Paranormal Lockdown (2016) s02e09 Episode Script
Malvern Manor
1 Josh: WELCOME TO MALVERN MANOR.
I HEARD A MAN SPEAKING.
WE DO HEAR HIM OFTEN, DISEMBODIED VOICE SPECIFICALLY CALLING HIMSELF Katrina: THE CAPTAIN.
WHAT THE [BLEEP.]
HOLY [BLEEP.]
THAT WAS AGGRESSIVE.
WHOA! I FEEL SO STRANGE.
THERE'S SOMETHING GOING ON IN THIS ROOM.
ROB, DID YOU HEAR THAT? -ABSOLUTELY.
-THERE IT IS! -OH, MY GOD.
I'VE SEEN THE WAY THROUGH ALL THE PAIN I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN THEY FILL MY GRAVE BUT STILL MY SOUL REMAINS HERE BETWEEN HERE AND THE BEYOND -- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: AT THE FAR END OF MAIN STREET IN THE SLEEPY IOWA TOWN OF MALVERN SITS AN UNASSUMING MANOR HOUSE.
BOARDED UP AND ABANDONED, PASSERSBY MAY DISMISS I AS A RELIC OF THE TOWN'S HOPEFUL PAST.
BUT THOSE THAT ENTER I KNOW ALL TOO WELL THAT THE DEAD FIND NO RES WITHIN THESE WALLS.
BUILT IN THE LATE 1800s BY CAPTAIN CULLERS TO ACCOMMODATE WEARY TRAVELS OF THE WABASH RAILWAY, COUNTLESS TRANSIENTS AND VAGRANTS PASSED THROUGH THE PARLOR OF MALVERN MANOR, AND MANY OF THESE SOULS NEVER LEFT.
IN THE 1960s, THE HOUSE WAS RECLAIMED AS A HOME FOR THE MENTALLY ILL.
INTENDED AS A PLACE OF PEACEFUL RESPITE, MANY BELIEVE THE HAUNTING SPIRITS OF THE MANOR ONLY FURTHERED THE PATIENTS' EMOTIONAL TORMENT.
CONDITIONS OF CARE DECLINED UNTIL THE FACILITY CLOSED IN 2005, BUT THE ECHOES OF AGONY WITHIN ITS WALLS NEVER QUIETED IN THE COMMUNITY.
[ SCREAMING .]
DISEMBODIED SCREAMS STILL SHOCKED NEIGHBORS, WHILE THOSE DARING ENOUGH TO STEP INSIDE WERE AGHAST AT DARTING SPECTERS THAT CAUSED MANY TO FLEE IN TERROR.
NICK AND KATRINA WERE URGED TO EXPLORE MALVERN MANOR BY FELLOW PARANORMAL INVESTIGATOR JOHNNY HOUSER AFTER HIS OWN HARROWING EXPERIENCE WITH AN AGGRESSIVE SHADOW FIGURE IN THE HALLWAYS OF THE HOUSE.
NOW NICK AND KATRINA WILL CHECK IN FOR 72 HOURS TO INVESTIGATE THESE MALEVOLENT ENTITIES AT THE MYSTERIOUS MALVERN MANOR.
WOW.
THIS IS AWESOME.
EVERYTHING IS REALLY OLD.
IT FEELS LIKE WE JUS WALKED INTO A ROOMFUL OF PEOPLE, DOESN'T IT? IT DOES.
THIS FRONT ROOM IMMEDIATELY STRIKES ME AS A DIFFERENT FEELING.
AND THE BEST WAY I CAN DESCRIBE IT IS I FEEL LIKE ALL THESE PEOPLE ARE WATCHING ME, LIKE I'M NOT REALLY SUPPOSED TO BE THERE.
HEY, JOSH? -HEY, GUYS.
-HEY.
-HOW'S IT GOING? -GOOD.
HOW ARE YOU? Nick: JOSH IS A DOCUMENTARY FILMMAKER AND PARANORMAL INVESTIGATOR WHO IS A PART OWNER OF THE HOUSE.
YEAH.
WELCOME TO MALVERN MANOR, GUYS.
YEAH.
SO, THIS PLACE WAS BUIL BY THIS GENTLEMAN IN THIS PICTURE RIGHT BEHIND ME.
SO, CAPTAIN CULLERS BUILT THIS PLACE 1870s, AND HE BEGAN OPERATING I AS A HOTEL.
OKAY.
AND THEN IT SWITCHED OVER TO A NURSING HOME HALFWAY THROUGH IN THE 1900s.
IN ABOUT THE 1950s.
CAN YOU SHOW US AROUND AND SHOW US SOME OF THE HOT SPOTS? ABSOLUTELY.
I'D LOVE TO.
OKAY, GREAT.
SO, THEY EVER SEE HIS GHOS WALKING AROUND -- CAPTAIN CULLER? WE DO HEAR HIM OFTEN.
YEAH? THAT'S FOR SURE.
AND IT'S A MALE VOICE -OH, MY GOODNESS.
SPECIFICALLY CALLING HIMSELF "THE CAPTAIN.
" THIS IS GRACIE'S ROOM.
SHE WAS MULTIPLE PERSONALITY AND SCHIZOPHRENIC.
SO, SHE HAD A LOT GOING ON.
WAS SHE A VIOLENT SCHIZOPHRENIC? NOT TO MY KNOWLEDGE.
YEAH.
THIS ROOM SPECIFICALLY IS VERY INTERESTING.
IT'S ONE OF THE MORE ACTIVE.
THAT'S FOR SURE.
I FEEL IT IN MY GUT.
IT FEELS DIFFERENT IN HERE.
LIKE, I FEEL -- LIKE, YOU KNOW SOMETHING'S HERE.
THAT'S WHAT I GOT THE SENSATION OF, AND A LITTLE BIT DIZZY.
YOU KNOW, IT'S VERY INTERESTING THAT YOU SAY THAT, NICK, BECAUSE GRACIE LIKES TO INTERAC MORE WITH MALE INVESTIGATORS.
-REALLY? -YES.
WHAT HAVE YOU GUYS EXPERIENCED WITH GRACIE? SO, A LOT OF TUGGING ON, LIKE, YOUR PANT LEGS.
-OKAY.
SOMETIMES WHEN YOU'RE GOING TO LEAVE THE ROOM, IT'S ALMOST AS IF SHE'S NOT DONE WITH YOU YE AND SHE WANTS YOU BACK IN HERE, AND YOU'LL HEAR, LIKE, A SMACK ON THE WALL, USUALLY FAIRLY LOUD, LIKE, VERY BLATANT, "COME BACK IN HERE.
" LIKE SHE'S AGGRAVATED THAT SHE'S NOT GETTING YOUR ATTENTION, SHE WANTS YOU BACK? RIGHT.
MORE OR LESS LIKE -- SHE MIGHT JUST BE LONELY.
I DO BELIEVE THAT GRACIE'S MEMORIES ARE STILL LINGERING IN THIS ROOM.
YOU CAN DEFINITELY SENSE SOME SORT OF ENERGY AND CONFUSION.
I FEEL CONNECTED TO THIS ROOM, AND I WANT TO LEARN MORE.
Josh: SO, I THINK NEX WE'RE GONNA GO UPSTAIRS.
-OKAY.
I'M GONNA SAY THIS TO NOTE IT -- THAT WHEN WE WERE WALKING RIGHT HERE, IT FELT LIKE -- DO YOU KNOW WHEN YOU GET YOUR BLOOD DRAWN? YEAH.
AND YOU GET THAT FEELING AFTERWARDS? -YEAH.
-I TOTALLY FELT THAT.
-[ LAUGHS .]
-DO PEOPLE HAVE THAT HAPPEN? I HAVE THAT HAPPEN ALL THE TIME.
REALLY? SO, THE STORY BEHIND THIS ROOM IS ONE OF THE MORE TRAGIC.
THIS ROOM IS WHAT WE USED TO CALL THE LITTLE GIRL'S ROOM.
NOW WE KNOW THE LITTLE GIRL'S NAME WAS INEZ.
SHE WAS OUTSIDE PLAYING WITH HER BROTHER, OTTO.
SHE SAYS, "I'M GONNA GO UPSTAIRS AND PLAY.
" OTTO SAYS, "I'M RIGHT BEHIND YOU.
" 10 MINUTES PASS.
OTTO COMES UPSTAIRS AND FINDS HIS 12-YEAR-OLD SISTER HANGING BY HER JUMP ROPE IN ONE OF THE CLOSETS.
IT WAS RULED AN ACCIDENTAL DEATH.
HANGING BY A JUMP ROPE IS AN ACCIDENTAL DEATH? IT'S A HECK OF AN ACCIDENT, THOUGH.
THIS WAS IN 1901, I BELIEVE.
DID THEY INVESTIGATE THIS FURTHER, OR WERE THEY JUST LIKE, "ACCIDENTAL"? IT WAS RULED ACCIDENTAL.
INEZ'S MOM WAS COMING BACK THA SUMMER TO GET INEZ AND OTTO.
INEZ DIDN'T WAN ANYTHING TO DO WITH IT.
SHE WAS ACTUALLY QUOTED SAYING THAT, "I WOULD RATHER DIE THAN GO LIVE WITH MY MOTHER.
" -WHOA.
-MAKES YOU THINK.
Katrina: HEARING THE STORY OF INEZ, THERE'S ALL THESE QUESTIONS, AND YOU HAVE TO WONDER IF SHE WAS EVER GIVEN ANY DIGNITY TO A PROPER INVESTIGATION.
I DO HOPE WE MAKE CONTACT WITH HER SO WE CAN MAYBE GE SOME ANSWERS AND HOPEFULLY DO HER JUSTICE.
SO, A LOT OF TIMES, GUYS, UP AND DOWN THIS HALLWAY, YOU'RE GONNA HEAR A LOT OF GIGGLING, A LOT OF RUNNING MM.
THINGS OF THAT NATURE, PEEKABOO IN AND OUT OF THAT ROOM -REALLY? -THAT WE JUST CAME OUT OF.
YES.
Nick: WE HEAD UP TO THE ATTIC, WHERE A FIRE CLAIMED THE LIFE OF AT LEAST ONE RESIDEN OF THE MANOR.
SO, THE FIRE DAMAGE IS UP HERE.
-OH, YEAH.
-OH, YEAH, WOW.
-YOU CAN SEE THE CHARRED -- -LOOK AT THAT.
YEAH.
DO WE KNOW WHAT CAUSED THE FIRE? NO, NO IDEA WHAT EXACTLY CAUSED THE FIRE.
WHAT IS THAT? WHAT IS THAT? WHAT WAS THAT? THAT WAS CLEAR.
[ CREAKING .]
YOU HEAR IT? -YEAH.
-RIGHT THERE.
IS THERE SOMEONE IN THERE? SOMETHING WAS JUS BEING DRAGGED THROUGH IT, LIKE A BODY ALMOST BEING DRAGGED, LIKE FILLING UP A SLEEPING BAG AND JUST DRAGGING IT.
THAT WAS WEIRD.
-YOU CAN SEE THE ROOF.
THAT'S REALLY INTERESTING.
-SO, WHAT WERE YOU GONNA SAY? YOU HEAR A LOT OF THIS HAPPENING IN HERE? A LOT OF BANGING AND VOICES.
USUALLY, WE JUST SET A RECORDER AND TAKE OFF.
HUH.
ALL RIGHT, LET'S HEAD DOWN.
IT IS HOT.
WE'RE GONNA HAVE TO COME UP AND INVESTIGATE THIS LATER.
ALL RIGHT, JOSH.
SO, THIS IS WHERE YOU LEAVE US -THAT'S RIGHT.
-FOR 72 HOURS.
-ABSOLUTELY.
-TALK TO YOU SOON, MAN.
-THANK YOU.
-ALL RIGHT.
GREAT.
AWESOME.
THANKS, JOSH.
WE'LL SEE YOU SOON.
-SEE YOU IN A COUPLE DAYS.
-SEE YOU LATER.
YOU READY? YEAH, I'M ABSOLUTELY READY.
THIS PLACE IS ABSOLUTELY AMAZING.
IT'S VERY CREEPY.
IT IS.
AND I LOVE HOW EVERYTHING'S UNTOUCHED YEAH.
FROM WHEN IT WAS IN OPERATION.
LOTS OF TRIGGER OBJECTS.
YEAH.
-MM-HMM.
-LET'S GET ALL OF OUR EQUIPMENT.
YEAH, LET'S GET STARTED BEFORE JOHNNY GETS HERE.
JOHNNY HOUSER LIVES RIGHT NEXT DOOR TO THE VILLISCA AXE MURDER HOUSE IN IOWA.
HE'S INVESTIGATED I HUNDREDS OF TIMES.
HE'S A GREA PARANORMAL INVESTIGATOR.
AND HE CALLED ME AND TOLD ME ABOUT THE MALVERN MANOR AND HOW HE HAD A PROFOUND EXPERIENCE OF A SHADOW FIGURE RUSHING STRAIGHT AT HIM AND KIND OF KNOCKED HIM OFF HIS FEET.
WHEN I HEARD THAT, I KNEW WE HAD TO INVESTIGATE THIS LOCATION.
HOW YOU FEELING? YOU OKAY? I'M GETTING SICK.
I DON'T FEEL -- I DON'T FEEL VERY GOOD.
IT'S, LIKE, MY THROA AND MY NOSE, MY SINUSES, EVERYTHING YOU WAN ON AN INVESTIGATION.
WE SHOULD EASE INTO IT.
SO, JOHNNY HOUSER WILL BE HERE ANY MOMENT.
YEAH.
I THINK JUST EXPERIMENTING WITH HIM A LITTLE BIT.
MM-HMM.
AND MAYBE WE STAR WITH THE THERMAL CAMERA AND SEE IF WE CAN SEE ANYTHING.
AND LET'S JUST SEE WHAT HAPPENS.
SOUNDS GOOD.
[ KNOCK ON DOOR .]
OH, HERE'S JOHNNY.
HEY.
WHAT'S UP, MAN? COME ON IN.
HOW'S IT GOING? GOOD.
