Twin Peaks s03e15 Episode Script
The Return: Part 15
1 [electricity crackling.]
[atmospheric music.]
[Julee CruiseâÂÂs "Falling".]
[birds calling.]
[gas station bell dinging.]
[electric tools clanking.]
[engine turns over.]
[Nadine.]
Ed! Nadine? Ed, I've come to tell you something.
Honey, where's your car? How'd you get here? - I walked.
- You walked? What's with the shovel? That's what I want to talk to you about.
- It is? - Yes.
Ed, I've come to tell you I've changed.
You have? Yes, and Ed, you know I love you so much I know you do, Nadine.
But I've been a selfish bitch to you all these years, and you've been a saint.
What? Listen to me.
I've known since forever you love Norma and she loves you.
I kept the two of you apart because of my jealousy.
And I manipulated you, Ed.
No, no, you haven't, Nadine.
Oh, no, you know it's true.
I guilted you to stay, and you're so good you stayed and gave up your love.
Oh, God, Ed, I want you to be free.
[sighs softly.]
I'm fine now.
You asked about this shovel.
Well, I'm shoveling myself out of the shit.
Have you been watching that show of Jacoby's? You know I have.
Nadine Don't worry about me.
Run to her.
[gasps.]
Enjoy the rest of your lives together.
I am so happy just thinking of you two being happy.
Ed, I love you and always will, but true love is giving the other what makes them happy.
Jeez, you big lug, how beautiful is this! Nadine, I want you to think real hard about what you're saying because you're not making any sense.
Honey, tomorrow, you're gonna wish you never said these things.
Ed, I told you, I walked all the way here.
I had plenty of time to think, turn back, but I didn't because this is how I really feel.
And you can thank Dr.
Amp, our old friend, Dr.
Jacoby.
To me, he's about the only one around here telling it like it is.
So, the gist of it is: Ed, you are free.
Go and enjoy.
[soft exhalations.]
Oh.
[soft crying.]
[soft laugh.]
[exhales.]
[Otis Redding's "I've Been Loving You Too Long" (Live).]
- [crowd cheering.]
- [Otis.]
Am I right? [crowd cheers.]
[Otis.]
Let me hear you say yeah.
[crowd cheers "Yeah!".]
[Otis.]
All right.
I've been Loving you Too long To stop now You are tired Norma, everything has changed.
I just spoke with Nadine.
She's given me my freedom.
[soft laugh.]
Ed, I'm I'm so sorry.
Walter's here.
As you become a habit to me - Did you get my flowers? - Oh, lovely I've been loving you Oh too long And I don't want to stop now, no With you my life [crowd cheering.]
Has been so wonderful What can I get you, Ed? Cup of coffee.
Coming right up.
Can't stop now [song fades out.]
And a cyanide tablet.
So I asked you to stop by because I have something to tell you.
You're changing the name to Norma's Double R.
I knew you'd come around.
No, actually, um, I'm exercising my option for you to buy me out.
[laughs softly.]
What? Is this a joke? No, you heard me, Walter.
But why? Family reasons.
I thought you told me you didn't have any family? No, I have a wonderful family.
And I want to take care of them.
I just spread myself too thin, worrying about all these diners.
I I want to spend more time at home.
Here you go.
You are tired And your love is growing cold My love is growing stronger As our affair Grows old Ooh I'm loving you Norma, I respect your decision, even if I don't understand it.
I'm just sorry you're not going to be part of what is going to be a great success.
Oh, and I know it will be, and I-I wish you the best of luck, Walter.
But [sighs.]
I looked at my contract.
I'm gonna keep the Double R as agreed, and you're gonna buy my shares of the other franchises.
Soon to be seven.
Seven diners full of happy, satisfied customers.
And I'm happier with just one.
For the record, I'd just like to say, you're making a huge mistake.
And I believe you're going to regret it.
You are tired And your love is growing cold My love is growing stronger As our affair grows old Ooh and loving you Oh too long And I don't want to stop now No No, no I've been loving you Marry me.
Just a little bit too long And I don't want to stop now No No, no And don't make me stop now Of course I will.
Oh have mercy Oh baby I'm down on my knees Please don't make me stop now yeah I love you I love you I love you with all my heart And I can't stop now Please Please, please yeah Don't make me stop now yeah yeah yeah Talking about With heart and soul I love you, I love you Good God almighty I love, I love you baby I love you honey good God almighty Good God almighty I love [song fades.]
[scratching.]
[engine revving.]
[vehicles rumbles softly.]
[tense atmospheric music.]
[Penderecki's "Threnody to the Victims of Hiroshima".]
[static crackling.]
[atmospheric wind.]
I'm looking for Phillip Jeffries.
[creaking.]
- [clank, electrical pop.]
- [electricity crackling.]
[intense rumbling.]
[high-pitched rewinding.]
