Barry (2018) s04e03 Episode Script
you're charming
1
(QUIET STREET NOISE)
(AIR BRAKES HISS)
(TRUCK RUMBLING)
(REPEATED TRUCK HORN BLASTING)
(YELLING, CHEERING)
- (AIR BRAKES HISS)
- (CHEERING CONTINUES)
(SAND RUSHING)
(CHEERING CONTINUES)
El Toro.
(MUFFLED CHATTER)
It's an honor to finally meet you, Toro.
TORO: Glad to help with
your little problem.
It was nice when Hank checked in.
Uh, you have to be afraid of nothing.
Uh, the Berkman hit will happen today,
and I got two of my best guys on it.
Uh, Nestor and, uh, Chewy Flores.
Wait a minute. You mean
the guys from the podcast?
(SIGHS)
Yes.
But it won't interfere
with their schedule.
They, they record on Thursdays.
That's good.
So, the guys who are going
to kill Barry have a podcast?
Yeah, It's called "Los Amigos Gadget."
Each week, they rate and
review a different gadget,
but none of the gadgets work.
Like, once, they did a jacket
that cooks s'mores in its pocket.
- (CRISTOBAL LAUGHS)
- It's really stupid. (LAUGHS)
- I bought one of those.
- (LAUGHTER STOPS)
It works fine.
But won't they be recognized?
Podcast is voice.
Y-You're thinking of the TikToks.
Nobody knows what they look like.
To be honest,
it's my one issue with
"Los Amigos Gadgets."
It's a show about gadgets,
but you have to listen
and imagine what the gadgets look like.
There is a link to YouTube.
If you wanna see the gadgets
themselves, you, you click on it.
Right, but I'm listening
while I'm driving.
So, am I supposed to,
you know, pull over
just to click on that link?
(SIGHS)
Yeah.
I'll do that. I'll start doing that.
The FBI is cutting a deal with Barry.
He's informing on some
big crime figures.
Apparently, he's very valuable to them.
Sir, if he goes free,
he is going to come and kill me.
Let's not get ahead of ourselves, okay?
I'm sure you've got some,
some big protocols i-in place
to protect your witnesses, right?
We have some, but if a defendant
is willing and determined,
it can be hard.
But that's usually ex-military,
so I'm not too worried.
Barry is ex-military.
Oh.
(SIGHS)
Do you own a gun, Mr. Cousineau?
H-He does own a prop gun,
which he was given by Rip Torn.
If Rip Torn gave it to you,
- it probably fires real bullets.
- (TOM GROANS)
- That's good.
- You know what?
I'm just gonna go into hiding.
They always find you.
I've had many cases like this,
but I can't talk about them.
- Because they're classified?
- JAMES BUCKNER: No.
They're really disturbing
and I just don't like
thinking about them.
We're in a good position here.
Your story and the facts line up.
There's nothing they have to
cloud the case and set him free.
We've controlled the information.
So, just continue to stick to the facts.
And when you're outside this office,
keep your mouth shut.
(TOM SIGHS)
Tom, I have to ask you a question.
It's completely hypothetical.
TOM: What is it?
All right, do you think
it would be an issue
if I invited a reporter to my theater
(TIRES SQUEAL)
- (CAR CRASHES)
- (CAR ALARM BLARING)
You performed a one-man show
for fucking Lon O'Neil?!
- What is wrong with you?
- What the fuck is wrong with you?
I don't know! What do we do?
We have to stop that
article from coming out!
-
- (GATE BUZZES)
Let me get this straight.
So, NoHo Hank and
Cristobal are an item?
Yeah. Yeah, they started working
with each other on a job
and then, that just grew into somethin'.
You know, they're
actually really in love.
That must be nice.
And you say they're
building a crime utopia?
I mean, that's what they were
doing when I worked with them.
I trained some of their guys.
This is big, Barry.
And you held up your end
of the bargain. So
We looked into this Sally Reed.
Now, she'll have to completely
give up her old life,
her family, her friends.
No contact with anyone from her past.
How does she feel about this?
I-I haven't asked her about it yet.
But I think she'll be into it.
Actually, I know she'll be into it.
You know, she said I, um
said I make her feel safe.
(PHONE BUZZES)
Berkman, you got a visitor.
Who are you?
LON O'NEIL: I'm writing a piece
about Detective Janice Moss
and the events surrounding her death.
I don't C-Can I talk about that?
Absolutely.
I mean, it's only fair you get a chance
to respond to the accusations
that Gene Cousineau's
been making against you.
What's he saying?
(INHALES)
He's saying that you killed her,
you kidnapped him.
And that you threatened his family.
He told you that?
It took over three hours,
but, yes, he told me that.
Why don't you tell me what happened
the night you were arrested, okay?
Why did you go into Jim Moss's house?
Who do you write for again?
O'NEIL: "Vanity Fair."
Wait, do you guys have
Julia Roberts on your cover?
Uh, yeah, I-I-I'm sure at some point,
- we had Julia Roberts
- And he said I-I threatened his family?
Did you?
- Well, I apologized for all that.
- O'NEIL: Mm-hmm
BARRY: So
Listen, you know, I got a, a good
- case here.
- O'NEIL: Mm-hmm.
And I'm cooperating and
everything, so I don't
If he keeps running his mouth and-and
telling my story to people, then
(CHEWING) Mm-hmm. Okay.
If he's saying that stuff,
and he's running his mouth,
it's gonna fuck shit up.
- And if you, and if you publish it
- Yep. I-I'm gonna publish it.
It's really just your chance
to say your piece.
I'm only trying to be fair here.
You know what'd be fair?
You know what'd be fuckin' fair?!
Is if Gene Cousineau stops
telling my life story!
That's what'd be fuckin' fair!
Tell Gene Cousineau to
shut his fuckin' mouth!
(HANGS UP)
(QUIET CHATTER)
SALLY: Hello! Hi.
- (CHATTER STOPS)
- I'm Sally Reed,
uh, and today, I'm gonna
teach you how to be actors.
Um
I learned my craft from
Mr. Gene M. Cousineau,
and today, you will be learning
his techniques through me.
(SIGHS)
Um, they've been very helpful for me,
as well as for many
other working actors.
Um
Sorry. Um
Look, how many of you are here
'cause I'm the Entitled Cunt Girl?
- Ah.
- I know about you,
but that's not why I wanted
to take the classes.
Same. I mean, I actually thought
that the video was super unfair
- and overblown.