-HOW'S EVERYTHING? -GOOD TO SEE YOU, BUDDY.
-GOOD.
-GOOD TO SEE YOU.
-HEY.
HOW ARE YOU? -HOW ARE YOU? -GOOD.
HOW ARE YOU? -GOOD.
-THANKS FOR COMING.
-YEAH.
THANKS FOR HAVING ME.
LET'S GRAB SOME OF THE EQUIPMENT, AND LET'S GO RIGHT TO THE SPO WHERE YOU HAD THE SHADOW FIGURE RUSH AT YOU AND SEE IF WE CAN ACTUALLY DOCUMENT IT NOW SINCE JOHN'S HERE WITH US.
YEAH.
LET'S DO IT.
YOU GETTING NERVOUS, GOING BACK TO THE SPOT? YOU KNOW, IT'S A LITTLE UNSETTLING TO HAVE SOMETHING LIKE THIS HAPPEN.
YOU READ ABOUT IT, YOU RESEARCH ABOUT IT, AND THEN BEING BACK AT THE SPOT.
BECAUSE WHEN IT CAME AT ME AND I GOT THE INSTANT HEADACHE, KIND OF SHOOK ME UP, KNOCKED ME OFF MY FEET A LITTLE BIT.
LET ME PUT THIS THERMAL DOWN RIGHT HERE.
WHAT EXACTLY DID YOU FEEL WHEN THIS THING CAME AT YOU LIKE THAT? INSTANT RAGE ALMOST FEELING, AND I THOUGHT, "I NEED TO JUST GO.
" IT WASN'T SOMETHING THAT WAS YOUR OWN.
NO.
'CAUSE, I MEAN, I'M NO AN ANGRY GUY, NEVER HAVE BEEN.
AND FOR ALL THA TO HAPPEN ALL AT ONCE -- JUST NOT A COINCIDENCE.
FOR ME, IT'S THE INTENT.
LIKE, WHAT ARE THESE THINGS, AND WHAT ARE THEY AFTER? 'CAUSE THERE'S A LOT OF TRUE-CRIME STORIES WHERE PEOPLE WHO HAVE KILLED TALK ABOUT A SHADOW TELLING THEM TO KILL.
DO ME A FAVOR.
WHATEVER YOU WERE DOING BY YOURSELF IN HERE -- [ TAPPING .]
DID YOU HEAR THAT FOOTSTEP? YEAH.
[ TAPPING .]
DO ME A FAVOR.
WHATEVER YOU WERE DOING BY YOURSELF IN HERE -- [ TAPPING .]
DID YOU HEAR THAT FOOTSTEP? YEAH.
[ TAPPING .]
ANOTHER KNOCK IN THAT ROOM.
I WAS GONNA SAY, "CAN YOU DO SOMETHING, EXACTLY WHAT YOU DID THAT NIGH WHEN YOU TRIGGERED SOME SOR OF APPARITION TO FORM?" I AM GETTING YOU OKAY? LIKE MAJOR -- I MEAN, LOOK AT THAT -- OH, WOW.
CHILLS GOING -- YOU HAVE GOOSE BUMPS ALL OVER YOUR ARMS.
IT'S AFFECTING YOU REALLY BAD.
I'M JUST, LIKE, REALLY LIGHTHEADED AND DIZZY, LIKE -- [ CHUCKLES .]
THIS IS REALLY INTERESTING.
PEOPLE CAN TRIGGER CERTAIN EVENTS TO HAPPEN.
-MM-HMM.
-[ CLEARS THROAT .]
AND YOU MIGHT BE TRIGGERING SOMETHING HAPPENING NOW.
ARE YOU OKAY TO DO THIS? YEAH.
I MIGHT GO DOWN TO WHERE THIS IS HAPPENING.
ARE YOU IN HERE? DID YOU MAKE THE NOISE? IT CAME FROM THIS ROOM, DIDN'T IT? THAT'S WHAT I THOUGHT.
[ KNOCKING ON DOOR .]
CAN YOU FORM AGAIN AND COME ON OUT? YOU OBVIOUSLY REMEMBER WHO I AM 'CAUSE IT SEEMS LIKE WHAT YOU DID WAS TO AFFECT ME.
I'M STANDING RIGHT HERE.
WHAT DO YOU HAVE TO SAY? WHAT DO YOU HAVE TO DO? LOOK, IF ANYTHING HAPPENS, I'LL CALL YOU RIGHT AWAY, AND WE'LL GET YOU BACK HERE.
JOHNNY, THANKS SO MUCH FOR COMING OVER.
KAT, LET'S GET READY FOR TONIGHT.
Nick: JOHNNY HOUSER'S ACCOUN OF THE SHADOW FIGURES ARE WHAT DREW US TO THIS LOCATION, SO WE DECIDE TO BEGIN OUR FIRST NIGHT OF INVESTIGATION ON THE SHADOW HALLWAY.
I FEEL REALLY NERVOUS.
DO YOU? YEAH.
THERE'S SOMETHING THAT'S MAKING ME VERY NERVOUS IN THIS WHOLE PLACE.
WE SET OUR CAMERA ON A LASER GRID IN THE HALLWAY.
IF ANY SHADOW FIGURES PASS, WE'LL SEE THEM BREAK THE LASER LINES.
I'M GONNA PUT THIS RECORDER RIGHT HERE ON THIS.
THAT LOOKS GOOD.
THIS IS ROLLING.
THERE IT IS, SITTING ON THE EDGE RIGHT THERE.
HERE'S YOUR CHANCE TO SPEAK TO US.
LET US KNOW WHAT YOU WANT.
FEEL FREE TO APPEAR AND WALK DOWN THIS HALLWAY SO WE CAN SEE YOU.
ALL RIGHT, LET'S GO.
I'LL GET THE THERMAL CAMERA ON THE WAY.
Katrina: THIS ROOM JUST FEELS SO CREEPY TO ME.
Rob: WHAT DO YOU FEEL? TOTALLY A SENSE OF BEING WATCHED.
ALSO A SENSE OF, LIKE -- THIS MAY SOUND WEIRD, BUT I'M VERY AWARE THAT I'M A WOMAN IN THIS ROOM.
IT'S LIKE, "WHAT ARE YOU DOING BEING INDEPENDENT?" IT'S A REALLY WEIRD FEELING IN HERE.
I WONDER IF THAT'S 'CAUSE WHEN THIS PLACE WAS FIRST BUILT, THIS WOULD HAVE BEEN A PARLOR ROOM -YEAH.
OH, YEAH.
-FRONT PARLOR ROOM FOR MEN.
-INTERESTING.
-MM-HMM.
THERMAL'S ROLLING.
THAT'S REALLY FUNNY.
I DIDN'T KNOW THAT.
WHERE ARE YOU FEELING LIKE WE SHOULD GO? I ALMOST FEEL LIKE WE SHOULD GO UPSTAIRS.
I WANT TO GO UPSTAIRS.
YEAH.
Nick: SO, LET'S MAKE OUR WAY TO INEZ'S ROOM.
I REALLY WANT TO TRY TO FIGURE OUT WHAT HAPPENED TO HER, TRULY WHAT HAPPENED TO HER, BECAUSE I FEEL LIKE THERE'S SOMETHING MISSING.
I THINK IT'S A COVER-UP.
SUPPOSEDLY, SHE WAS FOUND IN A CLOSET.
RIGHT, INEZ? DID SOMETHING HAPPEN TO YOU IN A CLOSET? YOU CAN PLEASE, PLEASE TELL US.
THAT WAY, WE'LL BE ABLE TO HELP YOU, AND WE'LL BE ABLE TO SOLVE WHAT EXACTLY HAPPENED TO YOU.
LOOK AT THIS, ROB -- BLOODSTAINS RIGHT HERE.
THAT ACTUALLY LOOKS LIKE A HAND.
LOOK AT THE FINGERS.
ONE, TWO, THREE, FOUR.
SEE? -YEAH.
-LOOK AT THIS.
CUT THE CORNER.
Katrina: SO WEIRD.
LET ME ROLL IN THE PORTABLE GEOBOX, SEE IF WE CAN GET ANY VOICES COMING THROUGH.
ALL RIGHT.
THIS TAKES ALL THREE THINGS AND BASICALLY MODULATES I SO WE CAN HEAR I THROUGH THE SPEAKER -- EMF, VIBRATION, AND RADIO FREQUENCY.
SO, I'M GONNA TURN THIS ON, SEE IF WE CAN MAKE DIRECT COMMUNICATION.
[ STATIC HISSING .]
HELLO? [ GARBLED NOISES .]
[ STATIC HISSING .]
HELLO? [ GARBLED NOISES .]
WHERE EXACTLY ARE YOU? WHAT ROOM NUMBER? [ GARBLED NOISES .]
[ GARBLED NOISES .]
[ GARBLED NOISES .]
WHAT WAS THAT? CAN YOU SAY THAT AGAIN? [ GARBLED NOISES .]
ACTUALLY, I'M CURIOUS IF WE GO IN HERE.
YEAH, GO IN THERE.
[ KNOCKING ON DOOR .]
HELLO, HELLO.
HMM.
LET'S DECIDE WHERE WE'RE GONNA SLEEP BECAUSE YOU'RE ALREADY NOT I'M ALREADY KIND OF WORN DOWN TODAY.
WORN DOWN.
YOU'RE FEELING SICK.
I KNOW.
MY LUNGS HURT.
UM, WELL, I'M GONNA SLEEP IN THE HALLWAY WHERE EVERYBODY KEEPS SEEING THE SHADOWS.
SOMETHING THAT HOUSER SAID IS, HE THINKS THAT WHEN YOU'RE VULNERABLE, THAT THING TRIES TO TAKE ADVANTAGE OF IT.
WITH ME BEING SICK AND ME BEING TIRED, MAYBE I'M KIND OF A PRIME PICK FOR THIS THING TO SHOW ITSELF TO.
OKAY.
SO, I'LL GO INTO GRACIE'S ROOM.
YEAH, I THINK YOU SHOULD.
STANDING IN GRACIE'S ROOM AND FEELING THAT ENERGY JUST SUDDENLY HIT ME -- IT'S LIKE A STATIC CHARGE JOLT MY BODY.
BUT I FEEL COMPELLED TO TRY TO SLEEP HERE TONIGHT.
ALL RIGHT, I'M GONNA SET UP THIS VIBRATION SENSOR.
THIS IS A GROUND SENSOR, SO IF ANYTHING WALKS BY YOU'LL SEE IT LIGHT UP.
ALSO, THE STATIC SENSORS ARE RIGHT HERE.
I'LL SLEEP IN THIS BED 'CAUSE IT LOOKS TERRIBLY UNCOMFORTABLE.
I WANT TO UNDERSTAND WHO GRACIE WAS, WHAT MENTAL STATE SHE WAS IN WHEN SHE WAS LIVING.
DOES HER ENERGY STILL LINGER IN THIS ROOM? ROLLING ON THE RECORDER.
I'M GONNA SET I RIGHT ON THE WHEELCHAIR.
[ EXHALES HEAVILY .]
OH, MY GOD.
Katrina: NICK? HUH? HEY.
DID YOU SLEEP AT ALL? I DON'T KNOW.
IT'S THE WORST.
WHAT? IT'S THE WORST.
I COULDN'T SLEEP, LIKE, AT ALL.
EVERY TIME I STARTED TO DRIFT OFF, I'D WAKE BACK UP.
MM-HMM.
STOP.
TOTALLY FORGO THIS THING WAS RUNNING.
MM.
[ GARBLED NOISES .]
SO, THIS RECORDING SHOULD BE COMPLETELY SILENT.
[ NOISES CONTINUE .]
OH, SHE'S BOY, THAT'S A "NICK, GET UP.
" THAT IS TOTALLY, "NICK, GET UP.
" [ GARBLED SCREECH .]
THAT IS WEIRD.
THAT'S BIZARRE.
THAT IS NO A CORRUPTED RECORDER, FIRST OFF.
-THAT -- -THAT HAS TONE.
'CAUSE YOU CAN HEAR WHITE NOISE AND THEN THE SCREAM, SO VICIOUS.
DO YOU THINK IT WAS JUST A RESIDUAL SOUND? IT COULD, BUT YOU KNOW WHAT? THEN HE CAUGHT THIS OTHER EVP THAT WAS REALLY CLEAR THAT SAID, "NICK, GET UP.
" AND SO I WOULDN'T THINK THAT'S RESIDUAL, I MEAN, 'CAUSE IT'S SPEAKING DIRECTLY TO HIM.
INTELLIGENTLY, YEAH.
YEAH.
SO, WHAT WE SHOULD DO NOW, SINCE ROB IS HERE YEAH.
LET'S GO BACK TO GRACIE'S ROOM.
AND I THINK WHAT WE SHOULD DO IS TRY TO TAP INTO THIS ENVIRONMENT A LITTLE BIT MORE USING THE INFRASOUND DETECTOR.
AND HOPEFULLY WE CAN DETEC SOMETHING IN THE ENVIRONMEN THAT WOULD VALIDATE WHERE MAYBE SOME OF THESE PARANORMAL PHENOMENONS ARE COMING FROM OR ATTRIBUTING TO SOME OF THE VOICES.
Nick: SO, THERE'S THE GRAPH, AND WE CAN PULL THIS UP ON OUR COMPUTER SCREEN AFTER AND ANALYZE TO SEE IF THERE'S AN ULTRASOUND, INFRASOUND, OR ANYTHING WITHIN THE BASELINE THAT WE HAVE SET RIGHT NOW.
AND ACTUALLY, YOU KNOW WHAT WE SHOULD DO? IF YOU TWO WANT TO GO OUT OF THE ROOM FOR A SECOND SO THERE'S NO CONTAMINATION WITH AUDIO OR ANYTHING YEAH.
LET ME JUST LAY DOWN IN THE BED.
I WAS GONNA SAY, YOU SHOULD RECREATE THIS AS MUCH AS YOU CAN.
AND NOW WE ARE COMPLETELY SILENT, SO STAR THE EXPERIMENT NOW.