[electricity crackling.]
[clank.]
[thud echoes.]
[ominous atmospheric music.]
[atmospheric wind.]
[trees creaking.]
[insects chirping.]
[taps, jiggles doorknob.]
[oddly reverberating.]
[door creaks.]
[door creaks.]
[soft metallic clank.]
[lightbulb humming erratically.]
[soft, rhythmic whooshing.]
[ominous atmospheric whooshing.]
[electricity crackling faintly.]
[device clanks, ominous humming.]
[device clanks, ominous humming.]
[Jeffries.]
Oh, it's you.
Jeffries.
[Jeffries.]
Thank God.
[device clanks, ominous humming.]
Why did you send Ray to kill me? [Jeffries.]
What? I called Ray.
So you did send him? [device clanks, ominous humming.]
Did you call me five days ago? [Jeffries.]
I don't have your number.
[device clanks, ominous humming.]
So it was someone else who called me? [Jeffries.]
We used to talk.
[Cooper.]
Yes, we did.
[ominous music.]
Well, now, I'm not gonna talk about Judy.
In fact, we are not gonna talk about Judy at all.
- 1989.
- [device clanks, ominous hum.]
You showed up at FBI headquarters in Philadelphia and said you'd met Judy.
[ominous atmospheric whooshing.]
[device clanks, ominous humming.]
[Jeffries.]
So, you are Cooper? - Phillip.
- [device clanks, ominous hum.]
Why didn't you want to talk about Judy? Who is Judy? Does Judy want something from me? [Jeffries.]
Why don't you ask Judy yourself? Let me write it down for ya.
[soft whooshing.]
[device clanks, ominous humming.]
[device clanks, ominous humming.]
Who is Judy? [Jeffries.]
You've already met Judy.
What do you mean, I've met Judy? [device clanks, ominous humming.]
[telephone ringing.]
- [device clanks, ominous humming.]
- [ringing continues.]
- Who is Judy? - [phone ringing.]
[shouting.]
Who is Judy? [phone ringing.]
[device clanks, ominous humming.]
[phone ringing.]
[static sputtering intensely.]
[warbling static sputtering.]
[distant insects chirping.]
- [static clank.]
- [electrical crackling.]
[faint scratching.]
[static scratch.]
- [line clicks.]
- [dial tone drones.]
[insects chirping.]
I recognized you back at the farm.
You're FBI.
How do you figure that? 'Cause I seen your picture in your fancy FBI suit.
Don't come any closer.
Where'd you see that picture? My mom had it.
Who's your mom? Audrey Horne.
And your name's Cooper.
[snorts, spits.]
- [blow lands.]
- [grunts.]
[kicks landing.]
[grunts.]
[coughs.]
Don't ever threaten me again.
[gasping.]
Get in the truck.
We'll talk on the way.
[soft groaning.]
[phone clicks.]
[keys clacking.]
[engine turns over.]
[engine revving.]
[warbling static sputtering.]
[electricity crackling.]
[ominous scratching.]
[atmospheric rumbling.]
[ominous music.]
[crackling, rumbling continues.]
[intense atmospheric whooshing.]
[wind whooshing.]
[rushing water.]
[birds calling.]
[trees creaking.]
[faint atmospheric music.]
[inhales sharply.]
[tense music.]
Why? There is no why.
I did do it.
No.
No, she did it.
She did it.
I can't.
No.
I did it.
[breathing heavily.]
No.
No, Steven.
Steven, stop it.
You didn't do anything, okay? You were fucking stoned.
What the fuck did she give you? [kissing.]
Give me the gun, okay? Mm-mm.
Are you gonna come up with me? No.
No, and you're not going either.
Look at me.
I'm a high school graduate.
I'm a high school graduate.
Oh, fuck [breathes shakily.]
You see this, yeah? No.
No.
Stop it, don't do that.
I'm gonna get this thing in.
What? No don't, no.
I'm gonna put this thing here No, no.
- Right through here.
- No.
No, Steven.
[kissing.]
- No.
- It's It's gonna end it.
No.
[kissing.]
[Steven.]
And when I When I see you come up [breathing shakily.]
But but I may not even see you there, I mean I mean [swallows.]
I mean gone.
Where will I be? Will I be with the rhinoceros? The lightning in the bottle, hm? Please.
It's okay.
It's okay, okay.
Or will I be completely, uh, like like Turquoise? Hm? I feel something.
- Fuck.
- [yelps.]
Or [breathing heavily.]
Fuck.
This is the end.
I got a duty to do.
Do whatev Whatever you want.
I liked fucking you.
Did I tell you? I liked it a lot.
[both panting.]
I liked to get down and fight with you and fuck.
[sobbing.]
Just so you know [crying shakily.]
That I like your cunt.
Like, sometimes, it's so amazing.
[crying.]
You're making me cry.
[crying.]
