Queen of the South (2016) s03e10 Episode Script
La Muerte
1 Previously on Queen of the South (GASPS) LEO: El Santo has a guy who has to vet you before you meet him.
They call him El Dentista.
Don't be nervous.
It's part of his process.
Are you aware of the word moyocoyotzin? It is time for you to create yourself, Teresa Mendoza.
Be careful, mi'ja.
There is still a Judas among you.
Guero? Guero? Pote, he's not breathing.
Guero? Guero! (SUSPENSEFUL MUSIC) KELLY ANNE: I screwed up yesterday.
I totally admit that.
I want you to know you can count on me.
You're my only friend left.
(GUNFIRE) (SHOUTING) (SPEAKING SPANISH) Hey, hey, hey! I need to talk to someone! (BOTH GRUNTING) You think you're going to make me beg for my life? I don't kneel to bitches.
Adiós, puta.
I'll see you in he (GUNFIRE) TERESA: (GROANS) (DRAMATIC MUSIC) (GASPS) (HIGH-PITCHED RINGING) (GROANS) (HIGH-PITCHED RINGING) (HEAVY BREATHING) (GROANS) (GRUNTS) (HEAVY BREATHING) (DISTANT BABY CRYING) (HEAVY BREATHING) (HIGH-PITCHED RINGING) (GROANS) (HEAVY BREATHING) (DISTANT BABY CRYING) (BABY CRYING) El Santo.
You? (BABY CRYING) It was you? EL SANTO: You killed everyone.
(BABY CRYING) You are the Judas! (PAINED GRUNTING) TERESA: Where are you? I'm at the safe house.
We've almost finished loading up.
TERESA: And the winery? Pote's there.
We're gonna deliver some product now.
Okay, good.
I just got to the motel.
Kelly Anne.
She was using product and skimming.
You really think you want her back in? I know she's been using, but she's safer with us.
Just want to check on her.
I'll talk to you soon, okay? Bye.
(KNOCKING) Damn, girl.
You got here fast.
Come in.
I'm just getting, um, everything situated.
I feel like I'm forget Where are my keys? It's a mess in here.
I'm sorry.
Take your time, okay? I'll wait outside.
Okay.
(VEHICLE APPROACHING) (SUSPENSEFUL MUSIC) (SPEAKING SPANISH) (CAR DOOR CLOSES) (ENGINE TURNING OVER) (DOOR CLOSES) Who was that, Teresa? What's wrong? El Santo is dangerous.
Are you sure you want to go on vacation with that man? If they wanted to hurt me, they could have done it at the motel.
There's something different.
Did you find anything out? Yeah, a contact of mine in the UK said all Bolivian product moving in through Ireland has just stopped.
No one knows why.
Maybe he's working with Camila.
No, he isn't.
Word is she's on the run without any allies.
It's just a matter of time before she's found.
I need to pack.
Teresita.
Just because you go in blind doesn't mean that you go in helpless.
It's plastic.
It's invisible to metal detectors.
They won't know you have it.
He gave this to me.
It brought me back from some dark places.
Keep it with you at all times, Teresita.
Thank you.
Listen, I'll be okay.
I made it back once, remember? You won't have me or Guero to protect you this time.
I remember me saving both of you.
Just be careful.
Come back to us.
I will.
(KNOCKING) Hey, is this a bad time? If it is, I can come back.
No, come in.
(SHUDDERS) Did your mom ever read you the Bible when you were little? Don't remember.
My daddy did.
I could see myself in the stories he read.
It was like they were all different versions of me.
(CHUCKLES) Sounds silly, I know.
But I could see it.
You know, all these possibilities.
And the only thing I had to do was choose wisely.
I think I have a problem.
(DRAMATIC MUSIC) You know, this isn't the life I was aiming for.
And the drugs, they paint out all the ugly parts, but they don't go away.
They just follow you around like shadows, and I can feel them hanging off me, and I don't even know how I got here.
You're stronger than you think.
How do you not just curl up into a little ball? Because I never had that choice.
You know, Psalm 144 was my dad's favorite.
It's prettier in Spanish, though.
Hmm.
(SNIFFLES) Okay.