GRACIE, ARE YOU HERE WITH US, OR IS THERE SOMEBODY ELSE? IS THERE ANOTHER PERSONALITY HERE? CAN YOU TELL US WHAT YOUR NAME IS? IS THIS YOUR BED, GRACIE? IS THIS WHERE YOU LAID DOWN TO SLEEP AT NIGHT? ALL RIGHT, GETTING UP.
I MEAN, IT LOOKS PRETTY BALANCED.
SO, NOTHING OUT OF THE NORMAL RANGE NO.
WHICH MEANS THAT NOTHING SHOULD BE CAUSING THOSE VOICES, AS FAR AS INFRASOUND GOES.
Rob: WHAT'S THE PLAN HERE? WE HAVE THE 3-D MAPPING CAMERA SET UP HERE ON THE SECOND FLOOR.
WE'RE GONNA TRY CONTACTING INEZ AGAIN.
AND THIS IS THE HALLWAY WHERE THEY GET, LIKE, LITTLE-KID GIGGLES, PLAYFUL ACTIVITY, THINGS THAT SEEM CHILDISH.
ALL RIGHT, KATRINA, DO YOU SEE ANYTHING ON THE CAMERA? YES -- YOU, AND YOU'RE MAPPED.
INEZ, ARE YOU PLAYING IN YOUR ROOM? CAN YOU COME ON OUT? WE'RE HERE TO TRY TO HELP, TRY TO FIGURE OU WHAT HAPPENED TO YOU.
FEEL THIS, KATRINA.
WHICH WAY? I DON'T KNOW IF THERE'S A DRAFT OR WHAT, BUT IT WAS JUST REALLY COLD RIGHT HERE BETWEEN THESE TWO ROOMS.
IT'S FUNNY.
IT'S NOT HERE ANYMORE.
[ THUMP .]
I JUST HEARD THAT.
DID YOU HEAR THAT? YEAH.
YEAH.
IT WAS A THUMP.
COME HERE.
RIGHT HERE.
IT CAME FROM ONE OF THE ROOMS.
THAT WAS WEIRD.
IT WAS JUST, LIKE, SOME SORT OF VIBRATION OR SOMETHING LIKE THAT.
IT JUST RICOCHETED INSIDE MY EARDRUM.
THAT'S WHAT I FELT.
IT WAS JUST LIKE, "PVUH.
" WHERE'D YOU HEAR THE NOISE COME FROM, THOUGH? [ LIGHT SCRATCHING .]
[ LIGHT SCRATCHING .]
WHAT THE [BLEEP.]
SOUNDED LIKE DRAGGING.
I THOUGHT IT SOUNDED LIKE IT WAS JUST ON THE OTHER SIDE OF ONE OF THESE WALLS.
THAT'S WHAT I THOUGHT.
KATRINA, GO TO THE END OF THE ROOM THERE.
MM-HMM.
I'M GONNA SCRATCH ON THE WALL OUT HERE.
TELL ME IF THAT'S WHAT YOU HEARD.
OKAY.
[ LIGHT SCRATCHING .]
YES.
OH, MY GOD, YES.
THAT IS EXACTLY WHAT I HEARD.
I THINK IT CAME FROM THE CLOSET.
HOW DID YOU DO THAT? [ LIGHT SCRATCHING .]
JUST WITH YOUR NAILS? JUST MY FINGERNAIL.
HEY, NICK? NICK? YEAH? DO YOU WANT TO TRY CONNECTING WITH THIS LITTLE GIRL -- INEZ? YEAH.
MM-HMM.
THERE'S SOMETHING GOING ON IN THIS ROOM.
WE KNOW WHAT WE HEARD.
WE KNOW WHERE WE HEARD THE SCRAPING.
SO, HERE'S WHAT I'M GONNA DO.
ROLL ON BOTH THE RECORDERS SINCE WE'VE BEEN GETTING GOOD AUDIO.
LET'S TRY TO COMMUNICATE.
IF SHE'S LEADING US TO THIS SPOT, SHE NEEDS TO TELL US SOMETHING.
INEZ IF YOU ARE INDEED LEADING US TO THIS CLOSET OR THIS ROOM, YOU GOT OUR ATTENTION NOW.
WHAT IS I THAT YOU WANT TO TELL US? ARE YOU AFRAID? WE CAN HELP YOU.
IF YOU'RE SCARED, YOU DON' HAVE TO BE SCARED ANYMORE.
[ THUMP .]
[ GASPS .]
RIGHT THERE.
ROB, DID YOU HEAR THAT? -ABSOLUTELY, I HEARD THAT.
KATRINA, WHAT ARE YOU FEELING RIGHT THERE? UM, LIKE SOMETHING WAS WATCHING ME, UM, JUST NOT ALONE.
DO YOU FEEL ANYTHING, NICK? Nick: NO, BUT I THOUGHT I HEARD A MAN SPEAKING.
OH, MAYBE IT'S THE CAPTAIN.
CAPTAIN CULLER, CAN YOU GIVE US A SIGN THAT YOU'RE HERE WITH US? [ THUMP .]
[ GASPS .]
THAT WAS CLOSE.
-WOW [BLEEP.]
DUDE, MY CAMERA JUST DIED.
-OH, MY GOD.
LOOK AT MY ARMS, KATRINA.
IT'S SO STATICKY.
KATRINA, YOU'RE THE ONLY CAMERA ROLLING.
GOT IT.
I GOT IT.
I JUST WALKED ALL THROUGH STATIC.
NICK, WHAT'S GOING ON? WHOA.
WHAT'S GOING ON? THERE IS SOMETHING RIGHT HERE.
Katrina: [ GASPS .]
THAT WAS CLOSE.
-WOW [BLEEP.]
DUDE, MY CAMERA JUST DIED.
-OH, MY GOD.
LOOK AT MY ARMS, KATRINA.
IT'S SO STATICKY.
KATRINA, YOU'RE THE ONLY CAMERA ROLLING.
GOT IT.
I GOT IT.
I JUST WALKED ALL THROUGH STATIC.
NICK, WHAT'S GOING ON? WHOA.
WHAT'S GOING ON? THERE IS SOMETHING RIGHT HERE.
DO YOU FEEL THAT STATICKY -- -I HAVE IT ON MY -- PUT YOUR HAND IN -- PUT YOUR HAND RIGHT HERE.
I HAVE IT.
[ EXHALES SHARPLY .]
ROB, YOUR CAMERA DIED? AT THAT EXACT MOMENT.
-AT THAT EXACT MOMENT.
CAPTAIN CULLER? ARE YOU SHOWING US THAT YOU ARE HERE, THIS IS YOUR PLACE? THAT WAS AGGRESSIVE.
THAT WASN'T THE SAME IS YOUR CAMERA UP AGAIN? IT'S BACK UP.
WHERE DID YOU GUYS HEAR THAT BANG FROM? I THOUGHT DOWNSTAIRS OR -- I MEAN, IT WASN' IN THIS HALLWAY, I DIDN'T THINK.
MAN, IT'S AFFECTING ME.
HOLY [BLEEP.]
WHAT'S WRONG? THERE IT IS! LOOK AT MY ARMS! GEEZ! OH, WOW.
THAT JOLTED MY ENERGY.
YOU KNOW WHAT'S STRANGE? HOLY CRAP.
THIS THING IS -- THIS THING IS ON FIRE.
FEEL THAT.
OOH! IT MELTED.
IT MELTED.
I MEAN, IT WASN' IN THIS HALLWAY.
I MEAN, IT WASN' IN THIS HALLWAY.
GEEZ.
-THE [BLEEP.]
I.
R.
LIGHT MELTED, DUDE.
-THE I.
R.
LIGHT IS, LIKE, HOT.
IT DRAINED THE [BLEEP.]
OUT OF IT.
IT MELTED.
I.
R.
LIGHTS DON'T HEAT UP.
I THINK IT'S MORE AGGRESSIVE.
I DON'T THINK IT'S THE KIDS.
WELL, I MEAN, THINK ABOUT IT.
WE DIDN'T START GETTING THIS TYPE OF ACTIVITIES TILL WE STARTED TALKING TO THE CAPTAIN.
I MEAN, THIS WAS HIS HOTEL.
WE CALL HIM OUT, ALL THIS STUFF STARTS HAPPENING? Nick: COULD IT BE THAT THE CAPTAIN IS PULLING US DOWN TO THE PARLOR TO LEAD US AWAY FROM SOMETHING HE DOESN'T WANT US TO FIND? CAPTAIN? WHERE IS THE CAPTAIN? I NEED TO SPEAK WITH HIM.
-YOU OKAY, NICK? -I JUST FEEL DRAINED.
UP THERE, AFTER ALL THAT STUFF THAT HAPPENED AND I FELT JUST HI WITH ALL THAT ENERGY, I'M JUST LIKE -- BOOM.
DOES IT STILL FEEL WEIRD IN HERE? I DON'T KNOW.
I DON'T FEEL LIKE -- ALL MY EMOTIONS, MY ENERGY, EVERYTHING JUST WEN [SNAPS FINGERS.]
I THINK WHAT'S BEEN HAPPENING HERE IS, WHATEVER IS HERE HAS BEEN FEEDING OFF OF OUR ENERGIES.
I MEAN, YOU'RE COMPLETELY DRAINED.
YOU'RE DONE.
HIS CAMERA'S DIED.
I'M SICK, SO ALREADY, MY ENERGY'S DEPLETED.
SO, I DON'T KNOW.
IF WE DO KEEP GOING, WOULD STUFF KEEP HAPPENING? I DON'T KNOW.
I FEEL LIKE WE WERE DEFINITELY AT OUR PEAK UP THERE WHEN WE STARTED HEARING ALL THE BANGS.
WELL, WHY DON'T WE JUST LAY DOWN THEN AND LET THESE THINGS HAPPEN? MM-HMM.
IF THE NOISES HAPPEN, THAT'S FINE.
WE ALREADY DOCUMENTED THAT.
BUT NOW MAYBE ONE OF THEM WILL APPROACH US WHILE WE'RE LAYING DOWN AND NOT BE AFRAID TO COME UP TO US AND TALK TO US.
Nick: BEFORE GETTING SOME MUCH-NEEDED REST, WE DECIDED TO RUN A STANDALONE EXPERIMENT IN THE ATTIC TO ALLOW FURTHER CONTACT WITH THE SPIRITS THROUGHOUT THE NIGH USING THE GEOBOX, AN AUDIO RECORDER, AND WELDON'S VIDEO GHOST BOX.
ALL RIGHT, I'LL SEE YOU IN THE MORNING.
ALL RIGHT.
[ SIGHS .]
JUST ME AND YOU, CAPTAIN.
[ GARBLED NOISES .]
[ GARBLED NOISES .]
[ EXHALING HEAVILY .]
I WAS HEARING ALL SORTS OF NOISES COME FROM UP HERE.
HELLO.
[ EXHALES HEAVILY .]
[ CHUCKLES .]
UGH, I LOOK BEAT UP.
KATRINA, YOU CALL FOR ME? -HEY.
YEAH.
-WHERE ARE YOU? -I'M RIGHT HERE.
-YOU OKAY? -NO.
NO.
I JUST -- I STARTED GETTING, LIKE, BODY ACHES AND CHILLS TODAY, LIKE IN THE MORNING.
UGH.
ARE YOU SERIOUS? I WAS DOWN HERE, LIKE, FREEZING, AND IT'S SO HOT IN HERE.
DID YOU SLEEP IN THIS CHAIR? I DID.
IT'S ACTUALLY PRETTY -- IT'S ACTUALLY REALLY COMFORTABLE 'CAUSE IT'S LOOK AT THAT.
IT'S, LIKE, CURVED.
-YOU SLEPT UPRIGHT? -YEAH.
IT HELPED SO MUCH.
OUR FIRST STOP ON THE LAST DAY OF INVESTIGATION IS THE ATTIC TO SEE IF WE CAN GET ANY EVIDENCE WHILE WE'RE PRESENT.
[ GARBLED NOISES .]
THAT SOUNDED LIKE "INEZ" AGAIN.
WHY DO YOU KEEP SAYING "INEZ"? ARE YOU TRYING TO GET HER TO COME TO ME SO WE CAN SPEAK? [ GARBLED NOISES .]
DID SOMEBODY HURT INEZ? [ GARBLED NOISES .]
ALL RIGHT.
[ GARBLED NOISES .]
TELL US SOMETHING.
TELL US AT LEAST YOUR NAME.
[ GARBLED NOISES .]
[ NOISES STOP .]
LET'S GO DOWNSTAIRS.
YEAH.
LET'S GO CALL JOHNNY HOUSER AND HAVE HIM COME BACK IN BECAUSE WE HAVEN'T DOCUMENTED THESE SHADOW FIGURES AND HE HAD SUCH A PROFOUND EXPERIENCE.
I CAME HERE TO RESEARCH SHADOW FIGURES.
WE'RE GETTING A COUPLE LITTLE THINGS HERE AND THERE THAT ARE INTERESTING, BUT NOT ENOUGH TO REALLY VALIDATE THE CLAIMS.
I THINK IT'S VERY IMPORTAN TO TRY TO BRING JOHNNY HOUSER BACK IN BECAUSE MAYBE HAVING HIS ENERGY AND HIS PERSONALITY COMING BACK INTO THIS LOCATION COULD TRIGGER THESE EVENTS AGAIN.
I THINK WE SHOULD BE SET.
-YEAH.
OUR WHOLE ARSENAL IS LAID OUT HERE.
WE HAVE OUR GEOBOX DOWN THERE IF WE WANT TO USE THAT, OUR PORTABLE GEOBOX.
WE ALSO HAVE WELDON'S VIDEO GHOST BOX.
IT'S A DIFFERENT FREQUENCY WE CAN TAP INTO SO WE CAN HEAR AUDIO, AND ALSO IT CAN TRANSLATE THROUGH VIDEO SO WE CAN TRY TO CAPTURE ANY FIGURES OR ANY SHADOWS SHOWING UP.
-YEAH.
SO, 3-D MAPPING CAMERAS READY TO GO.
