Paranormal Lockdown (2016) s02e08 Episode Script
White Hill Mansion
1 Rob: NICK! KATRINA! Nick: DO YOU HEAR THAT? IS THAT ROB? UP HERE! GET OUT.
I AM TERRIFIED RIGHT NOW.
OH, MY GOD.
OH [BLEEP.]
Rob: THERE'S SOMETHING RIGHT UNDER THE TABLE.
GET IT, GET IT, GET IT.
IT WAS THROWN.
I THOUGHT SOMETHING WAS GONNA ATTACK ME.
OH, GOD.
OH, GOD, OH, GOD, OH, GOD.
I WILL BE OKAY.
I WILL BE OKAY.
I WILL BE OKAY.
âªâª ⪠I'VE SEEN THE WAY ⪠⪠THROUGH ALL THE PAIN ⪠⪠I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN ⪠⪠THEY FILL MY GRAVE ⪠⪠BUT STILL MY SOUL REMAINS ⪠⪠HERE BETWEEN HERE AND THE BEYOND ⪠-- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: THE WHITEHILL MANSION HAS STOOD AT FIELDSBORO, NEW JERSEY, LONGER THAN THE UNITED STATES HAS HELD ITS INDEPENDENCE.
BUILT IN 1722 BY THE FIELD FAMILY, THE REVOLUTION AND THE COLONIES QUICKLY MARKED THE HOME WITH TRAGEDY.
WHEN ROBERT FIELD MYSTERIOUSLY DROWNED, HIS WIDOW, MARY, AND SEVEN YOUNG CHILDREN WERE LEFT ALONE IN THE HOUSE.
BY 1776, THE PROPERTY WAS OVERRUN BY BOTH BRITISH AND CONTINENTAL SOLDIERS, AND MARY WAS FORCED TO TURN HER LIVING ROOM INTO A HOSPITAL.
THE INJURED AND DYING BROUGHT FROM NEARBY BATTLEFIELDS TRAUMATIZED YOUNG SAMUEL FIELD AND HIS SIBLINGS, TURNING THEIR CHILDHOOD HOME INTO A LIVING NIGHTMARE.
THE HOUSE CHANGED HANDS MANY TIMES OVER THE NEXT SEVERAL CENTURIES, SERVING AS A BROTHEL IN THE 1800s, WITH UNSPEAKABLE ACTS KEP SILENT BEHIND ITS CLOSED DOORS.
IN THE 1920s, THE BASEMENT WAS CONVERTED INTO A RESTAURANT AND SPEAKEASY, WELCOMING POLITICIANS AND GANGSTERS ALIKE, BUT TUNNELS RUNNING THROUGH THE WOODS USED TO SMUGGLE LIQUOR INTO THE HOUSE ARE RUMORED TO HAVE ALSO BEEN USED TO DRAG BODIES OUT TO BE DUMPED IN THE DELAWARE RIVER AFTER A MEETING DOWNSTAIRS TURNED BLOODY.
AFTER BEING ABANDONED FOR YEARS, LOCAL HISTORIANS TOOK INTERES IN WHITEHILL MANSION, BUT ON THEIR RESEARCH VISITS, THEY FOUND THA MORE REMAINED IN THE HOME THAN JUST DISCARDED FURNITURE AND ANTIQUES.
VISITORS WERE STARTLED BY A QUICKLY MOVING CHILDLIKE APPARITION FLYING AROUND CORNERS AND BETWEEN FLOORS.
A MENACING FIGURE INTIMIDATES ANY WHO STEP BEHIND THE BAR IN THE BASEMEN AND MAKES THE UPSTAIRS BATHROOM NEARLY IMPOSSIBLE TO ENTER.
NOW NICK AND KATRINA WILL BE THE FIRST TEAM TO INVESTIGATE OVERNIGH IN WHITEHILL MANSION, SPENDING 72 HOURS DELVING INTO THE STRANGE AND SORDID HISTORY TO DETERMINE WHO OR WHAT REMAINS.
I TRULY DO LOVE LOCATIONS THAT HAVE A LOT OF CHARACTER, ESPECIALLY SOMETHING LIKE THIS.
I WANT TO LIVE INSIDE OF IT.
WELL, WE'RE ABOUT TO LIVE INSIDE OF THIS FOR THE NEXT 72 HOURS.
FOR THREE DAYS, YEAH.
OH, WOW.
THIS IS AMAZING.
IT'S LIKE TAKING A STEP BACK IN TIME.
IT HAS A VERY OMINOUS FEELING, THOUGH, WHEN YOU WALK IN HERE.
IT HAS A LOT OF ENERGY.
I MEAN, I'M NOT SENSING ANYTHING YET.
I'M STEPPING INTO THIS LOCATION, I JUST FEEL, LIKE, VERY PRIVILEGED AND EXCITED TO INVESTIGATE THIS PLACE.
ABSOLUTELY.
IT'S PART OF OUR HERITAGE AS AMERICANS.
Katrina: THE HISTORY AT WHITEHILL MANSION IS PRETTY INCREDIBLE.
WE HAVE REVOLUTIONARY WAR, CIVIL WAR, BORDELLO, SPEAKEASY, MOBSTERS, AND WE ALSO HAVE FAMILIES THAT LIVED HERE OVER THE YEARS.
SO THERE'S ALL THESE DIFFERENT ELEMENTS THAT SHOULD LEAD TO A REALLY INTERESTING INVESTIGATION.
LORETTA? YES.
HEY.
KATRINA.
HI.
NICE TO MEET YOU.
NICE TO MEET YOU, TOO.
HI, LORETTA.
NICK.
NICE TO MEET YOU.
THANKS FOR HAVING US.
OH, YOU'RE SO WELCOME.
SO, HOW DID YOU GET INVOLVED WITH WHITEHILL MANSION? BACK IN 2004, I WAS STUDYING TO BE A HISTORIC PRESERVATIONIST, AND THIS WAS MY PROJECT.
OCCASIONALLY, I'D COME IN, AND I'D FEEL LIKE SOMEBODY WAS WATCHING ME, USUALLY ON THE SECOND FLOOR.
AND, I MEAN, I'D ACTUALLY TURN AROUND AND EXPEC TO SEE SOMEBODY THERE.
INTERESTING.
THE MORE TIMES I'D BE HERE WITH MY GROUP, AND WE'D HEAR FOOTSTEPS, AND THERE'S NO ONE ELSE IN THE HOUSE BUT US, OR VOICES.
YEAH.
OCCASIONALLY, IT SOUNDED LIKE A BODY WAS BEING DRAGGED ACROSS THE FLOOR, SO WHERE WOULD YOU HEAR THAT? EVERYWHERE.
HOW MANY FACTUAL DEATHS DO WE KNOW HAPPENED IN HERE? MARY FIELD, THE WOMAN -- THE COUPLE THAT BUILT THE HOUSE HAD SEVEN CHILDREN, AND FOUR OF THEM DIED HERE VERY YOUNG.
MARY'S MOTHER ALSO DIED HERE -- LYDIA.
TWO PROSTITUTES WERE KILLED HERE, THAT THE MOB KILLED A FEW PEOPLE HERE.
WAS IT A BORDELLO? OH, YES.
SO, WE KNOW THAT FOR A FACT, THAT IT WAS PROSTITUTION.
YES, WE DO, YEAH.
THIS WAS THE FIELD FAMILY'S FORMER PARLOR.
AS FAR AS THIS ROOM GOES, PARANORMALLY, WHAT HAVE YOU GUYS EXPERIENCED? WE FIND SAMUEL, WHO WAS THE FIELD SON, WHO DIED AROUND THE AGE OF 9.
ESPECIALLY IF WE HAVE YOUNG CHILDREN IN HERE, HE TENDS TO GRAB THEIR HAND.
OR, LIKE, WOMEN.
LIKE A MOM? YES, GRAB YOUR HAND.
WE'VE HAD THA QUITE OFTEN.
WE'VE ALSO HAD A FEW PEOPLE THAT HAVE SEEN MARY FIELD, THE MOTHER, SITTING HERE AT A WRITING DESK AND CRYING.
SHE'S WRITING A LETTER TO SOMEONE, AND SHE'S CRYING.
HEARING ABOUT MARY FIELD FROM LORETTA, WHO HAS DONE MOUNTAINS OF RESEARCH ON HER, IT REALLY HITS HOME TO WHAT IT MUST HAVE BEEN LIKE TO LIVE IN THESE WALLS DURING THE TIME THAT THE FIELD FAMILY LIVED HERE.
IT SEEMS LIKE SHE REALLY REPRESENTED THE SPIRIT OF AMERICA AT THE TIME.
I HAVE SOMETHING VERY SPECIAL TO SHOW YOU.
OH.
Nick: IT HAS A DIFFERENT FEELING UP HERE.
RIGHT WHEN WE STEPPED UP HERE, IT JUST FEELS MORE OFF THAN THE FIRST FLOOR.
THE FIRST FLOOR FELT, LIKE, COMFORTABLE, TO BE HONEST WITH YOU.
AND THEN WHEN WE WALKED UP HERE, IT JUST FEELS DIFFERENT NOW.
WE'VE HAD SEVERAL PSYCHICS IN HERE, AND SOME OF THEM WON'T EVEN COME INTO THIS ROOM.
AND WE'VE HAD A COUPLE THAT HAVE TOLD US THAT THAT TUB IS FULL OF BLOOD.
THEY SEE BLOOD.
AND WE'VE HAD A COUPLE OF STORIES WHERE A YOUNG MAN EITHER COMMITTED SUICIDE OR WAS MURDERED IN THE TUB AND HAD HIS THROAT SLIT.
WHAT ELSE HAVE PEOPLE FEL IN THIS ROOM? WE HAVE HAD SEVERAL PEOPLE LAY IN THE BATHTUB AND NOT BE ABLE TO GET UP.
THIS BATHROOM HAS JUST SOME KIND OF DECREPIT FEELING ABOUT IT.
IT'S ALMOST LIKE DARKNESS.
WHOA, WAIT A MINUTE.
WHAT? WAIT, COME BACK HERE.
WHAT? WHAT'D YOU SEE? I DON'T KNOW WHAT IT WAS.
IT WAS, LIKE, HERE, AND IT WENT SHOOP.
IT WAS WHITE, THOUGH.
Loretta: WELL, IT'S INTERESTING.
THE LAST TIME I HEARD THIS STORY WAS DOWNSTAIRS RIGHT BELOW US, AND THE PERSON THAT TOLD ME THIS SAID SHE SAW SOMETHING.
IT WAS LIKE A WHITE -- I DON'T KNOW IF SHE SAID IT KIND OF STARTED OUT -- BUT SHE SAID IT GOT, LIKE, MISTY AND FLEW STRAIGHT UP.
'CAUSE THE WAY I WOULD DESCRIBE IT IS IT SHOT DOWN, YOU KNOW, SO THAT'S INTERESTING, THAT WE'RE USING THE SAME TERMS.
OVER HERE, WE HAVE THE NURSERY.
THIS IS WHERE SAMUEL WOULD HAVE SLEPT.
DO YOU EVER HEAR KIDS LAUGHING OR ANYTHING LIKE THAT? YES.
Katrina: REALLY? OH, YEAH.
IN THIS ROOM, OR THROUGHOUT? JUST THROUGHOUT THE HOUSE.
OKAY.
SO, WE'LL USE SOME OF OUR DEVICES.
WE'LL TRY TO TALK TO SAMUEL, SEE IF WE CAN SPEAK TO HIM.
YEAH.
LET'S GO TO THE ATTIC.
THIS IS WEIRD.
IT'S ALMOST LIKE A SECRET AREA UP HERE.
YES? YEAH.
DO PEOPLE TALK ABOUT SOMEBODY GETTING MURDERED UP HERE? YES.
YEAH.
IT WAS A PROSTITUTE.
SHE WAS BEING TIED UP, AND WHOEVER HER JOHN WAS STRANGLED HER.
ACTUALLY, IT'S NOT A SECRET ROOM.
IT'S KIND OF A SECRET WHOLE WING OF THE HOUSE.
OH.
OH, COOL.
IF YOU WANT TO GO BACK THERE AND CHECK IT OUT LATER ON, THERE'S THE TWO LITTLE ROOMS THAT ARE DOWN THERE.
THAT'S WHERE THEY FOUND THE BEDS FROM THE BORDELLO.
LIKE I SAID, THIS PLACE HAD QUITE A REPUTATION BACK IN THE DAY.
WOW.
IT WAS SUPPOSED TO BE KNOWN FOR.
NOW WE'RE GONNA GO DOWN IN THE BASEMENT.
OKAY.
THIS IS LIKE A -- KIND OF A V.
I.
P.
LOUNGE DOWN HERE, HUH? IT WAS REFERRED TO AS "GOING DOWNSTAIRS" 'CAUSE DRINKING WAS ILLEGAL.
DEFINITELY, LIKE, A DOMINEERING SENSE DOWN HERE.
WE HAVE BEEN TOLD ON SEVERAL OCCASIONS THAT WHOEVER IS GUARDING THE BAR OR BEHIND THE BAR DOESN'T LIKE ANYONE BACK THERE.
WE DO THINK THAT SOMEBODY, AGAIN, WAS MURDERED DOWN HERE, BEATEN BY THE MAFIA.
THERE WAS A TUNNEL OVER ON THAT END.
IT WAS FILLED IN IN THE '60s.
THIS WAS VERY -- IT WAS NOTORIOUS.
YOU'RE THE FIRST PEOPLE TO SPEND THREE NIGHTS -- YOU'RE THE FIRST PEOPLE TO SPEND A NIGHT OVERNIGHT IN THE HOUSE.
REALLY? NO ONE'S EVER DONE THAT, NO.
WOW.
