The Arrangement (2017) s02e07 Episode Script

1 Previously on "The Arrangement" - Wes, right? - Yeah.
Do me a favor, leave him alone.
What exactly are you trying to tell me? I had feelings for his mother.
Sorry, this is my agent, Leslie Bellcamp.
I think we'd all just be happy if we never had to see her again.
There's a fan poll, and it's about who should be the next Agent Jane.
How do they know I'm even up for the part? Ten years ago, a girl named Julie Woolth joined IHM and then she just vanished.
There is no record of Julie Woolth anywhere.
People remember her.
Maybe these people are lying to you.
I saw how you help people.
And now with First Life, I know I believe in this.
I'm not giving up.
My lab has isolated a hormone that prevents cell death.
You're talking about immortality? - Great, I'm out.
- I fired him.
I'm an actor, I need to stop hiding from it.
But I'd like to see if we could set myself up with a franchise.
The climate's changed, you know that.
- And your face comes with some noise, - Not the kind of noise that everyone wants to hear.
- My advice? - Yeah, I'm not interested.
Go ahead and tell the truth.
It always makes the truth feel better.
Are you a therapist or an armed robber? - Hey, I'm complicated.
- That's impressive.
I'm still not going to sit here and talk to you about my shit.
Well, we might be here for a bit.
No need to be strangers.
No, I'm okay with being strangers.
[DEEP VOICE.]
I'm okay with being strangers.
- [LAUGHS.]
- That's a cut! Great, can we get playback on that, please? All right, come watch it back with me.
I have to jet to my audition, remember? Oh, that's right.
Well, break legs, sweetie.
I will try.
Hey.
- That was fun, right? - Yeah.
[DRAMATIC MUSIC.]
Hello, Megan.
Leslie, hi.
- You have a client up for this? - Martina Flores.
This is her second time meeting the director.
Oh.
- She's great.
- Yeah, yep, she's amazing.
Is Karen stuck in traffic, or She's at the office with the rest of the team.
Always so busy at Creative Partners.
And less helicopter-y, which works for me.
How's Kyle? Kyle's great.
Come on.
Even "Deadline" is saying he freaked out about you and Xavier.
- What happened? - Nothing.
We're getting married in four weeks.
Kyle's happy, your ten percent is safe.
[SCOFFS.]
Stop, I don't give a shit about my ten percent.
I care about you.
What is it, a million bucks? Yes, but that's not my first concern.
[FOOTSTEPS APPROACHING.]
Hey, how'd it go? It went.
Uh Nice to see you.
I may not remember who I am, but I damn sure know who I'm not.
Now who sent you? Great, that's great.
Give us a minute You've nailed everything we've thrown at you.
- Let's talk.
- Sure.
Tell me what you think of the script.
Well, it's a great read.
Jane is a badass.
And she's funny, which I love.
I just I think there might be some moments missing.
Like what? Well, I think that she could wrestle with the idea to leave Steven a bit more.
You know, in real life, love makes everything so much more complicated.
Yeah, well, maybe the five guys that wrote this script have never been in love.
[LAUGHS.]
Maybe.
You're the first actress who's had the nerve to be honest with me, so I'm going to be honest with you.
I would love to get my hands on your instrument.
But what I wouldn't love, what I'd hate, to be honest, Is a bunch of the Institute of the Higher Mind bullshit on my set.
The stuff I'm reading about Xavier Hughes being recruited - makes me queasy.
- Me too.
Because it's not true.
I know there are a lot of rumors out there.
But I keep my business with IHM completely separate from my work.
Completely.
Another good answer.
Thank you.
Your name is Oliver Kent, a mid-level spy.
Son of a disgraced government actuary.
146 IQ, photographic memory.
Self-deprecating humor, you're funny.
Weaknesses: Broken women, Vermouth, Jack-In-The-Box.
You're driven by fear.
And a need to prove you're not your father.
- I see this guy.
- Good.
Sergeant Stone is America, but you've done that movie.
Oliver Kent is the guy watching America burn on TV.
Is that a good thing? Right now, it's the thing.
We're not perfect, answers aren't simple.
But we're doing our best to find them.
Sounds like we just found IHM's new slogan.
We found our next movie.
It's going to be huge.
All right, I'll contact Ellen at the studio, let her know I'm grateful she stuck her neck out for me.
- He's back on track.
- It's great.
Am I the only one who's worried about the huge mess we're about to have on our hands? [DRAMATIC ROCK MUSIC.]
Congratulations, I'm so happy for you.