HE SHOULD BE HERE SHORTLY.
THE OTHER THING THAT I THOUGH WOULD BE INTERESTING TO SET UP IS THE THERMAL CAMERA.
AND WE WILL FIND OU VERY SOON IF ANY OF THIS STUFF IS GONNA WORK.
I WANT YOU GUYS TO JUST SEE -- DO I GET MAPPED UP RIGHT HERE? YEAH, YOU'RE MAPPED.
I HAVE YOU ON THERMAL.
OH.
OH! WAIT A MINUTE.
STAY THERE.
DON'T MOVE.
I FEEL SO STRANGE.
DO I GET MAPPED UP RIGHT HERE? YEAH, YOU'RE MAPPED.
I HAVE YOU ON THERMAL.
OH.
OH! WAIT A MINUTE.
STAY THERE.
DON'T MOVE.
I FEEL SO STRANGE.
CAN YOU HIT RECORD? -DON'T MOVE.
-HIT RECORD ON THAT.
-IT'S NOT RECORDING? -NO.
[BLEEP.]
WAIT A MINUTE.
IT'S GONE.
IT MAPPED OUT ANOTHER FIGURE.
NEXT TO ME? YEP.
IS THERE ANYTHING THERE? NO, NOT NOW, BUT I HAVE I ON MY CAMERA, MY HANDHELD.
BUT, NICK, SOMETHING WAS MAPPED OUT TO THIS SIDE OF YOU, WHICH I GUESS IS THAT SIDE.
THAT STATIC CHARGES THE SAME AS UPSTAIRS -YEAH.
-THE OTHER NIGHT -- THAT'S HOW I FEEL RIGHT HERE, RIGHT NOW.
I'M VERY CURIOUS TO SEE WHAT'S GONNA HAPPEN WHEN JOHNNY GETS HERE.
IT'S LIKE GETTING READY FOR HIM.
RIGHT BEFORE KATRINA CAN EVEN HIT RECORD, THERE'S THIS STICK FIGURE THA MANIFESTS RIGHT NEXT TO ME.
AND I'M TALKING ABOU JOHNNY HOUSER'S COMING BACK IN, AND WHATEVER SPIRITS ARE HERE CAN HEAR THAT.
DO THEY REMEMBER HIM? THINGS ARE HAPPENING AS I'M MENTIONING HIS NAME.
-HEY.
COME ON IN.
-HEY.
WHAT'S GOING ON? -WELCOME BACK.
-THANKS.
HOW'S IT GOING? ACTUALLY, WE JUST HAD SOMETHING PRETTY INTERESTING HAPPEN REALLY? IN THE HALLWAY WHERE YOU HAD YOUR EXPERIENCE.
MM-HMM.
WE HAVE A 3-D MAPPING CAMERA SET UP.
HE'S MAPPED OUT.
THERE'S ANOTHER FIGURE THAT MAPS ITSELF OUT RIGHT NEXT TO HIM.
REALLY? SAME HALLWAY? MM-HMM.
YEP.
SO, DO YOU WAN TO GO WITH US ABSOLUTELY.
AND WE'LL GET YOU SET UP BACK THERE? LET'S DO IT.
ARE YOU ALL RIGHT? YEAH.
ALL RIGHT.
SO, WE'RE BASICALLY THROWING EVERYTHING AT THIS, AND I'M THE BAIT? -YES.
-PRETTY MUCH.
-SO, COME ON IN HERE.
-AND, JOHNNY, IF YOU FEEL ANYTHING, ANYTHING FEELS OFF TO YOU, JUST SHOUT IT OUT.
SOUNDS GOOD.
Nick: SO, HERE.
KIND OF STAND IN THIS AREA RIGHT HERE.
ALL RIGHT, I'M GONNA TURN ON THE ITC.
IT IS GETTING, LIKE, REALLY CHARGED-FEELING OVER HERE.
I'M KIND OF DIZZY A LITTLE BIT, TOO, BUT -HMM.
-ARE YOU AFFECTING JOHNNY? DO YOU REMEMBER HIM? [ GARBLED NOISES .]
Katrina: DID THAT JUST SAY "YES"? I THINK SO.
DO YOU REMEMBER HIM? DO YOU SEE ANYTHING ON THE ITC? -I'M LOOKING.
-COME ON.
MAP OUT -- -WHOA! -WHAT WAS THAT? WHOA! WHAT IS THAT? THAT'S MY -- MY MIC.
SOMETHING JUST LITERALLY COME ON.
MAP OUT -- -WHOA! -WHAT WAS THAT? -HIS HANDS WERE LIKE THIS.
-YEAH.
AND SOMETHING GRABBED IT -- HIS WIRELESS MIC -- AND FLEW IT OFF OF HIM.
LET'S NOTE THAT IT TOOK SOMETHING THAT USES BATTERIES OUT OF YOU.
-YEAH.
I MEAN, OUT OF ALL THE THINGS IT COULD HAVE TOUCHED ON YOU THAT MIGHT HAVE BEEN A LITTLE EASIER, IT TOOK THE THING THAT'S AN ENERGY SOURCE.
DO IT AGAIN.
REALLY IMPRESS US AND DO IT ONE MORE TIME.
THAT WOULD JUS BE AMAZING.
THAT'S WEIRD.
SO, JOHNNY, NICK AND I ARE GONNA GO UPSTAIRS AND INVESTIGATE.
WE'RE LEAVING YOU WITH THE CAMERA.
WE HAVE THE GEOBOX, AND THEN WE'LL ALSO LEAVE YOU WITH A RECORDER.
Rob: I'M GONNA START ROLLING ON THE RECORDER, SO DON'T EVEN WORRY ABOUT THAT.
-OKAY.
-ALL RIGHT, ROB, LET'S GO.
ALL RIGHT.
GOOD LUCK, JOHNNY.
-[ CHUCKLES .]
YOU TOO.
-[ CHUCKLES .]
DO YOU WANT TO GO UP ON THE OTHER SIDE SO WE DON'T CONTAMINATE HIS STUFF? YEAH.
HERE I AM.
NOBODY'S AROUND AT ALL JUST YOU AND I.
IF YOU WAN TO SHOW YOURSELF TO ME, IF YOU WANT TO SCARE ME, DO YOUR THING.
LET ME KNOW THAT YOU'RE HERE.
COULD HAVE SWORE I JUST HEARD A WHISPER.
WAS THAT YOU SAYING SOMETHING? [ TAPPING .]
FOOTSTEPS.
CAN YOU COME CLOSER? WHOA.
SOMETHING JUST TOUCHED ME ON THE BACK.
[ GARBLED NOISES .]
Katrina: "YEAH.
" DID HE JUST SAY, "YEAH"? YEAH.
RIGHT HERE.
Both: CAPTAIN? [ GARBLED NOISES .]
"SUCK"? DID HE JUST SAY, "SUCK"? CAPTAIN CULLER, HAVE YOU SEEN INEZ? DO YOU KNOW WHERE SHE IS, THE LITTLE GIRL? "HERE.
" HELLO? CAN YOU TALK TO ME THROUGH THIS MACHINE HERE? [ GARBLED NOISES .]
DID YOU JUST SAY, "NICE TO MEET YOU"? WHERE ARE YOU? [ TAPPING .]
I JUST HEARD TWO TAPS.
CAN YOU DO IT AGAIN? WHERE ARE YOU? I'M IN YOUR HOUSE ALONE.
EVERYTHING IN MY BODY IS TELLING ME NOT TO GO THIS WAY.
"YOU'RE TALKING TO ME.
" I AM TALKING TO YOU.
-"SECOND FLOOR.
" -"SECOND FLOOR.
" HE GOES, "YOU'RE TALKING TO ME.
SECOND FLOOR.
" I AM.
I'M ON THE SECOND FLOOR, AND I'M TALKING TO YOU.
"HERE.
" "HERE.
" YOU STARTED WALKING AWAY, IT GOES, "HERE.
" HERE? YOU WANT ME TO STAY RIGHT HERE? IT GOES, "YES.
" THIS ROOM? IT FEELS LIKE IT WANTS TO KEEP US AWAY FROM JOHNNY.
I'M REALLY CURIOUS TO FIND OU WHAT'S HAPPENING TO HIM.
WE SHOULD GO CHECK ON HIM.
Nick: WE REJOIN JOHNNY TO SEE WHA HE SAW AND HEARD WHILE ALONE.
IT'S FREEZING IN HERE.
I JUST CAME FROM THAT ROOM, AND I WAS LIKE -- Nick: RIGHT THERE, YEAH.
THAT'S WHAT I WAS FEELING EARLIER.
I WAS FEELING THA OVER HERE.
THAT'S WEIRD, HOW YOU'RE SAYING THAT RIGHT NOW.
YEAH.
WHAT HAPPENED TO YOU, JOHNNY, DOWN HERE? ONE OF THE WEIRDEST THINGS -- I'M STANDING BACK THERE AND I FEEL, LIKE, A POKE RIGH ON MY SHOULDER AND IT WAS HARD.
AND THEN IT, LIKE, BUIL AND BUILT AND GOT INTENSE.
I JUST HEARD TWO TAPS.
AND THEN I STARTED HEARING STUFF DOWN THIS WAY.
SO, I CAME DOWN THIS WAY.
AS SOON AS I GOT TO THIS CORNER, I DIDN'T -- MY ENTIRE BODY IS LIKE, "DO NOT GO THAT WAY.
" REALLY? AND SO I'M MAKING MYSELF TAKE THE FOOTSTEPS.
THEN I GET TO ROOM 7, AND I TURN IN.
AND THE WEIRDEST THING -- LIKE, IT JUST SHIFTED.
I FELT, LIKE, HORRIBLE SADNESS.
-HMM.
IT WAS JUST SO WEIRD TO GO FROM THAT ANGER AND THAT FEELING DOWN THERE TO PURE SADNESS DOWN HERE.
FOR THIS TO HAPPEN WHEN WE'RE EXPERIMENTING WITH JOHNNY AND SEEING IF ANYTHING IS PARTICULAR INTERESTED IN HIM, I THINK THAT SPEAKS VOLUMES 'CAUSE WE HAVEN'T EXPERIENCED ANYTHING LIKE THA SINCE WE'VE BEEN HERE.
THIS PLACE HAD SOME PRETTY AWESOME ACTIVITY GOING ON.
-YEAH.
-MM-HMM.
DO YOU FEEL GOOD AFTER COMING HERE AND US DOCUMENTING SOME OF THE STUFF YOU EXPERIENCED? OH, YEAH.
YOU KNOW, IT'S ALWAYS A VALIDATION THAT YOU'RE NO COMPLETELY CRAZY, YOU KNOW? YEAH.
AFTER SEEING THAT SHADOW AND TAKING OFF, I CAN'T JUST, "OH, I WON'T EVER GO BACK THERE AGAIN.
" I GOT TO FACE THIS THING.
OTHERWISE, IT'S GONNA DRIVE ME CRAZY.
YEAH.
NOW I CAN MOVE ON TO THE NEXT THING.
-YEAH.
-SO, I FEEL LIKE I WON.
ONCE JOHNNY WAS ISOLATED AND ALONE, IT'S ALMOST LIKE THIS WHOLE PLACE CAME ALIVE FOR HIM.
AND I THINK SOMETIMES THAT'S ALL IT TAKES.
EVERYBODY HAS DIFFEREN PERSONAL EXPERIENCES.
THAT'S WHY IT'S NICE TO SEE DIFFERENT PEOPLE COME IN AND SEE IF THEY CAN CONNEC WITH THE LOCATION.
ALL RIGHT, I HAVE THE LAST PIECE OF EQUIPMENT.
-OKAY, GREAT.
-WE SHOULD BE ALL GOOD TO GO.
I'LL STAR PACKING THIS STUFF.
HOW YOU FEELING? 80% BETTER.
-YEAH? -YEAH, ALMOST THERE.
I WAS LOOKING AT THE CAPTAIN'S PICTURE AS I WAS CLEANING UP.
YEAH.
AND, YOU KNOW, I REALLY THINK WE MADE CONTACT WITH HIM BECAUSE WHEN WE STARTED TO TALK TO HIM THE OTHER NIGHT, THAT'S WHEN THINGS REALLY RAMPED UP HERE.
YEAH, THAT'S INTERESTING YOU SAY THA BECAUSE I DO FEEL THAT WE MADE CONTAC WITH THE OTHER SPIRITS THAT WERE HERE.
AND WE WERE HAVING DIREC COMMUNICATION AT TIMES.
WE HAD SOME REALLY GOOD AUDIO EVIDENCE THAT CAME THROUGH.
WHAT WAS INTERESTING IS THE SCRATCHING SOUND COMING FROM THE CLOSET UPSTAIRS.
MM-HMM.
WAS THAT THE LITTLE GIRL WHO WAS FOUND HANGING BY THE JUMP ROPE? I THINK WE DID A REALLY AMAZING JOB THROUGH THIS INVESTIGATION.
-YEAH.
-IT WAS GRUELING.
PHYSICALLY, IT WAS GRUELING WITH THE ENVIRONMENT.
-OH, YES, IT WAS.
-BUT THE EVIDENCE WAS GREAT.
-YEAH.
AND I'M READY TO GO HOME, FINALLY TAKE A SHOWER ME, TOO.
YES.
AND GET SOME REST.
-ALL RIGHT, LET'S PACK IT UP.
-LET'S PACK THIS UP.
Nick: AFTER AN EXHAUSTIVE 72-HOUR INVESTIGATION OF THE MYSTERIOUS MALVERN MANOR, IT IS APPARENT THAT INEZ WAS ATTEMPTING TO BE HEARD WHILE THE HEAVY HAND OF CAPTAIN CULLERS STILL RULES THE HOME.
THOUGH KATRINA AND I MAY NO HAVE MADE DIRECT CONTAC WITH THE SHADOW FIGURES ON THE FIRST FLOOR AS WE EXPECTED, WE HAVE LEARNED THAT HAUNTINGS ARE NOT ONLY DEPENDEN ON THE ENERGIES OF A LOCATION, BUT THE PEOPLE THEY INTERACT WITH.
