Face Off (2011) s04e06 Episode Script

Previously on Face Off Eric F's two-headed giant gave him the win.
Yeah, boy.
And Jenna was sent home.
Now, nine artists remain.
Tonight, things take on a whole new proportion with the creepiest creatures yet.
There's just one little detail that I left out.
No way! The halves are not going together.
Oh, shit! Meagan can't leave the wings alone.
It's, like, whatever could go wrong is going wrong.
This makes me want to die.
It's awful.
What were you thinking? If you ran out of time and it looks like hell, don't put it on.
There's no excuse for it.
I'm not happy at all.
I want to cry.
I think you knocked this out of the park.
I don't know what the heck you were trying to do.
In the end, only one will win the opportunity to be a guest lecturer Make Up For Ever's academies in New York and Paris, the all-new 2013 Fiat 500, and $100,000.
Who will be the next great name in movie magic? Welcome to Face Off.
It really sucks that Jenna's not here anymore.
You know? I'm kind of emotionally drained, you know.
After the disaster that happened with Jenna and I last week, I'm questioning everything.
So I need to regroup and figure out what I'm strong in and have confidence again.
I wonder who's gonna be next? - Hey, guys.
- Hi.
I'd like you to meet today's special guest judge.
She has an incredibly varied portfolio, having worked with stars like Ashley Greene from Twilight and the cast of Mad Men.
Please welcome the Head Makeup Artist for Make Up For Ever, Lijha Stewart.
Hi, guys.
It's cool that Lijha's here, but she probably wants to see some beauty makeup.
Not my strong point.
With recent movies like Snow White And The Huntsman, Mirror Mirror, Red Riding Hood, it seems that Hollywood has become obsessed with the classics.
But these aren't the stories that you were told as a child.
Each one of them has an iconic female character that has been completely reinvented.
That is the basis for today's foundation challenge.
Reinventing an iconic female storybook character.
Using the storybook character makes it a little more challenging because I think most of us are used to monsters and grotesque creatures.
Why don't you tell these guys exactly what's at stake here today? The winner of this challenge will not only receive immunity, but a very special prize as well.
To tell you more about it, here's a message from the creator and the Artistic Director of Make Up For Ever, Dany Sanz.
_ _ _ - I'm very excited.
- Good luck.
I can't wait to see your amazing creation.
I love Make Up For Ever.
Okay, that prize is worth thousands of dollars.
- I'm going for this one.
- I want this.
As a makeup artist, you're always spending money on your kit.
Having this would be amazing for any of us.
All right.
Let's bring out your models.
Each model is holding a classic fairy tale featuring an iconic female character.
Wayne, you get to choose first.
Little Miss Muffet.
Belle from Beauty And The Beast.
Little Red Riding Hood.
- Snow White.
- Hansel and Gretel.
- Cinderella.
- Sleeping Beauty.
- Rapunzel.
- Little Bo Peep.
There's just one little detail that I left out.
Your challenge is to take the classic good girls and turn them into bad girls.
- Oh, yeah.
- Sweet.
So, Lijha, you have any last-minute advice for these guys? Try and find something in the story to help drive your transformation.
All right, Make Up For Ever has stocked the lab with everything that you could possibly need today.
You have two hours to complete your challenge.
Good luck, guys, because your time starts now.
- Whoo! - Okay, go, get working.
All right.
Where's the red box of pre-mades? I actually run over and ravage the generic prosthetics pile.
Move this under there 'cause it's about to become a war zone.
My plan is to "Frankenstein" the whole piece together.
She's gonna be a victim of a werewolf attack in mid transformation.
Okay, don't move.
I'm so excited.
Right away, I know that I can make my Belle character into a badass.
I want to do a lot of scratches, some sun damage, some really subtle things.
I get Rapunzel.
And on the shelf I see Make Up For Ever's white eyelashes.
They're very long, they're white.
And that really sets the basis for my makeup.
So, it's not just about the hair, but her face will be a ghostly white.
I'm not going to use prosthetics in this one at all.
I'm going strictly beauty.
I'm going to make Gretel a badass, yet beautiful.
_ All right.
