My Ghost Story (2010) s04e04 Episode Script
Fear The Creeper
Gowins: I WOKE UP AND MY BED WAS SHAKING.
I COULDN'T BREATHE.
THERE WAS PRESSURE ON MY CHEST.
Clayton: SOMETHING IS PUSHING AGAINST THE DOOR.
THE PRESSURE IS GETTING GREATER.
AND THEN YOU HEAR THE LOCKS.
Kevin: THERE WAS AN ENTITY THA WANTED TO SLASH LEIGH'S THROAT.
Burton: MY SON'S GOT THE MEAT CLEAVER FROM THE KITCHEN, AND I'M LIKE, "WHAT THE HELL ARE YOU DOING?" Blaylock: A LOT OF NEGATIVITY FLOWING OUTWARD FROM THE HOME.
Ault: I ACTUALLY FELT SOMETHING BRUSH UP AGAINST ME.
Santucci: THERE'S SOMETHING OVER THERE, AND IT WASN'T HUMAN.
Phyllis: I FELT AN EVIL PRESENCE.
Elaine: SHE STARTED SPRAYING THE HOLY WATER AND TELLING IT NOT TO CROSS THAT LINE.
Phyllis: IT WAS THE SPIRI OF THE KILLER.
Elaine: IT WAS REAL.
I MEAN, SOMETHING WAS HAPPENING.
Phyllis: I HONESTLY FELT THA THIS PRESENCE MIGHT DO ME HARM.
Man: IS SOMEONE HERE? Phyllis: MY GHOST STORY BEGAN WHEN I TRIED TO SPEND THE NIGHT ALONE WHERE EIGHT PEOPLE WERE AXED TO DEATH AS THEY SLEPT IN THEIR BEDS.
I FIRST HEARD ABOU THE VILLISCA MURDER HOUSE ABOUT FOUR YEARS AGO.
THE MURDERS TOOK PLACE IN JUNE OF 1912.
J.
B.
AND SARAH MOORE AND THEIR FOUR CHILDREN AND TWO OVERNIGHT GUESTS, THEY WENT TO BED, AND THE KILLER WAS HIDING IN THE ATTIC.
AND HE CAME OU WHILE THEY WERE ASLEEP.
I HAD HEARD ABOUT THE MURDERS, AND I WAS COMPELLED TO GO THERE SO I COULD SEE FOR MYSELF WHAT IT LOOKED LIKE.
WHEN I TOLD MY SISTER-IN-LAW ELAINE I WAS GOING, SHE WAS FRIGHTENED FOR ME.
Elaine: I WASN'T SURE EXACTLY IF IT WAS IN THE MIDDLE OF THE COUNTRY OR WHERE IT WAS AT.
AND I WAS REALLY AFRAID BECAUSE SHE WAS THERE BY HERSELF.
Phyllis: WHEN I WALKED INTO THE HOUSE, I GOT A VERY SICK FEELING.
MY HEAD BEGAN TO HURT, AND I HAD AN OVERWHELMING SENSE OF SADNESS.
I WAS DOWNSTAIRS, AND I COULD FEEL THE PRESENCE OF THE CHILDREN.
I HAD MY VIDEO CAMERA ROLLING, SO I STARTED INTERACTING WITH THE CHILDREN IMMEDIATELY.
IT STOPPED IN MID-ROLL IMMEDIATELY WHEN I SAID, "CAN YOU BRING IT BACK?" Elaine: SHE JUST ROLLS THE BALL BACK, AND SHE SAYS, "SEND IT BACK," AND IT JUST STOPS AND ROLLS RIGHT BACK TO HER.
IT NEVER WENT THE SAME WAY.
IF THE FLOOR WAS UNEVEN OR THE WIND WAS BLOWING, THE BALL WOULD HAVE CAME BACK JUST ONE WAY.
BUT SHE WOULD ROLL IT ONE WAY, AND IT WOULD COME THE OTHER WAY.
IT DIDN'T MAKE ANY SENSE THAT IT COULD CHANGE DIRECTIONS LIKE THAT.
Phyllis: WHEN I WAS INTERACTING WITH THE CHILDREN, ONE BALL REVOLVED AROUND ANOTHER BALL THAT WAS STATIONARY.
Elaine: THE LITTLE BALL WASN'T MOVING AT ALL, BUT THE LARGER BALL WAS MOVING AROUND IT, AND THERE WAS NO WAY THAT ONE BALL COULD BE STILL WHILE THE OTHER BALL WAS MOVING.
SEEING THAT VIDEO, I FELT LIKE IT WASN'T JUST HER IMAGINATION.
IT WAS REAL.
I MEAN, STUFF THAT WAS HAPPENING.
Phyllis: WHEN I SAW THE BALLS REVOLVE AROUND ONE ANOTHER AND WHEN I SAW THE BALL COME BACK TO ME ON ITS OWN, IT WAS PROOF TO ME THA THE CHILDREN, THEY WERE THERE.
AS THE NIGHT WORE ON, I HONESTLY FELT THE WHOLE DEMEANOR OF THE HOUSE CHANGED.
IT WAS LIKE THE HOUSE TOOK ON A WHOLE NEW MEANING.
I DIDN'T FEEL THE PRESENCE OF THE CHILDREN ANYMORE.
I FELT AN EVIL PRESENCE.
I THINK IT WAS THE SPIRI OF THE KILLER.
I HONESTLY FELT THAT THIS PRESENCE MIGHT DO ME HARM AND I HAD TO LEAVE THE HOUSE.
AND I SIT IN THE SWING BY THE BARN, STARING AT THE HOUSE THE REST OF THE NIGH UNTIL THE NEXT MORNING.
WHEN I LEFT AND WENT BACK HOME, I WANTED TO TAKE A GROUP BACK TO PROVE TO THEM THAT WHAT WAS GOING ON IN THE HOUSE IS REAL.
Elaine: I HAD WATCHED SOME OF HER EVIDENCE AND WAS AMAZED AND WANTED TO GO WITH HER.
WHEN I FIRST WALKED IN, IT WAS LIKE YOU COULD FEEL SOMETHING THERE, YOU KNOW? YOU COULD JUST FEEL THE ENERGY THERE.
WE WALKED UPSTAIRS, AND THE OTHER PART OF THE PARTY WAS ALREADY UP THERE, AND THEY WERE SPEAKING TO THIS CHILD THAT WAS SUPPOSED TO BE IN THE CLOSET.
WE ASKED HIM IF HE WOULD COME OUT.
AND THE DOOR WOULD OPEN ABOUT AN INCH OR TWO.
IT WOULD STAY OPEN FOR A MINUTE OR TWO, AND THEN IT WOULD CLOSE BACK.
Phyllis: SEEING THE CLOSET DOOR OPEN AND CLOSE ON ITS OWN SCARED ME TO DEATH.
I FROZE PHYSICALLY AND MENTALLY.
Elaine: I ACTUALLY WENT INSIDE OF THE CLOSET, AND THERE'S NO AIR OR A BREEZE OR ANYTHING IN THERE.
IT'S AN INNER CLOSET, AND THERE'S NO REASON FOR THE DOOR TO OPEN AND SHUT LIKE THAT.
THE MOST EMOTIONAL PART OF I WAS THINKING, "WHY WOULD THIS CHILD HAVE TO BE STUCK HERE IN THE HOUSE THAT HE WAS KILLED IN?" IT JUST DIDN'T SEEM RIGHT THA HE WOULD HAVE TO STILL BE THERE.
I THINK WHEN THE MURDERS OCCURRED, THE FATHER AND MOTHER WERE KILLED FIRST.
THE CHILDREN HEARD WHAT WAS GOING ON, AND I BELIEVE THAT THEY HID IN THE CLOSE TO GET AWAY FROM THE KILLER.
THAT'S WHY I THINK THERE IS SUCH A PRESENCE OF THESE CHILDREN IN THAT CLOSET.
Elaine: WHEN IT GOT DARK, IT'S LIKE THE WHOLE HOUSE KIND OF CHANGED DEMEANOR.
IT DIDN'T FEEL THE SAME.
YOU DIDN'T FEEL THE CHILDREN THERE.
MY HUSBAND WAS SITTING ON THE BED, AND HE WAS HOLDING THE METER, AND IT HAD THREE LIGHTS LIT UP.
HE SAID TO MY SISTER-IN-LAW, "WHAT DOES THAT MEAN?" AND SO HE SAYS, "IS ANYBODY THERE?" Phyllis: AT THAT MOMENT, WE HEARD THE SPIRI OF SARAH MOORE SAY, "SARAH.
" Elaine: YOU COULD JUST HEAR I SAY "SARAH.
" SHE WANTED TO LET US KNOW THAT SHE WAS THERE.
MAYBE SHE WAS TRYING TO PROTEC US FROM WHATEVER WAS THERE.
Phyllis: WE WERE COMPELLED TO GO TO THE ATTIC, BECAUSE THE K-II METER WAS GIVING US A STRONGER READING IN THE ATTIC.
Elaine: THE CLOSER WE WOULD GE INTO THE ATTIC, THE BRIGHTER IT WOULD GET.
WE WERE ALL FEELING LIKE THERE WAS SOMETHING SCARY THERE.
Phyllis: I ASKED MY SISTER-IN-LAW TO GO DOWN AND GE THE HOLY WATER.
Elaine: I RAN DOWNSTAIRS AND GOT THE HOLY WATER, AND SHE STARTED SPRAYING THE HOLY WATER AND TELLING IT NOT TO CROSS THAT LINE.
Phyllis: I ASKED THAT THE EVIL SPIRIT NOT CROSS THAT LINE AND NOT HARM SARAH AND HER CHILDREN ANYMORE.
Elaine: I'M REALLY NOT SURE WHAT IT WAS, BUT IT WASN'T THE CHILDREN.
IT WAS A WHOLE LOT STRONGER PRESENCE.
Phyllis: IT WAS A VERY EMOTIONAL MOMEN FOR EVERYONE THAT WAS IN THE ATTIC.
EVERYBODY WAS AFFECTED.
WHEN DID DRAW THE LINE WITH THE HOLY WATER, IT DID SEEM LIKE THINGS CALMED DOWN A BIT.
Elaine: THAT'S THE MOS I THINK I'VE EVER FEL THAT THERE WAS A PRESENCE.
THERE WAS SOMETHING THERE, AND IT DIDN'T NEED TO BE THERE.
Phyllis: AFTER ALL MY EXPERIENCES IN THE AX MURDER HOUSE, I DO KNOW THAT THERE IS AN AFTERLIFE.
I DO KNOW THAT SOMETHING HAPPENS AFTER WE DIE.
IT'S NOT FOR ME TO QUESTION WHAT DOES HAPPEN.
I DO KNOW WHAT WE CARRY ON AFTER WE DIE.
Elaine: I REALLY FEEL LIKE THERE IS SOMETHING OUT THERE.
I DON'T UNDERSTAND IT ALL.
I JUST KNOW THAT THERE WAS SOMETHING THERE.
Phyllis: IT HAS CHANGED MY LIFE, AND I WOULD LIKE FOR OTHER PEOPLE TO HAVE THOSE EXPERIENCES AS WELL.
HERE'S MY HAND.
THERE YOU GO.
Elaine: YOU REALLY HAVE TO ACCEPT IT, BECAUSE THERE WAS TOO MUCH HAPPENING THERE TO NOT BELIEVE.
IT REALLY MAKES ME SAD TO THINK THAT THERE'S CHILDREN TRAPPED IN THAT HOUSE, BUT I REALLY FEL THEIR PRESENCE THERE.
AND IT'S NOT THAT I EVER DISBELIEVED ANY OF IT, BUT TILL SOMETHING HAPPENS TO YOU, IT'S KIND OF HARD TO FEEL LIKE THAT COULD HAVE BEEN JUST THE WIND OR THAT COULD HAVE BEEN SOMEBODY ELSE DOING IT.
IT WAS KIND OF HARD TO WALK AWAY FROM THERE AND NOT FEEL LIKE THERE HAS TO BE SOMETHING WE DON'T UNDERSTAND AND SOMETHING OUT THERE.
Phyllis: THE FEELING THAT I GE FROM THE SPIRITS OF THE CHILDREN LEFT ME WITH MORE QUESTIONS THAN ANSWERS.
BUT I WON'T KNOW THE ANSWERS TO THOSE QUESTIONS UNTIL I ACTUALLY DIE MYSELF.
Leigh: I WAS IN MY ROOM, AND I LOOKED AT ONE OF THE PICTURES AND SAW THAT IT HAD A SCRATCH ACROSS MY NECK.
THE MORE PICTURES I LOOKED AT, THE MORE THAT I FOUND MY THROAT SLASHED.
Kevin: THE HAIR ON THE BACK OF MY NECK STOOD UP.
Leigh: I THINK I SAW A GHOST.
I STARTED TO FEEL THREATENED.
Kevin: IT WAS SO SHOCKING BECAUSE, ACCORDING TO THIS, THERE WAS AN ENTITY THAT WANTED TO SLASH LEIGH'S THROAT.
MY GHOST STORY BEGAN WHEN I BOUGHT A HAUNTED HOUSE IN LISBON FALLS, MAINE.
LISBON FALLS IS A VERY QUIET COMMUNITY.
ONLY HAS MAYBE A POPULATION OF 4,000 PEOPLE.
I BOUGHT THE HOUSE IN OCTOBER OF 1988.
IT'S A LOVELY LITTLE HOME -- THREE BEDROOMS UPSTAIRS, A COUPLE ROOMS DOWNSTAIRS.
AND WHEN WE FIRST MOVED IN, I HAD ABSOLUTELY NO IDEA THAT THERE COULD BE ANY GHOSTS IN THERE.
LEIGH WAS ONLY 4 YEARS OLD WHEN WE FIRST MOVED INTO THE HOUSE, AND SHE TOLD ME THAT SHE FEL THAT THE HOUSE WAS HAUNTED.
Leigh: VERY SHORTLY AFTER WE MOVED IN, I STARTED SEEING PARANORMAL ACTIVITY.
