- FRED: Hey, are you guys hungry? Would you like some groovy nachos? Dad, don't say "groovy nachos"! Oh, I'd like an order of groovy nachos too.
FRED: Two orders of groovy nachos, and I want a Coke for that table over there for that young man.
Dad, don't, or I'll stick an ice pick up your butthole! Stop! - ANNA: Oh, no, you okay, hon'? - MAYA: No.
ANNA: [WHISPERING.]
What's wrong? - Close it.
- What? Okay.
- Close it! Hold it.
- I'll I'll keep it closed.
- What's wrong, girl? You okay? - Yeah, I'm fine, I just, like, I was out there with Gabe, and I just, like, tried to grab his hand like this - That's so cute.
- and he went No, and he went like that.
Maybe his hand slipped.
No, but then when we were onstage, we were planning to do a real kiss, and he put his hand over his mouth, like, at the last second.
- It's okay.
Hey, I'm sorry sorry.
- Stop, we're in here! Just two more seconds.
Is it my breath? [EXHALES.]
[SNIFFS.]
It's good.
- No, no, really - Oh, my God! No, no, no, no.
No, it's good.
And do you know can I ask you a question? Were you nervous out there, for your kiss? I mean, yeah, 'cause it's, like, in front of everyone, and like, it's my first kiss.
So he was probably nervous too.
I think that you just gotta do it again, and you gotta go for what you want, and it's gonna happen.
Okay, yeah.
Yeah, all right.
Fine.
I'm just gonna I see how he looks at you.
- Stop.
- It's true.
- Okay.
All right, fine.
- Let's do this.
Okay, but be quiet.
I don't want to be obvious about it.
Okay, just like, literally don't look, and like, if Hey.
Oh, my God, my dad's here.
- I'm gonna say hi.
- Oh, my God, really? Okay, I'll be there in a sex sec.
[BOTH CHUCKLE.]
What's up? You always say that.
Yeah.
True.
Um So Yeah.
[LAUGHS.]
- What? - I just, you know wanted to say that, uh, you know What? You were you I you were just really good in the play.
No, I wasn't.
- No, yes, you were, seriously.
- No.
I knew you were funny, but I've never seen you like that before.
You're really [SNIFFS.]
good.
Thanks.
And I I also wanted to say, like, you know, once and for all or whatever, that, uh never mind.
No.
Say it.
Fool.
I'm I'm really sorry about everything.
I I wish I didn't do all that stuff.
Fool.
- What are you even doing here? - SAM: [CHUCKLES.]
I'm, you know I'm with Gabe.
We're celebrating.
- Oh, yeah.
- SAM: Yeah.
My boyfriend.
- Yes.
Yeah, your boyfriend.
- MAYA: Yeah.
SAM: Um what was what was up with that kiss in the play? I don't know.
- Why? - No reason.
Nothing.
- Why? Did he say something? - No.
[SNIFFS.]
Um, but I mean, you know, I wouldn't have put my hand over my mouth.
[LAUGHS.]
So you know, I guess I should've auditioned.
- So or something.
- I don't know.
Maybe.
- Yeah.
- I guess you should've.
- SAM: Yeah.
- Or not.
I don't know.
- SAM: Yeah.
- MAYA: 'Kay.
Bye.
Bye.
[UPBEAT MUSIC PLAYING.]
So well, how was it? How was the play? It was good.
It was bumpy at first, and then it got better, but pretty good.
Anna made such an impact as the stage manager, - and there was point whe - Yeah, that's great.
[CHUCKLES.]
Hey.
Did, uh, Kathy give you the flowers that we got you? - Yes.
- [CHUCKLES.]
- Thank you so much.
- Absolutely.
They're so pretty.
Where did you guys get them? Uh, where did we get the flowers, Kathy? I got them from Stop and Shop.
- CURTIS: Really? - Yes.
You know, there are much better places to get flowers than Stop and Shop.
Right? [CLEARS THROAT.]