- STUDENT: Yeah.
I mean, everyone's allowed
to get angry, right? (LAUGHS)
Thank you!
Pretty much like every fight
that I get into with my sister.
- Totally.
- (GROUP LAUGHING, AGREEING)
That was an ugly moment.
I can I can see that now.
But it was genuine.
And ultimately, it's where I
want you to go in this class.
As actors, we have to be vulnerable.
I mean, we have to be the
ugliest versions of ourselves.
We all have it in us.
And to trigger it voluntarily
takes strength.
Okay. Uh, normally, we do
some warm-up exercises
and then I'm supposed to drone
on about theory or whatever,
but I always hated that part of class.
So if it's okay with you, I think
we should just dive right in!
Okay. Did everybody bring a scene?
O'NEIL: Jim Moss? Lon O'Neil.
I'm so sorry to bother you at home.
I told you. Leave me alone.
I spoke to Barry Berkman.
He seems to think that Gene
Cousineau is trying to railroad him,
and I wanted your thoughts on
that and on your daughter's case.
Why would he think that
Gene's trying to railroad him?
Well, I told him what
Mr. Cousineau said to me,
and he didn't seem very happy about it.
You spoke to Cousineau?
Oh, yes, I did.
(SLIGHT LAUGH)
Let's go have a chat in my garage.
(DOORS SHUT)
Yo, big man. Yo, Big Bird!
(LAUGHING)
Yo, Big Bird! Where's your dude at?
Aw
What's the matter? Come on, Raven.
- Aw, he sad.
- Mr. Rave
You got a new code name?
- Mr. Lonely?
- DAMIAN: Hey, Goose!
(BOTH LAUGH)
JASON: Where's your associate?
Dude with the busted
face. Y'all break up?
- DAMIAN: I heard he sold you out. Aw
- JASON: Aw
DAMIAN: Lookin' like
Boo-Boo the Fool now.
(PHONE BUZZES)
This is NoHo Hank.
FUCHES (ON PHONE): Hank,
have you ever been called
Boo-Boo the Fool before?
Uh, I don't think so.
Well, I have, and it's very hurtful.
I've also been called Big Bird,
Fish Tits, and Baby Shoes.
All because Barry fucked me over.
My whole life, I put myself
on the line for that guy,
and all I ever got in return is shit.
It's being taken care of.
What does that mean?
NOHO HANK (ON PHONE):
By the end of the day,
Barry won't be a problem anymore.
He won't?
NOHO HANK: And look,
we have to stop communicating.
Here's what I need you to do.
Keep your mouth shut.
- Okay.
- NOHO HANK: Play stupid,
and you'll be paid for
it on the other end.
Okay.
(FOOTSTEPS APPROACH)
Hey, guys! Come on, take five.
- Go on. Go hydrate.
- (CREW CHATTERING)
Hey, guys, take five! Hey, buddy.
(SNAPPING) Take a break.
(OMINOUS MUSIC PLAYING)
Batir?
This new organization of yours
is a direct affront to your homeland.
I come to you as a friend
to tell you that the elders
have a new contingent
to run LA.
You either get rid of
those guys and join us,
or we will wipe you out.
Well
you can tell the elders
that that would be a mistake.
(SCOFFS)
(LAUGHING)
BATIR: Think about it, Hank.
(FOOTSTEPS RECEDE)
(SIGHS)
Fuckin' piece of shit.
I did so fuckin' much for you.
I did so fuckin' much for you,
and this is what you do?
(ECHOING) This is what you fuckin' do!
Fuckin' piece of shit!
I fuckin' help you out.
I fuckin' save your fuckin' ass!
Fuck you. Fuck you!
Motherfucker.
I do so fuckin' much for people, and
(MUTTERING)
(HEAVY BREATHING)
- (BIRDS CHIRPING OUTSIDE)
- (CLOCK TICKING)
(KNOCKING)
I don't see anybody.
TOM: Are you sure that
this is Lon's house?
Yes, I'm positive this is
- What are you doing?!
- (TOM GRUNTS)
- (GLASS BREAKING)
- GENE: You're crazy!
What did you just do? Tom!
- TOM: It's the only way, Gene.
- GENE: We cannot break in there.
- (GLASS BREAKING, CRUNCHING)
- (INDISTINCT ARGUING)
GENE: Tom, get down. Get down.
- We cannot be doing this.
- (TOM GRUNTING)
- TOM: Be careful, there's a lot of glass.
- (GENE SIGHS)
(GLASS CRUNCHING)
TOM: All right, we've
got very little time.
- Come on, Gene. Come on. Come on in.
- (GENE GRUNTING, FALLING)
- GENE: Ow
- TOM: Get up off the floor, Gene.
- GENE: Oh, I just laid in glass.
- TOM: Come on. Get up.
- GENE: Tom. Tom, quick.
- TOM: Come on, come on.
- GENE: Come back.
- TOM: You're fine, Gene.
- GENE: Tom, what are you doing?
- (DOG BARKING)
- TOM: They got a dog.
- GENE: I'm fine.
- I'm fine
- All right.
- (BARKING CONTINUES)
- (TOM GROANS)
- (SMASHING, CRASHING)
- (TOM YELLING)
Hurry up! That was illegal!
TOM: Ah, shit.
- That's the kitchen in there.
- (BARKING)
(SMASHES DOOR, CAT YOWLS)
- Bingo! Found it.
- GENE: What are you doing?!
TOM: All right, come on.
We gotta smash it.
No, no. Everything's
stored in the monitor.
- GENE: No, I don't
- TOM: I'm telling you,
everything is stored in the monitor.
GENE: No, I think you
gotta get the hard drive.
TOM: This is one of those new computers.
You just bust the monitor,
- and it loses everything.
- GENE: Tom, that's the monitor!
- Come on.
- Get the hard drive!
- TOM: Gene, don't argue with me.
- Gene Cousineau?
GENE: Lon's wife's in the house!
(FOOTSTEPS APPROACH)
What's going on?
Hi, I'm Gene Cousineau.
Wh-Why are you in my house?
Is there someone else here?
Do you know, I was so worried about Lon
that I came to check to see
if the house was broken into.
Is this about the Barry Berkman article?
I wish you would call it the
Gene Cousineau article, but yes.
(SIGHS) God, I'm actually worried.
- (TOM GRUNTS)
- I can't get a hold of him.
Last time we spoke was this morning.
He was doing a interview
on your article.
