Ghost Adventures (2008) s04e04 Episode Script
Waverly Hills Sanitarium
(Zak) TO ME THIS WOULD BE EQUIVALEN TO SOMEBODY GOING TO MAUI, HAWAII.
OH! OH! DUDE, COME HERE NOW! YOU'RE SUPPOSED TO BE HERE.
THERE'S A REASON.
THIS IS AWESOME.
MY NAME IS ZAK BAGANS.
I NEVER BELIEVED IN GHOSTS UNTIL I CAME FACE-TO-FACE WITH ONE.
YOU WANTED US.
YOU GOT US.
SO I SET OUT ON A QUES TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.
GO, GO, GO! WITH NO BIG CAMERA CREWS FOLLOWING US AROUND, I AM JOINED ONLY BY MY FELLOW INVESTIGATOR NICK GROFF AND OUR EQUIPMENT TECH AARON GOODWIN.
THE THREE OF US WILL TRAVEL TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS WHERE WE WILL SPEND AN ENTIRE NIGH BEING LOCKED DOWN FROM DUSK UNTIL DAWN.
(Zak) YOU HAVE REACHED YOUR FINAL DESTINATION-- HELL.
RAW OH! STOP! EXTREME (Aaron) HOLY (bleep)! (Zak) STOP! (bleep) STOP RUNNING! THESE ARE OUR GHOST ADVENTURES.
Closed Captions provided by Scripps Networks, LLC.
ALL OVER THIS BROAD LAND OF OURS A BITTER WAR IS BEING FOUGH AGAINST TUBERCULOSIS.
LET'S SEE WHAT IS BEING DONE.
IF DEATH HAS A HOME ADDRESS, IT'S WAVERLY HILLS SANATORIUM IN LOUISVILLE, KENTUCKY.
THIS GIANT BAT-WINGED BUILDING WAS THE FINAL RESIDENCE FOR THOUSANDS DURING THE TUBERCULOSIS EPIDEMICS THAT KILLED MILLIONS WORLDWIDE.
(woman) AT THE HEIGH OF TUBERCULOSIS, THERE WERE PEOPLE DYING, LIKE, EVERY MINUTE.
(man) THE WORK OF SCIENTISTS ALONE CANNOT ELIMINATE THE DEADLY BACTERIA THAT CAUSE TUBERCULOSIS.
THOUGH YOU MAY HAVE ENTERED THROUGH THE FRONT DOOR FOR TREATMENT, THOUSANDS LEFT HERE THROUGH THE BODY CHUTE OR THE DEATH TUNNEL, 500 FEET STRAIGHT DOWN TO A WAITING HEARSE BELOW.
FILLED WITH SHADOW FIGURES, APPARITIONS, AND VOICES FROM THE PAST, WAVERLY HILLS IS THE PLACE WHERE GHOSTLY SIGHTINGS ARE ALMOST A DAILY OCCURRENCE.
(woman) A LOT OF PEOPLE WALK DOWN THE HALLWAY, AND YOU FEEL LIKE SOMEBODY'S HOLDING YOUR HAND.
AND THEN THERE'S THE SADDER SIDE OF THE HAUNTINGS-- THE GHOSTS OF CHILDREN EAGER TO PLAY BALL WITH VISITORS.
(man) DID YOU KNOW THAT THE TUBERCULOSIS GERM ACTUALLY BREATHES, EATS, AND REPRODUCES? SOMEDAY MAYBE THEY'LL GIVE US A CURE.
(Zak) T.
B.
IS A HIGHLY CONTAGIOUS BACTERIAL INFECTION.
AS IT WEAKENS THE IMMUNE TUMORS RAVAGE THE LUNGS.
WHAT IS THIS HERE? THIS WAS THE X-RAY ROOM.
AS YOU CAN SEE, THEY HAD A LOT OF WINDOWS HERE.
UH-HUH.
SO THEY HAD DIP TANKS THAT THEY HAD TO DEVELOP THE X-RAYS MM-HMM.
SO THEY HAD TO MAKE A DARK ROOM.
X-RAYS, WE CALL 'EM.
THE RAYS PASS RIGHT THROUGH THE BODY AND THROW A SHADOW PICTURE ON THE FILM IN THE HOLDER.
(Nick) I DON'T THINK (Tina) COME ON, GUYS.
KEEP COMING.
(laughs) (Zak) OKAY, YOU CAN TURN IT ON NOW.
FOLLOW ME.
RIGHT HERE ARE THE ORIGINAL DIP TANKS.
THESE ARE ALL THE LITTLE RACKS.
THAT'S WHERE THEY WOULD PU ALL THE LITTLE X-RAYS.
MM-HMM.
THEY WOULD HOLD THE X-RAYS.
YES.
JUST THINK HOW MANY PHOTOS MANIFESTED RIGHT HERE TO TELL SOMEBODY WHETHER OR NOT THEY WERE GOING TO EITHER LIVE OR DIE.
I MEAN, JUST IMAGINE THAT.
THINK ABOUT THAT.
DON'T JUST HEAR IT.
THINK ABOUT IT.
YOU'RE IN A PLACE IN THE 1920s.
YOU COME TO A PLACE LIKE THIS.
AND YOU GE YOUR X-RAY DONE TO TELL YOU WHETHER OR NO PRETTY MUCH YOU'RE GOING TO LIVE OR DIE.
CAN YOU IMAGINE ALL THE PRAYERS THAT WENT OUT OF THIS PLACE? (Zak) YEAH.
THAT DOESN'T GO AWAY.
YEAH.
(coughing) (man) IN THIS SANATORIUM, AS IN MANY OTHERS, CHILDREN ARE CARED FOR IN A SPECIAL DEPARTMENT.
(Tina) THIS IS THE FIFTH FLOOR.
(Zak) WOW.
WE JUST REDID ALL THIS.
WOW.
THIS WAS ALL BROKEN UP.
WE HAVE A PICTURE DOWNSTAIRS OF CHILDREN IN A SWING SET UH-HUH.
AND ZAK IS STANDING RIGHT WHERE THEY WERE AT.
I MET A LADY.
SHE USED TO WORK UP HERE WHEN SHE WAS 14 YEARS OLD.
SHE WORKED ON THE FIFTH FLOOR WHEN THE CHILDREN WERE ON THE FIFTH FLOOR.
AND SHE SAID THERE WAS MANY DAYS SHE'D COME IN WITH CHILDREN SURROUNDING AN EMPTY BED WHERE ONE OF THEIR FRIENDS HAD PASSED AWAY.
(man) THE ONES WHO ARE HURT MOS ARE THE CHILDREN ALONE.
(Zak) WERE THESE ILL-FITTED CHILDREN TRAPPED HERE BY THE POWER OF SUCH TRAGIC EVENTS? JUST THE OTHER NIGHT WE HAD A COUPLE ON THE THIRD FLOOR.
THEY WERE ASKING TIMMY TO, YOU KNOW, PLAY BALL WITH THEM.
THEY ACTUALLY HEAR A LITTLE BOY COME OVER, AND THEY SAY, "YOU KNOW, TIMMY?" LIKE, "TIMMY WHO?" YOU KNOW.
(child coughing) PATIENTS WERE FED WELL-BALANCED MEALS AND GIVEN PLENTY OF REST, SUNSHINE, AND FRESH AIR TO HELP STRENGTHEN THEIR IMMUNE SYSTEMS IN ORDER TO FIGHT OFF THE DISEASE.
THESE WERE THE PATIENT ROOMS, TWO BEDS PER ROOM.
YOU CAN GET A NICE BREEZE MOST OF THE TIME BECAUSE THEY DIDN'T HAVE AIR-CONDITIONING AND ALL THAT, YOU KNOW, FOR IN THE SUMMERTIME LIKE WE DO NOW.
AND THE BEDS OU ON THE BREEZEWAYS.
THERE WAS NEVER GLASS OR WINDOWS IN THIS.
THIS WAS SCREENS.
SO THIS WAS ALWAYS OPEN? THESE WINDOWS, NOW THA THEY'RE OPEN NOW, I THOUGHT THERE MIGHT HAVE BEEN GLASS WINDOWS HERE NEVER.
AND OVER TIME THEY WERE BROKEN OUT.
COPPER SCREEN.
SCREENS? THAT'S IT.
SO SO THEY COULD GE THE FRESH AIR.
(man) HERE WE ARE IN A LARGE SOUTHERN SANATORIUM.
THIS ONE HAS BEDS FOR 500 PATIENTS.
IF YOU GO ON THE OTHER SIDE OF THE HALLWAY WHERE THEY COULD NOT GO OU AND GET THE FRESH AIR, THOSE WERE CALLED THE TERMINAL ROOMS.
(coughing) COULD YOU IMAGINE HOW YOU FEL IF YOU WERE OVER HERE, AND THEN THEY MOVED YOU OVER THERE? I'VE MET PEOPLE THAT WERE HERE 12, 15 YEARS.
THIS WAS THEIR FAMILY.
DO YOU THINK THAT'S WHY IT'S SO HAUNTED RIGHT NOW? I DO.
IF I COULD GO SOMEWHERE, WHERE WOULD I GO? I WOULD GO HOME.
MM-HMM.
AND I THINK THIS WAS THEIR HOME, AND I THINK THAT'S WHY THEY COME BACK.
RIGHT HERE THEY ACTUALLY HAVE THE PICTURE OF THE PERSON WHO DIED IN THIS EXACT ROOM.
"A PATIENT OF THIS WAVERLY HILLS TUBERCULOSIS HOSPITAL "PASSED AWAY AUGUST 18th OF 1956 AT AGE 28.
" AND WHAT'S REALLY, REALLY CRAZY AND TO SEE EXACTLY WHERE SHE WAS SITTING MAKES IT EVEN MORE CREEPY AND SAD.
(coughing) (Tina) AND THEN ONE OF THE DOCTORS THOUGHT IT WOULD BE GOOD FOR PATIENT MORALE NOT TO LET PATIENTS SEE ALL THE PEOPLE THAT WERE DYING.
WELL, THEY TOOK 'EM DOWN A BODY CHUTE.
WAS THIS THE DEATH TUNNEL? YES.
ZAK BAGANS, YOU ARE NOW ENTERING THE DEATH TUNNEL.
HMM, HMM, HMM.
I JUST WAN TO DESCRIBE TO YOU TO PHYSICALLY BE HERE INSTEAD OF SEEING I ON A TELEVISION, FEELING IT IN HERE, KNOWING THE HISTORY, KNOWING HOW MUCH-- HOW MANY LIVES FROM ALL AGES, THOUSANDS THOUSANDS.
WERE CARTED OFF HERE, A TUNNEL 400 485 FEET.
485 FEET GOING DOWN AT A 45-DEGREE ANGLE.
THIS SIDE HERE IS ACTUALLY THE SIDE THAT THEY WOULD HOOK THE COFFINS ONTO, AND THEY HAD A CABLE SYSTEM THAT WOULD HOOK IN UP HERE.
IT'D HOOK ONTO THE COFFINS TO LOWER 'EM DOWN.
(creaking) I MEAN, JUST THINK ABOU BEING AROUND ALL THIS DEATH, THOUGH, EVERY DAY.
IT'S GOT TO SATURATE YOUR MIND.
THERE WAS SAID TO BE A NURSE THAT HUNG HERSELF.
YES.
(man) ACCORDING TO GERMAN LEGEND, IF YOU WERE TO RUN INTO YOUR DOUBLE IN SPIRIT FORM, YOU'RE SUPPOSED TO DIE.
GO TO travelchannel.
com TO GET A BEHIND-THE-SCENES LOOK AT A"GHOST ADVENTURES" SLIDE SHOW.
(distorted girl's voice) I WAS DOING A PARANORMAL CLASS HERE, AND AFTER THE CLASS I WOULD TAKE PEOPLE THROUGH THE BUILDING.
AND I SKIPPED BETWEEN THE FLOORS.
I SPLIT PEOPLE UP ON THE FLOORS.
WELL, I WAS ON THE FIFTH FLOOR THIS PARTICULAR EVENING, AND, UM, I CAME DOWN TO THE THIRD FLOOR.
WHEN I COME DOWN, THE GROUP OUT ON THE THIRD FLOOR WAS REALLY UPSET WITH ME.
AND I ASK THEM WHY, AND THEY SAID, "YOU CAME DOWN HERE JUST FIVE MINUTES AGO.
"YOU TOOK TWO STEPS TOWARD US, "AND YOU TURNED AWAY FROM US, WALKED DOWN TWO DOORS, AND WENT OUT OF THE SOLARIUM AND WAS HIDING FROM US.
" AND I TOLD THEM, I SAID, "I SWEAR TO YOU THAT WAS NOT ME.
" NOW THIS IS THE FIRST TIME I'VE HEARD OF THIS.
IT'S CALLED DOPPEL-- DOPPELGANGER.
DOPPELGANGER.
YEAH.
IT'S A DOUBLE.
OKAY.
IT'S A SPIRIT DOUBLE.
ACCORDING TO THE OLD GERMAN LEGEND, IF YOU WERE TO RUN INTO YOURSELF, WHICH IS YOUR DOUBLE YOU DIE? IN SPIRIT FORM-- YEAH, YOU'RE SUPPOSED TO DIE.