I HEARD A MAN SPEAKING.
WE DO HEAR HIM OFTEN, DISEMBODIED VOICE SPECIFICALLY CALLING HIMSELF Katrina: THE CAPTAIN.
WHAT THE [BLEEP.]
HOLY [BLEEP.]
THAT WAS AGGRESSIVE.
WHOA! I FEEL SO STRANGE.
THERE'S SOMETHING GOING ON IN THIS ROOM.
ROB, DID YOU HEAR THAT? -ABSOLUTELY.
-THERE IT IS! -OH, MY GOD.
I'VE SEEN THE WAY THROUGH ALL THE PAIN I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN THEY FILL MY GRAVE BUT STILL MY SOUL REMAINS HERE BETWEEN HERE AND THE BEYOND -- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: AT THE FAR END OF MAIN STREET IN THE SLEEPY IOWA TOWN OF MALVERN SITS AN UNASSUMING MANOR HOUSE.
BOARDED UP AND ABANDONED, PASSERSBY MAY DISMISS I AS A RELIC OF THE TOWN'S HOPEFUL PAST.
BUT THOSE THAT ENTER I KNOW ALL TOO WELL THAT THE DEAD FIND NO RES WITHIN THESE WALLS.
BUILT IN THE LATE 1800s BY CAPTAIN CULLERS TO ACCOMMODATE WEARY TRAVELS OF THE WABASH RAILWAY, COUNTLESS TRANSIENTS AND VAGRANTS PASSED THROUGH THE PARLOR OF MALVERN MANOR, AND MANY OF THESE SOULS NEVER LEFT.
IN THE 1960s, THE HOUSE WAS RECLAIMED AS A HOME FOR THE MENTALLY ILL.
INTENDED AS A PLACE OF PEACEFUL RESPITE, MANY BELIEVE THE HAUNTING SPIRITS OF THE MANOR ONLY FURTHERED THE PATIENTS' EMOTIONAL TORMENT.
CONDITIONS OF CARE DECLINED UNTIL THE FACILITY CLOSED IN 2005, BUT THE ECHOES OF AGONY WITHIN ITS WALLS NEVER QUIETED IN THE COMMUNITY.
[ SCREAMING .]
DISEMBODIED SCREAMS STILL SHOCKED NEIGHBORS, WHILE THOSE DARING ENOUGH TO STEP INSIDE WERE AGHAST AT DARTING SPECTERS THAT CAUSED MANY TO FLEE IN TERROR.
NICK AND KATRINA WERE URGED TO EXPLORE MALVERN MANOR BY FELLOW PARANORMAL INVESTIGATOR JOHNNY HOUSER AFTER HIS OWN HARROWING EXPERIENCE WITH AN AGGRESSIVE SHADOW FIGURE IN THE HALLWAYS OF THE HOUSE.
NOW NICK AND KATRINA WILL CHECK IN FOR 72 HOURS TO INVESTIGATE THESE MALEVOLENT ENTITIES AT THE MYSTERIOUS MALVERN MANOR.
WOW.
THIS IS AWESOME.
EVERYTHING IS REALLY OLD.
IT FEELS LIKE WE JUS WALKED INTO A ROOMFUL OF PEOPLE, DOESN'T IT? IT DOES.
THIS FRONT ROOM IMMEDIATELY STRIKES ME AS A DIFFERENT FEELING.
AND THE BEST WAY I CAN DESCRIBE IT IS I FEEL LIKE ALL THESE PEOPLE ARE WATCHING ME, LIKE I'M NOT REALLY SUPPOSED TO BE THERE.
HEY, JOSH? -HEY, GUYS.
-HEY.
-HOW'S IT GOING? -GOOD.
HOW ARE YOU? Nick: JOSH IS A DOCUMENTARY FILMMAKER AND PARANORMAL INVESTIGATOR WHO IS A PART OWNER OF THE HOUSE.
YEAH.
WELCOME TO MALVERN MANOR, GUYS.
YEAH.
SO, THIS PLACE WAS BUIL BY THIS GENTLEMAN IN THIS PICTURE RIGHT BEHIND ME.
SO, CAPTAIN CULLERS BUILT THIS PLACE 1870s, AND HE BEGAN OPERATING I AS A HOTEL.
OKAY.
AND THEN IT SWITCHED OVER TO A NURSING HOME HALFWAY THROUGH IN THE 1900s.
IN ABOUT THE 1950s.
CAN YOU SHOW US AROUND AND SHOW US SOME OF THE HOT SPOTS? ABSOLUTELY.
I'D LOVE TO.
OKAY, GREAT.
SO, THEY EVER SEE HIS GHOS WALKING AROUND -- CAPTAIN CULLER? WE DO HEAR HIM OFTEN.
YEAH? THAT'S FOR SURE.
AND IT'S A MALE VOICE -OH, MY GOODNESS.
SPECIFICALLY CALLING HIMSELF "THE CAPTAIN.
" THIS IS GRACIE'S ROOM.
SHE WAS MULTIPLE PERSONALITY AND SCHIZOPHRENIC.
SO, SHE HAD A LOT GOING ON.
WAS SHE A VIOLENT SCHIZOPHRENIC? NOT TO MY KNOWLEDGE.
YEAH.
THIS ROOM SPECIFICALLY IS VERY INTERESTING.
IT'S ONE OF THE MORE ACTIVE.
THAT'S FOR SURE.
I FEEL IT IN MY GUT.
IT FEELS DIFFERENT IN HERE.
LIKE, I FEEL -- LIKE, YOU KNOW SOMETHING'S HERE.
THAT'S WHAT I GOT THE SENSATION OF, AND A LITTLE BIT DIZZY.
YOU KNOW, IT'S VERY INTERESTING THAT YOU SAY THAT, NICK, BECAUSE GRACIE LIKES TO INTERAC MORE WITH MALE INVESTIGATORS.
-REALLY? -YES.
WHAT HAVE YOU GUYS EXPERIENCED WITH GRACIE? SO, A LOT OF TUGGING ON, LIKE, YOUR PANT LEGS.
-OKAY.
SOMETIMES WHEN YOU'RE GOING TO LEAVE THE ROOM, IT'S ALMOST AS IF SHE'S NOT DONE WITH YOU YE AND SHE WANTS YOU BACK IN HERE, AND YOU'LL HEAR, LIKE, A SMACK ON THE WALL, USUALLY FAIRLY LOUD, LIKE, VERY BLATANT, "COME BACK IN HERE.
" LIKE SHE'S AGGRAVATED THAT SHE'S NOT GETTING YOUR ATTENTION, SHE WANTS YOU BACK? RIGHT.
MORE OR LESS LIKE -- SHE MIGHT JUST BE LONELY.
I DO BELIEVE THAT GRACIE'S MEMORIES ARE STILL LINGERING IN THIS ROOM.
YOU CAN DEFINITELY SENSE SOME SORT OF ENERGY AND CONFUSION.
I FEEL CONNECTED TO THIS ROOM, AND I WANT TO LEARN MORE.
Josh: SO, I THINK NEX WE'RE GONNA GO UPSTAIRS.
-OKAY.
I'M GONNA SAY THIS TO NOTE IT -- THAT WHEN WE WERE WALKING RIGHT HERE, IT FELT LIKE -- DO YOU KNOW WHEN YOU GET YOUR BLOOD DRAWN? YEAH.
AND YOU GET THAT FEELING AFTERWARDS? -YEAH.
-I TOTALLY FELT THAT.
-[ LAUGHS .]
-DO PEOPLE HAVE THAT HAPPEN? I HAVE THAT HAPPEN ALL THE TIME.
REALLY? SO, THE STORY BEHIND THIS ROOM IS ONE OF THE MORE TRAGIC.
THIS ROOM IS WHAT WE USED TO CALL THE LITTLE GIRL'S ROOM.
NOW WE KNOW THE LITTLE GIRL'S NAME WAS INEZ.
SHE WAS OUTSIDE PLAYING WITH HER BROTHER, OTTO.
SHE SAYS, "I'M GONNA GO UPSTAIRS AND PLAY.
" OTTO SAYS, "I'M RIGHT BEHIND YOU.
" 10 MINUTES PASS.
OTTO COMES UPSTAIRS AND FINDS HIS 12-YEAR-OLD SISTER HANGING BY HER JUMP ROPE IN ONE OF THE CLOSETS.
IT WAS RULED AN ACCIDENTAL DEATH.
HANGING BY A JUMP ROPE IS AN ACCIDENTAL DEATH? IT'S A HECK OF AN ACCIDENT, THOUGH.
THIS WAS IN 1901, I BELIEVE.
DID THEY INVESTIGATE THIS FURTHER, OR WERE THEY JUST LIKE, "ACCIDENTAL"? IT WAS RULED ACCIDENTAL.
INEZ'S MOM WAS COMING BACK THA SUMMER TO GET INEZ AND OTTO.
INEZ DIDN'T WAN ANYTHING TO DO WITH IT.
SHE WAS ACTUALLY QUOTED SAYING THAT, "I WOULD RATHER DIE THAN GO LIVE WITH MY MOTHER.
" -WHOA.
-MAKES YOU THINK.
Katrina: HEARING THE STORY OF INEZ, THERE'S ALL THESE QUESTIONS, AND YOU HAVE TO WONDER IF SHE WAS EVER GIVEN ANY DIGNITY TO A PROPER INVESTIGATION.
I DO HOPE WE MAKE CONTACT WITH HER SO WE CAN MAYBE GE SOME ANSWERS AND HOPEFULLY DO HER JUSTICE.
SO, A LOT OF TIMES, GUYS, UP AND DOWN THIS HALLWAY, YOU'RE GONNA HEAR A LOT OF GIGGLING, A LOT OF RUNNING MM.
THINGS OF THAT NATURE, PEEKABOO IN AND OUT OF THAT ROOM -REALLY? -THAT WE JUST CAME OUT OF.
YES.
Nick: WE HEAD UP TO THE ATTIC, WHERE A FIRE CLAIMED THE LIFE OF AT LEAST ONE RESIDEN OF THE MANOR.
SO, THE FIRE DAMAGE IS UP HERE.
-OH, YEAH.
-OH, YEAH, WOW.
-YOU CAN SEE THE CHARRED -- -LOOK AT THAT.
YEAH.
DO WE KNOW WHAT CAUSED THE FIRE? NO, NO IDEA WHAT EXACTLY CAUSED THE FIRE.
WHAT IS THAT? WHAT IS THAT? WHAT WAS THAT? THAT WAS CLEAR.
[ CREAKING .]
YOU HEAR IT? -YEAH.
-RIGHT THERE.
IS THERE SOMEONE IN THERE? SOMETHING WAS JUS BEING DRAGGED THROUGH IT, LIKE A BODY ALMOST BEING DRAGGED, LIKE FILLING UP A SLEEPING BAG AND JUST DRAGGING IT.
THAT WAS WEIRD.
-YOU CAN SEE THE ROOF.
THAT'S REALLY INTERESTING.
-SO, WHAT WERE YOU GONNA SAY? YOU HEAR A LOT OF THIS HAPPENING IN HERE? A LOT OF BANGING AND VOICES.
USUALLY, WE JUST SET A RECORDER AND TAKE OFF.
HUH.
ALL RIGHT, LET'S HEAD DOWN.
IT IS HOT.
WE'RE GONNA HAVE TO COME UP AND INVESTIGATE THIS LATER.
ALL RIGHT, JOSH.
SO, THIS IS WHERE YOU LEAVE US -THAT'S RIGHT.
-FOR 72 HOURS.
-ABSOLUTELY.
-TALK TO YOU SOON, MAN.
-THANK YOU.
-ALL RIGHT.
GREAT.
AWESOME.
THANKS, JOSH.
WE'LL SEE YOU SOON.
-SEE YOU IN A COUPLE DAYS.
-SEE YOU LATER.
YOU READY? YEAH, I'M ABSOLUTELY READY.
THIS PLACE IS ABSOLUTELY AMAZING.
IT'S VERY CREEPY.
IT IS.
AND I LOVE HOW EVERYTHING'S UNTOUCHED YEAH.
FROM WHEN IT WAS IN OPERATION.
LOTS OF TRIGGER OBJECTS.
YEAH.
-MM-HMM.
-LET'S GET ALL OF OUR EQUIPMENT.
YEAH, LET'S GET STARTED BEFORE JOHNNY GETS HERE.
JOHNNY HOUSER LIVES RIGHT NEXT DOOR TO THE VILLISCA AXE MURDER HOUSE IN IOWA.
HE'S INVESTIGATED I HUNDREDS OF TIMES.
HE'S A GREA PARANORMAL INVESTIGATOR.
AND HE CALLED ME AND TOLD ME ABOUT THE MALVERN MANOR AND HOW HE HAD A PROFOUND EXPERIENCE OF A SHADOW FIGURE RUSHING STRAIGHT AT HIM AND KIND OF KNOCKED HIM OFF HIS FEET.
WHEN I HEARD THAT, I KNEW WE HAD TO INVESTIGATE THIS LOCATION.
HOW YOU FEELING? YOU OKAY? I'M GETTING SICK.
I DON'T FEEL -- I DON'T FEEL VERY GOOD.
IT'S, LIKE, MY THROA AND MY NOSE, MY SINUSES, EVERYTHING YOU WAN ON AN INVESTIGATION.
WE SHOULD EASE INTO IT.
SO, JOHNNY HOUSER WILL BE HERE ANY MOMENT.
YEAH.
I THINK JUST EXPERIMENTING WITH HIM A LITTLE BIT.
MM-HMM.
AND MAYBE WE STAR WITH THE THERMAL CAMERA AND SEE IF WE CAN SEE ANYTHING.
AND LET'S JUST SEE WHAT HAPPENS.
SOUNDS GOOD.
[ KNOCK ON DOOR .]
OH, HERE'S JOHNNY.
HEY.
WHAT'S UP, MAN? COME ON IN.
HOW'S IT GOING? GOOD.
-HOW'S EVERYTHING? -GOOD TO SEE YOU, BUDDY.