SO, THANKS SO MUCH FOR SHOWING US AROUND, GIVING US SOME HISTORY, SOME OF THE PARANORMAL EXPERIENCES PEOPLE HAVE HAD.
WELL, THANK YOU SO MUCH.
SEE YOU SOON.
THANK YOU.
GREAT.
AWESOME.
THANKS, LORETTA.
THANK YOU FOR COMING.
THANK YOU.
THERE'S SO MUCH HISTORY HERE.
THERE'S LIKE LAYERS AND LAYERS.
IT'S GONNA BE REALLY CONFUSING TO TRY TO PINPOIN WHAT SPIRIT WE'RE TALKING WITH, IF ANYTHING COMES THROUGH.
I WONDER IF THEY'RE GONNA THINK THAT WE'RE, LIKE, THE NEW FAMILY MOVING IN AND IF THEY'RE GONNA TRY TO INTERACT WITH US HARDER BECAUSE OF THAT.
LET'S GET SOME OF OUR EQUIPMEN AND JUST FEEL OUT THROUGH OUR OWN PERSONAL EXPERIENCES AND SEE WHERE IT TAKES US AND JUST WALK AROUND THE WHOLE ENTIRE HOUSE UNTIL WE START GETTING SOME EVIDENCE.
THAT'S A GOOD IDEA.
IT'LL GIVE US A GOOD BASELINE FOR WHERE MAYBE THE HOT SPOTS ARE GONNA BE FOR US.
LET'S GO.
âªâª OH, THE BASEMENT.
SO, APPARENTLY, THIS THING DOESN'T LIKE PEOPLE BEHIND THE BAR.
Nick: WE USE THE GEOBOX TO MODULATE ELECTROMAGNETIC FREQUENCIES, VIBRATIONS, AND RADIO WAVES INTO AUDIO TO TRY TO COMMUNICATE WITH THE SPIRITS.
HERE YOU GO, K.
CAN YOU TELL ME WHO'S IN THIS ROOM RIGHT NOW? OH, MY GOD.
SCARED THE CRAP OUT OF ME.
WHAT'S THE MATTER? I DON'T KNOW IF IT WAS THE LIGHTS -- THAT SCARED THE CRAP OUT OF ME.
WHAT? I DON'T KNOW IF IT WAS THE LIGHTS PLAYING TRICKS ON ME OR NOT, BUT I -- I TURNED AROUND, AND THERE WAS, LIKE, A FACE RIGHT HERE.
"SORRY ABOUT THAT.
" IT JUST GOES, "SORRY ABOUT THAT.
" IS THAT YOU? IS THERE A MAN RIGHT NEXT TO ME? "THERE IS.
" RIGHT THERE.
THAT'S AMAZING.
[ GEOBOX SWITCHES OFF .]
[ THUD .]
THAT WAS WEIRD.
WHAT'S WRONG? WHAT WAS THAT? [ THUD .]
THAT WAS WEIRD.
WHAT'S WRONG? WHAT WAS THAT? HOLY CRAP.
PHEW.
MY HEART IS RACING.
OH, MY GOD, I THOUGHT SOMETHING WAS GONNA ATTACK ME.
IT WAS LIKE SOMEBODY WAS UPSTAIRS, CLAWING AT THE GROUND.
CAN WE GO UP THERE REALLY QUICK? Nick: YOU KNOW WHA IT COULD HAVE BEEN? IT COULD HAVE BEEN THE CHILDREN, PLAYING WITH TOYS OR PLAYING WITH STUFF DOWN HERE.
THEY SAID SAMUEL IS OFTEN FEL IN THIS ROOM.
SAMUEL? ARE YOU HERE? LORETTA WANTED US TO TALK TO YOU.
THERE ARE SO MANY THINGS HERE, IT'S HARD TO FOCUS IN ON JUST ONE THING.
Nick: WITH SO MANY PARANORMAL EXPERIENCES INVOLVING SAMUEL, KATRINA AND I ATTEMP TO MAKE CONTACT WITH HIM TO FIND OUT WHY HE REMAINS AT THE MANSION.
SAMUEL, ARE YOU IN HERE? IT GOES, "YEAH.
" YEAH, I HEARD THAT.
IT SOUNDED LIKE A LITTLE KID, TOO.
"YEAH.
" HI, SAMUEL.
HI, SAMUEL.
IT GOES, "HI.
" "HI.
" THAT WAS CLEAR.
IT'S REALLY COLD RIGHT HERE, KATRINA, RIGHT IN FRONT OF MY -- I FEEL IT.
I FEEL IT.
RIGHT HERE.
I FEEL IT HERE, TOO.
SUPER COLD.
OOH! RIGHT? IS IT? YEAH.
[ BOX SHUTS OFF .]
IT'S KIND OF A CREEPY FEELING HERE.
CAN YOU SEE US? CAN YOU SHOW YOURSELF BEHIND ME IN THE MIRROR? [ CLACKING .]
WHAT WAS THAT? DID YOU JUST MAKE THAT NOISE? WHOA, WAIT A MINUTE.
HELLO.
THAT WAS LIKE A TAP ON THE WALL.
THAT'S WEIRD 'CAUSE THIS IS ABOUT THE PLACE WHERE I SAW THAT THING TODAY.
DID YOU WANT OUR ATTENTION IN HERE? WHERE ARE YOU? ARE YOU UPSTAIRS? LET'S GO UPSTAIRS.
I WANT TO GO TO THIS ATTIC.
HELLO, ARE YOU UP HERE? HELLO.
WE DON'T KNOW ANY NAMES UP HERE.
WE JUST KNOW THE BORDELLO GIRLS.
WE JUST KNOW THE BORDELLO, AND I THINK -- BUT THAT'S THE THING, THAT THIS HAPPENED WHEN THIS PLACE WAS ABANDONED.
YEAH.
SO, FOR WHAT IS THAT, EIGHT YEARS, THAT IT WAS ABANDONED.
BUT, I MEAN, YOU GOTTA THINK, THERE WOULDN'T BE ANY DOCUMENTATION OF THE PEOPLE THAT CAME THROUGH HERE.
LET'S GO IN THERE.
YOU WANT TO GO IN HERE? YEAH.
OH.
OKAY.
SO, THIS SECRET -- WOW.
DUCK BELOW, YEAH.
OH, WEIRD.
TOTALLY WEIRD.
SOMETHING SOMETHING JUST TOUCHED ME.
WHAT? SOMETHING JUST TOUCHED ME.
Rob: WHERE? ON MY ARM.
I HAD MY CAMERA AIMING RIGHT AT YOU.
I WAS LIKE THIS.
I -- Nick: WHAT'D YOU JUST FEEL, KATRINA? I THOUGHT -- THAT WAS REALLY WEIRD.
YOU HAD YOUR CAMERA ON ME, THOUGH, ON MY ARM? I WAS RIGHT BEHIND YOU.
YEAH.
YEAH.
SO I WAS STANDING HERE, I HAD MY CAMERA, AND I'M JUST KIND OF MOVING AROUND, LOOKING AT ALL THE PAPERS ON THE WALL.
AND I THINK IT WAS AS I WAS COMING BACK, I FELT LIKE A -- WEIRD.
BUT I THOUGHT -- SO I THOUGHT IT WAS LIKE -- I THOUGHT MAYBE THE CHAIN WAS OVER HERE AND IT KIND OF, LIKE, TAPPED ME.
BUT THEN THERE WAS NOTHING HERE.
I DEFINITELY FELT SOMETHING.
SOMETHING TAPPED RIGHT HERE.
Nick: THAT'S WEIRD.
SOMEONE JUST FLICKED MY ARM IN, LIKE, A PLAYFUL MANNER LIKE YOU WOULD DO TO YOUR BROTHER OR YOUR SISTER OR TO YOUR FRIEND THAT'S ANNOYING YOU.
AND MAYBE IT IS SAMUEL, THE ONE WHO'S KIND OF HAD THE BIGGEST QUESTION MARK OVER HIS NAME FOR ALL THESE YEARS.
DO YOU WANT TO TRY TO FLICK ME OR COME SHOW YOURSELF? âªâª DO YOU FEEL ANYTHING, NICK? IT'S QUIET.
YEAH.
SO, WHAT HAPPENS IF WE ISOLATE OURSELF? WE PUT THE LASERS HERE, WE LET THIS RUN.
I GO DOWN, AND I SLEEP IN THAT BATHROOM.
I GO IN THAT TUB, AND I ACTUALLY POSITION CAMERAS IN THERE AND TRY TO CAPTURE AND DOCUMEN WHATEVER EXPERIENCES PEOPLE HAVE BEEN TALKING ABOUT.
Nick: ALL RIGHT, SO THE LASERS ARE ALL SET UP.
WHILE YOU'RE SLEEPING, THIS CAMERA WILL BE ROLLING WITH THESE LASERS IN HERE, SO WE'LL CAPTURE ANYTHING COMING THROUGH THIS HALLWAY TO SEE IF ANY SHADOWS BREAK THE BEAMS.
NOW I'M STARTING TO REGRE HAVING THIS IDEA OF SLEEPING IN THIS BATHTUB.
BUT I FEEL LIKE YOU HAVE TO PUT YOURSELF INTO THESE KIND OF SITUATIONS SOMETIMES.
I WANT TO CONFRON WHATEVER IS HERE TO TRY TO DOCUMENT ABOUT PEOPLE BEING HARMED IN THIS BATHROOM, PEOPLE BEING AFFECTED BY SOME SORT OF ENERGY, BEING SCARED OUT OF THIS BUILDING.
WE'RE ISOLATED.
KATRINA'S UPSTAIRS IN THE ATTIC.
I'M GONNA SET UP THIS VIBRATION SENSOR OUT IN THE HALLWAY, AND IF ANYTHING WALKS INTO THIS ROOM, ANY SOUNDS KIND OF HIT THE FLOOR, THEN THIS WILL DETECT I AND WILL LIGHT UP LIKE THIS RIGHT NOW.
SO, I'M GONNA PUT THIS ON THE FLOOR IN THE HALLWAY, AND WE'LL SEE IF IT CAPTURES ANYTHING WHILE I'M SLEEPING.
THIS IS TERRIBLE.
OH, I HATE THIS MOMENT.
âªâª WHY IS THAT LIGHTING UP? IS THERE SOMEONE OUT THERE? THE VIBRATION SENSOR IS GOING OFF RIGHT NOW.
IT'S DETECTING SOMETHING RIGHT OUT THERE.
IS THERE SOMETHING OUT THERE? WHEW.
MAN.
IT'S HARD TO SLEEP IN THESE CONDITIONS.
âªâª [ GROANS .]
DAY 2.
OH, MAN, I'M TIRED.
DAY 2 IS HERE.
GOOD MORNING.
MORNING.
YOU WANT TO GO INVESTIGATE THE HOUSE? YEAH.
GIVE ME LIKE THREE MINUTES.
OH! I CAN'T EVEN STAND UP HERE.
YEAH.
MM.
IS ANYONE UP HERE? [ BIRDS CHIRPING .]
HEY.
WELCOME TO THE PARTY.
"HELP.
" YEAH, YOU HEARD THAT, TOO, RIGHT? YEAH.
[ LAUGHS .]
WHAT GOES ON UP HERE? [ INDISTINCT TALKING .]
AGAIN? YEAH.
THAT'S WEIRD.
WE'RE USING A DEVICE IN THE "BORDELLO," AND NOTHING'S REALLY COMING THROUGH, BUT WHEN WE ASKED THE QUESTION, "WHAT WAS THIS ROOM USED FOR?", IT SAYS [BLEEP.]
.
EXCUSE ME? KIND OF, LIKE, HOPELESS AFTER THE FIRST NIGHT.
ARE WE HOPELESS? WE'RE NOT GONNA SURVIVE THIS -- THIS WEEK? ARE YOU READY TO START THIS EXPERIMENT? I AM, YEAH.
IT SEEMS LIKE, YOU KNOW, THE BASEMENT, THIS ROOM, AND MARY'S BEDROOM HAVE BEEN KIND OF HOT SPOTS FOR US SO FAR IN THE INVESTIGATION.
AND THIS IS THE SPO WHERE LORETTA SAID A LOT OF PEOPLE SEE MARY WITH HER DAUGHTER, CRYING, WRITING A LETTER.
SO, I'M WONDERING IF THIS WILL HELP US, MAYBE MAP HER OUT, TRY TO GET SOMETHING.
FINALLY SEE A FIGURE OR SOMETHING THAT WE'RE NOT SEEING WITH OUR CAMERAS OR OUR EYES.
AND LET'S START.
IS MARY FIELD HERE? IF MARY FIELD IS HERE, MANY PEOPLE HAVE SEEN YOU.
ME AND MY FRIENDS ARE HERE.
WE'D REALLY LOVE TO TALK TO YOU.
MARY, IF YOU CAN HEAR ME, IF YOU CAN UNDERSTAND WHAT I'M SAYING, CAN YOU COME AND STAND BESIDE ME? CAN YOU SHOW ME WHERE YOU WERE WALKING LAST NIGHT? IT'S QUIET.
I'M REALLY HAPPY THAT WE'RE DOING THIS DURING THE DAY, AND MAYBE IT TRIGGERS SOMETHING.
WE SHOULD MAYBE GO TO THE BASEMENT, TO WHERE THE BAR AREA IS, RIGHT BELOW THIS.
AND WE SHOULD TRY THE EXPERIMEN DOWN THERE LATER, TOO.
BUT, ALSO, I DO THINK WE NEED TO CHECK OUT THE ATTIC MORE BECAUSE I DID GET -- I GOT FLICKED.
ROB, DO YOU WANT TO HELP ME SET UP THE 3-D MAPPING CAMERA THAT WE WERE USING TODAY? WE CAN CONTINUE TO INVESTIGATE.
LET US KNOW IF YOU SEE ANYTHING OR IF ANYTHING HAPPENS.