Thank you.
Well, hopefully we'll both have something to celebrate.
I hope so.
Uh, flight's set for 4:00 tomorrow.
- Car will be here at 2:30.
- Thank you.
Hey, you're going to love this location, by the way.
Night.
Make sure you pack the burner phone.
[SCOFFS.]
What, so I feel like we're making progress? You're about to go shoot the most important scene of the movie.
Work matters.
I'm getting married in a month.
I wanted Terence and IHM out of the picture completely.
That can still be the goal.
Hey, how fast can you pack a bag? Depends why I need to get out of town.
It could be real fast.
Well, our production designer's assistant broke his ankle, so it turns out that there is a job for you in Washington after all.
I guess Terence didn't tell you.
Tell me what? I'm starting the intro workshop tomorrow.
He said that he would cover the fees, so.
Oh, wow.
Are you going to be able to find somebody else? Uh, sure, yeah, don't worry.
We'll be okay.
Listen, have a great time, okay? I will call you when I get back.
- Sure.
- Bye.
I just got off with Karen.
"The Identifier" deal is going through.
Great, I will brace for the storm.
She's handling the other issues.
No one will know.
Well, I certainly hope she's more discrete than you were when you were recruiting Wes.
Is this your attempt at punishing me? I kept my distance, like you asked.
He came to me.
Said he wanted something more out of life.
He made his own choice.
Just like you did.
Okay, well, I had hoped that we could have this conversation when we were in a better place.
But seeing as I have to go out of town Well, I'm sure it can wait.
Well, that's the thing.
It actually can't.
If you still want to get pregnant, that window of opportunity is closing rapidly.
But it happens to be open at the moment.
As in I'm ovulating, like, now.
[PENSIVE MUSIC.]
Great.
[TENSE MUSIC.]
[PHONE RINGING.]
Oh, hold on.
Hi, Karen.
Okay.
Okay, okay, yeah, no, I No, I'm fine.
No, thank you for calling.
Yeah.
I didn't get the part.
I'm sorry.
Never count on anything, right? Never think you know.
I can't believe I let myself go there.
[SLOW DRAMATIC MUSIC.]
[PHONE RINGING.]
Hey.
I'm sorry you didn't get the part.
I know why.
The director loved me.
She said she was worried about having IHM on set.
And maybe she was.
Or maybe she's just full of shit.
Megan.
You're a great actress.
Soon the whole world is going to know, and then everything is going to change.
[ELEGANT PIANO MUSIC.]
"Tannerville, the Cabo of the Pacific Northwest.
" - Mmm.
- Oh.
We can stay in the private home if you'd like.
If you don't mind the drive, I think it's like 25 miles.
That'll mean 25 minutes less sleep in the morning.
Oh, my gosh.
It's you! Megan Morrison, you were on Lima! Yeah, I was! Well, just for a few episodes.
You were so great.
I binged the whole show, you were the real star.
Thank you so much! [CHUCKLES.]
I love this place.
Okay kids, got you the presidential suite.
Come on.
Bye! Did you know that chair over there - is made of real naugahyde? - Mmm.
And I'm pretty sure the bed vibrates.
Oh my, I love when you talk amenities - Mr.
President.
- [LAUGHS.]
- And I love you.
- Mmm.
- Are you excited for tomorrow? - Yeah, I can't wait.
I thought it was supposed to be clear for two more days.
Yeah, thing's changed overnight.
Unbelievable.
It's the weather, Kyle, it doesn't come with guarantees.
Yeah, well, it should.
It's going to clear up.
We'll be fine.
- [ALL WHIMPER.]
- [THUNDER RUMBLING.]
Definitely going to clear up.
Oh, my God.
Jesus Christ, this is why I live in LA.
- Megan.
- What are you doing here? When I call you, you need to call me back.
I can't believe you haven't figured that out by now.
Leslie, we're a thousand miles from Los Angeles.
Oh, my God, we are? Should I just leave? Or would you like to know the real reason you didn't get the part? What are you talking about? Delia Clark wanted you.
You were her first choice.
Creative Partners pulled you out.
[THUNDER RUMBLES.]
- That's ridiculous.
- That's the truth.
You got screwed, Megan.
By your own people.
[DRAMATIC MUSIC.]
I'm sorry.
I You don't understand.
I want to.
I wanted to get it out, you know? Like My mom died.
Shit has to be in there.
But anytime somebody asks me to share, it's like I don't have any words, I just Don't feel anything, I don't know.
That's okay.
We're going to give it some time.