I REMEMBER I HAD JUST TURNED THE LIGHT OUT TO GO TO BED, AND I SAW THIS LITTLE BOY HUNCHED OVER, PLAYING IN MY TOY BOX.
AND JUST AS I WAS ABOUT TO SAY, "WHAT ARE YOU DOING?" IT DISAPPEARED.
AND I RAN DOWNSTAIRS AND SAID, "DAD, I THINK I SAW A GHOST.
" Kevin: ONE EVENING I WAS AWAKENED IN THE MIDDLE OF THE NIGHT, AND I LOOKED OVER AT THE TOP OF THE STAIRS, AND A CHILD'S APPARITION WAS LEANING IN LEIGH'S DOORWAY.
SO ON THAT PARTICULAR OCCASION, I JUST ROLLED OVER AND PULLED THE BLANKETS UP OVER MY HEAD AND WILLED MYSELF TO GO BACK TO SLEEP.
IT SCARED ME BECAUSE WE BOTH WERE SEEING AND EXPERIENCING THE SAME THINGS, AND AT THAT POINT, I KNEW THA THERE WERE GHOSTS IN THE HOUSE.
I EVENTUALLY MOVED OU OF THE HOUSE WHEN MY WIFE AND I SPLIT UP.
AND AS I HAD LIVED IN DIFFERENT PLACES, THE ONE THING THAT I NOTICED EVERY TIME THAT I'VE GONE BACK, BECAUSE MY DAUGHTER STILL LIVES THERE, IS HOW OPPRESSIVE THE ATMOSPHERE IS IN THAT HOUSE.
Leigh: MY PARENTS ENDED UP GETTING DIVORCED, AND MY DAD WAS THE FIRST ONE TO MAKE THE COMMEN THAT HE FELT DIFFEREN WHEN HE WAS OUTSIDE THE HOME, THAT HE JUST KIND OF FELT BETTER AND LIGHTER.
ONCE I MOVED OUT OF THE HOUSE FOR SCHOOL, EVERY TIME I CAME BACK TO THE HOUSE, I STARTED TO NOTICE THAT YOU FEEL HEAVIER WHEN YOU WALK IN, AND WHEN YOU LEAVE, IT'S ALMOS LIKE A WEIGHT HAS BEEN LIFTED.
WHEN I CAME HOME FROM COLLEGE, I WAS IN MY ROOM, AND I LOOKED OVER MY SHOULDER AT A WARDROBE THAT I HAD, COVERED IN PICTURES OF MYSELF AND MAGAZINE CLIPPINGS.
AND I LOOKED AT ONE OF THE PICTURES AND SAW THAT IT HAD A SCRATCH ACROSS MY NECK.
AND I CHALKED IT UP TO I JUST BEING A SCRATCHY PHOTO.
AND THEN I SAW ANOTHER ONE OF ME WITH A GROUP OF FRIENDS.
AGAIN THERE WAS A SCRATCH IN THE PICTURE, RIGHT ACROSS MY NECK.
AND THE MORE PICTURES I LOOKED AT, THE MORE THAT I FOUND MYSELF IN THEM WITH MY THROAT SLASHED.
AND I CALLED MY DAD AND I EXPLAINED THE PICTURES TO HIM.
AND HE SAID, "OKAY.
"I'M SURE THEY JUST GOT SCRATCHED, BUT I'LL COME OVER AND WE'LL TAKE A LOOK AT THEM.
" Kevin: AFTER I GOT OFF THE PHONE WITH LEIGH, I RUSHED OVER TO THE HOUSE TO CHECK THE PHOTOS, AND ON QUITE A FEW, THERE WAS A SCRATCH DIRECTLY ACROSS HER THROAT.
Leigh: THE PICTURES THAT I HAD FOUND WERE ALL GROUPED TOGETHER ON MY WARDROBE IN THE SAME GENERAL AREA.
SO HE TOOK A LOOK AROUND THE ROOM AND FOUND A PROM PHOTO THAT WAS ABOVE MY CLOSET, NEAR THE CEILING ON A DIFFERENT WALL, A DIFFERENT PART OF THE ROOM.
HE LOOKED AT IT AND SAID, "OH, MY GOD.
" HE SAW THAT THERE WAS A SCRATCH RIGHT ACROSS MY NECK, JUST LIKE THE OTHER ONES.
Kevin: WHEN I LOOKED AT THA SCRATCH ACROSS HER THROAT, A LOT OF THINGS WENT THROUGH MY MIND.
FIRST OFF, THIS IS DEFINITIVE PROOF THAT THE HOUSE REALLY IS HAUNTED.
HERE'S A GHOS THAT WANTS TO HARM MY DAUGHTER.
Leigh: TO SEE MY FATHER'S REACTION WHEN HE SAW THAT LAST PICTURE, IT MADE ME MORE NERVOUS.
SOMETHING INHUMAN DID THIS.
Kevin: AT THAT POINT, I FELT IT WAS TIME TO CALL IN SOME INVESTIGATORS TO TAKE A LOOK AT THIS.
MAYBE THEY CAN COME UP WITH SOME ANSWERS.
SO WE CONTACTED A GROUP.
Leigh: THEY WERE PROBABLY THERE FOR ABOUT TWO HOURS.
Kevin: AND THEY DID SOME VIDEOTAPING, DID SOME EVP WORK.
Leigh: AND THEY WALKED AROUND WITH THEIR DIGITAL RECORDER AND CAPTURED 30 EVPs.
Kevin: THERE WAS VOICES OF MALES FEMALES CHILDREN.
THERE WERE NAMES.
IT WAS UNBELIEVABLE.
Leigh: I WAS ABSOLUTELY FLOORED.
IT WAS ALMOST LIKE THEY WERE LINING UP, READY TO JUST SCREAM THEIR STORY AT US.
IT WAS JUST ONE AFTER THE OTHER AFTER THE OTHER.
Kevin: THERE WAS A YOUNG BOY'S VOICE -- "COME PLAY WITH ME AND MY LITTLE BROTHER.
" I THINK THE EVP OF "COME PLAY WITH ME AND MY LITTLE BROTHER" IS DEAD ON FOR WHAT LEIGH HAD SEEN -- THIS INQUISITIVE LITTLE CHILD PLAYS WITH HER TOYS.
HE JUST WANTS TO BE AROUND THE KIDS.
IT'S VERY SAD TO THINK THAT THERE ARE KIDS STILL THERE THAT ARE TRAPPED IN THAT EXISTENCE.
Leigh: THE PARANORMAL TEAM CAPTURED A TON OF EVPs, BUT THE ONE THAT STANDS OU IN MY MIND THE MOS IS THE ONE THAT SAYS, "JOSEPH TOOK A KNIFE ACROSS HER NECK.
" Kevin: AS I WAS LISTENING TO THIS METALLIC, CREEPY, MOST EVIL-SOUNDING VOICE I'VE EVER HEARD IN MY LIFE, IT REALLY WAS LIKE TOUCHING A LIVE WIRE.
THE HAIR ON THE ARMS AND BACK OF MY NECK STOOD UP.
CHILLS UP AND DOWN MY SPINE.
Leigh: WHEN I HEARD THE EVP, I, YOU KNOW, WAS DEFINITELY SHAKEN TO THE BONE.
I STARTED TO FEEL THREATENED.
AND NOTHING PHYSICAL HAD EVER HAPPENED BEFORE.
AND NOW TO SEE NOT JUST PICTURES BEING SLASHED, BUT HEARING THE EVP IN RESPONSE TO THA STILL JUST SHAKES ME TO THE CORE.
Kevin: IT WAS SO SHOCKING.
BECAUSE ACCORDING TO THIS, THERE WAS AN ENTITY THAT WANTED TO SLASH LEIGH'S THROAT.
I WISH I DID KNOW WHO JOSEPH WAS.
IT WOULD BE NICE TO HAVE SOME HISTORY THAT TELLS ME THAT HE WAS A MURDERER OR NOT.
WE'LL NEVER BE ABLE TO FIND OU WHO JOSEPH WAS AND WHY HE HAD SUCH A HATE AGAINST LEIGH.
Leigh: I DON'T LIVE IN THE HOME ANYMORE, SO I PROBABLY WON'T EVER FIND OUT WHY I'VE BEEN SINGLED OUT.
Kevin: I DO WISH THAT MY SON, TOM, AND MY EX-WIFE WOULD MOVE OUT OF THAT HOUSE AS SOON AS POSSIBLE.
IT'S AN ATMOSPHERE THAT I WISH THEY WEREN'T IN ANY LONGER.
Leigh: BECAUSE IT SEEMS THA ALL OF THIS IS DIRECTED AT ME, I DO GET VERY APPREHENSIVE EVERY TIME I VISIT THE HOUSE.
I DON'T GO HOME VERY OFTEN.
ALL OF THESE EVPs AND MY PICTURES ARE DEFINITELY THINGS THAT I THINK OF EVERY TIME I GO HOME.
Santucci: I KNEW RIGHT AWAY THAT SOMETHING WAS IN THE AREA.
I TOOK THIS PHOTO OF AN APPARITION.
IT WAS THIS GENTLEMAN WEARING COVERALLS STANDING BY THE GATE.
I COULDN'T BELIEVE IT.
SEEING THAT MAN AT THE GATE SEN A CHILL THROUGH MY BONES.
Santucci: IT'S DARK.
IT'S COLD.
IT'S THE PERFECT PLACE FOR SOMETHING NOT-SO-FRIENDLY TO HANG OUT.
Ault: I GOT A FEELING OF BEING WATCHED, THEN I ACTUALLY FELT SOMETHING BRUSH UP AGAINST ME.
Santucci: THERE WAS SOMETHING OVER THERE, AND IT WASN'T HUMAN.
Ault: MY GHOST STORY BEGAN WHEN I VISITED THE GRABER OLIVE HOUSE.
I'VE BEEN VISITING GRABER OLIVE HOUSE SINCE I WAS A CHILD.
AS I WAS GROWING UP, I WOULD HEAR THE GHOST STORIES FROM THE EMPLOYEES THAT WORKED THERE.
MARCO AND I WENT IN TO SEE IF ANY OF THE TALES OF THE PARANORMAL WERE TRUE.
Santucci: THE GRABER OLIVE HOUSE IS OVER 100 YEARS OLD, BUILT IN 1894.
IT'S STILL RUN BY THE SAME FAMILY.
CLIFF GRABER IS NOW THE OWNER.
HIS GRANDFATHER, C.
C.
GRABER, WAS THE FOUNDER.
WALKING ONTO THE PROPERTY WAS KIND OF NORMAL.
BUT AS SOON AS YOU WALK THROUGH THE GATE, THERE'S THIS ENERGY THAT YOU FEEL IMMEDIATELY.
Ault: I KNEW RIGHT AWAY SOMETHING WAS IN THE AREA.
SO I QUICKLY STARTED SNAPPING PHOTOS.
I TOOK THIS PHOTO OF AN APPARITION.
IT WAS THIS GENTLEMAN WEARING COVERALLS STANDING BY THE GATE.
I CALLED MARCO AND TOLD HIM, "YOU GOT TO LOOK AT THIS.
I GOT A FULL-BODY APPARITION.
" Santucci: I COULDN'T BELIEVE IT.
SEEING THAT MAN AT THE GATE SENT A CHILL THROUGH MY BONES.
RIGHT AFTER THAT, WE DECIDED TO CHECK OU THE REST OF THE PROPERTY.
THERE'S A COUPLE OF GIFT SHOPS, A VAT ROOM WHERE THEY DEAL WITH THE OLIVES AND STUFF, AND THERE'S THE LABELING ROOM.
AND THAT'S KIND OF WHERE THINGS BEGAN TO GET KIND OF DIFFERENT.
IT'S KIND OF A DARK AREA.
IT HAS SOME LIGHTING UP ON TOP.
STRAIGHT BACK, THERE'S A CONVEYER BELT.
ALL I HEARD WAS A LOT OF CREAKING.
I KNEW RIGHT AWAY SOMETHING WAS THERE.
I WENT TOWARDS THAT AREA, JUST STARTED SHOOTING PICTURES.
THERE WAS A GHOS OF A LITTLE BOY, AND HE'S BOUNCING A BALL.
I COULDN'T BELIEVE WHAT I HAD SEEN.
YOU GET PICTURES OF MISTS.
YOU GET BLURRED SHOTS, ALL KINDS OF DIFFERENT THINGS.
BUT A LITTLE BOY BOUNCING A BALL? THAT WAS INCREDIBLE.
Ault: WHEN I SAW MARCO'S PHOTOS, I WAS VERY, VERY SURPRISED.
BOTH HAD THE BOY IN A DIFFEREN MOTION, BOUNCING A BALL.
IT'S JUST SOMETHING YOU DON'T EVER GET.
Santucci: AFTER I GOT THE PHOTO OF THE BOY BOUNCING THE BALL, I HAD TO KNOW WHO HE WAS.
I ASKED WHO WAS I THAT WAS WITH ME.
THE RESPONSE WAS "LUKE.
" HE SOUNDED TO BE AROUND 10 OR 11 OR SO.
SO I SAID, "LUKE, ARE YOU HERE?" AND HE SAID YES.
Ault: WHEN I FIRST HEARD THE LUKE EVP, I WAS PRETTY EXCITED ABOUT IT.
IT WAS NICE TO PUT A NAME TO ONE OF THEM.
Santucci: I KNEW RIGHT AWAY THAT SOMETHING WAS THERE.
WE CLIMBED UP TO THE HAY LOFT.
WE BOTH FELT A LOT OF ENERGY.
AND AS WE CLIMBED THE STAIRS, THE ENERGY GOT STRONGER AND STRONGER.
AS SOON AS WE GOT TO THE TOP OF THE STAIRS, THE HAIR ON BOTH OF OUR ARMS STOOD UP.
I JUST GAVE HIM MY CAMERA AND SAID, "JUST START SHOOTING.
" HE TOOK A SHOT.
AND MY BACK IS, LIKE, LIT UP.
