Paranormal Lockdown (2016) s02e10 Episode Script

1 Reporter: LAST NIGHT, ZACHARY BOWEN TOOK HIS OWN LIFE.
A SUICIDE NOTE LED POLICE TO A SMALL SECOND-FLOOR APARTMEN IN THE 800 BLOCK OF NORTH RAMPART.
THAT'S WHERE THEY FOUND BOWEN'S DISMEMBERED GIRLFRIEND, ADRIANE "ADDIE" HALL.
Katrina: THIS WAS ZACK AND ADDIE'S APARTMENT.
IT'S SO HARD TO IMAGINE THIS HORRIBLE CRIME THAT TOOK PLACE HERE.
IS ANYBODY IN HERE? HELLO? HOLY [BLEEP.]
.
SOMETHING JUST GOT THROWN.
I THINK IT CAME FROM UP THERE.
ARE YOU IN THIS ROOM? YOU SEE THAT? WAIT, NICK, NICK, NICK! COME HERE.
COME HERE.
[BLEEP.]
THERE'S SOMETHING DOWN THERE.
THIS IS THE PAR OF OUR JOB THAT I HATE.
I'VE SEEN THE WAY THROUGH ALL THE PAIN I'VE WALKED THROUGH DARKNESS, FIRE, AND RAIN THEY FILL MY GRAVE BUT STILL MY SOUL REMAINS HERE BETWEEN HERE AND THE BEYOND -- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: NEW ORLEANS, LOUISIANA -- THE MOST HAUNTED CITY IN AMERICA, AN ESCAPE WHERE VOODOO AND SPIRITUALISM ARE INGRAINED IN THE OLD CAJUN CULTURE.
TOURISTS FLOCK TO THE BIG EASY FOR A GLIMPSE OF THE MACABRE WALKING AMONG THE DEAD IN THE FAMOUS RAISED CEMETERIES.
OTHERS COME FOR A TASTE OF INIQUITY, HAUNTING THE BARS, VOODOO SHOPS AND STRIP CLUBS OF BOURBON STREE THROUGH ALL HOURS OF THE NIGHT.
BUT IN THE SUMMER OF 2005, HURRICANE KATRINA BROUGHT THE PARTY TO A HALT.
THE STORM RAVAGED THE CITY, LEAVING NEW ORLEANS IN A STATE OF DARKNESS AND DESPAIR.
BUT AS DISASTER FLOODED AROUND THEM, TWO FRENCH QUARTER BARTENDERS FOUND ROMANCE AMONG THE RUIN.
ZACK BOWEN AND ADDIE HALL STAYED THROUGH THE STORM AND GAINED NATIONAL NOTORIETY AS A SYMBOL OF THE BOHEMIAN SPIRIT OF THE CITY.
BUT AS THE WATERS RECEDED, THEIR OWN DEMONS EMERGED.
AND THEIR TURBULENT RELATIONSHIP WOULD SOON HAVE A HORRIFIC END IN A SMALL HOUSE JUST A FEW BLOCKS FROM BOURBON STREET.
BUILT IN 1829, THE CREOLE COTTAGE HAS HAD HUNDREDS OF TENANTS, FROM SLAVES TO SOCIALITES AND EVERYTHING IN BETWEEN.
BUT ALL THEIR STORIES OF THE GHOSTLY ACTIVITY IN THE HOME ARE EERILY ALIKE -- DISEMBODIED FOOTSTEPS ECHOING UP THE STAIRS, DARK SHADOWS MOVING THROUGH THE UPPER FLOOR AND THE APPARITION OF A LITTLE BOY HIDING IN CLOSETS AND VANISHING AROUND CORNERS.
WHEN ZACK AND ADDIE MOVED TO THE HOME IN 2006, FRIENDS BELIEVED IT WOULD BE A FRESH STAR FOR THE VOLATILE COUPLE.
THEY RENTED THE SMALL APARTMEN ABOVE PRIESTESS MIRIAM'S VOODOO SHOP.
BUT WITHIN DAYS, THEIR INNER DEMONS WOULD BRING THEM TO A GRUESOME END.
NOW, NEARLY 10 YEARS TO THE DAY AFTER THE NIGHTMARISH MURDER, NICK AND KATRINA RETURN TO THE SCENE OF THE CRIME FOR A 72-HOUR INVESTIGATION, TO EXPERIENCE FIRSTHAND THE CLAIMS OF INCREASED PARANORMAL ACTIVITY SINCE THE KILLING AND FIND WHAT SPIRITS REMAIN FROM THE HORRIFIC PAS OF THE RAMPART STREE MURDER HOUSE.
Katrina: NEW ORLEANS HAS SUCH A RICH HISTORY, YOU KNOW, WITH ITS MARDI GRAS CELEBRATIONS, ITS CREOLE CULTURE.
I MEAN, IT'S DEFINITELY NOT HARD TO SEE WHY PEOPLE ARE SO ATTRACTED TO THIS TOWN.
THE FRENCH QUARTER HAS KIND OF LIKE -- IT ATTRACTS THRILL-SEEKERS.
THE PEOPLE THAT JUST COME HERE TO LOSE THEMSELVES IN THIS ENVIRONMENT.
IT'S HARD TO THINK THAT RIGHT NEX TO THE PARTY LIFESTYLE OF BOURBON STREE IS THIS MORE DARKER, SINISTER SIDE OF NEW ORLEANS, YOU KNOW? AND RIGHT UP THE STREE IS A NOTORIOUS SPO TO WHAT THAT KIND OF LIFESTYLE CAN LEAD TO.
BASICALLY, HE SAID THAT THEY HAD AN ARGUMENT.
HE STRANGLED HER.
HE DISMEMBERED HER BODY.
AND THEN, HE COULDN' COPE WITH IT HIMSELF.
SO HE COMMITTED SUICIDE.
Reporter: ZACHARY BOWEN'S LIFE SPUN OUT OF CONTROL IN THE TWO WEEKS BEFORE HE TOOK HIS OWN LIFE.
LAST NIGHT, THE 28-YEAR-OLD JUMPED TO HIS DEATH FROM THE TOP OF THE OMNI ROYAL ORLEANS AT ROYAL IN ST.
LOUIS.
A SUICIDE NOTE LED POLICE TO A SMALL SECOND-FLOOR APARTMEN IN THE 800 BLOCK OF NORTH RAMPART.
THAT'S WHERE THEY FOUND BOWEN'S DISMEMBERED GIRLFRIEND, ADRIANE "ADDIE" HALL.
ACCORDING TO POLICE, BOWEN CUT UP HIS 27-YEAR-OLD GIRLFRIEND WITH A HANDSAW.