Did he tell you where he was going?
No
Oh, well, he said he needed
to check on a victim's father.
Do you know who that is?
Victim's father?
(LISPING) You need your juice,
Shelby. Drink your juice.
The first rule of Fight Club is
y-you don't talk about Fight Club.
Coach, it's me. Rudy. Put me in.
I'm big.
It's the pictures that got small.
(SIGHS)
Okay, what's going on?
Uh, I picked Sunset Boulevard?
Okay.
STUDENT: Well, I, I thought
maybe we would do something
from a play or something,
a-and then I saw that everybody
brought in movie scenes, so
I just googled famous movie
quotes and (LAUGHS)
Well, did you bring in
something from a play?
Uh God, I had a thing.
Uh, what was it from?
(SIGHS)
I No. (LAUGHS) I guess
- So, y-you didn't bring in anything?
- STUDENT: No. I'm lame.
(CHUCKLES)
- I'll just excuse myself.
- You're charming.
- (CHUCKLES) Okay.
- Is that why you wanna be an actress?
Uh, I-I don't know.
Do people say to you,
"Oh, you're so pretty?
You're so charming.
You should be an actress."
- Do they say that to you?
- (STUDENT SCOFFS)
- STUDENT: Yeah.
- Yeah?
And do you feel like you have a need
to express something?
Like?
Like, I don't know, complexity? Hope?
Desire? The human condition?
Or do you just wanna be charming?
(SCOFFS)
Oh.
So you're not an artist.
You're just a perfect pair of tits.
No!
Then why the fuck are you here?
- I can't say.
- Why not?
- STUDENT: I don't want to.
- What? (LAUGHS)
You're afraid we're all gonna be
bowled over by your intellect?
No.
Did you book something?
- (NERVOUS SIGH)
- Oh.
They wanted a hot girl,
and you fit the bill.
Only trouble is you can't act,
- so you come to me?
- STUDENT: No.
And because you've coasted
your whole damn life
on your God-given tits and
ass and your inherent charm,
you think you can come
in here to my class,
unprepared, waste my time,
and I'm gonna let you off the hook?
- STUDENT: No.
- Well, that's what you did, isn't it?
- You're being mean.
- Oh
Oh, I'm being mean?
Oh, what? So now,
I'm dealing with a child!
What, nobody's ever been
mean to you before? Why?
'Cause your personality?
Your big brain?
Your taste in old movies?
Or maybe, it's just because
they all wanted to fuck you!
Stop it!
Don't think. Now, say the line.
I'm big!
It's the pictures that got small!
- (GASPING)
- Good. You okay?
That was beautiful.
I'm so sorry I had to go there.
What you just witnessed
- What was your name again?
- Kristen?
What you just witnessed Kristen do
is the backbone of this class.
It's about locating the parts
of ourselves that we don't like,
and making them our,
our our paints, our
That was abusive.
Well, it's part of the work.
- It's Cousineau's method.
- Just 'cause it was done to you,
does not mean you need to do it to us.
Okay, uh, let's take a tight five.
And, um, when we come back,
we'll do some mirror exercises.
- (INDISTINCT CHATTER)
- (DOOR SHUTS)
(TAPPING FINGERS)
OPERATOR (ON PHONE):
This call may be recorded.
You have received a collect call from
- Barry.
- OPERATOR: an inmate
at California State Penitentiary.
Do you accept the charges?
- NOHO HANK: Yes.
- (CALL CONNECTS)
BARRY (ON PHONE): Hi, Hank.
(CHAIR CREAKS)
Hey, Barry.
BARRY: You good?
- Hey, look, um, we got a situation.
- (DRUMMING FINGERS)
Yeah
Mr. Cousineau, Gene Cousineau.
He's my acting teacher. He's, uh
He's talking to the press.
NOHO HANK: Uh-huh.
And, um
(CLICKS TONGUE)
Uh, I'm trying to be discreet here.
If-If he was a dog,
he-he'd need to go
to a new home.
Uh-huh.
I need I need a dog catcher.
(LAUGHS)
I-I don't know if I need to spell
this out for you any more
than I already am, Hank.
(LAUGHS)
But I need your help.
Like, now.
Are you looking out for me, Barry?
Yeah. No, I mean, no.
He's got information on you and
Cristobal. That's what I'm
That's what I'm sayin'.
Is that he, he's got a lot
of information on you.
(SIGHS)
Why are you lying to me, Barry?
Wh-Why would you say I'm lying?
I don't I'm not lying.
You're lying to me right now.
Hank, what are you talkin' about?
Barry, I have been nothing but
loving and good friend to you,
and like all you do is you take.
And you take and you take.
BARRY: Hank.
I-I don't I don't know where
this is coming from, man,
but I-I'm calling with you for
with some really important information.
I think you need to listen
to me and take this.
And this is comin' from my heart, man.
We've been friends for a long time.
It's like It's like you're
only out for yourself.
BARRY: That's not true.
That is not true.
I don't know who you're talking to.
I don't know who everybody's talking to.
- But I've been nothing but good to people.
- Oh, yeah?
I'm a good friend. I'm a good person.
That is who I am, okay?
This is me looking out for you.
All right?
Then why are you talking to the Feds?
See, now, why are you lying?
See, now you're lying to me.
I wouldn't talk to the Feds.
Do you think I'd do that, motherfucker?
You think that's the
kind of person I am?
That I would talk to the Feds?
I'm gonna forget you said that,
and you're gonna do what I ask.
You're gonna get a
dogcatcher for me, all right?
- I'm not doing shit for you, Barry.
- BARRY: Hank.
- No. Not anymore.
- Hank.
Shut up! Hank, do what I say
'cause if I fucking get outta here, man,
- you are f
- The day you get outta prison
is my fucking birthday, man, okay?
Oh, you're a tough guy now? (LAUGHS)
Oh, you think you're a tough guy?
Is that what it is, Hank?
You think you're fuckin' tough?
You're not fuckin' tough, Hank.
You don't know what fuckin'
tough is, motherfucker.
- You fucked up
- Why don't you enjoy hell,
- you murdering, self-centered, lying
- BARRY: Fuck you! Fuck you!
- fucking narcissistic piece of shit?
- BARRY: You're fucking dead!
You fucked up. Fucked up
(HANGS UP)
(WATER SPRAYING)
(GENE CHUCKLES)
Hey! Jim? Hi.
Hey, has that "Vanity Fair" reporter
come here and try to talk to you?