AT FIRST I'M LOOKING AT IT, GOING, "THAT JUST CAN'T BE THE SUN.
" IF IT HAD ONLY BEEN JUST SUNLIGHT, IT WOULD HAVE GONE PAST ME AND ONTO THE FLOOR IN FRONT OF ME, AND YOU WOULD HAVE BEEN ABLE TO SEE THAT PATTERN.
SECOND SHOT, I'M MORE LIT.
THERE'S, LIKE, THIS AURA THAT EMANATES OFF OF THE LIGHT, LIKE A SHROUD.
THE THIRD SHOT HE TAKES, MY ENTIRE BODY WAS JUST ENGULFED INTO THE LIGHT.
SOMEBODY WAS WITH ME.
WHOEVER IT IS WANTS MY ATTENTION.
WE BOTH KNEW THAT SOMETHING DEFINITELY WAS THERE.
THEN WE WENT TO THE MUSEUM.
IT'S VERY SMALL, BUT IT HAS A LOT OF STUFF IN IT.
THERE'S A LOT OF ENERGY IN THAT ROOM.
THERE'S LOTS OF SPIRITS IN THERE, AND THEY LIKE TO TALK.
Ault: MARCO GOT OU HIS DIGITAL RECORDER, AND I WAS ASKING IF C.
C.
GRABER WAS HERE.
AND WE ACTUALLY GO ON THE DIGITAL RECORDER, "HERE.
" I'M TELLING MARCO, "IT'S HIM.
" AT THE SAME TIME, I WAS ALSO SNAPPING OFF A LOT OF PHOTOS, AND I TOOK THIS PHOTO AND GO A FACE IN THE FLASH FLARE.
IT WAS C.
C.
GRABER'S WIFE, GEORGIA GRABER.
Santucci: HE GOES, "THAT'S HER.
THAT'S THE GHOST.
THIS IS GEORGIA.
" THAT WAS COOL TO PUT A FACE WITH THE PHOTO.
Ault: I THINK C.
C.
GRABER AND GEORGIA GRABER DON'T WANT TO LEAVE THE LOCATION BECAUSE IT MEANS SO MUCH TO THEM.
Santucci: SCOTT AND I CONTINUED IN THE MUSEUM, AND I GO A REALLY SPOOKY FEELING.
Ault: I GOT A FEELING OF BEING WATCHED, THE HAIR STANDING UP ON THE BACK OF MY NECK.
I ACTUALLY FELT SOMETHING BRUSH UP AGAINST ME.
AND I TURNED AROUND REALLY QUICK TO SEE WHAT IT WAS, BUT THERE'S NOTHING THERE.
I GRAB MY CAMERA AND STARTED SHOOTING PHOTOS.
Santucci: HE ACTUALLY GOT A PHOTO OF A MALE FACE LOOKING INTO THE MUSEUM, AND HE'S BLUE.
Ault: IT'S A BLUE FACE IN A LITTLE WINDOW IN THE MUSEUM AREA.
FINDING THAT FACE WAS PRETTY CREEPY.
HE WANTED ME TO KNOW HE WAS THERE.
SAYING, "HEY, THERE'S SOMETHING ELSE HERE WITH YOU.
" IT WAS PRETTY UNNERVING TO KNOW THAT I WAS THAT CLOSE TO THAT.
Santucci: AFTER THAT, WE DECIDED TO CHECK OUT THE VAT ROOM.
THE VAT ROOM IS A VERY CREEPY PLACE.
THERE'S SOMETHING THERE THAT WATCHES.
IT'S DARK.
IT'S COLD.
IT'S THE PERFECT PLACE FOR SOMETHING NOT-SO-FRIENDLY TO HANG OUT.
I'VE GOTTEN A VERY STRONG MALE PRESENCE INSIDE THERE THAT I BELIEVE KIND OF WATCHES OVER THAT ROOM.
Ault: THERE'S AN APPARITION IN THE VAT ROOM THAT WE'VE GOTTEN A NUMBER OF PHOTOS OF.
WE CALL HIM THE CREEPER.
SOMETIMES HE'S PEEKING OU FROM BEHIND THE EQUIPMENT.
SOMETIMES HE'S INTO THE FRAMEWORK IN THE BUILDING, PEEKING OUT.
HE'S JUST ALWAYS OUT OF EYESHOT, SO YOU NEVER GET A CLEAR SHO OF THE FULL PERSON.
Santucci: THERE WAS SOMETHING OVER THERE, AND IT WASN'T HUMAN.
YOU KNOW, LOOKS ALMOST LIKE A CHILD LURKING.
YOU CAN JUST FEEL HIM.
Ault: WE'VE GONE TO GRABER OLIVE HOUSE SO MANY TIMES, I ACTUALLY THINK THE SPIRITS THERE ARE STARTING TO GET USED TO US.
EACH TIME WE GO, THEY SHOW THEMSELVES TO US MORE AND MORE.
THIS DOES CHANGE HOW I LOOK AT THE WORLD.
I KNOW THAT THERE'S SOMETHING AFTER WE LEAVE HERE.
Santucci: THERE ARE SO MANY SPIRITS AT THE GRABER OLIVE HOUSE THAT I CAN'T WALK THROUGH THOSE GATES WITHOUT FEELING THEM ALL AROUND ME.
WE'RE ALMOST PARALLEL WITH THE OTHER SIDE, AND TO KNOW THAT WE'RE THAT CLOSE BUT CAN'T TOUCH IT, IT'S WEIRD, BUT IT'S THE COOLEST FEELING.
ONCE YOU OPEN THE DOOR, IT'S HARD TO CLOSE.
Burton: I WAS TELLING MY FRIENDS HOW MUCH I HATED THIS HOUSE.
IT FELT LIKE I WAS IN THE HOUSE FROM HELL.
AND IT SEEMED LIKE ITS MISSION WAS TO TEAR OUR FAMILY APART.
Burton: THERE WAS SO MUCH ANGER IN THE HOUSE.
Blaylock: DEFINITELY PICKED UP THAT THERE WAS A NEGATIVE ENTITY THAT WAS THERE.
Burton: I FELT LIKE I WAS IN THE HOUSE FROM HELL.
MY GHOST STORY BEGAN WHEN MY HUSBAND AND I PURCHASED A FORECLOSED HOME IN SHAKOPEE, MINNESOTA.
MY HUSBAND AND I PURCHASED THE HOUSE APRIL 2009.
WHEN WE MOVED IN, THE WHOLE BASEMEN KIND OF FELT LIKE DEATH.
IT FELT LIKE DEATH DOWN THERE.
I WAS TELLING MY FRIENDS HOW MUCH I HATED THIS HOUSE, HOW MUCH I HATED THE VIBE IN THERE.
I FELT LIKE I WAS IN THE HOUSE FROM HELL.
WE WERE IN THE HOUSE LESS THAN TWO MONTHS WHEN MY 14-YEAR-OLD SON, GRANT, APPROACHED ME AND TOLD ME THAT WE HAD A GHOS IN THE HOUSE.
AT FIRST, I DIDN'T BELIEVE GRANT, AND THEN HE KEPT COMING TO ME MORE AND MORE OFTEN WITH THINGS THAT WERE HAPPENING TO HIM.
IT WOULD PULL THE COVERS OFF HIM.
HE SAID WHEN HE WAS IN HIS ROOM, IT FELT LIKE A CROWD WAS JUST PUSHING ON HIM.
AND HE SAID, "I CAN'T TAKE IT ANYMORE.
I'M NOT SLEEPING IN THERE.
I'M NEVER GOING IN THERE AGAIN.
" AFTER THAT, MY HUSBAND AND I TALKED, AND WE WERE LIKE, "WE NEED TO DO SOMETHING.
" WHILE I WAS TRYING TO FIGURE OU WHAT ELSE TO DO, MY HUSBAND AND I ARE FIGHTING MORE.
BOTH MY SONS ARE AT EACH OTHER'S THROATS.
THERE WAS SO MUCH ANGER IN THE HOUSE.
THAT WAS WHEN TERRY'S PERSONALITY DRAMATICALLY CHANGED.
HE WAS NEVER HAPPY.
HE WAS ANGRY, ARGUMENTATIVE.
HE WOULD SPEND HIS TIME DOWNSTAIRS WITH THE TV ON WITH THE SOUND OFF, THE LIGHTS OFF, STARING AT THE TV.
I HATED IT DOWN THERE.
BUT WHEN I WOULD GO DOWN THERE, HE WOULD TRACK ME WITH HIS EYES.
AND IF I LOOKED AT HIM, HE'D GO, "WHAT?" SO WE ALL AVOIDED HIM.
IT WAS A NEGATIVE FORCE.
IT WAS A NEGATIVE ENERGY.
AND IT SEEMED LIKE ITS MISSION WAS TO TEAR OUR FAMILY APART.
ONE AFTERNOON, I WAS OUTSIDE, AND I COULD HEAR SOME HOLLERING, AND I COULD HEAR THE DOG BARKING.
AND MY SON'S GOT THE MEAT CLEAVER FROM THE KITCHEN.
AND I'M LIKE, "WHAT THE HELL ARE YOU DOING?" AND I RUN AFTER HIM, AND HE SPINS AROUND, AND I'M LIKE, "PUT IT DOWN.
" AND HIS FACE WAS DIFFERENT.
AND HE SAYS, "I'M GONNA [BLEEP.]
KILL YOU, TOO, YOU [BLEEP.]
AND I MANAGED TO GET THE CLEAVER AWAY FROM HIM.
I KNEW THAT THE HOUSE WAS RUINING OUR LIVES AND IT WAS TAKING OVER MY FAMILY.
SO FINALLY, ONE DAY I DECIDED I WOULD GO TO THIS LOCAL NATIVE AMERICAN SHOP.
SO I WALKED IN THERE AND I SAID, "DO YOU KNOW HOW TO GET RID OF ENTITIES?" AND SHE SAID, "ACTUALLY, YEAH, I DO.
" SHE RAN TO THE BACK, BROUGHT ME A PAGE SHE HAD PRINTED OFF FROM THE INTERNET.
AND IT WAS AN ORGANIZATION -- BEYOND THE VEIL.
SO I TOLD THEM WHAT WAS GOING ON.
THEY SAID THEY WERE GONNA HAVE TO BRING A MEDIUM OVER.
HER NAME WAS LINDA.
Blaylock: WHEN I DROVE UP TO THE HOUSE, DEFINITELY PICKED UP RIGHT AWAY THAT THERE WAS A NEGATIVE ENTITY THAT WAS THERE.
A LOT OF NEGATIVITY JUST FLOWING OUTWARD FROM THE HOME.
WHEN I WALKED THROUGH THE FRONT DOOR, THERE WAS DEFINITE FEAR AND DESPERATION AND JUS AN OVERALL NEGATIVE FEELING.
BEFORE COMING OUT, I ASKED KATHY TO TAKE PHOTOS IN THE HOME TO SEE IF WE COULD FIND ANY EVIDENCE OF ANY ACTIVITY OR ANY SPIRITS THERE.
THERE WERE SOME PHOTOGRAPHS THAT SHOWED MISTS.
ALSO ONE WITH A RED-COLORED ORB THAT WE COULDN'T EXPLAIN.
Burton: THERE ARE A COUPLE OF PICTURES WHERE THEY'RE ONE ON TOP OF ANOTHER.
IT LOOKS LIKE SOMEONE BLEW SOAP BUBBLES.
IT SCARED THE CRAP OUT OF US.
Blaylock: WHEN WE WENT DOWN TO THE BASEMENT, THERE WAS A GROUP OF SPIRITS THAT WERE THERE, BEING HELD AND CONTROLLED BY A VERY NEGATIVE AND POWERFUL MALE SPIRIT.
AS WE WERE WALKING THROUGH THE HOME, TRYING TO GET EVPs, I COULD HEAR HIM YELLING THAT I WAS A LIAR.
HE WAS YELLING, "GET OUT! GO AWAY!" LATER, WHEN WE PLAYED BACK THE EVPs, WE DID FIND ONE OF A MALE TELLING US TO GET OUT.
Burton: I WAS REALLY SCARED WHEN I HEARD "GET OUT.
" Blaylock: ANOTHER EVP THAT WE DID FIND WAS OF THE NEGATIVE MALE SPIRIT DOWNSTAIRS TELLING THE GROUP OF SPIRITS, "HERE COMES THAT EVIL GYPSY WOMAN.
" THIS WAS OF A SIGNIFICANCE SIMPLY BECAUSE NOBODY HAD MENTIONED MY BUSINESS, WHICH HAS "GYPSY" IN THE NAME.
AND SO NOBODY COULD HAVE KNOWN ABOUT IT.
AND YET HERE'S THAT MAN TALKING ABOUT IT.
KATHY AND I WENT ROOM BY ROOM, STARTING IN THE BASEMEN AND LET ALL THE SPIRITS KNOW THAT WE'RE CLEANSING THE HOME, WE'RE SEALING THE HOME, AND UNLESS YOU WANT TO BE STUCK HERE, YOU'D BETTER LEAVE NOW.
AND THEN WE SEALED THE WINDOWS AND ALL DOORWAYS.
I DECIDED IT WAS TIME TO CROSS THE SPIRITS OVER.
EVERYBODY WENT INTO THE LIVING ROOM AND SAT DOWN, AND I POSITIONED THE CHAIR RIGHT TOWARD THE TOP OF THE BASEMENT DOOR.
Burton: SHE SAT IN THE CHAIR, AND SHE GOT REAL QUIE FOR A MINUTE.
AND THE LIVING ROOM BECAME FREEZING COLD WHERE YOU ALMOS WERE GONNA THINK YOU WERE GONNA SEE YOUR BREATH.
Blaylock: KATHY HAD MENTIONED OUT LOUD THE FACT THAT IT WAS SO COLD IN THE ROOM.
AND I WENT THROUGH THE PROCESS OF CROSSING THE SPIRITS OVER.
ONCE THAT WAS FINISHED, KATHY AGAIN COMMENTED ON HOW "IT'S WARM AGAIN.
