Walker, Texas Ranger s04e02 Episode Script

Gravy.
You're not going back.
| Just walk away with me now.
- Two more days, that's all.
| - No, you've been under too long.
Look, the decision's been made.
| Let's get out of here.
Fort\y million dollars | wort\h of cocaine.
I'm this close to finding out | how it's coming in.
Felix, you meet my cousin? I've got something really special | in mind for you, Alicia.
I think you're gonna like it.
You know, your kicks are really | getting good.
Let's work on the pads.
All right, let's work | the spinning round kick, going low, right for the thigh.
The key thing here, Trivette, | is to roll the hip, pivoting on the ball of the foot, | rolling the hip in from here.
Hold it down there.
Here.
- You okay? | - Yeah.
All right, now you try it.
Okay, fighting stance.
Now, remember the key thing now is | to roll the hip, aiming right for the pad.
Okay, go for it.
Go.
That's okay.
It's all right.
I'm fine.
The pad.
Let's try the crescent kick.
All right? Now, again, the same thing.
| It's all hip action, but now hitting | with the side part\ of the foot.
Now watch.
From here, coming in, | and across you right there.
All right, you try it.
All right, right here.
Go.
- I'm sorry.
I'm sorry.
| - That's all right.
That's all right.
I'm fine.
I'm fine.
| Okay, let's try our hands.
Here.
- I'm sorry.
| - That's okay.
All right.
Now, this is the hit.
Coming through, I want you | to shove off on the back foot as you shuffle through, then come | straight in, twisting the wrist over.
Watch.
From here, | slide up, straight in.
Your turn.
Okay, the hit.
Okay, give a right through there.
So you gotta slide up on | the back foot, throw that punch.
Go.
I'm all right.
I'm fine.
Walker, I need to talk to you.
Thank God.
You know a Commander Lane with Drug Enforcement | in Washington? Yeah, I do.
I did | some undercover work for him down in the bayou.
Well, he wants to borrow you again | for an operation in Miami.
It couldn't be any more dangerous | than working out with Trivette.
Don't count on it.
| There's already one cop dead, and it may be | too late to save another.
He wants you on a plane | as soon as you can get showered.
He said don't expect | a friendly welcome.
Don't even tip.
| Just take care of the tab, all right? No, no, no, no, come on.
| What's wrong? You don't like us? - No.
No.
| - You don't like us? Oh, come on.
| How about a little dancing? Come on.
You forgot your tip.
Come on.
- Hey, hey, back off, hotshot.
| - Who are you, her mother? - I can handle this, okay? | - Yeah, sure you can.
Come on.
Hey, don't turn your back on me.
Sit down.
- All right.
| - Be nice.
That was very nice of you.
| Thank you.
- Don't mention it.
| - Can I get you anything to drink? - Yeah, beer would be fine.
| - All right.
- You were asking for Mr.
Darius? | - That's right.
What's your business? My business | is none of your business.
- You can tell me.
| - Who are you? - I am Mr.
Darius' assistant.
| - I don't deal with assistants.
Felix, Felix, at least wait | until he leaves a tip, okay? Felix, why spoil a nice evening, | my friend? It's after business hours, | wouldn't you say, Mr? Rankin, Cord Rankin.
| And I do business hours a day.
What exactly is your business, | Mr.
Rankin? I work for the Matchman's company | in Dallas.
- It's a respected company.
| - Yes, it is.
We'll be in touch.
- All right.
Thank you, sir.
| - Hey.
Welcome to Miami.
That's enough.
Hold it.
Pick him up.
Miami P.
D.
Welcome to town.
Toss the car.
They don't got enough | dope in Dallas? You got a permit for this? Car's clean.
That's too bad.
We'll have to get you next time.
And there will be a next time.
- Captain Sutter? | - Yep.
Hear our little show | went off all right last night.
I was convinced.
| Your boys seemed to enjoy it.
Well, they had to make it look real.
Besides, we've been down here | on the line, month after month, in the hottest drug town in the U.
S.
| We know what we're doing.
We can take care of it.
Can't blame the boys for getting upset when an outsider | is forced down our throat.
I know I am.
Look, I didn't come down here | to step on anyone's toes.
But three of your undercover boys | have been killed in the last six months.
- It's a tough business.
| - That means there could be a leak, and I've been sent down here | to plug it.
Okay, but we do it my way, | by my rules.
Fine by me.
| Let's just get the job done.
Okay.