SO TONIGHT IF I WE RUN INTO OURSELVES, THEN WE--THEN WE KNOW WE'RE GONNA DIE.
THAT'LL BE FUN, RIGHT? I DON'T EVEN KNOW IF WE'RE TALKING TO REAL ZAK RIGHT NOW.
(laughs) I'M WONDERING, TOO.
CAN YOU FLIP YOUR VIEWFINDER AND JUST LET ME SEE? YEAH, THAT IS YOU.
YEAH, I THINK IT IS.
WAIT.
(laughs) I DON'T DO THAT.
EVERYONE, GET AWAY FROM HIM.
BACK AWAY.
THIS IS THE TIME TO RUN.
(Zak) IN SEVERE CASES OF TUBERCULOSIS, DOCTORS WOULD RESOR TO A RADICAL PROCEDURE.
A PATIENT'S CHEST CAVITY WAS OPENED IN ORDER TO REMOVE AS MANY AS EIGHT BONES FROM THE RIB CAGE.
THIS ALLOWED DOCTORS TO DEFLATE THE LUNGS, WHICH WAS THOUGHT TO GIVE THE INFECTED TISSUE TIME TO HEAL.
(distorted voice) (Scott) NOW THIS IS THE O.
R.
YOU KNOW IT BY THE OVERHEAD LIGHTS.
(Zak) OKAY.
YEP, THIS IS THE MAIN OPERATING ROOM OF THE HOSPITAL.
(David) ONE OF MY FIRS EXPERIENCES ACTUALLY HAPPENED WITH ONE OF THE FELLOW TOUR GUIDES SCOTT.
THE DOORS ARE NOTORIOUS FOR SLAMMING SHUT.
(Scott) SO WE WAS TRYING TO GET IT TO SLAM SHUT.
AS WE WERE SITTING THERE ASKING QUESTIONS, KEPT HEARING A WHISTLE.
WE BOTH ACKNOWLEDGED THIS WHISTLE.
I WAS SITTING IN A LITTLE PLASTIC WHITE CHAIR SITTING RIGHT HERE, AND ABOU THAT TIME I HEARD A LOUD POP.
SOMETHING JUST WHOP, WALKED AROUND MY CHAIR.
I TURN TOWARDS SCOTT.
HE'S STILL SITTING CROSS-ARMED IN THE CHAIR, BUT THE BACK TWO LEGS OF THE CHAIR COME BACK DOWN ON THE GROUND, AND YOU'RE HEARING-- HE'S GETTING UP AND HOLDING HIS BACK SAYING, YOU KNOW, HE'S BEEN PUNCHED.
(Scott) THIS IS MIKE AND SCOT IN THE OPERATING ROOM.
(clattering) WHAT WAS IT? (bleep) WHAT HAPPENED? (speaking indistinctly) (Zak) WERE YOU PROVOKING OR ANYTHING? (Scott) NO, AT ALL.
I KNOW BETTER THAN TO PROVOKE INSIDE THIS BUILDING, BECAUSE WHEN PROVOKED, IT CAN GET NASTY.
IF WE COULD JUST REWIND AND GO BACK 70 YEARS, WHAT ENERGY WAS IN HERE? WE DON'T KNOW.
AND--AND NOT JUST AN OVERALL, "OH, YEAH, BACK THEN THEY HAD SURGERIES IN HERE, AND IT WAS JUST CRAZY.
" WELL, LET'S GO BACK TO AN EXACT DATE AND EXACT TIME, YOU KNOW WHAT I MEAN SURE, SURE.
AND REALLY LOOK A THE SITUATION, THAT ONE LITTLE SECOND OF ENERGY MAY HAVE BEEN THE ONE TO TRIGGER AN ATTACK OR SOMETHING.
AH, SCOTT YES? SORRY.
JUST REALLY QUICK, I JUST GOT TO ASK A QUESTION.
UH, PEOPLE--WHEN PEOPLE COME IN HERE, HAVE THEY EVER FELT LIKE THEIR SIDE'S HURT? I'VE HAD A LO OF PEOPLE COMPLAIN ABOUT GETTING BAD HEADACHES IN HERE.
THE WHOLE TIME MY SIDE'S BEEN LIKE YEAH, KILLIN' YA? YEAH.
IN HERE? YEP.
LIKE THIS WHOLE SIDE RIGHT NOW? LIKE, REALLY BAD, YEAH, LIKE PRESSURE.
YEAH, THAT HAPPENS.
THE WHOLE TIME YOU'VE BEEN TALKING I'VE HAD TO, LIKE, HOLD IT TO, LIKE, HOLD THE PRESSURE AWAY.
I NOTICED.
I KNOW YOU HAD YOUR HAND UP.
YEAH, I WAS DOING I THE WHOLE TIME, 'CAUSE IT HURT REALLY BAD.
YEAH, A LOT OF TIMES WHEN I COME IN THIS ROOM DOING TOURS, THIS IS ABOUT AS FAR AS I GO.
LET'S MARK AN X IN HERE.
(banging) RIGHT NOW I'M A VOLUNTEER TOUR GUIDE HERE AT WAVERLY, BUT I HAVE BEEN HERE, UM, PRETTY MUCH ALL MY LIFE.
DO YOU NOW HAVE HAUNTING IMAGES THAT YOU REMEMBER AS A CHILD? I ACTUALLY DO.
LIKE I WAS SAYING, WE--I GREW UP IN ONE OF THE OLD DOCTOR'S HOUSES DOWN ON EAST PAGES, UM, AND WE WOULD HEAR THEM SCREAMING OUT THE WINDOWS, SCREAMING FOR HELP, YOU KNOW, AND WE WOULD SCREAM BACK AS CHILDREN TO SHUT UP.
YOU KNOW, WE DIDN'T KNOW ANY DIFFERENT.
WE JUST KNEW THEY WAS AGGRAVATING US WHILE WE WERE PLAYING, YOU KNOW.
AND I REMEMBER THA VERY, VERY VIVIDLY.
(screaming) IT DOESN'T MATTER HOW OLD OR TOUGH YOU ARE.
YOU'VE GOT TO REMEMBER THAT THIS STUFF HAPPENED, AND EVEN HEARING THESE STORES CAN GET YOU EMOTIONALLY.
THEY--IT CAN BE VERY SAD.
VERY.
(Tina) OKAY, WE ARE IN THE AUTOPSY ROOM.
THESE ARE THREE ORIGINAL BODY TRAYS, AND IT'S THE ONLY TRAYS THAT WERE EVER IN THIS ROOM.
THERE WAS NO MORE THAN THREE.
NOW OVER HERE I HAVE TWO AUTOPSY TABLES.
THEY GOT DRAINING HOLES IN 'EM.
(Zak exhales) LOOK AT THIS, DRAINING HOLES.
YEAH.
THEY USUALLY DONE AUTOPSIES ON PEOPLE THEY THOUGHT MAY HAVE DIED OF SOMETHING OTHER THAN TUBERCULOSIS.
MM-HMM.
(creaking) THERE WAS SAID TO BE A NURSE THAT HUNG HERSELF.
IS THAT TRUE? YES.
IT IS? IT IS.
IT IS TRUE.
WHERE DID THAT HAPPEN? WELL, A LOT OF PEOPLE THINK IT HAPPENED IN ROOM 502.
WHERE'S THAT? IT'S RIGHT THERE.
WHERE YOU'RE STANDING, LOOK ABOVE YA.
(David) THERE WAS A MAINTENANCE MAN, MR.
THORNBERRY.
HE WOULD COME UP THE ELEVATOR SHAFT TO COME TO WORK EVERY DAY.
HE'S THE ONE WHO ACTUALLY FOUND THIS NURSE HANGING.
WHEN THE DOORS OPENED, SHE WAS SUPPOSED TO HAVE BEEN IN FRONT OF THE ELEVATOR.
WHY DID SHE TAKE HER OWN LIFE? WELL, SHE WAS EXPECTING.
OH.
SHE WASN'T MARRIED.
THIS IS IN THE EARLY 1930s.
YOU KNOW, SHE'D HAVE BEEN SHUNNED BY EVERYONE.
AND IT WAS ALSO RUMORED THAT SHE HAD CONTRACTED TUBERCULOSIS OH, MY GOD.
AND YOU KNOW, COULD YOU IMAGINE WHAT WENT THROUGH HER HEAD? BEING PREGNAN AND CONTRACTING IT, TO KNOW THAT YOUR UNBORN CHILD HAS IT, TOO.
YEAH.
WITHOUT GOING INTO TOO GRAPHICAL DETAIL, IT LOOKED LIKE IT WAS AN ABORTION GONE BAD REALLY? AND THAT THEY--THEY ENDED UP FINDING THE FETUS DOWN IN THE FIFTH FLOOR WELL SYSTEM.
(crickets chirping) WE HEARD ABOUT, ON THE FOURTH FLOOR THERE'S LIKE A CREATURE.
HAVE YOU HEARD ABOU THIS PHENOMENON, THAT THE--THE THE CREEPER? THE CREEPER.
YEAH.
NOW IS THIS I'VE SEEN THE CREEPER.
YOU'VE SEEN THE CREEPER? WELL, THE CREEPER IS ANOTHER TYPE OF SHADOW ENTITY.
HE USUALLY WALKS OUT A DOOR.
BUT IT SEEMS LIKE IT'LL FALL TO THE FLOOR ON ALL FOURS, AND IT JUST CRAWLS.
AND WE'VE SEEN IT CRAWL ON THE CEILING BEFORE.
AND YOU KNOW, NOT EVERYTHING THAT HAPPENS HERE IS DARK.
I'VE HAD THINGS (indistinct sounds) (indistinct) NOISES.
(Zak) DID YOU SEE THE DOOR? YEP.
IS THERE ANYBODY IN HERE WITH US? I JUST WANT TO LISTEN TO THIS REAL QUICK, SEE IF THERE'S ANYTHING ON THERE.
(distorted voice) GIVE ME A BREAK.
IT GOES (whispers) "GIVE ME A BREAK.
" LISTEN.
(distorted voice) GIVE ME A BREAK.
WHAT THE HELL WAS THAT? (Nick) THAT'S WHA HE WAS TALKING ABOUT, ABOUT THE WHISTLE.
YEAH.
THAT'S WHA YOU WERE TALKING ABOUT.
WHISTLE.
LISTEN.
THE WHISTLE.
THAT'S SOMETHING WE FOUND OU ABOUT ABOUT A YEAR AGO.
A LOT OF TIMES WHEN SOMETHING PRETTY GOOD'S ABOUT TO HAPPEN WE'LL GET A WHISTLE.
(Zak) WHAT I'M GONNA DO HERE IS I'VE GOT THE WHOLE GANG HERE AT WAVERLY HILLS INCLUDING TINA, SCOTT.
WE JUST INTERVIEWED 'EM.
I'M GONNA LET THEM LISTEN TO THE E.
V.
P.
WE JUST CAPTURED.
(distorted voice) I HEARD IT.
I HEARD IT.
CLEAR AS A BELL.
CLEAR.
THAT'S AWESOME.
WAVERLY--WE'VE ONLY BEEN HERE FOR TEN MINUTES.
YEAH, WE GOT IT.
WE LOVE THIS PLACE ALREADY.
TINA, ARE YOU READY TO LOCK US IN? I'M READY.
SO PUMPED UP FOR THIS ONE.
ANYTHING COMES WITHIN THIS ANTENNA, IT'LL LIGHT UP, AND WE'LL KNOW SOMETHING'S THERE.
(Zak) ARE YOU STANDING RIGHT HERE? PLEASE STEP AWAY FROM THIS SO IT'LL TURN OFF.
(beeping) (beeping stops) IT'S DUSK.
WITH THAT SAID, TINA, ARE YOU READY TO LOCK US IN? I'M READY.
ARE YOU? UH, HANG ON.
LET ME ASK.
AARON, ARE YOU, MY FRIEND, READY FOR THIS LOCKDOWN? I AM, MAN.
THIS IS GONNA BE AWESOME.
ARE YOU, NICK? I COULDN'T BE MORE HAPPIER TO BE LOCKED IN HERE.
SO PUMPED UP FOR THIS ONE.
LET'S GO.
WHOO! LET'S GO.
OKAY, NOW WE'RE GONNA BE LOCKING OURSELVES IN HERE.
SHE'S GIVING US THIS LOCK, WHICH HAS A COMBINATION ON THE OTHER SIDE OF IT.
AND BECAUSE WE'RE NOT GONNA DRILL A NEW HINGE OUT HERE, THERE'S ONE ON THE INSIDE.
SO AS SOON AS WE LOCK THIS, WE DON'T KNOW THE COMBINATION TO REOPEN I AND LET OURSELVES OUT.
AS SOON AS YOU HEAR THAT CLICK, THERE'S NO TURNING BACK NOW.
(clicking) JUST FOR ADDED MEASURE WE ARE LOCKED DOWN INSIDE ONE OF THE SAID TO BE MOST HAUNTED BUILDINGS IN THE WORLD.
THOUSANDS OF DEATHS AND OF SUICIDES.