My concept is Cinderella had her skin burned off because she's been working the cinders, and now it's all hard embers.
I go immediately to the third-degree silicone and begin building it up on top of her skin.
I have Sleeping Beauty and I'm gonna age her because she's been sleeping a hundred years.
I'm gonna do the forehead and under the eyes.
I really want that immunity.
I don't know much about Little Bo Peep, and I just think of a sweet girl.
My vision for this is create the strong brow line in a way that makes her look a little more evil and mysterious.
I picked Little Miss Muffet, and I'm gonna make her into a spider.
I made these out of propoxy, and these are her fangs that will come up out of the face.
I find a nose piece and I use the nostrils as pieces where the fangs come out of.
You got ten minutes left.
Her heart has turned to ice.
And now she searches the lands for beating warm hearts of princes.
Yeah, it's a little gross.
Five minutes, guys! That's it.
Brushes down! - Hi, Alam.
- Hi.
My story is prince actually came and he was disappointed that she aged.
He left her, and she's hunting him.
I definitely think we could've blended the prosthetics a little bit better.
The under-eyes, especially.
The cheeks look good though.
I wish you would have done a little more on the beauty aspect and a little more on the body and the hands.
She basically has been attacked by the wolf and is in mid transformation.
I think you did a really good job creating a character and a story, and I could tell exactly what it was.
- Yeah.
- For a two-hour makeup, - I think you did pretty good.
- Thank you.
When the spider was coming down, he actually dropped venom in her porridge.
Years later, she actually transformed into a spider from the venom.
I think she's beautifully evil.
I love the fangs.
It's a very impactful element.
I do wish she had a little bit more eye makeup on.
I really would like to win this one.
Not only do you win immunity, you're gonna win, like, a couple grand worth of products, which is crazy.
And it's Make Up For Ever stuff, which their products are excellent.
For an artist, to have a kit that's loaded like this is huge.
All right, Lijha.
Which looks were your favorites? Eric F, I was so impressed by the makeshift prosthetics that you did as well the overall character that you were able to create.
Thank you so much.
And, Wayne, I really was impressed by the fangs that you did.
I wouldn't want to cross her in a dark alleyway.
Thank you.
Okay, Lijha.
Who is the winner of this challenge? The winner of this challenge is Eric f.
Yes! No way! Ahh! I'm really excited not only with this immunity, but I'm a broke artist that can't afford a nice makeup kit.
So this could definitely help out my business.
Okay, guys.
I will see you tomorrow for your next spotlight challenge.
- Bye.
- Thank you.
Thank you, guys.
I have no idea what we have in store.
But I got immunity.
So I can get as crazy as I want - and have no fear.
- Good job, Eric.
Eric! - Oh.
Oh, wow.
- What is that? - Oh, yeah.
- What is this? This looks cool.
Walking into the lab today, McKenzie's actually standing there with a bunch of monitors.
Makeup effects artists are constantly searching for new sources of inspiration.
This creative spark can come from almost anywhere, including these abstract photographs, which will serve as an inspiration for this week's spotlight challenge.
Now, before I tell you more, you're each going to need to choose one.
I'm nervous.
We have no idea what these shapes are going to mean to us as far as our next challenge.
- Meagan, first pick.
- Ooh.
There's one image that I really like.
It has, like, a peacock look.
A lot of colors, and I love how it pops.
Alam.
I choose my picture because it has really fun textures and lots of color.
It looks the sea anemone.
Now that you've each chosen a photograph, let's take a look at what these really are.
Coming up All that's going through my mind is just finishing something.
They look crazy.
I'm standing on the edge of disaster.
I absolutely loved this.
I don't know what the heck you were trying to do.
Now that you've each chosen a photograph, let's take a look at what these really are.
- Oh.
- Oh, my God.
Oh, my-- The images you chose where actually scanned electron microscope photos of bugs.
So your spotlight challenge this week is to create an original bug hybrid character inspired by your microscopic photos.
Now let's find out what each of you chose.
Meagan, you chose the sunset moth.
Oh, it's a moth.
Alam, you have grasshopper.
- Anthony, you picked an ant.
- Beginning of my name.
There you go.
Kris, you chose the blue morpho butterfly.