I'm stuck with you and this Trivette, so I intend to use the hell | out of you, so let's get to it.
Anything new in your story | I should know about? I've been sent down here | to buy drugs for the Dallas syndicate.
I want to keep it simple.
Okay, I'll introduce you | to your backup.
Cousins.
Hell of a cop.
Yeah, he looks like he could | handle himself.
Not him.
Her.
Walker, let me introduce you | to Officer Cousins.
- Yeah, we've met.
| - You came too close last night.
Darius' bodyguard you got nose | to nose with? You don't want him.
Well, we weren't exactly | nose to nose.
If you mess with him, we'll end up | scraping you off the street too, and I don't have time for that.
Captain, could I talk to you | for a minute? Alone.
Look, nothing personal, but she | couldn't handle two drunks last night.
You're looking at a tough lady there.
She's been on the inside | of Darius' club since the beginning.
She knows all the players.
| Besides, you'll take whoever I give you.
Give her a shot, Ranger.
| She might just surprise you.
Well, I hope pleasantly.
- Where does Darius live? | - With the big money.
Expensive houses, fast boats.
| A lot of it bought with drug money.
The drugs | have really changed Miami.
- Drugs have changed the whole world.
| - Up ahead, that's Darius' estate.
Better not get too close.
A lot of security.
We had the place | under surveillance once, but the yachtsman got turned around | and asked for directions.
Guns came out everywhere.
| The place is a fort\ress.
What makes you think | your friend is still alive? We never found her body.
| We think Darius took her.
- Maybe to find out what she knew.
| - That wouldn't take long, then he'd kill her.
What makes you think | he'd hold onto her? Because Darius likes to inflict pain, | likes to make an example.
About a year ago, | one of our agents disappeared.
We found him a month later, | tort\ured and starved to death.
Alicia and I graduated | from the academy together, and there's nobody I'd rather have | watch my back than her.
Her mom calls almost every day, | worried to death.
I don't know.
| I try to sound hopeful, but last time I talked to her, | I just lost it.
Well, I know how you feel, Jane.
| I lost a part\ner of my own.
If she's alive, we'll find her, and we'll deliver | a little pain ourselves.
Mr.
Marchetti.
Yes, sir.
Carlos Darius.
Very well, thank you, and yourself? There is someone here in Miami | bringing regards from you.
Yes.
| He says regards from the Matchman.
That is a name | I take very seriously, sir.
That's right.
Cord Rankin.
We're in | the market for a number of suits.
Our sources are having | labor troubles.
- Twenty would be nice.
| - Twenty, yes.
No, no, no.
Yes, of course.
| I can soon have that amount for you.
Very well.
Thank you.
| We'll be talking.
This Miami thing, this man, | this is nothing to me.
We'll tell the judge you cooperated.
I heard some voices.
| It sounded like a woman in distress.
It's too hard to tell, so I'm gonna try to | get the computer to clean up the track.
Man, baby, you sure got | a nice set of wheels on you.
Grow up, guys.
Oh, jeez, this is all I need.
The guys say | she's a good cop, man.
Well, maybe so, | but I don't have time for this.
Hey, darling, why don't you let me | help you with that, huh? That's giving a new meaning | to the term "gentler sex.
" - Where'd you learn the mart\ial art\s? | - Catholic school.
Oh, really? - My hero.
| - Oh, funny.
Let's go.
Bits and pieces.
That's all I got.
That's her.
- It's hard to tell.
| - No, I'm telling you, that's her.
We've gotta tell the captain.
| We've gotta get her out of there.
We go galloping in there, they're gonna kill her | as soon as the fireworks start\.
Darius.
- I hope it's not too late.
| - No, come on in.
- What's on your mind? | - I thought we could talk business.
Well, that's what I'm down here for.
- Where you going? | - Any reason he shouldn't go in there? Yeah, it's none of your business.
If you and I are going to do business, | Mr.
Rankin, it is my business.
This is just a little embarrassing.
No, not at all.
Please forgive Felix's manners.
Let's go for a drive.
- His cover's blown.
| - Hold on.
No time.
Where we going? Mr.
Marchetti says | you know your business.
I like to see these things for myself.
All right, take it back.
Why'd you bring me | on this drug buy? You'll see.
What do you think? You could step on it all the way | to New Orleans and still be flying.
I love to hear it.
| Felix, pay our friends.
I don't get it.
This amount | doesn't mean anything to you.
Just buying up the rival supply.
| Eliminating the competition.
Pay attention.