WITH THAT SAID, I ALWAYS LIKE TO GIVE AN OPENING PRESENTATION.
IF YOU PERISHED HERE FROM TUBERCULOSIS, WE ARE EXTREMELY SORRY AND SADDENED BY YOUR DEATH.
WE WOULD LOVE TO COMMUNICATE WITH YOU AND BRING YOU COMFORT, AND THAT'S WHY WE ARE HERE.
NOW SOME OF YOU MAY HAVE NOTICED THAT ON THE BACK OF THE BUILDING THERE ARE SOME EXPOSED WINDOWS.
WELL, WE ARE ON THE SECOND LEVEL.
THE FIRST LEVEL DOESN'T HAVE ANY OF THESE WINDOWS.
SO IF SOME OF YOU ARE SAYING, "WELL, THEY'RE NOT LOCKED IN"-- NICK, WHY DON'T YOU BRING YOUR CAMERA OVER HERE.
AARON, DO YOU SEE ME? (Aaron) YEP! OKAY.
DO YOU SEE HOW FAR THIS DROP-OFF IS? SO IF WE ARE TO JUMP DOWN, I THINK WE MIGHT JOIN ALL OF THE OTHER SOULS THAT ROAM THIS PLACE BECAUSE I DON'T THINK WE'D MAKE IT ALIVE.
ALL RIGHT, RIGHT NOW LET'S GO OVER OUR X's.
FOURTH FLOOR HALLWAY-- COUNTLESS APPARITIONS, SHADOW FIGURES, THIS IS ALSO WHERE THE CREEPER, THIS ENTITY, THIS DEMONIC ENTITY HAS BEEN SEEN CRAWLING ON THE CEILING.
THE NEXT X, FOURTH FLOOR ALSO-- THE SURGICAL ROOM WHERE SCOTT DIRECTOR OF SECURITY AND A TOUR GUIDE, 6'3", 240 POUNDS, WAS VICIOUSLY AND VIOLENTLY ATTACKED IN THAT ROOM WITH A HUGE BRUISE THIS BIG WITH BLOOD DRAWN TO THE SURFACE.
BUT WHAT'S REALLY IRONIC IS BEFORE THAT ATTACK HE HEARD A WHISTLE, THE SAME WHISTLE WE CAPTURED ON OUR DIGITAL RECORDER EARLIER.
(whistling) WHAT THE HELL WAS THAT? THE WHISTLE IS SAID TO HAPPEN RIGHT BEFORE ANY ATTACKS HAPPEN.
SO DID WE GET MARKED? WE'RE GONNA FIND OUT.
THE NEXT X, THIRD FLOOR HALLWAY-- COUNTLESS APPARITIONS AND ALSO SHADOW FIGURES OF PATIENTS.
ANOTHER PHENOMENON WE NEED TO BE LOOKING FOR TONIGH IS THE DOPPELGANGERS.
THIS IS SAID TO HAVE YOUR DOUBLE WALK AROUND AMONGST YOU, AND IF YOU COME IN CONTAC WITH YOUR DOUBLE, YOU ARE SAID TO DIE.
GOOD ENCOURAGING WORDS TO START OUR INVESTIGATION.
SO BEFORE WE STAR OUR LOCKDOWN INVESTIGATION-- WHEN WE WERE WALKING AROUND, I SAW THIS PICTURE OF LOIS WHO DIED IN THIS ROOM FROM TUBERCULOSIS, AND I DON'T KNOW, I FELT JUST SOMETHING.
SO I JUST WANTED TO STAR THIS LOCKDOWN OFF BY, UM, LEAVING HER SOME OF THESE FRESH FLOWERS.
ALL THE WAY UP.
RIGHT NOW WE'RE STARTING OUR LOCKDOWN OFF BY SETTING UP THREE OF OUR STATIC NIGHT VISION CAMERAS ON OUR X's.
WE'RE HEADED RIGHT NOW TO ROOM 502 WHERE THE NURSE HUNG HERSELF.
SO AS ALWAYS, NICK HAS HIS CAMERA RUNNING.
YOU NEVER KNOW.
WHILE WE'RE SETTING THESE UP, SOMETHING CAN HAPPEN.
RIGHT NOW WE'RE GONNA USE THIS NEW PIECE OF EQUIPMENT.
IT'S A REM-POD.
ANYTHING COMES WITHIN THIS ANTENNA, ANY SPIRIT, YOU'LL SENSE IT.
BUT YOU HAVE TO BE CLOSE.
LIKE, LOOK, I'M THIS CLOSE TO IT.
(beeping) IT HAS TO WALK UP ON I FOR IT TO GO OFF.
(Zak) SO WHEN IT BREAKS THE ENERGY FIELD, IT'S GONNA LIGHT UP? IT WOULD LIGHT UP, AND WE'LL KNOW SOMETHING'S THERE.
COOL.
WHERE YOU PUTTING IT? I'M JUST GONNA SET IT-- ZAK, RIGHT IN THE MIDDLE HERE? YEAH, THAT'S GOOD.
LET ME GET SOMETHING SO YOU CAN SEE IT.
(beeping) WHAT'S GOING ON? SOMETHING-- DID YOU SEE THAT? YEAH, YEAH, YEAH, YEAH.
STEP BACK.
STEP BACK.
ARE YOU ROLLING ON THAT? (Nick) YEAH.
IS THERE SOMEBODY HERE? WERE YOU JUST HERE THAT? I'M VERY, VERY SORRY THAT YOU HAD TO TAKE YOUR OWN LIFE RIGHT HERE IN THIS ROOM.
CAN WE COMFORT YOU IN ANY WAY? COME THIS WAY.
I CAN FEEL IT, NICK.
ARE YOU STANDING RIGHT HERE? (beeping) (beeping) DO YOU HEAR THAT? ARE YOU STANDING HERE? CAN YOU GRAB MY HAND? CAN YOU STEP AWAY FROM THIS SO IT'LL TURN OFF? (beeping stops) OH.
(Aaron) NO WAY.
(beeping) YOU LIKE PLAYING WITH THAT NOW, DON'T YOU? BECAUSE YOU'RE SEEING SOMETHING REACT TO YOUR MOVEMENT.
NOW I WANT YOU TO STEP BACK AGAIN.
(beeping stops) IF YOU TALK TO US, I'LL BE ABLE TO HEAR YOU WITH THE THING I'M HOLDING IN MY HAND, AND WE CAN PLAY IT BACK FOR YOU.
YOU CAN HEAR YOUR OWN VOICE.
WHAT IS YOUR NAME? DO YOU LIKE PLAYING WITH THIS? (beeping) YES.
THAT'S YES.
YOU LIKE THAT, HUH? ZAK (speaking indistinctly) DO YOU FEEL THE BREEZE? SHE'S RIGHT-- SHE'S RIGHT HERE WITH US.
SHE'S NICE.
I'M FEELING THIS ENERGY RIGHT NOW.
SHE'S NICE.
I DO, TOO.
(beeping stops) NOW I WANT YOU TO COMMUNICATE ON THAT DIGITAL RECORDER NICK MY FRIEND IS HOLDING.
CAN YOU TELL US YOUR NAME? (distorted voice) DID YOU HEAR THAT? YEAH, I HEARD IT.
CAN YOU TELL US YOUR NAME? (distorted voice) DID YOU HEAR THAT? YEAH, I HEARD IT.
CAN YOU STEP AWAY AND WALK BACKWARDS FOR A SECOND? FOLLOW ME AND STEP AWAY.
FOLLOW ZAK.
COME HERE.
COME TO MY VOICE AND STEP AWAY FROM THAT.
COME HERE NOW.
(beeping stops) JUST STAY OVER HERE WITH ME.
(Zak) NICK'S DIGITAL RECORDER JUST CAPTURED THIS VOICE, WHICH SOUNDS LIKE A CHILD RESPONDING TO ME.
JUST STAY OVER HERE WITH ME.
(distorted child's voice) WE DON'T WANT YOU TO BE AFRAID.
(beeping) IT'S LIGHTING UP BLUE.
IT'S LIGHTING UP? IT IS.
THAT MEANS THA IT'S A STRONG ENERGY.
GOOD JOB.
YOU'RE TOUCHING IT.
YOU'RE TOUCHING THE TOP.
CAN YOU DO US A FAVOR? IF YOU WANT TO FOLLOW US, FOLLOW US.
(Zak) NO.
I WANT TO DOCUMENT SOMETHING JUST LIKE THAT.
LOOK.
IT'S NOT ALARMING ANYMORE.
I SAID THAT WE WERE GONNA LEAVE, AND SHE LEFT.
AFTER WE LEFT THE ROOM, OUR STATIC NIGHT VISION CAMERA CONTINUED RECORDING FOR OVER AN HOUR, AND NOT ONCE WAS THE ALARM TRIGGERED, TELLING US THAT WE HAD JUST INTERACTED WITH A SPIRI WHO HAD ALSO SPOKEN TO US THROUGH E.
V.
P.
s.
(Aaron) ARE THERE ANY NURSES IN HERE THAT CAN COME AND HELP? WE HAVE A PATIENT IN HERE THAT NEEDS SOME HELP.
(Zak) HERE'S THE BEDS THAT THEY USED TO USE TO DRAIN ALL THE BLOOD OUT OF THE HUMAN BODY.
THIS IS AWESOME.
WE'RE IN LOUISVILLE, KENTUCKY, AT THE INFAMOUS WAVERLY HILLS SANATORIUM WHERE THOUSANDS OF PATIENTS LOST THEIR FIGHT WITH T.
B.
AFTER HAVING MADE CONTACT WITH A CHILD ON THE FIFTH FLOOR (distorted child's voice) WE DECIDED TO HEAD DOWN TO THE FIRST LEVEL TO INVESTIGATE A FEW KNOWN HOT SPOTS OF ACTIVITY.
(speaking indistinctly) (Aaron) ARE THERE ANY NURSES IN HERE THAT CAN COME AND HELP? WE HAVE A PATIENT HERE THAT NEEDS SOME HELP.
JUST THEN THE DIGITAL RECORDER I WAS CARRYING CAPTURED AN E.
V.
P.
THAT SEEMS TO BE A SPIRI RESPONDING TO AARON.
(distorted voice) (Zak) LOOK, I'M ALL BY MYSELF NOW.
HEY, NICK.
(Nick) YEAH? HEY, NICK, NICK.
WHAT'S UP? OH.
OH.
DID YOU JUST TOUCH MY ANKLE? ARE YOU CLOSE TO ME? RIGHT AFTER I FELT SOMETHING TOUCH MY ANKLE, MY DIGITAL RECORDER CAPTURED THIS DISTURBING E.
V.
P.
ARE YOU CLOSE TO ME? (distorted voice) WAS THIS THE SPIRIT OF AN OVERLY MEDICATED PATIEN WHO WAS CRAWLING ON THE FLOOR AND HAD JUST REACHED OU AND GRABBED ME? ZAK, LET'S GO IN HERE.
HERE'S THE BEDS THAT THEY USED TO USE TO TAKE ALL THE BLOOD-- DRAIN ALL THE BLOOD OUT OF THE HUMAN BODY.
(creaking) I THINK IT'S MY TURN.
THIS IS AWESOME.
(creaking) ALL RIGHT, ZAK, I'M GONNA LEAVE.
WHAT? (speaking indistinctly) I'M GONNA LEAVE FOR A SECOND.
AARON AND I ARE GONNA WALK DOWN THIS WAY.
JUST STAY IN HERE FOR A SECOND.
(laughs) BY HIMSELF.
DID YOU WATCH YOUR BODY LAY IN THIS MORGUE? I'M STARTING TO FEEL REALLY, REALLY LETHARGIC.
IMMEDIATELY AFTER I GOT THAT FEELING, MY DIGITAL RECORDER CAPTURED THIS THREATENING E.
V.
P.
(distorted voice) I FEEL LIKE BODIES ARE LAYING ON TOP OF ME, LIKE, STACKED.
LIKE, I JUST CAN'T MOVE.
LIKE, I'M JUST FROZEN.
PRESSURE ON TOP OF ME, LIKE I'M ON A LAYER, AND I'M ON THE BOTTOM LAYER.
JUST THEN I CAPTURED ANOTHER CHILLING MESSAGE.
PRESSURE ON TOP OF ME.
(distorted voice) LIKE I'M ON A LAYER.
NICK? (Nick) YEAH? WHERE YOU AT? WHAT DO YOU MEAN, WHERE AM I AT? SMELLS LIKE CHILI IN HERE.
SMELLS LIKE CHILI? YEAH.
DO YOU SMELL IT? IT DOESN'T SMELL LIKE CHILI.
IT SMELLS LIKE DEATH.
WHAT'S WRONG WITH YOU? I DON'T KNOW.
DID YOU HEAR ANYTHING? I WAS JUST LAYING HERE, AND I JUST GOT SO, JUST LETHARGIC.
YOU WANT ME TO PULL YOU OUT? HUH? YOU WANT ME TO PULL YOU OUT? MM-HMM.
(speaking indistinctly) RIGHT BEFORE NICK PULLED ME OUT OF THE MORGUE, MY DIGITAL RECORDER CAPTURED WHAT SOUNDS LIKE A SPIRI WHO DOESN'T WANT ME TO LEAVE.
