Castle Rock (2018) s02e08 Episode Script
Dirty
1 CRYSILDA: I see it now.
What? How to make it right.
How to get away clean.
[SCREAMING.]
RITA: I'm looking for a girl.
This is 16 years old, so she would be in her 30s now.
Her name is Annie.
JOY: What were you gonna do with me? Joy You were gonna kill us both, weren't you? JOY: You need to go.
Joy, I'm not going anywhere without you.
[GUNSHOT.]
DEPUTY: Hands up! I did it! AUGUSTIN: She brought me back.
The Wilkes woman brought all of us back.
You're seeing signs where there are none.
What vessel is suitable? Show us the proper vessel.
SHERIFF BOUCHER: Her head's swimming with antipsychotics.
AUGUSTIN: What was the problem? The medicine they use, it confuses them.
AUGUSTIN: And the vessel? For Amity? - You chose her? - No.
She chose us.
It's all happening exactly as Amity said it would.
[DARK MUSIC.]
[DOOR CREAKS.]
ACE: Hello, Anne.
[EERIE MUSIC.]
Ace? [DOOR SLAMS.]
What's happening? They questioned me, but they brought us here.
Am I under arrest? He's with us now.
Let's find you a place to clean up.
[STRANGE ECHOING WHISTLING.]
[LEONARD COHEN'S "AVALANCHE".]
[BELL JINGLES.]
COHEN: I stepped into an avalanche It covered up my soul When I am not this hunchback that you see I sleep beneath the golden hill You who wish to conquer pain You must learn, learn to serve me well You strike my side by accident As you go down for your gold The cripple here that you clothe and feed Is neither starved nor cold [OMINOUS MUSIC.]
What have you found? Her pills.
[SUSPENSEFUL MUSIC.]
[DISJOINTED, TENSE MUSIC.]
ANNIE: I saw this a week ago, and it was kind of a flop house.
We figure if we can fix a place like this, we can fix anything.
Anyone.
As long as you're here, you have sanctuary.
ANNIE: No, no, we are not staying here.
If you leave now, you'd be taking your chances With the state.
Child Protective Services.
Everyone needs help sometimes.
No shame in it.
Stay the night.
Until it's safe out there for you and Joy.
JOY: [WEEPING.]
Little love [SIGHS.]
I wanna fix it But I don't know how.
I just know we can't stay here.
[DOOR OPENS.]
[APPROACHING FOOTSTEPS.]
As soon as it's safe, we'll leave.
I promise.
EERIE VOICE: [WHISPERING.]
Annie ANNIE: Sweetheart EERIE VOICE: [WHISPERING.]
Annie [TENSE MUSIC.]
Annie.
What are you doing? Have you been taking your pills? ANNIE: Yes, they gave them back to me.
CHRIS: I understand Amity's vessel is here now.
Yes, she'll be back with us soon.
And the doctor? VALERIE: Augustin says it's time for her too.
She's your affair now.
[KNOCKS ON DOOR.]
Hey, what are you doing here? - I've gotta get to work.
- I just need to talk to you.
So, where have you been? If your brother's sleeping at the office now that means you've got the place all to yourself.
NADIA: So? So maybe we can find some virtue in the circumstances.
It's not a joke.
CHRIS: [SIGHS.]
You two will work it out.
It's time.
No, it's not.
[GAGS.]
- [GRUNTS SOFTLY.]
- [GAGGING.]
[GRUNTING.]
- [GRUNTS.]
- [HOLLERS.]
Bitch! - [DRAMATIC MUSIC.]
- NADIA: What the fuck?! NADIA: [SCREAMS.]
CHRIS: [GRUNTS, HOLLERS.]
- What's wrong with you?! - Kill you, bitch! NADIA: Chris, get off! Chris is dead and you're next.
What are you doing?! Four fuckin' years and you think you can get away? [BOTH GRUNTING.]
NADIA: [YELPS.]
[PANTING.]
It is time.
Cell network, phone lines, power.
Once we cut off communication [LIGHTS CLANG.]
Kill anyone that's left.
[PANTING.]
[HEAVY THUD.]
[WHEELS CLATTERING.]
Hello? What the fuck? [SIGHS.]
[TENSE MUSIC.]
[PHONE DOCK CLICKING.]
Is anybody here? Hello? [MELANCHOLY MUSIC.]
