Ghost Adventures (2008) s04e11 Episode Script
Amargosa Opera House
I'VE NEVER HEARD OF THIS PLACE.
WE DEFINITELY HAVE A FEW SPIRITS AROUND HERE.
YOU KNOW THE OLD SAYING-- "THEY CHECKED IN, BUT THEY NEVER CHECKED OUT.
" YOU ARE WELCOME TO USE OUR ENERGY.
OH, YOU'RE CRAZY.
DID YOU MURDER SOMEBODY IN HERE? (bang) OOH! (bleep, bleep, bleep) GET IN THERE.
WE'RE FEELING SOME JUST CRAZY ENERGY.
(Aaron) WHOA, WHOA.
SEEMS LIKE THE BIGGER MORE MACHO, AGGRESSIVE MEN IS THE ONES THAT GET MORE, UH, HANDLED.
(chuckles) LIKE ZAK? YEAH.
MY NAME IS ZAK BAGANS.
I NEVER BELIEVED IN GHOSTS UNTIL I CAME FACE TO FACE WITH ONE (gasps) YOU WANTED US.
YOU GOT US.
SO I SET OUT ON A QUES TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.
GO, GO, GO.
WITH NO BIG CAMERA CREWS FOLLOWING US AROUND, I AM JOINED ONLY BY MY FELLOW INVESTIGATOR NICK GROTH AND OUR EQUIPMEN TECH AARON GOODWIN.
THE THREE OF US WILL TRAVEL TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS WHERE WE WILL SPEND AN ENTIRE NIGH BEING LOCKED DOWN FROM DUSK UNTIL DAWN.
YOU HAVE REACHED YOUR FINAL DESTINATION-- HELL.
RAW IT'S STUCK.
EXTREME (bleep) STOP, STOP RUNNING.
THESE ARE OUR GHOST ADVENTURES.
Closed Captions provided by Scripps Networks, LLC.
Captioned by Closed Captioning Services, Inc.
WE'RE AT THE CROSSROADS OF DEATH VALLEY, CALIFORNIA, TO INVESTIGATE THE AMARGOSA HOTEL AND OPERA HOUSE.
IF THERE WERE SPIRITS HERE THERE ARE.
NOW YOU JUST TOLD ME.
THAT'S NOT AN IF, THAT'S A--THERE ARE SPIRITS HERE.
THIS HUGE STRUCTURE SITS ON A 280-ACRE BORAX MINING COMPLEX THAT BEGAN IN 1923.
MINING BORAX IN THE HEA OF THE MOHAVE DESER WAS BOTH GRUELING AND DANGEROUS.
THERE WERE COUNTLESS ACCIDENTS, SUICIDES AND EVEN VIOLENT MURDERS IN THIS VALLEY OF DEATH.
DID PEOPLE DIE HERE? YES.
IF A PERSON DIED IN THE SUMMER, IT WAS CRITICAL TO GET THEIR BODIES BURIED QUICKLY BEFORE THE SCORCHING HEA SPREAD THE SMELL OF ROTTING DECAY THROUGHOUT THIS BUILDING.
TONIGHT WE'RE GONNA BE LOCKED DOWN INSIDE THIS MASSIVE BUILDING, WHERE HALF AS BEEN REFURBISHED INTO A FUNCTIONING HOTEL, WHERE GUESTS STRUGGLE TO STAY A FULL NIGHT BY WHAT SOME SAY IS A PARANORMAL INFESTATION.
THE OTHER HALF IS UNRENOVATED, KNOWN AS SPOOKY HOLLOW, WHERE A NOTORIOUS DARK PRESENCE PHYSICALLY ATTACKS THE LIVING AND IS ESPECIALLY HOSTILE TOWARDS MEN.
NOW THIS PLACE IS-- YOU CAN SEE IT'S IN THE MIDDLE OF NOWHERE.
THAT'S RIGHT.
I WAS ON A ROAD, AND IT JUST FEELS, JUST SPLITTING THROUGH THE DESERT.
THERE IS NOTHING AROUND, AND ALL OF A SUDDEN YOU COME UPON THIS PLACE.
DEATH VALLEY JUNCTION IS SO REMOTE, IT CURRENTLY BOASTS A POPULATION OF ONLY THREE FULL-TIME RESIDENTS.
I'VE NEVER HEARD OF THIS PLACE.
I DON'T EVEN KNOW IF IT'S ON THE MAP.
IT'S ACTUALLY NO AN OFFICIAL TOWN ANYMORE, BUT IT WAS BACK IN THE OLD DAYS.
THEY HAD THEIR OWN POSTAL SERVICE HERE, STAMP AND ZIP CODE.
YOU'RE LOOKING AT ABOU 350 PEOPLE OFFICIALLY ON THE RECORDS HERE, BUT THERE WERE PLENTY OF TENT CITIES AND OTHER CITIES THAT WERE RIGHT AROUND US THAT WERE ESTABLISHED BACK AT THAT TIME.
BUT THIS IS AN OLD MINING TOWN, RIGHT? CORRECT.
IT IS ACTUALLY AN OLD MILL FACILITY.
IT WAS BUILT IN 1923 BY PACIFIC BORAX.
THEY'D HAUL THE ORE DOWN HERE.
(woman) THE MEN WORKED LONG HOURS, REALLY HARD.
IN THE SUMMER, IT CAN GET UP TO 130 DEGREES.
AND BACK THEN, NO AIR-CONDITIONING.
THERE WAS NO AIR-CONDITIONING, NO.
(banging) (man) IT WAS AN INDUSTRIAL SITE, AND THERE WERE PROBABLY PLENTY OF BAD THINGS THAT HAPPENED HERE, YOU KNOW, TRAGIC THINGS.
(people shouting) (Maury) THEY WOULD DRINK AND PLAY CARDS AND FIGH AND SMOKE AND DO WHATEVER.
AND SO THERE WERE SKIRMISHES.
THERE WERE PROBLEMS.
MM-HMM.
BUT DID THE SKIRMISHES EVER LEAD TO MURDER? YEAH? YEAH.
SUICIDES? YES.
WE DEFINITELY HAVE A FEW SPIRITS AROUND HERE.
YOU KNOW THE OLD SAYING-- "THEY CHECKED IN, BUT THEY NEVER CHECKED OUT.
" THAT'S WHAT'S GOING ON HERE? I THINK A FEW PEOPLE ARE HANGING OUT STILL.
ONE OF THE REAL THINGS THAT DREW US TO THE AMARGOSA HOTEL IS TWO WORDS.
IT SOUNDS AWESOME BECAUSE IT IS AWESOME.
BUT I THINK YOU ALREADY KNOW WHAT I'M TALKING ABOUT.
YOU HAVE A SECTION HERE THAT'S UNRENOVATED.
IT'S CALLED WHAT? SPOOKY HOLLOW.
WHY IS IT CALLED SPOOKY HOLLOW? 'CAUSE IT'S REALLY HAUNTED.
IT'S REALLY HAUNTED, AND WHY IS IT REALLY HAUNTED? THERE'S BEEN A HANGING AND THERE'S BEEN A HANGING? MM-HMM.
BACK THERE? AND THEN THERE WAS ANOTHER MURDER BACK THERE, I THINK.
SO ANOTHER MURDER IN SPOOKY HOLLOW.
THERE WAS AN ASSISTED HANGING, AND THEN THERE WAS A WHAT? A SUICIDE.
AND DO YOU THINK THA IF WE GO IN SPOOKY HOLLOW AND WE PROVOKE UPON YOU'RE GONNA HAVE SOMETHING HAPPEN.
SOMETHING? WHAT AREA BACK IN THE DAY? WHO WAS IN HERE? WHO CAME HERE? THIS WOULD BE THE MINERS AND THE EMPLOYEES.
UM, OKAY, I THINK I KNOW WHY THEY CALL IT SPOOKY HOLLOW.
DO YOU WANT TO COME HAVE A LOOK? IT IS SPOOKY, BUT I WANT TO KNOW NOT JUST BECAUSE OF THE WAY IT LOOKS, BUT WHY IS THIS PLACE CALLED SPOOKY HOLLOW-- THE REAL REASON.
THE REAL REASON IS WHEN YOU COME IN HERE DAY OR NIGHT, YOU HEAR VOICES.
(whispering) WATCH OU FOR YOURSELF.
THERE IS FULL-BODY APPARITIONS THAT HAVE BEEN SEEN.
THERE ARE SHADOW MEN.
WHEN YOU SEE THE MOVEMEN AND THE APPARITIONS AND THE SHADOWS, THEY GO FROM THIS ROOM TO THAT ROOM, FROM THAT ROOM BACK.
WE ASK PEOPLE, "PLEASE, JUST DO NOT RUN," AND THEY ALWAYS ASSURE ME, GROWN ADULT MEN, THERE'S NO WAY THAT THEY WOULD RUN, AND I'VE CAUGHT TWO MEN BY THE ARM AND STOPPED THEM.
REALLY? HERE? WALKED THEM OUT, YEAH.
WHAT HAPPENED TO THEM? DID THEY SEE SOMETHING? DID THEY FEEL SOMETHING? THEY GOT FELT UP A LOT.
THEY GOT FELT UP? YEAH.
EVEN THE GUYS? IT SEEMS LIKE THE BIGGER MORE MACHO, AGGRESSIVE MEN IS THE ONES THAT GET MORE, UH, HANDLED.
LIKE ZAK? YEAH.
STOP REAL QUICK, GUYS.
SHOULD'VE TOLD YOU THIS BEFORE.
THIS RIGHT HERE IS ANCIENT SEWER LINES.
4 FEET DOWN IS CRAP, SO YOU WILL BE COVERED WITH, BASICALLY, FULL LENGTH OF MY HEIGH IN CRAP.
YOU'RE LIKE, "THANKS A LO FOR TELLING ME NOW.
" SOMETHING YOU DON' HEAR EVERY DAY.
(laughs) (Zak) WHAT'D YOU SAY? (Aaron) I THOUGHT I SAW SOMEONE STANDING THERE, LIKE A WORKER, AND THE NEXT THING YOU KNEW TELL ME WHAT HE LOOKS LIKE.
I HAVE CATALOGS OF WHAT HE'S WEARING.
OKAY.
I JUST SAW A GUY STANDING THERE THAT LOOKED LIKE A WORKER IN, LIKE, PAINTER JEANS, AN OUTFIT.
LOOKED LIKE JUST A NORMAL MAN STANDING BACK THERE WITH A PAINTER'S OUTFIT.
SO YOU JUST EXPERIENCED ONE THAT WE SEE A LOT.
OKAY, SINCE YOU JUST SAW, AARON, LET'S PUT AN "X" HERE.
THIS IS--I CALL HIM (bleep) ROOM.
HE LIKES TO BE CALLED THE BOSS MAN.
HEY, I DON'T WANT TO INTERRUPT, BUT I SEE YOUR GOOSEBUMPS.
HOLY, (bleep) I CALL THIS ROOM THE PISSY ROOM, 'CAUSE HIS ROOM SMELLS DIFFERENT, BUT HE JUST-- LIKE PISS? YEAH.
HE HUNG HIMSELF BACK HERE, BUT WHO KNOWS IF HE HUNG HIMSELF.
THERE WAS A LOT OF FIGHTING, AND I WAS TOLD THAT A GUY HAS BEEN STABBED BACK HERE.
IS THIS THE SPIRIT THA IS SAID NOT TO LIKE MEN? YES.
BECAUSE WHEN I PUT A STRONG MALE ENERGY IN THIS AREA, THEN IT GOES HAYWIRE.
YOU ARE WELCOME TO USE OUR ENERGY.
YOU CAN COME UP AND TAKE AS MUCH ENERGY OUT OF MY BODY THAT YOU WOULD LIKE.
I'M OPENING UP.
I'M WELCOMING YOU TO ME.