POTE: (SPEAKING SPANISH) (ENGINE TURNING OVER) (INDISTINCT CHATTER) (SUSPENSEFUL MUSIC) (CLASSICAL MUSIC PLAYING) (INDISTINCT CHATTER) Look at you, sliding your pretty little culo in there like, "Oh, don't notice me.
I'm just beautiful.
" Who you think you're fooling? Teresa.
Sasha.
Do you know why you're here? Same reason we're all here.
He called.
We came.
TERESA: So everyone here's a dealer? SASHA: And cold-ass killers.
Oh, don't let the wrinkles fool you.
The older they are, the more blood between their teeth.
See, I'm a baby compared to most of them.
I was running some third-rate hashish back in Detroit in '07.
(CHUCKLES) Thought my ass was invincible.
Got on the wrong plane with the wrong people.
El Santo killed everyone but me.
Ten years later, I'm running all his supply lines through Morocco.
Turns out I am invincible.
TERESA: I've met him.
That's El Dentista.
Now, that's Luca Baron.
SASHA: He runs El Santo's pipelines through Rome and Naples.
And the ginger, she handles Ireland.
You found a pretty new pet, Sasha? SASHA: (GROWLS, CHUCKLES) Maybe I'll try and teach her a few new things.
She looks a bit green.
Hmm.
What do you think, Frida Kahlo? You up for a good go or what? I've heard all Bolivian product has stopped moving from Dublin and Galway.
Is that true? Hmm.
(BELL GONGS) (DRAMATIC MUSIC) No, no, no, no, no, no, sit.
Please.
Mi familia.
I want to welcome you to my family home.
I promise my words will be few.
EL SANTO: Family.
Family is all we have.
The most fragile aspect of our business is trust.
Trust makes one into two.
Two into legion.
I've brought you here tonight to give you a gift.
The gift is forgiveness.
Forgiveness for what? EL SANTO: Our sanctuary was firebombed.
These pictures are the only thing that's left of that beautiful place and all of my workers who make the coca that you sell.
One of you has betrayed me to the authorities who bombed us.
And no one here tonight will leave until one of you confesses.
(PROJECTOR AND LIGHTS CLICK) (INDISTINCT CHATTER) But first we shall dance.
EL DENTISTA: I led you to El Santo's sanctuary.
TERESA: I know.
But it wasn't me.
I told you to leave all this in La Paz.
I warned you.
When was the prison attacked? A week ago Sunday.
They purposely defiled the Sabbath, knowing the pain it would cause El Santo.
This isn't about business.
It's spiritual warfare.
This isn't a battle about cocaine and cash.
What you are witnessing here is the eternal struggle between good and evil.
Do you know who betrayed him? Yes.
I believe the Judas Doctor Oyola EL SANTO: Oh, at last.
Ah, everybody Let me present to you this beautiful creature Her purity is unparalleled.
And I tell you all that when I am with her, my heart is like it is outside my body.
Switch partners.
EL SANTO: Excuse me.
Listen, they just took El Dentista.
- What? - We could be next.
This is some bullshit.
I didn't give up El Santo.
Me either.
I have a gun in my room, okay? All right.
I'll follow your lead.
Okay, now.
Hold on.
Where do you think you're going? He didn't say any of us could leave.
Ladies' room.
- Excuse us.
- No.
Well, go on, then.
I know one of you two's the rat anyway.
So who do you think the snitch is? Lucky Charms back there seems damn guilty to me.
Oh.
(SUSPENSEFUL MUSIC) Okay.
Dr.
Oyola.
It's Teresa.
- (GASPS) - Goddamn.
SASHA: Are those his teeth? (FROG CROAKING) Oh, shit, something just touched my foot.
(GROANS) - No, no, no, no, that dude - He's alive.
SASHA: I'm telling you, Teresa, don't! He's cold.
(GURGLING) Okay, we got to go.
My room's up there on the right.
SASHA: Okay.
(INDISTINCT CHATTER IN SPANISH) - (DOOR CLOSES) - They gone? They're next to my room.
Okay, look, gun idea's done.
We need to get our asses out of here.
Okay.
We have to tell the others.
Wait a minute.
No, no, no, no.
You don't know who you're trying to save, okay? Those people deal in death, Teresa.
TERESA: There's too many guards.
Our only chance is to stick together.