House, you have the honeybee.
Wayne, you picked the firefly.
Autumn, you picked the beetle.
- Eric Z, you have a mosquito.
- Mosquito.
Eric F, you have the desert wolf spider.
So, the judges will be expecting to see your microscopic photos reflected in your makeups this week.
So go ahead and get started.
We gotta start sketching.
The downfall of the butterfly is that now I have to make these giant set of wings to watch the size of the human head that I'm going to be working on.
I'm concerned that they'll probably end up being heavy.
I picked a mosquito, which is exciting to me.
They're scary in a way.
You know, they suck blood.
I don't think I'm gonna be using these colors throughout this particular piece, but I definitely want to incorporate them somehow.
I decided to do a chest piece and have the arms coming out of the midsection of the torso, but sort of curled up.
I chose this photo because I love all the different textures, the colors.
There's a lot to play with.
But when it came up as a moth, I'm a little apprehensive because I've never made wings.
I'm basically sticking with the actual image of the moth.
So I was thinking of polyfoam for this part, and then just one simple face piece.
I'm actually scared that it may look like a butterfly in the end.
I read a description on how hairy a moth is.
That's definitely gonna be something incorporated.
In the five hours that I have today, I definitely need to nail the face sculpture and get that molded out.
That's priority.
My concept is a scientist and his DNA mixes with the honeybee.
So, kind of half face infected - with the bubbling of the disease.
- Yeah.
- Half face more of a bee style.
- Yeah.
And then bursting out of his back is the formation of the bee body.
- Right, that's really cool.
- You think? Oh, yeah.
I love it.
I have the firefly.
If you look at a firefly, the eyes are really large.
And the head is almost And probably one of the most important things about it is having this glowing abdomen area.
And that's something that I'll have to figure out.
I'm gonna make this have a silhouette of a firefly, but when you get closer, you're gonna see human elements really come to life.
That's so freaking cool.
I love all that right there underneath the nose.
And then those big feelers come out.
And then the fly sucker will come through his, like, throat and then come up.
- I love it.
- Thanks, man.
Even though I had last pick, I'm actually very, very happy.
I've always really wanted to do a cool spider hybrid creature.
So I'm taking a female, and I'm having spider appendages busting through certain areas.
Gonna really twist up the human form.
I'm gonna do the fabrication with PVC pipe, and, like, a latex and foam skin.
What's wrong? Hmm? I'm thinking.
My bug is a grasshopper.
And I used to catch them when I was a child, and like, fry them and eat them.
It sounds weird, but yeah.
It's kind of good.
It's crunchy.
I've never seen the grasshopper this colorful.
It has a lot of color that I can play with.
So I'm just really focusing on making the texture because that's the most important part of this challenge.
I think I'm going to do the silicone.
You are? Why, for the translucency and stuff? _ _ Thank God I didn't get a flipping butterfly.
I get a cool-ass beetle bug.
I'm gonna cover her face in mandibles and have the eyes on top of the head to make sure I get the right profile.
I love the colors.
You know, with the green palette, I really like it.
Maybe bring some Japanese beetle purple hues into it if I can.
It's really cool, kind of gross little monster.
So hopefully, I can do something a little bit gnarly.
I'm gonna have a lot of fun with this one.
Does that book have any ants in it, do you know? Mine is the ant.
I have probably the simplest one up there.
It's already very minimal, that there's not much to add to give it any oomph.
It's probably gonna be a lot of pieces.
Back, chest, the head, the face, the big abdomen, arms.
I just find myself adding clay and ripping it off, and then going to the head and adding clay, ripping that off.
And nothing is really coming together.
For the first time in this competition, I can't see what this is gonna look like at the end, and that I think scares me more than anything.
I already know, two days from now, I will be on the bottom.
My sculpt is * a great exciting start.
I start sculpting my thorax section which is basically a female butt* that is kinda morphed into a you know, - a spider butt.
- Eric! What? - It's a thorax! - *.
It's a little bizarre, but since I do have immunity, I figured I can kinda go out on a limb.
So, just to create an insect human hybrid in less than 20 hours over the course of 3 days is a huge task.