Because he's trying to
make me speak to him
Did you do a one-man
show for Lon O'Neil?
- (TIRES SQUEAL)
- (METAL SCRAPING)
You can't be trusted, Gene.
(TIRES SCREECH)
You have to be isolated.
Y I had stage fever.
You know, I-I exaggerated
things to make me look better,
but I'm gonna clear everything up.
Let's go and talk to Lon.
Lon ain't gonna be talking
to anybody for a long time.
(CLOCK TICKING)
And he just showed up on
your doorstep like this?
Yes.
And his laptop, his phone,
wallet, ID, it was all missing.
He hasn't spoken yet.
Lon, it's Faye, your editor.
Lon, what happened to you?
Lon?
(SAD LAUGH)
Please say something.
(SPEAKS GERMAN) Sadly, I don't know you.
(CONTINUES IN GERMAN) I should
probably go back to my parents. Yes.
How long has he spoken German?
He doesn't speak German.
(SPEAKING GERMAN)
It will be more fantastic
if someone would come
to take me with them.
(PLASTIC CRINKLING)
Gummibär?
Would you wanna tell
the others we're back or
They left.
They think you're a monster.
(SIGHS) This was such a stupid idea.
KRISTEN: Oh, my God, don't start
feeling sorry for yourself.
You're clearly unhinged.
But I've been to three acting classes,
and you're the only person
that's gotten anything outta me.
I did book a job.
A big job. (LAUGHS)
I have one scene, and I have to nail it.
I need your help. Will you do it?
(MUSIC FROM "RAIN MAN" PLAYING ON TV)
(MUSIC CONTINUES)
♪
That's us.
(DOOR OPENS)
(MUSIC CONTINUES)
- (DOOR SHUTS)
- (QUIET YARD CHATTER)
- (MUSIC FADES)
- (QUIET CHATTER)
Sir. Sir, I I need
to report something.
What's that?
My friend is gonna get killed today.
- What's that?
- My friend, Barry Berkman.
His life is in danger.
He's in special housing.
(PANTING)
He's got a hit out on him.
Sit down.
No, I-I'm serious. I'm not
I'm not fucking with you, sir.
He's gonna get murdered today.
You have to alert special housing.
I'll look into it.
(LAUGHS)
Y
(PANTING)
Y
They're gonna murder Barry Berkman!
- Hey, shut up.
- They're gonna murder Barry Berkman!
- Come on, man. Just calm down.
- Special housing!
(FUCHES YELLING)
- They're gonna murder Barry Berkman!
- DAMIAN: Man, Fish Tits' tripping!
Shit's going down in special housing!
Damn it! No! No!
AGENT HARRIS: Barry?
These are some of our agents
from Witness Protection, and
we filled them in on what you're
willing to provide us with.
Let me tell you, they're pretty excited.
We're stoked.
This is Agent James Curtis.
We've worked with him on a
number of cases like yours.
Hi, Barry.
Hi.
CURTIS: I'm gonna just walk you
through all the ins and outs
of this program, okay?
I'm Answer any questions
you might have.
All right, and y-you know I-I'm
bringin' Sally Reed with me?
S
- Yeah. Yeah. Oh, yes. Yeah, of course.
- We informed.
And that, th-that'll happen soon?
Oh, someone's anxious to be
reunited with their lady, I guess.
- Indeed.
- Yeah. Listen, Barry,
you don't have to worry about
any of that stuff, okay?
- Okay.
- CURTIS: What's most important here
is that you understand that I've,
you know, I've protected people
like yourself for
Man, it's been 20 years now.
I just wanna be honest
with you here, Barry.
Again, this goes back to that honesty.
- That trust. That
- I'm, uh, committed to this.
- CURTIS: Oh, good. Good.
- Yeah.
I wish I could brag about a
hundred percent success rate.
We've lost a few over the
years. Broken a few eggs.
- (SIGHS)
- You might blush at the idea
of being referred to as an egg.
I don't I don't know, Barry,
but here's what's important.
Those eggs that cracked,
those eggs weren't trustworthy.
Those eggs weren't honest.
So what are you gonna be, Barry?
Are you gonna be an
honest egg? I think so.
For all you know,
we put a chip in you, right?
We know where you are.
(LAUGHS)
Maybe not.
But, uh, ultimately,
th-that's what it's about.
You tell us what you like,
you tell us what you need,
and, uh, we'll see to it that we
can get you everything we can
That guy is here to kill me.
(WHIMPERING)
He's got a weapon on him or somethin'.
That guy's here to kill me.
- (CURTIS SCOFFS)
- That's one of Agent Curtis's men, Barry.
- CURTIS: What? No. That's not
- BARRY: Search him.
He's got a weapon on him or somethin'.
- I thought he was with you guys.
- No, he's with you.
- Shit.
- This is for Cristobal and Hank!
- (CLICK, BANG)
- Ah!
- (GASPS)
- (ASSASSIN SCREAMING)
(SCREAMING, CRYING)
- What the
- (GRUNTS)
(SILENCED GUNSHOTS)
(METAL CLANGING)
(ASSASSINS YELLING IN
SPANISH) It wasn't my fault!
- I told you, I told you it won't work!
- (MUFFLED YELLING)
(YELLING IN SPANISH) Kill him! Kill him!
(ASSASSIN CRYING)
(IN SPANISH) Kill him!
- (GUNSHOTS RICOCHETING)
- (CRYING CONTINUES)
(GUNFIRE)
(ASSASSIN SCREAMS)
(SOBBING, SPEAKING SPANISH)
(ALARM BLARING)
(WIRES CREAK)
GUARD (ON RADIO):
Shots fired, shots fired.
- Officer down. Code red.
- (OVERLAPPING RADIO CHATTER)
- (INDISTINCT PA ANNOUNCEMENT)
- (DOORS SLAMMING)
(RADIO CHATTER CONTINUES)
- (ALARM CONTINUES)
- (PRISONERS LAUGHING, YELLING)
(LAUGHING MANIACALLY)
Go get 'em, boys!
- (MUFFLED ALARM)
- (RADIO CHATTER)
(ASSASSIN CRYING)
(SOBBING, SPEAKING SPANISH)
(CEILING CREAKING)
Ah!
Chewy!
- Chewy! (CRYING)
- Oh, shit.
Where the hell is Berkman?