(INDISTINCT CHATTER) Where the hell did you two go? Listen, they tortured and killed El Dentista.
AIDEEN: We're all gonna die.
I can't.
I can't stay here with you.
Why the hell am I here with you people? Get your hands off me.
Get your gobshite hands off me.
Listen, I say we force her to confess.
What? No.
I'm in.
I mean, it's better her than the rest of us getting killed one by one.
- Did you just see what we saw? - I'm not gonna go down, Teresa.
EL SANTO: Teresa come join me.
Please.
Did you enjoy your little stroll around my house? Música, música.
Shall we dance? (UPBEAT TANGO MUSIC PLAYS) Hmm? Did El Dentista betray you? Betrayal? No.
He is not capable of betrayal.
Then why did you torture him? He was my gatekeeper, and he let in a wolf.
He was your family.
Yes, Teresa.
But sometimes love is not warm.
Sometimes violence and pain can be part of God's greater plan.
You should know that now more than ever.
Do I detect a darkness in you that I never saw before? Hmm? Is it your old friend? The one who offered up his life for you? I'm sorry, mi'ja.
Speak the truth.
Has the darkness overtaken you? Have you betrayed me? Yes, it was her.
She brought a gun into your home, see? SASHA: She tried to get me to escape.
And I told her I would never betray my family.
She threatened my life.
She threatened all our lives.
Is this true, what Sasha says? - No, I didn't do this.
- Mi familia.
Yeah.
Yeah, El Santo, it's true.
She tried to get me to turn on you, too, but I told her to go slag herself.
She's your snitch.
I didn't do this.
(SUSPENSEFUL MUSIC) EL SANTO: Oh I think that we have found our Judas.
No, listen.
No.
Listen to me.
This is a mistake.
EL SANTO: It was, but we will fix it.
Teresa, do you know there are voodoo doctors who have been known to control the dead? By using a combination of the puffer fish and toad neurotoxins, they can induce a type of walking coma.
No.
Listen to me.
This is a mistake.
Please.
I didn't do this.
No.
Hold her mouth.
(GASPS) EL SANTO: Their victims seem to be in a purgatory.
Living zombies.
Abre.
TERESA: No.
EL SANTO: Abre.
- No.
(GRUNTING) (ENGINE ROARING) (DISTANT WHISTLING) No, no! (SCREAMING) (GASPING) (HIGH-PITCHED RINGING) (HEAVY BREATHING) (GROANS) (DISTANT BABY CRYING) (BABY CRYING) You? You are the Judas! (PAINED GRUNTING) Oh! (HEAVY BREATHING) EL SANTO: You are the destroyer.
(GRUNTS) (BABY CRYING) My baby.
EL SANTO: (SHUSHING) The bomb blast took my beautiful love.
And those jackals forced me to cut my son out of her body.
We were bombed.
(BABY CRYING) EL SANTO: They're coming.
Your people left no survivors at the prison.
TERESA: If I were to blame, I would have left before the bombing started.
TERESA: So would the others.
What? TERESA: We wouldn't bomb ourselves.
It was your fault.
EL SANTO: I was careless.
Why did I bring all I love to the wolf? (DOOR OPENS) (BABY CRYING) (DOOR CLOSES) TERESA: (GASPS) (HEAVY BREATHING) Someone's here.
MAN: Move up.
- (INDISTINCT CHATTER) MAN: No movement over here.
(INDISTINCT CHATTER OVER RADIO) (COUGHING AND GROANING) Please.
(GUNSHOT) Sir, none of these are the target.
(RADIO HISSING) DEVON: Get the infrared drone up.
If anyone else is here, we'll find them.
(RADIO CLICKS) TERESA: That's Devon Finch's voice.
(BABY CRYING) (GROANING) Look at me.
Look at me.
- We have to go.
- (GRUNTS) They're going to kill us.
- Okay.
- (SHUSHES) This way.
Come.
I have something I must do first.
(INDISTINCT CHATTER OVER RADIO) MAN: Deploy the drone to search the property.
(BABY CRYING) Shh.
(HEAVY BREATHING) (BABY CRYING) Ay, Dios.
Mi amor (BABY CRYING) DEVON: IR signal received.
If they're still alive, we'll find them.
Where's your son? My son has his own path.