INVESTIGATORS SAY HER HEAD WAS CHARRED BEHIND RECOGNITION IN A POT ON THE STOVE, HER LEGS AND FEE COOKED IN THE OVEN AND OTHER BODY PARTS IN THE REFRIGERATOR.
LEO WATERMEIER WAS THE COUPLE'S LANDLORD ON RAMPART STREET.
SHE TOLD ME SHE HAD CAUGHT HIM BEING UNFAITHFUL TO HER.
Reporter: PRIESTESS MIRIAM LIVED NEXT DOOR TO THE COUPLE AND RUNS A VOODOO TEMPLE AND STORE ON THE FIRST FLOOR OF THE BUILDING.
AND WHAT WOULD CAUSE A PERSON TO GO TO THAT DEGREE? THE MURDER-SUICIDE BRINGS BOTH HORROR AND SADNESS TO PEOPLE WHO LIVE AND WORK ON THIS STREE ON THE EDGE OF THE FRENCH QUARTER.
THEY WANT TO KNOW, WHAT WOULD DRIVE A MAN TO KILL HIMSELF AND THE WOMAN HE SUPPOSEDLY LOVED IN SUCH A VIOLENT MANNER? Nick: KATRINA AND I ARE HERE ON THE 10th ANNIVERSARY OF THIS HORRIBLE EVENT.
IT'S RARE THAT WE GE TO INVESTIGATE LOCATIONS WHERE THE TRAGEDY IS SO RECENT.
AND WE HAVE NO IDEA WHAT WE WILL ENCOUNTER DURING OUR 72-HOUR LOCKDOWN.
IF THE SPIRITS OF ZACK AND ADDIE HAVE NOT DEPARTED THIS PROPERTY, WE WILL BE AMONG THE FIRST TO FACE THEM.
-HEY, GUYS.
-HEY, HOW YOU BEEN? -I'VE BEEN GOOD.
-IT'S GOOD TO SEE YOU AGAIN.
-HOW ARE YOU? -THANK YOU.
Nick: BLOODY MARY'S A GOOD FRIEND OF MINE.
SHE'S A VOODOO PRIESTESS HERE IN NEW ORLEANS.
SHE CALLED US IN TO TRY TO FIGURE OU SOME OF THE UNEXPLAINABLE THINGS THAT STARTED HAPPENING HERE AT RAMPART STREET.
OH, MY.
Bloody Mary: YEAH, THERE WAS A FIRE RECENTLY.
BEFORE THAT, THIS WAS THE VOODOO SHOP AND THE VOODOO TEMPLE ALL ON THE FIRST FLOOR WITH A FEW APARTMENTS UP ABOVE.
SO WHAT WAS THE SPACE USED FOR? RIGHT HERE, WAS MORE OF A STOREFRONT.
PRIESTESS MIRIAM WOULD HAVE DONE READINGS OVER ON THE SIDE OR IN THE TEMPLE AREA.
ANYTHING EVER HAPPEN PARANORMALLY DOWN HERE? Bloody Mary: WHEN YOU'RE DOING READINGS, PEOPLE COME IN WITH THEIR OWN SPIRITS ALL THE TIME.
SO IT WASN'T THE SAME AS SAYING THIS AREA WAS HAUNTED.
I BELIEVE YOU FEEL MORE OF THA AS WE ENTER TOWARDS THE BACK AND UP THE STAIRS.
WHY DON'T I TAKE Y'ALL UPSTAIRS? AND WE'LL SEE WHAT YOU FEEL THERE.
THIS WAS ZACK AND ADDIE'S APARTMENT.
Nick: READING THE DETAILS ABOUT WHAT EXACTLY HAPPENED, IT REALLY GETS UNDER YOUR SKIN.
Katrina: A LOT OF TIMES IN OUR WORK, WHEN WE DEAL WITH TRUE CRIME SCENES THAT MEET THE PARANORMAL, I THINK A LOT OF PEOPLE WANT TO JUMP TO, YOU KNOW, THEY MUST HAVE BEEN POSSESSED.
THE FACT IS THERE WAS A CRIME COMMITTED HERE.
AND THERE HAVE BEEN PEOPLE THAT HAVE SPECULATED, YOU KNOW, WAS IT BECAUSE OF THE VOODOO TEMPLE DOWNSTAIRS? DID THAT CAUSE HIM TO DO THIS? AND THE ANSWER IS "NO.
" HE HAD ISSUES THAT HE WAS DEALING WITH THAT HE DID NO SEEK HELP FOR AT THE TIME, WHICH IT ALL LED UP TO THIS HORRIBLE CRIME THAT TOOK PLACE HERE.
DO YOU KNOW IF ANYBODY EXPERIENCED ANYTHING HERE AS FAR AS SPIRITS GO? Bloody Mary: SPIRITS WALK UP THE STAIRWAY.
HANDS COME OUT OF THE DOOR UP IN THE FRONT ROOM.
BLACK SHADOW FLY ACROSS MY FACE.
THEY GO UP INTO THE ATTIC.
SO IN HERE, WOULD THAT BE THE BEDROOM? CAN WE WALK IN THERE? YES.
Nick: THIS ROOM FEELS WEIRD TO ME.
HER DEAD BODY WAS LINGERING IN HERE FOR QUITE SOME TIME.
I WALKED IN, AND I FELT LIKE I WAS SINKING IN QUICKSAND.
EVERYTHING DOWN FROM MY KNEES FEELS LIKE IT'S IN MUD.
AN INTERESTING THING IS THA WE HAVE THE LITTLE BOY SPIRI THAT WAS HERE BEFORE, TERRIFIED.
IT SEEMS THAT HE WITNESSED THIS.
Katrina: SO HE WAS, LIKE, AWARE OF YES, AND THAT HE WAS VERY FRIGHTENED, VERY AFRAID.
DO WE KNOW OF ANY BOY THAT THIS SPIRIT COULD BE THAT LIVED ON THIS PROPERTY AND HAS MAYBE DIED HERE? WE DON'T KNOW THAT.
BUT I AM A STRONG ADVOCATE FOR THE FAC THAT PEOPLE DON'T HAVE TO DIE IN A PLACE TO HAUNT IT.
IT COULD BE A FAVORITE PLACE, WHERE THEY GREW UP, WHERE THEY, YOU KNOW, JUST HAD CONNECTIONS.
RIGHT.
Katrina: WE'RE LOOKING AT THE ORIGINAL STOVE IN THE ZACK AND ADDIE CASE.