Stop it, cunt.
- Shit.
- [yelps.]
[Steven.]
Fuck.
Fuck, fuck.
[yelps.]
[breathing heavily.]
[breathing heavily.]
[gun cocks.]
[gunshot.]
No.
No.
He lives in that trailer right there.
[ominous music.]
[neon humming.]
[MC.]
Next on the Roadhouse playlist is one of our favorites.
"Sharp Dressed Man" by ZZ Top.
[ZZ Top's "Sharp Dressed Man" plays.]
[cheers and applause.]
[music plays louder.]
Clean shirt New shoes And I don't know where I am going to Silk suit Black tie I don't need a reason why They come running just as fast as they can 'Cause every girl crazy about a sharp dressed man It's good to see you, Renee.
You got a death wish? [Chuck.]
'Cause I'll fucking kill you.
Don't talk to my wife.
Ever! I wa I was just saying I was try I was just trying To to what? I try I was just trying to be polite.
I-I like her.
[blow lands.]
[crowd gasps.]
Stop it, Chuck, stop it! - [blow lands.]
- [crowd gasps.]
[men grunting.]
[Renee.]
Stop it, Chuck, stop it! Stop it, Chuck! [men grunting.]
Oy! - You better stop this.
- Fuck you, punk! - [blow lands thunderously.]
- [song scratching.]
[song resumes.]
- [blow lands thunderously.]
- [screams.]
[song skipping.]
Chuck, talk to me! [Renee.]
Baby! Are you all right, mate? Yeah.
[James.]
Hey, anybody, these guys are really hurt.
Dial 911 now! I tried not to hit them too hard, James, honest.
It's okay.
Thanks, by the way.
[both gasping.]
I am so sorry, Renee.
[James.]
I did not mean for this to happen.
I really didn't.
[Renee.]
Chuck, baby, talk to me.
Oh, God.
His eyes don't look right.
[Renee softly whimpering.]
[distant traffic honking.]
[distant phones ringing.]
[clears throat.]
Um, they're here, sir, Douglas Jones and his wife, Jane, ready for questioning.
[clears throat.]
[exhales.]
He give you any trouble? Uh, no, no.
Um, but the kids aren't too happy.
Kid-s? [shouting.]
Plural? [muffled child screaming.]
Kid-s? [muffled child babbling.]
[screaming.]
[muffled child screaming.]
Wilson! [muffled child screaming.]
[intercom beeps.]
Roger, get in here a minute.
[phone clicks.]
[door opens.]
Yes, sir? Roger, have we heard from Anthony? No, sir.
Well, find him for me.
Now.
[silenced gunshot.]
[silenced gunshot.]
[Chantal.]
Hi, hun.
[terrified wheezing.]
[Chantal.]
Oh, shit.
[terrified wheezing continues.]
Hold on.
[terrified wheezing.]
[silenced gunshot.]
[Chantal.]
Yeah, one down, one to go.
Yeah, French fries.
And extra ketchup.
- [button clicks.]
- [elevator bell chimes.]
[elevator doors rumble.]
[insects chirping.]
[door clanks.]
[Hawk.]
Put him in eight.
[mumbling.]
Put him in eight.
[cell doors creak.]
Back up.
[Chad.]
What'd that gloved freak do now? [Hawk.]
Shut up, Chad! [mumbling.]
Shut up, Chad.
[Freddie.]
What's he doing in the cell? Don't pay any attention to him.
- Hawk.
- Hm? Are those guys okay? Both in intensive care.
[drunk man mumbling.]
They're both in intensive care.
[soft groan.]
[door clanks.]
What the hell? [faint atmospheric music.]
[chattering oddly.]
[imitates chattering mockingly.]
[screams.]
Shut up! [mumbling.]
Shut up! [Naido continues chattering oddly.]
[imitates chattering mockingly.]
[paper rustling.]
- [distant dog barks.]
- [distant motorcycle revving.]
The government does it all the time.
People get paid for it, too, just like us.
Damn right.
Two-faced fucks.
So-called Christian nation.
Might as well be "thou shalt kill.
" [lips smacking.]
"Show no mercy.
" "Forgive no one.
" Fuck 'em in the ass.
It's a nation of killers, killing all along.
Killed damn near all the Indians, didn't they? Yeah.
But my fun's over when we actually kill someone.
It's no fun torturing a corpse.
I haven't got to torture anybody in a fuck of a long time, Hutch.
I know.
Just hadn't worked out lately.
It's fucked.
You know I hate it when you get me these little ketchup packs.
I'm sorry.
It's all they had.
Did you get me dessert? You know I did.
I love you, Hutch.
I love you, Chantal.
Mm.
[mouth full.]
Beautiful night.
Mars.
[insects chirping.]
[silverware clinks.]
Here you go, Dougie.
[soft exhale.]
Is it delicious? Delicious.