-GOOD.
-GOOD TO SEE YOU.
-HEY.
HOW ARE YOU? -HOW ARE YOU? -GOOD.
HOW ARE YOU? -GOOD.
-THANKS FOR COMING.
-YEAH.
THANKS FOR HAVING ME.
LET'S GRAB SOME OF THE EQUIPMENT, AND LET'S GO RIGHT TO THE SPO WHERE YOU HAD THE SHADOW FIGURE RUSH AT YOU AND SEE IF WE CAN ACTUALLY DOCUMENT IT NOW SINCE JOHN'S HERE WITH US.
YEAH.
LET'S DO IT.
YOU GETTING NERVOUS, GOING BACK TO THE SPOT? YOU KNOW, IT'S A LITTLE UNSETTLING TO HAVE SOMETHING LIKE THIS HAPPEN.
YOU READ ABOUT IT, YOU RESEARCH ABOUT IT, AND THEN BEING BACK AT THE SPOT.
BECAUSE WHEN IT CAME AT ME AND I GOT THE INSTANT HEADACHE, KIND OF SHOOK ME UP, KNOCKED ME OFF MY FEET A LITTLE BIT.
LET ME PUT THIS THERMAL DOWN RIGHT HERE.
WHAT EXACTLY DID YOU FEEL WHEN THIS THING CAME AT YOU LIKE THAT? INSTANT RAGE ALMOST FEELING, AND I THOUGHT, "I NEED TO JUST GO.
" IT WASN'T SOMETHING THAT WAS YOUR OWN.
NO.
'CAUSE, I MEAN, I'M NO AN ANGRY GUY, NEVER HAVE BEEN.
AND FOR ALL THA TO HAPPEN ALL AT ONCE -- JUST NOT A COINCIDENCE.
FOR ME, IT'S THE INTENT.
LIKE, WHAT ARE THESE THINGS, AND WHAT ARE THEY AFTER? 'CAUSE THERE'S A LOT OF TRUE-CRIME STORIES WHERE PEOPLE WHO HAVE KILLED TALK ABOUT A SHADOW TELLING THEM TO KILL.
DO ME A FAVOR.
WHATEVER YOU WERE DOING BY YOURSELF IN HERE -- [ TAPPING .]
DID YOU HEAR THAT FOOTSTEP? YEAH.
[ TAPPING .]
DO ME A FAVOR.
WHATEVER YOU WERE DOING BY YOURSELF IN HERE -- [ TAPPING .]
DID YOU HEAR THAT FOOTSTEP? YEAH.
[ TAPPING .]
ANOTHER KNOCK IN THAT ROOM.
I WAS GONNA SAY, "CAN YOU DO SOMETHING, EXACTLY WHAT YOU DID THAT NIGH WHEN YOU TRIGGERED SOME SOR OF APPARITION TO FORM?" I AM GETTING YOU OKAY? LIKE MAJOR -- I MEAN, LOOK AT THAT -- OH, WOW.
CHILLS GOING -- YOU HAVE GOOSE BUMPS ALL OVER YOUR ARMS.
IT'S AFFECTING YOU REALLY BAD.
I'M JUST, LIKE, REALLY LIGHTHEADED AND DIZZY, LIKE -- [ CHUCKLES .]
THIS IS REALLY INTERESTING.
PEOPLE CAN TRIGGER CERTAIN EVENTS TO HAPPEN.
-MM-HMM.
-[ CLEARS THROAT .]
AND YOU MIGHT BE TRIGGERING SOMETHING HAPPENING NOW.
ARE YOU OKAY TO DO THIS? YEAH.
I MIGHT GO DOWN TO WHERE THIS IS HAPPENING.
ARE YOU IN HERE? DID YOU MAKE THE NOISE? IT CAME FROM THIS ROOM, DIDN'T IT? THAT'S WHAT I THOUGHT.
[ KNOCKING ON DOOR .]
CAN YOU FORM AGAIN AND COME ON OUT? YOU OBVIOUSLY REMEMBER WHO I AM 'CAUSE IT SEEMS LIKE WHAT YOU DID WAS TO AFFECT ME.
I'M STANDING RIGHT HERE.
WHAT DO YOU HAVE TO SAY? WHAT DO YOU HAVE TO DO? LOOK, IF ANYTHING HAPPENS, I'LL CALL YOU RIGHT AWAY, AND WE'LL GET YOU BACK HERE.
JOHNNY, THANKS SO MUCH FOR COMING OVER.
KAT, LET'S GET READY FOR TONIGHT.
Nick: JOHNNY HOUSER'S ACCOUN OF THE SHADOW FIGURES ARE WHAT DREW US TO THIS LOCATION, SO WE DECIDE TO BEGIN OUR FIRST NIGHT OF INVESTIGATION ON THE SHADOW HALLWAY.
I FEEL REALLY NERVOUS.
DO YOU? YEAH.
THERE'S SOMETHING THAT'S MAKING ME VERY NERVOUS IN THIS WHOLE PLACE.
WE SET OUR CAMERA ON A LASER GRID IN THE HALLWAY.
IF ANY SHADOW FIGURES PASS, WE'LL SEE THEM BREAK THE LASER LINES.
I'M GONNA PUT THIS RECORDER RIGHT HERE ON THIS.
THAT LOOKS GOOD.
THIS IS ROLLING.
THERE IT IS, SITTING ON THE EDGE RIGHT THERE.
HERE'S YOUR CHANCE TO SPEAK TO US.
LET US KNOW WHAT YOU WANT.
FEEL FREE TO APPEAR AND WALK DOWN THIS HALLWAY SO WE CAN SEE YOU.
ALL RIGHT, LET'S GO.
I'LL GET THE THERMAL CAMERA ON THE WAY.
Katrina: THIS ROOM JUST FEELS SO CREEPY TO ME.
Rob: WHAT DO YOU FEEL? TOTALLY A SENSE OF BEING WATCHED.
ALSO A SENSE OF, LIKE -- THIS MAY SOUND WEIRD, BUT I'M VERY AWARE THAT I'M A WOMAN IN THIS ROOM.
IT'S LIKE, "WHAT ARE YOU DOING BEING INDEPENDENT?" IT'S A REALLY WEIRD FEELING IN HERE.
I WONDER IF THAT'S 'CAUSE WHEN THIS PLACE WAS FIRST BUILT, THIS WOULD HAVE BEEN A PARLOR ROOM -YEAH.
OH, YEAH.
-FRONT PARLOR ROOM FOR MEN.
-INTERESTING.
-MM-HMM.
THERMAL'S ROLLING.
THAT'S REALLY FUNNY.
I DIDN'T KNOW THAT.
WHERE ARE YOU FEELING LIKE WE SHOULD GO? I ALMOST FEEL LIKE WE SHOULD GO UPSTAIRS.
I WANT TO GO UPSTAIRS.
YEAH.
Nick: SO, LET'S MAKE OUR WAY TO INEZ'S ROOM.
I REALLY WANT TO TRY TO FIGURE OUT WHAT HAPPENED TO HER, TRULY WHAT HAPPENED TO HER, BECAUSE I FEEL LIKE THERE'S SOMETHING MISSING.
I THINK IT'S A COVER-UP.
SUPPOSEDLY, SHE WAS FOUND IN A CLOSET.
RIGHT, INEZ? DID SOMETHING HAPPEN TO YOU IN A CLOSET? YOU CAN PLEASE, PLEASE TELL US.
THAT WAY, WE'LL BE ABLE TO HELP YOU, AND WE'LL BE ABLE TO SOLVE WHAT EXACTLY HAPPENED TO YOU.
LOOK AT THIS, ROB -- BLOODSTAINS RIGHT HERE.
THAT ACTUALLY LOOKS LIKE A HAND.
LOOK AT THE FINGERS.
ONE, TWO, THREE, FOUR.
SEE? -YEAH.
-LOOK AT THIS.
CUT THE CORNER.
Katrina: SO WEIRD.
LET ME ROLL IN THE PORTABLE GEOBOX, SEE IF WE CAN GET ANY VOICES COMING THROUGH.
ALL RIGHT.
THIS TAKES ALL THREE THINGS AND BASICALLY MODULATES I SO WE CAN HEAR I THROUGH THE SPEAKER -- EMF, VIBRATION, AND RADIO FREQUENCY.
SO, I'M GONNA TURN THIS ON, SEE IF WE CAN MAKE DIRECT COMMUNICATION.
[ STATIC HISSING .]
HELLO? [ GARBLED NOISES .]
[ STATIC HISSING .]
HELLO? [ GARBLED NOISES .]
WHERE EXACTLY ARE YOU? WHAT ROOM NUMBER? [ GARBLED NOISES .]
[ GARBLED NOISES .]
[ GARBLED NOISES .]
WHAT WAS THAT? CAN YOU SAY THAT AGAIN? [ GARBLED NOISES .]
ACTUALLY, I'M CURIOUS IF WE GO IN HERE.
YEAH, GO IN THERE.
[ KNOCKING ON DOOR .]
HELLO, HELLO.
HMM.
LET'S DECIDE WHERE WE'RE GONNA SLEEP BECAUSE YOU'RE ALREADY NOT I'M ALREADY KIND OF WORN DOWN TODAY.
WORN DOWN.
YOU'RE FEELING SICK.
I KNOW.
MY LUNGS HURT.
UM, WELL, I'M GONNA SLEEP IN THE HALLWAY WHERE EVERYBODY KEEPS SEEING THE SHADOWS.
SOMETHING THAT HOUSER SAID IS, HE THINKS THAT WHEN YOU'RE VULNERABLE, THAT THING TRIES TO TAKE ADVANTAGE OF IT.
WITH ME BEING SICK AND ME BEING TIRED, MAYBE I'M KIND OF A PRIME PICK FOR THIS THING TO SHOW ITSELF TO.
OKAY.
SO, I'LL GO INTO GRACIE'S ROOM.
YEAH, I THINK YOU SHOULD.
STANDING IN GRACIE'S ROOM AND FEELING THAT ENERGY JUST SUDDENLY HIT ME -- IT'S LIKE A STATIC CHARGE JOLT MY BODY.
BUT I FEEL COMPELLED TO TRY TO SLEEP HERE TONIGHT.
ALL RIGHT, I'M GONNA SET UP THIS VIBRATION SENSOR.
THIS IS A GROUND SENSOR, SO IF ANYTHING WALKS BY YOU'LL SEE IT LIGHT UP.
ALSO, THE STATIC SENSORS ARE RIGHT HERE.
I'LL SLEEP IN THIS BED 'CAUSE IT LOOKS TERRIBLY UNCOMFORTABLE.
I WANT TO UNDERSTAND WHO GRACIE WAS, WHAT MENTAL STATE SHE WAS IN WHEN SHE WAS LIVING.
DOES HER ENERGY STILL LINGER IN THIS ROOM? ROLLING ON THE RECORDER.
I'M GONNA SET I RIGHT ON THE WHEELCHAIR.
[ EXHALES HEAVILY .]
OH, MY GOD.
Katrina: NICK? HUH? HEY.
DID YOU SLEEP AT ALL? I DON'T KNOW.
IT'S THE WORST.
WHAT? IT'S THE WORST.
I COULDN'T SLEEP, LIKE, AT ALL.
EVERY TIME I STARTED TO DRIFT OFF, I'D WAKE BACK UP.
MM-HMM.
STOP.
TOTALLY FORGO THIS THING WAS RUNNING.
MM.
[ GARBLED NOISES .]
SO, THIS RECORDING SHOULD BE COMPLETELY SILENT.
[ NOISES CONTINUE .]
OH, SHE'S BOY, THAT'S A "NICK, GET UP.
" THAT IS TOTALLY, "NICK, GET UP.
" [ GARBLED SCREECH .]
THAT IS WEIRD.
THAT'S BIZARRE.
THAT IS NO A CORRUPTED RECORDER, FIRST OFF.
-THAT -- -THAT HAS TONE.
'CAUSE YOU CAN HEAR WHITE NOISE AND THEN THE SCREAM, SO VICIOUS.
DO YOU THINK IT WAS JUST A RESIDUAL SOUND? IT COULD, BUT YOU KNOW WHAT? THEN HE CAUGHT THIS OTHER EVP THAT WAS REALLY CLEAR THAT SAID, "NICK, GET UP.
" AND SO I WOULDN'T THINK THAT'S RESIDUAL, I MEAN, 'CAUSE IT'S SPEAKING DIRECTLY TO HIM.
INTELLIGENTLY, YEAH.
YEAH.
SO, WHAT WE SHOULD DO NOW, SINCE ROB IS HERE YEAH.
LET'S GO BACK TO GRACIE'S ROOM.
AND I THINK WHAT WE SHOULD DO IS TRY TO TAP INTO THIS ENVIRONMENT A LITTLE BIT MORE USING THE INFRASOUND DETECTOR.
AND HOPEFULLY WE CAN DETEC SOMETHING IN THE ENVIRONMEN THAT WOULD VALIDATE WHERE MAYBE SOME OF THESE PARANORMAL PHENOMENONS ARE COMING FROM OR ATTRIBUTING TO SOME OF THE VOICES.
Nick: SO, THERE'S THE GRAPH, AND WE CAN PULL THIS UP ON OUR COMPUTER SCREEN AFTER AND ANALYZE TO SEE IF THERE'S AN ULTRASOUND, INFRASOUND, OR ANYTHING WITHIN THE BASELINE THAT WE HAVE SET RIGHT NOW.
AND ACTUALLY, YOU KNOW WHAT WE SHOULD DO? IF YOU TWO WANT TO GO OUT OF THE ROOM FOR A SECOND SO THERE'S NO CONTAMINATION WITH AUDIO OR ANYTHING YEAH.
LET ME JUST LAY DOWN IN THE BED.
I WAS GONNA SAY, YOU SHOULD RECREATE THIS AS MUCH AS YOU CAN.
AND NOW WE ARE COMPLETELY SILENT, SO STAR THE EXPERIMENT NOW.