" THE ROOM IS BACK TO NORMAL AGAIN.
Burton: THE COLD LEFT THE ROOM.
YOU COULD FEEL IT -- VOOM -- LEAVE THE ROOM.
Blaylock: AFTER I HAD CROSSED EVERYBODY OVER AND WE SEALED THE HOME, I DIDN'T FIND ANY OTHER SPIRITS THAT WERE STILL LINGERING.
Burton: IT WAS APPAREN THAT CHANGES WERE IN THE HOUSE.
IT WAS A LOT BETTER.
SUNLIGHT WAS COMING IN THE BASEMENT WINDOWS.
IT WAS ALWAYS SO DARK AND CREEPY DOWN THERE, AND NOW, ALL OF A SUDDEN, THERE'S SUNBEAMS JUST POURING IN THROUGH THE WINDOWS.
I LOOKED AT THE KIDS AND I WENT, "IT WORKED! IT WORKED!" Blaylock: I THINK THE BIGGEST THING PEOPLE REALLY DON'T UNDERSTAND WHEN IT COMES TO SPIRITS IS THAT THEY ARE THERE AND THEY ARE TRYING TO GE OUR ATTENTION.
AND SO MANY OF THE THINGS THAT WE SEE, LIKE THINGS OUT OF THE CORNER OF OUR EYE AND RANDOM THOUGHTS OF THESE PEOPLE, ARE IN FACT THEM TRYING TO CONTACT US.
UNFORTUNATELY, THERE ARE TIMES WHERE THEY WILL TRY TO CONTAC US IN WAYS THAT WE DON'T LIKE.
Gowins: ALL KINDS OF SPIRITS ARE HANGING AROUND THAT FRONT DOOR, WAITING TO GET IN.
Clayton: I KNEW HEW AS WATCHING ME.
YOU COULD FEEL HIM THERE.
AMANDA, WHAT IS GOING ON? THERE WAS A GHOS ON THE OTHER SIDE OF THE DOOR.
[ DOOR CLOSES .]
Gowins: THAT IS THE SCARIES PIECE OF EVIDENCE I'VE EVER SEEN.
Clayton: THERE'S THIS PICTURE OF A SHADOW MAN STANDING IN BETWEEN A GROUP OF WOMEN.
Gowins: WHEN THEY CAPTURE THINGS LIKE THAT, IT JUST PROVES TO ME THERE ARE SPIRITS IN MISS MOLLY'S HOTEL.
MY GHOST STORY BEGAN WHEN I ACCEPTED A JOB AT MISS MOLLY'S HOTEL IN THE STOCKYARDS IN FORT WORTH, TEXAS.
MISS MOLLY'S ORIGINALLY OPENED IN 1910 AS A HOTEL FOR THE WEALTHY CATTLEMEN.
IT DIDN'T STAY THA FOR VERY LONG BEFORE IT WAS TURNED INTO A BORDELLO.
WHERE YOU HAVE WEALTHY MEN, YOU HAVE LADIES OF THE EVENING.
THE BORDELLO DAYS LASTED UP UNTIL THE '50s BEFORE THEY CLOSED THEM ALL DOWN.
AND THEN, IN 1989, IT WAS TURNED INTO MISS MOLLY'S BED AND BREAKFAST.
I CAN PUT YOU IN A DOUBLE ROOM.
WHEN I FIRST CAME TO MISS MOLLY'S, I NOTICED THINGS WERE HAPPENING THAT WERE NOT EXPLAINED.
I WAS HEARING VOICES.
THERE WAS A LOT OF STUFF MOVING AROUND, LIGHTS GOING ON AND OFF.
LAMPS WERE BEING UNPLUGGED.
THE DOORS OPENING AND SHUTTING, LOCKING THEMSELVES.
IT HAD HAPPENED TO OTHER GUESTS.
SOME OF THEM EVEN LEF IN THE MIDDLE OF THE NIGH BECAUSE IT WAS MORE THAN THEY COULD HANDLE.
I'D BE IN THERE CLEANING MISS JOSIE'S ROOM, WHICH IS THE MADAM'S QUARTERS, AND THE TOILET WOULD FLUSH ITSELF.
[ TOILET FLUSHES .]
THEY'VE GO THE OLD PULL-CHAIN TOILET, AND THE PULL CHAIN'S SWINGING.
WELL, THAT'S VERY UNNERVING IF YOU'RE THERE BY YOURSELF.
EVERY TIME I WOULD GO UP THE STAIRS, I COULD FEEL RESISTANCE.
THERE WOULD BE SOMETHING PUSHING ME, SO I WOULD HANG ON TO THE HAND RAIL.
BACK IN THE DAY, THAT WAS THE STAIRWAY TO THE BORDELLO.
PEOPLE WERE SHOVED DOWN THE STAIRS.
PEOPLE WERE SHOT ON THE STAIRS.
SO THAT'S PAR OF THE RESISTANCE.
ONE OF THE VERY FIRST THINGS THAT HAPPENED WAS I WOKE UP AND MY BED WAS SHAKING.
AND IT WAS VERY OBVIOUS THAT I WAS SOMETHING BAD, EVIL.
IT JUST PETRIFIED ME.
I COULDN'T BREATHE.
THERE WAS PRESSURE ON MY CHEST.
I COULDN'T HOLLER.
I COULDN'T SPEAK.
I WAS SCARED LITERALLY OUT OF MY MIND.
THAT'S WHEN I STARTED CALLING IN SOME EXTRA HELP.
Clayton: I'M AN INVESTIGATOR FOR HAUNTED TEXAS PARANORMAL.
WE ARRIVED IN THE STOCKYARDS TO INVESTIGATE MISS MOLLY'S, AND IT PRETTY MUCH LOOKS LIKE IT DID A CENTURY AGO.
THEY STILL DRIVE CATTLE DOWN THE STREET.
THE MINUTE YOU WALK IN THE DOOR AT MISS MOLLY'S, YOU'RE ON EDGE.
THE STAIRS CREAK WITH EVERY STEP.
THE AIR IS VERY THICK.
IT'S DIFFICULT TO BREATHE.
YOU GET THIS SENSE OF BEING ON GUARD.
YOU'RE TENSE THE WHOLE TIME YOU'RE THERE BECAUSE YOU ALWAYS FEEL LIKE YOU'RE BEING WATCHED.
THERE'S THAT.
DID SOMEBODY TAKE THE TEMPERATURE? Woman: I DID.
IT'S 74.
4.
THE FLASHLIGHT IS TURNING OFF AND ON.
Woman #2: CHA-CHING! IT'S STILL GOING OFF.
Clayton: PAULA HAD TOLD US THAT MOST OF THE ACTIVITY THAT OCCURS THERE IS MISS JOSIE'S ROOM.
SO WE SET UP A FEW CAMERAS AND A COUPLE OF DIGITAL RECORDERS IN THERE, AND THEN I WENT IN MY ROOM, AND I SET UP A NIGHT VISION CAMERA AND JUST MY DIGITAL RECORDER.
WENT BACK TO THE PARLOR, STARTED VISITING, GETTING A GAME PLAN FOR THAT EVENING.
Gowins: THAT WAS JANUARY OF 2011, AND I WILL NEVER FORGET IT.
Clayton: PAULA HAD BEEN TALKING ABOUT THIS PARTICULAR ROOM WHERE SHE HAD SAW A COWBOY GO IN AND OUT.
Gowins: I KNEW THEN THIS WAS REAL.
THERE IS SOMETHING IN HERE.
THAT WAS JUST A CLIMACTIC POIN FOR ME BECAUSE I HAD HAD THINGS HAPPEN, BUT I HAD NEVER SEEN THE FULL-BODY APPARITION.
I WAS THERE BY MYSELF THAT NIGHT.
THERE WAS NO OTHER GUEST THERE, AND I HAD THE DOORS LOCKED.
AND SO I SAW THE GHOST COWBOY HEADING TOWARDS ROOM 7, THE RAILROADER ROOM.
I YELLED AT HIM.
I SAID, "HEY!" THINKING IT WAS A REAL MAN THAT HAD GOTTEN IN SOMEHOW.
HE WENT ON INTO THE ROOM, THE DOOR SHUT, AND IT LOCKED.
I UNLOCKED IT, THREW OPEN THE DOOR, AND THERE WAS NO ONE STANDING THERE.
AND I WAS PETRIFIED.
I WAS FROZEN.
THAT WAS PROBABLY THE MOST TERRIFYING SITUATION I'VE EVER HAD.
AFTER THAT HAPPENED, I CALLED PSYCHICS AND MEDIUMS, AND I WAS TOLD THAT JAKE WAS THE NAME OF THIS COWBOY GHOST, THAT THE SPIRIT OF JAKE RESIDED THERE AND DIED THERE FROM NATURAL CAUSES IN ROOM 7.
[ CAMERA SHUTTER CLICKING .]
Clayton: PAULA SHOWED ME SEVERAL PICTURES THAT SHE'S TAKEN OR GUESTS HAVE TAKEN.
THERE'S TONS OF ORBS AND STREAKS OF STRANGE, UNEXPLAINED LIGHT.
Gowins: A GUEST CAPTURED THE SMOKY APPARITION AT THE FRONT DOOR.
THAT IS A CREEPY PHOTO.
WHAT IT SAYS TO ME IS THA THERE'S ALL KINDS OF SPIRITS THAT ARE HANGING AROUND THAT FRONT DOOR THAT ARE WAITING TO GET IN.
Clayton: THERE'S THIS PICTURE OF A SHADOW MAN STANDING IN BETWEEN A GROUP OF WOMEN AT A BRIDAL SHOWER PARTY.
TO THINK THAT YOU COULD BE HAVING A GOOD TIME AND NEVER KNOW THAT SOMEBODY EVIL LIKE THA WAS STANDING BEHIND YOU IS VERY UNNERVING.
Gowins: HE'S JUST STANDING THERE, AND YOU CAN SEE HE'S GOT SHORT HAIR.
YOU CAN SEE HIS SHOULDERS.
YOU CAN SEE HIS ARM COMING DOWN.
IT'S JUST WOW.
WHEN THEY CAPTURE THINGS LIKE THAT, THE EVIDENCE THAT I LIVE IN, IT VALIDATES MY SANITY.
Clayton: LATER THAT EVENING, I'M WALKING TO MY ROOM TO GET MY CAMERA AND FEEL THIS PRESSURE AGAINST THE DOOR.
SOMETHING IS PUSHING AGAINST IT.
WHEN I LOOK, NOBODY'S THERE, AND THE PRESSURE'S GETTING GREATER.
SO I CALL MY TEAM MEMBER OVER.
AMANDA, WHAT IS GOING ON? SHE STARTS PUSHING ON THE DOOR, AND EVENTUALLY IT JUST SHUTS.
AND YOU HEAR THE LOCKS SNICK INTO PLACE.
AND THAT'S WHEN ALL LOGIC FLEW OUT THE WINDOW AND I KNEW THERE WAS A GHOS STANDING ON THE OTHER SIDE OF THE DOOR.
I HAVE TO GO WAKE UP PAULA AND HAVE HER LET ME BACK IN MY ROOM.
AND I IMMEDIATELY LOOK AT MY CAMERA AND THINK, "I'VE GOT THAT ON TAPE.
" JAKE HAD ACTUALLY SHUT THE DOOR.
[ DOOR CLOSES .]
[ RATTLING .]
AND HE TURNS MY CAMERA OFF.
Gowins: OH, MY GOD.
THAT IS THE SCARIEST PIECE OF EVIDENCE I'VE EVER SEEN.
IT JUST PROVES TO ME THAT THERE ARE SPIRITS AT MISS MOLLY'S HOTEL AND THAT THERE IS AN AFTERLIFE.
[ DOOR CLOSES .]
Clayton: IT'S SCARY BECAUSE I KNEW HE WAS IN THERE WITH ME.
I KNEW HE WAS WATCHING ME.
YOU COULD FEEL HIM THERE.
AND HE MADE ME FEEL LIKE I WAS AN INTRUDER.
I TURNED AROUND AND I SNAPPED A PICTURE BACK AT THE ROOM, AND IT'S THESE BRIGHT CIRCLES OF LIGHT.
I REALLY THINK THAT WAS KIND OF JAKE'S WAY OF SAYING, "I'M HERE.
YOU'RE RIGHT.
I WAS IN HERE.
YOU'RE NOT SUPPOSED TO BE.
" MISS MOLLY'S IS HAUNTED.
THERE'S NO QUESTION.
I'VE BEEN BACK SEVERAL TIMES SINCE, AND THERE'S ALWAYS SOMETHING GOING ON.
Gowins: THE PARANORMAL IS ENTERTAINING, AND IT'S SOMETHING WE DON'T UNDERSTAND, AND IT'S THE FEAR OF THE UNKNOWN AND THE ELEMENT OF SURPRISE.
BUT IT'S SERIOUS.
IT'S VERY SERIOUS.
ALL OF THE PARANORMAL ACTIVITY HAS AFFECTED MY LIFE IN THE FACT THAT I THINK A LOT MORE OF THE HEREAFTER.
IT'S RIGHT THERE IN FRONT OF YOU ALL THE TIME.
SOME DAY, YOU'RE GONNA PASS INTO THE NEXT LIFE.
AND IS THAT GONNA BE YOU COMING BACK? [ DOOR CLOSES .]
Clayton: JAKE HAS THE RODEO ACROSS THE STREET, THE SALOON IS DOWNSTAIRS, THE STOCKYARDS ARE THE SAME AS THEY WERE 100 YEARS AGO WHEN HE HAD HIS ROOM THERE.
HE MAY EVEN HAVE HAD THE BROTHEL THERE AT HIS DISPOSAL.
SO HE'S HAPPY.
HE'S COMFORTABLE.
THAT'S WHY HE'S STILL THERE.
AND I'M PRETTY SURE THAT MOS OF THE SPIRITS AT MISS MOLLY'S SHARE HIS SENTIMEN AND THEY'RE NOT GOING ANYWHERE ANY TIME SOON.