[FOREBODING MUSIC.]
VALERIE: There is something you need to see.
Whose hand is this? The girl's.
What if the daughter is the vessel? [SPEAKING FRENCH.]
[TENSE MUSIC RISES, CRESCENDOS.]
Is this your daughter's? Yeah.
Did she leave it out? ACE: She has a very unique style.
Has she always been an artist? Joy.
Steady hand, that girl.
ACE: Is she doing better? If there's anything at all that she needs a favorite meal, new clothes art supplies.
Even I hope you'll forgive me uh any medication.
No, nothing like that.
- She's not like - Of course.
I just wondered.
[MUFFLED THUD.]
That door Yes? What's down there? The basement.
ANNIE: You keep it locked.
I do.
We're finishing it.
I don't want someone to get hurt.
[SINISTER MUSIC.]
EERIE VOICE: [WHISPERING.]
Annie.
[METAL CLANGING.]
NADIA: Hello? Miss Davis? What happened? Where is everyone? The parade came by.
They went out to look, and they never came back.
They all kept talking about a noise, but I couldn't hear it.
[GRUNTING.]
[COUGHING, GASPING.]
It hurts.
Jesus.
What hurts? Get him out of me.
Get him away.
I don't know what's happening.
- There's something inside of me! - Chris, it's Nadia.
There's no one here but us.
[GASPING.]
- What happened? - You attacked me is what happened.
There's someone someone inside of me.
[PANTING.]
[GROANS.]
Chris, you're having a psychotic break.
I'm treating you with Haldol to stabilize you.
I know what you're feeling feels very real right now It is real.
It's all it's all real.
They're coming for you, Nadia.
They're coming for everyone.
Chris? Chris? EERIE VOICE: [WHISPERING.]
Annie.
Can't you see what these dirty birds want? Can't you see how you're giving in to them? Giving her to them.
Dirty words in a dirty book Blind you to what's really going on, just like they did with your father.
[NO AUDIBLE DIALOGUE.]
[ECHOING.]
Annie [WHIMPERS.]
Annie! [HYPERVENTILATING.]
[SINISTER MUSIC.]
[GASPING.]
[SCREAMS.]
This isn't real.
CRYSILDA: They put filth inside her.
[WHIMPERING.]
You aren't you aren't real! CRYSILDA: Get her clean! Did you get any sleep? I guess.
Nothing like a nice, long sleep.
[BREATHING HEAVILY.]
Joy? Why are you being so nice to us? ACE: [CHUCKLES.]
You weren't like this when we first got here.
People change.
ANNIE: Joy? [EERIE MUSIC.]
[RAPID APPROACHING FOOTSTEPS.]
ACE: That appalling man you met, he was at a funny place in his life.
Turns out, his time was up, and now he feels like a distant memory.
Think you might like a change, Joy? Given what you've been through.
Terrible thing to see someone die like that and right in front of you.
And to be responsible for someone's death.
No, no, it was an accident.
Things happen for a reason.
[INSECTS BUZZING.]
And you did a bad thing.
A terrible thing, Joy.
Now you feel empty.
A shell.
[WHIMPERS SOFTLY.]
[YELPS.]
[SINISTER MUSIC.]
JOY: [MUFFLED SCREAMING.]
Shh.
Get off! ACE: But lucky you.
[MUFFLED.]
Let me go! Let me go! ACE: Not for long.
[DARK MUSIC.]
[PANTING.]
- [GROANING.]
- Just breathe.
You're safe now.
Just give me more of that stuff.
I can't hold him back any longer.
- [INHALES HOARSELY.]
- [GROANING.]
NADIA: Chris? Chris.
[YELPS.]
NADIA: I'm getting more medicine.
[GROANING, STRAINING.]
[SUSPENSEFUL MUSIC.]
[DOOR OPENS.]
BILLY: Just sweep the building for people and shoot anyone that's left.
Chris, there are men here with guns.
My men, and I'll enjoy watching what they do to you.
- What? - I'm in here, brothers! - [MUFFLED SCREAMING.]
- [SHUSHES.]
- Hello, boys! I'm in here! - NADIA: Shut the fuck up! [MUFFLED SCREAMING.]
[DISTANT CLATTER.]
[MUFFLED HOLLER.]
- [GUNFIRE.]
- [GLASS SHATTERS.]
[GUNFIRE CONTINUES.]