OH, YOU'RE CRAZY.
AND YOU SAID I WAS CRAZY.
THAT COULD BE DANGEROUS.
IT'S VERY DANGEROUS 'CAUSE I'VE SEEN IT HAPPEN HERE, AND IT'S USUALLY WITH LARGE MALES, AND WHEN YOU WELCOME THEM, THEY WILL DO AS YOU ASK.
AND THAT JUST CONCERNS ME WITH YOU BECAUSE I WANT YOU TO BE OKAY, AND I KNOW YOU GUYS ARE VERY EXPERIENCED, BUT I KNOW WHA CAN HAPPEN HERE, SO JUST BY COMING THROUGH HERE IN THE DAYLIGH AND FEELING AND EXPERIENCING WHAT WE ALREADY HAVE, I DON'T THINK THIS LOCATION'S GONNA LET US DOWN.
I HAVE THE AMARGOSA HOTEL OF HAUNTINGS MENU.
15, SOME OF THE GIRLS THAT HAVE BEEN WORKING HERE, SPIRITS TRIED TO JUMP INTO THEM.
NUMBER 17, COLD SPOTS, ORBS AND VOICES.
WE DON'T EVEN TELL OUR EMPLOYEES ABOUT I BECAUSE WE DON'T WANT THEM TO BE AFRAID TO GO IN THERE.
IN THIS PARTICULAR ROOM? IN THIS PARTICULAR ROOM.
JOIN ME EACH WEEK FOR AN EXCLUSIVE LOOK OF THE MAKING OF "GHOST ADVENTURES.
" GO TO travelchannel.
com AND CHECK OUT AARON'S BLOGS.
CATCH IT.
RIGHT NOW I'M STANDING INSIDE THE AMARGOSA OPERA HOUSE.
THERE IS A VERY MYSTERIOUS KIND OF CREEPY FEEL IN HERE.
HOW ARE YOU? OKAY.
(laughs) VERY INTERACTIVE SHOW HERE, I SEE.
YOU KNOW, WE CAME HERE.
WE ALSO LIVE IN NEVADA.
WE'RE FROM LAS VEGAS, AND THIS-- (Aaron laughs) OOH.
HI.
HI.
DO YOU THINK THERE'S AN ENERGY HERE? THERE IS.
HAS ANYTHING PARANORMAL, THAT YOU THINK IS PARANORMAL, HAPPENED TO YOU IN THIS AREA? IT DID.
WELL, WHAT HAPPENED IS I WAS PUTTING MY MAKEUP ON, GETTING READY.
WHAT I DO BEFORE EACH SHOW IS I DO THIS.
(coins tinkling) I CONK OUT.
NOW, I CAN SEE THROUGH THE CLOTH.
SHE'S A GYPSY.
I'M A GYPSY.
SHE'S A GYPSY.
I WAS TAKING A NAP.
I OPENED MY EYES.
OKAY.
THIS IS WHAT HAPPENED.
SOMEONE TOOK A PICTURE, WENT LIKE THIS AND LEFT.
(click and buzz) I APOLOGIZE, ALL OF YOU, SPIRITS, THAT MAYBE SITTING HERE FOR WHA YOU'RE ABOUT TO SEE.
DA-DA-DA DA-DA DA-DA-DA, DA-DA-DA.
SO STEP.
THERE YOU GO.
SUP, SUP.
ZAK, NOT SO NICE.
YOU HAVE BEEN HERE SINCE 19 WE OPENED IN 1968.
WE HAD A FLAT TIRE IN DEATH VALLEY JUNCTION.
THAT'S WHEN I SAW THIS TOWN LONG ENOUGH TO BE ABLE TO DECIDE, THIS IS WHERE I WANT TO MAKE MY LIFE.
MARTA, DO YOU BELIEVE YOUR HOTEL AND OPERA HOUSE TO BE HAUNTED? YES, I DO.
MY PARTNER WILGE BEFORE HE DIED, WE WERE WALKING ON THE COLONNADE.
IN THE SHADOWS, A MAN CAME UP AND SPOKE TO WILGE AND HE SAID TO WILGET, I WANT TO THANK YOU FOR TAKING CARE OF MARTA FOR 23 YEARS.
" WOW.
AND I ASKED A FRIEND OF MINE, WHO WAS PSYCHIC, THE NEXT DAY, "WHO COULD THAT HAVE BEEN?" SHE SAID, "THAT WAS YOUR FATHER.
" NOW HAVE YOU SEEN ANYTHING, WORKING UP HERE, HAVE YOU SEEN ANY DARK SHADOW? YEP.
YOU HAVE? BEFORE I COULD EVEN FINISH THE QUESTION.
YEP.
I SOMEHOW KNEW THAT YOU'VE HAD A LOT OF EXPERIENCES.
WHAT HAPPENED? THAT'S THE ONE I DON'T LIKE.
THAT'S THE ONE YOU DON'T LIKE? 'CAUSE IT HAPPENED IN ONE OF THE ROOMS.
IT HAPPENED TWO WEEKS IN A ROW HERE? THE EXACT SAME SPO IN THE ROOM.
WELL, I WAS IN HERE, GETTING READY TO MAKE THE BED, I WENT LIKE THIS, AND ALL OF A SUDDEN I COULDN'T MOVE.
I MEAN, LITERALLY, LIKE THIS, AND I COULD NOT MOVE.
AND I WAS LIKE-- WAS IT LIKE YOU WERE PARALYZED? I WAS, LIKE, LITERALLY, CANNOT MOVE, YEAH.
AND AT THAT POINT, DID YOU START TO PANIC? WELL, YEAH! YEAH.
THAT WAS COOL.
WOULDN'T YOU? BUT-- AND THEN I COULDN'T MOVE, AND THEN, LIKE, 'CAUSE I'M STANDING HERE GOING, WHAT THE BEEP, BEEP? WHAT THE HELL?" IT WAS AS IF I WAS STUCK IN ICE.
SO RICH SAID, "MAYBE THEY'RE TRYING TO COMMUNICATE THROUGH YOU, AND I SAID, "THEY CAN GO COMMUNICATE THROUGH SOMEBODY ELSE.
" IT'S REALLY HARD FOR PEOPLE TO WORK HERE.
YOU KNOW, WE COULDN'T GE SOMEBODY TO WORK HERE IF THEY REALLY WERE THAT FREAKED OUT WITH IT.
WE DON'T EVEN TELL OUR EMPLOYEES ABOUT I BECAUSE WE DON'T WAN THEM AFRAID TO GO IN THERE.
TELL THEM THE TRUTH.
NO THEY'RE PROBABLY SCARED OUT OF THEIR MINDS.
BECAUSE IF I TELL THEM, AND THEN THEY'RE EXPECTING I AND THEY WON'T CONCENTRATE.
THE VERY NICE AMARGOSA HOTEL HUMAN RESOURCES DEPARTMEN DOES NOT TELL THEIR EMPLOYEES JUST HOW FREAKING INSANELY HAUNTED THIS PLACE IS.
WHY DID YOU BRING US TO THIS ROOM, ROOM 20? I HAD HEARD BEFORE I'D STAYED IN THIS ROOM THAT THERE WAS SOME MOVEMENT IN HERE.
AN ENERGY LIKES TO MOVE THE BEDS.
IT FELT LIKE AN OCEAN.
SOMEBODY'S PUSHING THE BED.
(creaking) EVERY TIME I'VE STAYED IN HERE-- I'VE STAYED IN HERE TWICE-- I'VE BEEN REALLY SICK AND CAN'T SLEEP.
ALL RIGHT, WHAT I'M GONNA DO RIGHT NOW, I HAVE THE AMARGOSA HOTEL OF HAUNTINGS MENU.
RICH IS GONNA GO FROM ROOM TO ROOM, AND HE HAS A MENTAL NOTE.
DESCRIPTION, NOTES OF ALL THE HAUNTINGS THAT RELATE TO EACH SPECIFIC ROOM.
ALL RIGHT.
ALL RIGHT, WE'LL STAR OFF WITH ROOM 24.
HERE WE GO.
24.
THIS IS GONNA BE THE CRYING BABY ROOM.
(baby crying) THERE'S ALSO KIDS IN THE HALLWAY HERE THAT PEOPLE USUALLY HEAR FROM THERE.
(children's voices) NUMBER 11, COLD SPOTS, ORBS AND VOICES.
(distorted voices) 15 HAS COLD SPOTS IN IT.
IT ALSO HAS A SPO WHERE SOME OF THE GIRLS THAT HAVE BEEN WORKING HERE, JUMP IN THERE AND THEY TRY TO JUMP-- THE SPIRITS TRY TO JUMP INTO THEM.
WHAT? THEY TRY AND POSSESS THEM? THEY TRY--IT'S LIKE A A CHANNEL.
LIKE A CHANNEL.
YOU'RE TELLING US, BEHIND THIS BEAUTIFUL BLUE DOOR CONNECTED TO WHERE WE'RE GETTING LOCKED DOWN IS A WHAT? IT'S A FULL-BLOWN EMERGENCY HOSPITAL, OF COURSE.
WAS THIS FOR ALL THE MINERS, RICH? YEAH, FOR ANYBODY OUT HERE.
OH, GOSH.
CLOWNS AND MANNEQUINS.
CLOWNS AND MANNEQUINS.
UH-OH.
THEY SEEMED TO PLAGUE ME.
THIS WAS AN ACTUAL HOSPITAL.
IT WAS AN ACTUAL WORKING HOSPITAL WITH CLINICS AND DOCTORS' OFFICES.
WHAT YEAR, ROUGHLY? 1923 TO 1929.
BEING AN INDUSTRIAL SITE, THEY HAD TO HAVE SOMETHING TO TAKE CARE OF PEOPLE.
IS THERE UNEXPLAINED STUFF GOING ON IN THIS HOSPITAL? MY PREDECESSOR PRIOR, TO ME BEING HERE, HE WAS A BIG SKEPTIC, AND HE DID NOT WAN TO RECOGNIZE THAT THERE WAS ANYTHING HERE.
HE WOULD SAY THA THERE WERE FOOTSTEPS AND PEOPLE RUNNING UP AND DOWN THIS HALL HERE, WALKING HEAVY STEPS.
(footsteps) WHOA.
WHAT THE HECK? YEAH, ZAK.
(whistles) SWEET.
NICE APPARITION.
SHE'S PRETTY.
I THINK SHE WANTS ME.
COME ON, RICH.
I MEAN I'M AFRAID OF LIKE DEMONS AND STUFF, BUT I'M EVEN MORE CREEPED OU THAN FOUR MANNEQUINS STARING AT THE WALL.
(Nick) ARE THEY IN TROUBLE? THEY'RE ALL FACING THE WALL.
THEY'RE ALL FACING THE WALL.
THEY WERE IN TROUBLE.
OH, LOOK AT THIS ONE? THAT'S CREEPY.
WHAT? THIS WAS USED AS THE MORGUE, HUH? NOW MARTA ACTUALLY LIVED HERE FOR SEVEN YEARS.
IN THE MORGUE? IN THE MORGUE.
WHAT? IN THIS ROOM? IN THIS ROOM.
WOW.
YEP.
WOW.
CRAZY.
COME HERE, I GO SOMETHING FOR YOU GUYS.
(Nick) I GOT NERVOUS.
COME AROUND THE CORNER.
(hums "Twilight Zone" theme) TOO-DOO-DOO-DOO DOO-DOO-DOO-DOO.
NOTHING LIKE SERVING THEM UP ON A PLATTER FOR YOU.
(Zak) YEAH.
WE'VE ENTERED "THE TWILIGHT ZONE.
" THIS WILL BE AN EXPERIENCE YOU WILL NEVER FORGET, AND YOU'RE GONNA BE ABLE TO SHARE WITH EVERYBODY, WHICH IS WAY COOL.