Hey, did your mom clap, or did she do that weird yodeling thing that she does? She did the weird yodel thing.
- It was so embarrassing.
- CURTIS: [LAUGHS.]
ANNA: Honestly.
- CURTIS: Mm-hmm.
- Where were you? You want to know? You ready? [KEYS JINGLING.]
- Did you get a new car? - [LAUGHING.]
- New! Used.
- ANNA: What kind? CURTIS: It's a Solara.
- It's right out back.
- Excuse me.
CURTIS: It's really cool.
You're gonna love it.
So that's where you were.
- CURTIS: Uh-huh.
- That's great.
- It's a convertible too.
- MAYA: [GASPS.]
Oh, my God, Curt, you got a frickin' convertible? CURTIS: Yep, I got a convertible.
- MAYA: Can we go in it? - CURTIS: Absolutely.
- MAYA: Oh, my God.
- Just don't drive it too far.
- MAYA: Oh, my God.
- [LAUGHS.]
- Oh, my God.
- ANNA: He got a convertible.
MAYA: Um, I love your earring, by the way, Curt.
You know, I've always had the hole.
I just got a new hoop.
[CHUCKLES.]
MAYA: Oh, my God, your dad is crazy.
SAM: So I did this weasel.
Here, I did the gloves.
I also did the barbed wire.
Wait, wait.
You did all of this? Yeah, last night I went to Kinkos.
- I even got the glossy - Guy guys, guys.
This is this is great.
- I think we're ready to distribute.
- ANNA: Sorry.
- SAM: Right? That's what I was thinking.
- Hey.
Um, Anna's dad got a new convertible, - and we were gonna, like, check it out.
- Maya! What? He did.
- He did.
- Do you wanna come? - Hell yeah.
- Yeah.
ANNA: The only thing sorry, you guys.
There's only room for one, so I don't know how to decide, but I'm thinking Maya's boyfriend - [QUIET LAUGHTER.]
- MAYA: Stop.
- Sorry.
- GABE: That's me, so Just so they have time to be like - Stop.
- All right, I'm I'm gonna go.
- 'Kay.
- Don't eat all the pizza.
I won't.
JAFEER: That's some bullshit.
Yeah, whatever.
- ANNA: Shut up! - MAYA: [LAUGHING.]
[GASPS.]
- ANNA: Oh, my God, you guys.
- Wait, is it this car? ANNA: No, it's the convertible.
- MAYA: Oh, my God! - ANNA: It's pretty sleek.
- That's amazing.
That's like my - MAYA: Yeah.
Oh, my God.
Steve.
- GABE: That's pretty cool.
- MAYA: I'm gonna go in the front seat, - and you can go in the b what? - Steve.
- Hi.
- Hey.
Steve.
[CHUCKLES.]
- What's up? - STEVE: 'Sup? - ANNA: You're here.
- Try not to tell anyone.
We're just looking at my dad's, um, convertible.
It's new, so You mean that sweet Solara? Uh, the convertible? Yeah.
[SNIFFS.]
So let's check it out.
'Kay.
STEVE: Does your dad know that he can get the upgrade to the sports package? These are pretty sweet, though.
He's got the JBL stereo.
Yeah.
So many stars.
STEVE: Yeah.
They're all dead.
MAYA: [CHUCKLES.]
I think that we need to, like, leave them alone.
- MAYA: Stop.
- You guys need to get a room.
MAYA: Anna! - Don't get my dad's seats dirty.
- That's disgusting.
Or do, and just wipe it down after.
It's Model 3B high-perforated leather.
- Yeah.
- Yeah.
[CHUCKLES.]
Should we go up? - Um sure.
- 'Kay.
.
So did your parents see the show? Mom did.
She, uh she loved the glitter thing, by the way.
I told her that wasn't me.
That was all Kone.
"Cameron-esque" was my exact phrase.
As in, James.
[QUIETLY.]
Yeah.
Um, are you close with your mom? She's the strongest woman I know.