[pleased sigh.]
Oh, Dougie.
It's like all our dreams are coming true.
[pleased inhale.]
[kisses.]
True.
[dishware clinking.]
[click.]
[clicks.]
[click.]
[dramatic music on TV.]
[DeMille on TV.]
Good-bye, Norma.
We'll see what they can do.
I'm not worried.
Everything will be fine.
The old team together again.
Nothing can stop us.
The old team.
Yeah.
- Good-bye, dear.
- Good-bye, Mr.
DeMille.
[music swoons on TV.]
[William Holden on TV.]
How'd it go? [Gloria Swanson on TV.]
It couldn't have gone better.
It's practically set.
Good he has to finish this picture first.
Mine will be his next.
Get Gordon Cole.
Tell him to forget about our car.
[clicking.]
Tell him he can get another old car someplace [music pauses.]
[faint electrical scratching.]
[atmospheric humming.]
[humming continues.]
[static scratching and hissing.]
[humming intensifies.]
[humming, hissing continue.]
- [electrical pop.]
- [electricity crackling.]
[electrical scratching.]
[screaming.]
- [body thuds.]
- [fork clatters.]
[screaming.]
[Sonny Jim.]
Mom, what was that? [insects chirping.]
[line trilling.]
[Lucy.]
Deputy Hawk? Deputy Hawk? Margaret Lanterman's on line one.
Okay, Lucy.
Margaret, what can I do for ya? Hawk.
I'm dying.
I'm sorry, Margaret.
You know about death, that it's just a change, not an end.
[creaking over line.]
[Margaret.]
Hawk.
[distant wind moaning.]
It's time.
There's some fear, some fear in letting go.
Remember what I told you.
I can't say more over the phone.
But you know what I mean, from our talks, when we were able to speak face to face.
Watch for that one, the one I told you about, the one under the moon on Blue Pine Mountain.
[Margaret.]
Hawk.
My log is turning gold.
The wind is moaning.
I'm dying.
Good night, Hawk.
Good night, Margaret.
- [line clicks.]
- [dial tone drones.]
[click.]
Good-bye, Margaret.
[atmospheric wind.]
[wind whooshing.]
[Frank.]
What's up? Hawk intercommed us, told us to meet him here.
[door creaks open.]
[door closes.]
Margaret Lanterman passed away tonight.
[solemn music.]
The Log Lady's dead? [Lucy breathes shakily.]
[insects chirping.]
I'm just tired of waiting for the phone.
Billy hated that place, but Oh.
You got your coat on.
Of course I do.
We're going out.
We're going to the Roadhouse.
I will need my coat.
Yeah, well, yeah, I just [scoffs.]
You're really something, Charlie.
What the hell? [exhales.]
Put your coat on, Audrey.
It's already late and I'm so sleepy.
[Charlie.]
Let's go.
Would you just stop complaining? God, what a pain in the ass you are.
I mean, can't you just do something for someone else without ruining it by continually complaining? You're such a whiner, it's like being with a sick dog.
Are you gonna put your coat on or talk me to death right here, on the threshold? You know, when Billy and I go places, he never speaks to me the way you do, Charlie.
Yes.
Well, I am Charlie and he is Billy.
And I like Billy better.
Sensational.
Now, are you gonna put your coat on or shall we stand here all night? Here you go again.
You can't stop for one fucking second.
Audrey, seriously, in one fucking second, I'm taking my coat off and staying in for the night.
You're the one that wanted to go to the Roadhouse, not me.
It's impossible.
I mean, I see it right before my eyes, but I never really saw it before.
It's absolutely fucking impossible.
What is it now, Audrey? You, Charlie, it's you.
I-I-I just never really saw you before the way I'm seeing you now.
Like I'm meeting a different person.
Who are you, Charlie? Okay, off comes the coat.
[exhales.]
How can you be like this? - I hate your fucking guts! - [coughs.]
I hate you! Do you know how much I fucking hate you? [cries.]
[The Veils' "Axolotl" plays.]
I'm glowing bright obsidian [scattered cheers.]
Axolotl amphibian Un-elemental chemicals Got me growing six black tentacles A little nightmarish a little maudlin Good golly and go get that kid some laudanum [scattered yelps.]
Salvation's more than I can afford Who needs the devil when you've got the lord? I'm waiting for someone.
Oh my soul Losing control Who built this heart? Oh my God Now sister Maggie's coming in fleet-foot Baby's got a belly full of black soot I got the feeling I better just stay put Ah she'll love you better than any real man could An accidental amphibian I'm growing giddy as a Gideon Another head for the chopping board Who needs the devil when you've got the lord? Oh my soul Losing control Who built this heart? Oh my god Oh my soul Losing control Who built this heart? Oh my God Oh my soul Who built this heart? [screaming.]
[screaming echoes.]
[atmospheric music.]