[GRUNTING.]
[SCREAMS.]
CHRIS: You're all gonna die! Fuck! [PANEL BEEPS.]
[MUFFLED GRUNTING.]
[GUNSHOT.]
[GUNSHOT.]
BILLY: Open the fucking door! [GRUNTS.]
[DOOR RATTLING.]
Go around the back! You're not getting out of here alive.
Open the door.
[GRUNTS.]
[SUSPENSEFUL MUSIC.]
No, don't, don't.
- [PANTING.]
- Don't, don't It's just a little Haldol.
Come on, Chris! [GRUNTS.]
- [RATTLING.]
- [MUFFLED CHATTER.]
TIMOTHY: Did you find the Wilkes woman? VALERIE: No, not yet.
Search the grounds.
Go up to the girl.
No one gets in.
Not until sunset tomorrow.
ANNIE: Joy no, no.
[WATER DRIPPING.]
Find her.
Get her clean.
Get her out of this dirty world.
[SINISTER MUSIC.]
[CLATTER.]
[GASPS.]
[MUFFLED SCREAMING.]
Where's my girl? [MUFFLED.]
I don't know, you bitch! [MUFFLED SCREAMING.]
Look what you're making me do.
- [BREATHING HEAVILY.]
- Up in the attic! Attic! [MUFFLED SCREAMING.]
ANNIE: [GRUNTS.]
[SCREAMS.]
[BOTH SCREAMING.]
[GASPING.]
[DOOR SLAMS.]
[LOCK CLICKS.]
[OBJECT CLATTERS.]
ANNIE: [SCREAMS.]
Helene? Helene? Helene? What happened? [OBJECT SCRAPES.]
[INTENSE MUSIC.]
[GASPS.]
[BOARD CLATTERS.]
- JOY: Mom? - Oh, little love.
Oh.
[BREATHING HEAVILY.]
What's happening? ANNIE: We're getting out, that's what.
What did they do to you? CRYSILDA: [WHISPERING.]
Annie.
You have to save her like I tried to do for you.
CRYSILDA: You know there's only one way out of this dirty world.
You know what you have to do.
End your pain.
End her pain.
Joy Mom.
We're gonna CRYSILDA: Kill her, Annie.
Make her clean.
[BABY CRYING.]
Make her clean.
Get her clean.
Make her clean.
[GASPS.]
Mom, can we go? [BREATHING SHAKILY.]
Mom? Hang on to me, okay? Don't make a sound.
[INDISTINCT WHISPERED CHATTER.]
[BIRDS CHIRPING.]
[BREATHING SHALLOWLY.]
[TENSE MUSIC.]
[POUNDING ON DOOR.]
BILLY: Doctor! Let's try this again! - NADIA: No! - One life for two! How does that sound? CHRIS: Nadia, don't open the door.
- Ten! - Don't open the door.
- Nine! - No, no, no, no, no.
- CHRIS: Don't open it.
- BILLY: Eight! I can see I can see what he's seen.
Don't open the door.
[GASPS.]
- Give me more of that drug.
- Six! CHRIS: Give me more Haldol.
- BILLY: Five! - Nadia, I can hold him back.
It has to be now.
[POUNDING ON GLASS.]
BILLY: Three! Two! - [MUFFLED CRASH.]
- [NADIA SCREAMS.]
[GLASS SHATTERS.]
[WHIMPERING.]
[GASPS.]
[PANEL BEEPS.]
BILLY: Bertrand? Thank you.
She's back there.
[BOTH GRUNT.]
[BOTH GRUNTING.]
[GUNSHOT.]
- NADIA: [GRUNTS.]
- [GROANING.]
[WHIMPERING.]
[REPEATING.]
No, no, no, no, no, no.
It's [PANTING.]
It's okay.
I'll get you into surgery.
No, Nadia.
I'm not really here.
I'm already gone.
[GROANS.]
You have to stop them.
Chris [WEEPING.]
[GRUNTS.]
Just Just know I alway I always [SCREAMS.]
[BROODING MUSIC.]
VALERIE: [WHISTLING.]
This way.
There they are.
Over there.
[CROWD MURMURING.]
[GRUNTS.]
Joy? [GRUNTS.]
[BOTH GRUNTING.]
Come on! Joy! Joy, no! Joy! Joy, don't! Joy! Joy! [ECHOING TONE.]