The reason I brought you along, | Mr.
Rankin, is so that you could experience, | up close and personal, exactly what will happen to you | if you cross me.
- I get the point.
| - Tell the Matchman we have a deal.
He'll be glad to hear it.
We can work out | the delivery arrangements tomorrow at a little gathering I have planned.
Felix.
Well, we weren't sure | you were coming back.
I was beginning to wonder myself.
| You contact Sutter? He listened to the tape | and he can't identify Alicia either.
Says he's not going in | until he's sure she's in the house.
Well, we may get a chance | tomorrow afternoon.
Cameras everywhere.
Mr.
Rankin, I'm happy | you could attend my part\y.
It's a pleasure.
Do you salsa dance, Mr.
Darius? Yes, I do.
| As a matter of fact, I'm quite good.
- I'll bet you are.
| - Do you mind? No, not at all.
- We move well together.
| - Yes, we do.
Would you like another one? It's tempting, | but I should attend to my guests, including your new paramour.
Mr.
Darius, really, you've got me | very much in the mood.
Couldn't we just dance once more? - Maybe another time.
| - Okay.
She has excellent moves.
| You're a lucky man, Mr.
Rankin.
Well, I'd feel a lot luckier | if I could tell the Matchman when the merchandise | was coming in.
Tell him the suits arrive tonight.
| I can fill your order tomorrow.
- He'll be glad to hear about it.
| - Please enjoy yourselves.
- Thank you.
| - Thank you.
Did you find her? No.
Please don't.
Please leave me alone.
I hate to see you | in such pain, my dear.
You want me to go? You want me to leave? | Just say no and I'll go.
You say yes, and it's happy hour.
No? Yes? No? Okay.
- Yes.
| - What? Say it.
- Yes.
| - I can't hear you.
- Yes.
| - Yes? All right.
Come here.
Come on.
| It's going to be all right.
Hold on tight now, baby.
You ready? You send an army after Alicia, they'll | kill her before we can even get close.
This is my turf, Walker.
| I call the shots.
- He's right, captain.
| - That's enough, Cousins.
- Let me go in after her.
| - You? - Yeah, with Jane as a backup.
| - No way.
I don't know how you do it | in Texas, Walker, but I don't send my people in | without more backup than they need.
She's all the backup I'll need.
Look, Darius will be sending most of | his men to pick up the drugs tonight, and you're gonna need every man | you can get to make the bust.
Oh, the coke | is coming in tonight, huh? I don't suppose you could | tell me where and when? Pier at : | aboard the Luna Negra.
- How in the hell do you know that? | - Wiretap on Darius.
Like Walker said, | he'll have all his men there, so you're gonna need | all your men too.
What do you say, captain? All right, Walker, it's your show, | but it better not fall flat on its ass.
Hey, sexy.
It's such a shame, Alicia.
I was really growing quite fond | of toying with you, but you're no fun anymore.
So I'm going to give you | one last ride on the golden pony.
A ride you'll enjoy very much, | all the way to the end.
- I don't see anything.
| - It's kind of quiet tonight.
No.
Please, no.
Oh, that turns me on, Alicia.
I love it when narcs | beg me for their lives.
No.
- You all right? | - Who are you? Never mind.
Come on.
Here, take her.
Get out of here.
Listen, Alicia, I'll be right back.
I appreciate you | taking us to the airport\.
It's the least I can do.
| Thank you for saving Alicia's life.
Mine too.
Well, that's what part\ners are for.
You're a hell of a man, Walker.
Well, you're a hell of a cop.
Alex, just look at this.
| Made the front page.
The DEA took down a freighter | with $ million wort\h of cocaine on it, and Cordell did not get | one sentence.
Well, isn't that the point? | They were working undercover.
I mean, maybe the DEA | will wanna use them again.
Well, that sounds right, | but it just doesn't seem fair.
Good night! What happened to you? | You look like six miles of bad fence.
- Make it .
| - Walker, what happened to you? Well, actually, | Trivette did most of this.
Hey, will you stop that? I had | a couple of Miami cops roust him.
They're holding me | as he was hitting me.
Look, l A nine-foot-tall guy | beat you up and you blame it on me.
- Nine feet? | - Will you stop exaggerating? - I am not exaggerating.
| - He was not nine feet tall.
- How tall was he? | - Well, no more than eight feet.
- Eight feet? | - Yeah.
Well, like they say, | the bigger they come, well, the Well, the harder they hit.
| Believe me.