But it seems like everybody is already off to a better start.
Very cool.
I know I don't have any more time to conceptualize.
I still feel lost.
And all that's going through my mind is just finishing something.
I like this, but I love this.
Don't shoot yourself in the foot.
That's what I'm thinking.
I'm really hoping I can get it molded and ready for foam before the night is over.
- 40? - 40.
It's getting really crazy in the mold room.
Everyone's rushing and trying to get their piece out.
I get the face molded.
Done.
Plenty more to do on day two.
This is a big challenge for all of us.
Time! - Let's get out of here.
- Let's go, guys.
This is a really huge makeup.
I still have to make the chest and back piece with a cowl, wings, an abdomen that glows, feet, and arms.
Tomorrow, it's gonna be crazy.
Let's go! Day two in the lab, I need to open my mold, clean it out, create my chest piece and back piece as well as an abdomen and mandible.
It's just a lot of pieces that have to be created.
Hey, guys.
Michael Westmore and McKenzie come in.
And I'm definitely gonna take advantage of any suggestions he gives because I'm still a little bit knocked down from the last challenge.
So, tell us about your moth.
I have the face piece, and then I have some hair done.
And that's gonna be incorporated in the chest piece.
Now, what about your paint job? I'm gonna try to stick with these colors.
Once you put the fur on though, - it's all one color.
- Yeah, I'm spraying it brown.
You might even neutralize it painting it either a light yellow or a white or something on it first, and then painting your color over.
Because I know if you try painting blue or green or something over the top of this, you're not gonna get true color out of it.
Okay.
What do you have in mind now? I was trying to put this texture as much as I can in the character.
Mm-hmm.
Colors in the costume? These are all my colors.
It's gonna be really colorful.
It's very pretty, but don't complicate your life with too many colors.
Michael Westmore is worried about my colors, but I think I'm gonna go with it.
It's gonna be more like a humanoid type firefly.
But from a distance, all you see is a silhouette of a firefly.
So, the way I'm gonna incorporate the texture from the photo, I'm gonna make them come out of here and then whip up.
You've got a lot to do, you know, to stay on track.
Yeah, I'll pull it off.
- I have the ant.
- How are you doing with this? - I'm struggling a little bit.
- Why? Not a lot of interesting things going on in the face.
So I'm really trying to just really work on the profile, so the silhouette is very strong.
I'm glad to see you're making the head larger, you know, because when the individual comes out in front of the judges, - they have to know what it is.
- Right.
After winning the first three challenges, I feel like I'm under a microscope, and that freaks me out more than anything.
All right, guys.
We're heading out.
- But it's looking good.
- Thank you.
- See you guys.
- Good luck.
How am I gonna make these giant set of wings and how am I gonna attach it to my model? I'm concerned that they'll end up being heavy.
So I'm going to use a foam core because it's a lot lighter.
Kris, do you want to see what I'm doing? Just because our characters are so similar, I want to do something totally different.
Mine are-- are yours-- I'm doing four.
You're doing four? I'm just connecting them in one half.
So that's just makes it simple.
So instead of making one big wing like Kris is doing, I'm gonna do two separate things.
And I also textured my wings with actual hair, because you read about them, it's just hair.
I'm doing all of my pieces with silicone because I can color them when I pour it.
So it looks more translucent and still has the colors in it.
My silicone looks amazing, but it's really scary that I have a lot to do on application day.
Time's up, everybody! I have to make the body of the grasshopper and the wings and the legs.
And I don't know how it's gonna work.
Today's application day.
We have four hours in the lab and one hour at the stage for last looks.
- How's it going, man? - Hello.
Gonna be the bug man.
You'll have, like, a third leg kind of growing out.
Here's what it's pretty much gonna be like.
Something like that.
My first goal is to finish those wings off.
I can do that within maybe a half-hour.
Cool.
Next step is pre-painting those pieces.
I feel pretty confident I'm gonna get everything done.
Everybody else has all these pieces already ran in foam.
I still have to run my chest and back in polyfoam.
As I'm putting the polyfoam in and trying to close the mold, the halves are not going together properly.
I sit on this thing and finally it clamps together.