("LEAVING WALLBROOK/ON THE
ROAD" BY HANS ZIMMER PLAYING)
♪
(QUIET STREET NOISE)
(AIR BRAKES HISS)
(TRUCK RUMBLING)
(REPEATED TRUCK HORN BLASTING)
(YELLING, CHEERING)
- (AIR BRAKES HISS)
- (CHEERING CONTINUES)
(SAND RUSHING)
(CHEERING CONTINUES)
El Toro.
(MUFFLED CHATTER)
It's an honor to finally meet you, Toro.
TORO: Glad to help with
your little problem.
It was nice when Hank checked in.
Uh, you have to be afraid of nothing.
Uh, the Berkman hit will happen today,
and I got two of my best guys on it.
Uh, Nestor and, uh, Chewy Flores.
Wait a minute. You mean
the guys from the podcast?
(SIGHS)
Yes.
But it won't interfere
with their schedule.
They, they record on Thursdays.
That's good.
So, the guys who are going
to kill Barry have a podcast?
Yeah, It's called "Los Amigos Gadget."
Each week, they rate and
review a different gadget,
but none of the gadgets work.
Like, once, they did a jacket
that cooks s'mores in its pocket.
- (CRISTOBAL LAUGHS)
- It's really stupid. (LAUGHS)
- I bought one of those.
- (LAUGHTER STOPS)
It works fine.
But won't they be recognized?
Podcast is voice.
Y-You're thinking of the TikToks.
Nobody knows what they look like.
To be honest,
it's my one issue with
"Los Amigos Gadgets."
It's a show about gadgets,
but you have to listen
and imagine what the gadgets look like.
There is a link to YouTube.
If you wanna see the gadgets
themselves, you, you click on it.
Right, but I'm listening
while I'm driving.
So, am I supposed to,
you know, pull over
just to click on that link?
(SIGHS)
Yeah.
I'll do that. I'll start doing that.
The FBI is cutting a deal with Barry.
He's informing on some
big crime figures.
Apparently, he's very valuable to them.
Sir, if he goes free,
he is going to come and kill me.
Let's not get ahead of ourselves, okay?
I'm sure you've got some,
some big protocols i-in place
to protect your witnesses, right?
We have some, but if a defendant
is willing and determined,
it can be hard.
But that's usually ex-military,
so I'm not too worried.
Barry is ex-military.
Oh.
(SIGHS)
Do you own a gun, Mr. Cousineau?
H-He does own a prop gun,
which he was given by Rip Torn.
If Rip Torn gave it to you,
- it probably fires real bullets.
- (TOM GROANS)
- That's good.
- You know what?
I'm just gonna go into hiding.
They always find you.
I've had many cases like this,
but I can't talk about them.
- Because they're classified?
- JAMES BUCKNER: No.
They're really disturbing
and I just don't like
thinking about them.
We're in a good position here.
Your story and the facts line up.
There's nothing they have to
cloud the case and set him free.
We've controlled the information.
So, just continue to stick to the facts.
And when you're outside this office,
keep your mouth shut.
(TOM SIGHS)
Tom, I have to ask you a question.
It's completely hypothetical.
TOM: What is it?
All right, do you think
it would be an issue
if I invited a reporter to my theater
(TIRES SQUEAL)
- (CAR CRASHES)
- (CAR ALARM BLARING)
You performed a one-man show
for fucking Lon O'Neil?!
- What is wrong with you?
- What the fuck is wrong with you?
I don't know! What do we do?
We have to stop that
article from coming out!
-
- (GATE BUZZES)
Let me get this straight.
So, NoHo Hank and
Cristobal are an item?
Yeah. Yeah, they started working
with each other on a job
and then, that just grew into somethin'.
You know, they're
actually really in love.
That must be nice.
And you say they're
building a crime utopia?
I mean, that's what they were
doing when I worked with them.
I trained some of their guys.
This is big, Barry.
And you held up your end
of the bargain. So
We looked into this Sally Reed.
Now, she'll have to completely
give up her old life,
her family, her friends.
No contact with anyone from her past.
How does she feel about this?
I-I haven't asked her about it yet.
But I think she'll be into it.
Actually, I know she'll be into it.
You know, she said I, um
said I make her feel safe.
(PHONE BUZZES)
Berkman, you got a visitor.
Who are you?
LON O'NEIL: I'm writing a piece
about Detective Janice Moss
and the events surrounding her death.
I don't C-Can I talk about that?
Absolutely.
I mean, it's only fair you get a chance
to respond to the accusations
that Gene Cousineau's
been making against you.
What's he saying?
(INHALES)
He's saying that you killed her,
you kidnapped him.
And that you threatened his family.
He told you that?
It took over three hours,
but, yes, he told me that.
Why don't you tell me what happened
the night you were arrested, okay?
Why did you go into Jim Moss's house?
Who do you write for again?
O'NEIL: "Vanity Fair."
Wait, do you guys have
Julia Roberts on your cover?
Uh, yeah, I-I-I'm sure at some point,
- we had Julia Roberts
- And he said I-I threatened his family?
Did you?
- Well, I apologized for all that.
- O'NEIL: Mm-hmm
BARRY: So
Listen, you know, I got a, a good
- case here.
- O'NEIL: Mm-hmm.
And I'm cooperating and
everything, so I don't
If he keeps running his mouth and-and
telling my story to people, then
(CHEWING) Mm-hmm. Okay.
If he's saying that stuff,
and he's running his mouth,
it's gonna fuck shit up.
- And if you, and if you publish it
- Yep. I-I'm gonna publish it.
It's really just your chance
to say your piece.
I'm only trying to be fair here.
You know what'd be fair?
You know what'd be fuckin' fair?!
Is if Gene Cousineau stops
telling my life story!
That's what'd be fuckin' fair!
Tell Gene Cousineau to
shut his fuckin' mouth!
(HANGS UP)
(QUIET CHATTER)
SALLY: Hello! Hi.
- (CHATTER STOPS)
- I'm Sally Reed,
uh, and today, I'm gonna
teach you how to be actors.
Um
I learned my craft from
Mr. Gene M. Cousineau,
and today, you will be learning
his techniques through me.
(SIGHS)
Um, they've been very helpful for me,
as well as for many
other working actors.
Um
Sorry. Um
Look, how many of you are here
'cause I'm the Entitled Cunt Girl?
- Ah.
- I know about you,
but that's not why I wanted
to take the classes.
Same. I mean, I actually thought
that the video was super unfair
- and overblown.