[SOLEMN MUSIC.]
What? How to make it right.
How to get away clean.
[SCREAMING.]
RITA: I'm looking for a girl.
This is 16 years old, so she would be in her 30s now.
Her name is Annie.
JOY: What were you gonna do with me? Joy You were gonna kill us both, weren't you? JOY: You need to go.
Joy, I'm not going anywhere without you.
[GUNSHOT.]
DEPUTY: Hands up! I did it! AUGUSTIN: She brought me back.
The Wilkes woman brought all of us back.
You're seeing signs where there are none.
What vessel is suitable? Show us the proper vessel.
SHERIFF BOUCHER: Her head's swimming with antipsychotics.
AUGUSTIN: What was the problem? The medicine they use, it confuses them.
AUGUSTIN: And the vessel? For Amity? - You chose her? - No.
She chose us.
It's all happening exactly as Amity said it would.
[DARK MUSIC.]
[DOOR CREAKS.]
ACE: Hello, Anne.
[EERIE MUSIC.]
Ace? [DOOR SLAMS.]
What's happening? They questioned me, but they brought us here.
Am I under arrest? He's with us now.
Let's find you a place to clean up.
[STRANGE ECHOING WHISTLING.]
[LEONARD COHEN'S "AVALANCHE".]
[BELL JINGLES.]
COHEN: I stepped into an avalanche It covered up my soul When I am not this hunchback that you see I sleep beneath the golden hill You who wish to conquer pain You must learn, learn to serve me well You strike my side by accident As you go down for your gold The cripple here that you clothe and feed Is neither starved nor cold [OMINOUS MUSIC.]
What have you found? Her pills.
[SUSPENSEFUL MUSIC.]
[DISJOINTED, TENSE MUSIC.]
ANNIE: I saw this a week ago, and it was kind of a flop house.
We figure if we can fix a place like this, we can fix anything.
Anyone.
As long as you're here, you have sanctuary.
ANNIE: No, no, we are not staying here.
If you leave now, you'd be taking your chances With the state.
Child Protective Services.
Everyone needs help sometimes.
No shame in it.
Stay the night.
Until it's safe out there for you and Joy.
JOY: [WEEPING.]
Little love [SIGHS.]
I wanna fix it But I don't know how.
I just know we can't stay here.
[DOOR OPENS.]
[APPROACHING FOOTSTEPS.]
As soon as it's safe, we'll leave.
I promise.
EERIE VOICE: [WHISPERING.]
Annie ANNIE: Sweetheart EERIE VOICE: [WHISPERING.]
Annie [TENSE MUSIC.]
Annie.
What are you doing? Have you been taking your pills? ANNIE: Yes, they gave them back to me.
CHRIS: I understand Amity's vessel is here now.
Yes, she'll be back with us soon.
And the doctor? VALERIE: Augustin says it's time for her too.
She's your affair now.
[KNOCKS ON DOOR.]
Hey, what are you doing here? - I've gotta get to work.
- I just need to talk to you.
So, where have you been? If your brother's sleeping at the office now that means you've got the place all to yourself.
NADIA: So? So maybe we can find some virtue in the circumstances.
It's not a joke.
CHRIS: [SIGHS.]
You two will work it out.
It's time.
No, it's not.
[GAGS.]
- [GRUNTS SOFTLY.]
- [GAGGING.]
[GRUNTING.]
- [GRUNTS.]
- [HOLLERS.]
Bitch! - [DRAMATIC MUSIC.]
- NADIA: What the fuck?! NADIA: [SCREAMS.]
CHRIS: [GRUNTS, HOLLERS.]
- What's wrong with you?! - Kill you, bitch! NADIA: Chris, get off! Chris is dead and you're next.
What are you doing?! Four fuckin' years and you think you can get away? [BOTH GRUNTING.]
NADIA: [YELPS.]
[PANTING.]
It is time.
Cell network, phone lines, power.
Once we cut off communication [LIGHTS CLANG.]
Kill anyone that's left.
[PANTING.]
[HEAVY THUD.]
[WHEELS CLATTERING.]
Hello? What the fuck? [SIGHS.]
[TENSE MUSIC.]
[PHONE DOCK CLICKING.]
Is anybody here? Hello? [MELANCHOLY MUSIC.]
[FOREBODING MUSIC.]
VALERIE: There is something you need to see.