IT IS HORRIFYING TO LOOK AT AN OBJEC THAT YOU KNOW HAD SOME PAR IN ONE OF THE GROSSEST CRIMES THAT NEW ORLEANS HAS EVER KNOWN.
I CAN'T BELIEVE THIS THING IS STILL SITTING HERE.
IT'S GONNA BE VERY DIFFICUL WALKING BY THIS EVERY DAY AS WE LIVE HERE FOR THE NEXT COUPLE OF DAYS.
I KEEP GETTING THIS HARD PUNCH RIGHT IN MY CHEST.
I DON'T KNOW WHAT THAT IS.
BUT IT'S -- IT'S BEEN IN THAT ROOM.
IT'S BEEN IN THIS -- LIKE, THE WHOLE TIME I'VE BEEN IN THIS ROOM.
THIS, LIKE -- IT'S PAINFUL.
PEOPLE HAVE GOTTEN VERY SICK IN THEIR STOMACHS, ESPECIALLY, AND NUMB.
-YEAH.
-WHAT'S THE MATTER? -IT'S HEAVY.
-WHAT'S THE MATTER? IT'S HEAVY IN THERE.
I DON'T KNOW.
-LIKE, WHAT DO YOU MEAN? -THIS IS A HORRIBLE PLACE.
Nick: KATRINA DOESN'T EVEN WANT TO TAKE A STEP INTO THE BATHROOM.
SHE FEELS OVERWHELMED WITH EMOTIONS KNOWING WHAT TOOK PLACE IN HERE.
Katrina: I KNOW WHERE WE HAVE TO INVESTIGATE.
I KNOW WE'RE GONNA BE ALONE IN THIS SPACE.
I KNOW WHAT HAPPENED HERE.
AND AS OBJECTIVE AS I WANT TO BE, I CAN'T HELP BUT SEE IMAGES OF WHAT TOOK PLACE HERE.
THANK YOU FOR SHOWING US AROUND WE REALLY APPRECIATE IT.
-UM, GOOD LUCK.
AND I'LL SEE YOU IN A COUPLE OF DAYS.
-OKAY.
OKAY.
-ALL RIGHT.
-SEE YOU, MARY.
-SEE YOU LATER.
WE NEED TO DO OUR OWN INVESTIGATION AND SEE WHAT CONCLUSIONS WE COME UP WITH YOU KNOW, AND NOT KIND OF FOLLOW THIS TRAIL OF WHAT'S THE MOST, YOU KNOW -- WHAT'S THE EASIEST THING TO PEG THIS ON, OBVIOUSLY, ADDIE AND ZACK.
RIGHT.
AND IT MIGHT NOT BE.
IT'S HARD TO SEPARATE FROM THE MENTALITY OF KNOWING THE STORY ALREADY, ESPECIALLY HOW GRUESOME AND TRAGIC IT IS.
I DON'T WANT TO JUMP TO ANY CONCLUSIONS.
-I CAN'T SEE.
-I CAN SEE PRETTY GOOD.
Nick: IT'S SO DIFFEREN RIGHT NOW AS WE'RE STANDING HERE IN THE DARK.
AND I WON'T LIE, I'M ACTUALLY A LITTLE BIT NERVOUS RIGHT NOW.
WHO ARE YOU? THE KID? THE KID.
-THE KID.
-YEAH, I HEAR THAT.
WHO'S THIS CHILD? CAN YOU LET THE KID COME THROUGH? WE WANT TO TALK TO THE CHILD.
YOU DON'T HAVE TO BE SCARED.
WHAT HAPPENED TO YOU? -HE'S HERE.
-HE'S HERE? WHO'S HE? TELL ME YOU HEARD THAT.
WHAT? HELLO? Nick: HELLO? [BLEEP.]
WHAT THE [BLEEP.]
WAS THAT? HELLO? [BLEEP.]
WHAT THE [BLEEP.]
WAS THAT? IS ANYBODY IN HERE? HELLO? I MEAN, THIS WAS WHERE MIRIAM HAD HER SHOP.
REMEMBER, SHE WOULD DO THE READINGS IN THE BACKS.
-YEAH.
-SO THEY CONSTANTLY HAVE SPIRITS COMING THROUGH HERE FROM OTHER PEOPLE.
Nick: IN A LOCATION LIKE THIS, THAT HAS SUCH STRONG EMOTIONAL ENERGY, WE LIKE TO USE OUR FIRS NIGHT OF INVESTIGATION TO TAKE A BASELINE READING AND SEE WHERE THE SPACE DIRECTS US.
IF YOU CAN HEAR US, MY NAME IS NICK.
AND THIS IS KATRINA.
WE'RE GONNA BE MOVING IN FOR THE NEXT COUPLE OF DAYS.
WE'RE HERE OUT OF RESPECT.
WE JUST WANT TO TALK TO YOU, COMMUNICATE, TRY TO FIGURE OU WHAT'S GOING ON HERE.
IF THERE'S A CHILD HERE, YOU DON'T HAVE TO BE SCARED OF US.
WE KNOW YOU WERE HERE LONG BEFORE ANYBODY ELSE.
IF THERE'S ANYTHING ELSE HERE, IT'S OKAY TO TALK TO US.
HMM.
WHAT ARE YOU FEELING? NICK, I THINK THIS MIGHT HAVE BEEN WHERE HE WROTE SOME OF THE STUFF.
HE WROTE, "LOOK IN THE OVEN" RIGHT HERE, "I'M A FAILURE" RIGHT ABOUT HERE, "I LOVED HER" SOMEWHERE HERE.
YOU KNOW, LOCATION IS VERY CONFINED.
IT HOLDS A LOT, A LOT OF JUST ENERGY.
I THINK THAT STILL COULD BE LINGERING.
I MEAN, YOU CAN FEEL IT.
YOU DEFINITELY CAN WHEN YOU WALK AROUND.
YOU CAN -- YOU CAN FREAKING FEEL IT.
ESPECIALLY OVER THERE, WHEN YOU ENTER THE KITCHEN.
IS THAT WHERE YOU FEEL IT THE MOST? I DON'T KNOW IF THAT'S FROM THE STORIES, YOU KNOW? RIGHT.
BUT THERE'S JUST A FEELING.
FORGET ABOUT ANYTHING YOU KNOW.
WALK THROUGH HERE.
YOU JUST FEEL THAT IMPRESSION.
AND THEN HE WROTE ON THE OVEN, TOO, -"DON'T LOOK.
" -"DON'T LOOK.
" SO HARD TO IMAGINE.