[insects chirping.]
[electricity crackling.]
[atmospheric music.]
[Julee CruiseâÂÂs "Falling".]
[birds calling.]
[gas station bell dinging.]
[electric tools clanking.]
[engine turns over.]
[Nadine.]
Ed! Nadine? Ed, I've come to tell you something.
Honey, where's your car? How'd you get here? - I walked.
- You walked? What's with the shovel? That's what I want to talk to you about.
- It is? - Yes.
Ed, I've come to tell you I've changed.
You have? Yes, and Ed, you know I love you so much I know you do, Nadine.
But I've been a selfish bitch to you all these years, and you've been a saint.
What? Listen to me.
I've known since forever you love Norma and she loves you.
I kept the two of you apart because of my jealousy.
And I manipulated you, Ed.
No, no, you haven't, Nadine.
Oh, no, you know it's true.
I guilted you to stay, and you're so good you stayed and gave up your love.
Oh, God, Ed, I want you to be free.
[sighs softly.]
I'm fine now.
You asked about this shovel.
Well, I'm shoveling myself out of the shit.
Have you been watching that show of Jacoby's? You know I have.
Nadine Don't worry about me.
Run to her.
[gasps.]
Enjoy the rest of your lives together.
I am so happy just thinking of you two being happy.
Ed, I love you and always will, but true love is giving the other what makes them happy.
Jeez, you big lug, how beautiful is this! Nadine, I want you to think real hard about what you're saying because you're not making any sense.
Honey, tomorrow, you're gonna wish you never said these things.
Ed, I told you, I walked all the way here.
I had plenty of time to think, turn back, but I didn't because this is how I really feel.
And you can thank Dr.
Amp, our old friend, Dr.
Jacoby.
To me, he's about the only one around here telling it like it is.
So, the gist of it is: Ed, you are free.
Go and enjoy.
[soft exhalations.]
Oh.
[soft crying.]
[soft laugh.]
[exhales.]
[Otis Redding's "I've Been Loving You Too Long" (Live).]
- [crowd cheering.]
- [Otis.]
Am I right? [crowd cheers.]
[Otis.]
Let me hear you say yeah.
[crowd cheers "Yeah!".]
[Otis.]
All right.
I've been Loving you Too long To stop now You are tired Norma, everything has changed.
I just spoke with Nadine.
She's given me my freedom.
[soft laugh.]
Ed, I'm I'm so sorry.
Walter's here.
As you become a habit to me - Did you get my flowers? - Oh, lovely I've been loving you Oh too long And I don't want to stop now, no With you my life [crowd cheering.]
Has been so wonderful What can I get you, Ed? Cup of coffee.
Coming right up.
Can't stop now [song fades out.]
And a cyanide tablet.
So I asked you to stop by because I have something to tell you.
You're changing the name to Norma's Double R.
I knew you'd come around.
No, actually, um, I'm exercising my option for you to buy me out.
[laughs softly.]
What? Is this a joke? No, you heard me, Walter.
But why? Family reasons.
I thought you told me you didn't have any family? No, I have a wonderful family.
And I want to take care of them.
I just spread myself too thin, worrying about all these diners.
I I want to spend more time at home.
Here you go.
You are tired And your love is growing cold My love is growing stronger As our affair Grows old Ooh I'm loving you Norma, I respect your decision, even if I don't understand it.
I'm just sorry you're not going to be part of what is going to be a great success.
Oh, and I know it will be, and I-I wish you the best of luck, Walter.
But [sighs.]
I looked at my contract.
I'm gonna keep the Double R as agreed, and you're gonna buy my shares of the other franchises.
Soon to be seven.
Seven diners full of happy, satisfied customers.
And I'm happier with just one.
For the record, I'd just like to say, you're making a huge mistake.
And I believe you're going to regret it.
You are tired And your love is growing cold My love is growing stronger As our affair grows old Ooh and loving you Oh too long And I don't want to stop now No No, no I've been loving you Marry me.
Just a little bit too long And I don't want to stop now No No, no And don't make me stop now Of course I will.
Oh have mercy Oh baby I'm down on my knees Please don't make me stop now yeah I love you I love you I love you with all my heart And I can't stop now Please Please, please yeah Don't make me stop now yeah yeah yeah Talking about With heart and soul I love you, I love you Good God almighty I love, I love you baby I love you honey good God almighty Good God almighty I love [song fades.]
[scratching.]
[engine revving.]
[vehicles rumbles softly.]
[tense atmospheric music.]
[Penderecki's "Threnody to the Victims of Hiroshima".]
[static crackling.]
[atmospheric wind.]
I'm looking for Phillip Jeffries.
[creaking.]
- [clank, electrical pop.]
- [electricity crackling.]
[intense rumbling.]
[high-pitched rewinding.]
[electricity crackling.]
[clank.]
[thud echoes.]