MAN: Clear! Try the next room.
MAN: Check the kitchen.
Let's go.
(HEAVY BREATHING) (HEAVY BREATHING) We must bury ourselves.
This is our only chance to survive.
The mud won't hide us completely.
The drones sense the heat.
We have to lower our body temperature.
- What? - (WATER SPLASHES) How? We have to enter the land of the dead.
TERESA: The potion.
That's what you used with El Dentista.
His body was cold.
There has to be another way.
I wish there was, mi'ja.
I do not look forward to what awaits me.
(GROANS) (WATER SPLASHES) EL SANTO: No! Adiós, Teresa.
(DRONE WHIRRING) (GAGGING) (UPBEAT HIP HOP MUSIC) DEVON: We're getting a signal from that structure.
Move in closer.
It could be the target.
(SUSPENSEFUL MUSIC) (BEEPING) MAN: Keep looking.
MAN: Come on.
Let's go.
(MAN SHOUTS) What now? The drone picked up a heat signature behind the mansion.
Go check it out.
DEVON: You guys see anything? (DRAMATIC MUSIC) Hey, listen.
I know you've had it rough in the past.
But you don't have to worry anymore.
What's mine is yours.
Baby what if we walk away from this life? Away from the cartel, away from all of it.
Epifanio will never let that happen.
Maybe I already asked him.
What did he say? Well, he he said, "Be careful what you wish for.
" But he let me go.
We can start over, have a new life a family.
TERESA: (HEAVY BREATHING) (WATER RUNNING) (FIREWORKS POPPING) Ahà está.
Mira eso, cariño.
Want to go over there with the other kids? (INDISTINCT CHATTER) Come on.
Are you reading any signs of life? Negative.
You don't see anything? No.
Must've been an animal.
DEVON: There's nothing alive in there.
Search the rest of the property.
We must find Teresa and El Santo.
(DRAMATIC MUSIC) I wish this was real.
Does it matter? We got another chance.
But this is a dream.
This isn't real.
Well, you want to go back to a life where you have to fight and kill? That's not what I wanted for you, Teresa.
There's nothing for you back there.
THE QUEEN: Your life is painful and ugly.
But it's yours.
And you only get one.
GUERO: You've lost everyone you love.
I can't stay.
If you let go of this, you're gonna be all alone out there.
I know.
(SNIFFLES) This isn't real.
I'm sorry.
I love you.
I love you, too.
Always.
(FIREWORKS WHISTLING) (EERIE WHISPERING) (WHISPERING CONTINUES) (GASPING) (GASPING) (DRAMATIC MUSIC) (SCRATCHING) The soldiers took him.
My son is gone.
I have caused this.
I am done with this business.
How could so much be taken from us? As long as you're alive, you can re-create yourself.
(HEAVY BREATHING) Moyocoyotzin? Huh.
Teresa the darkness that I saw in you earlier has been lifted.
No, it has changed.
It is no longer your enemy.
We must find the people who did this to us, and we must destroy them.
Let's go.
POTE: Okay.
500 bucks each.
There you go.
(GROANS) I'm in.
(CHUCKLES) Nah, too close.
Get the next ones.
(LAUGHS) That's what I'm talking about, cabrón.
Do you feel any pain in your hand? Uh, nada.
Not since Mexico.
I'm ready to go if we got to.
You thinking what I'm thinking? We shouldn't have let her go alone.
(LAUGHS) You think you could have stopped her? When Teresa gets something in her head, it would be easier to stop a freakin' bullet than her.
I'm gonna get another michelada.
You want one? Yeah, sure.
Well, it was good doing business with you, cabrón.
(LAUGHS) - Hey.
- What? Don't forget that thousand bucks you owe me.
What thousand bucks? (GUNFIRE) Yeah.
Cabrón.
(CELL PHONE VIBRATING) Diga.
Hey, it's me.
Finally.
Where you been? I'm on my way back.
Are you alone? What happened down there? We may have lost our supply.
Puta madre.
We have a rat.
Someone gave up El Santo.
They put a tracker in Guero's necklace, and Devon Finch used it to track me here.
Devon Finch? You don't think POTE: James? I don't know.
But we have a mole.