YOU WANT ME TO PULL YOU OUT? MM-HMM.
READY? (speaking indistinctly) (distorted voice) I'M, LIKE, AT THE END OF CREEP-VILLE RIGHT NOW.
(Zak) YOU WANT ME TO TURN AROUND WITH MY BACK TO YOU? (Aaron) DID YOU DIE IN HERE? OH! THROUGHOUT THE EVENING WAVERLY HILLS SANATORIUM HAD BEEN REVEALING ITS TRAGIC PAST.
NOW ON THE THIRD FLOOR, WE WOULD EMPLOY THE FULL SPECTRUM CAMERA USED PREVIOUSLY AT WOLFE MANOR TO ATTEMPT FURTHER CONTACT.
(Zak) AND THAT'S RECORDING, AARON? (Aaron) YEP.
OKAY.
AS THE CAMERA ROLLED, WE HEADED UP TO THE NOTORIOUS FOURTH FLOOR.
(Zak) THIS LEVEL IS WHERE WE INTERVIEWED AND HEARD FROM DAVE WHO TOLD US ABOUT A GROUP THAT RAN OUT OF HERE AFTER THEIR ENCOUNTER WITH THE CREEPER.
AND THIS IS WHERE THEY SAY MORE OF THE DARKER FORCES ARE.
KEEP YOUR EYES ON ME.
RIGHT NOW I'LL BE WALKING WITH THIS MEL METER, TOO.
IF THIS THING ALARMS, IT IS DETECTING A GHOST.
IS THERE SOMEBODY DOWN HERE? WE'RE NOT HERE TO HURT YOU.
ALL RIGHT, I'M GONNA DO E.
V.
P.
, OKAY? (Nick) ALL RIGHT, GO AHEAD.
OKAY, ROLLING ON THE DIGITAL RECORDER.
DO YOU HAVE TUBERCULOSIS? ARE YOU IN PAIN? CAN YOU TELL ME WHAT YEAR IT IS? I CAPTURED THIS DIREC SPIRIT RESPONSE.
CAN YOU TELL ME WHAT YEAR IT IS? (distorted voice) DID I JUST HEAR YOU? COME ON.
MAKE A NOISE FOR US, PLEASE.
CAN YOU DO THAT? MY DIGITAL RECORDED CAPTURED BACK-TO-BACK E.
V.
P.
s FROM TWO DISTINCTLY DIFFERENT SPIRITS WHO APPEAR TO BE PATIENTS INFECTED BY THE TUBERCULOSIS EPIDEMIC.
CAN YOU DO THAT? (distorted voices) YEAH, I KNOW FOURTH FLOOR'S WHERE THE SURGICAL SUITE IS.
(Aaron) THIS WAY.
THIS WAY.
THERE'S THE NEXT X.
DO YOU HAVE THA DIGITAL RECORDER, NICK? (Nick) YEAH.
LET ME SEE IT QUICK.
(Aaron) I'M JUST GONNA STAND HERE JUST IN CASE.
RECORDING SURGICAL SUITE, AARON, NICK, ZAK.
ARE YOU IN HERE WITH US? ONLY SECONDS AFTER TURNING ON THE DIGITAL RECORDER, I CAPTURED THIS CLASS "A" E.
V.
P.
RECORDING SURGICAL SUITE, AARON, NICK, ZAK.
(distorted voice) ARE YOU IN HERE WITH US? DID YOU PUNCH SCOTT? DO YOU WANT TO ATTACK ME? WE FIRMLY BELIEVE THAT WE ARE CURRENTLY IN THE PRESENCE OF A KINDRED SPIRI WHO WISHED US LUCK WITH OUR INVESTIGATION.
ALL RIGHT (speaking indistinctly) LET'S GO, GUYS.
LET'S GO.
AARON.
HMM? GO ALL THE WAY DOWN AT THE END OVER THERE.
GO ALL THE WAY AT THE END.
I'M GONNA STAY.
NOW GO DOWN THERE.
I SWEAR, I THOUGH YOU WERE SOME-- NICE WAS STANDING RIGHT IN HERE WHEN I PASSED.
WHO, ME? HUH? THE DOPPELGANG GUY.
REGULAR PEOPLE ARE SEEING YOU.
WHEN YOU MAY BE ON THE FIFTH FLOOR, THEY'RE SEEING YOU ALSO ON THE SECOND FLOOR.
THEY'VE SEEN ME WHEN I HAVEN' EVEN BEEN ON THE HILL.
GO ALL THE WAY DOWN THERE, AARON.
NICK, PULL BACK A LITTLE BIT.
AARON, STAY IN THERE FOR A SECOND, OKAY? (Aaron) ALL THE WAY DOWN.
I'M, LIKE, AT THE END OF CREEP-VILLE RIGHT NOW.
(Zak) COME ON, WHISTLER MAN.
IF YOU'RE OUT THERE IN THE HALLWAY, I'M GONNA TURN MY BACK TO YOU.
I'M GONNA DO SOME E.
V.
P.
s WHILE I'M OUT HERE ANYWAYS.
I'M GONNA ROLL MY DIGITAL RECORDER.
DID YOU DIE OF TUBERCULOSIS IN HERE? (distorted voice) OH! DUDE.
DID YOU DIE OF TUBERCULOSIS IN HERE? (distorted voice) DUDE.
(Nick) HOLD ON.
STOP.
(Zak) AARON! (Aaron) DUDE, COME HERE NOW! AARON.
WHAT THE (bleep), DUDE? IT'S A BLACK FIGURE.
AARON.
YEAH? GO DOWN TO THAT END.
NO! IT WAS JUST AFTER 4:00 A.
M.
ON THE FOURTH FLOOR OF WAVERLY HILLS SANATORIUM WHEN AARON EXPERIENCED A CHILLING ENCOUNTER.
THAT LAST ONE REALLY, I THINK, LIKE, TWO DROPS OF PEE CAME OU ON THAT ONE, FOR SURE.
OH, MAN, I'M SPOOKED.
I AM SPOOKED.
JUST THEN, AARON CAPTURED THIS CREEPY VOICE THAT SOUNDS LIKE A KID TAUNTING HIM.
I THINK, LIKE, TWO DROPS OF PEE CAME OU ON THAT ONE, FOR SURE.
(distorted voice) (Zak) WHY ARE YOU HARMING PEOPLE IN THIS ROOM? NICK AND I TRIED TO MAKE CONTACT IN THE O.
R.
ARE YOU STILL TRYING TO TAKE PEOPLE'S RIB CAGES OUT? AT THIS PRECISE MOMEN I CAUGHT THIS VOICE, WHICH TO US SOUNDS LIKE A DOCTOR OR NURSE TELLING THIS IN REGARDS TO A PATIEN DURING A SURGICAL PROCEDURE.
ARE YOU STILL TRYING TO TAKE PEOPLE'S RIB CAGES OUT? (distorted voice) IS THAT WHY YOU'RE SO ANGRY? 'CAUSE WE'RE NOT TRYING TO BRING HARM IN HERE.
WHERE'S AARON? (Nick) I HAVE NO CLUE.
I'M GONNA ROLL MY DIGITAL RECORDER ON THE FOURTH FLOOR.
OH, WELL.
(clattering) WHOA, WHOA, WHOA, WHOA.
WHAT THE (bleep) WAS THAT, DUDE? OH, WELL.
(clattering) WHOA, WHOA, WHOA, WHOA.
SOMETHING JUST TOTALLY MOVED IN HERE.
OH! OH! OOH.
(Nick) HOLD ON.
STOP.
(Zak) AARON! (Aaron) DUDE, COME HERE NOW! SOMETHING WENT-- I HEARD A COUPLE BREATHS, LIKE A MOAN, WHICH, DUDE, IT SOUNDED LIKE SOMEONE FROM TUBERCULOSIS.
WHERE, IN HERE? NO, LOOK, LOOK.
THEN I HEARD SOMETHING MOVING AROUND HERE.
I WALK IN THE DOOR.
SOMETHING HITS ME, AN ENERGY.
I BACK OUT.
NO JOKE, BRO.
AARON.
YEAH? GO DOWN TO THAT END.
(bleep) IT WAS HAPPENING WHEN WE WERE SPREAD OUT.
NO.
NICK, GO WITH HIM.
NO! DUDE, SERIOUSLY.
ALL RIGHT, I'M SERIOUSLY, OKAY, SERIOUSLY LISTENING TO YOU.
LOOK AT ME AGAIN.
LET'S ADDRESS HIM.
GO ALL THE WAY.
LET'S WE'RE ALL VULNERABLE.
JUST SOMEONE STAY.
WELL, OBVIOUSLY.
WELL, A MINUTE AGO IT TOOK FOUR TRIES TO GET YOU GUYS OVER HERE, SO WELL, YOU'RE THE BAIT.
WE'RE JUST WATCHING OUR BAIT RIGHT NOW TO SEE IF IT GETS NIBBLED ON.
IF WE SEE YOUR BOBBER GOING UP AND DOWN, WE'LL REEL YOU BACK IN.
(Nick laughs) AT THIS TIME WE DECIDED TO REVIEW OUR FULL SPECTRUM CAMERA FOOTAGE FROM THE THIRD FLOOR UNAWARE OF THE SHOCKING EVIDENCE WE HAD CAPTURED.
(Zak) WHAT THE (bleep)? LOOK AT THIS (bleep), MAN.
IT'S A BLACK FIGURE.
IT MANIFESTS RIGHT IN THE SCREEN.
IT'S WALKING (Aaron) REWIND IT.
TO THE CAMERA.
WATCH.
HE WALKS OU OF THAT ROOM.
IT WALKS AND GOES INTO THAT WALL.
WE TRAVEL TO PENNSYLVANIA TO PRESENT THIS EXTRAORDINARY PIECE OF EVIDENCE TO THE AMERICAN PARANORMAL RESEARCH ASSOCIATION.
(Zak) GUYS, WHAT I'M ABOU TO SHOW YOU IS A FULL SPECTRUM CAMERA.
WE SET IT UP.
TOWARDS THE VERY, VERY-- IT'S ALMOST NEAR THE END OF THE TAPE-- YOU SEE SOMETHING.
YEAH.
OH, YEAH, DEFINITELY, RIGHT HERE.
WHAT DO YOU SEE? IT SEEMS TO BE A HUMANOID SHAPE.
OKAY, YEAH.
OH, WOW.
YEAH, LOOK AT THAT.
SEE THE HEAD? SEE THE HEAD? SEE THE HEAD? UH-HUH.
UH-HUH.
NOW IT STARTS TO SEE THE BLACK.
BUT RIGHT BEFORE THA YOU CAN SEE THE HEAD, AND IT ALMOST LOOKS LIKE HAIR.
LIKE LONGER HAIR.
LONGER HAIR.
LIKE A FEMALE.
FEMALE HAIR.
THAT'S WHAT-- I LOOK AT PHOTOGRAPHS.
THAT'S WHAT I DO.
WE KNOW YOU HAVE A PHOTOGRAPHY BACKGROUND, AND THAT'S WHY WE'D LIKE TO SHOW PEOPLE THIS THAT ARE IN THOSE SPECIFIC FIELDS, 'CAUSE THEY CAN SOMETIMES PICK UP STUFF THAT WE CAN'T.
THERE'S SOMETHING BEHIND IT, TOO.
YOU GUYS GOT THAT? THERE'S SOMETHING BEHIND IT.
IT'S COMING UP.
NOT ONLY IS THERE JUST ONE THAT WE THOUGHT WE CAPTURED, BUT WE ARE FINDING A SECOND WHAT YOU WERE CALLING A HUMANOID SHADOW FIGURE TYPE YES.
DEFINITELY.
TYPE ANOMALY THAT IS GOING ACROSS THE HALLWAY AND BACK OVER AGAIN.
I THINK IT'S HIDING FROM YOU GUYS.
TWO DIFFERENT-- YOU THINK IT IS? YEAH, I DO, ABSOLUTELY.
OH, YEAH, DEFINITELY.
I THINK IT'S HIDING FROM YOU, SNEAKING UP ON YOU.
I THINK IT'S DEFINITELY AWARE OF THE CAMERA.
OH, YEAH.
IT'S INTELLIGENT.
OH, ABSOLUTELY.
REALLY? ABSOLUTELY.
AND THE QUESTION IS IS DID WE JUST CAPTURE A WOMAN, AN UNFORTUNATE WOMAN WHO DIED FROM TUBERCULOSIS RIGHT HERE AT WAVERLY HILLS? LOVED ONES INFECTED, CHILDREN WITHOUT PARENTS DESPERATE MEASURES, THE SENSE OF LOSS THAT PERMEATES WAVERLY HILLS IS SOBERING.
(Zak) YOU COME TO A PLACE LIKE THIS TO TELL YOU WHETHER OR NO PRETTY MUCH YOU'RE GOING TO LIVE OR DIE.
EVERY CORRIDOR SEEMS ALIVE WITH THE MEMORY OF THOSE WHO FELL VICTIM TO THIS SAVAGE DISEASE.
SHADOWS AND VOICES REACH OUT, DESPERATE TO MAKE CONTACT.