- STUDENT: Yeah.
I mean, everyone's allowed
to get angry, right? (LAUGHS)
Thank you!
Pretty much like every fight
that I get into with my sister.
- Totally.
- (GROUP LAUGHING, AGREEING)
That was an ugly moment.
I can I can see that now.
But it was genuine.
And ultimately, it's where I
want you to go in this class.
As actors, we have to be vulnerable.
I mean, we have to be the
ugliest versions of ourselves.
We all have it in us.
And to trigger it voluntarily
takes strength.
Okay. Uh, normally, we do
some warm-up exercises
and then I'm supposed to drone
on about theory or whatever,
but I always hated that part of class.
So if it's okay with you, I think
we should just dive right in!
Okay. Did everybody bring a scene?
O'NEIL: Jim Moss? Lon O'Neil.
I'm so sorry to bother you at home.
I told you. Leave me alone.
I spoke to Barry Berkman.
He seems to think that Gene
Cousineau is trying to railroad him,
and I wanted your thoughts on
that and on your daughter's case.
Why would he think that
Gene's trying to railroad him?
Well, I told him what
Mr. Cousineau said to me,
and he didn't seem very happy about it.
You spoke to Cousineau?
Oh, yes, I did.
(SLIGHT LAUGH)
Let's go have a chat in my garage.
(DOORS SHUT)
Yo, big man. Yo, Big Bird!
(LAUGHING)
Yo, Big Bird! Where's your dude at?
Aw
What's the matter? Come on, Raven.
- Aw, he sad.
- Mr. Rave
You got a new code name?
- Mr. Lonely?
- DAMIAN: Hey, Goose!
(BOTH LAUGH)
JASON: Where's your associate?
Dude with the busted
face. Y'all break up?
- DAMIAN: I heard he sold you out. Aw
- JASON: Aw
DAMIAN: Lookin' like
Boo-Boo the Fool now.
(PHONE BUZZES)
This is NoHo Hank.
FUCHES (ON PHONE): Hank,
have you ever been called
Boo-Boo the Fool before?
Uh, I don't think so.
Well, I have, and it's very hurtful.
I've also been called Big Bird,
Fish Tits, and Baby Shoes.
All because Barry fucked me over.
My whole life, I put myself
on the line for that guy,
and all I ever got in return is shit.
It's being taken care of.
What does that mean?
NOHO HANK (ON PHONE):
By the end of the day,
Barry won't be a problem anymore.
He won't?
NOHO HANK: And look,
we have to stop communicating.
Here's what I need you to do.
Keep your mouth shut.
- Okay.
- NOHO HANK: Play stupid,
and you'll be paid for
it on the other end.
Okay.
(FOOTSTEPS APPROACH)
Hey, guys! Come on, take five.
- Go on. Go hydrate.
- (CREW CHATTERING)
Hey, guys, take five! Hey, buddy.
(SNAPPING) Take a break.
(OMINOUS MUSIC PLAYING)
Batir?
This new organization of yours
is a direct affront to your homeland.
I come to you as a friend
to tell you that the elders
have a new contingent
to run LA.
You either get rid of
those guys and join us,
or we will wipe you out.
Well
you can tell the elders
that that would be a mistake.
(SCOFFS)
(LAUGHING)
BATIR: Think about it, Hank.
(FOOTSTEPS RECEDE)
(SIGHS)
Fuckin' piece of shit.
I did so fuckin' much for you.
I did so fuckin' much for you,
and this is what you do?
(ECHOING) This is what you fuckin' do!
Fuckin' piece of shit!
I fuckin' help you out.
I fuckin' save your fuckin' ass!
Fuck you. Fuck you!
Motherfucker.
I do so fuckin' much for people, and
(MUTTERING)
(HEAVY BREATHING)
- (BIRDS CHIRPING OUTSIDE)
- (CLOCK TICKING)
(KNOCKING)
I don't see anybody.
TOM: Are you sure that
this is Lon's house?
Yes, I'm positive this is
- What are you doing?!
- (TOM GRUNTS)
- (GLASS BREAKING)
- GENE: You're crazy!
What did you just do? Tom!
- TOM: It's the only way, Gene.
- GENE: We cannot break in there.
- (GLASS BREAKING, CRUNCHING)
- (INDISTINCT ARGUING)
GENE: Tom, get down. Get down.
- We cannot be doing this.
- (TOM GRUNTING)
- TOM: Be careful, there's a lot of glass.
- (GENE SIGHS)
(GLASS CRUNCHING)
TOM: All right, we've
got very little time.
- Come on, Gene. Come on. Come on in.
- (GENE GRUNTING, FALLING)
- GENE: Ow
- TOM: Get up off the floor, Gene.
- GENE: Oh, I just laid in glass.
- TOM: Come on. Get up.
- GENE: Tom. Tom, quick.
- TOM: Come on, come on.
- GENE: Come back.
- TOM: You're fine, Gene.
- GENE: Tom, what are you doing?
- (DOG BARKING)
- TOM: They got a dog.
- GENE: I'm fine.
- I'm fine
- All right.
- (BARKING CONTINUES)
- (TOM GROANS)
- (SMASHING, CRASHING)
- (TOM YELLING)
Hurry up! That was illegal!
TOM: Ah, shit.
- That's the kitchen in there.
- (BARKING)
(SMASHES DOOR, CAT YOWLS)
- Bingo! Found it.
- GENE: What are you doing?!
TOM: All right, come on.
We gotta smash it.
No, no. Everything's
stored in the monitor.
- GENE: No, I don't
- TOM: I'm telling you,
everything is stored in the monitor.
GENE: No, I think you
gotta get the hard drive.
TOM: This is one of those new computers.
You just bust the monitor,
- and it loses everything.
- GENE: Tom, that's the monitor!
- Come on.
- Get the hard drive!
- TOM: Gene, don't argue with me.
- Gene Cousineau?
GENE: Lon's wife's in the house!
(FOOTSTEPS APPROACH)
What's going on?
Hi, I'm Gene Cousineau.
Wh-Why are you in my house?
Is there someone else here?
Do you know, I was so worried about Lon
that I came to check to see
if the house was broken into.
Is this about the Barry Berkman article?
I wish you would call it the
Gene Cousineau article, but yes.
(SIGHS) God, I'm actually worried.
- (TOM GRUNTS)
- I can't get a hold of him.
Last time we spoke was this morning.
He was doing a interview
on your article.
Did he tell you where he was going?