I COULDN'T BREATHE.
THERE WAS PRESSURE ON MY CHEST.
Clayton: SOMETHING IS PUSHING AGAINST THE DOOR.
THE PRESSURE IS GETTING GREATER.
AND THEN YOU HEAR THE LOCKS.
Kevin: THERE WAS AN ENTITY THA WANTED TO SLASH LEIGH'S THROAT.
Burton: MY SON'S GOT THE MEAT CLEAVER FROM THE KITCHEN, AND I'M LIKE, "WHAT THE HELL ARE YOU DOING?" Blaylock: A LOT OF NEGATIVITY FLOWING OUTWARD FROM THE HOME.
Ault: I ACTUALLY FELT SOMETHING BRUSH UP AGAINST ME.
Santucci: THERE'S SOMETHING OVER THERE, AND IT WASN'T HUMAN.
Phyllis: I FELT AN EVIL PRESENCE.
Elaine: SHE STARTED SPRAYING THE HOLY WATER AND TELLING IT NOT TO CROSS THAT LINE.
Phyllis: IT WAS THE SPIRI OF THE KILLER.
Elaine: IT WAS REAL.
I MEAN, SOMETHING WAS HAPPENING.
Phyllis: I HONESTLY FELT THA THIS PRESENCE MIGHT DO ME HARM.
Man: IS SOMEONE HERE? Phyllis: MY GHOST STORY BEGAN WHEN I TRIED TO SPEND THE NIGHT ALONE WHERE EIGHT PEOPLE WERE AXED TO DEATH AS THEY SLEPT IN THEIR BEDS.
I FIRST HEARD ABOU THE VILLISCA MURDER HOUSE ABOUT FOUR YEARS AGO.
THE MURDERS TOOK PLACE IN JUNE OF 1912.
J.
B.
AND SARAH MOORE AND THEIR FOUR CHILDREN AND TWO OVERNIGHT GUESTS, THEY WENT TO BED, AND THE KILLER WAS HIDING IN THE ATTIC.
AND HE CAME OU WHILE THEY WERE ASLEEP.
I HAD HEARD ABOUT THE MURDERS, AND I WAS COMPELLED TO GO THERE SO I COULD SEE FOR MYSELF WHAT IT LOOKED LIKE.
WHEN I TOLD MY SISTER-IN-LAW ELAINE I WAS GOING, SHE WAS FRIGHTENED FOR ME.
Elaine: I WASN'T SURE EXACTLY IF IT WAS IN THE MIDDLE OF THE COUNTRY OR WHERE IT WAS AT.
AND I WAS REALLY AFRAID BECAUSE SHE WAS THERE BY HERSELF.
Phyllis: WHEN I WALKED INTO THE HOUSE, I GOT A VERY SICK FEELING.
MY HEAD BEGAN TO HURT, AND I HAD AN OVERWHELMING SENSE OF SADNESS.
I WAS DOWNSTAIRS, AND I COULD FEEL THE PRESENCE OF THE CHILDREN.
I HAD MY VIDEO CAMERA ROLLING, SO I STARTED INTERACTING WITH THE CHILDREN IMMEDIATELY.
IT STOPPED IN MID-ROLL IMMEDIATELY WHEN I SAID, "CAN YOU BRING IT BACK?" Elaine: SHE JUST ROLLS THE BALL BACK, AND SHE SAYS, "SEND IT BACK," AND IT JUST STOPS AND ROLLS RIGHT BACK TO HER.
IT NEVER WENT THE SAME WAY.
IF THE FLOOR WAS UNEVEN OR THE WIND WAS BLOWING, THE BALL WOULD HAVE CAME BACK JUST ONE WAY.
BUT SHE WOULD ROLL IT ONE WAY, AND IT WOULD COME THE OTHER WAY.
IT DIDN'T MAKE ANY SENSE THAT IT COULD CHANGE DIRECTIONS LIKE THAT.
Phyllis: WHEN I WAS INTERACTING WITH THE CHILDREN, ONE BALL REVOLVED AROUND ANOTHER BALL THAT WAS STATIONARY.
Elaine: THE LITTLE BALL WASN'T MOVING AT ALL, BUT THE LARGER BALL WAS MOVING AROUND IT, AND THERE WAS NO WAY THAT ONE BALL COULD BE STILL WHILE THE OTHER BALL WAS MOVING.
SEEING THAT VIDEO, I FELT LIKE IT WASN'T JUST HER IMAGINATION.
IT WAS REAL.
I MEAN, STUFF THAT WAS HAPPENING.
Phyllis: WHEN I SAW THE BALLS REVOLVE AROUND ONE ANOTHER AND WHEN I SAW THE BALL COME BACK TO ME ON ITS OWN, IT WAS PROOF TO ME THA THE CHILDREN, THEY WERE THERE.
AS THE NIGHT WORE ON, I HONESTLY FELT THE WHOLE DEMEANOR OF THE HOUSE CHANGED.
IT WAS LIKE THE HOUSE TOOK ON A WHOLE NEW MEANING.
I DIDN'T FEEL THE PRESENCE OF THE CHILDREN ANYMORE.
I FELT AN EVIL PRESENCE.
I THINK IT WAS THE SPIRI OF THE KILLER.
I HONESTLY FELT THAT THIS PRESENCE MIGHT DO ME HARM AND I HAD TO LEAVE THE HOUSE.
AND I SIT IN THE SWING BY THE BARN, STARING AT THE HOUSE THE REST OF THE NIGH UNTIL THE NEXT MORNING.
WHEN I LEFT AND WENT BACK HOME, I WANTED TO TAKE A GROUP BACK TO PROVE TO THEM THAT WHAT WAS GOING ON IN THE HOUSE IS REAL.
Elaine: I HAD WATCHED SOME OF HER EVIDENCE AND WAS AMAZED AND WANTED TO GO WITH HER.
WHEN I FIRST WALKED IN, IT WAS LIKE YOU COULD FEEL SOMETHING THERE, YOU KNOW? YOU COULD JUST FEEL THE ENERGY THERE.
WE WALKED UPSTAIRS, AND THE OTHER PART OF THE PARTY WAS ALREADY UP THERE, AND THEY WERE SPEAKING TO THIS CHILD THAT WAS SUPPOSED TO BE IN THE CLOSET.
WE ASKED HIM IF HE WOULD COME OUT.
AND THE DOOR WOULD OPEN ABOUT AN INCH OR TWO.
IT WOULD STAY OPEN FOR A MINUTE OR TWO, AND THEN IT WOULD CLOSE BACK.
Phyllis: SEEING THE CLOSET DOOR OPEN AND CLOSE ON ITS OWN SCARED ME TO DEATH.
I FROZE PHYSICALLY AND MENTALLY.
Elaine: I ACTUALLY WENT INSIDE OF THE CLOSET, AND THERE'S NO AIR OR A BREEZE OR ANYTHING IN THERE.
IT'S AN INNER CLOSET, AND THERE'S NO REASON FOR THE DOOR TO OPEN AND SHUT LIKE THAT.
THE MOST EMOTIONAL PART OF I WAS THINKING, "WHY WOULD THIS CHILD HAVE TO BE STUCK HERE IN THE HOUSE THAT HE WAS KILLED IN?" IT JUST DIDN'T SEEM RIGHT THA HE WOULD HAVE TO STILL BE THERE.
I THINK WHEN THE MURDERS OCCURRED, THE FATHER AND MOTHER WERE KILLED FIRST.
THE CHILDREN HEARD WHAT WAS GOING ON, AND I BELIEVE THAT THEY HID IN THE CLOSE TO GET AWAY FROM THE KILLER.
THAT'S WHY I THINK THERE IS SUCH A PRESENCE OF THESE CHILDREN IN THAT CLOSET.
Elaine: WHEN IT GOT DARK, IT'S LIKE THE WHOLE HOUSE KIND OF CHANGED DEMEANOR.
IT DIDN'T FEEL THE SAME.
YOU DIDN'T FEEL THE CHILDREN THERE.
MY HUSBAND WAS SITTING ON THE BED, AND HE WAS HOLDING THE METER, AND IT HAD THREE LIGHTS LIT UP.
HE SAID TO MY SISTER-IN-LAW, "WHAT DOES THAT MEAN?" AND SO HE SAYS, "IS ANYBODY THERE?" Phyllis: AT THAT MOMENT, WE HEARD THE SPIRI OF SARAH MOORE SAY, "SARAH.
" Elaine: YOU COULD JUST HEAR I SAY "SARAH.
" SHE WANTED TO LET US KNOW THAT SHE WAS THERE.
MAYBE SHE WAS TRYING TO PROTEC US FROM WHATEVER WAS THERE.
Phyllis: WE WERE COMPELLED TO GO TO THE ATTIC, BECAUSE THE K-II METER WAS GIVING US A STRONGER READING IN THE ATTIC.
Elaine: THE CLOSER WE WOULD GE INTO THE ATTIC, THE BRIGHTER IT WOULD GET.
WE WERE ALL FEELING LIKE THERE WAS SOMETHING SCARY THERE.
Phyllis: I ASKED MY SISTER-IN-LAW TO GO DOWN AND GE THE HOLY WATER.
Elaine: I RAN DOWNSTAIRS AND GOT THE HOLY WATER, AND SHE STARTED SPRAYING THE HOLY WATER AND TELLING IT NOT TO CROSS THAT LINE.
Phyllis: I ASKED THAT THE EVIL SPIRIT NOT CROSS THAT LINE AND NOT HARM SARAH AND HER CHILDREN ANYMORE.
Elaine: I'M REALLY NOT SURE WHAT IT WAS, BUT IT WASN'T THE CHILDREN.
IT WAS A WHOLE LOT STRONGER PRESENCE.
Phyllis: IT WAS A VERY EMOTIONAL MOMEN FOR EVERYONE THAT WAS IN THE ATTIC.
EVERYBODY WAS AFFECTED.
WHEN DID DRAW THE LINE WITH THE HOLY WATER, IT DID SEEM LIKE THINGS CALMED DOWN A BIT.
Elaine: THAT'S THE MOS I THINK I'VE EVER FEL THAT THERE WAS A PRESENCE.
THERE WAS SOMETHING THERE, AND IT DIDN'T NEED TO BE THERE.
Phyllis: AFTER ALL MY EXPERIENCES IN THE AX MURDER HOUSE, I DO KNOW THAT THERE IS AN AFTERLIFE.
I DO KNOW THAT SOMETHING HAPPENS AFTER WE DIE.
IT'S NOT FOR ME TO QUESTION WHAT DOES HAPPEN.
I DO KNOW WHAT WE CARRY ON AFTER WE DIE.
Elaine: I REALLY FEEL LIKE THERE IS SOMETHING OUT THERE.
I DON'T UNDERSTAND IT ALL.
I JUST KNOW THAT THERE WAS SOMETHING THERE.
Phyllis: IT HAS CHANGED MY LIFE, AND I WOULD LIKE FOR OTHER PEOPLE TO HAVE THOSE EXPERIENCES AS WELL.
HERE'S MY HAND.
THERE YOU GO.
Elaine: YOU REALLY HAVE TO ACCEPT IT, BECAUSE THERE WAS TOO MUCH HAPPENING THERE TO NOT BELIEVE.
IT REALLY MAKES ME SAD TO THINK THAT THERE'S CHILDREN TRAPPED IN THAT HOUSE, BUT I REALLY FEL THEIR PRESENCE THERE.
AND IT'S NOT THAT I EVER DISBELIEVED ANY OF IT, BUT TILL SOMETHING HAPPENS TO YOU, IT'S KIND OF HARD TO FEEL LIKE THAT COULD HAVE BEEN JUST THE WIND OR THAT COULD HAVE BEEN SOMEBODY ELSE DOING IT.
IT WAS KIND OF HARD TO WALK AWAY FROM THERE AND NOT FEEL LIKE THERE HAS TO BE SOMETHING WE DON'T UNDERSTAND AND SOMETHING OUT THERE.
Phyllis: THE FEELING THAT I GE FROM THE SPIRITS OF THE CHILDREN LEFT ME WITH MORE QUESTIONS THAN ANSWERS.
BUT I WON'T KNOW THE ANSWERS TO THOSE QUESTIONS UNTIL I ACTUALLY DIE MYSELF.
Leigh: I WAS IN MY ROOM, AND I LOOKED AT ONE OF THE PICTURES AND SAW THAT IT HAD A SCRATCH ACROSS MY NECK.
THE MORE PICTURES I LOOKED AT, THE MORE THAT I FOUND MY THROAT SLASHED.
Kevin: THE HAIR ON THE BACK OF MY NECK STOOD UP.
Leigh: I THINK I SAW A GHOST.
I STARTED TO FEEL THREATENED.
Kevin: IT WAS SO SHOCKING BECAUSE, ACCORDING TO THIS, THERE WAS AN ENTITY THAT WANTED TO SLASH LEIGH'S THROAT.
MY GHOST STORY BEGAN WHEN I BOUGHT A HAUNTED HOUSE IN LISBON FALLS, MAINE.
LISBON FALLS IS A VERY QUIET COMMUNITY.
ONLY HAS MAYBE A POPULATION OF 4,000 PEOPLE.
I BOUGHT THE HOUSE IN OCTOBER OF 1988.
IT'S A LOVELY LITTLE HOME -- THREE BEDROOMS UPSTAIRS, A COUPLE ROOMS DOWNSTAIRS.
AND WHEN WE FIRST MOVED IN, I HAD ABSOLUTELY NO IDEA THAT THERE COULD BE ANY GHOSTS IN THERE.
LEIGH WAS ONLY 4 YEARS OLD WHEN WE FIRST MOVED INTO THE HOUSE, AND SHE TOLD ME THAT SHE FEL THAT THE HOUSE WAS HAUNTED.
Leigh: VERY SHORTLY AFTER WE MOVED IN, I STARTED SEEING PARANORMAL ACTIVITY.