CAN YOU TELL US YOUR NAME? (distorted voice) THE SPIRIT OF WAVERLY HILLS WILL LIVE ON.
OH! OH! DUDE, COME HERE NOW! YOU'RE SUPPOSED TO BE HERE.
THERE'S A REASON.
THIS IS AWESOME.
MY NAME IS ZAK BAGANS.
I NEVER BELIEVED IN GHOSTS UNTIL I CAME FACE-TO-FACE WITH ONE.
YOU WANTED US.
YOU GOT US.
SO I SET OUT ON A QUES TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.
GO, GO, GO! WITH NO BIG CAMERA CREWS FOLLOWING US AROUND, I AM JOINED ONLY BY MY FELLOW INVESTIGATOR NICK GROFF AND OUR EQUIPMENT TECH AARON GOODWIN.
THE THREE OF US WILL TRAVEL TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS WHERE WE WILL SPEND AN ENTIRE NIGH BEING LOCKED DOWN FROM DUSK UNTIL DAWN.
(Zak) YOU HAVE REACHED YOUR FINAL DESTINATION-- HELL.
RAW OH! STOP! EXTREME (Aaron) HOLY (bleep)! (Zak) STOP! (bleep) STOP RUNNING! THESE ARE OUR GHOST ADVENTURES.
Closed Captions provided by Scripps Networks, LLC.
ALL OVER THIS BROAD LAND OF OURS A BITTER WAR IS BEING FOUGH AGAINST TUBERCULOSIS.
LET'S SEE WHAT IS BEING DONE.
IF DEATH HAS A HOME ADDRESS, IT'S WAVERLY HILLS SANATORIUM IN LOUISVILLE, KENTUCKY.
THIS GIANT BAT-WINGED BUILDING WAS THE FINAL RESIDENCE FOR THOUSANDS DURING THE TUBERCULOSIS EPIDEMICS THAT KILLED MILLIONS WORLDWIDE.
(woman) AT THE HEIGH OF TUBERCULOSIS, THERE WERE PEOPLE DYING, LIKE, EVERY MINUTE.
(man) THE WORK OF SCIENTISTS ALONE CANNOT ELIMINATE THE DEADLY BACTERIA THAT CAUSE TUBERCULOSIS.
THOUGH YOU MAY HAVE ENTERED THROUGH THE FRONT DOOR FOR TREATMENT, THOUSANDS LEFT HERE THROUGH THE BODY CHUTE OR THE DEATH TUNNEL, 500 FEET STRAIGHT DOWN TO A WAITING HEARSE BELOW.
FILLED WITH SHADOW FIGURES, APPARITIONS, AND VOICES FROM THE PAST, WAVERLY HILLS IS THE PLACE WHERE GHOSTLY SIGHTINGS ARE ALMOST A DAILY OCCURRENCE.
(woman) A LOT OF PEOPLE WALK DOWN THE HALLWAY, AND YOU FEEL LIKE SOMEBODY'S HOLDING YOUR HAND.
AND THEN THERE'S THE SADDER SIDE OF THE HAUNTINGS-- THE GHOSTS OF CHILDREN EAGER TO PLAY BALL WITH VISITORS.
(man) DID YOU KNOW THAT THE TUBERCULOSIS GERM ACTUALLY BREATHES, EATS, AND REPRODUCES? SOMEDAY MAYBE THEY'LL GIVE US A CURE.
(Zak) T.
B.
IS A HIGHLY CONTAGIOUS BACTERIAL INFECTION.
AS IT WEAKENS THE IMMUNE TUMORS RAVAGE THE LUNGS.
WHAT IS THIS HERE? THIS WAS THE X-RAY ROOM.
AS YOU CAN SEE, THEY HAD A LOT OF WINDOWS HERE.
UH-HUH.
SO THEY HAD DIP TANKS THAT THEY HAD TO DEVELOP THE X-RAYS MM-HMM.
SO THEY HAD TO MAKE A DARK ROOM.
X-RAYS, WE CALL 'EM.
THE RAYS PASS RIGHT THROUGH THE BODY AND THROW A SHADOW PICTURE ON THE FILM IN THE HOLDER.
(Nick) I DON'T THINK (Tina) COME ON, GUYS.
KEEP COMING.
(laughs) (Zak) OKAY, YOU CAN TURN IT ON NOW.
FOLLOW ME.
RIGHT HERE ARE THE ORIGINAL DIP TANKS.
THESE ARE ALL THE LITTLE RACKS.
THAT'S WHERE THEY WOULD PU ALL THE LITTLE X-RAYS.
MM-HMM.
THEY WOULD HOLD THE X-RAYS.
YES.
JUST THINK HOW MANY PHOTOS MANIFESTED RIGHT HERE TO TELL SOMEBODY WHETHER OR NOT THEY WERE GOING TO EITHER LIVE OR DIE.
I MEAN, JUST IMAGINE THAT.
THINK ABOUT THAT.
DON'T JUST HEAR IT.
THINK ABOUT IT.
YOU'RE IN A PLACE IN THE 1920s.
YOU COME TO A PLACE LIKE THIS.
AND YOU GE YOUR X-RAY DONE TO TELL YOU WHETHER OR NO PRETTY MUCH YOU'RE GOING TO LIVE OR DIE.
CAN YOU IMAGINE ALL THE PRAYERS THAT WENT OUT OF THIS PLACE? (Zak) YEAH.
THAT DOESN'T GO AWAY.
YEAH.
(coughing) (man) IN THIS SANATORIUM, AS IN MANY OTHERS, CHILDREN ARE CARED FOR IN A SPECIAL DEPARTMENT.
(Tina) THIS IS THE FIFTH FLOOR.
(Zak) WOW.
WE JUST REDID ALL THIS.
WOW.
THIS WAS ALL BROKEN UP.
WE HAVE A PICTURE DOWNSTAIRS OF CHILDREN IN A SWING SET UH-HUH.
AND ZAK IS STANDING RIGHT WHERE THEY WERE AT.
I MET A LADY.
SHE USED TO WORK UP HERE WHEN SHE WAS 14 YEARS OLD.
SHE WORKED ON THE FIFTH FLOOR WHEN THE CHILDREN WERE ON THE FIFTH FLOOR.
AND SHE SAID THERE WAS MANY DAYS SHE'D COME IN WITH CHILDREN SURROUNDING AN EMPTY BED WHERE ONE OF THEIR FRIENDS HAD PASSED AWAY.
(man) THE ONES WHO ARE HURT MOS ARE THE CHILDREN ALONE.
(Zak) WERE THESE ILL-FITTED CHILDREN TRAPPED HERE BY THE POWER OF SUCH TRAGIC EVENTS? JUST THE OTHER NIGHT WE HAD A COUPLE ON THE THIRD FLOOR.
THEY WERE ASKING TIMMY TO, YOU KNOW, PLAY BALL WITH THEM.
THEY ACTUALLY HEAR A LITTLE BOY COME OVER, AND THEY SAY, "YOU KNOW, TIMMY?" LIKE, "TIMMY WHO?" YOU KNOW.
(child coughing) PATIENTS WERE FED WELL-BALANCED MEALS AND GIVEN PLENTY OF REST, SUNSHINE, AND FRESH AIR TO HELP STRENGTHEN THEIR IMMUNE SYSTEMS IN ORDER TO FIGHT OFF THE DISEASE.
THESE WERE THE PATIENT ROOMS, TWO BEDS PER ROOM.
YOU CAN GET A NICE BREEZE MOST OF THE TIME BECAUSE THEY DIDN'T HAVE AIR-CONDITIONING AND ALL THAT, YOU KNOW, FOR IN THE SUMMERTIME LIKE WE DO NOW.
AND THE BEDS OU ON THE BREEZEWAYS.
THERE WAS NEVER GLASS OR WINDOWS IN THIS.
THIS WAS SCREENS.
SO THIS WAS ALWAYS OPEN? THESE WINDOWS, NOW THA THEY'RE OPEN NOW, I THOUGHT THERE MIGHT HAVE BEEN GLASS WINDOWS HERE NEVER.
AND OVER TIME THEY WERE BROKEN OUT.
COPPER SCREEN.
SCREENS? THAT'S IT.
SO SO THEY COULD GE THE FRESH AIR.
(man) HERE WE ARE IN A LARGE SOUTHERN SANATORIUM.
THIS ONE HAS BEDS FOR 500 PATIENTS.
IF YOU GO ON THE OTHER SIDE OF THE HALLWAY WHERE THEY COULD NOT GO OU AND GET THE FRESH AIR, THOSE WERE CALLED THE TERMINAL ROOMS.
(coughing) COULD YOU IMAGINE HOW YOU FEL IF YOU WERE OVER HERE, AND THEN THEY MOVED YOU OVER THERE? I'VE MET PEOPLE THAT WERE HERE 12, 15 YEARS.
THIS WAS THEIR FAMILY.
DO YOU THINK THAT'S WHY IT'S SO HAUNTED RIGHT NOW? I DO.
IF I COULD GO SOMEWHERE, WHERE WOULD I GO? I WOULD GO HOME.
MM-HMM.
AND I THINK THIS WAS THEIR HOME, AND I THINK THAT'S WHY THEY COME BACK.
RIGHT HERE THEY ACTUALLY HAVE THE PICTURE OF THE PERSON WHO DIED IN THIS EXACT ROOM.
"A PATIENT OF THIS WAVERLY HILLS TUBERCULOSIS HOSPITAL "PASSED AWAY AUGUST 18th OF 1956 AT AGE 28.
" AND WHAT'S REALLY, REALLY CRAZY AND TO SEE EXACTLY WHERE SHE WAS SITTING MAKES IT EVEN MORE CREEPY AND SAD.
(coughing) (Tina) AND THEN ONE OF THE DOCTORS THOUGHT IT WOULD BE GOOD FOR PATIENT MORALE NOT TO LET PATIENTS SEE ALL THE PEOPLE THAT WERE DYING.
WELL, THEY TOOK 'EM DOWN A BODY CHUTE.
WAS THIS THE DEATH TUNNEL? YES.
ZAK BAGANS, YOU ARE NOW ENTERING THE DEATH TUNNEL.
HMM, HMM, HMM.
I JUST WAN TO DESCRIBE TO YOU TO PHYSICALLY BE HERE INSTEAD OF SEEING I ON A TELEVISION, FEELING IT IN HERE, KNOWING THE HISTORY, KNOWING HOW MUCH-- HOW MANY LIVES FROM ALL AGES, THOUSANDS THOUSANDS.
WERE CARTED OFF HERE, A TUNNEL 400 485 FEET.
485 FEET GOING DOWN AT A 45-DEGREE ANGLE.
THIS SIDE HERE IS ACTUALLY THE SIDE THAT THEY WOULD HOOK THE COFFINS ONTO, AND THEY HAD A CABLE SYSTEM THAT WOULD HOOK IN UP HERE.
IT'D HOOK ONTO THE COFFINS TO LOWER 'EM DOWN.
(creaking) I MEAN, JUST THINK ABOU BEING AROUND ALL THIS DEATH, THOUGH, EVERY DAY.
IT'S GOT TO SATURATE YOUR MIND.
THERE WAS SAID TO BE A NURSE THAT HUNG HERSELF.
YES.
(man) ACCORDING TO GERMAN LEGEND, IF YOU WERE TO RUN INTO YOUR DOUBLE IN SPIRIT FORM, YOU'RE SUPPOSED TO DIE.
GO TO travelchannel.
com TO GET A BEHIND-THE-SCENES LOOK AT A"GHOST ADVENTURES" SLIDE SHOW.
(distorted girl's voice) I WAS DOING A PARANORMAL CLASS HERE, AND AFTER THE CLASS I WOULD TAKE PEOPLE THROUGH THE BUILDING.
AND I SKIPPED BETWEEN THE FLOORS.
I SPLIT PEOPLE UP ON THE FLOORS.
WELL, I WAS ON THE FIFTH FLOOR THIS PARTICULAR EVENING, AND, UM, I CAME DOWN TO THE THIRD FLOOR.
WHEN I COME DOWN, THE GROUP OUT ON THE THIRD FLOOR WAS REALLY UPSET WITH ME.
AND I ASK THEM WHY, AND THEY SAID, "YOU CAME DOWN HERE JUST FIVE MINUTES AGO.
"YOU TOOK TWO STEPS TOWARD US, "AND YOU TURNED AWAY FROM US, WALKED DOWN TWO DOORS, AND WENT OUT OF THE SOLARIUM AND WAS HIDING FROM US.
" AND I TOLD THEM, I SAID, "I SWEAR TO YOU THAT WAS NOT ME.
" NOW THIS IS THE FIRST TIME I'VE HEARD OF THIS.
IT'S CALLED DOPPEL-- DOPPELGANGER.
DOPPELGANGER.
YEAH.
IT'S A DOUBLE.
OKAY.
IT'S A SPIRIT DOUBLE.
ACCORDING TO THE OLD GERMAN LEGEND, IF YOU WERE TO RUN INTO YOURSELF, WHICH IS YOUR DOUBLE YOU DIE? IN SPIRIT FORM-- YEAH, YOU'RE SUPPOSED TO DIE.