(DRAMATIC MUSIC) (FILM REEL WHIRRING) (KEYS CLACKING, BELL DINGS) Captioned by Captionmax
They call him El Dentista.
Don't be nervous.
It's part of his process.
Are you aware of the word moyocoyotzin? It is time for you to create yourself, Teresa Mendoza.
Be careful, mi'ja.
There is still a Judas among you.
Guero? Guero? Pote, he's not breathing.
Guero? Guero! (SUSPENSEFUL MUSIC) KELLY ANNE: I screwed up yesterday.
I totally admit that.
I want you to know you can count on me.
You're my only friend left.
(GUNFIRE) (SHOUTING) (SPEAKING SPANISH) Hey, hey, hey! I need to talk to someone! (BOTH GRUNTING) You think you're going to make me beg for my life? I don't kneel to bitches.
Adiós, puta.
I'll see you in he (GUNFIRE) TERESA: (GROANS) (DRAMATIC MUSIC) (GASPS) (HIGH-PITCHED RINGING) (GROANS) (HIGH-PITCHED RINGING) (HEAVY BREATHING) (GROANS) (GRUNTS) (HEAVY BREATHING) (DISTANT BABY CRYING) (HEAVY BREATHING) (HIGH-PITCHED RINGING) (GROANS) (HEAVY BREATHING) (DISTANT BABY CRYING) (BABY CRYING) El Santo.
You? (BABY CRYING) It was you? EL SANTO: You killed everyone.
(BABY CRYING) You are the Judas! (PAINED GRUNTING) TERESA: Where are you? I'm at the safe house.
We've almost finished loading up.
TERESA: And the winery? Pote's there.
We're gonna deliver some product now.
Okay, good.
I just got to the motel.
Kelly Anne.
She was using product and skimming.
You really think you want her back in? I know she's been using, but she's safer with us.
Just want to check on her.
I'll talk to you soon, okay? Bye.
(KNOCKING) Damn, girl.
You got here fast.
Come in.
I'm just getting, um, everything situated.
I feel like I'm forget Where are my keys? It's a mess in here.
I'm sorry.
Take your time, okay? I'll wait outside.
Okay.
(VEHICLE APPROACHING) (SUSPENSEFUL MUSIC) (SPEAKING SPANISH) (CAR DOOR CLOSES) (ENGINE TURNING OVER) (DOOR CLOSES) Who was that, Teresa? What's wrong? El Santo is dangerous.
Are you sure you want to go on vacation with that man? If they wanted to hurt me, they could have done it at the motel.
There's something different.
Did you find anything out? Yeah, a contact of mine in the UK said all Bolivian product moving in through Ireland has just stopped.
No one knows why.
Maybe he's working with Camila.
No, he isn't.
Word is she's on the run without any allies.
It's just a matter of time before she's found.
I need to pack.
Teresita.
Just because you go in blind doesn't mean that you go in helpless.
It's plastic.
It's invisible to metal detectors.
They won't know you have it.
He gave this to me.
It brought me back from some dark places.
Keep it with you at all times, Teresita.
Thank you.
Listen, I'll be okay.
I made it back once, remember? You won't have me or Guero to protect you this time.
I remember me saving both of you.
Just be careful.
Come back to us.
I will.
(KNOCKING) Hey, is this a bad time? If it is, I can come back.
No, come in.
(SHUDDERS) Did your mom ever read you the Bible when you were little? Don't remember.
My daddy did.
I could see myself in the stories he read.
It was like they were all different versions of me.
(CHUCKLES) Sounds silly, I know.
But I could see it.
You know, all these possibilities.
And the only thing I had to do was choose wisely.
I think I have a problem.
(DRAMATIC MUSIC) You know, this isn't the life I was aiming for.
And the drugs, they paint out all the ugly parts, but they don't go away.
They just follow you around like shadows, and I can feel them hanging off me, and I don't even know how I got here.
You're stronger than you think.
How do you not just curl up into a little ball? Because I never had that choice.
You know, Psalm 144 was my dad's favorite.
It's prettier in Spanish, though.
Hmm.
(SNIFFLES) Okay.
POTE: (SPEAKING SPANISH) (ENGINE TURNING OVER) (INDISTINCT CHATTER) (SUSPENSEFUL MUSIC) (CLASSICAL MUSIC PLAYING) (INDISTINCT CHATTER) Look at you, sliding your pretty little culo in there like, "Oh, don't notice me.