THAT'S, LIKE, HOW DO YOU DO THAT? HOW DO YOU STAND OVER A STOVE WITH YOUR GIRLFRIEND'S HEAD IN A POT, THE REST OF HER BODY PARTS IN THE OVEN AND JUST -- I, LIKE, YOUR -- I CAN'T EVEN FATHOM THE SCENE THAT HAPPENED HERE.
-WHAT? -IS IT JUST DUST? OR DOES IT SMELL LIKE SOMETHING'S BURNING? NO, IT DOES SMELL WEIRD IN HERE.
YEAH, IT SMELLS LIKE SOMETHING'S BURNING.
AT THIS SPOT, MAN.
THIS SPOT IS SO WEIRD RIGHT NOW.
OH, MAN.
Katrina: DO YOU FEEL SOMETHING, NICK? I'M NAUSEOUS.
I LOOKED IN THE MIRROR, AND IT JUST HIT ME.
WHAT'S THE MATTER? IT'S JUST SO SAD.
YEAH.
THIS IS THE PAR OF OUR JOB THAT I HATE.
BEFORE THAT, THIS PLACE HAS BEEN HERE FOR, GOSH, WHAT DID SHE SAY, LIKE, 1830s? YEAH.
SO WE ALSO HAVE ALMOS 200 YEARS YEAH.
OF HISTORY JUST IN THIS BUILDING.
SO THERE'S DEFINITELY A LO OF LAYERS TO SIFT THROUGH.
THAT'S INTERESTING BECAUSE A LOT OF PEOPLE DIDN'T KNOW WHAT HAPPENED HERE WHEN THEY MOVED IN YEAH, YEAH.
WHEN THEY WERE RENTING.
BUT THEY FELT AN OVERWHELMING PRESENCE.
IF THERE'S A TRAGIC EVEN THAT HAPPENS, WE KNOW THROUGH OUR WORK THAT CAN ATTRACT OTHER THINGS.
Rob: DID YOU FEEL THAT? WHAT? IS THERE AN OPEN WINDOW RIGHT HERE? NO, THE WINDOWS ARE CLOSED.
OH, THAT WINDOW'S IN HERE IS CLOSED.
WHY, WHAT DID YOU FEEL? I FELT, LIKE, A REALLY STRONG COLD BREEZE.
-YOU DID? -YEAH.
SO MUCH SO THAT I THOUGH THAT WINDOW WELL WAS WIDE-OPEN.
EVERYTHING'S CLOSED, SEE? AND I WAS STANDING BACK HERE, SO I WOULDN'T HAVE FELT IT.
THIS ONE IS ACTUALLY SUPER-THICK GLASS.
IT WOULDN'T PASS ME 'CAUSE IT DIDN'T GO THIS WAY.
[BLEEP.]
YOU HEARD THAT? GO.
GO.
WHY? WHAT? -[BLEEP.]
WAS THAT? -RIGHT IN HERE.
WHAT? THE [BLEEP.]
Rob: I FELT, LIKE, A REALLY STRONG COLD BREEZE.
SO MUCH SO THAT I THOUGH THAT WINDOW WELL WAS WIDE-OPEN.
Nick: EVERYTHING'S CLOSED, SEE? [BLEEP.]
YOU HEARD THAT.
Nick: GO.
GO.
Katrina: WHY? WHAT? -[BLEEP.]
WAS THAT? -RIGHT IN HERE.
-WHAT? -THE [BLEEP.]
? I JUST HEARD FOOTSTEPS RIGHT DOWN THERE.
IT WAS SO LOUD.
Nick: WE'VE BEEN INVESTIGATING A REALLY LONG TIME.
IT'S GETTING CLOSER TO THE MORNING.
AND EVERYTHING KIND OF JUS JOLTS WITH ENERGY, AND SUDDENLY, I HEAR FOOTSTEPS.
HELLO? Katrina: YOU CAN ABSOLUTELY FEEL MORE TENSION.
AND AGAIN, IT'S THIS, LIKE, WAITING GAME.
YOU KNOW IT'S GONNA DO SOMETHING.
YOU JUST DON'T KNOW WHEN OR WHERE OR TO WHO.
IT'S FUNNY THAT THAT'LL HAPPEN IN SUCH QUICK SUCCESSION.
YEAH, LIKE A BURST.
OR IT'S ALMOST LIKE SOMETHING CAME IN THERE, RAN AT US, LET US KNOW ITS PRESENCE IS HERE, RIGHT? AND THEN MOVED AWAY REALLY FAST.
AS I WAS TOLD A REALLY LONG TIME AGO WHEN I FIRST STARTED INVESTIGATING, THE SMALLER A PLACE IS, THE MORE PLACES ENERGY HAS TO BUILD UP.
MAYBE WE'RE TOO CLOSE TO SOMETHING.
ALL RIGHT, LET'S TRY SETTING UP THAT LED LIGHT OKAY.
PANEL SENSORS.
WE CAN LAY THOSE OU ON THE GROUND AND SEE IF WE'LL GE ANY INDICATION OF ANY SHADOWS MOVING OVER OR ANY MASSES OF ENERGY.
LET'S USE THE GEOBOX.
WORKS ON E.
M.
F OKAY.
VIBRATIONAL WAVE, AND ALSO RADIO FREQUENCY.
IT TAKES ALL THREE, IT MODULATES THEM SO WE CAN HEAR I COME OUT AS AUDIO.
SO THE GOAL IS TO USE THIS DEVICE TO TRY TO GE INTELLIGENT FEEDBACK.
YEAH.
WE KNOW THAT SPIRITS DO MANIPULATE RADIO FREQUENCIES, AND ALSO, THEY WORK ON VIBRATIONS.
THIS MIGHT HELP US HONE IN ON WHOEVER'S STILL HERE.
CAN YOU GO OVER AND TRY TO MAKE THOSE LIGHTS GO OFF? Katrina: DID YOU SEE THAT? Nick: HUH? THE LIGHTS JUST WENT OFF, LIKE, REALLY BRIGHT.
-WAS THAT YOU? -ARE YOU MOVING IN THE ROOM? DID YOU JUST MOVE INTO THE ROOM? IS THAT WHAT KATRINA WAS SEEING? Katrina: IT'S ACTUALLY PRETTY CALM, WHICH ISN'T ALWAYS UNUSUAL FOR A FIRST NIGH OF INVESTIGATING.
I DON'T KNOW IF THEY WERE CHECKING US OUT, OR IF, YOU KNOW, WE'RE INTRODUCING OUR ENERGY INTO A SPACE.
SO IT KIND OF NEEDS TIME TO SETTLE BEFORE IT CAN ACT AGAIN.
LET'S TAKE THE LED LIGHTS.
LET'S SET THEM UP RIGHT HERE.