THAT'S WHY WE LOVE DOING WHAT WE DO.
I CAN'T WAI TO LOCK YOU DOWN.
I DO NOT HAVE THE KEY.
YOU WANT TO KNOW WHO HAS THE KEY? HE HAS THE KEY.
HE DOESN'T SEEM TO LIKE THE MEN IN HIS AREA.
IT'S TOTALLY DIFFEREN WHEN IT'S IN THE DARK.
OH! (bleep, bleep, bleep) (Zak) JUST TO SHOW YOU SOME FURTHER PREVENTION OF ANY KIND OF CONTAMINATION FOR ANY OF OUR AUDIO EVIDENCE OR EVEN VISUAL, HEADLIGHTS FROM CARS, WE HAD RICH THE SITE MANAGER HERE ROPE OFF AND CONE OFF ANY AREAS NEAR THIS BUILDING THAT ANY CARS CAN COME CLOSE AND WHAT THEIR HEADLIGHTS COULD CONTAMINATE OUR EVIDENCE.
BUT NOT ONLY THAT, YOU WEN AHEAD THE ENTIRE BUILDING AND SHUT DOWN THE POWER SUPPLY.
YEP, EVERYTHING HAS BEEN TOTALLY CUT OFF, ZAK.
OKAY, AND WE ASKED HIM TO DO THA SO THAT WE WON'T HAVE ANY UNEXPLAINED SPIKES ON OUR E.
M.
F.
DETECTORS THAT MAYBE CAUSED BY SOME DIFFERENT POWER SOURCES IN THE BUILDINGS.
MEET US OVER BY THE DOOR, RICH.
LET'S GO.
LET'S GET THIS LOCKDOWN STARTED.
WE GOT OUR EXTERIOR STATIC NIGHT VISION CAMERA HERE AND FOR THE 12 HOURS, WE'RE GONNA BE LOCKED INSIDE OF HERE, AREN'T WE? YES, SIR.
BUT DO YOU WANT TO KNOW THE IRONIC THING? THIS IS THE FIRST TIME WE ARE GONNA LOCK OURSELVES IN.
YOU SEE THIS HINGE HERE? THIS IS NAILED ON THE INSIDE, SO WHAT WE'RE GONNA DO IS WE'RE GONNA LOCK OURSELVES IN.
I DO NOT HAVE THE KEY.
YOU WANT TO KNOW WHO HAS THE KEY? HE HAS THE KEY, AND AT SUN UP, HE IS GONNA COME IN THROUGH THIS LITTLE CREVICE RIGHT HERE ON THE DOOR AND THROW IT IN THERE, AND I'M GONNA BE ABLE TO UNLOCK IT OUT.
SO I'M GONNA LOCK US IN NOW, RICH.
ALL RIGHT, LET'S DO IT.
I'LL SEE YOU AT SUN UP, OKAY? LET'S DO IT.
ALL RIGHT.
LET'S GO OVER OUR X's.
THE FIRST "X" IS IN THE OPERA HOUSE.
THIS IS WHERE THEY'VE SEEN APPARITIONS IN THE AUDIENCE.
THE NEXT "X," THE OPERA HOUSE BACKSTAGE-- THIS IS WHERE SANDY THE PERFORMER SAID SHE SAW A DARK FIGURE TAKE A PHOTO OF HER.
THE NEXT TWO X's ARE GONNA BE BACK TO BACK CAMERA "A," CAMERA "B" IN THE HALLWAY OF SPOOKY HOLLOW.
THERE'S JUST AN INFESTATION OF PARANORMAL ACTIVITY BACK THERE, ALL BEING NEGATIVE-- OUR KIND OF PLACE.
SOUND GOOD, GUYS? (man) AWESOME.
THEY'RE ALL LOADED WITH ACTIVITY, SO LET'S GET THIS DONE.
AND AGAIN, I WANT TO EXPLAIN WHILE WE'RE WALKING THROUGH HERE RIGHT NOW.
WE'VE PRETTY MUCH BLANKED OUR MIND OUT.
WE DON'T SAY, "OH, THIS IS GONNA BE SCARY.
OH, THIS IS WHAT HAPPENED OVER IN THIS ROOM.
" YOU BREATHE EVERYTHING OUT, AND THAT IS WHEN LIKE A BRICK WALL WILL HIT YOU OF ENERGY, AND IF IT DOES, NICK, AARON, YOU KNOW, SPEAK UP.
IT'S TOTALLY DIFFEREN WHEN IT'S IN THE DARK, HUH? YEAH.
LET ME SHOW THEM HOW DARK IT IS.
I'LL JUST TURN OFF NIGHT VISION.
LOOK HOW DARK IT IS IN HERE.
WE DECIDED TO HEAD STRAIGH DOWN TO THE UNRENOVATED SECTION OF THE HOTEL KNOWN AS SPOOKY HOLLOW WHERE PEOPLE HAVE BEEN ATTACKED BY UNSEEN FORCES.
HE DOESN'T SEEM TO LIKE THE MEN IN HIS AREA, SO THE WOMEN ARE KIND OF BAIT, AND THE MEN ARE A DIFFERENT TYPE OF BAIT.
(Zak) ALL RIGHT, RIGHT NOW WE'RE GONNA SPREAD OUT.
I'M GONNA GO DOWN TO THE LAST ROOM WHERE PEOPLE HAVE BEEN ATTACKED WITH SCRATCHES AND BRUISES.
YOU CAN SEE NICK AND AARON DOWN THERE.
AT THIS TIME, ALL THREE OF US ALSO BEGIN ROLLING ON OUR DIGITAL RECORDERS.
THESE DEVICES ARE USED TO CAPTURE ELECTRONIC VOICE PHENOMENA, OR E.
V.
P.
s, WHICH ARE SPIRITS SPEAKING WITHIN THE WHITE NOISE.
IF YOU LIKE TO ATTACK PEOPLE, WELL, THERE'S THREE OF US IN HERE.
DO WHAT YOU GOT TO DO AND DO IT FAST.
THE HECK IS THAT? WHAT THE (bleep) WAS THAT? IT WAS A SCREAM.
JUST THEN, NICK AND I BOTH HEARD THIS CREEPY DISEMBODIED SCREAM, WHICH WAS ALSO CAPTURED ON OUR DIGITAL RECORDERS.
WE'VE ENHANCED THE AUDIO SO YOU CAN HEAR IT BETTER.
DO WHAT YOU GOT TO DO AND DO IT FAST.
(disembodied scream) THE HECK IS THAT? WHAT THE (bleep) WAS THAT? WHOA, DUDE.
(mouths words) WE CAN HEAR YOU.
WE CAN FEEL YOU.
NOW SHOW YOURSELF.
BOSS MAN, ARE YOU HERE? IT SEEMS LIKE THE BIGGER MORE MACHO, AGGRESSIVE MEN IS THE ONES THAT GET MORE, UH, HANDLED.
(Zak) IF THERE IS AN EVIL ENTITY IN HERE THAT LIKES TO ATTACK THE LIVING, I CALL UPON YOU TO SHOW YOURSELF AND SHOW US YOUR POWER.
AT THIS EXACT MOMENT, NICK'S DIGITAL RECORDER CAPTURED WHAT SOUNDS LIKE A RESPONSE TO MY REQUEST.
(Zak) I CALL UPON YOU TO SHOW YOURSELF AND SHOW US YOUR POWER.
WE'RE NOT GONNA LEAVE UNLESS YOU YELL AND FORCE US TO GET OUT OF HERE.
GUYS, I JUST HEARD THIS DOOR TRYING TO OPEN.
ARE YOU TRYING TO LEAVE? THE TWO GUYS AT THE END OF THE HALLWAY ARE ABOU TO START DOING WORK.
I KNOW YOU DON'T LIKE THE GUY WHO'S IN HERE THAT REPAIRS, SO WE'RE GONNA START REPAIRING INSTEAD OF HIM.
IS THAT COOL? (bang) OOH! (bleep, bleep, bleep) COME ON OU AND GET OVER HERE.
(Nick) IF THEY'RE RESPONDING TO US, LET'S KEEP GOING.
WE BROKE OUT THERMAL IMAGING CAMERA WHICH SEES IN TEMPERATURE.
I THINK I JUST SAW YOU.
WE'RE AT THE AMARGOSA HOTEL ON THE OUTSKIRTS OF DEATH VALLEY, WHERE AN UNEXPLAINED NOISE GAVE AARON A JUMP STAR IN SPOOKY HOLLOW.
(bang) OOH! (bleep, bleep, bleep) (Aaron) ZAK, DID YOU HEAR THAT? ZAK.
SOMETHING JUST THREW OVER HERE AND I JUST (bleep) JUMPED, BRO.
IS THAT COOL? OOH! (bleeps) JUST KEEP GOING, MAN.
KEEP GOING.
IF THEY'RE MAKING--IF THEY'RE DOING STUFF, AND THEY'RE RESPONDING TO US, LET'S KEEP GOING.
WAS THIS THE EVIL SPIRI MAKING THIS LOUD BANG BECAUSE I JUS COMMANDED IT TO? AND SHOW US YOUR POWER.
BECAUSE AARON COULD ACTUALLY FEEL THE VIBRATIONS FROM WHATEVER WAS JUST SLAMMED, WE KNEW THA IF IT WAS AN EVIL SPIRIT, THEN IT HAD IT HAD THE POWER TO SEVERELY HARM US.
SO WE BROKE OUT OUR THERMAL IMAGING CAMERA WHICH SEES IN TEMPERATURE, ENHANCING OUR SPECTRUM OF SIGHT, SO WE COULD BE ON HIGH ALER IF WE DID MAKE VISUAL CONTAC WITH SOMETHING UNEXPLAINED IN OUR PROXIMITY.
THREE GUYS ARE COMING BACK.
IF YOU DON'T LIKE THA THEN THROW SOMETHING AT US.
SCRATCH ONE OF US, HIT ONE OF US, WHATEVER YOU WANT TO DO TO GET US OUT OF HERE.
'CAUSE WE AIN'T LEAVING.
IT'S A CLOSET.
(laughs) NO.
IS THERE ANYONE IN THIS ROOM? DID YOU HEAR THAT? WHAT WAS THAT? DID YOU HEAR THAT? WHAT WAS THAT? IT'S IN THIS HALLWAY.
(whispers) SHH.
PUT IT THE OTHER WAY.
WHO'S DOWN THERE? DID YOU MAKE A NOISE? SHOW YOUR (bleep) SELF.
DUDE, I THOUGHT I SAW SOMETHING IN THAT THERMAL CAMERA.
YEAH, I CAN FEEL IT.
(Aaron) THERE'S NO BREEZE, IS THERE? NO, IT'S REALLY WARM ON MY HANDS.
LOOK, REAL QUICK.
LET'S GO WITH THE FOOTAGE RIGHT NOW.
IT LOOKED LIKE THE TOP HALF OF A GUY.
UPON REVIEWING OUR THERMAL CAMERA FOOTAGE, WE DISCOVERED SOMETHING THA ABSOLUTELY SHOCKED US.
AS I WAS STANDING IN FRONT OF THIS DOORWAY, I DID THE SAME EXACT MOVEMEN WITH THE CAMERA ABOUT SEVEN TIMES, PANNING RIGHT TO LEFT, AND YOU CAN ONLY SEE MY REFLECTION IN THE GLASS WINDOW AFTER THE CAMERA PASSES THE DOORWAY.
BUT AS I PAN THE FINAL TIME, WE CAPTURED WHAT APPEARS TO BE THE MANIFESTATION OF A FIGURE WITH ABSOLUTELY NO EXPLANATION WHATSOEVER.
AS WE GO FRAME BY FRAME YOU CAN CLEARLY SEE THE DISTINCT HEAD, NOSE, NECK AND THE SHOULDERS HERE.