KATRINA, LET'S GO DOWNSTAIRS INTO THE BASEMENT.
THIS IS THE OLDER PAR OF THE BUILDING, TOO.
YEAH, 1723.
ROB IS SETTING UP THE 3-D MAPPING CAMERA UPSTAIRS IN THE ATTIC RIGHT NOW AS WE'RE INVESTIGATING.
IF WE CAN HEAR THE DISEMBODIED VOICES OR HEAR FOOTSTEPS THAT ARE UNEXPLAINABLE, THEN WE CAN ACTUALLY RUN TO THOSE SPOTS AND USE SOME OF OUR EQUIPMEN TO TRY TO INDICATE AND VALIDATE.
WHAT THE F-- NICK! NICK, KAT! NICK, KATRINA! DO YOU HEAR THAT? IS THAT ROB? THAT'S ROB.
GET UP HERE! GO.
Rob: WHAT THE F-- NICK, KATRINA! Nick: DO YOU HEAR THAT? IS THAT ROB? Katrina: THAT'S ROB.
GET UP HERE! ALL RIGHT, RIGHT NOW, WE'RE GOING UP TO THE ATTIC.
WE'LL GO AND CHECK IT OUT.
ARE YOU OKAY, ROB? COME HERE, THERE'S SOMETHING MAPPING OUT RIGHT THERE.
HOLD ON.
RIGHT THERE, RIGHT THERE.
MAYBE IT'S SAMUEL.
WOW, IT'S REALLY COLD.
SAMUEL, IF THAT'S YOU, IT'S OKAY.
THAT'S JUST NICK.
IT'S RIGHT THERE.
I SEE IT.
IT'S STILL THERE? YEAH, IT'S HIDING.
IT LOOKS LIKE A CHILD HIDING UNDER THE TABLE.
THIS IS AMAZING.
I CAN SEE ME POSITIONED NEAR THE COMPUTER ON THE CAMERA, AND I CAN SEE YOU, AND I CAN SEE THE CHILD.
IT'S HIDING RIGHT UNDERNEATH THE TABLE.
WALK IN.
OKAY.
HE'S RIGHT UNDERNEATH.
WHATEVER IT IS, IT'S RIGHT UNDERNEATH THE TABLE.
THIS IS AMAZING.
HI.
I CAN SEE IT.
I'LL DIRECT YOU TO WHERE HE'S STANDING.
HE'S SCARED.
HE'S, LIKE, RIGHT -- THIS TABLE? NOW GO AWAY FROM THE WALL, GO TOWARDS THE OTHER WALL.
RIGHT THERE, RIGHT THERE.
BE CAREFUL.
IT'S, LIKE, COLD.
YOU CAN TOUCH MY HAND.
MY HAND'S, LIKE, REALLY COLD.
OH, MY GOD, THIS IS SO AMAZING.
IT'S OKAY.
I KNOW WE MIGHT LOOK SCARY, WE'RE NOT SCARY.
WE DON'T MEAN TO BE.
ROB, THIS IS INCREDIBLE.
CAN YOU TAKE THIS HAND? CAN YOU REACH IN FARTHER? IS IT OKAY? MY MIDDLE FINGER FEELS REALLY WEIRD RIGHT NOW.
HE'S HOLDING YOUR HAND.
MY MIDDLE FINGER FEELS, LIKE, NUMB ALMOST.
NOT LIKE -- LIKE PINS AND NEEDLES NUMB.
HE'S HOLDING YOUR HAND, KATRINA.
HI.
IT'S VERY STRANGE WHAT'S HAPPENING RIGHT NOW.
MY MIDDLE FINGER, IT FEELS LIKE -- I DON'T KNOW HOW TO DESCRIBE IT.
LIKE, YEAH, THE NUMBNESS.
THERE'S ENERGY THAT WE CAN'T SEE WITH THESE CAMERAS, WITH SOME SORT OF SPECTRUM THAT THIS IS MAPPING.
WOW! I'M MAPPED OUT? I'VE NEVER SEEN THIS BEFORE.
THIS IS THE EXACT SAME SPO THAT KATRINA WAS TOUCHED RIGHT HERE, TOO.
I REALLY BELIEVE WHAT WE'RE MAPPING OUT RIGHT NOW COULD BE POSSIBLY A CHILD'S SPIRI THAT EITHER WAS HIDING OR JUS CURIOUS ABOUT WHO WE WERE.
AND IT'S COMFORTABLE NOW TO TRY TO TALK TO US OR COMMUNICATE WITH US BECAUSE WE'VE BEEN LIVING HERE.
AND I THINK THIS COULD POSSIBLY BE SAMUEL.
IT'S, LIKE, TRYING TO -- KATRINA, I CAN FEEL I HOLDING MY HAND.
OKAY, YEAH, CAN YOU MOVE I TO THE OTHER SIDE? IT'S STILL THERE.
EVERYTHING WE FEEL OUR BODIES, THE ELECTRICITY, THE GOOSE BUMPS, THAT'S WHA THIS FEELS LIKE.
OH, IT'S GONE.
WHEN YOU PUT YOUR HANDS DOWN TO GO CLOSER, IT DISAPPEARED.
LAST NIGHT, I HAD A FLICK ON MY ARM, ALMOST CHILDISH, THOUGH.
YEAH, SO YOU WERE TOUCHED ON THE ARM.
SO, IF IT WAS A CHILD, I MEAN, THAT WOULD MAKE SENSE.
WHATEVER THAT WAS MAPPED OU RIGHT THERE, WE CAPTURED SOME SORT OF ENERGY FORM THAT WE CAN'T INDICATE WITH OUR CAMERAS, IN NIGHT VISION.
IT'S A DIFFERENT SPECTRUM.
THAT'S WHY IT WAS MAPPED OUT, BECAUSE WHEN YOU WEN TO TOUCH IT, IT FELT COLD, HAD ELECTRICITY, AND IT HAD MOISTURE.
LET'S USE THE WONDER BOX, WHICH IS GOING TO GO THROUGH A CYCLE OF FREQUENCIES, AND WE'LL TRY TO TAP INTO WHERE SPIRITS CAN COMMUNICATE.
I'M JUST GETTING THE LEVELS.
[ STATIC .]
WAIT, WAIT, WAIT, WAIT, WAIT.
WHAT WAS THAT? A KID CRYING.
YOU HEARD THAT, TOO? A KID CRYING.
YOU GUYS ALL HEARD THAT? IT WAS, "AAH.
" YEAH, IT WAS A CHILD CRYING.
HELLO? [ STATIC .]
DO YOU KNOW WHAT YEAR IT IS? "NO.
" WE NEED TO SPLIT UP RIGHT NOW.
ROB -- GO, GET IT, GET IT, GET IT.
IT WAS THROWN.
SOMETHING WAS THROWN, RIGHT THERE.
Rob: WHERE? SOMETHING WAS THROWN.
I HEARD IT.
IT CAME FROM RIGHT THERE.
I HEARD IT.
IT FLEW IN FROM OUT OF THE DOOR.
HI.
OH, MY GOD.
SOMETHING WAS THROWN.
IT'S OKAY.
THANK YOU.
WE WANT TO COMMUNICATE WITH YOU.
Katrina: ME GETTING FLICKED ON THE ARM, US HEARING WHAT SOUNDS LIKE A CHILD CRY, THIS LITTLE MAPPED OUT FIGURE, ALL THESE THINGS CAN PINPOIN TO THE FACT THAT, OKAY, YES, MAYBE WE ARE DEALING WITH A CHILD, AND MAYBE IT IS SAMUEL.
LET'S GO ISOLATE OURSELVES, KATRINA.
YOU AND I IN DIFFERENT PLACES.
AND THEN, ROB, WE'LL MEET BACK UP WITH YOU, AND WE'LL ANALYZE THIS VIDEO TOMORROW AND SEE IF WE LEAVE, MORE THINGS WILL HAPPEN.
I DON'T THINK YOU'RE ALONE ANYWHERE IN THIS HOUSE.
WE'RE ISOLATED NOW.
KATRINA AND I ARE THE ONLY ONES INSIDE WHITEHILL MANSION.
SHE'S UP ON THE SECOND FLOOR.
LIKE A BAD CAMPING TRIP.
âªâª [ TAPPING .]
âªâª THAT WAS REALLY LOUD.
IT WAS A LOUD SOUND THAT CAME FROM IN HERE.
[ BIRDS CHIRPING .]
âªâª THE SUN'S UP, AND I'M GONNA GO WAKE UP KATRINA.
LAST NIGHT WAS ABSOLUTELY CRAZY.
THE INVESTIGATION TOOK A LEFT TURN.
KATRINA? YEAH? HOW YOU DOING? HEY.
YOU ALL RIGHT? HOW'D YOU SLEEP? OH, I STILL FEEL TIRED.
âªâª IS IT TIME FOR YOUR SHOWER, NICK? IT SUCKS.
THERE IT IS, THE NICK GROFF SECRET TO GOOD HAIR.
HUH? AND ALL DONE.
ONE EASY STEP.
I CAN'T EVEN SEE.
I DON'T EVEN KNOW WHAT'S GOING ON RIGHT NOW.
[ LAUGHS .]
AFTER WE GET READY FOR THE DAY, WE START LOOKING OUTSIDE FOR THE ENTRANCE TO THE TUNNELS.
WE'RE GOING DOWN TO THE TUNNEL.
THIS DOES NOT LOOK SAFE AT ALL.
"SAFE" IS NOT MY MIDDLE NAME.
"DANGER" IS.
DO NOT GET THAT LOOK IN YOUR HEAD.
NO.
[ LAUGHS .]
STAND BY ME.
HERE WE HAVE A TUNNEL THAT WAS PART OF A SPEAKEASY.
POSSIBLY, THIS IS WHERE THEY ACTUALLY DRAGGED OUT BODIES AND DUMPED 'EM IN THE RIVER, TOO.
IT'S A CONNECTION WITH THE HOUSE.
HOPEFULLY, IT IGNITES SOMETHING WHEN WE'RE INVESTIGATING INSIDE THE HOUSE.
THAT'S IT RIGHT THERE.
BLOCKED OFF.
I THINK I FOUND IT.
THAT'S THE TUNNEL SYSTEM RIGHT THERE, THAT THEY DUG OUT FROM THE HOUSE ALL THE WAY OUT TO HERE, AND THEN IT WOULD GO RIGHT OUT TO THE RIVER.
NOW THAT WE FOUND THE BLOCKED ENTRANCE TO THE TUNNEL OUTSIDE, WE FOLLOW IT BACK ABOVE GROUND TO SEE IF IT CONNECTS TO THE HOUSE IN THE BASEMENT.
SOMETHING ABOUT THIS BASEMENT.
BASEMENT.
YEAH.
YEAH.
IT'S VERY WEIRD.
I DIDN'T SEE THE OPENING THAT SHE WAS TALKING ABOUT.
WHAT DO YOU MEAN? SHE SAID THE OPENING TO THE TUNNEL WAS SOMEWHERE IN HERE.
IT'S BEHIND THIS -- OH, RIGHT THERE.
WHERE? BEHIND THERE? OH, GOD.
OH, GOD, OH, GOD.
Katrina: SHE SAID THE OPENING TO THE TUNNEL WAS SOMEWHERE IN HERE.
Nick: IT'S BEHIND THIS -- OH, RIGHT THERE.
WHERE? BEHIND THERE? OH, GOD.
OH, GOD, OH, GOD, OH, GOD, OH, GOD, OH, GOD.
WHAT'S THE MATTER? [ SHUDDERS .]
[ LAUGHS .]
I DON'T KNOW WHAT THAT LANGUAGE IS.
WHAT? [ SHUDDERS .]
OH! WHAT'S THE MATTER? MANY SPIDERS.
OH, REALLY? YES.
OH, THEY'RE JUS LITTLE CRICKET THINGS.
THOSE ARE CRICKETS? THOSE LOOK LIKE SPIDERS.
HEY, ROB.
Rob: HEY, GUYS, WHAT'S UP? HOW WAS IT LAST NIGHT? OH, AFTER THAT WHOLE EXPERIENCE THAT WE HAD UPSTAIRS, THE ATTIC WAS ABSOLUTELY AMAZING LAST NIGHT.
I WAS BLOWN AWAY.
I WAS TAKEN OFF GUARD.
Nick: WE DECIDE TO GO BACK INTO THE ATTIC TO SEE IF WE CAN GET MORE EVIDENCE USING THE STATIC SENSORS.
IF WE SAW A CHILD LAST NIGH AND HE RAN IN HERE AND HE WAS HIDING UNDER THIS TABLE, CAN YOU COME BACK IN HERE SO WE CAN SEE YOU? AND MAYBE THIS TIME, YOU CAN TRY TO TOUCH WHAT LOOKS LIKE A TOY RIGHT THERE ON THE GROUND.
IT'S A REALLY FUN GAME IF YOU PUT YOUR HAND OVER IT, THROUGH THE TOPS HERE.
GO LIKE THIS? THEY'LL LIGHT UP A PRETTY COLOR, AND YOU CAN DO I TO ALL OF THEM.
DON'T YOU WANT TO PLAY THAT GAME? MAKE THE LIGHT LIGHT UP.
IS THAT YOU WALKING OVER HERE? Katrina: YOU HEAR SOMETHING? YEAH, TWO STEPS.
YOU CAN COME IN.
WE'RE FRIENDS.
WE'RE NOT -- WE'RE NOT ENEMIES.
WE'RE NOT GONNA TRY TO HURT YOU.
YOU KNOW, HONESTLY, COMING UP HERE AND DOING THIS RIGHT NOW, IT COULD HAVE JUST BEEN THE RIGHT MOMENT, THE RIGHT TIME, AND ROB BEING UP HERE BY HIMSELF, US BEING DOWNSTAIRS, THAT ISOLATION MOMEN AGAIN.