And your dad? He doesn't live here.
They're divorced.
Mine are too.
- But your dad's here? - ANNA: Yeah.
They're divorcing, but they kind of share the house.
Sounds worse than the "every other weekend" deal.
- Oh, yeah.
- STEVE: Yeah.
I don't know.
- It's weird.
- STEVE: [CHUCKLES.]
Want some? Um Yeah, like, I just have to check if Maya might want some too.
I think she might be a little busy.
- Little man's making his move.
- ANNA: Yeah.
[DOOR CREAKS.]
[DRAMATIC MUSICAL FLOURISH.]
[SINGER VOCALIZING SOFTLY.]
- What? - What? - It's - What? - It's - No, I'm just happy.
For her.
For Maya.
[LAUGHS QUIETLY.]
- Yeah, fine.
Whatever.
- [LAUGHS.]
Can't believe I'm doing this.
It's no big deal.
[LAUGHS QUIETLY.]
Oh, my God.
- Sorry.
[COUGHS.]
- Yeah, that's how you know it's the good stuff.
Oh, my God.
Am I gonna get drunk? Yeah.
[LAUGHING.]
Oh, my God.
Oh, my God.
[MIMICS ENGINE REVVING.]
[MIMICS TIRES SQUEALING.]
Pull over! It's the cops! I said, it's the cops, bitch! [CHUCKLES.]
You're funny.
No, I'm not.
You are.
Are you mad at me? No.
Do you wanna, like, kiss me now? Someone could see.
Um We can just put the seats down.
[WHIRRING.]
[SOFT MUSIC.]
[CHUCKLES.]
[SIGHS HEAVILY.]
- GABE: [KISSES.]
- MAYA: Uh - GABE: [KISSING.]
- MAYA: Uh That's my jaw.
Um Uh - What? - What? You know how when we sort of kissed in my room, you said that you had butterflies? Yeah.
I I didn't.
Okay.
I'm sorry.
I still think that you're one of the best actors I've ever known, and it was an honor to share the stage with you.
It j 'Kay.
It's not you.
I'm just trying to be honest.
I'm gonna I'm gonna go inside.
- Okay.
- Okay.
'Kay.
[SOBS.]
- [DOOR CREAKS, CLOSES.]
- [CRYING.]
[MELLOW MUSIC.]
[LAUGHS QUIETLY.]
I'm buzzed.
[BOTH LAUGHING.]
Oh, my God.
What happened to funny man? [MAYA SNIFFLES.]
Maya Um, I have to go check on Maya.
So bye.
You do you, Kone.
May [QUIETLY.]
Hey.
- What happened? - Nothing.
Was the kiss bad? No.
I got dumped.
- [CRIES.]
He dumped me.
- No.
Yeah.
- What is wrong with him? - I don't know.
ANNA: He's such an idiot.
My heart hurts, like I can feel your heart energy, and it's gonna get better.
- Okay? - Yeah.
And you're gonna have a million boyfriends in your life, May, and they're all gonna be so lucky.
- [LAUGHING.]
No, I'm not.
- Yeah, you are.
No, I'm not.
No, I know I'm ugly now.
And I'm okay with it.
Don't say that.
It's not true.
- I don't care.
- ANNA: I do.
[SIGHS.]
[SOFT MUSIC.]
See that one little star up there? Where? The brightest one that's a little droopy.
- Yeah.
- That's you.
[LAUGHING WEAKLY.]
Well, all the stars are dead.
They're still bright, even at their lowest.
Just like you.
[CHUCKLES.]
[LAUGHS.]
Thanks.
[SNIFFS.]
[KNOCKING.]
- Oh, my God.
- CURTIS: You girls ready to go? - MAYA: Yeah.
- Dad, yeah.
- Right, May? - MAYA: Yeah, let's go.
- Okay.
Keys? - ANNA: Okay.
Thanks.
Did you tell Mom that we're leaving? Yeah, yeah.
She's just in a nasty mood.