WE MATCHED UP AARON'S NIGHT VISION CAMERA TO THE THERMAL IMAGING CAMERA.
AND AT THE PRECISE MOMEN THIS APPARITION IS CAPTURED YOU CAN CLEARLY SEE THA THE THERMAL CAMERA IS POINTED HALFWAY INTO THE CORNER OF THE EMPTY ROOM.
AS YOU CAN CLEARLY MAKE OU THE EDGE OF THE DOOR FRAME HERE.
KNOWING THAT, IT LOOKS AS IF THE UNEXPLAINED FIGURE IS MOVING.
IT APPEARS THAT IT IS WALKING OUT OF THE EMPTY ROOM PASSING MY CAMERA, WHICH WAS ABOUT 2 FEE FROM THE DOOR FRAME, AND MOVING QUICKLY DOWN THE HALLWAY, WHERE IT THEN REMARKABLY VANISHES FROM VISUAL CONTACT.
WE MAY HAVE JUST CAPTURED THE SOURCE OF WHA MADE THIS LOUD, POWERFUL BANG.
(bang) OOH! (bleep) WE WERE NOW IN HOT PURSUI TO DETERMINE IF THIS UNEXPLAINED FIGURE WAS THE VIOLENT EVIL SPIRI KNOWN AS THE BOSS MAN.
ARE YOU IN HERE? COME ON OU AND GET OVER HERE.
YOU'RE THE NASTY SPIRI THAT LIKES TO PUSH PEOPLE.
I THINK I JUST SAW YOU.
I HATE BULLIES.
THERE'S NO REASON FOR YOU TO BE ATTACKING WOMEN.
AND IF THERE'S ANY OTHER SPIRITS IN HERE, I'M NOT YELLING AT YOU.
I'M YELLING AT THAT ONE EVIL SPIRI THAT'S ATTACKING THE LIVING.
COME AND FACE ME.
BRING IT.
THE DISEMBODIED VOICE THAT NICK AND I JUST HEARD WAS ALSO CAPTURED ON MY DIGITAL RECORDER.
HERE'S THE ENHANCED AUDIO.
BRING IT.
IT SOUNDED LIKE THE DISEMBODIED VOICE WAS COMING FROM THE END OF THE HALLWAY, WHERE IRONICALLY THE NOTORIOUS ENTITY IS SAID TO RESIDE IN THE LAST ROOM ON THE LEFT BECAUSE OF WHAT OCCURRED IN THERE.
THERE'S BEEN A HANGING, AND THEN THERE WAS ANOTHER MURDER BACK THERE.
WE COME FACE TO FACE WITH EVIL SPIRITS THAT LIKE TO ATTACK PEOPLE.
WELL, THEN I'M OPENING MYSELF UP TO YOU FOR YOU TO USE MY ENERGY, AND THEN IN RETURN, GIVE MYSELF, NICK OR AARON THAT ATTACK.
YOU CAN CHOOSE WHICH ONE YOU'D LIKE.
WHAT WE JUST HEARD WAS A DISEMBODIED MOANING.
HERE'S THE ENHANCED REPLAY.
EXACTLY.
LIKE A MALE MOANING.
IT'S EXACTLY WHAT I HEARD.
MALE MOAN COME FROM BACK THERE IN THAT ROOM ON THE LEFT.
GUYS, HOLD ON.
LET ME GO BY MYSELF.
IF THE NASTY SPIRIT'S IN HERE, THIS IS WHERE HE SAID HE'LL LIVE.
THIS IS WHERE MARY LEE HAS GOTTEN POSSESSED TWICE OR CHANNELED THROUGH TWICE.
DID YOU MURDER SOMEBODY IN HERE? WHOA.
IN ONE OF THE AMARGOSA HOTEL'S CREEPIEST CORNERS, SPOOKY HOLLOW, I VENTURED INTO THE BOSS MAN'S ROOM SOLO TO INVESTIGATE AN UNEXPLAINED MOAN.
IS THIS YOUR ROOM? DID YOU MURDER SOMEBODY IN HERE? HAD THIS SPIRIT JUST LED US TO AN EMPTY ROOM? ALL WE DO KNOW IS THA WHEN WE CAPTURED THIS UNEXPLAINED FIGURE ON OUR THERMAL IMAGING CAMERA, IT APPEARED TO BE MOVING VERY QUICKLY AWAY FROM THE EMPTY ROOM WHERE WE ALSO DISCOVERED A SECRET HALLWAY ON THE OTHER SIDE OF THESE WINDOWS, A POSSIBLE ESCAPE ROUTE FOR THIS ENTITY.
IN ANOTHER ROOM, WE FOUND AN EMPTY WINDOW FRAME WHERE WE WERE ABLE TO CLIMB THROUGH AND INVESTIGATE FURTHER.
LET'S GO BACK THERE.
WHOA, WHOA! DUDE! IT'S OKAY.
(laughs) ARE YOU OKAY? AS WE AIMED THE THERMAL CAMERA IN THIS BACK AREA, WE SAW NO SIGN OF THE UNEXPLAINED FIGURE, BUT WE DID FIND THIS OPEN DOOR LEADING BACK TO THE RENOVATED PART OF THE HOTEL.
WITH A NEW PLAN IN MIND, WE HEADED IN THAT DIRECTION.
WE DECIDED TO SPLIT UP INTO TWO SEPARATE ROOMS, BOTH OF WHICH ARE SAID TO BE VERY ACTIVE HOTSPOTS.
I WAS BY MYSELF IN ROOM 15.
ALL RIGHT, THIS IS WHERE MARY LEE HAS GOTTEN POSSESSED TWICE OR CHANNELED THROUGH TWICE.
SO LET'S SEE IF IT CAN HAPPEN TO ME.
MEANWHILE, AARON AND NICK WERE GOING TO CONDUC AN E.
V.
P.
SESSION WITH A SPECIALLY DESIGNED REAL-TIME DIGITAL RECORDER WHERE THEY CAN HEAR SPIRI RESPONSES LIVE IN THE MOMEN TO THEIR QUESTIONS.
THEY WENT INTO ROOM 20 WHERE EARLIER WE ENCOUNTERED DISTURBING PHYSICAL EXPERIENCES.
I THOUGHT I WAS GONNA THROW UP.
YEAH, THAT'S HOW I FELT.
WHY DO YOU MAKE PEOPLE SICK IN THIS ROOM? JUST SIT HERE, AND JUST, LIKE, RELEASE-- THAT WAS WEIRD.
ARE YOU BY THE RECORDER HERE OR BY US? AT THIS EXACT MOMENT, NICK AND AARON'S DIGITAL RECORDER CAPTURED THIS E.
V.
P.
THAT SOUNDS LIKE A MAN RESPONDING TO THEM.
ARE YOU BY THE RECORDER HERE OR BY US? HOW MANY OF YOU ARE IN THIS ROOM? WHO WAS SICK IN THIS ROOM? SO WHY ARE YOU TRYING TO MAKE THE HOTEL EMPLOYEE SCARED, MARY LEE? HAVE YOU CAME INTO CONTAC WITH HER? CAN YOU SPEAK INTO THIS RIGHT HERE? WHY IN THE HELL ARE YOU SCARING HER? JUST THEN, MY DIGITAL RECORDER CAPTURED THIS DISTURBING E.
V.
P.
WHY IN THE HELL ARE YOU SCARING HER? WAS THIS THE SAME MALEVOLENT SPIRI THAT HAD POSSESSED MARY LEE? AND WAS IT TRYING TO TELL ME THAT IT ENJOYS SCARING HER? WHAT DO YOU DO WHEN PEOPLE STAY IN THIS ROOM? ARE WE FEELING YOUR PAIN AND YOUR SICKNESS THAT YOU FEEL? WHOA.
THIS VOICE NICK AND AARON JUST HEARD MAY BE A SPIRIT TRAPPED HERE FROM THE DAYS WHEN THIS HOTEL FUNCTIONED AS A HOSPITAL FOR THE BORAX MINING COMMUNITY.
ARE WE FEELING YOUR PAIN AND YOUR SICKNESS THAT YOU FEEL? WHAT MADE YOU SICK? DO YOU NOT LIKE PEOPLE IN THIS ROOM? I WANT YOU TO MAKE YOURSELF KNOWN.
COME AND TOUCH ME.
COME ON, SHE WAS MAKING THE BED RIGHT HERE, AND YOU MADE HER FROZE.
CAN YOU DO IT TO ME? ANOTHER HOSTILE VOICE WAS JUST CAPTURED.
COME ON, SHE WAS MAKING THE BED RIGHT HERE, AND YOU MADE HER FROZE.
CAN YOU DO IT TO ME? ME? ME? bleep) RIGHT NOW, WE'RE FEELING JUS SOME CRAZY ENERGY.
DUDE, SOMETHING'S NOT GOOD HAPPENING TO MY BODY RIGHT NOW, MAN, AT ALL.
IN THE EARLY MORNING HOURS, I FOUND MYSELF LITERALLY FROZEN IN MY TRACKS IN THE MIDDLE OF THE DESERT.
OH, MY GOD.
I'M GETTING TOUCHED, LIKE, ALL OVER THE PLACE.
I CAN FEEL I ALL OVER MY BODY, AND THERE'S A WHIRLWIND OF COLD AIR RIGHT HERE.
WHO ARE YOU? WHY ARE YOU DOING THIS? IS THIS YOUR ROOM? WHY DO YOU ALWAYS MAKE PEOPLE FEEL BAD IN HERE? DO YOU HAVE SOMETHING YOU WANT TO TELL US? (wind blowing) DO YOU HEAR THAT, NICK? A MALE'S VOICE DOCUMENTED.
DO YOU HAVE SOMETHING YOU WANT TO TELL US? RIGHT NOW, WE'RE FEELING SOME JUST CRAZY ENERGY, JUST KEEPS THROWING US-- OUR BODY, AND IT IS JUST AND IT IS JUST JUST JUST NICK AND AARON WEREN' THE ONLY ONES WHO HEARD THIS UNEXPLAINED DOOR SLAM SHUT.
WHAT ARE YOU DOING? I COULD HAVE SWORN-- WHAT ARE YOU DOING? WHAT TIME DOES YOUR CLOCK SAY? NOT TIME ENOUGH.
THAT WAS LOUD, BRO.
DID YOU SLAM THE DOOR? I DIDN'T SLAM (bleep) WE QUICKLY HEADED DOWN THE HALLWAY, TRYING TO DETERMINE WHICH DOOR HAD JUST SLAMMED SHUT.
GOING TO 20.
WHAT'S THAT? WE ALL JUST HEARD UNEXPLAINED BANGING AND MOVING AROUND COMING FROM INSIDE ONE OF THE OTHER ROOMS, AND THERE WAS ABSOLUTELY NO ONE ELSE IN THIS HOTEL WITH US.
HERE IS AARON'S ENHANCED CAMERA'S AUDIO.
GOING TO 20.
WHAT'S THAT? I'M GONNA KICK THIS (bleep) DOOR OPEN IN A SECOND.
THE DOOR WAS LOCKED FROM THE INSIDE, BUT I REMEMBERED THAT YOU COULD ALSO ACCESS ROOM NINE BY A DOOR IN THE ADJOINING ROOM'S WASH CLOSET.
NO LUCK, THAT DOOR HAD BECOME MYSTERIOUSLY LOCKED AS WELL.
BUT WHEN WE WENT BACK AROUND, WE WERE SHOCKED TO FIND THAT THE MAIN DOOR HAD BECOME UNLOCKED.
WHAT (bleep) IS GOING ON IN THERE? WHAT ARE YOU TRYING TO DO? YEAH, I KNOW.
WE DECIDED THAT I SHOULD STAY HERE BY MYSELF TO TRY AND COMMUNICATE WITH WHATEVER SPIRI HAD LOCKED THE DOOR AND MADE THOSE NOISES.