SO TONIGHT IF I WE RUN INTO OURSELVES, THEN WE--THEN WE KNOW WE'RE GONNA DIE.
THAT'LL BE FUN, RIGHT? I DON'T EVEN KNOW IF WE'RE TALKING TO REAL ZAK RIGHT NOW.
(laughs) I'M WONDERING, TOO.
CAN YOU FLIP YOUR VIEWFINDER AND JUST LET ME SEE? YEAH, THAT IS YOU.
YEAH, I THINK IT IS.
WAIT.
(laughs) I DON'T DO THAT.
EVERYONE, GET AWAY FROM HIM.
BACK AWAY.
THIS IS THE TIME TO RUN.
(Zak) IN SEVERE CASES OF TUBERCULOSIS, DOCTORS WOULD RESOR TO A RADICAL PROCEDURE.
A PATIENT'S CHEST CAVITY WAS OPENED IN ORDER TO REMOVE AS MANY AS EIGHT BONES FROM THE RIB CAGE.
THIS ALLOWED DOCTORS TO DEFLATE THE LUNGS, WHICH WAS THOUGHT TO GIVE THE INFECTED TISSUE TIME TO HEAL.
(distorted voice) (Scott) NOW THIS IS THE O.
R.
YOU KNOW IT BY THE OVERHEAD LIGHTS.
(Zak) OKAY.
YEP, THIS IS THE MAIN OPERATING ROOM OF THE HOSPITAL.
(David) ONE OF MY FIRS EXPERIENCES ACTUALLY HAPPENED WITH ONE OF THE FELLOW TOUR GUIDES SCOTT.
THE DOORS ARE NOTORIOUS FOR SLAMMING SHUT.
(Scott) SO WE WAS TRYING TO GET IT TO SLAM SHUT.
AS WE WERE SITTING THERE ASKING QUESTIONS, KEPT HEARING A WHISTLE.
WE BOTH ACKNOWLEDGED THIS WHISTLE.
I WAS SITTING IN A LITTLE PLASTIC WHITE CHAIR SITTING RIGHT HERE, AND ABOU THAT TIME I HEARD A LOUD POP.
SOMETHING JUST WHOP, WALKED AROUND MY CHAIR.
I TURN TOWARDS SCOTT.
HE'S STILL SITTING CROSS-ARMED IN THE CHAIR, BUT THE BACK TWO LEGS OF THE CHAIR COME BACK DOWN ON THE GROUND, AND YOU'RE HEARING-- HE'S GETTING UP AND HOLDING HIS BACK SAYING, YOU KNOW, HE'S BEEN PUNCHED.
(Scott) THIS IS MIKE AND SCOT IN THE OPERATING ROOM.
(clattering) WHAT WAS IT? (bleep) WHAT HAPPENED? (speaking indistinctly) (Zak) WERE YOU PROVOKING OR ANYTHING? (Scott) NO, AT ALL.
I KNOW BETTER THAN TO PROVOKE INSIDE THIS BUILDING, BECAUSE WHEN PROVOKED, IT CAN GET NASTY.
IF WE COULD JUST REWIND AND GO BACK 70 YEARS, WHAT ENERGY WAS IN HERE? WE DON'T KNOW.
AND--AND NOT JUST AN OVERALL, "OH, YEAH, BACK THEN THEY HAD SURGERIES IN HERE, AND IT WAS JUST CRAZY.
" WELL, LET'S GO BACK TO AN EXACT DATE AND EXACT TIME, YOU KNOW WHAT I MEAN SURE, SURE.
AND REALLY LOOK A THE SITUATION, THAT ONE LITTLE SECOND OF ENERGY MAY HAVE BEEN THE ONE TO TRIGGER AN ATTACK OR SOMETHING.
AH, SCOTT YES? SORRY.
JUST REALLY QUICK, I JUST GOT TO ASK A QUESTION.
UH, PEOPLE--WHEN PEOPLE COME IN HERE, HAVE THEY EVER FELT LIKE THEIR SIDE'S HURT? I'VE HAD A LO OF PEOPLE COMPLAIN ABOUT GETTING BAD HEADACHES IN HERE.
THE WHOLE TIME MY SIDE'S BEEN LIKE YEAH, KILLIN' YA? YEAH.
IN HERE? YEP.
LIKE THIS WHOLE SIDE RIGHT NOW? LIKE, REALLY BAD, YEAH, LIKE PRESSURE.
YEAH, THAT HAPPENS.
THE WHOLE TIME YOU'VE BEEN TALKING I'VE HAD TO, LIKE, HOLD IT TO, LIKE, HOLD THE PRESSURE AWAY.
I NOTICED.
I KNOW YOU HAD YOUR HAND UP.
YEAH, I WAS DOING I THE WHOLE TIME, 'CAUSE IT HURT REALLY BAD.
YEAH, A LOT OF TIMES WHEN I COME IN THIS ROOM DOING TOURS, THIS IS ABOUT AS FAR AS I GO.
LET'S MARK AN X IN HERE.
(banging) RIGHT NOW I'M A VOLUNTEER TOUR GUIDE HERE AT WAVERLY, BUT I HAVE BEEN HERE, UM, PRETTY MUCH ALL MY LIFE.
DO YOU NOW HAVE HAUNTING IMAGES THAT YOU REMEMBER AS A CHILD? I ACTUALLY DO.
LIKE I WAS SAYING, WE--I GREW UP IN ONE OF THE OLD DOCTOR'S HOUSES DOWN ON EAST PAGES, UM, AND WE WOULD HEAR THEM SCREAMING OUT THE WINDOWS, SCREAMING FOR HELP, YOU KNOW, AND WE WOULD SCREAM BACK AS CHILDREN TO SHUT UP.
YOU KNOW, WE DIDN'T KNOW ANY DIFFERENT.
WE JUST KNEW THEY WAS AGGRAVATING US WHILE WE WERE PLAYING, YOU KNOW.
AND I REMEMBER THA VERY, VERY VIVIDLY.
(screaming) IT DOESN'T MATTER HOW OLD OR TOUGH YOU ARE.
YOU'VE GOT TO REMEMBER THAT THIS STUFF HAPPENED, AND EVEN HEARING THESE STORES CAN GET YOU EMOTIONALLY.
THEY--IT CAN BE VERY SAD.
VERY.
(Tina) OKAY, WE ARE IN THE AUTOPSY ROOM.
THESE ARE THREE ORIGINAL BODY TRAYS, AND IT'S THE ONLY TRAYS THAT WERE EVER IN THIS ROOM.
THERE WAS NO MORE THAN THREE.
NOW OVER HERE I HAVE TWO AUTOPSY TABLES.
THEY GOT DRAINING HOLES IN 'EM.
(Zak exhales) LOOK AT THIS, DRAINING HOLES.
YEAH.
THEY USUALLY DONE AUTOPSIES ON PEOPLE THEY THOUGHT MAY HAVE DIED OF SOMETHING OTHER THAN TUBERCULOSIS.
MM-HMM.
(creaking) THERE WAS SAID TO BE A NURSE THAT HUNG HERSELF.
IS THAT TRUE? YES.
IT IS? IT IS.
IT IS TRUE.
WHERE DID THAT HAPPEN? WELL, A LOT OF PEOPLE THINK IT HAPPENED IN ROOM 502.
WHERE'S THAT? IT'S RIGHT THERE.
WHERE YOU'RE STANDING, LOOK ABOVE YA.
(David) THERE WAS A MAINTENANCE MAN, MR.
THORNBERRY.
HE WOULD COME UP THE ELEVATOR SHAFT TO COME TO WORK EVERY DAY.
HE'S THE ONE WHO ACTUALLY FOUND THIS NURSE HANGING.
WHEN THE DOORS OPENED, SHE WAS SUPPOSED TO HAVE BEEN IN FRONT OF THE ELEVATOR.
WHY DID SHE TAKE HER OWN LIFE? WELL, SHE WAS EXPECTING.
OH.
SHE WASN'T MARRIED.
THIS IS IN THE EARLY 1930s.
YOU KNOW, SHE'D HAVE BEEN SHUNNED BY EVERYONE.
AND IT WAS ALSO RUMORED THAT SHE HAD CONTRACTED TUBERCULOSIS OH, MY GOD.
AND YOU KNOW, COULD YOU IMAGINE WHAT WENT THROUGH HER HEAD? BEING PREGNAN AND CONTRACTING IT, TO KNOW THAT YOUR UNBORN CHILD HAS IT, TOO.
YEAH.
WITHOUT GOING INTO TOO GRAPHICAL DETAIL, IT LOOKED LIKE IT WAS AN ABORTION GONE BAD REALLY? AND THAT THEY--THEY ENDED UP FINDING THE FETUS DOWN IN THE FIFTH FLOOR WELL SYSTEM.
(crickets chirping) WE HEARD ABOUT, ON THE FOURTH FLOOR THERE'S LIKE A CREATURE.
HAVE YOU HEARD ABOU THIS PHENOMENON, THAT THE--THE THE CREEPER? THE CREEPER.
YEAH.
NOW IS THIS I'VE SEEN THE CREEPER.
YOU'VE SEEN THE CREEPER? WELL, THE CREEPER IS ANOTHER TYPE OF SHADOW ENTITY.
HE USUALLY WALKS OUT A DOOR.
BUT IT SEEMS LIKE IT'LL FALL TO THE FLOOR ON ALL FOURS, AND IT JUST CRAWLS.
AND WE'VE SEEN IT CRAWL ON THE CEILING BEFORE.
AND YOU KNOW, NOT EVERYTHING THAT HAPPENS HERE IS DARK.
I'VE HAD THINGS (indistinct sounds) (indistinct) NOISES.
(Zak) DID YOU SEE THE DOOR? YEP.
IS THERE ANYBODY IN HERE WITH US? I JUST WANT TO LISTEN TO THIS REAL QUICK, SEE IF THERE'S ANYTHING ON THERE.
(distorted voice) GIVE ME A BREAK.
IT GOES (whispers) "GIVE ME A BREAK.
" LISTEN.
(distorted voice) GIVE ME A BREAK.
WHAT THE HELL WAS THAT? (Nick) THAT'S WHA HE WAS TALKING ABOUT, ABOUT THE WHISTLE.
YEAH.
THAT'S WHA YOU WERE TALKING ABOUT.
WHISTLE.
LISTEN.
THE WHISTLE.
THAT'S SOMETHING WE FOUND OU ABOUT ABOUT A YEAR AGO.
A LOT OF TIMES WHEN SOMETHING PRETTY GOOD'S ABOUT TO HAPPEN WE'LL GET A WHISTLE.
(Zak) WHAT I'M GONNA DO HERE IS I'VE GOT THE WHOLE GANG HERE AT WAVERLY HILLS INCLUDING TINA, SCOTT.
WE JUST INTERVIEWED 'EM.
I'M GONNA LET THEM LISTEN TO THE E.
V.
P.
WE JUST CAPTURED.
(distorted voice) I HEARD IT.
I HEARD IT.
CLEAR AS A BELL.
CLEAR.
THAT'S AWESOME.
WAVERLY--WE'VE ONLY BEEN HERE FOR TEN MINUTES.
YEAH, WE GOT IT.
WE LOVE THIS PLACE ALREADY.
TINA, ARE YOU READY TO LOCK US IN? I'M READY.
SO PUMPED UP FOR THIS ONE.
ANYTHING COMES WITHIN THIS ANTENNA, IT'LL LIGHT UP, AND WE'LL KNOW SOMETHING'S THERE.
(Zak) ARE YOU STANDING RIGHT HERE? PLEASE STEP AWAY FROM THIS SO IT'LL TURN OFF.
(beeping) (beeping stops) IT'S DUSK.
WITH THAT SAID, TINA, ARE YOU READY TO LOCK US IN? I'M READY.
ARE YOU? UH, HANG ON.
LET ME ASK.
AARON, ARE YOU, MY FRIEND, READY FOR THIS LOCKDOWN? I AM, MAN.
THIS IS GONNA BE AWESOME.
ARE YOU, NICK? I COULDN'T BE MORE HAPPIER TO BE LOCKED IN HERE.
SO PUMPED UP FOR THIS ONE.
LET'S GO.
WHOO! LET'S GO.
OKAY, NOW WE'RE GONNA BE LOCKING OURSELVES IN HERE.
SHE'S GIVING US THIS LOCK, WHICH HAS A COMBINATION ON THE OTHER SIDE OF IT.
AND BECAUSE WE'RE NOT GONNA DRILL A NEW HINGE OUT HERE, THERE'S ONE ON THE INSIDE.
SO AS SOON AS WE LOCK THIS, WE DON'T KNOW THE COMBINATION TO REOPEN I AND LET OURSELVES OUT.
AS SOON AS YOU HEAR THAT CLICK, THERE'S NO TURNING BACK NOW.
(clicking) JUST FOR ADDED MEASURE WE ARE LOCKED DOWN INSIDE ONE OF THE SAID TO BE MOST HAUNTED BUILDINGS IN THE WORLD.
THOUSANDS OF DEATHS AND OF SUICIDES.
WITH THAT SAID, I ALWAYS LIKE TO GIVE AN OPENING PRESENTATION.