It's called a non-compete clause.
The moment Kyle attached himself to a spy franchise at a rival studio, as per the terms of your contract, you were done with Agent Jane.
So I'm not allowed to compete with him? I flagged it for you in the contract.
Just, my head was spinning then.
Look, obviously Terence and the dream team don't want you to outshine Kyle at the box office.
Which you would, because you're you.
Thank you, but what exactly are you trying to do here? Well, that's a cynical question, Megan.
I still care about you, deeply.
And moreover, I care about feminism.
- Okay - And this is Take it down a notch or two.
I don't even know if you're telling me the truth.
Okay, you ruminate on whether or not to trust the one person who believed in your greatness - before anyone else did - Leslie And meanwhile, the studio is moving on to their inferior second choice as we speak.
So do you want to fix this or not? Just so you know, I can't resign with you.
Why don't we just deal with that after you've had time to process? Weather, power's out.
This is what we have insurance for.
Should we just pack everybody up and fly them home? What's going on? Wait, what are you doing here? Just helping out a friend.
Did you know about the non-compete? The non-compete - In the - In the contract? Yeah, that we can't star in rival franchises? Which you're not, because you didn't get the part.
- Uh, wrong.
- The director wanted her, Karen Wells pulled her to avoid the conflict of interest.
Kyle? Look, now that you mention it, I remember that clause being in the contract.
But I had no idea you got the offer on Agent Jane, I swear.
Yeah, and for the record, neither did I.
Where are you getting your information from, anyway? Uh, don't do that.
I'm good at my job, - that's where.
- Do what? I'm just asking - Leslie.
- You a question.
I believe you, now let's just fix this.
This is a solvable problem.
Call your lawyer.
Amend the contract, remove the non-compete.
Everyone's happy.
[DRAMATIC MUSIC.]
I'm sorry, I can't do that.
We can't change the contract.
What? That clause is in there for a reason.
- Okay, it's not that simple.
- [EXHALES.]
Well, I need booze.
Megan, wait, wait.
This is what we signed up for.
The contract is there to help us when we have to compromise.
Compromise? Compromise is when both people get something.
- Will you look at me, please? - I got that part, Kyle.
I earned it, and now you're taking it away from me.
Not Terence, Not Karen, you.
Maybe you didn't get that part.
- What do you mean? - You're going off of Leslie's word here, but she obviously has her own agenda.
You know what, I trust her more than you right now.
Megan, wait! - You don't mean that.
- Yeah, I do.
Come on, Megan, a lot goes on behind the scenes when casting a movie, you know this.
We don't know why you didn't get that part.
Stop bullshitting me! This is about you, protecting your business interests and your brand.
Fine, I'm protecting my business interests.
- We signed a contract.
- Yeah.
So you could have a robot on your arm - with no ambition of her own.
- That is not true, okay? You knew exactly what was in that thing before you signed it, all right? You can't suddenly play the victim now.
Suddenly? This is "The Kill Plan" all over again.
Except this time, it's worse, and you won't even own the real reason why.
- The real reason? - Yeah, you're terrified.
You think your career is so fragile, that it's worth taking an opportunity away from me.
You want to talk opportunity? You're starring in a movie right now, and we both know that wouldn't have happened if it wasn't for me.
Wow.
Wow.
Megan, you know what I mean, okay? This role is a big leap for you.
Oh, I know, I was just a TV guest star.
A nobody, but I'm also the person that fell in love with "Technicolor Highway.
" You wouldn't even read it.
- Megan - Don't.
Thanks.
So your Cinderella/Prince Charming story is getting messy.
How did you not see this coming? - Really? - Now, suddenly you care? Desperation is not a good look on you, Leslie.
Okay, well that would be a misread.
Yes, maybe I panicked a little bit when you guys were convincing Megan to drop me, But you know what, the sun still rose the next day, so And then what? [EXHALES.]
Look.
I feel responsible.
Oh, there it is.
Because you didn't tell Megan that her audition for "The Kill Plan" was more than just an audition, did you? No, just like you didn't tell Kyle you were casting his next relationship.
- It wouldn't have helped.
- So that's why you're here? - To help? - Okay, Christ, yes.
I am making my move, and that's because Megan is going to be a superstar if you and this clown posse don't screw it up for her.
Or, if the bomb that you just dropped doesn't blow up their whole relationship.
Then what happens to her? Did you think about that? [EXHALES.]
DeAnn.
Don't you believe in the power of true love? Oh, God, spare me.
[LAUGHS SOFTLY.]