YEAH.
LET'S SET NIGHT VISION CAMERAS IN HERE.
ONE OF US WILL SLEEP IN THERE.
AND ONE OF US WILL SLEEP IN THERE.
THE OTHER WILL SLEEP IN THERE.
AND THEN WE CAN SEE WHAT HAPPENS.
YEAH.
Nick: NOW, WE HAVE TO TRY TO GO TO SLEEP.
BUT, YOU KNOW, THE TRAGEDY THAT HAPPENED HERE IS -- IT REALLY SHAKES KATRINA AND I, SO I AM BEGRUDGINGLY SLEEPING IN THE KITCHEN/BATHROOM AREA.
IT'S VERY HARD TO GET OUT OF YOUR HEAD ONCE YOU KNOW THE DETAILS ABOUT THIS CASE.
THERE IS SOMETHING THAT'S HAPPENING HERE.
AND WE'RE NOT 100% SURE WHO OR WHAT IT IS RIGHT NOW.
ALL RIGHT.
Nick: DAY 2 HAS ARRIVED.
IT'S HARD TO SLEEP UP HERE.
IT'S JUST THAT FEELING OF SOMETHING WATCHING US.
HI.
HOW'D YOU SLEEP? OH, HORRIBLE.
ME TOO.
I DON'T THINK I SLEPT, LIKE, AT ALL.
LIKE, I FEEL TRAUMATIZED JUST SLEEPING HERE.
WE GOT THE LED LIGHTS STILL GOING.
AND WE HAVE THE WONDER BOX ROLLING.
AND WE'RE TRYING TO COMMUNICATE WITH FLUCTUATIONS THROUGH DIFFERENT FREQUENCIES.
[ WHITE NOISE .]
IS THERE ANYONE HERE? DID SOMETHING BAD HAPPEN IN THIS ROOM? CAN YOU TELL ME WHY THE LITTLE BOY IS STILL HERE? HE SAID HE WAS A SLAVE? Katrina: SEEMS LIKE WE'RE GETTING INTELLIGENCE RESPONSES FROM THIS CHILD SPIRIT.
HISTORICALLY, WE KNOW THAT THERE WERE SLAVES HERE.
SO IS THAT THE ACTIVE SPIRI THAT WE'VE BEEN COMMUNICATING WITH? IS THERE A CHILD THAT CAN COME THROUGH AND SPEAK? WHERE SHOULD WE GO IN THIS BUILDING? I THINK IT SAID, "BATHROOM.
" IS ANYBODY HERE? CAN YOU LET ME KNOW WHO'S STILL INHABITING THIS APARTMEN OR THIS BUILDING? HOLY [BLEEP.]
, THAT WAS CLEAR.
-OH, I JUST GOT THE CHILLS.
-ME TOO.
Nick: DID IT JUST SAY, "STRANGLED TO DEATH"? YOU HEARD THAT? YEAH.
THAT WASN' JUST ME, RIGHT? STRANGLED TO DEATH AGAIN.
[BLEEP.]
THAT'S WHAT IT JUST SAID.
IT SAID, "STRANGLED TO DEATH" AGAIN.
HOW YOU FEELING? ARE YOU ALL RIGHT? OH, I JUST IT'S LIKE I DON'T YOU KNOW WHAT I MEAN? IT'S HARD TO BE IN THIS AREA.
I DON'T KNOW.
IT'S HARD.
I FEEL LIKE EVERY SINGLE TIME I LOOK AT IT, I'M, LIKE, LOOKING AT A CRIME SCENE.
IT'S WEIRD TO THINK THAT ALL THIS STUFF IS ORIGINAL.
THAT'S SO DISGUSTING.
I GOT TO STEP OUT OF HERE FOR A SECOND.
[BLEEP.]
NO.
I ACTUALLY STARTED TO BLACK OUT A LITTLE BIT.
I WALKED IN THERE AND OPENED THAT FRIDGE.
AND I FELT, LIKE, WICKED DIZZY.
IS SOMEONE TRYING TO CONNECT WITH NICK? -LET'S GO BACK IN HERE.
-YEAH? I'M GONNA START THE GEOPORT.
CAN YOU SPEAK TO US? OH, THAT'S WEIRD.
WHAT? ONE VOICE JUS WENT, "YES.
" AND THE OTHER ONE WENT, "NO.
" WHY ARE YOU BLOCKING PEOPLE FROM TALKING AND COMMUNICATING? GOD, THAT WAS WEIRD.
MARY DID SAY THE LITTLE CHILD, ACCORDING TO HER, WHAT SHE FEELS, IS, THAT HE WITNESSED ALL OF THIS.
AND IT'S CONSISTEN WITH WHAT PEOPLE -- [ CLANKING .]
Rob: WHOA, WHAT THE [BLEEP.]
WAS THAT? MARY DID SAY THE LITTLE CHILD, ACCORDING TO HER, WHAT SHE FEELS, IS, THAT HE WITNESSED ALL OF THIS.
AND IT'S CONSISTEN WITH WHAT PEOPLE -- [ CLANKING .]
Rob: WHAT [BLEEP.]
WAS THAT? WHOA, WHAT THE [BLEEP.]
? YOU OKAY? WHAT WAS IT? IT SOUNDED LIKE IT WAS SKIPPING STRAIGHT TOWARDS ME.
Nick: HOLY [BLEEP.]
.
NO.
AND IT'S CONSISTEN WITH WHAT PEOPLE -- [ CLANKING .]
Rob: WHAT THE [BLEEP.]
WAS THAT? I THINK IT CAME FROM UP THERE.
DO WE HAVE A LADDER? IT'S DOWNSTAIRS IN THE GEAR ROOM.
ALL RIGHT.
I'M COMING UP.
PLEASE, DO NO THROW ROCKS AT ME.
OH, [BLEEP.]
.
WHAT THE F? YOU GOT HIT? YOU GUYS DIDN'T HEAR THAT? -YOU GOT HIT? -IT CAME FROM ABOVE.
IT, LIKE, HIT, LIKE, THE BACK OF MY SHOULDER.
ARE YOU THROWING STUFF? ARE YOU UP HERE? CAN YOU SHOW US WHERE YOU ARE? ARE YOU BACK HERE? I'M TAKING OFF NIGHT VISION.
PLEASE BE CAREFUL, NICK.
THERE IS PIECES OF STONE RIGHT HERE AT THE TOP.
REALLY? BUT THERE'S NO WAY THAT THEY CAN JUST FALL DOWN.
THAT'S WHERE I WAS STANDING.
I WAS STANDING RIGHT IN THE LIVING ROOM.