IF YOU PERISHED HERE FROM TUBERCULOSIS, WE ARE EXTREMELY SORRY AND SADDENED BY YOUR DEATH.
WE WOULD LOVE TO COMMUNICATE WITH YOU AND BRING YOU COMFORT, AND THAT'S WHY WE ARE HERE.
NOW SOME OF YOU MAY HAVE NOTICED THAT ON THE BACK OF THE BUILDING THERE ARE SOME EXPOSED WINDOWS.
WELL, WE ARE ON THE SECOND LEVEL.
THE FIRST LEVEL DOESN'T HAVE ANY OF THESE WINDOWS.
SO IF SOME OF YOU ARE SAYING, "WELL, THEY'RE NOT LOCKED IN"-- NICK, WHY DON'T YOU BRING YOUR CAMERA OVER HERE.
AARON, DO YOU SEE ME? (Aaron) YEP! OKAY.
DO YOU SEE HOW FAR THIS DROP-OFF IS? SO IF WE ARE TO JUMP DOWN, I THINK WE MIGHT JOIN ALL OF THE OTHER SOULS THAT ROAM THIS PLACE BECAUSE I DON'T THINK WE'D MAKE IT ALIVE.
ALL RIGHT, RIGHT NOW LET'S GO OVER OUR X's.
FOURTH FLOOR HALLWAY-- COUNTLESS APPARITIONS, SHADOW FIGURES, THIS IS ALSO WHERE THE CREEPER, THIS ENTITY, THIS DEMONIC ENTITY HAS BEEN SEEN CRAWLING ON THE CEILING.
THE NEXT X, FOURTH FLOOR ALSO-- THE SURGICAL ROOM WHERE SCOTT DIRECTOR OF SECURITY AND A TOUR GUIDE, 6'3", 240 POUNDS, WAS VICIOUSLY AND VIOLENTLY ATTACKED IN THAT ROOM WITH A HUGE BRUISE THIS BIG WITH BLOOD DRAWN TO THE SURFACE.
BUT WHAT'S REALLY IRONIC IS BEFORE THAT ATTACK HE HEARD A WHISTLE, THE SAME WHISTLE WE CAPTURED ON OUR DIGITAL RECORDER EARLIER.
(whistling) WHAT THE HELL WAS THAT? THE WHISTLE IS SAID TO HAPPEN RIGHT BEFORE ANY ATTACKS HAPPEN.
SO DID WE GET MARKED? WE'RE GONNA FIND OUT.
THE NEXT X, THIRD FLOOR HALLWAY-- COUNTLESS APPARITIONS AND ALSO SHADOW FIGURES OF PATIENTS.
ANOTHER PHENOMENON WE NEED TO BE LOOKING FOR TONIGH IS THE DOPPELGANGERS.
THIS IS SAID TO HAVE YOUR DOUBLE WALK AROUND AMONGST YOU, AND IF YOU COME IN CONTAC WITH YOUR DOUBLE, YOU ARE SAID TO DIE.
GOOD ENCOURAGING WORDS TO START OUR INVESTIGATION.
SO BEFORE WE STAR OUR LOCKDOWN INVESTIGATION-- WHEN WE WERE WALKING AROUND, I SAW THIS PICTURE OF LOIS WHO DIED IN THIS ROOM FROM TUBERCULOSIS, AND I DON'T KNOW, I FELT JUST SOMETHING.
SO I JUST WANTED TO STAR THIS LOCKDOWN OFF BY, UM, LEAVING HER SOME OF THESE FRESH FLOWERS.
ALL THE WAY UP.
RIGHT NOW WE'RE STARTING OUR LOCKDOWN OFF BY SETTING UP THREE OF OUR STATIC NIGHT VISION CAMERAS ON OUR X's.
WE'RE HEADED RIGHT NOW TO ROOM 502 WHERE THE NURSE HUNG HERSELF.
SO AS ALWAYS, NICK HAS HIS CAMERA RUNNING.
YOU NEVER KNOW.
WHILE WE'RE SETTING THESE UP, SOMETHING CAN HAPPEN.
RIGHT NOW WE'RE GONNA USE THIS NEW PIECE OF EQUIPMENT.
IT'S A REM-POD.
ANYTHING COMES WITHIN THIS ANTENNA, ANY SPIRIT, YOU'LL SENSE IT.
BUT YOU HAVE TO BE CLOSE.
LIKE, LOOK, I'M THIS CLOSE TO IT.
(beeping) IT HAS TO WALK UP ON I FOR IT TO GO OFF.
(Zak) SO WHEN IT BREAKS THE ENERGY FIELD, IT'S GONNA LIGHT UP? IT WOULD LIGHT UP, AND WE'LL KNOW SOMETHING'S THERE.
COOL.
WHERE YOU PUTTING IT? I'M JUST GONNA SET IT-- ZAK, RIGHT IN THE MIDDLE HERE? YEAH, THAT'S GOOD.
LET ME GET SOMETHING SO YOU CAN SEE IT.
(beeping) WHAT'S GOING ON? SOMETHING-- DID YOU SEE THAT? YEAH, YEAH, YEAH, YEAH.
STEP BACK.
STEP BACK.
ARE YOU ROLLING ON THAT? (Nick) YEAH.
IS THERE SOMEBODY HERE? WERE YOU JUST HERE THAT? I'M VERY, VERY SORRY THAT YOU HAD TO TAKE YOUR OWN LIFE RIGHT HERE IN THIS ROOM.
CAN WE COMFORT YOU IN ANY WAY? COME THIS WAY.
I CAN FEEL IT, NICK.
ARE YOU STANDING RIGHT HERE? (beeping) (beeping) DO YOU HEAR THAT? ARE YOU STANDING HERE? CAN YOU GRAB MY HAND? CAN YOU STEP AWAY FROM THIS SO IT'LL TURN OFF? (beeping stops) OH.
(Aaron) NO WAY.
(beeping) YOU LIKE PLAYING WITH THAT NOW, DON'T YOU? BECAUSE YOU'RE SEEING SOMETHING REACT TO YOUR MOVEMENT.
NOW I WANT YOU TO STEP BACK AGAIN.
(beeping stops) IF YOU TALK TO US, I'LL BE ABLE TO HEAR YOU WITH THE THING I'M HOLDING IN MY HAND, AND WE CAN PLAY IT BACK FOR YOU.
YOU CAN HEAR YOUR OWN VOICE.
WHAT IS YOUR NAME? DO YOU LIKE PLAYING WITH THIS? (beeping) YES.
THAT'S YES.
YOU LIKE THAT, HUH? ZAK (speaking indistinctly) DO YOU FEEL THE BREEZE? SHE'S RIGHT-- SHE'S RIGHT HERE WITH US.
SHE'S NICE.
I'M FEELING THIS ENERGY RIGHT NOW.
SHE'S NICE.
I DO, TOO.
(beeping stops) NOW I WANT YOU TO COMMUNICATE ON THAT DIGITAL RECORDER NICK MY FRIEND IS HOLDING.
CAN YOU TELL US YOUR NAME? (distorted voice) DID YOU HEAR THAT? YEAH, I HEARD IT.
CAN YOU TELL US YOUR NAME? (distorted voice) DID YOU HEAR THAT? YEAH, I HEARD IT.
CAN YOU STEP AWAY AND WALK BACKWARDS FOR A SECOND? FOLLOW ME AND STEP AWAY.
FOLLOW ZAK.
COME HERE.
COME TO MY VOICE AND STEP AWAY FROM THAT.
COME HERE NOW.
(beeping stops) JUST STAY OVER HERE WITH ME.
(Zak) NICK'S DIGITAL RECORDER JUST CAPTURED THIS VOICE, WHICH SOUNDS LIKE A CHILD RESPONDING TO ME.
JUST STAY OVER HERE WITH ME.
(distorted child's voice) WE DON'T WANT YOU TO BE AFRAID.
(beeping) IT'S LIGHTING UP BLUE.
IT'S LIGHTING UP? IT IS.
THAT MEANS THA IT'S A STRONG ENERGY.
GOOD JOB.
YOU'RE TOUCHING IT.
YOU'RE TOUCHING THE TOP.
CAN YOU DO US A FAVOR? IF YOU WANT TO FOLLOW US, FOLLOW US.
(Zak) NO.
I WANT TO DOCUMENT SOMETHING JUST LIKE THAT.
LOOK.
IT'S NOT ALARMING ANYMORE.
I SAID THAT WE WERE GONNA LEAVE, AND SHE LEFT.
AFTER WE LEFT THE ROOM, OUR STATIC NIGHT VISION CAMERA CONTINUED RECORDING FOR OVER AN HOUR, AND NOT ONCE WAS THE ALARM TRIGGERED, TELLING US THAT WE HAD JUST INTERACTED WITH A SPIRI WHO HAD ALSO SPOKEN TO US THROUGH E.
V.
P.
s.
(Aaron) ARE THERE ANY NURSES IN HERE THAT CAN COME AND HELP? WE HAVE A PATIENT IN HERE THAT NEEDS SOME HELP.
(Zak) HERE'S THE BEDS THAT THEY USED TO USE TO DRAIN ALL THE BLOOD OUT OF THE HUMAN BODY.
THIS IS AWESOME.
WE'RE IN LOUISVILLE, KENTUCKY, AT THE INFAMOUS WAVERLY HILLS SANATORIUM WHERE THOUSANDS OF PATIENTS LOST THEIR FIGHT WITH T.
B.
AFTER HAVING MADE CONTACT WITH A CHILD ON THE FIFTH FLOOR (distorted child's voice) WE DECIDED TO HEAD DOWN TO THE FIRST LEVEL TO INVESTIGATE A FEW KNOWN HOT SPOTS OF ACTIVITY.
(speaking indistinctly) (Aaron) ARE THERE ANY NURSES IN HERE THAT CAN COME AND HELP? WE HAVE A PATIENT HERE THAT NEEDS SOME HELP.
JUST THEN THE DIGITAL RECORDER I WAS CARRYING CAPTURED AN E.
V.
P.
THAT SEEMS TO BE A SPIRI RESPONDING TO AARON.
(distorted voice) (Zak) LOOK, I'M ALL BY MYSELF NOW.
HEY, NICK.
(Nick) YEAH? HEY, NICK, NICK.
WHAT'S UP? OH.
OH.
DID YOU JUST TOUCH MY ANKLE? ARE YOU CLOSE TO ME? RIGHT AFTER I FELT SOMETHING TOUCH MY ANKLE, MY DIGITAL RECORDER CAPTURED THIS DISTURBING E.
V.
P.
ARE YOU CLOSE TO ME? (distorted voice) WAS THIS THE SPIRIT OF AN OVERLY MEDICATED PATIEN WHO WAS CRAWLING ON THE FLOOR AND HAD JUST REACHED OU AND GRABBED ME? ZAK, LET'S GO IN HERE.
HERE'S THE BEDS THAT THEY USED TO USE TO TAKE ALL THE BLOOD-- DRAIN ALL THE BLOOD OUT OF THE HUMAN BODY.
(creaking) I THINK IT'S MY TURN.
THIS IS AWESOME.
(creaking) ALL RIGHT, ZAK, I'M GONNA LEAVE.
WHAT? (speaking indistinctly) I'M GONNA LEAVE FOR A SECOND.
AARON AND I ARE GONNA WALK DOWN THIS WAY.
JUST STAY IN HERE FOR A SECOND.
(laughs) BY HIMSELF.
DID YOU WATCH YOUR BODY LAY IN THIS MORGUE? I'M STARTING TO FEEL REALLY, REALLY LETHARGIC.
IMMEDIATELY AFTER I GOT THAT FEELING, MY DIGITAL RECORDER CAPTURED THIS THREATENING E.
V.
P.
(distorted voice) I FEEL LIKE BODIES ARE LAYING ON TOP OF ME, LIKE, STACKED.
LIKE, I JUST CAN'T MOVE.
LIKE, I'M JUST FROZEN.
PRESSURE ON TOP OF ME, LIKE I'M ON A LAYER, AND I'M ON THE BOTTOM LAYER.
JUST THEN I CAPTURED ANOTHER CHILLING MESSAGE.
PRESSURE ON TOP OF ME.
(distorted voice) LIKE I'M ON A LAYER.
NICK? (Nick) YEAH? WHERE YOU AT? WHAT DO YOU MEAN, WHERE AM I AT? SMELLS LIKE CHILI IN HERE.
SMELLS LIKE CHILI? YEAH.
DO YOU SMELL IT? IT DOESN'T SMELL LIKE CHILI.
IT SMELLS LIKE DEATH.
WHAT'S WRONG WITH YOU? I DON'T KNOW.
DID YOU HEAR ANYTHING? I WAS JUST LAYING HERE, AND I JUST GOT SO, JUST LETHARGIC.
YOU WANT ME TO PULL YOU OUT? HUH? YOU WANT ME TO PULL YOU OUT? MM-HMM.
(speaking indistinctly) RIGHT BEFORE NICK PULLED ME OUT OF THE MORGUE, MY DIGITAL RECORDER CAPTURED WHAT SOUNDS LIKE A SPIRI WHO DOESN'T WANT ME TO LEAVE.
YOU WANT ME TO PULL YOU OUT? MM-HMM.