I THINK, TOO, YOU BRING UP A GREAT POINT.
YOU WEREN'T UP HERE ASKING FOR A GHOST.
YOU WERE JUS DOING YOUR THING.
AND I THINK THAT'S KIND OF THE KEY TO THIS HOUSE.
I THINK WE'LL EXPERIENCE THINGS WHEN WE'RE NOT NECESSARILY LOOKING FOR IT.
[ BIRDS CHIRPING .]
WE'VE HAD AMAZING VISUAL EVIDENCE UP HERE.
WE'VE HAD PHYSICAL CONTAC WITH SOMETHING UP HERE, BUT WE HAVEN'T HAD THE AUDIO YET.
SO, I REALLY WANT TO TRY STEVE HUFF'S PORTAL IN HERE TO SEE IF WE CAN GET ANY -- OH, MY GOD.
THE DOOR.
YOU CLOSED THE DOOR.
I DIDN'T CLOSE IT.
YES, YOU DID.
IF WE CAN GET ANY -- OH, MY GOD.
THE DOOR.
OH, MY GOD.
THE DOOR.
LOOK, IT WAS LOCKED.
OH, IT STARTED CLOSING.
I DIDN'T TOUCH IT.
OH, I THOUGHT YOU TOUCHED IT.
NO.
YOU DIDN'T? NO.
LOOK, COME HERE.
YEAH.
SEE? HOLY [BLEEP.]
.
THAT DOOR JUST STARTED CLOSING.
THAT'S HOW IT WAS.
[ STATIC .]
WAS SOMEONE MURDERED IN THIS ROOM? "YES.
" OKAY, CAN YOU TELL ME HER NAME OR HIS NAME? [ STATIC .]
WHAT WAS THAT? IT'S GETTING COLD RIGHT HERE.
FEEL THAT.
OH, MY GOD, I'M FEELING -- THAT ELECTRICITY.
ALMOST FEELS A LITTLE AGGRESSIVE.
WHERE'D IT GO? DID YOU -- "NICK.
" I THINK THAT JUS SAID YOUR NAME.
DID YOU JUST SAY "NICK"? "CUT HIS THROAT.
" "CUT HIS THROAT.
" OH, [BLEEP.]
.
I DIDN'T LIKE THAT.
"CUT HIS THROAT.
" YEAH.
THE BATHROOM STORY.
THIS IS GETTING TOO MUCH, MAN.
THIS IS, LIKE -- THIS IS, LIKE, THREATENING US.
WHAT IF HE'S, LIKE -- "GET OUT" -- I TOLD YOU.
"GET OUT".
WE'RE TOO CLOSE TO SOMETHING, KATRINA.
BUT THAT'S WHA WE CAME HERE TO DO.
I KNOW, BUT IT'S NOT -- I DON'T LIKE IT.
TELL ME YOUR NAME.
HERE HE COMES, HERE COMES THIS MAN.
TELL ME YOUR NAME.
I JUST FELT MY HAIR GET PULLED.
ARE YOU SERIOUS? YEP.
TOP OF MY HAIR, JUST, LIKE, SOMETHING GRABBED ONTO IT AND JUST PULLED UP.
DID YOU JUS PULL NICK'S HAIR? I FEEL LIKE SOMETHING'S BEHIND ME LIKE THIS, HOVERING BEHIND ME AND JUST TRYING TO HOLD ONTO ME.
IT MAKES SENSE.
IT WAS, LIKE, RIGHT BEHIND ME.
I MEAN, THINK ABOUT WHAT WE CAUGHT.
YOU CAN'T HOLD ONTO US.
YOU HAVE NO POWER OVER US.
WE CANNOT LET THAT HAPPEN.
OKAY? YOU GOTTA STAY HERE.
LET'S GO DOWNSTAIRS RIGHT NOW.
YEAH, LET'S DO THAT.
LET'S MOVE EVERYTHING THERE.
LET'S GO.
OKAY.
DOWN TO THE TUB.
[ SIGHS .]
WHAT DID YOU HEAR? WHAT -- WHAT DID YOU JUST HEAR? LET ME JUST -- NO, WHAT'S UP? TELL US.
JUST TELL US.
RIGHT IN THIS ROOM RIGHT NEXT TO US.
IN MARY -- IN HER MOTHER'S ROOM? IN MARY'S ROOM.
DO YOU REMEMBER KATRINA? WAIT, WAIT, WAIT.
WHAT? STOP FOR A SECOND.
WHAT IS IT? UM, I HAVE A STATIC CHARGE ON MY ARMS.
DO YOU? YEAH.
HERE WE GO.
HELLO.
WATCH HER.
CAN YOU TELL ME WHAT YOUR NAME IS? CAN YOU TELL ME WHO YOU ARE? IT GOES, "WHERE ARE YOU, DADDY?" THAT SOUNDED LIKE A CHILD.
A LITTLE BOY JUST GOES, "WHERE ARE YOU, DADDY?" "WHERE ARE YOU, DADDY?" OH, MY GOD.
KNOWING THAT SAMUEL IS POSSIBLY STILL LOOKING FOR HIS FATHER, IT BREAKS MY HEART, HONESTLY, AND I WANT TO CONNECT WITH HIM TO TRY TO SEE IF WE CAN HELP HIM.
IT FEELS WEIRD IN HERE AGAIN.
I'VE BEEN ATTRACTED TO THIS ROOM EVER SINCE DAY ONE.
I KNOW, I KNOW.
SOMETHING ABOUT THIS ROOM.
HEARING THE STORIES FROM LORETTA ABOUT THE BASEMENT, I WANT TO MAKE ONE FINAL ATTEMP TO TRY TO INVESTIGATE IT, ISOLATE MYSELF.
MAYBE IF I'M ALONE, SOMETHING WILL HAPPEN.
THERE'S THE NIGHT VISION ON.
I'M ALL BY MYSELF NOW.
GOING UP TO THE HAUNTED ATTIC.
MY HEART IS RACING.
LIKE, IT'S RACING SO FAST.
TO THE POIN WHERE I FEEL LIKE I'M TREMBLING.
IT'S REALLY CREEPY DOWN HERE, AND IT'S SO DARK.
I AM TERRIFIED RIGHT NOW.
I'M FEELING TERRIFIED, AND ALSO KNOWING THAT I WILL BE OKAY.
I WILL BE OKAY.
I WILL BE OKAY.
IS ANYONE DOWN HERE THA WANTS TO COME OVER HERE AND TALK TO ME? FEEL FREE TO WALK ON OVER.
Katrina: ALL RIGHT, THIS IS A WEIRD ROOM TO BE IN, TOO.
GEEZ.
IF THERE'S ANYBODY UP HERE WHO FEELS LIKE THEY CAN'T MOVE ON BECAUSE SOMETHING BAD HAPPENED HERE, IF YOU DO WANT TO GO, YOU CAN.
[ SQUEAK .]
HOLY [BLEEP.]
! OH, MY GOD.
IF THERE'S ANYBODY UP HERE WHO FEELS LIKE THEY CAN'T MOVE ON BECAUSE SOMETHING BAD HAPPENED HERE, IF YOU DO WANT TO GO, YOU CAN.
[ SQUEAK .]
HOLY [BLEEP.]
! OH, MY GOD.
A DOOR JUST CLOSED.
I TOTALLY HEARD A DOOR CLOSE.
HELLO? HOLY [BLEEP.]
, I'M SHAKING RIGHT NOW.
NICK? Nick: YEAH.
DID YOU HEAR A DOOR CLOSE? WHAT'S THAT? DID YOU HEAR A DOOR CLOSE? I DIDN'T HEAR ANYTHING, NO.
I'M WAY DOWN IN THE BASEMENT.
I WAS IN THE ATTIC WHERE WE WERE GETTING ALL THOSE VOICES COME THROUGH ON THE PORTAL.
YEAH? I WAS JUST TALKING, AND I SAID, YOU KNOW, IF SOMETHING BAD HAPPENED TO YOU, YOU CAN MOVE ON, AND I HEARD WHAT SOUNDED LIKE A SQUEAKY DOOR OPEN AND CLOSE.
THAT MEANS WE'RE GETTING CLOSER, IT'S WORKING, US BEING BY OURSELF.
⪠STUFF THAT GOES BUMP IN THE NIGHT ⪠MY HEART IS RACING, AND I'M TREMBLING.
Nick: I'M GONNA PUSH MYSELF.
I'M GONNA TRY TO GET UP ON TOP OF THE BAR AND SLEEP AND MAYBE AGGRAVATE THE SPIRI OF THE BARTENDER TO SEE IF SOMETHING WILL HAPPEN.
CAN I SLEEP RIGHT HERE? âªâª Katrina: I'M NERVOUS SLEEPING IN THE ATTIC, BUT DEFINITELY A SENSE OF BEING WATCHED.
[ FLASHLIGHT CLICKS .]
âªâª [ BIRDS CHIRPING .]
THAT WAS CRAZY LAST NIGHT.
YEAH.
I CAN'T BELIEVE ON THE THIRD NIGHT HOW BAD IT RAMPED UP.
Loretta: HELLO? HEY, LORETTA.
HEY, LORETTA.
HEY.
IT'S BEEN A LONG COUPLE OF DAYS.
YEAH.
WE'VE HAD SOME GREAT ACTIVITY.
IN THE ATTIC, ON THE FIRST NIGHT, I WAS STANDING IN THE HIDDEN ROOMS, AND I FEEL SOMEBODY FLICK MY ARM LIKE THAT.
REALLY? WHEN NICK AND I WERE DOWNSTAIRS, ROB STARTED YELLING FOR US, AND THERE WAS A FIGURE THAT SHOWED UP ON THE CAMERA IN THE SAME SPO WHERE I GOT FLICKED.
I HAVE SUCH CHILLS RIGHT NOW, I CAN'T EVEN TELL YOU.
SO, WE WANT TO SHOW YOU THIS.
YEAH.
YOU WANT TO TAKE A LOOK? UH-OH.
I DON'T KNOW.
DO I? WHAT'S INTERESTING IS, WE'RE SEEING WHAT APPEARS TO BE A CHILD UNDERNEATH THIS TABLE, MAPPED OUT LIKE IT'S HIDING.
WOW.
NOW WATCH THIS.
IT LOOKS, LIKE YOU SAID, LIKE A CHILD.
AND WHAT WE FEL WAS STATIC ELECTRICITY, ALSO THE TEMPERATURE DROPPED.
WE TRIED TO DEBUNK THIS A BUNCH OF TIMES.
WE'RE LIKE, "COULD IT BE TRYING TO MAP OUT THE TABLE SOMEHOW?" SO AT SOME POINT, WE MOVE THE TABLE, AND THIS THING IS STILL THERE.
THE ONLY TIME IT GOES AWAY, NICK IS DOING THE SAME THING I'M DOING, AND IT STAYS FOR A WHILE.
IT JUST WENT AWAY.
I MEAN, IT'S DEFINITELY -- WE KNOW THERE'S CHILDREN UP THERE.
WE JUST KNOW THAT, SO THIS KIND OF PROVES IT.
WE DID GET A LITTLE BOY COMING THROUGH ON OUR DEVICE.
IT GOES, "WHERE'S DADDY?" AND YOU COULD HEAR IT, CRYSTAL CLEAR.
DEFINITELY, LAST NIGH WAS REALLY WEIRD BECAUSE I SAID, "IF YOU DON' WANT TO BE HERE ANYMORE, YOU CAN GO.
" AND THEN I HEAR A DOOR OPEN AND CLOSE.
WE THOUGHT SAMUEL WAS IN THE ATTIC, BUT NOW WE KNOW HE'S THERE.
I'M THINKING THAT'S THE STORY THAT THE HOUSE WANTS ME TO TELL, THAT PEOPLE LIVED HERE, THEY LIVED THEIR LIVES HERE.
THE MAFIA CAME AND WENT, EVEN THE BORDELLO CAME AND WENT.
BUT PEOPLE SPENT THEIR LIVES HERE.
CHILDREN GREW UP HERE.
THAT'S WHAT THIS HOUSE WANTS US TO THINK OF IT AS.
THANK YOU FOR DOING THIS.
IT'S BEEN A REALLY INCREDIBLE EXPERIENCE.
IT'S A WHOLE NEW LAYER ON THE WHOLE STORY.
WE'RE HAPPY TO HELP.
YEAH.
AND WE'RE GLAD WE COULD GE SOME VALIDATION TO STORIES AND HOPEFULLY CONNEC WITH SAMUEL AND TELL THEIR STORY AND KEEP THIS PLACE ALIVE.
AND HOPEFULLY IT GOES MANY, MANY YEARS BEYOND US.
I HOPE SO.
[ LAUGHS .]
THANK YOU SO MUCH.
WELL, COME BY AND SEE US AGAIN.
OH, ABSOLUTELY, ABSOLUTELY.
YEAH.
THANK YOU, LORETTA.
I FEEL EXTREMELY LUCKY THAT WE GOT TO SPEND SO MUCH TIME HERE.
THIS IS A VERY SIGNIFICANT PLACE IN OUR COUNTRY'S HISTORY.
AND KNOWING THAT WE GOT TO MAYBE EXPERIENCE SOME OF THESE SPIRITS THAT WERE CONNECTED TO THAT TIME PERIOD FEELS REALLY SPECIAL.
Nick: IT'S NOT JUST ABOUT THE MOBSTERS AND THE DARK SIDE OF THIS PLACE AND THE UNDERBELLY.
IT'S MORE OR LESS ABOUT THE FAMILIES THAT ONCE LIVED HERE AND THAT CONNECTION AND THAT ENERGY THAT STILL CONTINUES TO THIS DAY.