GRACIE, ARE YOU HERE WITH US, OR IS THERE SOMEBODY ELSE? IS THERE ANOTHER PERSONALITY HERE? CAN YOU TELL US WHAT YOUR NAME IS? IS THIS YOUR BED, GRACIE? IS THIS WHERE YOU LAID DOWN TO SLEEP AT NIGHT? ALL RIGHT, GETTING UP.
I MEAN, IT LOOKS PRETTY BALANCED.
SO, NOTHING OUT OF THE NORMAL RANGE NO.
WHICH MEANS THAT NOTHING SHOULD BE CAUSING THOSE VOICES, AS FAR AS INFRASOUND GOES.
Rob: WHAT'S THE PLAN HERE? WE HAVE THE 3-D MAPPING CAMERA SET UP HERE ON THE SECOND FLOOR.
WE'RE GONNA TRY CONTACTING INEZ AGAIN.
AND THIS IS THE HALLWAY WHERE THEY GET, LIKE, LITTLE-KID GIGGLES, PLAYFUL ACTIVITY, THINGS THAT SEEM CHILDISH.
ALL RIGHT, KATRINA, DO YOU SEE ANYTHING ON THE CAMERA? YES -- YOU, AND YOU'RE MAPPED.
INEZ, ARE YOU PLAYING IN YOUR ROOM? CAN YOU COME ON OUT? WE'RE HERE TO TRY TO HELP, TRY TO FIGURE OU WHAT HAPPENED TO YOU.
FEEL THIS, KATRINA.
WHICH WAY? I DON'T KNOW IF THERE'S A DRAFT OR WHAT, BUT IT WAS JUST REALLY COLD RIGHT HERE BETWEEN THESE TWO ROOMS.
IT'S FUNNY.
IT'S NOT HERE ANYMORE.
[ THUMP .]
I JUST HEARD THAT.
DID YOU HEAR THAT? YEAH.
YEAH.
IT WAS A THUMP.
COME HERE.
RIGHT HERE.
IT CAME FROM ONE OF THE ROOMS.
THAT WAS WEIRD.
IT WAS JUST, LIKE, SOME SORT OF VIBRATION OR SOMETHING LIKE THAT.
IT JUST RICOCHETED INSIDE MY EARDRUM.
THAT'S WHAT I FELT.
IT WAS JUST LIKE, "PVUH.
" WHERE'D YOU HEAR THE NOISE COME FROM, THOUGH? [ LIGHT SCRATCHING .]
[ LIGHT SCRATCHING .]
WHAT THE [BLEEP.]
SOUNDED LIKE DRAGGING.
I THOUGHT IT SOUNDED LIKE IT WAS JUST ON THE OTHER SIDE OF ONE OF THESE WALLS.
THAT'S WHAT I THOUGHT.
KATRINA, GO TO THE END OF THE ROOM THERE.
MM-HMM.
I'M GONNA SCRATCH ON THE WALL OUT HERE.
TELL ME IF THAT'S WHAT YOU HEARD.
OKAY.
[ LIGHT SCRATCHING .]
YES.
OH, MY GOD, YES.
THAT IS EXACTLY WHAT I HEARD.
I THINK IT CAME FROM THE CLOSET.
HOW DID YOU DO THAT? [ LIGHT SCRATCHING .]
JUST WITH YOUR NAILS? JUST MY FINGERNAIL.
HEY, NICK? NICK? YEAH? DO YOU WANT TO TRY CONNECTING WITH THIS LITTLE GIRL -- INEZ? YEAH.
MM-HMM.
THERE'S SOMETHING GOING ON IN THIS ROOM.
WE KNOW WHAT WE HEARD.
WE KNOW WHERE WE HEARD THE SCRAPING.
SO, HERE'S WHAT I'M GONNA DO.
ROLL ON BOTH THE RECORDERS SINCE WE'VE BEEN GETTING GOOD AUDIO.
LET'S TRY TO COMMUNICATE.
IF SHE'S LEADING US TO THIS SPOT, SHE NEEDS TO TELL US SOMETHING.
INEZ IF YOU ARE INDEED LEADING US TO THIS CLOSET OR THIS ROOM, YOU GOT OUR ATTENTION NOW.
WHAT IS I THAT YOU WANT TO TELL US? ARE YOU AFRAID? WE CAN HELP YOU.
IF YOU'RE SCARED, YOU DON' HAVE TO BE SCARED ANYMORE.
[ THUMP .]
[ GASPS .]
RIGHT THERE.
ROB, DID YOU HEAR THAT? -ABSOLUTELY, I HEARD THAT.
KATRINA, WHAT ARE YOU FEELING RIGHT THERE? UM, LIKE SOMETHING WAS WATCHING ME, UM, JUST NOT ALONE.
DO YOU FEEL ANYTHING, NICK? Nick: NO, BUT I THOUGHT I HEARD A MAN SPEAKING.
OH, MAYBE IT'S THE CAPTAIN.
CAPTAIN CULLER, CAN YOU GIVE US A SIGN THAT YOU'RE HERE WITH US? [ THUMP .]
[ GASPS .]
THAT WAS CLOSE.
-WOW [BLEEP.]
DUDE, MY CAMERA JUST DIED.
-OH, MY GOD.
LOOK AT MY ARMS, KATRINA.
IT'S SO STATICKY.
KATRINA, YOU'RE THE ONLY CAMERA ROLLING.
GOT IT.
I GOT IT.
I JUST WALKED ALL THROUGH STATIC.
NICK, WHAT'S GOING ON? WHOA.
WHAT'S GOING ON? THERE IS SOMETHING RIGHT HERE.
Katrina: [ GASPS .]
THAT WAS CLOSE.
-WOW [BLEEP.]
DUDE, MY CAMERA JUST DIED.
-OH, MY GOD.
LOOK AT MY ARMS, KATRINA.
IT'S SO STATICKY.
KATRINA, YOU'RE THE ONLY CAMERA ROLLING.
GOT IT.
I GOT IT.
I JUST WALKED ALL THROUGH STATIC.
NICK, WHAT'S GOING ON? WHOA.
WHAT'S GOING ON? THERE IS SOMETHING RIGHT HERE.
DO YOU FEEL THAT STATICKY -- -I HAVE IT ON MY -- PUT YOUR HAND IN -- PUT YOUR HAND RIGHT HERE.
I HAVE IT.
[ EXHALES SHARPLY .]
ROB, YOUR CAMERA DIED? AT THAT EXACT MOMENT.
-AT THAT EXACT MOMENT.
CAPTAIN CULLER? ARE YOU SHOWING US THAT YOU ARE HERE, THIS IS YOUR PLACE? THAT WAS AGGRESSIVE.
THAT WASN'T THE SAME IS YOUR CAMERA UP AGAIN? IT'S BACK UP.
WHERE DID YOU GUYS HEAR THAT BANG FROM? I THOUGHT DOWNSTAIRS OR -- I MEAN, IT WASN' IN THIS HALLWAY, I DIDN'T THINK.
MAN, IT'S AFFECTING ME.
HOLY [BLEEP.]
WHAT'S WRONG? THERE IT IS! LOOK AT MY ARMS! GEEZ! OH, WOW.
THAT JOLTED MY ENERGY.
YOU KNOW WHAT'S STRANGE? HOLY CRAP.
THIS THING IS -- THIS THING IS ON FIRE.
FEEL THAT.
OOH! IT MELTED.
IT MELTED.
I MEAN, IT WASN' IN THIS HALLWAY.
I MEAN, IT WASN' IN THIS HALLWAY.
GEEZ.
-THE [BLEEP.]
I.
R.
LIGHT MELTED, DUDE.
-THE I.
R.
LIGHT IS, LIKE, HOT.
IT DRAINED THE [BLEEP.]
OUT OF IT.
IT MELTED.
I.
R.
LIGHTS DON'T HEAT UP.
I THINK IT'S MORE AGGRESSIVE.
I DON'T THINK IT'S THE KIDS.
WELL, I MEAN, THINK ABOUT IT.
WE DIDN'T START GETTING THIS TYPE OF ACTIVITIES TILL WE STARTED TALKING TO THE CAPTAIN.
I MEAN, THIS WAS HIS HOTEL.
WE CALL HIM OUT, ALL THIS STUFF STARTS HAPPENING? Nick: COULD IT BE THAT THE CAPTAIN IS PULLING US DOWN TO THE PARLOR TO LEAD US AWAY FROM SOMETHING HE DOESN'T WANT US TO FIND? CAPTAIN? WHERE IS THE CAPTAIN? I NEED TO SPEAK WITH HIM.
-YOU OKAY, NICK? -I JUST FEEL DRAINED.
UP THERE, AFTER ALL THAT STUFF THAT HAPPENED AND I FELT JUST HI WITH ALL THAT ENERGY, I'M JUST LIKE -- BOOM.
DOES IT STILL FEEL WEIRD IN HERE? I DON'T KNOW.
I DON'T FEEL LIKE -- ALL MY EMOTIONS, MY ENERGY, EVERYTHING JUST WEN [SNAPS FINGERS.]
I THINK WHAT'S BEEN HAPPENING HERE IS, WHATEVER IS HERE HAS BEEN FEEDING OFF OF OUR ENERGIES.
I MEAN, YOU'RE COMPLETELY DRAINED.
YOU'RE DONE.
HIS CAMERA'S DIED.
I'M SICK, SO ALREADY, MY ENERGY'S DEPLETED.
SO, I DON'T KNOW.
IF WE DO KEEP GOING, WOULD STUFF KEEP HAPPENING? I DON'T KNOW.
I FEEL LIKE WE WERE DEFINITELY AT OUR PEAK UP THERE WHEN WE STARTED HEARING ALL THE BANGS.
WELL, WHY DON'T WE JUST LAY DOWN THEN AND LET THESE THINGS HAPPEN? MM-HMM.
IF THE NOISES HAPPEN, THAT'S FINE.
WE ALREADY DOCUMENTED THAT.
BUT NOW MAYBE ONE OF THEM WILL APPROACH US WHILE WE'RE LAYING DOWN AND NOT BE AFRAID TO COME UP TO US AND TALK TO US.
Nick: BEFORE GETTING SOME MUCH-NEEDED REST, WE DECIDED TO RUN A STANDALONE EXPERIMENT IN THE ATTIC TO ALLOW FURTHER CONTACT WITH THE SPIRITS THROUGHOUT THE NIGH USING THE GEOBOX, AN AUDIO RECORDER, AND WELDON'S VIDEO GHOST BOX.
ALL RIGHT, I'LL SEE YOU IN THE MORNING.
ALL RIGHT.
[ SIGHS .]
JUST ME AND YOU, CAPTAIN.
[ GARBLED NOISES .]
[ GARBLED NOISES .]
[ EXHALING HEAVILY .]
I WAS HEARING ALL SORTS OF NOISES COME FROM UP HERE.
HELLO.
[ EXHALES HEAVILY .]
[ CHUCKLES .]
UGH, I LOOK BEAT UP.
KATRINA, YOU CALL FOR ME? -HEY.
YEAH.
-WHERE ARE YOU? -I'M RIGHT HERE.
-YOU OKAY? -NO.
NO.
I JUST -- I STARTED GETTING, LIKE, BODY ACHES AND CHILLS TODAY, LIKE IN THE MORNING.
UGH.
ARE YOU SERIOUS? I WAS DOWN HERE, LIKE, FREEZING, AND IT'S SO HOT IN HERE.
DID YOU SLEEP IN THIS CHAIR? I DID.
IT'S ACTUALLY PRETTY -- IT'S ACTUALLY REALLY COMFORTABLE 'CAUSE IT'S LOOK AT THAT.
IT'S, LIKE, CURVED.
-YOU SLEPT UPRIGHT? -YEAH.
IT HELPED SO MUCH.
OUR FIRST STOP ON THE LAST DAY OF INVESTIGATION IS THE ATTIC TO SEE IF WE CAN GET ANY EVIDENCE WHILE WE'RE PRESENT.
[ GARBLED NOISES .]
THAT SOUNDED LIKE "INEZ" AGAIN.
WHY DO YOU KEEP SAYING "INEZ"? ARE YOU TRYING TO GET HER TO COME TO ME SO WE CAN SPEAK? [ GARBLED NOISES .]
DID SOMEBODY HURT INEZ? [ GARBLED NOISES .]
ALL RIGHT.
[ GARBLED NOISES .]
TELL US SOMETHING.
TELL US AT LEAST YOUR NAME.
[ GARBLED NOISES .]
[ NOISES STOP .]
LET'S GO DOWNSTAIRS.
YEAH.
LET'S GO CALL JOHNNY HOUSER AND HAVE HIM COME BACK IN BECAUSE WE HAVEN'T DOCUMENTED THESE SHADOW FIGURES AND HE HAD SUCH A PROFOUND EXPERIENCE.
I CAME HERE TO RESEARCH SHADOW FIGURES.
WE'RE GETTING A COUPLE LITTLE THINGS HERE AND THERE THAT ARE INTERESTING, BUT NOT ENOUGH TO REALLY VALIDATE THE CLAIMS.
I THINK IT'S VERY IMPORTAN TO TRY TO BRING JOHNNY HOUSER BACK IN BECAUSE MAYBE HAVING HIS ENERGY AND HIS PERSONALITY COMING BACK INTO THIS LOCATION COULD TRIGGER THESE EVENTS AGAIN.
I THINK WE SHOULD BE SET.
-YEAH.
OUR WHOLE ARSENAL IS LAID OUT HERE.
WE HAVE OUR GEOBOX DOWN THERE IF WE WANT TO USE THAT, OUR PORTABLE GEOBOX.
WE ALSO HAVE WELDON'S VIDEO GHOST BOX.
IT'S A DIFFERENT FREQUENCY WE CAN TAP INTO SO WE CAN HEAR AUDIO, AND ALSO IT CAN TRANSLATE THROUGH VIDEO SO WE CAN TRY TO CAPTURE ANY FIGURES OR ANY SHADOWS SHOWING UP.
-YEAH.
SO, 3-D MAPPING CAMERAS READY TO GO.
HE SHOULD BE HERE SHORTLY.