Look, we both know she deserves that role.
And more.
But this is up to them.
There's nothing that I can do to fix this.
Great, so, doesn't matter what you want.
You've got no control here.
We have no control, Leslie.
[SLOW COUNTRY MUSIC.]
Shakespeare.
Oh, just a little light reading.
- What's up? - So This mysterious meeting that showed up on my calendar for tomorrow.
- The Original Five? - Right.
I want to re-appropriate some of our funds.
So the Original Five have to sign off.
Board approval, essentially.
Yeah, I remember seeing that in the bylaws.
Can't have you running around with unchecked power.
Well, it wasn't my idea.
So what's the re-appropriation for? Something new.
You'll find out tomorrow at the meeting.
Well, as long as we're not taking money away from the First Life initiative, I'm excited.
Wait, what? What I'm working on will pave the way for First Life.
And so much more.
Terence, I have a list of families and children who need this.
They need us.
We can't just turn our backs on them.
- We aren't.
- Then what are we doing? Tomorrow.
- Do you trust me? - [EXHALES.]
- Yes.
- Good.
So honor that, because I trust you, too.
And I want you to be a part of this process.
[DRAMATIC MUSIC.]
- Zach? - Hi.
Can I help you with something? You can help me find Julie Woolth.
Julie Woolth? I don't know who that is.
The truth is you never looked, did you? You lied to Megan.
I have work to do, and you need to get out of my office.
I know where you are right now.
You had to make a choice between them and someone close to you, and you chose them.
So he rewarded you.
He made you an insider.
- He made you feel special.
- Zach Only now, deep down, you can feel that something's not right.
I felt it too.
I ignored it.
And he tore my family apart.
[SIGHS.]
You were right.
I am scared.
There's a whole lot of people relying on me, and suddenly my career isn't bulletproof.
You just signed on to a huge franchise.
- Seems pretty bulletproof to me.
- Yeah, well, it isn't.
The studio's nervous.
Everything has to go right.
Why do we have a contract? - Tell me the truth.
- I told you the truth.
The night after we met, you stood under the stars and you basically told me you were falling in love with me.
- That was the truth.
- That was a show, Kyle.
Look, I get that you're angry.
But don't make it into "this whole thing is fake.
" I didn't say it was fake.
But you're not being honest.
When you have to treat the person that you love and that loves you as a threat.
That's not protecting your brand.
That's, I don't know, that's fear on a whole other level.
Come on, you are totally spinning this.
What are you hiding? Something that went down with Lisbeth? - Seriously? - It has to be something.
Otherwise, this contract is just some sort of paranoid overcompensation, because some woman broke your heart.
- All right, look.
- You are barking up the wrong tree, Megan, all right? Now please, just let it go.
Bullshit! I am supposed to marry you in a month.
And if you want to bump me off of this movie, and fall back on the contract as an excuse, then I damn well deserve to know the truth about it.
[DRAMATIC MUSIC.]
It's you.
The reason for the contract is you.
- What the hell does that mean? - There's a risk metric.
A tool Terence created to assess people for the Institute.
The three imperatives, personal interaction.
Past history.
With you, there are There are a number of identifiers.
- Are you kidding me right now? - [EXHALES.]
Dropping out of school, for example.
Disappearing.
There were others.
Things to suggest that you aren't 100% straightforward.
Assholes.
Megan, it turned out to be right, didn't it? Terence was right.
He knew that you were going to be problematic, and I knew that you were going to be worth it.
That's why there's a contract.
There, now you know the truth.
Thanks.
Since we're both being honest, there's something that I would like to know.
Why did you sign the contract? Did you think it would be good for your career? Yeah.
My boyfriend just cheated on me.
You took me to Mexico, invited me to Italy, and I had a day.
A day.
To decide whether I could fall in love with you.
And I decided I could.
And that's it.
That's the reason I signed.
So, if we could go back, would you sign it again? I don't know.
[DRAMATIC MUSIC.]
[TENSE MUSIC.]
[PHONE RINGS.]
Hey.
Really? How long's it been clear? Yeah, yeah, no, no, no, let's go for it.
All right.
There's a break in the weather.
So this is the money shot.
Sky over the lake, and we're going to superimpose the VFX of the Northern Lights over this.
Beautiful, yeah.
We should get this shot first with Megan walking into the water, and then all the other wide shots, - just in case the weather turns.
- Yeah, agreed.
- I'm going to grab seconds.
- All right.
Hey.
