Full House s04e05 Episode Script

OK, MICHELLE, NOW I'M GONNA TEACH YOU YOUR FIRST JOKE, OK? ALL RIGHT.
NOW, WHEN I SAY, "KNOCK, KNOCK," YOU SAY, "WHO'S THERE?" OK.
OK? KNOCK, KNOCK.
WHO'S THERE? BOO.
THAT'S NOT FUNNY.
NO, YOU'RE SUPPOSED TO SAY, "BOO WHO?" WHY? WELL, BECAUSE THAT'S PART OF THE JOKE.
I SAY, "KNOCK, KNOCK," "WHO'S THERE?" "BOO.
" "BOO WHO?" DON'T CRY, IT'S ONLY A JOKE.
GOT IT? GOT IT, DUDE.
GOOD.
[KNOCK ON DOOR.]
WHO'S THERE? IT'S DAD.
DAD WHO? OH, YOU DON'T KNOW YOUR OWN DAD? DON'T CRY, IT'S ONLY A JOKE.
* AHH * * AHH * * WHATEVER HAPPENED TO PREDICTABILITY * * THE MILKMAN, THE PAPER BOY * * EVENIN' TV * * HOW DID I GET DELIVERED HERE * * SOMEBODY TELL ME, PLEASE * * THIS OLD WORLD'S * * CONFUSIN' ME * * CLOUDS AS MEAN AS YOU'VE EVER SEEN * * AIN'T A BIRD WHO KNOWS YOUR TUNE * * THEN A LITTLE VOICE INSIDE YOU WHISPERS * * KID, DON'T SELL YOUR DREAMS SO SOON * * EVERYWHERE YOU LOOK * * EVERYWHERE YOU LOOK * * THERE'S A HEART * * A HAND TO HOLD ON TO * * EVERYWHERE YOU LOOK * * EVERYWHERE YOU LOOK * * THERE'S A FACE OF SOMEBODY WHO NEEDS YOU * * EVERYWHERE YOU LOOK * * WHEN YOU'RE LOST OUT THERE * * AND YOU'RE ALL ALONE * * A LIGHT IS WAITIN' * * TO CARRY YOU HOME * * EVERYWHERE YOU LOOK * * EVERYWHERE YOU LOOK * * DO BE DO BA BA DA ** CAPTIONING MADE POSSIBLE BY WARNER BROS.
WANNA PLAY? NOT RIGHT NOW, MICHELLE.
BUT YOU'RE MY FAVORITE SISTER.
REALLY? I'M YOUR FAVORITE SISTER? THAT'S SO SWEET.
BUT I'M KIND OF BUSY RIGHT NOW.
TODAY THEY MADE ME EDITOR OF THE SCHOOL NEWSPAPER.
WHAT DO YOU THINK OF YOUR FAVORITE SISTER NOW? EH.
HEY, BABES.
HEY, STEPH.
WANNA PLAY? YOU'RE MY FAVORITE SISTER.
I AM? REALLY? DID YOU HEAR THAT, D.
J.
? ENJOY IT WHILE IT LASTS.
LET'S PLAY SHADOW.
NO, THANK YOU.
NO, THANK YOU.
I SAID, NO, THANK YOU.
I SAID, NO, THANK YOU.
OK OK I'LL DO ANYTHING STEPHANIE SAYS.
I'LL DO ANYTHING THAT STEPHIE SAYS.
STEPHIE SAYS STOP PLAYING.
STEPHIE SAYS STOP PLAYING.
IT WAS WORTH A SHOT.
IT WAS WORTH A SHOT.
HI, D.
J.
HI.
HI, THERE, TANNER TOTS.
OH, GREAT.
KIMMY'S HERE.
OH, GREAT.
KIMMY'S HERE.
YOU GUYS SOUND JUST LIKE MY PARENTS.
OK, COPYCAT, I'M GONNA GO EAT BROCCOLI.
OK, COPYCAT, I'M GONNA EAT SOME ICE CREAM.