I WALKED AWAY WITH INCREDIBLE EVIDENCE FROM THIS LOCATION, AND I WILL NEVER FORGE THE WHITEHILL MANSION.
I AM TERRIFIED RIGHT NOW.
OH, MY GOD.
OH [BLEEP.]
Rob: THERE'S SOMETHING RIGHT UNDER THE TABLE.
GET IT, GET IT, GET IT.
IT WAS THROWN.
I THOUGHT SOMETHING WAS GONNA ATTACK ME.
OH, GOD.
OH, GOD, OH, GOD, OH, GOD.
I WILL BE OKAY.
I WILL BE OKAY.
I WILL BE OKAY.
âªâª ⪠I'VE SEEN THE WAY ⪠⪠THROUGH ALL THE PAIN ⪠⪠I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN ⪠⪠THEY FILL MY GRAVE ⪠⪠BUT STILL MY SOUL REMAINS ⪠⪠HERE BETWEEN HERE AND THE BEYOND ⪠-- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: THE WHITEHILL MANSION HAS STOOD AT FIELDSBORO, NEW JERSEY, LONGER THAN THE UNITED STATES HAS HELD ITS INDEPENDENCE.
BUILT IN 1722 BY THE FIELD FAMILY, THE REVOLUTION AND THE COLONIES QUICKLY MARKED THE HOME WITH TRAGEDY.
WHEN ROBERT FIELD MYSTERIOUSLY DROWNED, HIS WIDOW, MARY, AND SEVEN YOUNG CHILDREN WERE LEFT ALONE IN THE HOUSE.
BY 1776, THE PROPERTY WAS OVERRUN BY BOTH BRITISH AND CONTINENTAL SOLDIERS, AND MARY WAS FORCED TO TURN HER LIVING ROOM INTO A HOSPITAL.
THE INJURED AND DYING BROUGHT FROM NEARBY BATTLEFIELDS TRAUMATIZED YOUNG SAMUEL FIELD AND HIS SIBLINGS, TURNING THEIR CHILDHOOD HOME INTO A LIVING NIGHTMARE.
THE HOUSE CHANGED HANDS MANY TIMES OVER THE NEXT SEVERAL CENTURIES, SERVING AS A BROTHEL IN THE 1800s, WITH UNSPEAKABLE ACTS KEP SILENT BEHIND ITS CLOSED DOORS.
IN THE 1920s, THE BASEMENT WAS CONVERTED INTO A RESTAURANT AND SPEAKEASY, WELCOMING POLITICIANS AND GANGSTERS ALIKE, BUT TUNNELS RUNNING THROUGH THE WOODS USED TO SMUGGLE LIQUOR INTO THE HOUSE ARE RUMORED TO HAVE ALSO BEEN USED TO DRAG BODIES OUT TO BE DUMPED IN THE DELAWARE RIVER AFTER A MEETING DOWNSTAIRS TURNED BLOODY.
AFTER BEING ABANDONED FOR YEARS, LOCAL HISTORIANS TOOK INTERES IN WHITEHILL MANSION, BUT ON THEIR RESEARCH VISITS, THEY FOUND THA MORE REMAINED IN THE HOME THAN JUST DISCARDED FURNITURE AND ANTIQUES.
VISITORS WERE STARTLED BY A QUICKLY MOVING CHILDLIKE APPARITION FLYING AROUND CORNERS AND BETWEEN FLOORS.
A MENACING FIGURE INTIMIDATES ANY WHO STEP BEHIND THE BAR IN THE BASEMEN AND MAKES THE UPSTAIRS BATHROOM NEARLY IMPOSSIBLE TO ENTER.
NOW NICK AND KATRINA WILL BE THE FIRST TEAM TO INVESTIGATE OVERNIGH IN WHITEHILL MANSION, SPENDING 72 HOURS DELVING INTO THE STRANGE AND SORDID HISTORY TO DETERMINE WHO OR WHAT REMAINS.
I TRULY DO LOVE LOCATIONS THAT HAVE A LOT OF CHARACTER, ESPECIALLY SOMETHING LIKE THIS.
I WANT TO LIVE INSIDE OF IT.
WELL, WE'RE ABOUT TO LIVE INSIDE OF THIS FOR THE NEXT 72 HOURS.
FOR THREE DAYS, YEAH.
OH, WOW.
THIS IS AMAZING.
IT'S LIKE TAKING A STEP BACK IN TIME.
IT HAS A VERY OMINOUS FEELING, THOUGH, WHEN YOU WALK IN HERE.
IT HAS A LOT OF ENERGY.
I MEAN, I'M NOT SENSING ANYTHING YET.
I'M STEPPING INTO THIS LOCATION, I JUST FEEL, LIKE, VERY PRIVILEGED AND EXCITED TO INVESTIGATE THIS PLACE.
ABSOLUTELY.
IT'S PART OF OUR HERITAGE AS AMERICANS.
Katrina: THE HISTORY AT WHITEHILL MANSION IS PRETTY INCREDIBLE.
WE HAVE REVOLUTIONARY WAR, CIVIL WAR, BORDELLO, SPEAKEASY, MOBSTERS, AND WE ALSO HAVE FAMILIES THAT LIVED HERE OVER THE YEARS.
SO THERE'S ALL THESE DIFFERENT ELEMENTS THAT SHOULD LEAD TO A REALLY INTERESTING INVESTIGATION.
LORETTA? YES.
HEY.
KATRINA.
HI.
NICE TO MEET YOU.
NICE TO MEET YOU, TOO.
HI, LORETTA.
NICK.
NICE TO MEET YOU.
THANKS FOR HAVING US.
OH, YOU'RE SO WELCOME.
SO, HOW DID YOU GET INVOLVED WITH WHITEHILL MANSION? BACK IN 2004, I WAS STUDYING TO BE A HISTORIC PRESERVATIONIST, AND THIS WAS MY PROJECT.
OCCASIONALLY, I'D COME IN, AND I'D FEEL LIKE SOMEBODY WAS WATCHING ME, USUALLY ON THE SECOND FLOOR.
AND, I MEAN, I'D ACTUALLY TURN AROUND AND EXPEC TO SEE SOMEBODY THERE.
INTERESTING.
THE MORE TIMES I'D BE HERE WITH MY GROUP, AND WE'D HEAR FOOTSTEPS, AND THERE'S NO ONE ELSE IN THE HOUSE BUT US, OR VOICES.
YEAH.
OCCASIONALLY, IT SOUNDED LIKE A BODY WAS BEING DRAGGED ACROSS THE FLOOR, SO WHERE WOULD YOU HEAR THAT? EVERYWHERE.
HOW MANY FACTUAL DEATHS DO WE KNOW HAPPENED IN HERE? MARY FIELD, THE WOMAN -- THE COUPLE THAT BUILT THE HOUSE HAD SEVEN CHILDREN, AND FOUR OF THEM DIED HERE VERY YOUNG.
MARY'S MOTHER ALSO DIED HERE -- LYDIA.
TWO PROSTITUTES WERE KILLED HERE, THAT THE MOB KILLED A FEW PEOPLE HERE.
WAS IT A BORDELLO? OH, YES.
SO, WE KNOW THAT FOR A FACT, THAT IT WAS PROSTITUTION.
YES, WE DO, YEAH.
THIS WAS THE FIELD FAMILY'S FORMER PARLOR.
AS FAR AS THIS ROOM GOES, PARANORMALLY, WHAT HAVE YOU GUYS EXPERIENCED? WE FIND SAMUEL, WHO WAS THE FIELD SON, WHO DIED AROUND THE AGE OF 9.
ESPECIALLY IF WE HAVE YOUNG CHILDREN IN HERE, HE TENDS TO GRAB THEIR HAND.
OR, LIKE, WOMEN.
LIKE A MOM? YES, GRAB YOUR HAND.
WE'VE HAD THA QUITE OFTEN.
WE'VE ALSO HAD A FEW PEOPLE THAT HAVE SEEN MARY FIELD, THE MOTHER, SITTING HERE AT A WRITING DESK AND CRYING.
SHE'S WRITING A LETTER TO SOMEONE, AND SHE'S CRYING.
HEARING ABOUT MARY FIELD FROM LORETTA, WHO HAS DONE MOUNTAINS OF RESEARCH ON HER, IT REALLY HITS HOME TO WHAT IT MUST HAVE BEEN LIKE TO LIVE IN THESE WALLS DURING THE TIME THAT THE FIELD FAMILY LIVED HERE.
IT SEEMS LIKE SHE REALLY REPRESENTED THE SPIRIT OF AMERICA AT THE TIME.
I HAVE SOMETHING VERY SPECIAL TO SHOW YOU.
OH.
Nick: IT HAS A DIFFERENT FEELING UP HERE.
RIGHT WHEN WE STEPPED UP HERE, IT JUST FEELS MORE OFF THAN THE FIRST FLOOR.
THE FIRST FLOOR FELT, LIKE, COMFORTABLE, TO BE HONEST WITH YOU.
AND THEN WHEN WE WALKED UP HERE, IT JUST FEELS DIFFERENT NOW.
WE'VE HAD SEVERAL PSYCHICS IN HERE, AND SOME OF THEM WON'T EVEN COME INTO THIS ROOM.
AND WE'VE HAD A COUPLE THAT HAVE TOLD US THAT THAT TUB IS FULL OF BLOOD.
THEY SEE BLOOD.
AND WE'VE HAD A COUPLE OF STORIES WHERE A YOUNG MAN EITHER COMMITTED SUICIDE OR WAS MURDERED IN THE TUB AND HAD HIS THROAT SLIT.
WHAT ELSE HAVE PEOPLE FEL IN THIS ROOM? WE HAVE HAD SEVERAL PEOPLE LAY IN THE BATHTUB AND NOT BE ABLE TO GET UP.
THIS BATHROOM HAS JUST SOME KIND OF DECREPIT FEELING ABOUT IT.
IT'S ALMOST LIKE DARKNESS.
WHOA, WAIT A MINUTE.
WHAT? WAIT, COME BACK HERE.
WHAT? WHAT'D YOU SEE? I DON'T KNOW WHAT IT WAS.
IT WAS, LIKE, HERE, AND IT WENT SHOOP.
IT WAS WHITE, THOUGH.
Loretta: WELL, IT'S INTERESTING.
THE LAST TIME I HEARD THIS STORY WAS DOWNSTAIRS RIGHT BELOW US, AND THE PERSON THAT TOLD ME THIS SAID SHE SAW SOMETHING.
IT WAS LIKE A WHITE -- I DON'T KNOW IF SHE SAID IT KIND OF STARTED OUT -- BUT SHE SAID IT GOT, LIKE, MISTY AND FLEW STRAIGHT UP.
'CAUSE THE WAY I WOULD DESCRIBE IT IS IT SHOT DOWN, YOU KNOW, SO THAT'S INTERESTING, THAT WE'RE USING THE SAME TERMS.
OVER HERE, WE HAVE THE NURSERY.
THIS IS WHERE SAMUEL WOULD HAVE SLEPT.
DO YOU EVER HEAR KIDS LAUGHING OR ANYTHING LIKE THAT? YES.
Katrina: REALLY? OH, YEAH.
IN THIS ROOM, OR THROUGHOUT? JUST THROUGHOUT THE HOUSE.
OKAY.
SO, WE'LL USE SOME OF OUR DEVICES.
WE'LL TRY TO TALK TO SAMUEL, SEE IF WE CAN SPEAK TO HIM.
YEAH.
LET'S GO TO THE ATTIC.
THIS IS WEIRD.
IT'S ALMOST LIKE A SECRET AREA UP HERE.
YES? YEAH.
DO PEOPLE TALK ABOUT SOMEBODY GETTING MURDERED UP HERE? YES.
YEAH.
IT WAS A PROSTITUTE.
SHE WAS BEING TIED UP, AND WHOEVER HER JOHN WAS STRANGLED HER.
ACTUALLY, IT'S NOT A SECRET ROOM.
IT'S KIND OF A SECRET WHOLE WING OF THE HOUSE.
OH.
OH, COOL.
IF YOU WANT TO GO BACK THERE AND CHECK IT OUT LATER ON, THERE'S THE TWO LITTLE ROOMS THAT ARE DOWN THERE.
THAT'S WHERE THEY FOUND THE BEDS FROM THE BORDELLO.
LIKE I SAID, THIS PLACE HAD QUITE A REPUTATION BACK IN THE DAY.
WOW.
IT WAS SUPPOSED TO BE KNOWN FOR.
NOW WE'RE GONNA GO DOWN IN THE BASEMENT.
OKAY.
THIS IS LIKE A -- KIND OF A V.
I.
P.
LOUNGE DOWN HERE, HUH? IT WAS REFERRED TO AS "GOING DOWNSTAIRS" 'CAUSE DRINKING WAS ILLEGAL.
DEFINITELY, LIKE, A DOMINEERING SENSE DOWN HERE.
WE HAVE BEEN TOLD ON SEVERAL OCCASIONS THAT WHOEVER IS GUARDING THE BAR OR BEHIND THE BAR DOESN'T LIKE ANYONE BACK THERE.
WE DO THINK THAT SOMEBODY, AGAIN, WAS MURDERED DOWN HERE, BEATEN BY THE MAFIA.
THERE WAS A TUNNEL OVER ON THAT END.
IT WAS FILLED IN IN THE '60s.
THIS WAS VERY -- IT WAS NOTORIOUS.
YOU'RE THE FIRST PEOPLE TO SPEND THREE NIGHTS -- YOU'RE THE FIRST PEOPLE TO SPEND A NIGHT OVERNIGHT IN THE HOUSE.
REALLY? NO ONE'S EVER DONE THAT, NO.
WOW.
SO, THANKS SO MUCH FOR SHOWING US AROUND, GIVING US SOME HISTORY, SOME OF THE PARANORMAL EXPERIENCES PEOPLE HAVE HAD.