So you and Kyle kiss and make up last night? No, we decided to question the overall viability - of our relationship, instead.
- Oh, sorry.
You think there are other actresses out there going through this? Stuck in an inherently batshit situation they think they can eventually change? That's every woman in Hollywood, sweetie.
- Oh, we must all be crazy.
- [CHUCKLES.]
Like foxes.
I'm not giving up.
You shouldn't, either.
I'm coming to set.
Well, the biggest problem is is I just flat out lied to the person that I love.
And it was easy.
Well, you did what you had to under the circumstances.
Don't waste time questioning your instincts.
Yeah, well, I am.
I'm about to go direct the most important scene in the movie.
And I don't want this hanging over my head.
Then don't let it, Kyle.
Why do you think I'm talking to you? Look, don't fix this now.
Put it on the shelf, and commit to revisiting it later.
You need to stay focused on what's in front of you.
I've got a presentation.
I'll check in with you later.
Good morning.
Mind if I catch a ride with you? - Look, Megan - Let's not.
I just want to make sure you're in the right head space for today, okay? - This scene - Is everything, I know.
I'm ready.
And that's what's so exciting here.
Mitochondrial enhancement like we've seen in the trials is extremely significant.
And with all of your support, I'm confident a major breakthrough is at our fingertips.
- Thank you, Isaac.
- Okay.
Thoughts? Extending the life of lab rats, Terence.
I'm sorry, but I don't even know where to begin here.
Well, you can start with an open mind.
That's all I'm asking for today.
Roger, where are you at? Processing.
It's a big shift in resources.
Hmm.
[INHALES.]
I want you all to think about what it would be like to change the way we perceive time and mortality.
You want to use the promise of a magic potion to lure people here? That's what you're talking about? - What happened to the work? - The work? The work just got better.
Remember 25 years ago? We used to hang out at Norm's for hours, talking about what the world could be like.
And all we had to do was take the risk of trying to change it.
Well, here we are.
This is our moment.
So who are we, if we don't take that chance? Dreamers.
Dreamers and nothing else.
Bye.
Dominique seems like the problem.
No, Dominique will vote to approve.
She just likes to hear herself talk.
- I'm concerned about Roger.
- Really? - He seemed responsive.
- He wasn't.
He's usually more engaged, full of questions.
Should I sit down with him, go deeper into the science? No, I don't think we can convince him on the merits.
What are his vulnerabilities? What do you have in mind? I can dig into his history, see if there's anything that might motivate him.
I would just need access to the personnel archives.
Maybe I should press pause while you figure this out.
No, no, we are not pausing for anything.
We're going to get those votes.
And I'll get you whatever you need.
[TENSE MUSIC.]
That's good, now let's push in.
Yeah, start right there.
Yeah, that's perfect, good.
[DRAMATIC MUSIC.]
- Shoot this in five? - You got it.
- How we looking? - Three minutes, five tops.
Look, every second we're not shooting Hey, we're making art here, you can't, um [RETCHES.]
Mel, are you okay? [BURPS.]
Excuse me.
[COUGHING AND VOMITING.]
- That's unfortunate.
- Great, just great.
Okay, Kyle, I think we might need to [GRUNTS.]
Are you okay? [GRUNTS.]
[RETCHING.]
Seems to be spreading.
- [RETCHING.]
- Oh, shit.
How does that feel? Uh, I feel like I'm dying.
There's definitely something in the food.
Half the crew is vomiting.
Please don't say "vomit.
" Kyle, I really think that we should pack it up and push this thing.
We'll find a way to make it work with your schedule.
I think our insurance covers food poisoning.
No, no, look, we're going to make it work today.
You're in no shape to work.
You guys are going to have to do this without me.
You both know what it's supposed to be.
So what, you want me to direct? The DGA's going to throw a fit.
Kyle, this is supposed to be your vision.
Hey.
It's our vision.
It always has been.
Today's the day.
Make it work.
[DRAMATIC MUSIC.]
Great.
What do you want to do? We'll take 30 seconds to freak out.
And then we've got to do this.
We're losing light.
Jill! Okay, we won't have time to break it up, so we're going to have to shoot in real time.
That means A-camera tight from the barge, B-camera stealing wides from the shore.
- Copy that.
- And if we have that third Alexa, we should just go handheld, and get Clyde coming out of the tent, yeah? We have a camera.
I'm not sure we have anyone to operate it.
Are you telling me we've lost all of the camera assistants? Well, Ricardo and Paul both ate the bad eggs.
I mean, she's a vegan, but she's co-opted by electrics.