BUT WITH ALL THIS AGGRESSIVE ACTIVITY, EVEN I WAS HAVING SECOND THOUGHTS.
ALL RIGHT.
HEY, WHY DON'T YOU GUYS STAY IN HERE WITH ME? NO.
NO, THAT WAS KIND OF-- IT'S EXTREME, BUT KEEP CAPTURING (bleep) (coughs) WE NEED MORE (bleep) WE NEED MORE PROOF.
WE NEED MORE DOCUMENTATION.
(coughs) GET IN THERE.
(Aaron) DID YOU JUST ALMOS THROW UP, DUDE? WHAT IS ABSOLUTELY CHILLING IS THAT WHILE I WAS SITTING THERE THIS SUDDEN FEELING OF DISCOMFORT CONSUMED MY BODY.
I GOT DIZZY, NAUSEOUS AND CONFUSED, BUT WHAT WAS REALLY DISTURBING WAS THE WAY THIS COUGH SOUNDED.
WE NEED MORE DOCUMENTATION.
(coughing) THIS WAS NOT MY VOICE.
IT SOUNDED LIKE SOMEONE OR SOMETHING ELSE'S VOCAL MANIPULATION OF MY VOICE, ALMOST LIKE A CHANNELING, AND MOMENTS EARLIER, WE HAD CAPTURED THIS RELEVANT SPIRIT VOICE RESPONDING TO MY QUESTIONS ABOUT THE FREQUENT CHANNELING GOING ON IN THIS HOTEL.
WAS THE SAME ENTITY THAT JUS SAID "THAT WAS FUN" ALSO MAKING ME FEEL WHATEVER PAIN AND SUFFERING THE SPIRIT EXPERIENCED JUST BEFORE DEATH? DUDE, SOMETHING'S NOT GOOD HAPPENING TO MY BODY RIGHT NOW, MAN, AT ALL.
THIS FINAL VOICE WE CAPTURED IS ONE THA WILL FOREVER HAUNT MY MIND.
DUDE, SOMETHING'S NOT GOOD HAPPENING TO MY BODY RIGHT NOW, MAN, AT ALL AT ALL.
AT ALL.
(coughing) DUDE, SOMETHING'S NO GOOD--I HAVE TO (bleep) GET OUT OF HERE, BRO.
THIS EXPERIENCE SHOULD SHOW AND WARN HOW EASILY SPIRITS CAN TAKE CONTROL OF YOU, AND IF THIS HAS HAPPENED TO YOU, YOU'RE NOT ALONE.
THERE ARE PEOPLE LIKE HER EVERYWHERE, HUNDREDS, THOUSANDS IN THE U.
S.
, MILLIONS PROBABLY IN THE WORLD THAT ALL HAVE EXPERIENCES LIKE THIS.
(Rich) HERE COMES THE KEY.
BACK IN LAS VEGAS, WALLIE LUNA AND MICHAEL CARRICO PROVIDED EXPERT ANALYSIS OF OUR EVIDENCE.
(Zak) THIS IS, TO US, 100% UNEXPLAINED.
OKAY.
AND DO YOU SEE THAT? LOOK.
SEE THOSE GOOSEBUMPS? YOU GOT A LOT OF 'EM.
OH, MY GOD.
SEE THAT? WHENEVER I EXPLAIN AN AWESOME PIECE OF EVIDENCE, THAT'S WHAT I GET.
GOOSEBUMPS.
RIGHT THERE, YES.
WHAT IS IT DOING? IT ACTUALLY DISAPPEARS JUS IN A MATTER OF SECONDS, THOUGH.
BUT WHAT WAS REALLY WEIRD, REALLY QUICK, UH, THAT WHOLE SPOT, ZAK, REMEMBER I WAS FEELING AROUND YOUR WHOLE BODY AT THAT SPECIFIC TIME.
THAT'S RIGHT.
THAT'S RIGHT.
I FELT IT ALL WARM.
I FEEL IT.
THERE'S NO BREEZE, IS THERE? FELT REALLY WARM ON MY HAND.
WHEN THERE IS HEAT INVOLVED, IT'S USUALLY A MALICIOUS SPIRI OF SOME KIND.
WE ACTUALLY SEE AN OBJEC OR THE HEAT SIGNATURE OF SOMETHING OR SOMEONE COMING OUT OF THE ROOM.
YOU CAN ACTUALLY SEE THE WHOLE DOOR FRAME RIGHT THERE.
I THINK YOU GOT SOMETHING REALLY CREDIBLE, JUST DUE TO THE FACT THA THERE'S NO REFLECTIVE SURFACES.
IT'S ALL DRYWALL.
AND WHAT I LIKE ABOUT IT, MOSTLY, MIKE, IS THAT THEY WENT BACK OVER AND OVER AGAIN TO THE SAME AREA OR IN THE SAME PLACE, AND THERE WAS NEVER THAT SAME IMAGE COMING UP OVER AND OVER AGAIN.
AND ALSO, MIKE, WE ALSO NOTICED THA THOSE PEOPLE WHO STAND UP TO CERTAIN SPIRITS YOU'RE THE NASTY SPIRIT THA LIKES TO PUSH PEOPLE! THOSE SPIRITS TEND TO BACK UP.
OH, YEAH.
THEY DON'T WANT TO MESS WITH IT.
THIS ONE TOOK OFF REALLY QUICK.
RIGHT WHEN YOU BOUGH THE THERMAL AROUND, HE WAS GONE LIKE THAT.
DEFINITELY, THEY CAPTURED SOMETHING REALLY NICE, SOMETHING PARANORMAL, EVEN SOMETHING REALLY NEGATIVE.
DO YOU AGREE WITH THAT? I BELIEVE THEY GOT SOMETHING UNHOLY.
UNHOLY? UNHOLY.
YEAH, BEAUTIFUL.
THIS IS BEAUTIFUL STUFF.
MM-HMM.
THIS IS WHA YOU WANT TO CAPTURE.
ON THE EDGE OF DEATH VALLEY, THE AMARGOSA HOTEL AND OPERA HOUSE SIMMERS UNDER THE DESERT SUN.
DID YOU MURDER SOMEBODY IN HERE? RIGHT NOW, WE'RE FEELING SOME JUST CRAZY ENERGY.
(Aaron) WHOA, WHOA! ONE OF AMARGOSA'S FORMER TENANTS IS KNOWN FOR HIS VIOLEN DISTASTE FOR MEN.
OOH! (bleep, bleep, bleep) THIS WAS THE STORY OF THREE MEN THAT ROLLED INTO TOWN TO FACE THAT SPIRIT DOWN.
I THINK I JUST SAW YOU.
AND NOW THAT TOWN RESTS A LITTLE MORE PEACEFULLY AT NIGHT.
WE DEFINITELY HAVE A FEW SPIRITS AROUND HERE.
YOU KNOW THE OLD SAYING-- "THEY CHECKED IN, BUT THEY NEVER CHECKED OUT.
" YOU ARE WELCOME TO USE OUR ENERGY.
OH, YOU'RE CRAZY.
DID YOU MURDER SOMEBODY IN HERE? (bang) OOH! (bleep, bleep, bleep) GET IN THERE.
WE'RE FEELING SOME JUST CRAZY ENERGY.
(Aaron) WHOA, WHOA.
SEEMS LIKE THE BIGGER MORE MACHO, AGGRESSIVE MEN IS THE ONES THAT GET MORE, UH, HANDLED.
(chuckles) LIKE ZAK? YEAH.
MY NAME IS ZAK BAGANS.
I NEVER BELIEVED IN GHOSTS UNTIL I CAME FACE TO FACE WITH ONE (gasps) YOU WANTED US.
YOU GOT US.
SO I SET OUT ON A QUES TO CAPTURE WHAT I ONCE SAW ONTO VIDEO.
GO, GO, GO.
WITH NO BIG CAMERA CREWS FOLLOWING US AROUND, I AM JOINED ONLY BY MY FELLOW INVESTIGATOR NICK GROTH AND OUR EQUIPMEN TECH AARON GOODWIN.
THE THREE OF US WILL TRAVEL TO SOME OF THE MOST HIGHLY ACTIVE PARANORMAL LOCATIONS WHERE WE WILL SPEND AN ENTIRE NIGH BEING LOCKED DOWN FROM DUSK UNTIL DAWN.
YOU HAVE REACHED YOUR FINAL DESTINATION-- HELL.
RAW IT'S STUCK.
EXTREME (bleep) STOP, STOP RUNNING.
THESE ARE OUR GHOST ADVENTURES.
Closed Captions provided by Scripps Networks, LLC.
Captioned by Closed Captioning Services, Inc.
WE'RE AT THE CROSSROADS OF DEATH VALLEY, CALIFORNIA, TO INVESTIGATE THE AMARGOSA HOTEL AND OPERA HOUSE.
IF THERE WERE SPIRITS HERE THERE ARE.
NOW YOU JUST TOLD ME.
THAT'S NOT AN IF, THAT'S A--THERE ARE SPIRITS HERE.
THIS HUGE STRUCTURE SITS ON A 280-ACRE BORAX MINING COMPLEX THAT BEGAN IN 1923.
MINING BORAX IN THE HEA OF THE MOHAVE DESER WAS BOTH GRUELING AND DANGEROUS.
THERE WERE COUNTLESS ACCIDENTS, SUICIDES AND EVEN VIOLENT MURDERS IN THIS VALLEY OF DEATH.
DID PEOPLE DIE HERE? YES.
IF A PERSON DIED IN THE SUMMER, IT WAS CRITICAL TO GET THEIR BODIES BURIED QUICKLY BEFORE THE SCORCHING HEA SPREAD THE SMELL OF ROTTING DECAY THROUGHOUT THIS BUILDING.
TONIGHT WE'RE GONNA BE LOCKED DOWN INSIDE THIS MASSIVE BUILDING, WHERE HALF AS BEEN REFURBISHED INTO A FUNCTIONING HOTEL, WHERE GUESTS STRUGGLE TO STAY A FULL NIGHT BY WHAT SOME SAY IS A PARANORMAL INFESTATION.
THE OTHER HALF IS UNRENOVATED, KNOWN AS SPOOKY HOLLOW, WHERE A NOTORIOUS DARK PRESENCE PHYSICALLY ATTACKS THE LIVING AND IS ESPECIALLY HOSTILE TOWARDS MEN.
NOW THIS PLACE IS-- YOU CAN SEE IT'S IN THE MIDDLE OF NOWHERE.
THAT'S RIGHT.
I WAS ON A ROAD, AND IT JUST FEELS, JUST SPLITTING THROUGH THE DESERT.
THERE IS NOTHING AROUND, AND ALL OF A SUDDEN YOU COME UPON THIS PLACE.
DEATH VALLEY JUNCTION IS SO REMOTE, IT CURRENTLY BOASTS A POPULATION OF ONLY THREE FULL-TIME RESIDENTS.
I'VE NEVER HEARD OF THIS PLACE.
I DON'T EVEN KNOW IF IT'S ON THE MAP.
IT'S ACTUALLY NO AN OFFICIAL TOWN ANYMORE, BUT IT WAS BACK IN THE OLD DAYS.
THEY HAD THEIR OWN POSTAL SERVICE HERE, STAMP AND ZIP CODE.
YOU'RE LOOKING AT ABOU 350 PEOPLE OFFICIALLY ON THE RECORDS HERE, BUT THERE WERE PLENTY OF TENT CITIES AND OTHER CITIES THAT WERE RIGHT AROUND US THAT WERE ESTABLISHED BACK AT THAT TIME.
BUT THIS IS AN OLD MINING TOWN, RIGHT? CORRECT.
IT IS ACTUALLY AN OLD MILL FACILITY.
IT WAS BUILT IN 1923 BY PACIFIC BORAX.
THEY'D HAUL THE ORE DOWN HERE.