WELL, THANK YOU SO MUCH.
SEE YOU SOON.
THANK YOU.
GREAT.
AWESOME.
THANKS, LORETTA.
THANK YOU FOR COMING.
THANK YOU.
THERE'S SO MUCH HISTORY HERE.
THERE'S LIKE LAYERS AND LAYERS.
IT'S GONNA BE REALLY CONFUSING TO TRY TO PINPOIN WHAT SPIRIT WE'RE TALKING WITH, IF ANYTHING COMES THROUGH.
I WONDER IF THEY'RE GONNA THINK THAT WE'RE, LIKE, THE NEW FAMILY MOVING IN AND IF THEY'RE GONNA TRY TO INTERACT WITH US HARDER BECAUSE OF THAT.
LET'S GET SOME OF OUR EQUIPMEN AND JUST FEEL OUT THROUGH OUR OWN PERSONAL EXPERIENCES AND SEE WHERE IT TAKES US AND JUST WALK AROUND THE WHOLE ENTIRE HOUSE UNTIL WE START GETTING SOME EVIDENCE.
THAT'S A GOOD IDEA.
IT'LL GIVE US A GOOD BASELINE FOR WHERE MAYBE THE HOT SPOTS ARE GONNA BE FOR US.
LET'S GO.
âªâª OH, THE BASEMENT.
SO, APPARENTLY, THIS THING DOESN'T LIKE PEOPLE BEHIND THE BAR.
Nick: WE USE THE GEOBOX TO MODULATE ELECTROMAGNETIC FREQUENCIES, VIBRATIONS, AND RADIO WAVES INTO AUDIO TO TRY TO COMMUNICATE WITH THE SPIRITS.
HERE YOU GO, K.
CAN YOU TELL ME WHO'S IN THIS ROOM RIGHT NOW? OH, MY GOD.
SCARED THE CRAP OUT OF ME.
WHAT'S THE MATTER? I DON'T KNOW IF IT WAS THE LIGHTS -- THAT SCARED THE CRAP OUT OF ME.
WHAT? I DON'T KNOW IF IT WAS THE LIGHTS PLAYING TRICKS ON ME OR NOT, BUT I -- I TURNED AROUND, AND THERE WAS, LIKE, A FACE RIGHT HERE.
"SORRY ABOUT THAT.
" IT JUST GOES, "SORRY ABOUT THAT.
" IS THAT YOU? IS THERE A MAN RIGHT NEXT TO ME? "THERE IS.
" RIGHT THERE.
THAT'S AMAZING.
[ GEOBOX SWITCHES OFF .]
[ THUD .]
THAT WAS WEIRD.
WHAT'S WRONG? WHAT WAS THAT? [ THUD .]
THAT WAS WEIRD.
WHAT'S WRONG? WHAT WAS THAT? HOLY CRAP.
PHEW.
MY HEART IS RACING.
OH, MY GOD, I THOUGHT SOMETHING WAS GONNA ATTACK ME.
IT WAS LIKE SOMEBODY WAS UPSTAIRS, CLAWING AT THE GROUND.
CAN WE GO UP THERE REALLY QUICK? Nick: YOU KNOW WHA IT COULD HAVE BEEN? IT COULD HAVE BEEN THE CHILDREN, PLAYING WITH TOYS OR PLAYING WITH STUFF DOWN HERE.
THEY SAID SAMUEL IS OFTEN FEL IN THIS ROOM.
SAMUEL? ARE YOU HERE? LORETTA WANTED US TO TALK TO YOU.
THERE ARE SO MANY THINGS HERE, IT'S HARD TO FOCUS IN ON JUST ONE THING.
Nick: WITH SO MANY PARANORMAL EXPERIENCES INVOLVING SAMUEL, KATRINA AND I ATTEMP TO MAKE CONTACT WITH HIM TO FIND OUT WHY HE REMAINS AT THE MANSION.
SAMUEL, ARE YOU IN HERE? IT GOES, "YEAH.
" YEAH, I HEARD THAT.
IT SOUNDED LIKE A LITTLE KID, TOO.
"YEAH.
" HI, SAMUEL.
HI, SAMUEL.
IT GOES, "HI.
" "HI.
" THAT WAS CLEAR.
IT'S REALLY COLD RIGHT HERE, KATRINA, RIGHT IN FRONT OF MY -- I FEEL IT.
I FEEL IT.
RIGHT HERE.
I FEEL IT HERE, TOO.
SUPER COLD.
OOH! RIGHT? IS IT? YEAH.
[ BOX SHUTS OFF .]
IT'S KIND OF A CREEPY FEELING HERE.
CAN YOU SEE US? CAN YOU SHOW YOURSELF BEHIND ME IN THE MIRROR? [ CLACKING .]
WHAT WAS THAT? DID YOU JUST MAKE THAT NOISE? WHOA, WAIT A MINUTE.
HELLO.
THAT WAS LIKE A TAP ON THE WALL.
THAT'S WEIRD 'CAUSE THIS IS ABOUT THE PLACE WHERE I SAW THAT THING TODAY.
DID YOU WANT OUR ATTENTION IN HERE? WHERE ARE YOU? ARE YOU UPSTAIRS? LET'S GO UPSTAIRS.
I WANT TO GO TO THIS ATTIC.
HELLO, ARE YOU UP HERE? HELLO.
WE DON'T KNOW ANY NAMES UP HERE.
WE JUST KNOW THE BORDELLO GIRLS.
WE JUST KNOW THE BORDELLO, AND I THINK -- BUT THAT'S THE THING, THAT THIS HAPPENED WHEN THIS PLACE WAS ABANDONED.
YEAH.
SO, FOR WHAT IS THAT, EIGHT YEARS, THAT IT WAS ABANDONED.
BUT, I MEAN, YOU GOTTA THINK, THERE WOULDN'T BE ANY DOCUMENTATION OF THE PEOPLE THAT CAME THROUGH HERE.
LET'S GO IN THERE.
YOU WANT TO GO IN HERE? YEAH.
OH.
OKAY.
SO, THIS SECRET -- WOW.
DUCK BELOW, YEAH.
OH, WEIRD.
TOTALLY WEIRD.
SOMETHING SOMETHING JUST TOUCHED ME.
WHAT? SOMETHING JUST TOUCHED ME.
Rob: WHERE? ON MY ARM.
I HAD MY CAMERA AIMING RIGHT AT YOU.
I WAS LIKE THIS.
I -- Nick: WHAT'D YOU JUST FEEL, KATRINA? I THOUGHT -- THAT WAS REALLY WEIRD.
YOU HAD YOUR CAMERA ON ME, THOUGH, ON MY ARM? I WAS RIGHT BEHIND YOU.
YEAH.
YEAH.
SO I WAS STANDING HERE, I HAD MY CAMERA, AND I'M JUST KIND OF MOVING AROUND, LOOKING AT ALL THE PAPERS ON THE WALL.
AND I THINK IT WAS AS I WAS COMING BACK, I FELT LIKE A -- WEIRD.
BUT I THOUGHT -- SO I THOUGHT IT WAS LIKE -- I THOUGHT MAYBE THE CHAIN WAS OVER HERE AND IT KIND OF, LIKE, TAPPED ME.
BUT THEN THERE WAS NOTHING HERE.
I DEFINITELY FELT SOMETHING.
SOMETHING TAPPED RIGHT HERE.
Nick: THAT'S WEIRD.
SOMEONE JUST FLICKED MY ARM IN, LIKE, A PLAYFUL MANNER LIKE YOU WOULD DO TO YOUR BROTHER OR YOUR SISTER OR TO YOUR FRIEND THAT'S ANNOYING YOU.
AND MAYBE IT IS SAMUEL, THE ONE WHO'S KIND OF HAD THE BIGGEST QUESTION MARK OVER HIS NAME FOR ALL THESE YEARS.
DO YOU WANT TO TRY TO FLICK ME OR COME SHOW YOURSELF? âªâª DO YOU FEEL ANYTHING, NICK? IT'S QUIET.
YEAH.
SO, WHAT HAPPENS IF WE ISOLATE OURSELF? WE PUT THE LASERS HERE, WE LET THIS RUN.
I GO DOWN, AND I SLEEP IN THAT BATHROOM.
I GO IN THAT TUB, AND I ACTUALLY POSITION CAMERAS IN THERE AND TRY TO CAPTURE AND DOCUMEN WHATEVER EXPERIENCES PEOPLE HAVE BEEN TALKING ABOUT.
Nick: ALL RIGHT, SO THE LASERS ARE ALL SET UP.
WHILE YOU'RE SLEEPING, THIS CAMERA WILL BE ROLLING WITH THESE LASERS IN HERE, SO WE'LL CAPTURE ANYTHING COMING THROUGH THIS HALLWAY TO SEE IF ANY SHADOWS BREAK THE BEAMS.
NOW I'M STARTING TO REGRE HAVING THIS IDEA OF SLEEPING IN THIS BATHTUB.
BUT I FEEL LIKE YOU HAVE TO PUT YOURSELF INTO THESE KIND OF SITUATIONS SOMETIMES.
I WANT TO CONFRON WHATEVER IS HERE TO TRY TO DOCUMENT ABOUT PEOPLE BEING HARMED IN THIS BATHROOM, PEOPLE BEING AFFECTED BY SOME SORT OF ENERGY, BEING SCARED OUT OF THIS BUILDING.
WE'RE ISOLATED.
KATRINA'S UPSTAIRS IN THE ATTIC.
I'M GONNA SET UP THIS VIBRATION SENSOR OUT IN THE HALLWAY, AND IF ANYTHING WALKS INTO THIS ROOM, ANY SOUNDS KIND OF HIT THE FLOOR, THEN THIS WILL DETECT I AND WILL LIGHT UP LIKE THIS RIGHT NOW.
SO, I'M GONNA PUT THIS ON THE FLOOR IN THE HALLWAY, AND WE'LL SEE IF IT CAPTURES ANYTHING WHILE I'M SLEEPING.
THIS IS TERRIBLE.
OH, I HATE THIS MOMENT.
âªâª WHY IS THAT LIGHTING UP? IS THERE SOMEONE OUT THERE? THE VIBRATION SENSOR IS GOING OFF RIGHT NOW.
IT'S DETECTING SOMETHING RIGHT OUT THERE.
IS THERE SOMETHING OUT THERE? WHEW.
MAN.
IT'S HARD TO SLEEP IN THESE CONDITIONS.
âªâª [ GROANS .]
DAY 2.
OH, MAN, I'M TIRED.
DAY 2 IS HERE.
GOOD MORNING.
MORNING.
YOU WANT TO GO INVESTIGATE THE HOUSE? YEAH.
GIVE ME LIKE THREE MINUTES.
OH! I CAN'T EVEN STAND UP HERE.
YEAH.
MM.
IS ANYONE UP HERE? [ BIRDS CHIRPING .]
HEY.
WELCOME TO THE PARTY.
"HELP.
" YEAH, YOU HEARD THAT, TOO, RIGHT? YEAH.
[ LAUGHS .]
WHAT GOES ON UP HERE? [ INDISTINCT TALKING .]
AGAIN? YEAH.
THAT'S WEIRD.
WE'RE USING A DEVICE IN THE "BORDELLO," AND NOTHING'S REALLY COMING THROUGH, BUT WHEN WE ASKED THE QUESTION, "WHAT WAS THIS ROOM USED FOR?", IT SAYS [BLEEP.]
.
EXCUSE ME? KIND OF, LIKE, HOPELESS AFTER THE FIRST NIGHT.
ARE WE HOPELESS? WE'RE NOT GONNA SURVIVE THIS -- THIS WEEK? ARE YOU READY TO START THIS EXPERIMENT? I AM, YEAH.
IT SEEMS LIKE, YOU KNOW, THE BASEMENT, THIS ROOM, AND MARY'S BEDROOM HAVE BEEN KIND OF HOT SPOTS FOR US SO FAR IN THE INVESTIGATION.
AND THIS IS THE SPO WHERE LORETTA SAID A LOT OF PEOPLE SEE MARY WITH HER DAUGHTER, CRYING, WRITING A LETTER.
SO, I'M WONDERING IF THIS WILL HELP US, MAYBE MAP HER OUT, TRY TO GET SOMETHING.
FINALLY SEE A FIGURE OR SOMETHING THAT WE'RE NOT SEEING WITH OUR CAMERAS OR OUR EYES.
AND LET'S START.
IS MARY FIELD HERE? IF MARY FIELD IS HERE, MANY PEOPLE HAVE SEEN YOU.
ME AND MY FRIENDS ARE HERE.
WE'D REALLY LOVE TO TALK TO YOU.
MARY, IF YOU CAN HEAR ME, IF YOU CAN UNDERSTAND WHAT I'M SAYING, CAN YOU COME AND STAND BESIDE ME? CAN YOU SHOW ME WHERE YOU WERE WALKING LAST NIGHT? IT'S QUIET.
I'M REALLY HAPPY THAT WE'RE DOING THIS DURING THE DAY, AND MAYBE IT TRIGGERS SOMETHING.
WE SHOULD MAYBE GO TO THE BASEMENT, TO WHERE THE BAR AREA IS, RIGHT BELOW THIS.
AND WE SHOULD TRY THE EXPERIMEN DOWN THERE LATER, TOO.
BUT, ALSO, I DO THINK WE NEED TO CHECK OUT THE ATTIC MORE BECAUSE I DID GET -- I GOT FLICKED.
ROB, DO YOU WANT TO HELP ME SET UP THE 3-D MAPPING CAMERA THAT WE WERE USING TODAY? WE CAN CONTINUE TO INVESTIGATE.
LET US KNOW IF YOU SEE ANYTHING OR IF ANYTHING HAPPENS.
KATRINA, LET'S GO DOWNSTAIRS INTO THE BASEMENT.