I'm just beautiful.
" Who you think you're fooling? Teresa.
Sasha.
Do you know why you're here? Same reason we're all here.
He called.
We came.
TERESA: So everyone here's a dealer? SASHA: And cold-ass killers.
Oh, don't let the wrinkles fool you.
The older they are, the more blood between their teeth.
See, I'm a baby compared to most of them.
I was running some third-rate hashish back in Detroit in '07.
(CHUCKLES) Thought my ass was invincible.
Got on the wrong plane with the wrong people.
El Santo killed everyone but me.
Ten years later, I'm running all his supply lines through Morocco.
Turns out I am invincible.
TERESA: I've met him.
That's El Dentista.
Now, that's Luca Baron.
SASHA: He runs El Santo's pipelines through Rome and Naples.
And the ginger, she handles Ireland.
You found a pretty new pet, Sasha? SASHA: (GROWLS, CHUCKLES) Maybe I'll try and teach her a few new things.
She looks a bit green.
Hmm.
What do you think, Frida Kahlo? You up for a good go or what? I've heard all Bolivian product has stopped moving from Dublin and Galway.
Is that true? Hmm.
(BELL GONGS) (DRAMATIC MUSIC) No, no, no, no, no, no, sit.
Please.
Mi familia.
I want to welcome you to my family home.
I promise my words will be few.
EL SANTO: Family.
Family is all we have.
The most fragile aspect of our business is trust.
Trust makes one into two.
Two into legion.
I've brought you here tonight to give you a gift.
The gift is forgiveness.
Forgiveness for what? EL SANTO: Our sanctuary was firebombed.
These pictures are the only thing that's left of that beautiful place and all of my workers who make the coca that you sell.
One of you has betrayed me to the authorities who bombed us.
And no one here tonight will leave until one of you confesses.
(PROJECTOR AND LIGHTS CLICK) (INDISTINCT CHATTER) But first we shall dance.
EL DENTISTA: I led you to El Santo's sanctuary.
TERESA: I know.
But it wasn't me.
I told you to leave all this in La Paz.
I warned you.
When was the prison attacked? A week ago Sunday.
They purposely defiled the Sabbath, knowing the pain it would cause El Santo.
This isn't about business.
It's spiritual warfare.
This isn't a battle about cocaine and cash.
What you are witnessing here is the eternal struggle between good and evil.
Do you know who betrayed him? Yes.
I believe the Judas Doctor Oyola EL SANTO: Oh, at last.
Ah, everybody Let me present to you this beautiful creature Her purity is unparalleled.
And I tell you all that when I am with her, my heart is like it is outside my body.
Switch partners.
EL SANTO: Excuse me.
Listen, they just took El Dentista.
- What? - We could be next.
This is some bullshit.
I didn't give up El Santo.
Me either.
I have a gun in my room, okay? All right.
I'll follow your lead.
Okay, now.
Hold on.
Where do you think you're going? He didn't say any of us could leave.
Ladies' room.
- Excuse us.
- No.
Well, go on, then.
I know one of you two's the rat anyway.
So who do you think the snitch is? Lucky Charms back there seems damn guilty to me.
Oh.
(SUSPENSEFUL MUSIC) Okay.
Dr.
Oyola.
It's Teresa.
- (GASPS) - Goddamn.
SASHA: Are those his teeth? (FROG CROAKING) Oh, shit, something just touched my foot.
(GROANS) - No, no, no, no, that dude - He's alive.
SASHA: I'm telling you, Teresa, don't! He's cold.
(GURGLING) Okay, we got to go.
My room's up there on the right.
SASHA: Okay.
(INDISTINCT CHATTER IN SPANISH) - (DOOR CLOSES) - They gone? They're next to my room.
Okay, look, gun idea's done.
We need to get our asses out of here.
Okay.
We have to tell the others.
Wait a minute.
No, no, no, no.
You don't know who you're trying to save, okay? Those people deal in death, Teresa.
TERESA: There's too many guards.
Our only chance is to stick together.
(INDISTINCT CHATTER) Where the hell did you two go? Listen, they tortured and killed El Dentista.