(woman) THE MEN WORKED LONG HOURS, REALLY HARD.
IN THE SUMMER, IT CAN GET UP TO 130 DEGREES.
AND BACK THEN, NO AIR-CONDITIONING.
THERE WAS NO AIR-CONDITIONING, NO.
(banging) (man) IT WAS AN INDUSTRIAL SITE, AND THERE WERE PROBABLY PLENTY OF BAD THINGS THAT HAPPENED HERE, YOU KNOW, TRAGIC THINGS.
(people shouting) (Maury) THEY WOULD DRINK AND PLAY CARDS AND FIGH AND SMOKE AND DO WHATEVER.
AND SO THERE WERE SKIRMISHES.
THERE WERE PROBLEMS.
MM-HMM.
BUT DID THE SKIRMISHES EVER LEAD TO MURDER? YEAH? YEAH.
SUICIDES? YES.
WE DEFINITELY HAVE A FEW SPIRITS AROUND HERE.
YOU KNOW THE OLD SAYING-- "THEY CHECKED IN, BUT THEY NEVER CHECKED OUT.
" THAT'S WHAT'S GOING ON HERE? I THINK A FEW PEOPLE ARE HANGING OUT STILL.
ONE OF THE REAL THINGS THAT DREW US TO THE AMARGOSA HOTEL IS TWO WORDS.
IT SOUNDS AWESOME BECAUSE IT IS AWESOME.
BUT I THINK YOU ALREADY KNOW WHAT I'M TALKING ABOUT.
YOU HAVE A SECTION HERE THAT'S UNRENOVATED.
IT'S CALLED WHAT? SPOOKY HOLLOW.
WHY IS IT CALLED SPOOKY HOLLOW? 'CAUSE IT'S REALLY HAUNTED.
IT'S REALLY HAUNTED, AND WHY IS IT REALLY HAUNTED? THERE'S BEEN A HANGING AND THERE'S BEEN A HANGING? MM-HMM.
BACK THERE? AND THEN THERE WAS ANOTHER MURDER BACK THERE, I THINK.
SO ANOTHER MURDER IN SPOOKY HOLLOW.
THERE WAS AN ASSISTED HANGING, AND THEN THERE WAS A WHAT? A SUICIDE.
AND DO YOU THINK THA IF WE GO IN SPOOKY HOLLOW AND WE PROVOKE UPON YOU'RE GONNA HAVE SOMETHING HAPPEN.
SOMETHING? WHAT AREA BACK IN THE DAY? WHO WAS IN HERE? WHO CAME HERE? THIS WOULD BE THE MINERS AND THE EMPLOYEES.
UM, OKAY, I THINK I KNOW WHY THEY CALL IT SPOOKY HOLLOW.
DO YOU WANT TO COME HAVE A LOOK? IT IS SPOOKY, BUT I WANT TO KNOW NOT JUST BECAUSE OF THE WAY IT LOOKS, BUT WHY IS THIS PLACE CALLED SPOOKY HOLLOW-- THE REAL REASON.
THE REAL REASON IS WHEN YOU COME IN HERE DAY OR NIGHT, YOU HEAR VOICES.
(whispering) WATCH OU FOR YOURSELF.
THERE IS FULL-BODY APPARITIONS THAT HAVE BEEN SEEN.
THERE ARE SHADOW MEN.
WHEN YOU SEE THE MOVEMEN AND THE APPARITIONS AND THE SHADOWS, THEY GO FROM THIS ROOM TO THAT ROOM, FROM THAT ROOM BACK.
WE ASK PEOPLE, "PLEASE, JUST DO NOT RUN," AND THEY ALWAYS ASSURE ME, GROWN ADULT MEN, THERE'S NO WAY THAT THEY WOULD RUN, AND I'VE CAUGHT TWO MEN BY THE ARM AND STOPPED THEM.
REALLY? HERE? WALKED THEM OUT, YEAH.
WHAT HAPPENED TO THEM? DID THEY SEE SOMETHING? DID THEY FEEL SOMETHING? THEY GOT FELT UP A LOT.
THEY GOT FELT UP? YEAH.
EVEN THE GUYS? IT SEEMS LIKE THE BIGGER MORE MACHO, AGGRESSIVE MEN IS THE ONES THAT GET MORE, UH, HANDLED.
LIKE ZAK? YEAH.
STOP REAL QUICK, GUYS.
SHOULD'VE TOLD YOU THIS BEFORE.
THIS RIGHT HERE IS ANCIENT SEWER LINES.
4 FEET DOWN IS CRAP, SO YOU WILL BE COVERED WITH, BASICALLY, FULL LENGTH OF MY HEIGH IN CRAP.
YOU'RE LIKE, "THANKS A LO FOR TELLING ME NOW.
" SOMETHING YOU DON' HEAR EVERY DAY.
(laughs) (Zak) WHAT'D YOU SAY? (Aaron) I THOUGHT I SAW SOMEONE STANDING THERE, LIKE A WORKER, AND THE NEXT THING YOU KNEW TELL ME WHAT HE LOOKS LIKE.
I HAVE CATALOGS OF WHAT HE'S WEARING.
OKAY.
I JUST SAW A GUY STANDING THERE THAT LOOKED LIKE A WORKER IN, LIKE, PAINTER JEANS, AN OUTFIT.
LOOKED LIKE JUST A NORMAL MAN STANDING BACK THERE WITH A PAINTER'S OUTFIT.
SO YOU JUST EXPERIENCED ONE THAT WE SEE A LOT.
OKAY, SINCE YOU JUST SAW, AARON, LET'S PUT AN "X" HERE.
THIS IS--I CALL HIM (bleep) ROOM.
HE LIKES TO BE CALLED THE BOSS MAN.
HEY, I DON'T WANT TO INTERRUPT, BUT I SEE YOUR GOOSEBUMPS.
HOLY, (bleep) I CALL THIS ROOM THE PISSY ROOM, 'CAUSE HIS ROOM SMELLS DIFFERENT, BUT HE JUST-- LIKE PISS? YEAH.
HE HUNG HIMSELF BACK HERE, BUT WHO KNOWS IF HE HUNG HIMSELF.
THERE WAS A LOT OF FIGHTING, AND I WAS TOLD THAT A GUY HAS BEEN STABBED BACK HERE.
IS THIS THE SPIRIT THA IS SAID NOT TO LIKE MEN? YES.
BECAUSE WHEN I PUT A STRONG MALE ENERGY IN THIS AREA, THEN IT GOES HAYWIRE.
YOU ARE WELCOME TO USE OUR ENERGY.
YOU CAN COME UP AND TAKE AS MUCH ENERGY OUT OF MY BODY THAT YOU WOULD LIKE.
I'M OPENING UP.
I'M WELCOMING YOU TO ME.
OH, YOU'RE CRAZY.
AND YOU SAID I WAS CRAZY.
THAT COULD BE DANGEROUS.
IT'S VERY DANGEROUS 'CAUSE I'VE SEEN IT HAPPEN HERE, AND IT'S USUALLY WITH LARGE MALES, AND WHEN YOU WELCOME THEM, THEY WILL DO AS YOU ASK.
AND THAT JUST CONCERNS ME WITH YOU BECAUSE I WANT YOU TO BE OKAY, AND I KNOW YOU GUYS ARE VERY EXPERIENCED, BUT I KNOW WHA CAN HAPPEN HERE, SO JUST BY COMING THROUGH HERE IN THE DAYLIGH AND FEELING AND EXPERIENCING WHAT WE ALREADY HAVE, I DON'T THINK THIS LOCATION'S GONNA LET US DOWN.
I HAVE THE AMARGOSA HOTEL OF HAUNTINGS MENU.
15, SOME OF THE GIRLS THAT HAVE BEEN WORKING HERE, SPIRITS TRIED TO JUMP INTO THEM.
NUMBER 17, COLD SPOTS, ORBS AND VOICES.
WE DON'T EVEN TELL OUR EMPLOYEES ABOUT I BECAUSE WE DON'T WANT THEM TO BE AFRAID TO GO IN THERE.
IN THIS PARTICULAR ROOM? IN THIS PARTICULAR ROOM.
JOIN ME EACH WEEK FOR AN EXCLUSIVE LOOK OF THE MAKING OF "GHOST ADVENTURES.
" GO TO travelchannel.
com AND CHECK OUT AARON'S BLOGS.
CATCH IT.
RIGHT NOW I'M STANDING INSIDE THE AMARGOSA OPERA HOUSE.
THERE IS A VERY MYSTERIOUS KIND OF CREEPY FEEL IN HERE.
HOW ARE YOU? OKAY.
(laughs) VERY INTERACTIVE SHOW HERE, I SEE.
YOU KNOW, WE CAME HERE.
WE ALSO LIVE IN NEVADA.
WE'RE FROM LAS VEGAS, AND THIS-- (Aaron laughs) OOH.
HI.
HI.
DO YOU THINK THERE'S AN ENERGY HERE? THERE IS.
HAS ANYTHING PARANORMAL, THAT YOU THINK IS PARANORMAL, HAPPENED TO YOU IN THIS AREA? IT DID.
WELL, WHAT HAPPENED IS I WAS PUTTING MY MAKEUP ON, GETTING READY.
WHAT I DO BEFORE EACH SHOW IS I DO THIS.
(coins tinkling) I CONK OUT.
NOW, I CAN SEE THROUGH THE CLOTH.
SHE'S A GYPSY.
I'M A GYPSY.
SHE'S A GYPSY.
I WAS TAKING A NAP.
I OPENED MY EYES.
OKAY.
THIS IS WHAT HAPPENED.
SOMEONE TOOK A PICTURE, WENT LIKE THIS AND LEFT.
(click and buzz) I APOLOGIZE, ALL OF YOU, SPIRITS, THAT MAYBE SITTING HERE FOR WHA YOU'RE ABOUT TO SEE.
DA-DA-DA DA-DA DA-DA-DA, DA-DA-DA.
SO STEP.
THERE YOU GO.
SUP, SUP.
ZAK, NOT SO NICE.
YOU HAVE BEEN HERE SINCE 19 WE OPENED IN 1968.
WE HAD A FLAT TIRE IN DEATH VALLEY JUNCTION.
THAT'S WHEN I SAW THIS TOWN LONG ENOUGH TO BE ABLE TO DECIDE, THIS IS WHERE I WANT TO MAKE MY LIFE.
MARTA, DO YOU BELIEVE YOUR HOTEL AND OPERA HOUSE TO BE HAUNTED? YES, I DO.
MY PARTNER WILGE BEFORE HE DIED, WE WERE WALKING ON THE COLONNADE.
IN THE SHADOWS, A MAN CAME UP AND SPOKE TO WILGE AND HE SAID TO WILGET, I WANT TO THANK YOU FOR TAKING CARE OF MARTA FOR 23 YEARS.
" WOW.
AND I ASKED A FRIEND OF MINE, WHO WAS PSYCHIC, THE NEXT DAY, "WHO COULD THAT HAVE BEEN?" SHE SAID, "THAT WAS YOUR FATHER.
" NOW HAVE YOU SEEN ANYTHING, WORKING UP HERE, HAVE YOU SEEN ANY DARK SHADOW? YEP.
YOU HAVE? BEFORE I COULD EVEN FINISH THE QUESTION.
YEP.
I SOMEHOW KNEW THAT YOU'VE HAD A LOT OF EXPERIENCES.
WHAT HAPPENED? THAT'S THE ONE I DON'T LIKE.
THAT'S THE ONE YOU DON'T LIKE? 'CAUSE IT HAPPENED IN ONE OF THE ROOMS.
IT HAPPENED TWO WEEKS IN A ROW HERE? THE EXACT SAME SPO IN THE ROOM.
WELL, I WAS IN HERE, GETTING READY TO MAKE THE BED, I WENT LIKE THIS, AND ALL OF A SUDDEN I COULDN'T MOVE.