THIS IS THE OLDER PAR OF THE BUILDING, TOO.
YEAH, 1723.
ROB IS SETTING UP THE 3-D MAPPING CAMERA UPSTAIRS IN THE ATTIC RIGHT NOW AS WE'RE INVESTIGATING.
IF WE CAN HEAR THE DISEMBODIED VOICES OR HEAR FOOTSTEPS THAT ARE UNEXPLAINABLE, THEN WE CAN ACTUALLY RUN TO THOSE SPOTS AND USE SOME OF OUR EQUIPMEN TO TRY TO INDICATE AND VALIDATE.
WHAT THE F-- NICK! NICK, KAT! NICK, KATRINA! DO YOU HEAR THAT? IS THAT ROB? THAT'S ROB.
GET UP HERE! GO.
Rob: WHAT THE F-- NICK, KATRINA! Nick: DO YOU HEAR THAT? IS THAT ROB? Katrina: THAT'S ROB.
GET UP HERE! ALL RIGHT, RIGHT NOW, WE'RE GOING UP TO THE ATTIC.
WE'LL GO AND CHECK IT OUT.
ARE YOU OKAY, ROB? COME HERE, THERE'S SOMETHING MAPPING OUT RIGHT THERE.
HOLD ON.
RIGHT THERE, RIGHT THERE.
MAYBE IT'S SAMUEL.
WOW, IT'S REALLY COLD.
SAMUEL, IF THAT'S YOU, IT'S OKAY.
THAT'S JUST NICK.
IT'S RIGHT THERE.
I SEE IT.
IT'S STILL THERE? YEAH, IT'S HIDING.
IT LOOKS LIKE A CHILD HIDING UNDER THE TABLE.
THIS IS AMAZING.
I CAN SEE ME POSITIONED NEAR THE COMPUTER ON THE CAMERA, AND I CAN SEE YOU, AND I CAN SEE THE CHILD.
IT'S HIDING RIGHT UNDERNEATH THE TABLE.
WALK IN.
OKAY.
HE'S RIGHT UNDERNEATH.
WHATEVER IT IS, IT'S RIGHT UNDERNEATH THE TABLE.
THIS IS AMAZING.
HI.
I CAN SEE IT.
I'LL DIRECT YOU TO WHERE HE'S STANDING.
HE'S SCARED.
HE'S, LIKE, RIGHT -- THIS TABLE? NOW GO AWAY FROM THE WALL, GO TOWARDS THE OTHER WALL.
RIGHT THERE, RIGHT THERE.
BE CAREFUL.
IT'S, LIKE, COLD.
YOU CAN TOUCH MY HAND.
MY HAND'S, LIKE, REALLY COLD.
OH, MY GOD, THIS IS SO AMAZING.
IT'S OKAY.
I KNOW WE MIGHT LOOK SCARY, WE'RE NOT SCARY.
WE DON'T MEAN TO BE.
ROB, THIS IS INCREDIBLE.
CAN YOU TAKE THIS HAND? CAN YOU REACH IN FARTHER? IS IT OKAY? MY MIDDLE FINGER FEELS REALLY WEIRD RIGHT NOW.
HE'S HOLDING YOUR HAND.
MY MIDDLE FINGER FEELS, LIKE, NUMB ALMOST.
NOT LIKE -- LIKE PINS AND NEEDLES NUMB.
HE'S HOLDING YOUR HAND, KATRINA.
HI.
IT'S VERY STRANGE WHAT'S HAPPENING RIGHT NOW.
MY MIDDLE FINGER, IT FEELS LIKE -- I DON'T KNOW HOW TO DESCRIBE IT.
LIKE, YEAH, THE NUMBNESS.
THERE'S ENERGY THAT WE CAN'T SEE WITH THESE CAMERAS, WITH SOME SORT OF SPECTRUM THAT THIS IS MAPPING.
WOW! I'M MAPPED OUT? I'VE NEVER SEEN THIS BEFORE.
THIS IS THE EXACT SAME SPO THAT KATRINA WAS TOUCHED RIGHT HERE, TOO.
I REALLY BELIEVE WHAT WE'RE MAPPING OUT RIGHT NOW COULD BE POSSIBLY A CHILD'S SPIRI THAT EITHER WAS HIDING OR JUS CURIOUS ABOUT WHO WE WERE.
AND IT'S COMFORTABLE NOW TO TRY TO TALK TO US OR COMMUNICATE WITH US BECAUSE WE'VE BEEN LIVING HERE.
AND I THINK THIS COULD POSSIBLY BE SAMUEL.
IT'S, LIKE, TRYING TO -- KATRINA, I CAN FEEL I HOLDING MY HAND.
OKAY, YEAH, CAN YOU MOVE I TO THE OTHER SIDE? IT'S STILL THERE.
EVERYTHING WE FEEL OUR BODIES, THE ELECTRICITY, THE GOOSE BUMPS, THAT'S WHA THIS FEELS LIKE.
OH, IT'S GONE.
WHEN YOU PUT YOUR HANDS DOWN TO GO CLOSER, IT DISAPPEARED.
LAST NIGHT, I HAD A FLICK ON MY ARM, ALMOST CHILDISH, THOUGH.
YEAH, SO YOU WERE TOUCHED ON THE ARM.
SO, IF IT WAS A CHILD, I MEAN, THAT WOULD MAKE SENSE.
WHATEVER THAT WAS MAPPED OU RIGHT THERE, WE CAPTURED SOME SORT OF ENERGY FORM THAT WE CAN'T INDICATE WITH OUR CAMERAS, IN NIGHT VISION.
IT'S A DIFFERENT SPECTRUM.
THAT'S WHY IT WAS MAPPED OUT, BECAUSE WHEN YOU WEN TO TOUCH IT, IT FELT COLD, HAD ELECTRICITY, AND IT HAD MOISTURE.
LET'S USE THE WONDER BOX, WHICH IS GOING TO GO THROUGH A CYCLE OF FREQUENCIES, AND WE'LL TRY TO TAP INTO WHERE SPIRITS CAN COMMUNICATE.
I'M JUST GETTING THE LEVELS.
[ STATIC .]
WAIT, WAIT, WAIT, WAIT, WAIT.
WHAT WAS THAT? A KID CRYING.
YOU HEARD THAT, TOO? A KID CRYING.
YOU GUYS ALL HEARD THAT? IT WAS, "AAH.
" YEAH, IT WAS A CHILD CRYING.
HELLO? [ STATIC .]
DO YOU KNOW WHAT YEAR IT IS? "NO.
" WE NEED TO SPLIT UP RIGHT NOW.
ROB -- GO, GET IT, GET IT, GET IT.
IT WAS THROWN.
SOMETHING WAS THROWN, RIGHT THERE.
Rob: WHERE? SOMETHING WAS THROWN.
I HEARD IT.
IT CAME FROM RIGHT THERE.
I HEARD IT.
IT FLEW IN FROM OUT OF THE DOOR.
HI.
OH, MY GOD.
SOMETHING WAS THROWN.
IT'S OKAY.
THANK YOU.
WE WANT TO COMMUNICATE WITH YOU.
Katrina: ME GETTING FLICKED ON THE ARM, US HEARING WHAT SOUNDS LIKE A CHILD CRY, THIS LITTLE MAPPED OUT FIGURE, ALL THESE THINGS CAN PINPOIN TO THE FACT THAT, OKAY, YES, MAYBE WE ARE DEALING WITH A CHILD, AND MAYBE IT IS SAMUEL.
LET'S GO ISOLATE OURSELVES, KATRINA.
YOU AND I IN DIFFERENT PLACES.
AND THEN, ROB, WE'LL MEET BACK UP WITH YOU, AND WE'LL ANALYZE THIS VIDEO TOMORROW AND SEE IF WE LEAVE, MORE THINGS WILL HAPPEN.
I DON'T THINK YOU'RE ALONE ANYWHERE IN THIS HOUSE.
WE'RE ISOLATED NOW.
KATRINA AND I ARE THE ONLY ONES INSIDE WHITEHILL MANSION.
SHE'S UP ON THE SECOND FLOOR.
LIKE A BAD CAMPING TRIP.
âªâª [ TAPPING .]
âªâª THAT WAS REALLY LOUD.
IT WAS A LOUD SOUND THAT CAME FROM IN HERE.
[ BIRDS CHIRPING .]
âªâª THE SUN'S UP, AND I'M GONNA GO WAKE UP KATRINA.
LAST NIGHT WAS ABSOLUTELY CRAZY.
THE INVESTIGATION TOOK A LEFT TURN.
KATRINA? YEAH? HOW YOU DOING? HEY.
YOU ALL RIGHT? HOW'D YOU SLEEP? OH, I STILL FEEL TIRED.
âªâª IS IT TIME FOR YOUR SHOWER, NICK? IT SUCKS.
THERE IT IS, THE NICK GROFF SECRET TO GOOD HAIR.
HUH? AND ALL DONE.
ONE EASY STEP.
I CAN'T EVEN SEE.
I DON'T EVEN KNOW WHAT'S GOING ON RIGHT NOW.
[ LAUGHS .]
AFTER WE GET READY FOR THE DAY, WE START LOOKING OUTSIDE FOR THE ENTRANCE TO THE TUNNELS.
WE'RE GOING DOWN TO THE TUNNEL.
THIS DOES NOT LOOK SAFE AT ALL.
"SAFE" IS NOT MY MIDDLE NAME.
"DANGER" IS.
DO NOT GET THAT LOOK IN YOUR HEAD.
NO.
[ LAUGHS .]
STAND BY ME.
HERE WE HAVE A TUNNEL THAT WAS PART OF A SPEAKEASY.
POSSIBLY, THIS IS WHERE THEY ACTUALLY DRAGGED OUT BODIES AND DUMPED 'EM IN THE RIVER, TOO.
IT'S A CONNECTION WITH THE HOUSE.
HOPEFULLY, IT IGNITES SOMETHING WHEN WE'RE INVESTIGATING INSIDE THE HOUSE.
THAT'S IT RIGHT THERE.
BLOCKED OFF.
I THINK I FOUND IT.
THAT'S THE TUNNEL SYSTEM RIGHT THERE, THAT THEY DUG OUT FROM THE HOUSE ALL THE WAY OUT TO HERE, AND THEN IT WOULD GO RIGHT OUT TO THE RIVER.
NOW THAT WE FOUND THE BLOCKED ENTRANCE TO THE TUNNEL OUTSIDE, WE FOLLOW IT BACK ABOVE GROUND TO SEE IF IT CONNECTS TO THE HOUSE IN THE BASEMENT.
SOMETHING ABOUT THIS BASEMENT.
BASEMENT.
YEAH.
YEAH.
IT'S VERY WEIRD.
I DIDN'T SEE THE OPENING THAT SHE WAS TALKING ABOUT.
WHAT DO YOU MEAN? SHE SAID THE OPENING TO THE TUNNEL WAS SOMEWHERE IN HERE.
IT'S BEHIND THIS -- OH, RIGHT THERE.
WHERE? BEHIND THERE? OH, GOD.
OH, GOD, OH, GOD.
Katrina: SHE SAID THE OPENING TO THE TUNNEL WAS SOMEWHERE IN HERE.
Nick: IT'S BEHIND THIS -- OH, RIGHT THERE.
WHERE? BEHIND THERE? OH, GOD.
OH, GOD, OH, GOD, OH, GOD, OH, GOD, OH, GOD.
WHAT'S THE MATTER? [ SHUDDERS .]
[ LAUGHS .]
I DON'T KNOW WHAT THAT LANGUAGE IS.
WHAT? [ SHUDDERS .]
OH! WHAT'S THE MATTER? MANY SPIDERS.
OH, REALLY? YES.
OH, THEY'RE JUS LITTLE CRICKET THINGS.
THOSE ARE CRICKETS? THOSE LOOK LIKE SPIDERS.
HEY, ROB.
Rob: HEY, GUYS, WHAT'S UP? HOW WAS IT LAST NIGHT? OH, AFTER THAT WHOLE EXPERIENCE THAT WE HAD UPSTAIRS, THE ATTIC WAS ABSOLUTELY AMAZING LAST NIGHT.
I WAS BLOWN AWAY.
I WAS TAKEN OFF GUARD.
Nick: WE DECIDE TO GO BACK INTO THE ATTIC TO SEE IF WE CAN GET MORE EVIDENCE USING THE STATIC SENSORS.
IF WE SAW A CHILD LAST NIGH AND HE RAN IN HERE AND HE WAS HIDING UNDER THIS TABLE, CAN YOU COME BACK IN HERE SO WE CAN SEE YOU? AND MAYBE THIS TIME, YOU CAN TRY TO TOUCH WHAT LOOKS LIKE A TOY RIGHT THERE ON THE GROUND.
IT'S A REALLY FUN GAME IF YOU PUT YOUR HAND OVER IT, THROUGH THE TOPS HERE.
GO LIKE THIS? THEY'LL LIGHT UP A PRETTY COLOR, AND YOU CAN DO I TO ALL OF THEM.
DON'T YOU WANT TO PLAY THAT GAME? MAKE THE LIGHT LIGHT UP.
IS THAT YOU WALKING OVER HERE? Katrina: YOU HEAR SOMETHING? YEAH, TWO STEPS.
YOU CAN COME IN.
WE'RE FRIENDS.
WE'RE NOT -- WE'RE NOT ENEMIES.
WE'RE NOT GONNA TRY TO HURT YOU.
YOU KNOW, HONESTLY, COMING UP HERE AND DOING THIS RIGHT NOW, IT COULD HAVE JUST BEEN THE RIGHT MOMENT, THE RIGHT TIME, AND ROB BEING UP HERE BY HIMSELF, US BEING DOWNSTAIRS, THAT ISOLATION MOMEN AGAIN.