AIDEEN: We're all gonna die.
I can't.
I can't stay here with you.
Why the hell am I here with you people? Get your hands off me.
Get your gobshite hands off me.
Listen, I say we force her to confess.
What? No.
I'm in.
I mean, it's better her than the rest of us getting killed one by one.
- Did you just see what we saw? - I'm not gonna go down, Teresa.
EL SANTO: Teresa come join me.
Please.
Did you enjoy your little stroll around my house? Música, música.
Shall we dance? (UPBEAT TANGO MUSIC PLAYS) Hmm? Did El Dentista betray you? Betrayal? No.
He is not capable of betrayal.
Then why did you torture him? He was my gatekeeper, and he let in a wolf.
He was your family.
Yes, Teresa.
But sometimes love is not warm.
Sometimes violence and pain can be part of God's greater plan.
You should know that now more than ever.
Do I detect a darkness in you that I never saw before? Hmm? Is it your old friend? The one who offered up his life for you? I'm sorry, mi'ja.
Speak the truth.
Has the darkness overtaken you? Have you betrayed me? Yes, it was her.
She brought a gun into your home, see? SASHA: She tried to get me to escape.
And I told her I would never betray my family.
She threatened my life.
She threatened all our lives.
Is this true, what Sasha says? - No, I didn't do this.
- Mi familia.
Yeah.
Yeah, El Santo, it's true.
She tried to get me to turn on you, too, but I told her to go slag herself.
She's your snitch.
I didn't do this.
(SUSPENSEFUL MUSIC) EL SANTO: Oh I think that we have found our Judas.
No, listen.
No.
Listen to me.
This is a mistake.
EL SANTO: It was, but we will fix it.
Teresa, do you know there are voodoo doctors who have been known to control the dead? By using a combination of the puffer fish and toad neurotoxins, they can induce a type of walking coma.
No.
Listen to me.
This is a mistake.
Please.
I didn't do this.
No.
Hold her mouth.
(GASPS) EL SANTO: Their victims seem to be in a purgatory.
Living zombies.
Abre.
TERESA: No.
EL SANTO: Abre.
- No.
(GRUNTING) (ENGINE ROARING) (DISTANT WHISTLING) No, no! (SCREAMING) (GASPING) (HIGH-PITCHED RINGING) (HEAVY BREATHING) (GROANS) (DISTANT BABY CRYING) (BABY CRYING) You? You are the Judas! (PAINED GRUNTING) Oh! (HEAVY BREATHING) EL SANTO: You are the destroyer.
(GRUNTS) (BABY CRYING) My baby.
EL SANTO: (SHUSHING) The bomb blast took my beautiful love.
And those jackals forced me to cut my son out of her body.
We were bombed.
(BABY CRYING) EL SANTO: They're coming.
Your people left no survivors at the prison.
TERESA: If I were to blame, I would have left before the bombing started.
TERESA: So would the others.
What? TERESA: We wouldn't bomb ourselves.
It was your fault.
EL SANTO: I was careless.
Why did I bring all I love to the wolf? (DOOR OPENS) (BABY CRYING) (DOOR CLOSES) TERESA: (GASPS) (HEAVY BREATHING) Someone's here.
MAN: Move up.
- (INDISTINCT CHATTER) MAN: No movement over here.
(INDISTINCT CHATTER OVER RADIO) (COUGHING AND GROANING) Please.
(GUNSHOT) Sir, none of these are the target.
(RADIO HISSING) DEVON: Get the infrared drone up.
If anyone else is here, we'll find them.
(RADIO CLICKS) TERESA: That's Devon Finch's voice.
(BABY CRYING) (GROANING) Look at me.
Look at me.
- We have to go.
- (GRUNTS) They're going to kill us.
- Okay.
- (SHUSHES) This way.
Come.
I have something I must do first.
(INDISTINCT CHATTER OVER RADIO) MAN: Deploy the drone to search the property.
(BABY CRYING) Shh.
(HEAVY BREATHING) (BABY CRYING) Ay, Dios.
Mi amor (BABY CRYING) DEVON: IR signal received.
If they're still alive, we'll find them.
Where's your son? My son has his own path.
MAN: Clear! Try the next room.
MAN: Check the kitchen.
Let's go.