THE OTHER THING THAT I THOUGH WOULD BE INTERESTING TO SET UP IS THE THERMAL CAMERA.
AND WE WILL FIND OU VERY SOON IF ANY OF THIS STUFF IS GONNA WORK.
I WANT YOU GUYS TO JUST SEE -- DO I GET MAPPED UP RIGHT HERE? YEAH, YOU'RE MAPPED.
I HAVE YOU ON THERMAL.
OH.
OH! WAIT A MINUTE.
STAY THERE.
DON'T MOVE.
I FEEL SO STRANGE.
DO I GET MAPPED UP RIGHT HERE? YEAH, YOU'RE MAPPED.
I HAVE YOU ON THERMAL.
OH.
OH! WAIT A MINUTE.
STAY THERE.
DON'T MOVE.
I FEEL SO STRANGE.
CAN YOU HIT RECORD? -DON'T MOVE.
-HIT RECORD ON THAT.
-IT'S NOT RECORDING? -NO.
[BLEEP.]
WAIT A MINUTE.
IT'S GONE.
IT MAPPED OUT ANOTHER FIGURE.
NEXT TO ME? YEP.
IS THERE ANYTHING THERE? NO, NOT NOW, BUT I HAVE I ON MY CAMERA, MY HANDHELD.
BUT, NICK, SOMETHING WAS MAPPED OUT TO THIS SIDE OF YOU, WHICH I GUESS IS THAT SIDE.
THAT STATIC CHARGES THE SAME AS UPSTAIRS -YEAH.
-THE OTHER NIGHT -- THAT'S HOW I FEEL RIGHT HERE, RIGHT NOW.
I'M VERY CURIOUS TO SEE WHAT'S GONNA HAPPEN WHEN JOHNNY GETS HERE.
IT'S LIKE GETTING READY FOR HIM.
RIGHT BEFORE KATRINA CAN EVEN HIT RECORD, THERE'S THIS STICK FIGURE THA MANIFESTS RIGHT NEXT TO ME.
AND I'M TALKING ABOU JOHNNY HOUSER'S COMING BACK IN, AND WHATEVER SPIRITS ARE HERE CAN HEAR THAT.
DO THEY REMEMBER HIM? THINGS ARE HAPPENING AS I'M MENTIONING HIS NAME.
-HEY.
COME ON IN.
-HEY.
WHAT'S GOING ON? -WELCOME BACK.
-THANKS.
HOW'S IT GOING? ACTUALLY, WE JUST HAD SOMETHING PRETTY INTERESTING HAPPEN REALLY? IN THE HALLWAY WHERE YOU HAD YOUR EXPERIENCE.
MM-HMM.
WE HAVE A 3-D MAPPING CAMERA SET UP.
HE'S MAPPED OUT.
THERE'S ANOTHER FIGURE THAT MAPS ITSELF OUT RIGHT NEXT TO HIM.
REALLY? SAME HALLWAY? MM-HMM.
YEP.
SO, DO YOU WAN TO GO WITH US ABSOLUTELY.
AND WE'LL GET YOU SET UP BACK THERE? LET'S DO IT.
ARE YOU ALL RIGHT? YEAH.
ALL RIGHT.
SO, WE'RE BASICALLY THROWING EVERYTHING AT THIS, AND I'M THE BAIT? -YES.
-PRETTY MUCH.
-SO, COME ON IN HERE.
-AND, JOHNNY, IF YOU FEEL ANYTHING, ANYTHING FEELS OFF TO YOU, JUST SHOUT IT OUT.
SOUNDS GOOD.
Nick: SO, HERE.
KIND OF STAND IN THIS AREA RIGHT HERE.
ALL RIGHT, I'M GONNA TURN ON THE ITC.
IT IS GETTING, LIKE, REALLY CHARGED-FEELING OVER HERE.
I'M KIND OF DIZZY A LITTLE BIT, TOO, BUT -HMM.
-ARE YOU AFFECTING JOHNNY? DO YOU REMEMBER HIM? [ GARBLED NOISES .]
Katrina: DID THAT JUST SAY "YES"? I THINK SO.
DO YOU REMEMBER HIM? DO YOU SEE ANYTHING ON THE ITC? -I'M LOOKING.
-COME ON.
MAP OUT -- -WHOA! -WHAT WAS THAT? WHOA! WHAT IS THAT? THAT'S MY -- MY MIC.
SOMETHING JUST LITERALLY COME ON.
MAP OUT -- -WHOA! -WHAT WAS THAT? -HIS HANDS WERE LIKE THIS.
-YEAH.
AND SOMETHING GRABBED IT -- HIS WIRELESS MIC -- AND FLEW IT OFF OF HIM.
LET'S NOTE THAT IT TOOK SOMETHING THAT USES BATTERIES OUT OF YOU.
-YEAH.
I MEAN, OUT OF ALL THE THINGS IT COULD HAVE TOUCHED ON YOU THAT MIGHT HAVE BEEN A LITTLE EASIER, IT TOOK THE THING THAT'S AN ENERGY SOURCE.
DO IT AGAIN.
REALLY IMPRESS US AND DO IT ONE MORE TIME.
THAT WOULD JUS BE AMAZING.
THAT'S WEIRD.
SO, JOHNNY, NICK AND I ARE GONNA GO UPSTAIRS AND INVESTIGATE.
WE'RE LEAVING YOU WITH THE CAMERA.
WE HAVE THE GEOBOX, AND THEN WE'LL ALSO LEAVE YOU WITH A RECORDER.
Rob: I'M GONNA START ROLLING ON THE RECORDER, SO DON'T EVEN WORRY ABOUT THAT.
-OKAY.
-ALL RIGHT, ROB, LET'S GO.
ALL RIGHT.
GOOD LUCK, JOHNNY.
-[ CHUCKLES .]
YOU TOO.
-[ CHUCKLES .]
DO YOU WANT TO GO UP ON THE OTHER SIDE SO WE DON'T CONTAMINATE HIS STUFF? YEAH.
HERE I AM.
NOBODY'S AROUND AT ALL JUST YOU AND I.
IF YOU WAN TO SHOW YOURSELF TO ME, IF YOU WANT TO SCARE ME, DO YOUR THING.
LET ME KNOW THAT YOU'RE HERE.
COULD HAVE SWORE I JUST HEARD A WHISPER.
WAS THAT YOU SAYING SOMETHING? [ TAPPING .]
FOOTSTEPS.
CAN YOU COME CLOSER? WHOA.
SOMETHING JUST TOUCHED ME ON THE BACK.
[ GARBLED NOISES .]
Katrina: "YEAH.
" DID HE JUST SAY, "YEAH"? YEAH.
RIGHT HERE.
Both: CAPTAIN? [ GARBLED NOISES .]
"SUCK"? DID HE JUST SAY, "SUCK"? CAPTAIN CULLER, HAVE YOU SEEN INEZ? DO YOU KNOW WHERE SHE IS, THE LITTLE GIRL? "HERE.
" HELLO? CAN YOU TALK TO ME THROUGH THIS MACHINE HERE? [ GARBLED NOISES .]
DID YOU JUST SAY, "NICE TO MEET YOU"? WHERE ARE YOU? [ TAPPING .]
I JUST HEARD TWO TAPS.
CAN YOU DO IT AGAIN? WHERE ARE YOU? I'M IN YOUR HOUSE ALONE.
EVERYTHING IN MY BODY IS TELLING ME NOT TO GO THIS WAY.
"YOU'RE TALKING TO ME.
" I AM TALKING TO YOU.
-"SECOND FLOOR.
" -"SECOND FLOOR.
" HE GOES, "YOU'RE TALKING TO ME.
SECOND FLOOR.
" I AM.
I'M ON THE SECOND FLOOR, AND I'M TALKING TO YOU.
"HERE.
" "HERE.
" YOU STARTED WALKING AWAY, IT GOES, "HERE.
" HERE? YOU WANT ME TO STAY RIGHT HERE? IT GOES, "YES.
" THIS ROOM? IT FEELS LIKE IT WANTS TO KEEP US AWAY FROM JOHNNY.
I'M REALLY CURIOUS TO FIND OU WHAT'S HAPPENING TO HIM.
WE SHOULD GO CHECK ON HIM.
Nick: WE REJOIN JOHNNY TO SEE WHA HE SAW AND HEARD WHILE ALONE.
IT'S FREEZING IN HERE.
I JUST CAME FROM THAT ROOM, AND I WAS LIKE -- Nick: RIGHT THERE, YEAH.
THAT'S WHAT I WAS FEELING EARLIER.
I WAS FEELING THA OVER HERE.
THAT'S WEIRD, HOW YOU'RE SAYING THAT RIGHT NOW.
YEAH.
WHAT HAPPENED TO YOU, JOHNNY, DOWN HERE? ONE OF THE WEIRDEST THINGS -- I'M STANDING BACK THERE AND I FEEL, LIKE, A POKE RIGH ON MY SHOULDER AND IT WAS HARD.
AND THEN IT, LIKE, BUIL AND BUILT AND GOT INTENSE.
I JUST HEARD TWO TAPS.
AND THEN I STARTED HEARING STUFF DOWN THIS WAY.
SO, I CAME DOWN THIS WAY.
AS SOON AS I GOT TO THIS CORNER, I DIDN'T -- MY ENTIRE BODY IS LIKE, "DO NOT GO THAT WAY.
" REALLY? AND SO I'M MAKING MYSELF TAKE THE FOOTSTEPS.
THEN I GET TO ROOM 7, AND I TURN IN.
AND THE WEIRDEST THING -- LIKE, IT JUST SHIFTED.
I FELT, LIKE, HORRIBLE SADNESS.
-HMM.
IT WAS JUST SO WEIRD TO GO FROM THAT ANGER AND THAT FEELING DOWN THERE TO PURE SADNESS DOWN HERE.
FOR THIS TO HAPPEN WHEN WE'RE EXPERIMENTING WITH JOHNNY AND SEEING IF ANYTHING IS PARTICULAR INTERESTED IN HIM, I THINK THAT SPEAKS VOLUMES 'CAUSE WE HAVEN'T EXPERIENCED ANYTHING LIKE THA SINCE WE'VE BEEN HERE.
THIS PLACE HAD SOME PRETTY AWESOME ACTIVITY GOING ON.
-YEAH.
-MM-HMM.
DO YOU FEEL GOOD AFTER COMING HERE AND US DOCUMENTING SOME OF THE STUFF YOU EXPERIENCED? OH, YEAH.
YOU KNOW, IT'S ALWAYS A VALIDATION THAT YOU'RE NO COMPLETELY CRAZY, YOU KNOW? YEAH.
AFTER SEEING THAT SHADOW AND TAKING OFF, I CAN'T JUST, "OH, I WON'T EVER GO BACK THERE AGAIN.
" I GOT TO FACE THIS THING.
OTHERWISE, IT'S GONNA DRIVE ME CRAZY.
YEAH.
NOW I CAN MOVE ON TO THE NEXT THING.
-YEAH.
-SO, I FEEL LIKE I WON.
ONCE JOHNNY WAS ISOLATED AND ALONE, IT'S ALMOST LIKE THIS WHOLE PLACE CAME ALIVE FOR HIM.
AND I THINK SOMETIMES THAT'S ALL IT TAKES.
EVERYBODY HAS DIFFEREN PERSONAL EXPERIENCES.
THAT'S WHY IT'S NICE TO SEE DIFFERENT PEOPLE COME IN AND SEE IF THEY CAN CONNEC WITH THE LOCATION.
ALL RIGHT, I HAVE THE LAST PIECE OF EQUIPMENT.
-OKAY, GREAT.
-WE SHOULD BE ALL GOOD TO GO.
I'LL STAR PACKING THIS STUFF.
HOW YOU FEELING? 80% BETTER.
-YEAH? -YEAH, ALMOST THERE.
I WAS LOOKING AT THE CAPTAIN'S PICTURE AS I WAS CLEANING UP.
YEAH.
AND, YOU KNOW, I REALLY THINK WE MADE CONTACT WITH HIM BECAUSE WHEN WE STARTED TO TALK TO HIM THE OTHER NIGHT, THAT'S WHEN THINGS REALLY RAMPED UP HERE.
YEAH, THAT'S INTERESTING YOU SAY THA BECAUSE I DO FEEL THAT WE MADE CONTAC WITH THE OTHER SPIRITS THAT WERE HERE.
AND WE WERE HAVING DIREC COMMUNICATION AT TIMES.
WE HAD SOME REALLY GOOD AUDIO EVIDENCE THAT CAME THROUGH.
WHAT WAS INTERESTING IS THE SCRATCHING SOUND COMING FROM THE CLOSET UPSTAIRS.
MM-HMM.
WAS THAT THE LITTLE GIRL WHO WAS FOUND HANGING BY THE JUMP ROPE? I THINK WE DID A REALLY AMAZING JOB THROUGH THIS INVESTIGATION.
-YEAH.
-IT WAS GRUELING.
PHYSICALLY, IT WAS GRUELING WITH THE ENVIRONMENT.
-OH, YES, IT WAS.
-BUT THE EVIDENCE WAS GREAT.
-YEAH.
AND I'M READY TO GO HOME, FINALLY TAKE A SHOWER ME, TOO.
YES.
AND GET SOME REST.
-ALL RIGHT, LET'S PACK IT UP.
-LET'S PACK THIS UP.
Nick: AFTER AN EXHAUSTIVE 72-HOUR INVESTIGATION OF THE MYSTERIOUS MALVERN MANOR, IT IS APPARENT THAT INEZ WAS ATTEMPTING TO BE HEARD WHILE THE HEAVY HAND OF CAPTAIN CULLERS STILL RULES THE HOME.
THOUGH KATRINA AND I MAY NO HAVE MADE DIRECT CONTAC WITH THE SHADOW FIGURES ON THE FIRST FLOOR AS WE EXPECTED, WE HAVE LEARNED THAT HAUNTINGS ARE NOT ONLY DEPENDEN ON THE ENERGIES OF A LOCATION, BUT THE PEOPLE THEY INTERACT WITH.