I REMEMBER I HAD JUST TURNED THE LIGHT OUT TO GO TO BED, AND I SAW THIS LITTLE BOY HUNCHED OVER, PLAYING IN MY TOY BOX.
AND JUST AS I WAS ABOUT TO SAY, "WHAT ARE YOU DOING?" IT DISAPPEARED.
AND I RAN DOWNSTAIRS AND SAID, "DAD, I THINK I SAW A GHOST.
" Kevin: ONE EVENING I WAS AWAKENED IN THE MIDDLE OF THE NIGHT, AND I LOOKED OVER AT THE TOP OF THE STAIRS, AND A CHILD'S APPARITION WAS LEANING IN LEIGH'S DOORWAY.
SO ON THAT PARTICULAR OCCASION, I JUST ROLLED OVER AND PULLED THE BLANKETS UP OVER MY HEAD AND WILLED MYSELF TO GO BACK TO SLEEP.
IT SCARED ME BECAUSE WE BOTH WERE SEEING AND EXPERIENCING THE SAME THINGS, AND AT THAT POINT, I KNEW THA THERE WERE GHOSTS IN THE HOUSE.
I EVENTUALLY MOVED OU OF THE HOUSE WHEN MY WIFE AND I SPLIT UP.
AND AS I HAD LIVED IN DIFFERENT PLACES, THE ONE THING THAT I NOTICED EVERY TIME THAT I'VE GONE BACK, BECAUSE MY DAUGHTER STILL LIVES THERE, IS HOW OPPRESSIVE THE ATMOSPHERE IS IN THAT HOUSE.
Leigh: MY PARENTS ENDED UP GETTING DIVORCED, AND MY DAD WAS THE FIRST ONE TO MAKE THE COMMEN THAT HE FELT DIFFEREN WHEN HE WAS OUTSIDE THE HOME, THAT HE JUST KIND OF FELT BETTER AND LIGHTER.
ONCE I MOVED OUT OF THE HOUSE FOR SCHOOL, EVERY TIME I CAME BACK TO THE HOUSE, I STARTED TO NOTICE THAT YOU FEEL HEAVIER WHEN YOU WALK IN, AND WHEN YOU LEAVE, IT'S ALMOS LIKE A WEIGHT HAS BEEN LIFTED.
WHEN I CAME HOME FROM COLLEGE, I WAS IN MY ROOM, AND I LOOKED OVER MY SHOULDER AT A WARDROBE THAT I HAD, COVERED IN PICTURES OF MYSELF AND MAGAZINE CLIPPINGS.
AND I LOOKED AT ONE OF THE PICTURES AND SAW THAT IT HAD A SCRATCH ACROSS MY NECK.
AND I CHALKED IT UP TO I JUST BEING A SCRATCHY PHOTO.
AND THEN I SAW ANOTHER ONE OF ME WITH A GROUP OF FRIENDS.
AGAIN THERE WAS A SCRATCH IN THE PICTURE, RIGHT ACROSS MY NECK.
AND THE MORE PICTURES I LOOKED AT, THE MORE THAT I FOUND MYSELF IN THEM WITH MY THROAT SLASHED.
AND I CALLED MY DAD AND I EXPLAINED THE PICTURES TO HIM.
AND HE SAID, "OKAY.
"I'M SURE THEY JUST GOT SCRATCHED, BUT I'LL COME OVER AND WE'LL TAKE A LOOK AT THEM.
" Kevin: AFTER I GOT OFF THE PHONE WITH LEIGH, I RUSHED OVER TO THE HOUSE TO CHECK THE PHOTOS, AND ON QUITE A FEW, THERE WAS A SCRATCH DIRECTLY ACROSS HER THROAT.
Leigh: THE PICTURES THAT I HAD FOUND WERE ALL GROUPED TOGETHER ON MY WARDROBE IN THE SAME GENERAL AREA.
SO HE TOOK A LOOK AROUND THE ROOM AND FOUND A PROM PHOTO THAT WAS ABOVE MY CLOSET, NEAR THE CEILING ON A DIFFERENT WALL, A DIFFERENT PART OF THE ROOM.
HE LOOKED AT IT AND SAID, "OH, MY GOD.
" HE SAW THAT THERE WAS A SCRATCH RIGHT ACROSS MY NECK, JUST LIKE THE OTHER ONES.
Kevin: WHEN I LOOKED AT THA SCRATCH ACROSS HER THROAT, A LOT OF THINGS WENT THROUGH MY MIND.
FIRST OFF, THIS IS DEFINITIVE PROOF THAT THE HOUSE REALLY IS HAUNTED.
HERE'S A GHOS THAT WANTS TO HARM MY DAUGHTER.
Leigh: TO SEE MY FATHER'S REACTION WHEN HE SAW THAT LAST PICTURE, IT MADE ME MORE NERVOUS.
SOMETHING INHUMAN DID THIS.
Kevin: AT THAT POINT, I FELT IT WAS TIME TO CALL IN SOME INVESTIGATORS TO TAKE A LOOK AT THIS.
MAYBE THEY CAN COME UP WITH SOME ANSWERS.
SO WE CONTACTED A GROUP.
Leigh: THEY WERE PROBABLY THERE FOR ABOUT TWO HOURS.
Kevin: AND THEY DID SOME VIDEOTAPING, DID SOME EVP WORK.
Leigh: AND THEY WALKED AROUND WITH THEIR DIGITAL RECORDER AND CAPTURED 30 EVPs.
Kevin: THERE WAS VOICES OF MALES FEMALES CHILDREN.
THERE WERE NAMES.
IT WAS UNBELIEVABLE.
Leigh: I WAS ABSOLUTELY FLOORED.
IT WAS ALMOST LIKE THEY WERE LINING UP, READY TO JUST SCREAM THEIR STORY AT US.
IT WAS JUST ONE AFTER THE OTHER AFTER THE OTHER.
Kevin: THERE WAS A YOUNG BOY'S VOICE -- "COME PLAY WITH ME AND MY LITTLE BROTHER.
" I THINK THE EVP OF "COME PLAY WITH ME AND MY LITTLE BROTHER" IS DEAD ON FOR WHAT LEIGH HAD SEEN -- THIS INQUISITIVE LITTLE CHILD PLAYS WITH HER TOYS.
HE JUST WANTS TO BE AROUND THE KIDS.
IT'S VERY SAD TO THINK THAT THERE ARE KIDS STILL THERE THAT ARE TRAPPED IN THAT EXISTENCE.
Leigh: THE PARANORMAL TEAM CAPTURED A TON OF EVPs, BUT THE ONE THAT STANDS OU IN MY MIND THE MOS IS THE ONE THAT SAYS, "JOSEPH TOOK A KNIFE ACROSS HER NECK.
" Kevin: AS I WAS LISTENING TO THIS METALLIC, CREEPY, MOST EVIL-SOUNDING VOICE I'VE EVER HEARD IN MY LIFE, IT REALLY WAS LIKE TOUCHING A LIVE WIRE.
THE HAIR ON THE ARMS AND BACK OF MY NECK STOOD UP.
CHILLS UP AND DOWN MY SPINE.
Leigh: WHEN I HEARD THE EVP, I, YOU KNOW, WAS DEFINITELY SHAKEN TO THE BONE.
I STARTED TO FEEL THREATENED.
AND NOTHING PHYSICAL HAD EVER HAPPENED BEFORE.
AND NOW TO SEE NOT JUST PICTURES BEING SLASHED, BUT HEARING THE EVP IN RESPONSE TO THA STILL JUST SHAKES ME TO THE CORE.
Kevin: IT WAS SO SHOCKING.
BECAUSE ACCORDING TO THIS, THERE WAS AN ENTITY THAT WANTED TO SLASH LEIGH'S THROAT.
I WISH I DID KNOW WHO JOSEPH WAS.
IT WOULD BE NICE TO HAVE SOME HISTORY THAT TELLS ME THAT HE WAS A MURDERER OR NOT.
WE'LL NEVER BE ABLE TO FIND OU WHO JOSEPH WAS AND WHY HE HAD SUCH A HATE AGAINST LEIGH.
Leigh: I DON'T LIVE IN THE HOME ANYMORE, SO I PROBABLY WON'T EVER FIND OUT WHY I'VE BEEN SINGLED OUT.
Kevin: I DO WISH THAT MY SON, TOM, AND MY EX-WIFE WOULD MOVE OUT OF THAT HOUSE AS SOON AS POSSIBLE.
IT'S AN ATMOSPHERE THAT I WISH THEY WEREN'T IN ANY LONGER.
Leigh: BECAUSE IT SEEMS THA ALL OF THIS IS DIRECTED AT ME, I DO GET VERY APPREHENSIVE EVERY TIME I VISIT THE HOUSE.
I DON'T GO HOME VERY OFTEN.
ALL OF THESE EVPs AND MY PICTURES ARE DEFINITELY THINGS THAT I THINK OF EVERY TIME I GO HOME.
Santucci: I KNEW RIGHT AWAY THAT SOMETHING WAS IN THE AREA.
I TOOK THIS PHOTO OF AN APPARITION.
IT WAS THIS GENTLEMAN WEARING COVERALLS STANDING BY THE GATE.
I COULDN'T BELIEVE IT.
SEEING THAT MAN AT THE GATE SEN A CHILL THROUGH MY BONES.
Santucci: IT'S DARK.
IT'S COLD.
IT'S THE PERFECT PLACE FOR SOMETHING NOT-SO-FRIENDLY TO HANG OUT.
Ault: I GOT A FEELING OF BEING WATCHED, THEN I ACTUALLY FELT SOMETHING BRUSH UP AGAINST ME.
Santucci: THERE WAS SOMETHING OVER THERE, AND IT WASN'T HUMAN.
Ault: MY GHOST STORY BEGAN WHEN I VISITED THE GRABER OLIVE HOUSE.
I'VE BEEN VISITING GRABER OLIVE HOUSE SINCE I WAS A CHILD.
AS I WAS GROWING UP, I WOULD HEAR THE GHOST STORIES FROM THE EMPLOYEES THAT WORKED THERE.
MARCO AND I WENT IN TO SEE IF ANY OF THE TALES OF THE PARANORMAL WERE TRUE.
Santucci: THE GRABER OLIVE HOUSE IS OVER 100 YEARS OLD, BUILT IN 1894.
IT'S STILL RUN BY THE SAME FAMILY.
CLIFF GRABER IS NOW THE OWNER.
HIS GRANDFATHER, C.
C.
GRABER, WAS THE FOUNDER.
WALKING ONTO THE PROPERTY WAS KIND OF NORMAL.
BUT AS SOON AS YOU WALK THROUGH THE GATE, THERE'S THIS ENERGY THAT YOU FEEL IMMEDIATELY.
Ault: I KNEW RIGHT AWAY SOMETHING WAS IN THE AREA.
SO I QUICKLY STARTED SNAPPING PHOTOS.
I TOOK THIS PHOTO OF AN APPARITION.
IT WAS THIS GENTLEMAN WEARING COVERALLS STANDING BY THE GATE.
I CALLED MARCO AND TOLD HIM, "YOU GOT TO LOOK AT THIS.
I GOT A FULL-BODY APPARITION.
" Santucci: I COULDN'T BELIEVE IT.
SEEING THAT MAN AT THE GATE SENT A CHILL THROUGH MY BONES.
RIGHT AFTER THAT, WE DECIDED TO CHECK OU THE REST OF THE PROPERTY.
THERE'S A COUPLE OF GIFT SHOPS, A VAT ROOM WHERE THEY DEAL WITH THE OLIVES AND STUFF, AND THERE'S THE LABELING ROOM.
AND THAT'S KIND OF WHERE THINGS BEGAN TO GET KIND OF DIFFERENT.
IT'S KIND OF A DARK AREA.
IT HAS SOME LIGHTING UP ON TOP.
STRAIGHT BACK, THERE'S A CONVEYER BELT.
ALL I HEARD WAS A LOT OF CREAKING.
I KNEW RIGHT AWAY SOMETHING WAS THERE.
I WENT TOWARDS THAT AREA, JUST STARTED SHOOTING PICTURES.
THERE WAS A GHOS OF A LITTLE BOY, AND HE'S BOUNCING A BALL.
I COULDN'T BELIEVE WHAT I HAD SEEN.
YOU GET PICTURES OF MISTS.
YOU GET BLURRED SHOTS, ALL KINDS OF DIFFERENT THINGS.
BUT A LITTLE BOY BOUNCING A BALL? THAT WAS INCREDIBLE.
Ault: WHEN I SAW MARCO'S PHOTOS, I WAS VERY, VERY SURPRISED.
BOTH HAD THE BOY IN A DIFFEREN MOTION, BOUNCING A BALL.
IT'S JUST SOMETHING YOU DON'T EVER GET.
Santucci: AFTER I GOT THE PHOTO OF THE BOY BOUNCING THE BALL, I HAD TO KNOW WHO HE WAS.
I ASKED WHO WAS I THAT WAS WITH ME.
THE RESPONSE WAS "LUKE.
" HE SOUNDED TO BE AROUND 10 OR 11 OR SO.
SO I SAID, "LUKE, ARE YOU HERE?" AND HE SAID YES.
Ault: WHEN I FIRST HEARD THE LUKE EVP, I WAS PRETTY EXCITED ABOUT IT.
IT WAS NICE TO PUT A NAME TO ONE OF THEM.
Santucci: I KNEW RIGHT AWAY THAT SOMETHING WAS THERE.
WE CLIMBED UP TO THE HAY LOFT.
WE BOTH FELT A LOT OF ENERGY.
AND AS WE CLIMBED THE STAIRS, THE ENERGY GOT STRONGER AND STRONGER.
AS SOON AS WE GOT TO THE TOP OF THE STAIRS, THE HAIR ON BOTH OF OUR ARMS STOOD UP.
I JUST GAVE HIM MY CAMERA AND SAID, "JUST START SHOOTING.
" HE TOOK A SHOT.
AND MY BACK IS, LIKE, LIT UP.