[ominous atmospheric music.]
[atmospheric wind.]
[trees creaking.]
[insects chirping.]
[taps, jiggles doorknob.]
[oddly reverberating.]
[door creaks.]
[door creaks.]
[soft metallic clank.]
[lightbulb humming erratically.]
[soft, rhythmic whooshing.]
[ominous atmospheric whooshing.]
[electricity crackling faintly.]
[device clanks, ominous humming.]
[device clanks, ominous humming.]
[Jeffries.]
Oh, it's you.
Jeffries.
[Jeffries.]
Thank God.
[device clanks, ominous humming.]
Why did you send Ray to kill me? [Jeffries.]
What? I called Ray.
So you did send him? [device clanks, ominous humming.]
Did you call me five days ago? [Jeffries.]
I don't have your number.
[device clanks, ominous humming.]
So it was someone else who called me? [Jeffries.]
We used to talk.
[Cooper.]
Yes, we did.
[ominous music.]
Well, now, I'm not gonna talk about Judy.
In fact, we are not gonna talk about Judy at all.
- 1989.
- [device clanks, ominous hum.]
You showed up at FBI headquarters in Philadelphia and said you'd met Judy.
[ominous atmospheric whooshing.]
[device clanks, ominous humming.]
[Jeffries.]
So, you are Cooper? - Phillip.
- [device clanks, ominous hum.]
Why didn't you want to talk about Judy? Who is Judy? Does Judy want something from me? [Jeffries.]
Why don't you ask Judy yourself? Let me write it down for ya.
[soft whooshing.]
[device clanks, ominous humming.]
[device clanks, ominous humming.]
Who is Judy? [Jeffries.]
You've already met Judy.
What do you mean, I've met Judy? [device clanks, ominous humming.]
[telephone ringing.]
- [device clanks, ominous humming.]
- [ringing continues.]
- Who is Judy? - [phone ringing.]
[shouting.]
Who is Judy? [phone ringing.]
[device clanks, ominous humming.]
[phone ringing.]
[static sputtering intensely.]
[warbling static sputtering.]
[distant insects chirping.]
- [static clank.]
- [electrical crackling.]
[faint scratching.]
[static scratch.]
- [line clicks.]
- [dial tone drones.]
[insects chirping.]
I recognized you back at the farm.
You're FBI.
How do you figure that? 'Cause I seen your picture in your fancy FBI suit.
Don't come any closer.
Where'd you see that picture? My mom had it.
Who's your mom? Audrey Horne.
And your name's Cooper.
[snorts, spits.]
- [blow lands.]
- [grunts.]
[kicks landing.]
[grunts.]
[coughs.]
Don't ever threaten me again.
[gasping.]
Get in the truck.
We'll talk on the way.
[soft groaning.]
[phone clicks.]
[keys clacking.]
[engine turns over.]
[engine revving.]
[warbling static sputtering.]
[electricity crackling.]
[ominous scratching.]
[atmospheric rumbling.]
[ominous music.]
[crackling, rumbling continues.]
[intense atmospheric whooshing.]
[wind whooshing.]
[rushing water.]
[birds calling.]
[trees creaking.]
[faint atmospheric music.]
[inhales sharply.]
[tense music.]
Why? There is no why.
I did do it.
No.
No, she did it.
She did it.
I can't.
No.
I did it.
[breathing heavily.]
No.
No, Steven.
Steven, stop it.
You didn't do anything, okay? You were fucking stoned.
What the fuck did she give you? [kissing.]
Give me the gun, okay? Mm-mm.
Are you gonna come up with me? No.
No, and you're not going either.
Look at me.
I'm a high school graduate.
I'm a high school graduate.
Oh, fuck [breathes shakily.]
You see this, yeah? No.
No.
Stop it, don't do that.
I'm gonna get this thing in.
What? No don't, no.
I'm gonna put this thing here No, no.
- Right through here.
- No.
No, Steven.
[kissing.]
- No.
- It's It's gonna end it.
No.
[kissing.]
[Steven.]
And when I When I see you come up [breathing shakily.]
But but I may not even see you there, I mean I mean [swallows.]
I mean gone.
Where will I be? Will I be with the rhinoceros? The lightning in the bottle, hm? Please.
It's okay.
It's okay, okay.
Or will I be completely, uh, like like Turquoise? Hm? I feel something.
- Fuck.
- [yelps.]
Or [breathing heavily.]
Fuck.
This is the end.
I got a duty to do.
Do whatev Whatever you want.
I liked fucking you.
Did I tell you? I liked it a lot.
[both panting.]
I liked to get down and fight with you and fuck.
[sobbing.]
Just so you know [crying shakily.]
That I like your cunt.
Like, sometimes, it's so amazing.
[crying.]
You're making me cry.
[crying.]
Stop it, cunt.
- Shit.