Whose hand is this? The girl's.
What if the daughter is the vessel? [SPEAKING FRENCH.]
[TENSE MUSIC RISES, CRESCENDOS.]
Is this your daughter's? Yeah.
Did she leave it out? ACE: She has a very unique style.
Has she always been an artist? Joy.
Steady hand, that girl.
ACE: Is she doing better? If there's anything at all that she needs a favorite meal, new clothes art supplies.
Even I hope you'll forgive me uh any medication.
No, nothing like that.
- She's not like - Of course.
I just wondered.
[MUFFLED THUD.]
That door Yes? What's down there? The basement.
ANNIE: You keep it locked.
I do.
We're finishing it.
I don't want someone to get hurt.
[SINISTER MUSIC.]
EERIE VOICE: [WHISPERING.]
Annie.
[METAL CLANGING.]
NADIA: Hello? Miss Davis? What happened? Where is everyone? The parade came by.
They went out to look, and they never came back.
They all kept talking about a noise, but I couldn't hear it.
[GRUNTING.]
[COUGHING, GASPING.]
It hurts.
Jesus.
What hurts? Get him out of me.
Get him away.
I don't know what's happening.
- There's something inside of me! - Chris, it's Nadia.
There's no one here but us.
[GASPING.]
- What happened? - You attacked me is what happened.
There's someone someone inside of me.
[PANTING.]
[GROANS.]
Chris, you're having a psychotic break.
I'm treating you with Haldol to stabilize you.
I know what you're feeling feels very real right now It is real.
It's all it's all real.
They're coming for you, Nadia.
They're coming for everyone.
Chris? Chris? EERIE VOICE: [WHISPERING.]
Annie.
Can't you see what these dirty birds want? Can't you see how you're giving in to them? Giving her to them.
Dirty words in a dirty book Blind you to what's really going on, just like they did with your father.
[NO AUDIBLE DIALOGUE.]
[ECHOING.]
Annie [WHIMPERS.]
Annie! [HYPERVENTILATING.]
[SINISTER MUSIC.]
[GASPING.]
[SCREAMS.]
This isn't real.
CRYSILDA: They put filth inside her.
[WHIMPERING.]
You aren't you aren't real! CRYSILDA: Get her clean! Did you get any sleep? I guess.
Nothing like a nice, long sleep.
[BREATHING HEAVILY.]
Joy? Why are you being so nice to us? ACE: [CHUCKLES.]
You weren't like this when we first got here.
People change.
ANNIE: Joy? [EERIE MUSIC.]
[RAPID APPROACHING FOOTSTEPS.]
ACE: That appalling man you met, he was at a funny place in his life.
Turns out, his time was up, and now he feels like a distant memory.
Think you might like a change, Joy? Given what you've been through.
Terrible thing to see someone die like that and right in front of you.
And to be responsible for someone's death.
No, no, it was an accident.
Things happen for a reason.
[INSECTS BUZZING.]
And you did a bad thing.
A terrible thing, Joy.
Now you feel empty.
A shell.
[WHIMPERS SOFTLY.]
[YELPS.]
[SINISTER MUSIC.]
JOY: [MUFFLED SCREAMING.]
Shh.
Get off! ACE: But lucky you.
[MUFFLED.]
Let me go! Let me go! ACE: Not for long.
[DARK MUSIC.]
[PANTING.]
- [GROANING.]
- Just breathe.
You're safe now.
Just give me more of that stuff.
I can't hold him back any longer.
- [INHALES HOARSELY.]
- [GROANING.]
NADIA: Chris? Chris.
[YELPS.]
NADIA: I'm getting more medicine.
[GROANING, STRAINING.]
[SUSPENSEFUL MUSIC.]
[DOOR OPENS.]
BILLY: Just sweep the building for people and shoot anyone that's left.
Chris, there are men here with guns.
My men, and I'll enjoy watching what they do to you.
- What? - I'm in here, brothers! - [MUFFLED SCREAMING.]
- [SHUSHES.]
- Hello, boys! I'm in here! - NADIA: Shut the fuck up! [MUFFLED SCREAMING.]
[DISTANT CLATTER.]
[MUFFLED HOLLER.]
- [GUNFIRE.]
- [GLASS SHATTERS.]
[GUNFIRE CONTINUES.]
[GRUNTING.]
[SCREAMS.]