AT FIRST I'M LOOKING AT IT, GOING, "THAT JUST CAN'T BE THE SUN.
" IF IT HAD ONLY BEEN JUST SUNLIGHT, IT WOULD HAVE GONE PAST ME AND ONTO THE FLOOR IN FRONT OF ME, AND YOU WOULD HAVE BEEN ABLE TO SEE THAT PATTERN.
SECOND SHOT, I'M MORE LIT.
THERE'S, LIKE, THIS AURA THAT EMANATES OFF OF THE LIGHT, LIKE A SHROUD.
THE THIRD SHOT HE TAKES, MY ENTIRE BODY WAS JUST ENGULFED INTO THE LIGHT.
SOMEBODY WAS WITH ME.
WHOEVER IT IS WANTS MY ATTENTION.
WE BOTH KNEW THAT SOMETHING DEFINITELY WAS THERE.
THEN WE WENT TO THE MUSEUM.
IT'S VERY SMALL, BUT IT HAS A LOT OF STUFF IN IT.
THERE'S A LOT OF ENERGY IN THAT ROOM.
THERE'S LOTS OF SPIRITS IN THERE, AND THEY LIKE TO TALK.
Ault: MARCO GOT OU HIS DIGITAL RECORDER, AND I WAS ASKING IF C.
C.
GRABER WAS HERE.
AND WE ACTUALLY GO ON THE DIGITAL RECORDER, "HERE.
" I'M TELLING MARCO, "IT'S HIM.
" AT THE SAME TIME, I WAS ALSO SNAPPING OFF A LOT OF PHOTOS, AND I TOOK THIS PHOTO AND GO A FACE IN THE FLASH FLARE.
IT WAS C.
C.
GRABER'S WIFE, GEORGIA GRABER.
Santucci: HE GOES, "THAT'S HER.
THAT'S THE GHOST.
THIS IS GEORGIA.
" THAT WAS COOL TO PUT A FACE WITH THE PHOTO.
Ault: I THINK C.
C.
GRABER AND GEORGIA GRABER DON'T WANT TO LEAVE THE LOCATION BECAUSE IT MEANS SO MUCH TO THEM.
Santucci: SCOTT AND I CONTINUED IN THE MUSEUM, AND I GO A REALLY SPOOKY FEELING.
Ault: I GOT A FEELING OF BEING WATCHED, THE HAIR STANDING UP ON THE BACK OF MY NECK.
I ACTUALLY FELT SOMETHING BRUSH UP AGAINST ME.
AND I TURNED AROUND REALLY QUICK TO SEE WHAT IT WAS, BUT THERE'S NOTHING THERE.
I GRAB MY CAMERA AND STARTED SHOOTING PHOTOS.
Santucci: HE ACTUALLY GOT A PHOTO OF A MALE FACE LOOKING INTO THE MUSEUM, AND HE'S BLUE.
Ault: IT'S A BLUE FACE IN A LITTLE WINDOW IN THE MUSEUM AREA.
FINDING THAT FACE WAS PRETTY CREEPY.
HE WANTED ME TO KNOW HE WAS THERE.
SAYING, "HEY, THERE'S SOMETHING ELSE HERE WITH YOU.
" IT WAS PRETTY UNNERVING TO KNOW THAT I WAS THAT CLOSE TO THAT.
Santucci: AFTER THAT, WE DECIDED TO CHECK OUT THE VAT ROOM.
THE VAT ROOM IS A VERY CREEPY PLACE.
THERE'S SOMETHING THERE THAT WATCHES.
IT'S DARK.
IT'S COLD.
IT'S THE PERFECT PLACE FOR SOMETHING NOT-SO-FRIENDLY TO HANG OUT.
I'VE GOTTEN A VERY STRONG MALE PRESENCE INSIDE THERE THAT I BELIEVE KIND OF WATCHES OVER THAT ROOM.
Ault: THERE'S AN APPARITION IN THE VAT ROOM THAT WE'VE GOTTEN A NUMBER OF PHOTOS OF.
WE CALL HIM THE CREEPER.
SOMETIMES HE'S PEEKING OU FROM BEHIND THE EQUIPMENT.
SOMETIMES HE'S INTO THE FRAMEWORK IN THE BUILDING, PEEKING OUT.
HE'S JUST ALWAYS OUT OF EYESHOT, SO YOU NEVER GET A CLEAR SHO OF THE FULL PERSON.
Santucci: THERE WAS SOMETHING OVER THERE, AND IT WASN'T HUMAN.
YOU KNOW, LOOKS ALMOST LIKE A CHILD LURKING.
YOU CAN JUST FEEL HIM.
Ault: WE'VE GONE TO GRABER OLIVE HOUSE SO MANY TIMES, I ACTUALLY THINK THE SPIRITS THERE ARE STARTING TO GET USED TO US.
EACH TIME WE GO, THEY SHOW THEMSELVES TO US MORE AND MORE.
THIS DOES CHANGE HOW I LOOK AT THE WORLD.
I KNOW THAT THERE'S SOMETHING AFTER WE LEAVE HERE.
Santucci: THERE ARE SO MANY SPIRITS AT THE GRABER OLIVE HOUSE THAT I CAN'T WALK THROUGH THOSE GATES WITHOUT FEELING THEM ALL AROUND ME.
WE'RE ALMOST PARALLEL WITH THE OTHER SIDE, AND TO KNOW THAT WE'RE THAT CLOSE BUT CAN'T TOUCH IT, IT'S WEIRD, BUT IT'S THE COOLEST FEELING.
ONCE YOU OPEN THE DOOR, IT'S HARD TO CLOSE.
Burton: I WAS TELLING MY FRIENDS HOW MUCH I HATED THIS HOUSE.
IT FELT LIKE I WAS IN THE HOUSE FROM HELL.
AND IT SEEMED LIKE ITS MISSION WAS TO TEAR OUR FAMILY APART.
Burton: THERE WAS SO MUCH ANGER IN THE HOUSE.
Blaylock: DEFINITELY PICKED UP THAT THERE WAS A NEGATIVE ENTITY THAT WAS THERE.
Burton: I FELT LIKE I WAS IN THE HOUSE FROM HELL.
MY GHOST STORY BEGAN WHEN MY HUSBAND AND I PURCHASED A FORECLOSED HOME IN SHAKOPEE, MINNESOTA.
MY HUSBAND AND I PURCHASED THE HOUSE APRIL 2009.
WHEN WE MOVED IN, THE WHOLE BASEMEN KIND OF FELT LIKE DEATH.
IT FELT LIKE DEATH DOWN THERE.
I WAS TELLING MY FRIENDS HOW MUCH I HATED THIS HOUSE, HOW MUCH I HATED THE VIBE IN THERE.
I FELT LIKE I WAS IN THE HOUSE FROM HELL.
WE WERE IN THE HOUSE LESS THAN TWO MONTHS WHEN MY 14-YEAR-OLD SON, GRANT, APPROACHED ME AND TOLD ME THAT WE HAD A GHOS IN THE HOUSE.
AT FIRST, I DIDN'T BELIEVE GRANT, AND THEN HE KEPT COMING TO ME MORE AND MORE OFTEN WITH THINGS THAT WERE HAPPENING TO HIM.
IT WOULD PULL THE COVERS OFF HIM.
HE SAID WHEN HE WAS IN HIS ROOM, IT FELT LIKE A CROWD WAS JUST PUSHING ON HIM.
AND HE SAID, "I CAN'T TAKE IT ANYMORE.
I'M NOT SLEEPING IN THERE.
I'M NEVER GOING IN THERE AGAIN.
" AFTER THAT, MY HUSBAND AND I TALKED, AND WE WERE LIKE, "WE NEED TO DO SOMETHING.
" WHILE I WAS TRYING TO FIGURE OU WHAT ELSE TO DO, MY HUSBAND AND I ARE FIGHTING MORE.
BOTH MY SONS ARE AT EACH OTHER'S THROATS.
THERE WAS SO MUCH ANGER IN THE HOUSE.
THAT WAS WHEN TERRY'S PERSONALITY DRAMATICALLY CHANGED.
HE WAS NEVER HAPPY.
HE WAS ANGRY, ARGUMENTATIVE.
HE WOULD SPEND HIS TIME DOWNSTAIRS WITH THE TV ON WITH THE SOUND OFF, THE LIGHTS OFF, STARING AT THE TV.
I HATED IT DOWN THERE.
BUT WHEN I WOULD GO DOWN THERE, HE WOULD TRACK ME WITH HIS EYES.
AND IF I LOOKED AT HIM, HE'D GO, "WHAT?" SO WE ALL AVOIDED HIM.
IT WAS A NEGATIVE FORCE.
IT WAS A NEGATIVE ENERGY.
AND IT SEEMED LIKE ITS MISSION WAS TO TEAR OUR FAMILY APART.
ONE AFTERNOON, I WAS OUTSIDE, AND I COULD HEAR SOME HOLLERING, AND I COULD HEAR THE DOG BARKING.
AND MY SON'S GOT THE MEAT CLEAVER FROM THE KITCHEN.
AND I'M LIKE, "WHAT THE HELL ARE YOU DOING?" AND I RUN AFTER HIM, AND HE SPINS AROUND, AND I'M LIKE, "PUT IT DOWN.
" AND HIS FACE WAS DIFFERENT.
AND HE SAYS, "I'M GONNA [BLEEP.]
KILL YOU, TOO, YOU [BLEEP.]
AND I MANAGED TO GET THE CLEAVER AWAY FROM HIM.
I KNEW THAT THE HOUSE WAS RUINING OUR LIVES AND IT WAS TAKING OVER MY FAMILY.
SO FINALLY, ONE DAY I DECIDED I WOULD GO TO THIS LOCAL NATIVE AMERICAN SHOP.
SO I WALKED IN THERE AND I SAID, "DO YOU KNOW HOW TO GET RID OF ENTITIES?" AND SHE SAID, "ACTUALLY, YEAH, I DO.
" SHE RAN TO THE BACK, BROUGHT ME A PAGE SHE HAD PRINTED OFF FROM THE INTERNET.
AND IT WAS AN ORGANIZATION -- BEYOND THE VEIL.
SO I TOLD THEM WHAT WAS GOING ON.
THEY SAID THEY WERE GONNA HAVE TO BRING A MEDIUM OVER.
HER NAME WAS LINDA.
Blaylock: WHEN I DROVE UP TO THE HOUSE, DEFINITELY PICKED UP RIGHT AWAY THAT THERE WAS A NEGATIVE ENTITY THAT WAS THERE.
A LOT OF NEGATIVITY JUST FLOWING OUTWARD FROM THE HOME.
WHEN I WALKED THROUGH THE FRONT DOOR, THERE WAS DEFINITE FEAR AND DESPERATION AND JUS AN OVERALL NEGATIVE FEELING.
BEFORE COMING OUT, I ASKED KATHY TO TAKE PHOTOS IN THE HOME TO SEE IF WE COULD FIND ANY EVIDENCE OF ANY ACTIVITY OR ANY SPIRITS THERE.
THERE WERE SOME PHOTOGRAPHS THAT SHOWED MISTS.
ALSO ONE WITH A RED-COLORED ORB THAT WE COULDN'T EXPLAIN.
Burton: THERE ARE A COUPLE OF PICTURES WHERE THEY'RE ONE ON TOP OF ANOTHER.
IT LOOKS LIKE SOMEONE BLEW SOAP BUBBLES.
IT SCARED THE CRAP OUT OF US.
Blaylock: WHEN WE WENT DOWN TO THE BASEMENT, THERE WAS A GROUP OF SPIRITS THAT WERE THERE, BEING HELD AND CONTROLLED BY A VERY NEGATIVE AND POWERFUL MALE SPIRIT.
AS WE WERE WALKING THROUGH THE HOME, TRYING TO GET EVPs, I COULD HEAR HIM YELLING THAT I WAS A LIAR.
HE WAS YELLING, "GET OUT! GO AWAY!" LATER, WHEN WE PLAYED BACK THE EVPs, WE DID FIND ONE OF A MALE TELLING US TO GET OUT.
Burton: I WAS REALLY SCARED WHEN I HEARD "GET OUT.
" Blaylock: ANOTHER EVP THAT WE DID FIND WAS OF THE NEGATIVE MALE SPIRIT DOWNSTAIRS TELLING THE GROUP OF SPIRITS, "HERE COMES THAT EVIL GYPSY WOMAN.
" THIS WAS OF A SIGNIFICANCE SIMPLY BECAUSE NOBODY HAD MENTIONED MY BUSINESS, WHICH HAS "GYPSY" IN THE NAME.
AND SO NOBODY COULD HAVE KNOWN ABOUT IT.
AND YET HERE'S THAT MAN TALKING ABOUT IT.
KATHY AND I WENT ROOM BY ROOM, STARTING IN THE BASEMEN AND LET ALL THE SPIRITS KNOW THAT WE'RE CLEANSING THE HOME, WE'RE SEALING THE HOME, AND UNLESS YOU WANT TO BE STUCK HERE, YOU'D BETTER LEAVE NOW.
AND THEN WE SEALED THE WINDOWS AND ALL DOORWAYS.
I DECIDED IT WAS TIME TO CROSS THE SPIRITS OVER.
EVERYBODY WENT INTO THE LIVING ROOM AND SAT DOWN, AND I POSITIONED THE CHAIR RIGHT TOWARD THE TOP OF THE BASEMENT DOOR.
Burton: SHE SAT IN THE CHAIR, AND SHE GOT REAL QUIE FOR A MINUTE.
AND THE LIVING ROOM BECAME FREEZING COLD WHERE YOU ALMOS WERE GONNA THINK YOU WERE GONNA SEE YOUR BREATH.
Blaylock: KATHY HAD MENTIONED OUT LOUD THE FACT THAT IT WAS SO COLD IN THE ROOM.
AND I WENT THROUGH THE PROCESS OF CROSSING THE SPIRITS OVER.
ONCE THAT WAS FINISHED, KATHY AGAIN COMMENTED ON HOW "IT'S WARM AGAIN.