No
Oh, well, he said he needed
to check on a victim's father.
Do you know who that is?
Victim's father?
(LISPING) You need your juice,
Shelby. Drink your juice.
The first rule of Fight Club is
y-you don't talk about Fight Club.
Coach, it's me. Rudy. Put me in.
I'm big.
It's the pictures that got small.
(SIGHS)
Okay, what's going on?
Uh, I picked Sunset Boulevard?
Okay.
STUDENT: Well, I, I thought
maybe we would do something
from a play or something,
a-and then I saw that everybody
brought in movie scenes, so
I just googled famous movie
quotes and (LAUGHS)
Well, did you bring in
something from a play?
Uh God, I had a thing.
Uh, what was it from?
(SIGHS)
I No. (LAUGHS) I guess
- So, y-you didn't bring in anything?
- STUDENT: No. I'm lame.
(CHUCKLES)
- I'll just excuse myself.
- You're charming.
- (CHUCKLES) Okay.
- Is that why you wanna be an actress?
Uh, I-I don't know.
Do people say to you,
"Oh, you're so pretty?
You're so charming.
You should be an actress."
- Do they say that to you?
- (STUDENT SCOFFS)
- STUDENT: Yeah.
- Yeah?
And do you feel like you have a need
to express something?
Like?
Like, I don't know, complexity? Hope?
Desire? The human condition?
Or do you just wanna be charming?
(SCOFFS)
Oh.
So you're not an artist.
You're just a perfect pair of tits.
No!
Then why the fuck are you here?
- I can't say.
- Why not?
- STUDENT: I don't want to.
- What? (LAUGHS)
You're afraid we're all gonna be
bowled over by your intellect?
No.
Did you book something?
- (NERVOUS SIGH)
- Oh.
They wanted a hot girl,
and you fit the bill.
Only trouble is you can't act,
- so you come to me?
- STUDENT: No.
And because you've coasted
your whole damn life
on your God-given tits and
ass and your inherent charm,
you think you can come
in here to my class,
unprepared, waste my time,
and I'm gonna let you off the hook?
- STUDENT: No.
- Well, that's what you did, isn't it?
- You're being mean.
- Oh
Oh, I'm being mean?
Oh, what? So now,
I'm dealing with a child!
What, nobody's ever been
mean to you before? Why?
'Cause your personality?
Your big brain?
Your taste in old movies?
Or maybe, it's just because
they all wanted to fuck you!
Stop it!
Don't think. Now, say the line.
I'm big!
It's the pictures that got small!
- (GASPING)
- Good. You okay?
That was beautiful.
I'm so sorry I had to go there.
What you just witnessed
- What was your name again?
- Kristen?
What you just witnessed Kristen do
is the backbone of this class.
It's about locating the parts
of ourselves that we don't like,
and making them our,
our our paints, our
That was abusive.
Well, it's part of the work.
- It's Cousineau's method.
- Just 'cause it was done to you,
does not mean you need to do it to us.
Okay, uh, let's take a tight five.
And, um, when we come back,
we'll do some mirror exercises.
- (INDISTINCT CHATTER)
- (DOOR SHUTS)
(TAPPING FINGERS)
OPERATOR (ON PHONE):
This call may be recorded.
You have received a collect call from
- Barry.
- OPERATOR: an inmate
at California State Penitentiary.
Do you accept the charges?
- NOHO HANK: Yes.
- (CALL CONNECTS)
BARRY (ON PHONE): Hi, Hank.
(CHAIR CREAKS)
Hey, Barry.
BARRY: You good?
- Hey, look, um, we got a situation.
- (DRUMMING FINGERS)
Yeah
Mr. Cousineau, Gene Cousineau.
He's my acting teacher. He's, uh
He's talking to the press.
NOHO HANK: Uh-huh.
And, um
(CLICKS TONGUE)
Uh, I'm trying to be discreet here.
If-If he was a dog,
he-he'd need to go
to a new home.
Uh-huh.
I need I need a dog catcher.
(LAUGHS)
I-I don't know if I need to spell
this out for you any more
than I already am, Hank.
(LAUGHS)
But I need your help.
Like, now.
Are you looking out for me, Barry?
Yeah. No, I mean, no.
He's got information on you and
Cristobal. That's what I'm
That's what I'm sayin'.
Is that he, he's got a lot
of information on you.
(SIGHS)
Why are you lying to me, Barry?
Wh-Why would you say I'm lying?
I don't I'm not lying.
You're lying to me right now.
Hank, what are you talkin' about?
Barry, I have been nothing but
loving and good friend to you,
and like all you do is you take.
And you take and you take.
BARRY: Hank.
I-I don't I don't know where
this is coming from, man,
but I-I'm calling with you for
with some really important information.
I think you need to listen
to me and take this.
And this is comin' from my heart, man.
We've been friends for a long time.
It's like It's like you're
only out for yourself.
BARRY: That's not true.
That is not true.
I don't know who you're talking to.
I don't know who everybody's talking to.
- But I've been nothing but good to people.
- Oh, yeah?
I'm a good friend. I'm a good person.
That is who I am, okay?
This is me looking out for you.
All right?
Then why are you talking to the Feds?
See, now, why are you lying?
See, now you're lying to me.
I wouldn't talk to the Feds.
Do you think I'd do that, motherfucker?
You think that's the
kind of person I am?
That I would talk to the Feds?
I'm gonna forget you said that,
and you're gonna do what I ask.
You're gonna get a
dogcatcher for me, all right?
- I'm not doing shit for you, Barry.
- BARRY: Hank.
- No. Not anymore.
- Hank.
Shut up! Hank, do what I say
'cause if I fucking get outta here, man,
- you are f
- The day you get outta prison
is my fucking birthday, man, okay?
Oh, you're a tough guy now? (LAUGHS)
Oh, you think you're a tough guy?
Is that what it is, Hank?
You think you're fuckin' tough?
You're not fuckin' tough, Hank.
You don't know what fuckin'
tough is, motherfucker.
- You fucked up
- Why don't you enjoy hell,
- you murdering, self-centered, lying
- BARRY: Fuck you! Fuck you!
- fucking narcissistic piece of shit?
- BARRY: You're fucking dead!
You fucked up. Fucked up
(HANGS UP)
(WATER SPRAYING)
(GENE CHUCKLES)
Hey! Jim? Hi.
Hey, has that "Vanity Fair" reporter
come here and try to talk to you?