All I can do is wait 45 minutes and hope I have a piece that is actually usable.
I'm running out of time, so I'm just gonna make the wings.
And I still have to incorporate the texture from the photo.
So I take some dense foam, and then I'm gonna make it look like just like the texture.
And then I'm sticking them on the back where they'll be coming out of the spine.
- Snug as a bug.
- Yeah.
I'm not necessarily sitting pretty.
And no one really is at this point.
I see Meagan's piece.
Meagan can't leave the wings alone.
I keep painting these wings, and it's tough.
I don't know where I should stop with the paint.
Finally I'm to a point where I can open those molds.
There's at least something here I can work with.
But all I can do now is glue those on at last looks.
- Turn this way, please.
- What's the time? - Coming up behind you.
- You're following me.
Oh, shit! I'm just nervous because they look crazy.
There's, like, a hundred colors on them.
They don't look like wings.
I went overboard with the paint.
It's time! I'm standing on the edge of disaster.
Coming up Whatever could go wrong is going wrong.
This is the worst feeling in the world.
If you run out of time and it looks like hell, don't put it on.
I think you did a beautiful job.
- Whoa.
- We get to last looks.
And I realize I forgot the elements from the photo at the shop.
So, at this point I'm freaking out.
It's, like, whatever could go wrong is going wrong.
This is the worst feeling in the world.
I still have to apply literally everything.
And I'm really stressed.
I'm always, always running out of time.
I still have to put the facial prosthetic on, and color the body.
And her bald cap is tearing off.
That's not good.
I need to get those wings going.
Go all the way in.
I'm in a hurry, and I don't love the wings.
Your palms are supposed to be on it.
At this point, everything's going downhill.
- It's time, everybody! - Love it.
My character looks like hell.
I'm not happy at all.
Welcome to the Face Off reveal stage.
Tonight, one of you will be eliminated.
Say hello to your judges.
Owner of Optic Nerve Makeup Effects Studio, - Glenn Hetrick.
- Good evening.
- Hello.
- Hello.
Three-time Oscar-winning makeup artist - Ve Neill.
- Hi, everybody.
- Hello.
- Hi.
Creature and concept designer Neville Page.
- Hi, guys.
- Hi.
This week, your spotlight challenge was to create a bug creature or a character incorporating details and textures seen only under a microscope.
So, let's see what you've come up with.
It's nice, but it's not extraordinary.
And I think in this stage of the game, if you're not doing something extraordinary, you may wind up going home.
I'm pretty terrified, because to me, it still feels unfinished.
I like it.
It's not as bad as I thought.
But I'm worrying about the edges.
I'm worried now.
My makeup is more of a mask, which is something that I told myself I wasn't going to do.
It still is not something I'm proud of.
But it is recognizable as an ant.
Mine stands out just for the sheer size of the wings.
But I really don't know where I stand.
I'm really happy with this makeup.
And if this is the makeup that sends me home, so be it.
I think she's beautiful.
She's got the provocative, but I think very classy old-school pinup style.
This might be something the judges can appreciate.
I want to cry.
She looks like Chewbacca and the moth made a baby.
I'm ready to go home.
Judges, why don't you take a closer look? Would you look at this hand? I don't understand the texture.
Hmm.
Great attention to detail.
Look how he lit up the tail.
It's really clever.
From the inside.
Open your mouth, please.
I like the way the thing works when he just wiggles his chin.
- Mm-hmm.
- It's cool.
- Oh, silicone.
- Why? - Can you turn around? - Turn back around.
Those are wings, I'm assuming.
Makes me want to die.
It's awful.
The back is just wretched.
I'm worried because I didn't finish my makeup.
I just want to be safe.
We want to know what you think of tonight's transformations.
Tell us on Twitter using #FaceOff.
- Oh, silicone.
- It's awful.
- Can you turn around? - My goodness.
This is makes me wanna die.
I'm worried because I didn't finish my makeup.
I just want to be safe.
I like that this is rough, and I like all of these wrinkles.
There's a lot going on.
This shape complimenting that shape is just absolutely beautiful.
The shapes align.
Oh, my God.
Just look this Teenage Mutant Ninja Turtle texture.