We're short everywhere.
Well, we need to find somebody for electrical then.
Leslie.
Leslie, can you get off the phone? Yeah, hold on one second.
- Yeah? - Do you see her? I want you to go over there, and ask her where she wants you to lug those cables, and tell her to come talk to me after.
I'm not lugging cables.
Okay, did you come here to help Megan, or get your ass hucked in a lake? I'd like to see you try that.
I will krav maga you into next week.
[SCOFFS.]
I'll call you back.
[UPBEAT MUSIC.]
Picture's up.
We have got to go.
Thanks.
Last scene.
We did it together.
This is why it's worth it.
Roll camera.
Rolling.
Sound speed.
Action! [DRAMATIC MUSIC.]
This isn't right.
We need to cut.
- We don't have time to - Just cut.
Cut! [SIGHS.]
What's the problem? Okay, standby, get her out, and get her a new pair of pants.
Oh, my God.
Okay, Jill, you're in the director's guild.
You're going to have to give this note.
Okay, what's the note? Okay, um She finally knows what she needs to do.
She's terrified, but she's ready to take control.
Okay.
You finally know what you need to do, You're terrified, but you're ready to take control.
What does that even mean? Seriously? What are you doing? You're freaking her out.
- DeAnn.
- Okay.
Okay, I'm thinking.
Look, just tell her not to give up.
- It's a suicide scene, Leslie.
- Okay, fine.
No, you got this, you got this.
Just flail away on your own.
[TENSE MUSIC.]
What's the note? Be brave, don't give up.
Be brave.
Totally.
- Jill.
- Great, uh, pictures up! Roll sound.
And you were going to put me in electrics.
And And action! [EXHALES.]
[TENSE MUSIC.]
Okay, you went to film school? - Mm-hmm.
- I'm sorry, I don't buy it.
Okay, then you obviously did not see me masterfully wrangle those cables.
Okay, wait, so you made a film? Yeah, it was a documentary about the homeless man who slept outside our dorm.
- And then you slept with him.
- [LAUGHING.]
- Only once.
- [ALL LAUGH.]
How come I didn't know about this? I was literally just about to tell you, but uh, then you fired me.
- That's awkward.
- [ALL CHUCKLE.]
You know, today could have been a disaster.
It could have.
But it wasn't.
We got the scene exactly the way it was supposed to be.
Yes, we did.
- To us.
- Yes.
Wes, come into my office for a second.
- Am I in trouble? - Have a seat.
Read this.
"For Sorrow's eye, "glazed with blinding tears "divides one thing entire to many objects, "like perspectives, which rightly gazed upon, "show nothing but confusion, "eyed awry, distinguished form.
"So your sweet majesty.
"Looking awry upon your lord's departure, "find shapes of grief, more than himself, to wail, "which, looked on as it is, is naught but shadows [SNIFFS.]
Of what is not.
" - There.
- [SIGHS.]
Now you've got the words.
Shakespeare.
[SNIFFS.]
An actor should start with the best.
Do you do this with everybody? Only one other person.
[SOFT GUITAR MUSIC.]
You look better.
I had Jell-o.
Hmm.
How you feeling? I have an answer to your question.
It's no.
No? I wouldn't sign the contract.
If we could do it all over again.
But it doesn't matter.
- You don't think it matters? - It doesn't.
Because we can't go back.
Look.
There are things in our life that I want to change.
Things I believe I can change.
But that will only happen by moving forward.
And I don't want to do that without you.
Look, I want things to change, too.
I want to change.
[EXHALES.]
You should do your movie.
You earned that part.
You sure? - You're not still delusional? - I'm pretty sure.
- What about the non-compete? - Ah, I'm not worried about it.
Well, you should be worried about it.
Yeah, your movie's going to crush mine.
- You know why? - Why? Because there ain't no I in Kygen.
Oh, my God, the wedding is so off, man.
No, no, no, you signed a contract.
[LAUGHS.]
[KNOCKING.]
- Hey.
- Hmm.
Hi.
So Roger came around.
Good to hear.
That was some solid research on your part.
He was very, very motivated.
I thought he might be.
And I'm glad you came around.
It feels better when you're on board.
I wouldn't say I'm on board.
Not completely.
- No? - I'll wait to see how things go with Isaac.
Whether it's worth putting First Life on the shelf.
You know what I admire about you? Most people try and be who I want them to be.
You're just yourself.
Your best self.
I love you for that.
[SOFT PIANO MUSIC.]
[DRAMATIC MUSIC.]