(HEAVY BREATHING) (HEAVY BREATHING) We must bury ourselves.
This is our only chance to survive.
The mud won't hide us completely.
The drones sense the heat.
We have to lower our body temperature.
- What? - (WATER SPLASHES) How? We have to enter the land of the dead.
TERESA: The potion.
That's what you used with El Dentista.
His body was cold.
There has to be another way.
I wish there was, mi'ja.
I do not look forward to what awaits me.
(GROANS) (WATER SPLASHES) EL SANTO: No! Adiós, Teresa.
(DRONE WHIRRING) (GAGGING) (UPBEAT HIP HOP MUSIC) DEVON: We're getting a signal from that structure.
Move in closer.
It could be the target.
(SUSPENSEFUL MUSIC) (BEEPING) MAN: Keep looking.
MAN: Come on.
Let's go.
(MAN SHOUTS) What now? The drone picked up a heat signature behind the mansion.
Go check it out.
DEVON: You guys see anything? (DRAMATIC MUSIC) Hey, listen.
I know you've had it rough in the past.
But you don't have to worry anymore.
What's mine is yours.
Baby what if we walk away from this life? Away from the cartel, away from all of it.
Epifanio will never let that happen.
Maybe I already asked him.
What did he say? Well, he he said, "Be careful what you wish for.
" But he let me go.
We can start over, have a new life a family.
TERESA: (HEAVY BREATHING) (WATER RUNNING) (FIREWORKS POPPING) Ahà está.
Mira eso, cariño.
Want to go over there with the other kids? (INDISTINCT CHATTER) Come on.
Are you reading any signs of life? Negative.
You don't see anything? No.
Must've been an animal.
DEVON: There's nothing alive in there.
Search the rest of the property.
We must find Teresa and El Santo.
(DRAMATIC MUSIC) I wish this was real.
Does it matter? We got another chance.
But this is a dream.
This isn't real.
Well, you want to go back to a life where you have to fight and kill? That's not what I wanted for you, Teresa.
There's nothing for you back there.
THE QUEEN: Your life is painful and ugly.
But it's yours.
And you only get one.
GUERO: You've lost everyone you love.
I can't stay.
If you let go of this, you're gonna be all alone out there.
I know.
(SNIFFLES) This isn't real.
I'm sorry.
I love you.
I love you, too.
Always.
(FIREWORKS WHISTLING) (EERIE WHISPERING) (WHISPERING CONTINUES) (GASPING) (GASPING) (DRAMATIC MUSIC) (SCRATCHING) The soldiers took him.
My son is gone.
I have caused this.
I am done with this business.
How could so much be taken from us? As long as you're alive, you can re-create yourself.
(HEAVY BREATHING) Moyocoyotzin? Huh.
Teresa the darkness that I saw in you earlier has been lifted.
No, it has changed.
It is no longer your enemy.
We must find the people who did this to us, and we must destroy them.
Let's go.
POTE: Okay.
500 bucks each.
There you go.
(GROANS) I'm in.
(CHUCKLES) Nah, too close.
Get the next ones.
(LAUGHS) That's what I'm talking about, cabrón.
Do you feel any pain in your hand? Uh, nada.
Not since Mexico.
I'm ready to go if we got to.
You thinking what I'm thinking? We shouldn't have let her go alone.
(LAUGHS) You think you could have stopped her? When Teresa gets something in her head, it would be easier to stop a freakin' bullet than her.
I'm gonna get another michelada.
You want one? Yeah, sure.
Well, it was good doing business with you, cabrón.
(LAUGHS) - Hey.
- What? Don't forget that thousand bucks you owe me.
What thousand bucks? (GUNFIRE) Yeah.
Cabrón.
(CELL PHONE VIBRATING) Diga.
Hey, it's me.
Finally.
Where you been? I'm on my way back.
Are you alone? What happened down there? We may have lost our supply.
Puta madre.
We have a rat.
Someone gave up El Santo.
They put a tracker in Guero's necklace, and Devon Finch used it to track me here.
Devon Finch? You don't think POTE: James? I don't know.
But we have a mole.
(DRAMATIC MUSIC) (FILM REEL WHIRRING) (KEYS CLACKING, BELL DINGS) Captioned by Captionmax