- [yelps.]
[Steven.]
Fuck.
Fuck, fuck.
[yelps.]
[breathing heavily.]
[breathing heavily.]
[gun cocks.]
[gunshot.]
No.
No.
He lives in that trailer right there.
[ominous music.]
[neon humming.]
[MC.]
Next on the Roadhouse playlist is one of our favorites.
"Sharp Dressed Man" by ZZ Top.
[ZZ Top's "Sharp Dressed Man" plays.]
[cheers and applause.]
[music plays louder.]
Clean shirt New shoes And I don't know where I am going to Silk suit Black tie I don't need a reason why They come running just as fast as they can 'Cause every girl crazy about a sharp dressed man It's good to see you, Renee.
You got a death wish? [Chuck.]
'Cause I'll fucking kill you.
Don't talk to my wife.
Ever! I wa I was just saying I was try I was just trying To to what? I try I was just trying to be polite.
I-I like her.
[blow lands.]
[crowd gasps.]
Stop it, Chuck, stop it! - [blow lands.]
- [crowd gasps.]
[men grunting.]
[Renee.]
Stop it, Chuck, stop it! Stop it, Chuck! [men grunting.]
Oy! - You better stop this.
- Fuck you, punk! - [blow lands thunderously.]
- [song scratching.]
[song resumes.]
- [blow lands thunderously.]
- [screams.]
[song skipping.]
Chuck, talk to me! [Renee.]
Baby! Are you all right, mate? Yeah.
[James.]
Hey, anybody, these guys are really hurt.
Dial 911 now! I tried not to hit them too hard, James, honest.
It's okay.
Thanks, by the way.
[both gasping.]
I am so sorry, Renee.
[James.]
I did not mean for this to happen.
I really didn't.
[Renee.]
Chuck, baby, talk to me.
Oh, God.
His eyes don't look right.
[Renee softly whimpering.]
[distant traffic honking.]
[distant phones ringing.]
[clears throat.]
Um, they're here, sir, Douglas Jones and his wife, Jane, ready for questioning.
[clears throat.]
[exhales.]
He give you any trouble? Uh, no, no.
Um, but the kids aren't too happy.
Kid-s? [shouting.]
Plural? [muffled child screaming.]
Kid-s? [muffled child babbling.]
[screaming.]
[muffled child screaming.]
Wilson! [muffled child screaming.]
[intercom beeps.]
Roger, get in here a minute.
[phone clicks.]
[door opens.]
Yes, sir? Roger, have we heard from Anthony? No, sir.
Well, find him for me.
Now.
[silenced gunshot.]
[silenced gunshot.]
[Chantal.]
Hi, hun.
[terrified wheezing.]
[Chantal.]
Oh, shit.
[terrified wheezing continues.]
Hold on.
[terrified wheezing.]
[silenced gunshot.]
[Chantal.]
Yeah, one down, one to go.
Yeah, French fries.
And extra ketchup.
- [button clicks.]
- [elevator bell chimes.]
[elevator doors rumble.]
[insects chirping.]
[door clanks.]
[Hawk.]
Put him in eight.
[mumbling.]
Put him in eight.
[cell doors creak.]
Back up.
[Chad.]
What'd that gloved freak do now? [Hawk.]
Shut up, Chad! [mumbling.]
Shut up, Chad.
[Freddie.]
What's he doing in the cell? Don't pay any attention to him.
- Hawk.
- Hm? Are those guys okay? Both in intensive care.
[drunk man mumbling.]
They're both in intensive care.
[soft groan.]
[door clanks.]
What the hell? [faint atmospheric music.]
[chattering oddly.]
[imitates chattering mockingly.]
[screams.]
Shut up! [mumbling.]
Shut up! [Naido continues chattering oddly.]
[imitates chattering mockingly.]
[paper rustling.]
- [distant dog barks.]
- [distant motorcycle revving.]
The government does it all the time.
People get paid for it, too, just like us.
Damn right.
Two-faced fucks.
So-called Christian nation.
Might as well be "thou shalt kill.
" [lips smacking.]
"Show no mercy.
" "Forgive no one.
" Fuck 'em in the ass.
It's a nation of killers, killing all along.
Killed damn near all the Indians, didn't they? Yeah.
But my fun's over when we actually kill someone.
It's no fun torturing a corpse.
I haven't got to torture anybody in a fuck of a long time, Hutch.
I know.
Just hadn't worked out lately.
It's fucked.
You know I hate it when you get me these little ketchup packs.
I'm sorry.
It's all they had.
Did you get me dessert? You know I did.
I love you, Hutch.
I love you, Chantal.
Mm.
[mouth full.]
Beautiful night.
Mars.
[insects chirping.]
[silverware clinks.]
Here you go, Dougie.
[soft exhale.]
Is it delicious? Delicious.
[pleased sigh.]
Oh, Dougie.