ALL RIGHT, MADAM EDITOR! GIVE ME A JOB ON THAT PAPER, AND WE ARE GONNA RULE THE SCHOOL.
YOU WANNA WORK ON THE PAPER? I'VE NEVER EVEN SEEN YOU READ A PAPER.
I READ PAPERS WHENEVER I'M IN LINE AT THE SUPERMARKET.
WELL, I DON'T THINK WE'RE GONNA NEED ANY ARTICLES ABOUT FINDING ELVIS ON MARS.
IT WAS VENUS.
COME ON, I NEED AN EXTRACURRICULAR ACTIVITY SO IT LOOKS LIKE I CARE ABOUT THE STUPID SCHOOL.
WELL, KIMMY, I'D REALLY LIKE TO PUT YOU ON THE PAPER, BUT THE ONLY THING LEFT IS SPORTS EDITOR.
THAT'S PERFECT FOR ME.
YOU DON'T KNOW ANYTHING ABOUT SPORTS.
SURE I DO.
MY MOM USED TO BE A PROFESSIONAL WRESTLER.
PLEASE? YOU'RE MY BEST BEST BEST FRIEND.
OH, NOT THE PUPPY DOG FACE.
[WHIMPERING LIKE A PUPPY.]
OH NOT THE WHIMPER.
OK, YOU'VE GOT THE JOB.
JUST DON'T LICK MY FACE.
ALL RIGHT! THANKS, D.
J.
I'M ONE OF THOSE PEOPLE WHO WRITES FOR A NEWSPAPER! IT'S CALLED A JOURNALIST.
REALLY? IT SOUNDS SO GEEKY.
HIDE ME! HIDE ME! HIDE ME! HIDE ME! THANKS, YOU GUYS.
THANKS, YOU GUYS.
ALL RIGHT! STEVIE WONDER-DOG.
* ISN'T SHE LOVELY * * ISN'T SHE WONDERFUL * GOOD DOGGIE.
YES.
THIS IS GREAT.
WE STARTED OUR OWN PRODUCTION COMPANY SO YOU COULD DO STUPID PET TRICKS.
SHH! DON'T INSULT OUR ONLY CLIENT.
AS LONG AS WE'RE WAITING FOR THE PHONE TO RING SPOCK, THE VULCAN RETRIEVER.
YES, SEE SPOCK RUN.
SEE SPOCK LIVE LONG AND SLOBBER.
THIS IS SO STUPID.
TWO GROWN MEN SITTING IN AN ATTIC, WASTING TIM-- HANG ON, I GOT ONE.
ALL RIGHT.
ELVIS DOG.
* WELL, SINCE MY POODLE LEFT ME * * WOOF WOOF * * I'VE FOUND A NEW PLACE TO SMELL * * IT'S DOWN AT THE END OF LONELY STREET * * AT HEARTBREAK HOTEL * * WOOF WOOF, WOOF WOOF * WELL, I KNEW WHEN I INVESTED IN THIS COMPANY, YOU BOYS WOULD MAKE ME PROUD.
COMET, BAD DOG! GET AWAY FROM THE EQUIPMENT, STOP IT! DANNY, WE'RE GOING CRAZY.
WE NEED A JOB.
ANY WORD ABOUT US SHOOTING THAT COMMERCIAL FOR WAKE UP, SAN FRANCISCO? LET ME TELL THEM.
I WANNA TELL THEM.
YOU ALWAYS GET TO TELL THEM.
SOMEBODY TELL US.
OK, WE'LL TELL THEM ON 3.
READY? YOU GOT THE JOB.
YOU CHEATED! WE GOT THE JOB? UH-HUH.
YES! THANKS, DANNY.
YOUR WELCOME.
ALL RIGHT! OUR FIRST JOB AT OUR VERY OWN PRODUCTION COMPANY.
THAT'S RIGHT.
OUR COMMERCIAL IS GONNA HAVE THE WHOLE TOWN PSYCHED UP FOR THE NEW WAKE UP, SAN FRANCISCO STARRING REBECCA DONALDSON AND DANNY TANNER.