I THINK, TOO, YOU BRING UP A GREAT POINT.
YOU WEREN'T UP HERE ASKING FOR A GHOST.
YOU WERE JUS DOING YOUR THING.
AND I THINK THAT'S KIND OF THE KEY TO THIS HOUSE.
I THINK WE'LL EXPERIENCE THINGS WHEN WE'RE NOT NECESSARILY LOOKING FOR IT.
[ BIRDS CHIRPING .]
WE'VE HAD AMAZING VISUAL EVIDENCE UP HERE.
WE'VE HAD PHYSICAL CONTAC WITH SOMETHING UP HERE, BUT WE HAVEN'T HAD THE AUDIO YET.
SO, I REALLY WANT TO TRY STEVE HUFF'S PORTAL IN HERE TO SEE IF WE CAN GET ANY -- OH, MY GOD.
THE DOOR.
YOU CLOSED THE DOOR.
I DIDN'T CLOSE IT.
YES, YOU DID.
IF WE CAN GET ANY -- OH, MY GOD.
THE DOOR.
OH, MY GOD.
THE DOOR.
LOOK, IT WAS LOCKED.
OH, IT STARTED CLOSING.
I DIDN'T TOUCH IT.
OH, I THOUGHT YOU TOUCHED IT.
NO.
YOU DIDN'T? NO.
LOOK, COME HERE.
YEAH.
SEE? HOLY [BLEEP.]
.
THAT DOOR JUST STARTED CLOSING.
THAT'S HOW IT WAS.
[ STATIC .]
WAS SOMEONE MURDERED IN THIS ROOM? "YES.
" OKAY, CAN YOU TELL ME HER NAME OR HIS NAME? [ STATIC .]
WHAT WAS THAT? IT'S GETTING COLD RIGHT HERE.
FEEL THAT.
OH, MY GOD, I'M FEELING -- THAT ELECTRICITY.
ALMOST FEELS A LITTLE AGGRESSIVE.
WHERE'D IT GO? DID YOU -- "NICK.
" I THINK THAT JUS SAID YOUR NAME.
DID YOU JUST SAY "NICK"? "CUT HIS THROAT.
" "CUT HIS THROAT.
" OH, [BLEEP.]
.
I DIDN'T LIKE THAT.
"CUT HIS THROAT.
" YEAH.
THE BATHROOM STORY.
THIS IS GETTING TOO MUCH, MAN.
THIS IS, LIKE -- THIS IS, LIKE, THREATENING US.
WHAT IF HE'S, LIKE -- "GET OUT" -- I TOLD YOU.
"GET OUT".
WE'RE TOO CLOSE TO SOMETHING, KATRINA.
BUT THAT'S WHA WE CAME HERE TO DO.
I KNOW, BUT IT'S NOT -- I DON'T LIKE IT.
TELL ME YOUR NAME.
HERE HE COMES, HERE COMES THIS MAN.
TELL ME YOUR NAME.
I JUST FELT MY HAIR GET PULLED.
ARE YOU SERIOUS? YEP.
TOP OF MY HAIR, JUST, LIKE, SOMETHING GRABBED ONTO IT AND JUST PULLED UP.
DID YOU JUS PULL NICK'S HAIR? I FEEL LIKE SOMETHING'S BEHIND ME LIKE THIS, HOVERING BEHIND ME AND JUST TRYING TO HOLD ONTO ME.
IT MAKES SENSE.
IT WAS, LIKE, RIGHT BEHIND ME.
I MEAN, THINK ABOUT WHAT WE CAUGHT.
YOU CAN'T HOLD ONTO US.
YOU HAVE NO POWER OVER US.
WE CANNOT LET THAT HAPPEN.
OKAY? YOU GOTTA STAY HERE.
LET'S GO DOWNSTAIRS RIGHT NOW.
YEAH, LET'S DO THAT.
LET'S MOVE EVERYTHING THERE.
LET'S GO.
OKAY.
DOWN TO THE TUB.
[ SIGHS .]
WHAT DID YOU HEAR? WHAT -- WHAT DID YOU JUST HEAR? LET ME JUST -- NO, WHAT'S UP? TELL US.
JUST TELL US.
RIGHT IN THIS ROOM RIGHT NEXT TO US.
IN MARY -- IN HER MOTHER'S ROOM? IN MARY'S ROOM.
DO YOU REMEMBER KATRINA? WAIT, WAIT, WAIT.
WHAT? STOP FOR A SECOND.
WHAT IS IT? UM, I HAVE A STATIC CHARGE ON MY ARMS.
DO YOU? YEAH.
HERE WE GO.
HELLO.
WATCH HER.
CAN YOU TELL ME WHAT YOUR NAME IS? CAN YOU TELL ME WHO YOU ARE? IT GOES, "WHERE ARE YOU, DADDY?" THAT SOUNDED LIKE A CHILD.
A LITTLE BOY JUST GOES, "WHERE ARE YOU, DADDY?" "WHERE ARE YOU, DADDY?" OH, MY GOD.
KNOWING THAT SAMUEL IS POSSIBLY STILL LOOKING FOR HIS FATHER, IT BREAKS MY HEART, HONESTLY, AND I WANT TO CONNECT WITH HIM TO TRY TO SEE IF WE CAN HELP HIM.
IT FEELS WEIRD IN HERE AGAIN.
I'VE BEEN ATTRACTED TO THIS ROOM EVER SINCE DAY ONE.
I KNOW, I KNOW.
SOMETHING ABOUT THIS ROOM.
HEARING THE STORIES FROM LORETTA ABOUT THE BASEMENT, I WANT TO MAKE ONE FINAL ATTEMP TO TRY TO INVESTIGATE IT, ISOLATE MYSELF.
MAYBE IF I'M ALONE, SOMETHING WILL HAPPEN.
THERE'S THE NIGHT VISION ON.
I'M ALL BY MYSELF NOW.
GOING UP TO THE HAUNTED ATTIC.
MY HEART IS RACING.
LIKE, IT'S RACING SO FAST.
TO THE POIN WHERE I FEEL LIKE I'M TREMBLING.
IT'S REALLY CREEPY DOWN HERE, AND IT'S SO DARK.
I AM TERRIFIED RIGHT NOW.
I'M FEELING TERRIFIED, AND ALSO KNOWING THAT I WILL BE OKAY.
I WILL BE OKAY.
I WILL BE OKAY.
IS ANYONE DOWN HERE THA WANTS TO COME OVER HERE AND TALK TO ME? FEEL FREE TO WALK ON OVER.
Katrina: ALL RIGHT, THIS IS A WEIRD ROOM TO BE IN, TOO.
GEEZ.
IF THERE'S ANYBODY UP HERE WHO FEELS LIKE THEY CAN'T MOVE ON BECAUSE SOMETHING BAD HAPPENED HERE, IF YOU DO WANT TO GO, YOU CAN.
[ SQUEAK .]
HOLY [BLEEP.]
! OH, MY GOD.
IF THERE'S ANYBODY UP HERE WHO FEELS LIKE THEY CAN'T MOVE ON BECAUSE SOMETHING BAD HAPPENED HERE, IF YOU DO WANT TO GO, YOU CAN.
[ SQUEAK .]
HOLY [BLEEP.]
! OH, MY GOD.
A DOOR JUST CLOSED.
I TOTALLY HEARD A DOOR CLOSE.
HELLO? HOLY [BLEEP.]
, I'M SHAKING RIGHT NOW.
NICK? Nick: YEAH.
DID YOU HEAR A DOOR CLOSE? WHAT'S THAT? DID YOU HEAR A DOOR CLOSE? I DIDN'T HEAR ANYTHING, NO.
I'M WAY DOWN IN THE BASEMENT.
I WAS IN THE ATTIC WHERE WE WERE GETTING ALL THOSE VOICES COME THROUGH ON THE PORTAL.
YEAH? I WAS JUST TALKING, AND I SAID, YOU KNOW, IF SOMETHING BAD HAPPENED TO YOU, YOU CAN MOVE ON, AND I HEARD WHAT SOUNDED LIKE A SQUEAKY DOOR OPEN AND CLOSE.
THAT MEANS WE'RE GETTING CLOSER, IT'S WORKING, US BEING BY OURSELF.
⪠STUFF THAT GOES BUMP IN THE NIGHT ⪠MY HEART IS RACING, AND I'M TREMBLING.
Nick: I'M GONNA PUSH MYSELF.
I'M GONNA TRY TO GET UP ON TOP OF THE BAR AND SLEEP AND MAYBE AGGRAVATE THE SPIRI OF THE BARTENDER TO SEE IF SOMETHING WILL HAPPEN.
CAN I SLEEP RIGHT HERE? âªâª Katrina: I'M NERVOUS SLEEPING IN THE ATTIC, BUT DEFINITELY A SENSE OF BEING WATCHED.
[ FLASHLIGHT CLICKS .]
âªâª [ BIRDS CHIRPING .]
THAT WAS CRAZY LAST NIGHT.
YEAH.
I CAN'T BELIEVE ON THE THIRD NIGHT HOW BAD IT RAMPED UP.
Loretta: HELLO? HEY, LORETTA.
HEY, LORETTA.
HEY.
IT'S BEEN A LONG COUPLE OF DAYS.
YEAH.
WE'VE HAD SOME GREAT ACTIVITY.
IN THE ATTIC, ON THE FIRST NIGHT, I WAS STANDING IN THE HIDDEN ROOMS, AND I FEEL SOMEBODY FLICK MY ARM LIKE THAT.
REALLY? WHEN NICK AND I WERE DOWNSTAIRS, ROB STARTED YELLING FOR US, AND THERE WAS A FIGURE THAT SHOWED UP ON THE CAMERA IN THE SAME SPO WHERE I GOT FLICKED.
I HAVE SUCH CHILLS RIGHT NOW, I CAN'T EVEN TELL YOU.
SO, WE WANT TO SHOW YOU THIS.
YEAH.
YOU WANT TO TAKE A LOOK? UH-OH.
I DON'T KNOW.
DO I? WHAT'S INTERESTING IS, WE'RE SEEING WHAT APPEARS TO BE A CHILD UNDERNEATH THIS TABLE, MAPPED OUT LIKE IT'S HIDING.
WOW.
NOW WATCH THIS.
IT LOOKS, LIKE YOU SAID, LIKE A CHILD.
AND WHAT WE FEL WAS STATIC ELECTRICITY, ALSO THE TEMPERATURE DROPPED.
WE TRIED TO DEBUNK THIS A BUNCH OF TIMES.
WE'RE LIKE, "COULD IT BE TRYING TO MAP OUT THE TABLE SOMEHOW?" SO AT SOME POINT, WE MOVE THE TABLE, AND THIS THING IS STILL THERE.
THE ONLY TIME IT GOES AWAY, NICK IS DOING THE SAME THING I'M DOING, AND IT STAYS FOR A WHILE.
IT JUST WENT AWAY.
I MEAN, IT'S DEFINITELY -- WE KNOW THERE'S CHILDREN UP THERE.
WE JUST KNOW THAT, SO THIS KIND OF PROVES IT.
WE DID GET A LITTLE BOY COMING THROUGH ON OUR DEVICE.
IT GOES, "WHERE'S DADDY?" AND YOU COULD HEAR IT, CRYSTAL CLEAR.
DEFINITELY, LAST NIGH WAS REALLY WEIRD BECAUSE I SAID, "IF YOU DON' WANT TO BE HERE ANYMORE, YOU CAN GO.
" AND THEN I HEAR A DOOR OPEN AND CLOSE.
WE THOUGHT SAMUEL WAS IN THE ATTIC, BUT NOW WE KNOW HE'S THERE.
I'M THINKING THAT'S THE STORY THAT THE HOUSE WANTS ME TO TELL, THAT PEOPLE LIVED HERE, THEY LIVED THEIR LIVES HERE.
THE MAFIA CAME AND WENT, EVEN THE BORDELLO CAME AND WENT.
BUT PEOPLE SPENT THEIR LIVES HERE.
CHILDREN GREW UP HERE.
THAT'S WHAT THIS HOUSE WANTS US TO THINK OF IT AS.
THANK YOU FOR DOING THIS.
IT'S BEEN A REALLY INCREDIBLE EXPERIENCE.
IT'S A WHOLE NEW LAYER ON THE WHOLE STORY.
WE'RE HAPPY TO HELP.
YEAH.
AND WE'RE GLAD WE COULD GE SOME VALIDATION TO STORIES AND HOPEFULLY CONNEC WITH SAMUEL AND TELL THEIR STORY AND KEEP THIS PLACE ALIVE.
AND HOPEFULLY IT GOES MANY, MANY YEARS BEYOND US.
I HOPE SO.
[ LAUGHS .]
THANK YOU SO MUCH.
WELL, COME BY AND SEE US AGAIN.
OH, ABSOLUTELY, ABSOLUTELY.
YEAH.
THANK YOU, LORETTA.
I FEEL EXTREMELY LUCKY THAT WE GOT TO SPEND SO MUCH TIME HERE.
THIS IS A VERY SIGNIFICANT PLACE IN OUR COUNTRY'S HISTORY.
AND KNOWING THAT WE GOT TO MAYBE EXPERIENCE SOME OF THESE SPIRITS THAT WERE CONNECTED TO THAT TIME PERIOD FEELS REALLY SPECIAL.
Nick: IT'S NOT JUST ABOUT THE MOBSTERS AND THE DARK SIDE OF THIS PLACE AND THE UNDERBELLY.
IT'S MORE OR LESS ABOUT THE FAMILIES THAT ONCE LIVED HERE AND THAT CONNECTION AND THAT ENERGY THAT STILL CONTINUES TO THIS DAY.
I WALKED AWAY WITH INCREDIBLE EVIDENCE FROM THIS LOCATION, AND I WILL NEVER FORGE THE WHITEHILL MANSION.