It's like all our dreams are coming true.
[pleased inhale.]
[kisses.]
True.
[dishware clinking.]
[click.]
[clicks.]
[click.]
[dramatic music on TV.]
[DeMille on TV.]
Good-bye, Norma.
We'll see what they can do.
I'm not worried.
Everything will be fine.
The old team together again.
Nothing can stop us.
The old team.
Yeah.
- Good-bye, dear.
- Good-bye, Mr.
DeMille.
[music swoons on TV.]
[William Holden on TV.]
How'd it go? [Gloria Swanson on TV.]
It couldn't have gone better.
It's practically set.
Good he has to finish this picture first.
Mine will be his next.
Get Gordon Cole.
Tell him to forget about our car.
[clicking.]
Tell him he can get another old car someplace [music pauses.]
[faint electrical scratching.]
[atmospheric humming.]
[humming continues.]
[static scratching and hissing.]
[humming intensifies.]
[humming, hissing continue.]
- [electrical pop.]
- [electricity crackling.]
[electrical scratching.]
[screaming.]
- [body thuds.]
- [fork clatters.]
[screaming.]
[Sonny Jim.]
Mom, what was that? [insects chirping.]
[line trilling.]
[Lucy.]
Deputy Hawk? Deputy Hawk? Margaret Lanterman's on line one.
Okay, Lucy.
Margaret, what can I do for ya? Hawk.
I'm dying.
I'm sorry, Margaret.
You know about death, that it's just a change, not an end.
[creaking over line.]
[Margaret.]
Hawk.
[distant wind moaning.]
It's time.
There's some fear, some fear in letting go.
Remember what I told you.
I can't say more over the phone.
But you know what I mean, from our talks, when we were able to speak face to face.
Watch for that one, the one I told you about, the one under the moon on Blue Pine Mountain.
[Margaret.]
Hawk.
My log is turning gold.
The wind is moaning.
I'm dying.
Good night, Hawk.
Good night, Margaret.
- [line clicks.]
- [dial tone drones.]
[click.]
Good-bye, Margaret.
[atmospheric wind.]
[wind whooshing.]
[Frank.]
What's up? Hawk intercommed us, told us to meet him here.
[door creaks open.]
[door closes.]
Margaret Lanterman passed away tonight.
[solemn music.]
The Log Lady's dead? [Lucy breathes shakily.]
[insects chirping.]
I'm just tired of waiting for the phone.
Billy hated that place, but Oh.
You got your coat on.
Of course I do.
We're going out.
We're going to the Roadhouse.
I will need my coat.
Yeah, well, yeah, I just [scoffs.]
You're really something, Charlie.
What the hell? [exhales.]
Put your coat on, Audrey.
It's already late and I'm so sleepy.
[Charlie.]
Let's go.
Would you just stop complaining? God, what a pain in the ass you are.
I mean, can't you just do something for someone else without ruining it by continually complaining? You're such a whiner, it's like being with a sick dog.
Are you gonna put your coat on or talk me to death right here, on the threshold? You know, when Billy and I go places, he never speaks to me the way you do, Charlie.
Yes.
Well, I am Charlie and he is Billy.
And I like Billy better.
Sensational.
Now, are you gonna put your coat on or shall we stand here all night? Here you go again.
You can't stop for one fucking second.
Audrey, seriously, in one fucking second, I'm taking my coat off and staying in for the night.
You're the one that wanted to go to the Roadhouse, not me.
It's impossible.
I mean, I see it right before my eyes, but I never really saw it before.
It's absolutely fucking impossible.
What is it now, Audrey? You, Charlie, it's you.
I-I-I just never really saw you before the way I'm seeing you now.
Like I'm meeting a different person.
Who are you, Charlie? Okay, off comes the coat.
[exhales.]
How can you be like this? - I hate your fucking guts! - [coughs.]
I hate you! Do you know how much I fucking hate you? [cries.]
[The Veils' "Axolotl" plays.]
I'm glowing bright obsidian [scattered cheers.]
Axolotl amphibian Un-elemental chemicals Got me growing six black tentacles A little nightmarish a little maudlin Good golly and go get that kid some laudanum [scattered yelps.]
Salvation's more than I can afford Who needs the devil when you've got the lord? I'm waiting for someone.
Oh my soul Losing control Who built this heart? Oh my God Now sister Maggie's coming in fleet-foot Baby's got a belly full of black soot I got the feeling I better just stay put Ah she'll love you better than any real man could An accidental amphibian I'm growing giddy as a Gideon Another head for the chopping board Who needs the devil when you've got the lord? Oh my soul Losing control Who built this heart? Oh my god Oh my soul Losing control Who built this heart? Oh my God Oh my soul Who built this heart? [screaming.]
[screaming echoes.]
[atmospheric music.]
[insects chirping.]
[electricity crackling.]