WHO ARE WE ACTUALLY COMMUNICATING WITH? WHY DO YOU HAVE TO HIDE IN THE ATTIC? I HEARD SOMETHING SHIFT UP THERE AGAIN RIGHT UP THERE.
I THINK WHAT WE'VE SEEN SO FAR, THE PATTERN WE'VE SEEN, IS SHORT LITTLE BURSTS OF ENERGY.
IT'S LIKE LITTLE FIRECRACKERS GOING OFF IN HERE OF ACTIVITY.
THERE'S ONLY A COUPLE HOURS LEF UNTIL THE SUN COMES UP.
LET'S TRY TO LAY DOWN.
YEAH, I GUESS I'LL SLEEP OUT HERE BECAUSE, I MEAN, THIS IS WHERE THE PEBBLES WERE ACTUALLY LANDING.
WHAT HAPPENS IF I SLEEP UP THERE IN THE ATTIC? YOU'RE GONNA SLEEP IN THE ATTIC? I'M SORRY.
I'M NOT SCOLDING YOU.
YOU'RE AN ADULT.
BUT YOU'RE GONNA SLEEP IN THE ATTIC? LIKE, FOR REAL? THAT'S DANGEROUS, DUDE.
I MEAN, IT'S NOT A MORGUE.
IT'S NOT, UH -I KNOW, BUT IT'S ALSO -WAVERLY HILLS BODY CHUTE.
-A CHARCOAL ROOF.
-IT'S NOT A MINE SHAFT.
YEAH, IT IS A CHARCOAL ROOF.
YEAH, YOU SHOULD PROBABLY JUST PUT A CAMERA UP THERE.
I COULD LAY ACROSS THE BEAMS.
AND IF ANYTHING HAPPENS, THAT WAY WE'LL BE ABLE TO DOCUMENT.
IS THERE ANYBODY STILL UP HERE? WHO IS THROWING THE ROCKS DOWN AT US? OH, [BLEEP.]
NICK, PLEASE BE CAREFUL.
IS THERE SOMETHING UP HERE THAT MARY'S BEEN TALKING ABOUT, THE SHADOW MAN, THIS FIGURE THAT FLIES UP HERE IN THE ATTIC? CAN YOU THROW THE ROCKS AGAIN? [ CLATTERING .]
SOMETHING JUST GOT THROWN.
HOLY [BLEEP.]
.
IS THERE SOMETHING UP HERE THAT MARY'S BEEN TALKING ABOUT? CAN YOU THROW THE ROCKS AGAIN? [ CLATTERING .]
SOMETHING JUST GOT THROWN.
HOLY [BLEEP.]
.
SOME -- ANOTHER THING JUST GOT THROWN.
WHAT DID YOU SEE? SOMETHING GOT THROWN.
WHAT DO YOU WANT? YOU OBVIOUSLY WANT OUR ATTENTION.
THAT'S WHAT WE'RE HERE FOR, SO LET US KNOW.
[ CLATTERING .]
SOMETHING JUST GOT THROWN.
I'VE BEEN TO SOME HORRIBLE LOCATIONS AND SLEPT IN SOME TERRIBLE CONDITIONS.
BUT LAYING ACROSS BEAMS, THIS IS ACTUALLY REALLY TERRIFYING.
AND IT'S KILLING MY BACK.
BUT I FEEL LIKE I HAVE TO BE UP HERE TO TRY TO DOCUMEN ANY MORE POLTERGEIST ACTIVITY.
[BLEEP.]
DAY 3 FINALLY HAS ARRIVED.
AND THIS IS WHERE EVERYTHING WAS HAPPENING LAST NIGHT.
BUT RIGHT NOW, IT'S JUST NOTHING.
IT'S QUIET.
WHAT'S REALLY STRANGE, IT'S ALMOST LIKE THIS HOUSE IS SPLIT.
YOU HAVE SOME SOR OF OPPRESSIVE ENERGY THAT'S ALMOST NEGATIVE IN NATURE ON ONE SIDE OF THE HOUSE, I MEAN, IN THE KITCHEN AND THE BATHROOM AREA.
AND IN THIS SMALL CONFINED SPACE, YOU HAVE WHAT SEEMS TO BE A CHILD SPIRI AND SOME OTHER LIGHTER-TYPE FEELINGS OF A SPIRITUAL ENTITY THAT MOVES AROUND THROUGH HERE.
Katrina: SEEMS LIKE WE'RE GETTING INTELLIGENCE RESPONSES FROM THIS CHILD SPIRIT, AND IF I THINK ABOUT IT, EVERYTHING DOES SEEM KIND OF PLAYFUL, EVEN THE PEBBLES BEING THROWN AT US.
THIS IS A VERY SMALL SPACE.
SO IT'S IMPORTAN THAT WE SEPARATE TO SEE, DOES THE SPACE ACT DIFFERENTLY WHEN SOMEONE'S ALONE? SO WE'RE SETTING UP CAMERAS THROUGHOUT THE APARTMENT.
Nick: IN ADDITION TO MORE CAMERAS, WE'RE SETTING UP MOTION DETECTORS IN THE ATTIC IN CASE ANYTHING MOVES, OR IS THROWN UP THERE.
Katrina: AND WE WILL EACH SPEND TIME UP HERE INVESTIGATING SOLO WHILE THE OTHER PERSON MONITORS US FROM DOWNSTAIRS.
DO THEY LOOK GOOD? YEAH, THEY DO.
I'M ALL BY MYSELF NOW.
I'LL LEAVE THE GEOPOR RIGHT HERE.
[ INDISTINCT WHISPERING .]
ARE YOU IN HERE? DO YOU LIKE IT WHEN PEOPLE ARE ALONE UP HERE? DO YOU FEEL A LITTLE BI MORE COMFORTABLE TO COME OU AND SPEAK TO US? ARE YOU IN HERE? [ BEEPING .]
OH, [BLEEP.]
.
NICK, THE MOTION DETECTORS ARE GOING OFF.
I'M GETTING A HUGE E.
M.
F SPIKE.
IT FEELS REALLY OFF UP HERE.
[ BEEPING .]
NICK, IT'S GOING OFF AGAIN.
ARE YOU IN THIS ROOM? ARE YOU GONNA THROW THOSE ROCKS AGAIN LIKE YOU DID LAST NIGHT? IT JUST SAID, "ZACK.
" I MEAN, IT RAISES THE QUESTION, IS THIS POSSIBLY ZACK'S SPIRIT? OR IS THIS A SPIRI OF A LITTLE BOY TELLING US WHAT HAPPENED? WHO HAS THROWN THE ROCKS? -WHOA.