Is she okay? I feel like I should go say bye.
Okay.
Be right back, May.
[SOFT MUSIC.]
CURTIS: Don't get caught in her crossfire.
[CHUCKLES.]
[LAUGHTER, INDISTINCT CHATTER.]
Oh, Anna, where's Maya? KATHY: [SNIFFLING.]
Hey, Mom.
Hello, sweetie.
Just paying the check.
I just want to say, like, bye.
Bye.
Have have fun in the car.
Um Sorry.
I just also, like, want to say that I'm sorry that that I'm, like, kind of not nice to you sometimes.
It's okay.
It's okay.
No, it's not, 'cause you don't deserve it.
And I also want to say, like I'm sorry that, like, Dad's not nice to you sometimes.
I I never want you to I I don't want you to to have to see me like this anymore.
I never want you to see me like this again.
I I don't want you to be like this.
I'm sorry, I'm be mean to again.
- [SNIFFS.]
- KATHY: You're so beautiful.
No [SNIFFS.]
[GIGGLES.]
- I love you.
- I love you.
And I think you are strong, just so you know.
I really do, actually.
Honestly, you're so strong, you're like behind-the-scenes strong.
Like, you don't even know what that means 'cause you're not a techie, but like, it means a lot.
- Okay.
- And also Thanks for the glitter.
- [LAUGHS.]
- Seriously.
You saved the whole show.
- [LAUGHS.]
- [CAR HORN HONKS.]
- So wonderful.
- [CAR HORN HONKS.]
- Oh.
Um - You should go.
No, but I don't have to drive with him, honestly.
- I can just drive with you.
- Oh, no.
It's okay.
You should go.
You're gonna go, and you're gonna have fun.
You're gonna go with your friends.
Come on.
I'll see you at home.
Yes.
Have fun.
You were so great tonight.
- No, I wasn't.
- Yeah, you were.
YUKI: Is she not gonna say good-bye? No, she wanted me to tell you that she's gonna wait in there.
- Is she okay? - Yeah.
- She had a little thing with a boy.
- Oh.
- [SNIFFS.]
- YUKI: Yeah? - You all set? - ANNA: Mm-hmm.
- Hey, good job tonight.
Really good.
- CURTIS: Good night.
- Thanks.
- Good night.
- Good to see you.
- CURTIS: See you.
Take care.
ANNA: Did you beep at me, Maya? Maya, don't forget to brush your teeth.
- I know.
- Proud of you! MAYA: Dad, stop.
[ZIPS LOUDLY.]
[ENGINE RUMBLING.]
[THE CHIFFONS' "ONE FINE DAY" PLAYING.]
- All set? - Mm-hmm.
- Bye.
- Bye! ANNA: Bye! SINGERS: Shooby-dooby-dooby Dooby-doo, wop-bop SINGER: One fine day - SAM: Maya! - SINGER: You'll look at me And you will know our love was meant to be One fine day You're gonna want me for your girl SINGERS: Shooby-dooby-dooby Dooby-doo, wop-bop Shooby-dooby-dooby Dooby-doo, wop-bop CURTIS: We're gonna have some adventures in this baby, aren't we? Me and you.
SINGER: Proud to have me right by your side One fine day - Did your mom tell you? - ANNA: Hmm? SINGER: You're gonna want me for your girl Hmm? - What? - She's getting the house.
But, um but I get to look for a new apartment.
SINGER: Who only wants to run around Will you help me with that? SINGER: I'll be waiting And someday, darling You'll come to me You'll have to decide who you want to live with.
Me or your mom.
SINGER: We'll meet once more And then you'll want the love You threw away before One fine day You're gonna want me for your girl [SINGERS VOCALIZING.]
One fine day You're gonna want me for your girl SINGERS: One fine day You're gonna want me for your girl - SINGER: One fine day - SINGERS: One fine day You're gonna want me for your girl SINGER: One fine day [SWEEPING ORCHESTRAL MUSIC.]