NOW, LET ME SHOW YOU WHAT WE GOT WORKED OUT HERE, CHECK THIS OUT, YOU GUYS.
WE OPEN UP WITH A BED ON THE SET, RIGHT? JESS, EXCUSE ME, THIS IS-- THIS IS SMALL ITSY-BITSY POINT, AND IT'S HARDLY WORTH MENTIONING, BUT I CAN SEE THAT YOU'RE WONDERING IT'S-- IT'S ALWAYS BEEN "STARRING DANNY TANNER AND REBECCA DONALDSON.
" OK, BACK TO OUR STORY-- START WITH THE BED-- OF COURSE ONE COULD MAKE THE ARGUMENT, THOUGH NO ONE HERE IS ARGUING, THAT SINCE THE SHOW IS CHANGING ITS IMAGE, OTHER CHANGES MIGHT BE LONG OVERDUE.
I THOUGHT WE DISCUSSED ALL THE CHANGES THAT NEEDED CHANGING.
IF YOU'RE MAKING CHANGES FOR SAKE OF CHANGES, WELL, THAT CHANGES EVERYTHING, DOESN'T IT? DANNY, I JUST THOUGHT THE SHOW WOULD BE A LITTLE MORE BALANCED IF, LET'S SAY, WELL, I TALKED A LITTLE MORE AND YOU TALKED A LITTLE LESS.
WELL, MAYBE I DO GO ON A BIT, BUT YOU ALWAYS SEEM TO ENJOY IT.
YOU'RE ALWAYS SITTING THERE HAPPY AND, HUH, PERKY.
YOU GOT A PROBLEM WITH PERKY? PERKY'S GREAT.
MAYBE IT'S A COFFEE THING.
MAYBE YOU'VE BEEN DRINKING A LOT OF COFFEE.
MAYBE WE COULD DO THIS WITH PUPPETS.
YEAH, I THINK LITTLE HAND PUPPETS.
ARTICLES.
THANK YOU, THANK YOU.
HEY, BITTERMAN, YOU GOT YOUR ARTICLE? SOME ARTICLE.
I MEAN, ALL I DO IS COPY THE MENU FROM THE SCHOOL CAFETERIA.
COME ON, YOU WRITE THE MOST POPULAR COLUMN IN THE WHOLE PAPER-- TODAY'S LUNCH.
I SHOULD BE SPORTS EDITOR, NOT YOUR FRIEND KIMMY GIBBLER.
DEEJ, YOU'RE GONNA GO NUTS.
I GOT AN EXCLUSIVE INTERVIEW WITH ROBBIE HAWKINS, THE STAR OF THE BASKETBALL TEAM.
ROBBIE HAWKINS ISN'T EVEN ON THE BASKETBALL TEAM.
HE'S THE EQUIPMENT MANAGER.
YEAH, BUT HE LOOKS SO CUTE PASSING OUT THESE LITTLE CUPS OF GATORADE.
SEE WHAT I MEAN? WELL, I'M SURE IT'S A VERY WELL-WRITTEN ARTICLE WRITTEN ON A NAPKIN.
READ IT OUT LOUD.
THIS OUGHT TO BE GOOD.
WHAT'S FOR LUNCH, BITTERMAN? "THIS DAY IN SPORTS "BY KIMBERLY LOUISE GIBBLER.
"EVER WONDER ABOUT THAT MEGA-CUTE GUY WHO'S ON THE BASKETBALL TEAM "WHO'S ALWAYS WIPING UP THE SWEAT PUDDLES? "IT'S ROBBIE HAWKINS, "AND GIRLS, HE SPOTS THOSE PUDDLES WITH EYES OF BLUE, "NOT SKY-BLUE, "BUT MORE LIKE TURQUOISEY-GRAY-BLUE WITH LITTLE SPECKS OF GREEN"? HOW'S THAT FOR INVESTIGATIVE REPORTING? KIMMY, YOU FORGOT TO INVESTIGATE WHO WON THE GAME.
YOU'VE GOT TO REWRITE THIS.