I MEAN, LITERALLY, LIKE THIS, AND I COULD NOT MOVE.
AND I WAS LIKE-- WAS IT LIKE YOU WERE PARALYZED? I WAS, LIKE, LITERALLY, CANNOT MOVE, YEAH.
AND AT THAT POINT, DID YOU START TO PANIC? WELL, YEAH! YEAH.
THAT WAS COOL.
WOULDN'T YOU? BUT-- AND THEN I COULDN'T MOVE, AND THEN, LIKE, 'CAUSE I'M STANDING HERE GOING, WHAT THE BEEP, BEEP? WHAT THE HELL?" IT WAS AS IF I WAS STUCK IN ICE.
SO RICH SAID, "MAYBE THEY'RE TRYING TO COMMUNICATE THROUGH YOU, AND I SAID, "THEY CAN GO COMMUNICATE THROUGH SOMEBODY ELSE.
" IT'S REALLY HARD FOR PEOPLE TO WORK HERE.
YOU KNOW, WE COULDN'T GE SOMEBODY TO WORK HERE IF THEY REALLY WERE THAT FREAKED OUT WITH IT.
WE DON'T EVEN TELL OUR EMPLOYEES ABOUT I BECAUSE WE DON'T WAN THEM AFRAID TO GO IN THERE.
TELL THEM THE TRUTH.
NO THEY'RE PROBABLY SCARED OUT OF THEIR MINDS.
BECAUSE IF I TELL THEM, AND THEN THEY'RE EXPECTING I AND THEY WON'T CONCENTRATE.
THE VERY NICE AMARGOSA HOTEL HUMAN RESOURCES DEPARTMEN DOES NOT TELL THEIR EMPLOYEES JUST HOW FREAKING INSANELY HAUNTED THIS PLACE IS.
WHY DID YOU BRING US TO THIS ROOM, ROOM 20? I HAD HEARD BEFORE I'D STAYED IN THIS ROOM THAT THERE WAS SOME MOVEMENT IN HERE.
AN ENERGY LIKES TO MOVE THE BEDS.
IT FELT LIKE AN OCEAN.
SOMEBODY'S PUSHING THE BED.
(creaking) EVERY TIME I'VE STAYED IN HERE-- I'VE STAYED IN HERE TWICE-- I'VE BEEN REALLY SICK AND CAN'T SLEEP.
ALL RIGHT, WHAT I'M GONNA DO RIGHT NOW, I HAVE THE AMARGOSA HOTEL OF HAUNTINGS MENU.
RICH IS GONNA GO FROM ROOM TO ROOM, AND HE HAS A MENTAL NOTE.
DESCRIPTION, NOTES OF ALL THE HAUNTINGS THAT RELATE TO EACH SPECIFIC ROOM.
ALL RIGHT.
ALL RIGHT, WE'LL STAR OFF WITH ROOM 24.
HERE WE GO.
24.
THIS IS GONNA BE THE CRYING BABY ROOM.
(baby crying) THERE'S ALSO KIDS IN THE HALLWAY HERE THAT PEOPLE USUALLY HEAR FROM THERE.
(children's voices) NUMBER 11, COLD SPOTS, ORBS AND VOICES.
(distorted voices) 15 HAS COLD SPOTS IN IT.
IT ALSO HAS A SPO WHERE SOME OF THE GIRLS THAT HAVE BEEN WORKING HERE, JUMP IN THERE AND THEY TRY TO JUMP-- THE SPIRITS TRY TO JUMP INTO THEM.
WHAT? THEY TRY AND POSSESS THEM? THEY TRY--IT'S LIKE A A CHANNEL.
LIKE A CHANNEL.
YOU'RE TELLING US, BEHIND THIS BEAUTIFUL BLUE DOOR CONNECTED TO WHERE WE'RE GETTING LOCKED DOWN IS A WHAT? IT'S A FULL-BLOWN EMERGENCY HOSPITAL, OF COURSE.
WAS THIS FOR ALL THE MINERS, RICH? YEAH, FOR ANYBODY OUT HERE.
OH, GOSH.
CLOWNS AND MANNEQUINS.
CLOWNS AND MANNEQUINS.
UH-OH.
THEY SEEMED TO PLAGUE ME.
THIS WAS AN ACTUAL HOSPITAL.
IT WAS AN ACTUAL WORKING HOSPITAL WITH CLINICS AND DOCTORS' OFFICES.
WHAT YEAR, ROUGHLY? 1923 TO 1929.
BEING AN INDUSTRIAL SITE, THEY HAD TO HAVE SOMETHING TO TAKE CARE OF PEOPLE.
IS THERE UNEXPLAINED STUFF GOING ON IN THIS HOSPITAL? MY PREDECESSOR PRIOR, TO ME BEING HERE, HE WAS A BIG SKEPTIC, AND HE DID NOT WAN TO RECOGNIZE THAT THERE WAS ANYTHING HERE.
HE WOULD SAY THA THERE WERE FOOTSTEPS AND PEOPLE RUNNING UP AND DOWN THIS HALL HERE, WALKING HEAVY STEPS.
(footsteps) WHOA.
WHAT THE HECK? YEAH, ZAK.
(whistles) SWEET.
NICE APPARITION.
SHE'S PRETTY.
I THINK SHE WANTS ME.
COME ON, RICH.
I MEAN I'M AFRAID OF LIKE DEMONS AND STUFF, BUT I'M EVEN MORE CREEPED OU THAN FOUR MANNEQUINS STARING AT THE WALL.
(Nick) ARE THEY IN TROUBLE? THEY'RE ALL FACING THE WALL.
THEY'RE ALL FACING THE WALL.
THEY WERE IN TROUBLE.
OH, LOOK AT THIS ONE? THAT'S CREEPY.
WHAT? THIS WAS USED AS THE MORGUE, HUH? NOW MARTA ACTUALLY LIVED HERE FOR SEVEN YEARS.
IN THE MORGUE? IN THE MORGUE.
WHAT? IN THIS ROOM? IN THIS ROOM.
WOW.
YEP.
WOW.
CRAZY.
COME HERE, I GO SOMETHING FOR YOU GUYS.
(Nick) I GOT NERVOUS.
COME AROUND THE CORNER.
(hums "Twilight Zone" theme) TOO-DOO-DOO-DOO DOO-DOO-DOO-DOO.
NOTHING LIKE SERVING THEM UP ON A PLATTER FOR YOU.
(Zak) YEAH.
WE'VE ENTERED "THE TWILIGHT ZONE.
" THIS WILL BE AN EXPERIENCE YOU WILL NEVER FORGET, AND YOU'RE GONNA BE ABLE TO SHARE WITH EVERYBODY, WHICH IS WAY COOL.
THAT'S WHY WE LOVE DOING WHAT WE DO.
I CAN'T WAI TO LOCK YOU DOWN.
I DO NOT HAVE THE KEY.
YOU WANT TO KNOW WHO HAS THE KEY? HE HAS THE KEY.
HE DOESN'T SEEM TO LIKE THE MEN IN HIS AREA.
IT'S TOTALLY DIFFEREN WHEN IT'S IN THE DARK.
OH! (bleep, bleep, bleep) (Zak) JUST TO SHOW YOU SOME FURTHER PREVENTION OF ANY KIND OF CONTAMINATION FOR ANY OF OUR AUDIO EVIDENCE OR EVEN VISUAL, HEADLIGHTS FROM CARS, WE HAD RICH THE SITE MANAGER HERE ROPE OFF AND CONE OFF ANY AREAS NEAR THIS BUILDING THAT ANY CARS CAN COME CLOSE AND WHAT THEIR HEADLIGHTS COULD CONTAMINATE OUR EVIDENCE.
BUT NOT ONLY THAT, YOU WEN AHEAD THE ENTIRE BUILDING AND SHUT DOWN THE POWER SUPPLY.
YEP, EVERYTHING HAS BEEN TOTALLY CUT OFF, ZAK.
OKAY, AND WE ASKED HIM TO DO THA SO THAT WE WON'T HAVE ANY UNEXPLAINED SPIKES ON OUR E.
M.
F.
DETECTORS THAT MAYBE CAUSED BY SOME DIFFERENT POWER SOURCES IN THE BUILDINGS.
MEET US OVER BY THE DOOR, RICH.
LET'S GO.
LET'S GET THIS LOCKDOWN STARTED.
WE GOT OUR EXTERIOR STATIC NIGHT VISION CAMERA HERE AND FOR THE 12 HOURS, WE'RE GONNA BE LOCKED INSIDE OF HERE, AREN'T WE? YES, SIR.
BUT DO YOU WANT TO KNOW THE IRONIC THING? THIS IS THE FIRST TIME WE ARE GONNA LOCK OURSELVES IN.
YOU SEE THIS HINGE HERE? THIS IS NAILED ON THE INSIDE, SO WHAT WE'RE GONNA DO IS WE'RE GONNA LOCK OURSELVES IN.
I DO NOT HAVE THE KEY.
YOU WANT TO KNOW WHO HAS THE KEY? HE HAS THE KEY, AND AT SUN UP, HE IS GONNA COME IN THROUGH THIS LITTLE CREVICE RIGHT HERE ON THE DOOR AND THROW IT IN THERE, AND I'M GONNA BE ABLE TO UNLOCK IT OUT.
SO I'M GONNA LOCK US IN NOW, RICH.
ALL RIGHT, LET'S DO IT.
I'LL SEE YOU AT SUN UP, OKAY? LET'S DO IT.
ALL RIGHT.
LET'S GO OVER OUR X's.
THE FIRST "X" IS IN THE OPERA HOUSE.
THIS IS WHERE THEY'VE SEEN APPARITIONS IN THE AUDIENCE.
THE NEXT "X," THE OPERA HOUSE BACKSTAGE-- THIS IS WHERE SANDY THE PERFORMER SAID SHE SAW A DARK FIGURE TAKE A PHOTO OF HER.
THE NEXT TWO X's ARE GONNA BE BACK TO BACK CAMERA "A," CAMERA "B" IN THE HALLWAY OF SPOOKY HOLLOW.
THERE'S JUST AN INFESTATION OF PARANORMAL ACTIVITY BACK THERE, ALL BEING NEGATIVE-- OUR KIND OF PLACE.
SOUND GOOD, GUYS? (man) AWESOME.
THEY'RE ALL LOADED WITH ACTIVITY, SO LET'S GET THIS DONE.
AND AGAIN, I WANT TO EXPLAIN WHILE WE'RE WALKING THROUGH HERE RIGHT NOW.
WE'VE PRETTY MUCH BLANKED OUR MIND OUT.
WE DON'T SAY, "OH, THIS IS GONNA BE SCARY.
OH, THIS IS WHAT HAPPENED OVER IN THIS ROOM.
" YOU BREATHE EVERYTHING OUT, AND THAT IS WHEN LIKE A BRICK WALL WILL HIT YOU OF ENERGY, AND IF IT DOES, NICK, AARON, YOU KNOW, SPEAK UP.
IT'S TOTALLY DIFFEREN WHEN IT'S IN THE DARK, HUH? YEAH.
LET ME SHOW THEM HOW DARK IT IS.
I'LL JUST TURN OFF NIGHT VISION.
LOOK HOW DARK IT IS IN HERE.
WE DECIDED TO HEAD STRAIGH DOWN TO THE UNRENOVATED SECTION OF THE HOTEL KNOWN AS SPOOKY HOLLOW WHERE PEOPLE HAVE BEEN ATTACKED BY UNSEEN FORCES.
HE DOESN'T SEEM TO LIKE THE MEN IN HIS AREA, SO THE WOMEN ARE KIND OF BAIT, AND THE MEN ARE A DIFFERENT TYPE OF BAIT.