- It's just ridiculous.
- He's shaking his hand.
That's cool.
Very action figure.
It's a different approach.
It's stylized.
- It's a great shape.
- Yeah.
There's some neat things happening sculpturally too.
_ _ - This looks like pop art.
- Woof.
Right now I'm on the bottom.
So, at this point, all I can do is just admit how bad it looks.
The judges have scored your creations.
Let's find out what they thought.
Meagan Kris Alam Wayne Anthony You were the best and the worst this week.
The rest of you are safe and can head back to the makeup room.
The judges would like to speak with each of you now to learn more about your work.
Meagan.
Tell us about your decisions and what drove your design this week, please.
I chose a moth.
And for inspiration, I read about moths and how much hair they had.
So I think I went a little too crazy with the hair, but-- - I've studied insects, and I don't think you were that far off with the amount of fur.
Really, it's the colors that are killing this.
Quite honestly, it looks like you lobbed paint at it from across the room.
It's a hodgepodge of different colors smashed into whatever the wings are made out of.
Very disappointed.
You've done better.
Looking at the picture of the moth, I see the blue, and I see the orange in there.
But other than the fact that you used those two colors and quite poorly, you really didn't follow any design.
Meagan, please step back.
Kris.
What was your inspiration from the photo? For the microscopic picture is all the top of the head.
But the reference books that we had never really got close up to a butterfly's chest, so I made it up.
I think you did a beautiful job of making it up.
The colors in the chest piece are also the colors that were in that microscopic photograph, which is a really good choice.
And I just think aesthetically, it's very pleasing to look at.
I really appreciate that.
I absolutely loved this.
I think that the head is a super cool shape.
The sculpture on the chest, I love that it's not the exact anatomy.
It's putting yourself as an artist into the makeup.
- So, great job.
- Thank you so much.
Kris, please step back.
Alam.
Yeah.
Tell us about the inspiration for color and texture.
I didn't know grasshopper can be, you know, very colorful.
But the picture has orange and yellow and black and purple.
So I wanted to use all those colors.
There's just a whole bunch of stuff that destroy this design.
The thing that's tied together on her back-- they are not wings.
I just ran out of time.
If you run out of time, and it looks like hell, don't put it on.
When you go, "I want to put a lot of color in something," you have to figure out how those colors are going to flow from one to the other.
By the way, why is that silicone? Um Right.
That's a problem.
If you're going to use silicone, you must retain the translucency of it.
That's the point to silicone.
The piece on the back, unfortunately you didn't paint the inside of the piece.
I don't know what the heck you were trying to do.
I mean, it's just kind of a mish-mosh this week, honey.
Alam, thank you.
Please step back.
Wayne, you're up.
Begin by explaining what your design was.
- It's a firefly.
- Mm-hmm.
But I wanted to have this nice silhouette to where you can see the big eyes and the very long fly-like wings, and then have the vacuum-formed plastic in the back with the light.
I think you knocked this out of the park.
The fact that his mouth movement is so integrated into the makeup that it facilitates this cool move, that's incredible.
And the way that you hid the eyes by putting them in plain sight is ingenious.
Thank you.
The profile of his sternum in particular just gives him so much character in the silhouette.
It was a really beautiful thing that you did.
I like the color scheme.
It's very neutral.
And then you have this beautiful green, glowing tail.
Can you tell me where you integrated the photo? There's no excuse for it.
But I forgot the pieces at the shop.
- Oh.
- Oh, too bad.
Wayne, please step back.
Good job.
Anthony.
So, tell me about your creation.
He's an army ant.
Based on the texture that was in the picture, I put a little bit of the texture in the top of the head and a little in the back.
It just doesn't look like an ant to me for some reason.
Do you have the antennae made out of something other than those foam tubes? I had intended to.
But just to get something up here, I did this.
There are so many things about this that are really bizarre to me.
Having this sash knit-sweater thing underneath plates.
And then this tacked-on turtle shell thing on the back.
It's really bizarre.
I'm not happy with the paint.
I'm not happy with the sculpture.
I'm not happy with your overall design.
Nothing's working on this one for me.
I agree.