REWRITE IT? YOU MEAN WRITE IT AGAIN? YES, WITH DIFFERENT WORDS-- WORDS ABOUT SPORTS.
IF YOU THINK I'M SO BAD, WHY YOU EVEN GIVE ME THE JOB? I GAVE IT TO YOU BECAUSE WE'RE BEST FRIENDS.
THAT'S NEPOTISM.
IT IS NOT.
IT'S FAVORITISM.
IT'S STILL AN ISM.
LOOK, KIMMY, I NEED A NEW ARTICLE WRITTEN RIGHT AWAY.
THEN GO AHEAD AND WRITE ONE.
THAT'S YOUR JOB.
WHAT'S YOUR JOB-- QUEEN OF THE PAPER? OOH OOH OOH LOOK, I'M THE EDITOR, AND I'M TELLING YOU TO DO THIS OVER.
NO WAY, I SKIPPED MY NAP IN ALGEBRA TO WRITE THAT.
I'M NOT DOING IT.
THEN I GUESS YOU'RE NOT SPORTS EDITOR.
THEN I GUESS WE'RE NOT FRIENDS.
FINE.
FINE.
FINE.
FINE.
AHH, NO MICHELLE.
AHH, NO MICHELLE.
GRR! GRR! SHE IS DRIVING ME BANANAS.
SHE IS DRIVING ME BANANAS.
STEPH, NOT NOW.
I'VE HAD A HORRIBLE DAY.
KIMMY AND I ARE NEVER SPEAKING TO EACH OTHER AGAIN.
GEE, THAT'S A SHAME.
GEE, THAT'S A SHAME.
OK, BIG SHOT, LET'S SEE YOU TRY AND HANDLE THIS.
I PLEDGE ALLEGIANCE TO THE FLAG OF THE UNITED STATES OF AMERICA AND TO THE REPUBLIC FOR WHICH IT STANDS ONE NATION INDIVISIBLE, WITH LIBERTY AND JUSTICE FOR ALL.
TRY THAT.
TRY THAT.
AYE, YI YI YI YI.
AYE, YI YI YI YI.
D.
J.
, I THOUGHT ABOUT WHAT YOU SAID TO ME TODAY AND THAT'S WHY I WROTE THIS.
OH, KIMMY, YOU DID THE REWRITE ON REAL PAPER.
THE GIBBLER GAZETTE? READ IT AND WEEP.
"POWER-HUNGRY EDITOR DONNA JO TANNER "STABS BEST FRIEND IN BACK.
ACTUAL PHOTO ON PAGE TWO.
" YOU PASTED MY HEAD ON FREDDY KRUGER'S BODY? HOW COULD YOU DO THAT? THAT'S IT.
NOW OUR FRIENDSHIP IS REALLY OVER.
THANKS.
THAT FACE WILL LOOK GREAT ON FRED FLINTSTONE'S BODY.
OK, LET'S REHEARSE THIS OUT.
REMEMBER, YOU TWO ARE TWO TYPICAL SAN FRANCISCO VIEWERS, OK? AND IT'S EARLY IN THE MORNING.
YOU'RE JUST WAKING UP.
YEAH, YOUR FACE IS PUFFY, YOUR HAIR IS SMUSHED, YOU GOT THAT WHITE CRUD CAKED ON THE CORNER OF YOUR MOUTH-- JOEY, YOU'RE GROSSING THEM OUT.
COME ON.
LET'S REHEARSE THIS.
READY? AND ACTION! WAKE UP, SAN FRANCISCO! HI, I'M DANNY TANNER.
AND I'M REBECCA DONALDSON.
AND STARTING NEXT WEEK, YOU'LL BE SEEING A NEW AND IMPROVED-- I'M SORRY, I HATE TO INTERRUPT-- HERE WE GO.
AT THE RISK OF TALKING TOO MUCH, GUYS SHOULDN'T WE BE WAKING UP A LITTLE MORE NATURALLY? SHE SHOOTING UP LIKE A POP TART IN A TOASTER.