Because he's trying to
make me speak to him
Did you do a one-man
show for Lon O'Neil?
- (TIRES SQUEAL)
- (METAL SCRAPING)
You can't be trusted, Gene.
(TIRES SCREECH)
You have to be isolated.
Y I had stage fever.
You know, I-I exaggerated
things to make me look better,
but I'm gonna clear everything up.
Let's go and talk to Lon.
Lon ain't gonna be talking
to anybody for a long time.
(CLOCK TICKING)
And he just showed up on
your doorstep like this?
Yes.
And his laptop, his phone,
wallet, ID, it was all missing.
He hasn't spoken yet.
Lon, it's Faye, your editor.
Lon, what happened to you?
Lon?
(SAD LAUGH)
Please say something.
(SPEAKS GERMAN) Sadly, I don't know you.
(CONTINUES IN GERMAN) I should
probably go back to my parents. Yes.
How long has he spoken German?
He doesn't speak German.
(SPEAKING GERMAN)
It will be more fantastic
if someone would come
to take me with them.
(PLASTIC CRINKLING)
Gummibär?
Would you wanna tell
the others we're back or
They left.
They think you're a monster.
(SIGHS) This was such a stupid idea.
KRISTEN: Oh, my God, don't start
feeling sorry for yourself.
You're clearly unhinged.
But I've been to three acting classes,
and you're the only person
that's gotten anything outta me.
I did book a job.
A big job. (LAUGHS)
I have one scene, and I have to nail it.
I need your help. Will you do it?
(MUSIC FROM "RAIN MAN" PLAYING ON TV)
(MUSIC CONTINUES)
♪
That's us.
(DOOR OPENS)
(MUSIC CONTINUES)
- (DOOR SHUTS)
- (QUIET YARD CHATTER)
- (MUSIC FADES)
- (QUIET CHATTER)
Sir. Sir, I I need
to report something.
What's that?
My friend is gonna get killed today.
- What's that?
- My friend, Barry Berkman.
His life is in danger.
He's in special housing.
(PANTING)
He's got a hit out on him.
Sit down.
No, I-I'm serious. I'm not
I'm not fucking with you, sir.
He's gonna get murdered today.
You have to alert special housing.
I'll look into it.
(LAUGHS)
Y
(PANTING)
Y
They're gonna murder Barry Berkman!
- Hey, shut up.
- They're gonna murder Barry Berkman!
- Come on, man. Just calm down.
- Special housing!
(FUCHES YELLING)
- They're gonna murder Barry Berkman!
- DAMIAN: Man, Fish Tits' tripping!
Shit's going down in special housing!
Damn it! No! No!
AGENT HARRIS: Barry?
These are some of our agents
from Witness Protection, and
we filled them in on what you're
willing to provide us with.
Let me tell you, they're pretty excited.
We're stoked.
This is Agent James Curtis.
We've worked with him on a
number of cases like yours.
Hi, Barry.
Hi.
CURTIS: I'm gonna just walk you
through all the ins and outs
of this program, okay?
I'm Answer any questions
you might have.
All right, and y-you know I-I'm
bringin' Sally Reed with me?
S
- Yeah. Yeah. Oh, yes. Yeah, of course.
- We informed.
And that, th-that'll happen soon?
Oh, someone's anxious to be
reunited with their lady, I guess.
- Indeed.
- Yeah. Listen, Barry,
you don't have to worry about
any of that stuff, okay?
- Okay.
- CURTIS: What's most important here
is that you understand that I've,
you know, I've protected people
like yourself for
Man, it's been 20 years now.
I just wanna be honest
with you here, Barry.
Again, this goes back to that honesty.
- That trust. That
- I'm, uh, committed to this.
- CURTIS: Oh, good. Good.
- Yeah.
I wish I could brag about a
hundred percent success rate.
We've lost a few over the
years. Broken a few eggs.
- (SIGHS)
- You might blush at the idea
of being referred to as an egg.
I don't I don't know, Barry,
but here's what's important.
Those eggs that cracked,
those eggs weren't trustworthy.
Those eggs weren't honest.
So what are you gonna be, Barry?
Are you gonna be an
honest egg? I think so.
For all you know,
we put a chip in you, right?
We know where you are.
(LAUGHS)
Maybe not.
But, uh, ultimately,
th-that's what it's about.
You tell us what you like,
you tell us what you need,
and, uh, we'll see to it that we
can get you everything we can
That guy is here to kill me.
(WHIMPERING)
He's got a weapon on him or somethin'.
That guy's here to kill me.
- (CURTIS SCOFFS)
- That's one of Agent Curtis's men, Barry.
- CURTIS: What? No. That's not
- BARRY: Search him.
He's got a weapon on him or somethin'.
- I thought he was with you guys.
- No, he's with you.
- Shit.
- This is for Cristobal and Hank!
- (CLICK, BANG)
- Ah!
- (GASPS)
- (ASSASSIN SCREAMING)
(SCREAMING, CRYING)
- What the
- (GRUNTS)
(SILENCED GUNSHOTS)
(METAL CLANGING)
(ASSASSINS YELLING IN
SPANISH) It wasn't my fault!
- I told you, I told you it won't work!
- (MUFFLED YELLING)
(YELLING IN SPANISH) Kill him! Kill him!
(ASSASSIN CRYING)
(IN SPANISH) Kill him!
- (GUNSHOTS RICOCHETING)
- (CRYING CONTINUES)
(GUNFIRE)
(ASSASSIN SCREAMS)
(SOBBING, SPEAKING SPANISH)
(ALARM BLARING)
(WIRES CREAK)
GUARD (ON RADIO):
Shots fired, shots fired.
- Officer down. Code red.
- (OVERLAPPING RADIO CHATTER)
- (INDISTINCT PA ANNOUNCEMENT)
- (DOORS SLAMMING)
(RADIO CHATTER CONTINUES)
- (ALARM CONTINUES)
- (PRISONERS LAUGHING, YELLING)
(LAUGHING MANIACALLY)
Go get 'em, boys!
- (MUFFLED ALARM)
- (RADIO CHATTER)
(ASSASSIN CRYING)
(SOBBING, SPEAKING SPANISH)
(CEILING CREAKING)
Ah!
Chewy!
- Chewy! (CRYING)
- Oh, shit.
Where the hell is Berkman?
("LEAVING WALLBROOK/ON THE
ROAD" BY HANS ZIMMER PLAYING)
♪