-WHAT? IT IS SO HONESTLY HONESTLY, THE ENERGY IS, LIKE, INSANE UP THERE.
REALLY? NO JOKE.
IT FELT SO DIFFEREN THAN THE LAST TWO NIGHTS.
YEAH, MAYBE BECAUSE THE THREE OF US WERE UP THERE.
YEAH.
IT WAS DRAWING ENERGY AND KIND OF GOING AFTER ROB, GOING AFTER YOU.
AND I WAS FEELING A LITTLE BIT OF IT.
BUT NOW IT'S -- WHEN I WAS ISOLATED, I FELT LIKE IT WAS JUS COMING FULL FORCE AT ME.
IT WAS JUST VERY STRANGE.
[ SIGHS .]
ALL RIGHT.
IT'S REALLY WEIRD.
RIGHT IN THIS SPACE, YOU DO GET, LIKE, A SENSE OF DIZZINESS.
I DON'T KNOW WHAT THAT'S ABOUT.
I HATE THIS KITCHEN.
[BLEEP.]
I HATE THIS KITCHEN.
DO YOU KNOW I HATE THIS SPOT? I HATE IT.
THE NEGATIVITY, THE ANGER, THE PAIN, ALL OF IT IS STILL LINGERING HERE.
YOU CAN JUST FEEL IT.
AND IT IS SO HEAVY.
I DON'T FEEL SAFE THERE.
[ BEEPING .]
WAIT, NICK! NICK, NICK, NICK.
-WHAT? -COME HERE.
COME HERE.
I DON'T FEEL SAFE THERE.
[ BEEPING .]
WAIT, NICK! NICK, NICK, NICK.
-WHAT? -COME HERE.
COME HERE.
COME HERE! JUST HAPPENED, COME HERE! WHAT? I HEARD IT.
I HEARD IT.
WHERE? IN THE KITCHEN, I HEARD IT.
IT, LIKE, HIT SOMETHING, THOUGH.
LIKE, I THINK IT HIT A WALL OR SOMETHING.
-ARE YOU SURE? -YES.
I HEARD IT.
I HEARD IT.
I HEARD THAT.
CAN YOU THROW ANOTHER PEBBLE AND COMMUNICATE WITH US? CAN YOU DO ANYTHING ELSE SO WE KNOW THAT YOU'RE HERE? I WANT TO KNOW WHO YOU ARE.
HE JUST SAID, "I HATE MYSELF.
" Nick: HEARING THE VOICES COME THROUGH THE GEOPORT RIGHT NOW, AND THE FIRST THING I THINK ABOUT IS THE SPRAY PAIN THAT ZACK DID ON THESE WALLS.
IT'S SO HARD TO SAY.
LIKE, IS THIS HIM? OR IS THIS JUST ENERGY THAT OCCURRED HERE, AND SHE'S CONNECTING WITH IT RIGHT NOW? I MEAN, WE HAVE BEEN ASKING I TO COMMUNICATE WITH US.
MAYBE THAT'S WHA IT'S TRYING TO DO.
WE HAVE TO REMAIN AS OBJECTIVE AS WE CAN BE.
AND EVEN THOUGH WE HOPE THAT ZACK AND ADDIE ARE NOT HERE, WE ARE GETTING SOME VOICES COMING THROUGH THAT -- THAT SEEM CONNECTED TO THE CRIME THAT HAPPENED HERE.
SO AT THAT POINT, WE HAVE TO WONDER, IS THERE SOME PIECE OF HIM THAT'S STILL IN THIS SPACE? IS HE AN INTELLIGENT SPIRI THAT'S HERE? OR ARE WE GETTING SOMETHING ELSE THAT -- THAT'S DICTATING WHAT HAPPENED? Nick: SO MAYBE THERE'S A COUPLE OF DIFFERENT ENERGIES HAPPENING HERE.
WE KNOW OF ADDIE AND ZACK.
BUT ALSO WHAT'S VERY INTERESTING IS, WE'RE GETTING THIS CHILD COMING THROUGH THAT COULD INDICATE THE SPIRIT OF A SLAVE THAT WAS ONCE HERE.
SO TOMORROW WHEN MARY GETS BACK, LET'S TALK TO HER.
LET'S TRY TO FIGURE OU WHAT'S THE BEST RITUAL WE CAN DO WITH HER TO TRY TO BRING SOME PEACE BACK TO THIS.
WELCOME BACK.
HOW YOU DOING? I'M NICK.
-HEY.
NICK.
LEO.
-NICE TO MEET YOU, LEO.
-IT'S NICE TO MEET YOU.
-NICE TO MEET YOU.
Katrina: MARY BROUGHT LEO, WHO IS THE LANDLORD OF THIS BUILDING.
AND HE ALSO KNEW ZACK AND ADDIE.
SO IT'S REALLY IMPORTAN TO TALK TO HIM BECAUSE WE CAN KIND OF PINPOINT, YOU KNOW, WHEN DID THIS HAUNTING START.
WAS IT BEFORE 2006, OR WAS IT AFTER 2006? AND THROUGH ALL THE PEOPLE THAT HAVE BEEN HERE, WHAT DID THEY EXPERIENCE? I THINK INITIALLY WHEN WE CAME IN, WE WERE VERY FOCUSED ON THE ADDIE AND ZACK STORY.
BECAUSE, I MEAN, HOW CAN YOU NOT BE? AND I THINK WHEN YOU COME IN, YOU KIND OF ALMOS EXPECT TO FIND THAT.
RIGHT.
BUT WE FOUND MORE WHAT YOU WERE TALKING ABOUT, UM, WHEN YOU FIRS BROUGHT US UPSTAIRS, WHICH WAS THE LITTLE CHILD.
IT -- IT -- IT -- IT'S VERY INTERESTING BECAUSE A TENANT WHO LIVED HERE BEFORE ZACK AND ADDIE TOLD ME THAT HE FELT THERE WAS A SPIRI OF A LITTLE BOY IN THE APARTMENT.
-REALLY? WOW.
-YES.
AND HE TOLD ME IT WAS, LIKE, A COMFORTING OR -- IT WAS A POSITIVE THING THAT HE FELT.
THERE WAS NOTHING IT WAS ALMOST LIKE HE -- HE WAS GLAD AND HAPPY ABOUT THE PRESENCE OF THIS LITTLE BOY IN THE APARTMENT.
ONE OF THE THINGS WE GOT WAS, OLD PLASTER -THAT WAS UP IN THE ATTIC -PEBBLES AND ROCKS -WOULD BE THROWN AT US.