OH! WELL, EXCUSE ME FOR BEING SO PERKY, BUT I THOUGHT THE IDEA WAS TO WAKE UP WITH SOME ENERGY, RIGHT, PUMPKIN? YES, SWEETHEART.
I'LL HANDLE HER.
YOU HANDLE THE TALL ONE.
AW, HONEY MUFFIN, I LOVE YOU.
AND I LOVE THE WAY YOU WOKE UP.
HE'S PLAYING FAVORITES.
AW, HONEY MUFFIN I LOVE YOU, AND I LOVE THE WAY YOU WOKE UP.
THERE.
NOW YOU FEEL BETTER, DANNY? A LITTLE BIT.
ALL RIGHT.
COME ON, LET'S COMPROMISE HERE.
DANNY, WHEN YOU WAKE UP, WAKE UP A LITTLE MOREPOP TARTY.
ALL RIGHT, SWEETHEART, WHEN YOU WAKE UP TRY TO BE A LITTLE MORE STIFF, LIKE YOUR PARTNER.
OK, A LITTLE MORE MAKEUP FOR MISS DONALDSON, PLEASE.
ACCENTUATE THE CHEEKBONES.
VERY NICE.
WATCH THE HAIR.
THANK YOU, GIRLS.
HOW DO I LOOK? DANNY, YOU'RE A FOX.
THANKS, JOEY.
ALL RIGHT, LET'S TRY IT AGAIN.
I FEEL A LOT OF LOVE IN THIS ROOM.
AND ACTION! CUT! AH! LOOK, I' SORRY, JUST ONE MORE TEENSY-WEENSY LITTLE PROBLEM.
HOW COME ALL THE LIGHTS ARE OVER ON HER SIDE OF THE BED, AND I'M IN THE SHADOWS LIKE A TROLL UNDER A BRIDGE? DANIEL, DANIEL, DANIEL.
WE-- WE FEEL THAT TOO MUCH LIGHT MAY ACCENTUATE THE ANGULARITY OF YOUR FEATURES.
ARE YOU SAYING MY NOSE IS TOO BIG? NO, NO, NO, YOUR NOSE IS JUST THE RIGHT SIZE.
YOUR FACE IS JUST A LITTLE TOO SMALL.
AH! GOOD ONE, HONEY.
THANK YOU, SWEETHEART.
OK, LET'S REHEARSE THIS BEGINNING TO END ONCE WITH NO STOPS PLEASE.
THAT'S RIGHT.
DANNY, PERK IT UP, BECKY, PERK IT DOWN.
ANDACTION! WAKE UP, SAN FRANCISCO! HEY, I'M THE PERKY DANNY TANNER.
I'M THE STIFF REBECCA DONALDSON AND STARTING NEXT WEEK, YOU'LL SEEING A NEW AND IMPROVED WAKE UP, SAN FRANCISCO.
IT'S WARMER.
IT'S FRIENDLIER.
LET OUR HAPPY HOME BE A PART OF YOUR HAPPY HOME.
GET YOURSELF COMFORTABLE.
GRAB YOURSELF A CUP OF COFFEE AND A POP TART.
AND JOIN US EVERY MORNING AT 9:00 AS WE SAY WAKE UP, SAN FRANCISCO.
THAT LOOKED GOOD.
YEAH, IT WORKS FOR ME.
ARE YOU STILL TYPING? ARE YOU STILL TYPING? MICHELLE, AREN'T YOU TIRED OF THE SHADOW GAME YET? NO WAY, JOSE.
NO WAY, JOSE.
HEY, THAT'S MY GAME.
HEY, THAT'S MY GAME.
I QUIT.
I QUIT.
I'M FREE! I'M FREE! PLEASE GIVE ME MY LIFE BACK.
PLEASE GIVE ME MY LIFE BACK.
I LOVE THIS GAME.
HEY, DEEJ.
HEY, HOW'D IT GO? WELL, WE SHOT A GREAT COMMERCIAL.
UNFORTUNATELY, IT TOOK US 24 COFFEE CUPS TO GET IT.
YOU KEEP SAYING IT'S MY FAULT.