CHRIS: You're all gonna die! Fuck! [PANEL BEEPS.]
[MUFFLED GRUNTING.]
[GUNSHOT.]
[GUNSHOT.]
BILLY: Open the fucking door! [GRUNTS.]
[DOOR RATTLING.]
Go around the back! You're not getting out of here alive.
Open the door.
[GRUNTS.]
[SUSPENSEFUL MUSIC.]
No, don't, don't.
- [PANTING.]
- Don't, don't It's just a little Haldol.
Come on, Chris! [GRUNTS.]
- [RATTLING.]
- [MUFFLED CHATTER.]
TIMOTHY: Did you find the Wilkes woman? VALERIE: No, not yet.
Search the grounds.
Go up to the girl.
No one gets in.
Not until sunset tomorrow.
ANNIE: Joy no, no.
[WATER DRIPPING.]
Find her.
Get her clean.
Get her out of this dirty world.
[SINISTER MUSIC.]
[CLATTER.]
[GASPS.]
[MUFFLED SCREAMING.]
Where's my girl? [MUFFLED.]
I don't know, you bitch! [MUFFLED SCREAMING.]
Look what you're making me do.
- [BREATHING HEAVILY.]
- Up in the attic! Attic! [MUFFLED SCREAMING.]
ANNIE: [GRUNTS.]
[SCREAMS.]
[BOTH SCREAMING.]
[GASPING.]
[DOOR SLAMS.]
[LOCK CLICKS.]
[OBJECT CLATTERS.]
ANNIE: [SCREAMS.]
Helene? Helene? Helene? What happened? [OBJECT SCRAPES.]
[INTENSE MUSIC.]
[GASPS.]
[BOARD CLATTERS.]
- JOY: Mom? - Oh, little love.
Oh.
[BREATHING HEAVILY.]
What's happening? ANNIE: We're getting out, that's what.
What did they do to you? CRYSILDA: [WHISPERING.]
Annie.
You have to save her like I tried to do for you.
CRYSILDA: You know there's only one way out of this dirty world.
You know what you have to do.
End your pain.
End her pain.
Joy Mom.
We're gonna CRYSILDA: Kill her, Annie.
Make her clean.
[BABY CRYING.]
Make her clean.
Get her clean.
Make her clean.
[GASPS.]
Mom, can we go? [BREATHING SHAKILY.]
Mom? Hang on to me, okay? Don't make a sound.
[INDISTINCT WHISPERED CHATTER.]
[BIRDS CHIRPING.]
[BREATHING SHALLOWLY.]
[TENSE MUSIC.]
[POUNDING ON DOOR.]
BILLY: Doctor! Let's try this again! - NADIA: No! - One life for two! How does that sound? CHRIS: Nadia, don't open the door.
- Ten! - Don't open the door.
- Nine! - No, no, no, no, no.
- CHRIS: Don't open it.
- BILLY: Eight! I can see I can see what he's seen.
Don't open the door.
[GASPS.]
- Give me more of that drug.
- Six! CHRIS: Give me more Haldol.
- BILLY: Five! - Nadia, I can hold him back.
It has to be now.
[POUNDING ON GLASS.]
BILLY: Three! Two! - [MUFFLED CRASH.]
- [NADIA SCREAMS.]
[GLASS SHATTERS.]
[WHIMPERING.]
[GASPS.]
[PANEL BEEPS.]
BILLY: Bertrand? Thank you.
She's back there.
[BOTH GRUNT.]
[BOTH GRUNTING.]
[GUNSHOT.]
- NADIA: [GRUNTS.]
- [GROANING.]
[WHIMPERING.]
[REPEATING.]
No, no, no, no, no, no.
It's [PANTING.]
It's okay.
I'll get you into surgery.
No, Nadia.
I'm not really here.
I'm already gone.
[GROANS.]
You have to stop them.
Chris [WEEPING.]
[GRUNTS.]
Just Just know I alway I always [SCREAMS.]
[BROODING MUSIC.]
VALERIE: [WHISTLING.]
This way.
There they are.
Over there.
[CROWD MURMURING.]
[GRUNTS.]
Joy? [GRUNTS.]
[BOTH GRUNTING.]
Come on! Joy! Joy, no! Joy! Joy, don't! Joy! Joy! [ECHOING TONE.]
[SOLEMN MUSIC.]