READY? (speaking indistinctly) (distorted voice) I'M, LIKE, AT THE END OF CREEP-VILLE RIGHT NOW.
(Zak) YOU WANT ME TO TURN AROUND WITH MY BACK TO YOU? (Aaron) DID YOU DIE IN HERE? OH! THROUGHOUT THE EVENING WAVERLY HILLS SANATORIUM HAD BEEN REVEALING ITS TRAGIC PAST.
NOW ON THE THIRD FLOOR, WE WOULD EMPLOY THE FULL SPECTRUM CAMERA USED PREVIOUSLY AT WOLFE MANOR TO ATTEMPT FURTHER CONTACT.
(Zak) AND THAT'S RECORDING, AARON? (Aaron) YEP.
OKAY.
AS THE CAMERA ROLLED, WE HEADED UP TO THE NOTORIOUS FOURTH FLOOR.
(Zak) THIS LEVEL IS WHERE WE INTERVIEWED AND HEARD FROM DAVE WHO TOLD US ABOUT A GROUP THAT RAN OUT OF HERE AFTER THEIR ENCOUNTER WITH THE CREEPER.
AND THIS IS WHERE THEY SAY MORE OF THE DARKER FORCES ARE.
KEEP YOUR EYES ON ME.
RIGHT NOW I'LL BE WALKING WITH THIS MEL METER, TOO.
IF THIS THING ALARMS, IT IS DETECTING A GHOST.
IS THERE SOMEBODY DOWN HERE? WE'RE NOT HERE TO HURT YOU.
ALL RIGHT, I'M GONNA DO E.
V.
P.
, OKAY? (Nick) ALL RIGHT, GO AHEAD.
OKAY, ROLLING ON THE DIGITAL RECORDER.
DO YOU HAVE TUBERCULOSIS? ARE YOU IN PAIN? CAN YOU TELL ME WHAT YEAR IT IS? I CAPTURED THIS DIREC SPIRIT RESPONSE.
CAN YOU TELL ME WHAT YEAR IT IS? (distorted voice) DID I JUST HEAR YOU? COME ON.
MAKE A NOISE FOR US, PLEASE.
CAN YOU DO THAT? MY DIGITAL RECORDED CAPTURED BACK-TO-BACK E.
V.
P.
s FROM TWO DISTINCTLY DIFFERENT SPIRITS WHO APPEAR TO BE PATIENTS INFECTED BY THE TUBERCULOSIS EPIDEMIC.
CAN YOU DO THAT? (distorted voices) YEAH, I KNOW FOURTH FLOOR'S WHERE THE SURGICAL SUITE IS.
(Aaron) THIS WAY.
THIS WAY.
THERE'S THE NEXT X.
DO YOU HAVE THA DIGITAL RECORDER, NICK? (Nick) YEAH.
LET ME SEE IT QUICK.
(Aaron) I'M JUST GONNA STAND HERE JUST IN CASE.
RECORDING SURGICAL SUITE, AARON, NICK, ZAK.
ARE YOU IN HERE WITH US? ONLY SECONDS AFTER TURNING ON THE DIGITAL RECORDER, I CAPTURED THIS CLASS "A" E.
V.
P.
RECORDING SURGICAL SUITE, AARON, NICK, ZAK.
(distorted voice) ARE YOU IN HERE WITH US? DID YOU PUNCH SCOTT? DO YOU WANT TO ATTACK ME? WE FIRMLY BELIEVE THAT WE ARE CURRENTLY IN THE PRESENCE OF A KINDRED SPIRI WHO WISHED US LUCK WITH OUR INVESTIGATION.
ALL RIGHT (speaking indistinctly) LET'S GO, GUYS.
LET'S GO.
AARON.
HMM? GO ALL THE WAY DOWN AT THE END OVER THERE.
GO ALL THE WAY AT THE END.
I'M GONNA STAY.
NOW GO DOWN THERE.
I SWEAR, I THOUGH YOU WERE SOME-- NICE WAS STANDING RIGHT IN HERE WHEN I PASSED.
WHO, ME? HUH? THE DOPPELGANG GUY.
REGULAR PEOPLE ARE SEEING YOU.
WHEN YOU MAY BE ON THE FIFTH FLOOR, THEY'RE SEEING YOU ALSO ON THE SECOND FLOOR.
THEY'VE SEEN ME WHEN I HAVEN' EVEN BEEN ON THE HILL.
GO ALL THE WAY DOWN THERE, AARON.
NICK, PULL BACK A LITTLE BIT.
AARON, STAY IN THERE FOR A SECOND, OKAY? (Aaron) ALL THE WAY DOWN.
I'M, LIKE, AT THE END OF CREEP-VILLE RIGHT NOW.
(Zak) COME ON, WHISTLER MAN.
IF YOU'RE OUT THERE IN THE HALLWAY, I'M GONNA TURN MY BACK TO YOU.
I'M GONNA DO SOME E.
V.
P.
s WHILE I'M OUT HERE ANYWAYS.
I'M GONNA ROLL MY DIGITAL RECORDER.
DID YOU DIE OF TUBERCULOSIS IN HERE? (distorted voice) OH! DUDE.
DID YOU DIE OF TUBERCULOSIS IN HERE? (distorted voice) DUDE.
(Nick) HOLD ON.
STOP.
(Zak) AARON! (Aaron) DUDE, COME HERE NOW! AARON.
WHAT THE (bleep), DUDE? IT'S A BLACK FIGURE.
AARON.
YEAH? GO DOWN TO THAT END.
NO! IT WAS JUST AFTER 4:00 A.
M.
ON THE FOURTH FLOOR OF WAVERLY HILLS SANATORIUM WHEN AARON EXPERIENCED A CHILLING ENCOUNTER.
THAT LAST ONE REALLY, I THINK, LIKE, TWO DROPS OF PEE CAME OU ON THAT ONE, FOR SURE.
OH, MAN, I'M SPOOKED.
I AM SPOOKED.
JUST THEN, AARON CAPTURED THIS CREEPY VOICE THAT SOUNDS LIKE A KID TAUNTING HIM.
I THINK, LIKE, TWO DROPS OF PEE CAME OU ON THAT ONE, FOR SURE.
(distorted voice) (Zak) WHY ARE YOU HARMING PEOPLE IN THIS ROOM? NICK AND I TRIED TO MAKE CONTACT IN THE O.
R.
ARE YOU STILL TRYING TO TAKE PEOPLE'S RIB CAGES OUT? AT THIS PRECISE MOMEN I CAUGHT THIS VOICE, WHICH TO US SOUNDS LIKE A DOCTOR OR NURSE TELLING THIS IN REGARDS TO A PATIEN DURING A SURGICAL PROCEDURE.
ARE YOU STILL TRYING TO TAKE PEOPLE'S RIB CAGES OUT? (distorted voice) IS THAT WHY YOU'RE SO ANGRY? 'CAUSE WE'RE NOT TRYING TO BRING HARM IN HERE.
WHERE'S AARON? (Nick) I HAVE NO CLUE.
I'M GONNA ROLL MY DIGITAL RECORDER ON THE FOURTH FLOOR.
OH, WELL.
(clattering) WHOA, WHOA, WHOA, WHOA.
WHAT THE (bleep) WAS THAT, DUDE? OH, WELL.
(clattering) WHOA, WHOA, WHOA, WHOA.
SOMETHING JUST TOTALLY MOVED IN HERE.
OH! OH! OOH.
(Nick) HOLD ON.
STOP.
(Zak) AARON! (Aaron) DUDE, COME HERE NOW! SOMETHING WENT-- I HEARD A COUPLE BREATHS, LIKE A MOAN, WHICH, DUDE, IT SOUNDED LIKE SOMEONE FROM TUBERCULOSIS.
WHERE, IN HERE? NO, LOOK, LOOK.
THEN I HEARD SOMETHING MOVING AROUND HERE.
I WALK IN THE DOOR.
SOMETHING HITS ME, AN ENERGY.
I BACK OUT.
NO JOKE, BRO.
AARON.
YEAH? GO DOWN TO THAT END.
(bleep) IT WAS HAPPENING WHEN WE WERE SPREAD OUT.
NO.
NICK, GO WITH HIM.
NO! DUDE, SERIOUSLY.
ALL RIGHT, I'M SERIOUSLY, OKAY, SERIOUSLY LISTENING TO YOU.
LOOK AT ME AGAIN.
LET'S ADDRESS HIM.
GO ALL THE WAY.
LET'S WE'RE ALL VULNERABLE.
JUST SOMEONE STAY.
WELL, OBVIOUSLY.
WELL, A MINUTE AGO IT TOOK FOUR TRIES TO GET YOU GUYS OVER HERE, SO WELL, YOU'RE THE BAIT.
WE'RE JUST WATCHING OUR BAIT RIGHT NOW TO SEE IF IT GETS NIBBLED ON.
IF WE SEE YOUR BOBBER GOING UP AND DOWN, WE'LL REEL YOU BACK IN.
(Nick laughs) AT THIS TIME WE DECIDED TO REVIEW OUR FULL SPECTRUM CAMERA FOOTAGE FROM THE THIRD FLOOR UNAWARE OF THE SHOCKING EVIDENCE WE HAD CAPTURED.
(Zak) WHAT THE (bleep)? LOOK AT THIS (bleep), MAN.
IT'S A BLACK FIGURE.
IT MANIFESTS RIGHT IN THE SCREEN.
IT'S WALKING (Aaron) REWIND IT.
TO THE CAMERA.
WATCH.
HE WALKS OU OF THAT ROOM.
IT WALKS AND GOES INTO THAT WALL.
WE TRAVEL TO PENNSYLVANIA TO PRESENT THIS EXTRAORDINARY PIECE OF EVIDENCE TO THE AMERICAN PARANORMAL RESEARCH ASSOCIATION.
(Zak) GUYS, WHAT I'M ABOU TO SHOW YOU IS A FULL SPECTRUM CAMERA.
WE SET IT UP.
TOWARDS THE VERY, VERY-- IT'S ALMOST NEAR THE END OF THE TAPE-- YOU SEE SOMETHING.
YEAH.
OH, YEAH, DEFINITELY, RIGHT HERE.
WHAT DO YOU SEE? IT SEEMS TO BE A HUMANOID SHAPE.
OKAY, YEAH.
OH, WOW.
YEAH, LOOK AT THAT.
SEE THE HEAD? SEE THE HEAD? SEE THE HEAD? UH-HUH.
UH-HUH.
NOW IT STARTS TO SEE THE BLACK.
BUT RIGHT BEFORE THA YOU CAN SEE THE HEAD, AND IT ALMOST LOOKS LIKE HAIR.
LIKE LONGER HAIR.
LONGER HAIR.
LIKE A FEMALE.
FEMALE HAIR.
THAT'S WHAT-- I LOOK AT PHOTOGRAPHS.
THAT'S WHAT I DO.
WE KNOW YOU HAVE A PHOTOGRAPHY BACKGROUND, AND THAT'S WHY WE'D LIKE TO SHOW PEOPLE THIS THAT ARE IN THOSE SPECIFIC FIELDS, 'CAUSE THEY CAN SOMETIMES PICK UP STUFF THAT WE CAN'T.
THERE'S SOMETHING BEHIND IT, TOO.
YOU GUYS GOT THAT? THERE'S SOMETHING BEHIND IT.
IT'S COMING UP.
NOT ONLY IS THERE JUST ONE THAT WE THOUGHT WE CAPTURED, BUT WE ARE FINDING A SECOND WHAT YOU WERE CALLING A HUMANOID SHADOW FIGURE TYPE YES.
DEFINITELY.
TYPE ANOMALY THAT IS GOING ACROSS THE HALLWAY AND BACK OVER AGAIN.
I THINK IT'S HIDING FROM YOU GUYS.
TWO DIFFERENT-- YOU THINK IT IS? YEAH, I DO, ABSOLUTELY.
OH, YEAH, DEFINITELY.
I THINK IT'S HIDING FROM YOU, SNEAKING UP ON YOU.
I THINK IT'S DEFINITELY AWARE OF THE CAMERA.
OH, YEAH.
IT'S INTELLIGENT.
OH, ABSOLUTELY.
REALLY? ABSOLUTELY.
AND THE QUESTION IS IS DID WE JUST CAPTURE A WOMAN, AN UNFORTUNATE WOMAN WHO DIED FROM TUBERCULOSIS RIGHT HERE AT WAVERLY HILLS? LOVED ONES INFECTED, CHILDREN WITHOUT PARENTS DESPERATE MEASURES, THE SENSE OF LOSS THAT PERMEATES WAVERLY HILLS IS SOBERING.
(Zak) YOU COME TO A PLACE LIKE THIS TO TELL YOU WHETHER OR NO PRETTY MUCH YOU'RE GOING TO LIVE OR DIE.
EVERY CORRIDOR SEEMS ALIVE WITH THE MEMORY OF THOSE WHO FELL VICTIM TO THIS SAVAGE DISEASE.
SHADOWS AND VOICES REACH OUT, DESPERATE TO MAKE CONTACT.
CAN YOU TELL US YOUR NAME? (distorted voice) THE SPIRIT OF WAVERLY HILLS WILL LIVE ON.