IT'S NOT MY FAULT.
BECAUSE IT'S-- HEY, NO FIGHTING IN FRONT OF THE KID.
FINE.
FINE.
IT'S OK, I'VE BEEN FIGHTING ALL DAY.
I FIRED KIMMY FROM THE PAPER.
YOU FIRED YOUR BEST FRIEND? EX-BEST FRIEND.
D.
J.
, I CAN'T BELIEVE I'M ACTUALLY SAYING THIS, BUT DON'T YOU THINK YOU AND KIMMY OUGHT TO TRY WORK THIS OUT? I AM.
I'M WORKING ON AN EDITORIAL THAT'S GONNA TRASH HER REPUTATION.
I'VE GOT SECRETS STORED UP SINCE KINDERGARTEN.
YEAH, BUT YOU'VE BEEN THROUGH SO MUCH TOGETHER.
YOU'RE A TEAM.
YOU'RE PARTNERS.
YEAH, TAKE A LOOK AT YOUR DAD AND BECKY.
THEY'D NEVER LET A LITTLE SQUABBLE COME BETWEEN THEM.
THEY'RE WAY TOO MATURE FOR THAT.
YEAH, DEEJ, NO MATTER WHAT YOUR DIFFERENCES ARE, YOU KNOW, YOU AND KIMMY HAVE ALWAYS BEEN THERE FOR EACH OTHER, RIGHT? 'CAUSE YOU TWO CARE ABOUT EACH OTHER.
DEEJ, IT DOESN'T TAKE STRENGTH TO HOLD A GRUDGE.
IT TAKES STRENGTH TO LET GO OF ONE.
NOW, THE MOST IMPORTANT THING IN A FRIENDSHIP IS FORGIVENESS.
I'M SORRY.
OH, I'M SORRY, TOO.
I'M SORRY.
YOU SEE THAT, DEEJ? DOESN'T THAT MAKE YOU WANNA RUN NEXT DOOR AND GIVE KIMMY A BIG HUG? NO, NOT REALLY.
THANKS FOR THE TALK.
I WONDER IF "CHEESE FOR BRAINS" IS HYPHENATED.
WELL, AT LEAST OUR SPEECH SAVED ONE FRIENDSHIP.
DANNY, IF MY PERKINESS EVER GETS ON YOUR NERVES, YOU JUST LET ME KNOW.
AND IF I EVER START TALKING TO MUCH OR RAMBLING, OR BABBLING, OR JUST RUNNING OFF THE MOUTH-- DANNY-- I'LL SHUT UP.
OK, BOYS, THIS IS THE LAST TIME YOU'LL SEE KIMMY GIBBLER IN THIS HOUSE.
I'M RETURNING ALL YOUR STUFF.
JESSE, HERE'S YOUR HAIRBRUSH.
HERE.
YOU CAN KEEP THE HAIR.
JOEY, HERE ARE YOUR CAR KEYS.
TIME FOR A NEW CAR STEREO.
TIME FOR A NEW CAR ALARM.
AND MR.
T, HERE IS YOUR ANSWERING MACHINE BEEPER.
BY THE WAY, CALL YOUR MOM.
THAT'S ALL I BORROWED FROM YOU GUYS.
ALL RIGHT, KIMMY, TO BORROW, YOU NEED CONSENT.
OTHERWISE, IT'S CALLED STEALING.
MR.
T, I'LL MISS YOUR DRY SENSE OF HUMOR MOST OF ALL.
"BY SECOND GRADE, "KIMMY'S DISEASED MIND REACHED A NEW LOW.
"SHE FAKED THE MUMPS WITH TWO HOSTESS SNOWBALLS STUFFED IN HER CHEEKS.
" I DID IT.
I LOST HER GOING THROUGH THE DOGGIE DOOR.
[KNOCK KNOCK.]
OH, PLEASE, DON'T LET IT BE MICHELLE IT'S KIMMY GIBBLER.
OR KIMMY GIBBLER.
WHAT ARE YOU DOING HERE, GIBBLER? BRINGING BACK ALL YOUR STUFF, TANNER.