-BEING THROWN AT US.
THROWN AT US, JUST CHUCKED AT US.
I FIND THAT MOST OF THE MALEVOLENT PRESENCES THAT I GO TO PLACES THAT PEOPLE FEEL AREN'T A THREAT.
THEY'RE FRIGHTENED CHILDREN THAT ARE TRYING TO GET YOU TO PUSH YOU AWAY SO YOU DON'T BOTHER THEM 'CAUSE THEY DON'T TRUST YOU.
AND IF YOU MELT THAT BARRIER, THEY'RE VERY FRIENDLY.
BUT UNFORTUNATELY, THIS ONE KIND OF SAW SOMETHING TERRIBLE.
.
I THINK WE WERE ABLE TO VALIDATE A LOT OF THINGS THAT SHE EXPERIENCED, ESPECIALLY WITH THA CHILD SPIRIT.
AND, YOU KNOW, I THINK NOW, SHE -- SHE HAS A BETTER UNDERSTANDING OF WHICH DIRECTION SHE NEEDS TO GO AS FAR AS HOW SHE SHOULD GO ABOUT CLEANSING THIS SPACE.
SO WHILE YOU GET READY AND PREP FOR OUR RITUAL, CAN I TAKE HIM UPSTAIRS REALLY QUICK? -OH, YEAH, YEAH, YEAH.
-MAYBE WE CAN TALK ABOU SOME MORE EXPERIENCES WE HAD.
WE WERE BOTH HAVING THESE PHYSICAL SENSATIONS OF FEELING DIZZY, JUST VERY LIGHTHEADED, OFF BALANCE, CONFUSION.
I'M AMAZED THAT YOU WERE ABLE TO SPEND ALL THE TIME THAT YOU DID.
I KNOW THE FIRST TIME I CAME BACK HERE AFTER IT HAD BEEN RELEASED FROM THE POLICE I JUST FELT THIS PRESENCE SO STRONG, I HAD TO JUST EXIT, LEAVE.
RIGHT AWAY, YEAH.
I CAN SEE HOW YOU FELT UNCOMFORTABLE.
DO YOU COME UP HERE AT NIGHT THEN? HERE AT NIGHT? I DON'T COME UP HERE AT NIGHT, NO.
I'LL COME DURING THE DAYTIME.
BUT THERE WAS A NIGHT, SOMETHING AT NIGHT.
IS IT HARD FOR YOU BEING UP HERE, EVERYTHING THAT HAPPENED? -YES AND NO.
YOU KNOW, UM LIFE HAS GONE ON.
YOU KNOW, ZACK AND ADDIE.
DO YOU KNOW WHAT GOT ME TO RENT THEM THE APARTMENT BACK THEN? IT'S THEY TOLD ME THEY WERE DIE-HARD NEW ORLEANS.
AND THEY HAD NO EVEN LEAVE FOR KATRINA.
THEY WERE KIND OF, LIKE, MISFITS IN OTHER PLACES.
BUT THEY'D FOUND A HOME HERE.
THEY WOULDN'T WANT ANYTHING ABOUT THEIR STORY TO HURT THE CITY OR TO HURT THIS HOUSE 'CAUSE THEY HAD A VERY POSITIVE FEELING ABOUT IT.
THE WEIRDEST PART ABOU THIS WHOLE ENTIRE INVESTIGATION IS WE GAINED ACCESS INTO THIS PLACE ON THE 10th ANNIVERSARY OF WHEN THIS MURDER OCCURRED HERE, AND I DON'T THINK THAT'S A COINCIDENCE.
I THINK THAT SOMETHING WAS CALLING OU ALMOST LIKE THEY WANTED US TO COME HERE TO TELL THIS STORY.
AND MAYBE THAT'S THE STORY THAT REALLY THEY WANTED TO TELL.
SO MAYBE IT WAS JUST GETTING TO THIS POINT FOR ALL OF US TO FINALLY TELL THAT STORY AND BRING PEACE TO IT.
YOU KNOW, WE'RE NO REALLY LOOKING FOR CLOSURE IN THAT SENSE.
NO, NO, NO, NO.
I DON'T THINK -- WE DON'T WANT THE STORIES OF ADDIE AND ZACK TO BE JUST -- TO BE FORGOTTEN, REALLY.
BUT I THINK PEACE WITH IT, THAT'S A GOOD WAY TO PUT IT.
-THANK YOU SO MUCH.
-YEAH, THANK YOU.
IT'S REALLY, REALLY AN HONOR TO COME HERE.
IT'S BEEN AN INCREDIBLE COUPLE OF DAYS.
HOPEFULLY, THIS DOES HELP YOU OUT.
YEAH, IT DOES.
Bloody Mary: SO, WHAT WE'RE GONNA DO, I'M GONNA RATTLE AND BLESS THIS, VISUALIZATIONS OF CLEANSING, CLEARING, HELPING.
BLOODY MARY, KATRINA, AND I ARE GONNA DO A VOODOO RITUAL TO TRY TO CLEANSE THE BUILDING AND TAKE AWAY THE NEGATIVITY SO WE CAN PUT A POSITIVE VIBE BACK INTO THE ATMOSPHERE.
MOVE IN AND OU FROM THIS SPACE, I SAY.
ASHAY, ASHAY, DOWN THE DRAIN.
I HOPE OVER TIME THAT THE CLEANSING THAT WE HAVE DONE HERE WITH BLOODY MARY WILL BRING SOME SORT OF PEACE BACK INTO THE ENVIRONMENT.
THE LITTLE BOY, YOU NO LONGER HAVE TO HIDE.
THIS SPIRIT OF A LITTLE BOY WILL CONTINUE TO STILL BE HERE.
AND HE DOESN' HAVE TO BE AFRAID.
-THANK YOU.
-CLOSE THE WAY.
Nick: WE CONCLUDE OUR INVESTIGATION OF THE NORTH RAMPAR STREET HOUSE NEARLY 10 YEARS TO THE DAY AFTER ADDIE HALL WAS TRAGICALLY MURDERED BY ZACK BOWEN.
AND THOSE HORRIFIC EVENTS SEEM TO HAVE SPARKED A HOUSE ALREADY RIFE WITH PARANORMAL ACTIVITY.
WHETHER WE BROUGHT ANY PEACE BACK TO THE HOME REMAINS TO BE SEEN.
BUT THE MESSAGE WE'VE RECEIVED DURING OUR 72-HOUR STAY WAS CLEAR.
THE SPIRITS OF THE DEAD ARE STILL VERY MUCH ALIVE IN THIS SMALL CREOLE COTTAGE IN NEW ORLEANS.