" THE ROOM IS BACK TO NORMAL AGAIN.
Burton: THE COLD LEFT THE ROOM.
YOU COULD FEEL IT -- VOOM -- LEAVE THE ROOM.
Blaylock: AFTER I HAD CROSSED EVERYBODY OVER AND WE SEALED THE HOME, I DIDN'T FIND ANY OTHER SPIRITS THAT WERE STILL LINGERING.
Burton: IT WAS APPAREN THAT CHANGES WERE IN THE HOUSE.
IT WAS A LOT BETTER.
SUNLIGHT WAS COMING IN THE BASEMENT WINDOWS.
IT WAS ALWAYS SO DARK AND CREEPY DOWN THERE, AND NOW, ALL OF A SUDDEN, THERE'S SUNBEAMS JUST POURING IN THROUGH THE WINDOWS.
I LOOKED AT THE KIDS AND I WENT, "IT WORKED! IT WORKED!" Blaylock: I THINK THE BIGGEST THING PEOPLE REALLY DON'T UNDERSTAND WHEN IT COMES TO SPIRITS IS THAT THEY ARE THERE AND THEY ARE TRYING TO GE OUR ATTENTION.
AND SO MANY OF THE THINGS THAT WE SEE, LIKE THINGS OUT OF THE CORNER OF OUR EYE AND RANDOM THOUGHTS OF THESE PEOPLE, ARE IN FACT THEM TRYING TO CONTACT US.
UNFORTUNATELY, THERE ARE TIMES WHERE THEY WILL TRY TO CONTAC US IN WAYS THAT WE DON'T LIKE.
Gowins: ALL KINDS OF SPIRITS ARE HANGING AROUND THAT FRONT DOOR, WAITING TO GET IN.
Clayton: I KNEW HEW AS WATCHING ME.
YOU COULD FEEL HIM THERE.
AMANDA, WHAT IS GOING ON? THERE WAS A GHOS ON THE OTHER SIDE OF THE DOOR.
[ DOOR CLOSES .]
Gowins: THAT IS THE SCARIES PIECE OF EVIDENCE I'VE EVER SEEN.
Clayton: THERE'S THIS PICTURE OF A SHADOW MAN STANDING IN BETWEEN A GROUP OF WOMEN.
Gowins: WHEN THEY CAPTURE THINGS LIKE THAT, IT JUST PROVES TO ME THERE ARE SPIRITS IN MISS MOLLY'S HOTEL.
MY GHOST STORY BEGAN WHEN I ACCEPTED A JOB AT MISS MOLLY'S HOTEL IN THE STOCKYARDS IN FORT WORTH, TEXAS.
MISS MOLLY'S ORIGINALLY OPENED IN 1910 AS A HOTEL FOR THE WEALTHY CATTLEMEN.
IT DIDN'T STAY THA FOR VERY LONG BEFORE IT WAS TURNED INTO A BORDELLO.
WHERE YOU HAVE WEALTHY MEN, YOU HAVE LADIES OF THE EVENING.
THE BORDELLO DAYS LASTED UP UNTIL THE '50s BEFORE THEY CLOSED THEM ALL DOWN.
AND THEN, IN 1989, IT WAS TURNED INTO MISS MOLLY'S BED AND BREAKFAST.
I CAN PUT YOU IN A DOUBLE ROOM.
WHEN I FIRST CAME TO MISS MOLLY'S, I NOTICED THINGS WERE HAPPENING THAT WERE NOT EXPLAINED.
I WAS HEARING VOICES.
THERE WAS A LOT OF STUFF MOVING AROUND, LIGHTS GOING ON AND OFF.
LAMPS WERE BEING UNPLUGGED.
THE DOORS OPENING AND SHUTTING, LOCKING THEMSELVES.
IT HAD HAPPENED TO OTHER GUESTS.
SOME OF THEM EVEN LEF IN THE MIDDLE OF THE NIGH BECAUSE IT WAS MORE THAN THEY COULD HANDLE.
I'D BE IN THERE CLEANING MISS JOSIE'S ROOM, WHICH IS THE MADAM'S QUARTERS, AND THE TOILET WOULD FLUSH ITSELF.
[ TOILET FLUSHES .]
THEY'VE GO THE OLD PULL-CHAIN TOILET, AND THE PULL CHAIN'S SWINGING.
WELL, THAT'S VERY UNNERVING IF YOU'RE THERE BY YOURSELF.
EVERY TIME I WOULD GO UP THE STAIRS, I COULD FEEL RESISTANCE.
THERE WOULD BE SOMETHING PUSHING ME, SO I WOULD HANG ON TO THE HAND RAIL.
BACK IN THE DAY, THAT WAS THE STAIRWAY TO THE BORDELLO.
PEOPLE WERE SHOVED DOWN THE STAIRS.
PEOPLE WERE SHOT ON THE STAIRS.
SO THAT'S PAR OF THE RESISTANCE.
ONE OF THE VERY FIRST THINGS THAT HAPPENED WAS I WOKE UP AND MY BED WAS SHAKING.
AND IT WAS VERY OBVIOUS THAT I WAS SOMETHING BAD, EVIL.
IT JUST PETRIFIED ME.
I COULDN'T BREATHE.
THERE WAS PRESSURE ON MY CHEST.
I COULDN'T HOLLER.
I COULDN'T SPEAK.
I WAS SCARED LITERALLY OUT OF MY MIND.
THAT'S WHEN I STARTED CALLING IN SOME EXTRA HELP.
Clayton: I'M AN INVESTIGATOR FOR HAUNTED TEXAS PARANORMAL.
WE ARRIVED IN THE STOCKYARDS TO INVESTIGATE MISS MOLLY'S, AND IT PRETTY MUCH LOOKS LIKE IT DID A CENTURY AGO.
THEY STILL DRIVE CATTLE DOWN THE STREET.
THE MINUTE YOU WALK IN THE DOOR AT MISS MOLLY'S, YOU'RE ON EDGE.
THE STAIRS CREAK WITH EVERY STEP.
THE AIR IS VERY THICK.
IT'S DIFFICULT TO BREATHE.
YOU GET THIS SENSE OF BEING ON GUARD.
YOU'RE TENSE THE WHOLE TIME YOU'RE THERE BECAUSE YOU ALWAYS FEEL LIKE YOU'RE BEING WATCHED.
THERE'S THAT.
DID SOMEBODY TAKE THE TEMPERATURE? Woman: I DID.
IT'S 74.
4.
THE FLASHLIGHT IS TURNING OFF AND ON.
Woman #2: CHA-CHING! IT'S STILL GOING OFF.
Clayton: PAULA HAD TOLD US THAT MOST OF THE ACTIVITY THAT OCCURS THERE IS MISS JOSIE'S ROOM.
SO WE SET UP A FEW CAMERAS AND A COUPLE OF DIGITAL RECORDERS IN THERE, AND THEN I WENT IN MY ROOM, AND I SET UP A NIGHT VISION CAMERA AND JUST MY DIGITAL RECORDER.
WENT BACK TO THE PARLOR, STARTED VISITING, GETTING A GAME PLAN FOR THAT EVENING.
Gowins: THAT WAS JANUARY OF 2011, AND I WILL NEVER FORGET IT.
Clayton: PAULA HAD BEEN TALKING ABOUT THIS PARTICULAR ROOM WHERE SHE HAD SAW A COWBOY GO IN AND OUT.
Gowins: I KNEW THEN THIS WAS REAL.
THERE IS SOMETHING IN HERE.
THAT WAS JUST A CLIMACTIC POIN FOR ME BECAUSE I HAD HAD THINGS HAPPEN, BUT I HAD NEVER SEEN THE FULL-BODY APPARITION.
I WAS THERE BY MYSELF THAT NIGHT.
THERE WAS NO OTHER GUEST THERE, AND I HAD THE DOORS LOCKED.
AND SO I SAW THE GHOST COWBOY HEADING TOWARDS ROOM 7, THE RAILROADER ROOM.
I YELLED AT HIM.
I SAID, "HEY!" THINKING IT WAS A REAL MAN THAT HAD GOTTEN IN SOMEHOW.
HE WENT ON INTO THE ROOM, THE DOOR SHUT, AND IT LOCKED.
I UNLOCKED IT, THREW OPEN THE DOOR, AND THERE WAS NO ONE STANDING THERE.
AND I WAS PETRIFIED.
I WAS FROZEN.
THAT WAS PROBABLY THE MOST TERRIFYING SITUATION I'VE EVER HAD.
AFTER THAT HAPPENED, I CALLED PSYCHICS AND MEDIUMS, AND I WAS TOLD THAT JAKE WAS THE NAME OF THIS COWBOY GHOST, THAT THE SPIRIT OF JAKE RESIDED THERE AND DIED THERE FROM NATURAL CAUSES IN ROOM 7.
[ CAMERA SHUTTER CLICKING .]
Clayton: PAULA SHOWED ME SEVERAL PICTURES THAT SHE'S TAKEN OR GUESTS HAVE TAKEN.
THERE'S TONS OF ORBS AND STREAKS OF STRANGE, UNEXPLAINED LIGHT.
Gowins: A GUEST CAPTURED THE SMOKY APPARITION AT THE FRONT DOOR.
THAT IS A CREEPY PHOTO.
WHAT IT SAYS TO ME IS THA THERE'S ALL KINDS OF SPIRITS THAT ARE HANGING AROUND THAT FRONT DOOR THAT ARE WAITING TO GET IN.
Clayton: THERE'S THIS PICTURE OF A SHADOW MAN STANDING IN BETWEEN A GROUP OF WOMEN AT A BRIDAL SHOWER PARTY.
TO THINK THAT YOU COULD BE HAVING A GOOD TIME AND NEVER KNOW THAT SOMEBODY EVIL LIKE THA WAS STANDING BEHIND YOU IS VERY UNNERVING.
Gowins: HE'S JUST STANDING THERE, AND YOU CAN SEE HE'S GOT SHORT HAIR.
YOU CAN SEE HIS SHOULDERS.
YOU CAN SEE HIS ARM COMING DOWN.
IT'S JUST WOW.
WHEN THEY CAPTURE THINGS LIKE THAT, THE EVIDENCE THAT I LIVE IN, IT VALIDATES MY SANITY.
Clayton: LATER THAT EVENING, I'M WALKING TO MY ROOM TO GET MY CAMERA AND FEEL THIS PRESSURE AGAINST THE DOOR.
SOMETHING IS PUSHING AGAINST IT.
WHEN I LOOK, NOBODY'S THERE, AND THE PRESSURE'S GETTING GREATER.
SO I CALL MY TEAM MEMBER OVER.
AMANDA, WHAT IS GOING ON? SHE STARTS PUSHING ON THE DOOR, AND EVENTUALLY IT JUST SHUTS.
AND YOU HEAR THE LOCKS SNICK INTO PLACE.
AND THAT'S WHEN ALL LOGIC FLEW OUT THE WINDOW AND I KNEW THERE WAS A GHOS STANDING ON THE OTHER SIDE OF THE DOOR.
I HAVE TO GO WAKE UP PAULA AND HAVE HER LET ME BACK IN MY ROOM.
AND I IMMEDIATELY LOOK AT MY CAMERA AND THINK, "I'VE GOT THAT ON TAPE.
" JAKE HAD ACTUALLY SHUT THE DOOR.
[ DOOR CLOSES .]
[ RATTLING .]
AND HE TURNS MY CAMERA OFF.
Gowins: OH, MY GOD.
THAT IS THE SCARIEST PIECE OF EVIDENCE I'VE EVER SEEN.
IT JUST PROVES TO ME THAT THERE ARE SPIRITS AT MISS MOLLY'S HOTEL AND THAT THERE IS AN AFTERLIFE.
[ DOOR CLOSES .]
Clayton: IT'S SCARY BECAUSE I KNEW HE WAS IN THERE WITH ME.
I KNEW HE WAS WATCHING ME.
YOU COULD FEEL HIM THERE.
AND HE MADE ME FEEL LIKE I WAS AN INTRUDER.
I TURNED AROUND AND I SNAPPED A PICTURE BACK AT THE ROOM, AND IT'S THESE BRIGHT CIRCLES OF LIGHT.
I REALLY THINK THAT WAS KIND OF JAKE'S WAY OF SAYING, "I'M HERE.
YOU'RE RIGHT.
I WAS IN HERE.
YOU'RE NOT SUPPOSED TO BE.
" MISS MOLLY'S IS HAUNTED.
THERE'S NO QUESTION.
I'VE BEEN BACK SEVERAL TIMES SINCE, AND THERE'S ALWAYS SOMETHING GOING ON.
Gowins: THE PARANORMAL IS ENTERTAINING, AND IT'S SOMETHING WE DON'T UNDERSTAND, AND IT'S THE FEAR OF THE UNKNOWN AND THE ELEMENT OF SURPRISE.
BUT IT'S SERIOUS.
IT'S VERY SERIOUS.
ALL OF THE PARANORMAL ACTIVITY HAS AFFECTED MY LIFE IN THE FACT THAT I THINK A LOT MORE OF THE HEREAFTER.
IT'S RIGHT THERE IN FRONT OF YOU ALL THE TIME.
SOME DAY, YOU'RE GONNA PASS INTO THE NEXT LIFE.
AND IS THAT GONNA BE YOU COMING BACK? [ DOOR CLOSES .]
Clayton: JAKE HAS THE RODEO ACROSS THE STREET, THE SALOON IS DOWNSTAIRS, THE STOCKYARDS ARE THE SAME AS THEY WERE 100 YEARS AGO WHEN HE HAD HIS ROOM THERE.
HE MAY EVEN HAVE HAD THE BROTHEL THERE AT HIS DISPOSAL.
SO HE'S HAPPY.
HE'S COMFORTABLE.
THAT'S WHY HE'S STILL THERE.
AND I'M PRETTY SURE THAT MOS OF THE SPIRITS AT MISS MOLLY'S SHARE HIS SENTIMEN AND THEY'RE NOT GOING ANYWHERE ANY TIME SOON.