STUFF? TELL KIMMY TO LEAVE MY STUFF AND GO.
D.
J.
SAYS GET YOU AND YOUR CHICKEN LEGS OUT OF HERE.
TELL YOUR SISTER I WANT ALL OF MY STUFF BACK, TOO.
KIMMY SAYS SHE WANTS HER STUFF BACK SO SHE CAN LEAVE AND NEVER EVER COME BACK HERE AGAIN.
EVER.
I'LL BE HAPPY TO GIVE IT TO HER.
FINE.
HERE'S THE BANANARAMA TAPE YOU GOT ME FOR MY BIRTHDAY.
SHOWS WHAT YOU KNOW.
I GAVE YOU BANANARAMA FOR CHRISTMAS.
FOR YOUR BIRTHDAY, I BOUGHT YOU THE BANGLES.
BANGLES, BANANARAMA, WHAT'S THE DIFFERENCE? WHAT'S IMPORTANT IS, YOU TWO ARE HISTORY.
HERE'S YOUR FANNY PACK.
HERE ARE YOUR LEG WARMERS.
YOUR PINEAPPLE LIP GLOSS.
YOUR ERIK ESTRADA CHIPS ACTION FIGURE.
YOUR OLD RETAINER.
YOUR SHRUNKEN HEAD.
YOU GUYS HAD A WEIRD RELATIONSHIP.
THIS IS NOT MY SHRUNKEN HEAD.
YES, IT IS.
YOU GAVE IT TO ME IN THIRD GRADE AT THE CARNIVAL.
OH, RIGHT.
WE RODE ON THE SCREAMING SIREN, AND YOU GOT SICK.
YOU GAVE HIM TO ME TO MAKE ME FEEL BETTER.
YEAH, AN THEN YOU SAID IT LOOKED LIKE OUR TEACHER MRS.
HUNT.
ACTUALLY, MRS.
HUNT'S HEAD WAS SMALLER.
GIRLS, WHY ARE WE LAUGHING? WE ARE SUPPOSED TO BE FIGHTING.
WE'VE BEEN THROUGH A LOT TOGETHER, HUH? NO YEAH.
IT WOULD BE A SHAME TO GIVE ALL THIS GOOD STUFF BACK.
NO.
I'M SORRY, KIMMY.
I'M SORRY, TOO, D.
J.
NO I'M SORRY ABOUT THE GIBBLER GAZETTE.
I'LL TEAR THEM ALL UP.
I HATED WHAT YOU WROTE ABOUT ME, BUT LOVED THE WAY YOU WROTE IT.
YOU'VE GOT REAL STYLE THERE.
HOW WOULD YOU LIKE TO BE OUR NEW GOSSIP COLUMNIST? REALLY? YOU WANT ME TO POKE MY NOSE INTO OTHER PEOPLE'S BUSINESS AND SPREAD WILD RUMORS AROUND SCHOOL? YOU DO IT ANYWAY.
YOU MIGHT AS WELL WRITE IT DOWN.
THIS IS GREAT! WE CAN SPEND EVEN MORE TIME TOGETHER.
STOP.
YOU'RE KILLING ME.
STOP.
YOU'RE KILLING ME.
HEY, KIMMY, WANNA PLAY SHADOW? HEY, KIMMY, DO YOU WANNA PLAY SHADOW? NO, I HATE THAT GAME.
NO, I HATE THAT GAME.
I SAID NO.
I SAID NO.
I REALLY MEAN IT.
I REALLY MEAN IT.
STOP IT! STOP IT! STOP IT! STOP IT! I'M GETTING ANNOYED.
I'M GETTING ANNOYED.
MICHELLE MICHELLE I'M NOT JOKING.
I'M NOT JOKING.
ENOUGH! ENOUGH! STOP IT! STOP IT! I'M SERIOUS.
I'M SERIOUS.
STOP IT! STOP IT! CAPTIONING MADE POSSIBLE BY WARNER BROS.
CAPTIONED BY THE NATIONAL