You shouldn't have been so good at the beginning, 'cause now we were waiting for you to do something fantastic - every single time.
- On the next one.
If there's a next one.
Anthony, please step back.
It's rough.
The judges have heard what you have to say.
If you'd please head back to the makeup room while they make their decisions.
All right, guys, let's talk about the looks you liked the most tonight.
Why don't we start with Kris? The sculpture on the chest and the head is so beautiful.
The proportions are great.
When you don't have a ton of reference around you, to just come up with all those shapes, that says a lot about his skill.
The paint job was very pretty.
And the colors were really gorgeous.
Let's move on to Wayne.
Wayne's firefly is absolutely amazing.
The way the little tail lights up and that whole silhouette with that big sweeping back end.
He spent his time in all the right places.
The head is very well proportioned to the rest of the body.
The genius, dare I say, of putting the antennae on his cheekbones, knowing that those are going to be things that the actor's going to drive and animate.
Well, we do have a problem 'cause unfortunately, he did not incorporate that close up and did not complete the challenge.
Let's move on to the bottom looks this week.
Let's start with Meagan.
She is trying to take the notes into the account.
She's still not at the level where she needs to be, and which is why she is in the bottom.
I don't know that I can conjure an image of any makeup where the paint is done quite that badly.
It looks psychedelic vomit.
Let's move on to Alam.
The pink, plastic wings with a bunched-up thing at the top.
If you're gonna do wings, make sure you understand - how they at least work.
- Right.
And the punctuation of her makeup in terms of these bad choices - was glitter flip-flops.
- Glitter flip-flops.
- Leaves, crystal-- what? - What the heck? And she can't even describe what it is she's doing.
Let's move on to Anthony.
It's the worst that he's done.
The chest for what it was should have been fabricated because he got nothing out of all the time that he spent sculpting it.
I'm confused about his decision-making on this one.
To throw in those antennae-- - Oh, dear God.
- Oh, yeah.
He could have glued on a sock and it would have had the same effect.
It was so disappointing.
All right, judges, have you made your decisions? - Yeah, I believe we have.
- Yep.
Let's bring them back out then.
Glenn, tell us about the top looks.
Kris, you had some really great shapes in your design.
And it was one of the few that we thought looked great close up and far away.
And, Wayne, really loved the chest sculpture.
And you did some really clever work with the articulation of the face.
So, who is the winner of this challenge? Actually, we have a situation which has never before occurred.
So, who is the winner of this challenge? Actually, we have a situation which has never before occurred.
Wayne, your makeup was amazing and it would have been our winner, but you didn't include your microscopic image.
So that means, Kris, you are the winner of this challenge.
You created a great cohesive makeup.
- Congratulations.
- Thank you so much.
Wayne really won this competition, but he forgot one element.
It did fall in my lap.
I'm cool with that.
- Kris, congratulations.
- Thank you.
You and Wayne can head back to the makeup room.
Thank you.
Unfortunately, that means the rest of you are on the bottom this week, and one of you will be eliminated.
Please step forward.
Meagan.
The textual divide between the body and the wings combined with a very bad paint job resulted in an overall confused makeup.
Anthony, it was clear that you struggled with your concept.
And a few pieces of the makeup felt as though they were sort of tacked on.
Alam, your makeup was littered with very strange design choices.
And you have to learn how to make better decisions regarding your time management.
So, who is going home tonight? The person going home tonight is Alam.
Oh, my God.
Not only did we not understand some of your choices, but you didn't either.
And that's a huge problem.
Alam, I'm sorry, but you have been eliminated.
That means, Anthony, Meagan, you are safe this week and can head back to the makeup room.
Alam, you have a memorable and very distinct vision.
And that's a good thing.
- We'll miss you.
- Thank you.
Alam, it has been great having you here with us.
If you'd please head back to the makeup room and pack up your kit.
Thank you, guys.
- Good luck.
- Good-bye, Alam.
- Good luck.
- It's really sad.
But I made it through six challenges.
- It's crazy.
- Oh, my God.
I've learned a lot.
I've changed a lot.
I'll open the wine.
I'm glad that I started my career here.
I'm gonna practice and practice and I'm never gonna give up.
I love this.