(Zak) ALL RIGHT, RIGHT NOW WE'RE GONNA SPREAD OUT.
I'M GONNA GO DOWN TO THE LAST ROOM WHERE PEOPLE HAVE BEEN ATTACKED WITH SCRATCHES AND BRUISES.
YOU CAN SEE NICK AND AARON DOWN THERE.
AT THIS TIME, ALL THREE OF US ALSO BEGIN ROLLING ON OUR DIGITAL RECORDERS.
THESE DEVICES ARE USED TO CAPTURE ELECTRONIC VOICE PHENOMENA, OR E.
V.
P.
s, WHICH ARE SPIRITS SPEAKING WITHIN THE WHITE NOISE.
IF YOU LIKE TO ATTACK PEOPLE, WELL, THERE'S THREE OF US IN HERE.
DO WHAT YOU GOT TO DO AND DO IT FAST.
THE HECK IS THAT? WHAT THE (bleep) WAS THAT? IT WAS A SCREAM.
JUST THEN, NICK AND I BOTH HEARD THIS CREEPY DISEMBODIED SCREAM, WHICH WAS ALSO CAPTURED ON OUR DIGITAL RECORDERS.
WE'VE ENHANCED THE AUDIO SO YOU CAN HEAR IT BETTER.
DO WHAT YOU GOT TO DO AND DO IT FAST.
(disembodied scream) THE HECK IS THAT? WHAT THE (bleep) WAS THAT? WHOA, DUDE.
(mouths words) WE CAN HEAR YOU.
WE CAN FEEL YOU.
NOW SHOW YOURSELF.
BOSS MAN, ARE YOU HERE? IT SEEMS LIKE THE BIGGER MORE MACHO, AGGRESSIVE MEN IS THE ONES THAT GET MORE, UH, HANDLED.
(Zak) IF THERE IS AN EVIL ENTITY IN HERE THAT LIKES TO ATTACK THE LIVING, I CALL UPON YOU TO SHOW YOURSELF AND SHOW US YOUR POWER.
AT THIS EXACT MOMENT, NICK'S DIGITAL RECORDER CAPTURED WHAT SOUNDS LIKE A RESPONSE TO MY REQUEST.
(Zak) I CALL UPON YOU TO SHOW YOURSELF AND SHOW US YOUR POWER.
WE'RE NOT GONNA LEAVE UNLESS YOU YELL AND FORCE US TO GET OUT OF HERE.
GUYS, I JUST HEARD THIS DOOR TRYING TO OPEN.
ARE YOU TRYING TO LEAVE? THE TWO GUYS AT THE END OF THE HALLWAY ARE ABOU TO START DOING WORK.
I KNOW YOU DON'T LIKE THE GUY WHO'S IN HERE THAT REPAIRS, SO WE'RE GONNA START REPAIRING INSTEAD OF HIM.
IS THAT COOL? (bang) OOH! (bleep, bleep, bleep) COME ON OU AND GET OVER HERE.
(Nick) IF THEY'RE RESPONDING TO US, LET'S KEEP GOING.
WE BROKE OUT THERMAL IMAGING CAMERA WHICH SEES IN TEMPERATURE.
I THINK I JUST SAW YOU.
WE'RE AT THE AMARGOSA HOTEL ON THE OUTSKIRTS OF DEATH VALLEY, WHERE AN UNEXPLAINED NOISE GAVE AARON A JUMP STAR IN SPOOKY HOLLOW.
(bang) OOH! (bleep, bleep, bleep) (Aaron) ZAK, DID YOU HEAR THAT? ZAK.
SOMETHING JUST THREW OVER HERE AND I JUST (bleep) JUMPED, BRO.
IS THAT COOL? OOH! (bleeps) JUST KEEP GOING, MAN.
KEEP GOING.
IF THEY'RE MAKING--IF THEY'RE DOING STUFF, AND THEY'RE RESPONDING TO US, LET'S KEEP GOING.
WAS THIS THE EVIL SPIRI MAKING THIS LOUD BANG BECAUSE I JUS COMMANDED IT TO? AND SHOW US YOUR POWER.
BECAUSE AARON COULD ACTUALLY FEEL THE VIBRATIONS FROM WHATEVER WAS JUST SLAMMED, WE KNEW THA IF IT WAS AN EVIL SPIRIT, THEN IT HAD IT HAD THE POWER TO SEVERELY HARM US.
SO WE BROKE OUT OUR THERMAL IMAGING CAMERA WHICH SEES IN TEMPERATURE, ENHANCING OUR SPECTRUM OF SIGHT, SO WE COULD BE ON HIGH ALER IF WE DID MAKE VISUAL CONTAC WITH SOMETHING UNEXPLAINED IN OUR PROXIMITY.
THREE GUYS ARE COMING BACK.
IF YOU DON'T LIKE THA THEN THROW SOMETHING AT US.
SCRATCH ONE OF US, HIT ONE OF US, WHATEVER YOU WANT TO DO TO GET US OUT OF HERE.
'CAUSE WE AIN'T LEAVING.
IT'S A CLOSET.
(laughs) NO.
IS THERE ANYONE IN THIS ROOM? DID YOU HEAR THAT? WHAT WAS THAT? DID YOU HEAR THAT? WHAT WAS THAT? IT'S IN THIS HALLWAY.
(whispers) SHH.
PUT IT THE OTHER WAY.
WHO'S DOWN THERE? DID YOU MAKE A NOISE? SHOW YOUR (bleep) SELF.
DUDE, I THOUGHT I SAW SOMETHING IN THAT THERMAL CAMERA.
YEAH, I CAN FEEL IT.
(Aaron) THERE'S NO BREEZE, IS THERE? NO, IT'S REALLY WARM ON MY HANDS.
LOOK, REAL QUICK.
LET'S GO WITH THE FOOTAGE RIGHT NOW.
IT LOOKED LIKE THE TOP HALF OF A GUY.
UPON REVIEWING OUR THERMAL CAMERA FOOTAGE, WE DISCOVERED SOMETHING THA ABSOLUTELY SHOCKED US.
AS I WAS STANDING IN FRONT OF THIS DOORWAY, I DID THE SAME EXACT MOVEMEN WITH THE CAMERA ABOUT SEVEN TIMES, PANNING RIGHT TO LEFT, AND YOU CAN ONLY SEE MY REFLECTION IN THE GLASS WINDOW AFTER THE CAMERA PASSES THE DOORWAY.
BUT AS I PAN THE FINAL TIME, WE CAPTURED WHAT APPEARS TO BE THE MANIFESTATION OF A FIGURE WITH ABSOLUTELY NO EXPLANATION WHATSOEVER.
AS WE GO FRAME BY FRAME YOU CAN CLEARLY SEE THE DISTINCT HEAD, NOSE, NECK AND THE SHOULDERS HERE.
WE MATCHED UP AARON'S NIGHT VISION CAMERA TO THE THERMAL IMAGING CAMERA.
AND AT THE PRECISE MOMEN THIS APPARITION IS CAPTURED YOU CAN CLEARLY SEE THA THE THERMAL CAMERA IS POINTED HALFWAY INTO THE CORNER OF THE EMPTY ROOM.
AS YOU CAN CLEARLY MAKE OU THE EDGE OF THE DOOR FRAME HERE.
KNOWING THAT, IT LOOKS AS IF THE UNEXPLAINED FIGURE IS MOVING.
IT APPEARS THAT IT IS WALKING OUT OF THE EMPTY ROOM PASSING MY CAMERA, WHICH WAS ABOUT 2 FEE FROM THE DOOR FRAME, AND MOVING QUICKLY DOWN THE HALLWAY, WHERE IT THEN REMARKABLY VANISHES FROM VISUAL CONTACT.
WE MAY HAVE JUST CAPTURED THE SOURCE OF WHA MADE THIS LOUD, POWERFUL BANG.
(bang) OOH! (bleep) WE WERE NOW IN HOT PURSUI TO DETERMINE IF THIS UNEXPLAINED FIGURE WAS THE VIOLENT EVIL SPIRI KNOWN AS THE BOSS MAN.
ARE YOU IN HERE? COME ON OU AND GET OVER HERE.
YOU'RE THE NASTY SPIRI THAT LIKES TO PUSH PEOPLE.
I THINK I JUST SAW YOU.
I HATE BULLIES.
THERE'S NO REASON FOR YOU TO BE ATTACKING WOMEN.
AND IF THERE'S ANY OTHER SPIRITS IN HERE, I'M NOT YELLING AT YOU.
I'M YELLING AT THAT ONE EVIL SPIRI THAT'S ATTACKING THE LIVING.
COME AND FACE ME.
BRING IT.
THE DISEMBODIED VOICE THAT NICK AND I JUST HEARD WAS ALSO CAPTURED ON MY DIGITAL RECORDER.
HERE'S THE ENHANCED AUDIO.
BRING IT.
IT SOUNDED LIKE THE DISEMBODIED VOICE WAS COMING FROM THE END OF THE HALLWAY, WHERE IRONICALLY THE NOTORIOUS ENTITY IS SAID TO RESIDE IN THE LAST ROOM ON THE LEFT BECAUSE OF WHAT OCCURRED IN THERE.
THERE'S BEEN A HANGING, AND THEN THERE WAS ANOTHER MURDER BACK THERE.
WE COME FACE TO FACE WITH EVIL SPIRITS THAT LIKE TO ATTACK PEOPLE.
WELL, THEN I'M OPENING MYSELF UP TO YOU FOR YOU TO USE MY ENERGY, AND THEN IN RETURN, GIVE MYSELF, NICK OR AARON THAT ATTACK.
YOU CAN CHOOSE WHICH ONE YOU'D LIKE.
WHAT WE JUST HEARD WAS A DISEMBODIED MOANING.
HERE'S THE ENHANCED REPLAY.
EXACTLY.
LIKE A MALE MOANING.
IT'S EXACTLY WHAT I HEARD.
MALE MOAN COME FROM BACK THERE IN THAT ROOM ON THE LEFT.
GUYS, HOLD ON.
LET ME GO BY MYSELF.
IF THE NASTY SPIRIT'S IN HERE, THIS IS WHERE HE SAID HE'LL LIVE.
THIS IS WHERE MARY LEE HAS GOTTEN POSSESSED TWICE OR CHANNELED THROUGH TWICE.
DID YOU MURDER SOMEBODY IN HERE? WHOA.
IN ONE OF THE AMARGOSA HOTEL'S CREEPIEST CORNERS, SPOOKY HOLLOW, I VENTURED INTO THE BOSS MAN'S ROOM SOLO TO INVESTIGATE AN UNEXPLAINED MOAN.
IS THIS YOUR ROOM? DID YOU MURDER SOMEBODY IN HERE? HAD THIS SPIRIT JUST LED US TO AN EMPTY ROOM? ALL WE DO KNOW IS THA WHEN WE CAPTURED THIS UNEXPLAINED FIGURE ON OUR THERMAL IMAGING CAMERA, IT APPEARED TO BE MOVING VERY QUICKLY AWAY FROM THE EMPTY ROOM WHERE WE ALSO DISCOVERED A SECRET HALLWAY ON THE OTHER SIDE OF THESE WINDOWS, A POSSIBLE ESCAPE ROUTE FOR THIS ENTITY.
IN ANOTHER ROOM, WE FOUND AN EMPTY WINDOW FRAME WHERE WE WERE ABLE TO CLIMB THROUGH AND INVESTIGATE FURTHER.
LET'S GO BACK THERE.
WHOA, WHOA! DUDE! IT'S OKAY.
(laughs) ARE YOU OKAY? AS WE AIMED THE THERMAL CAMERA IN THIS BACK AREA, WE SAW NO SIGN OF THE UNEXPLAINED FIGURE, BUT WE DID FIND THIS OPEN DOOR LEADING BACK TO THE RENOVATED PART OF THE HOTEL.
WITH A NEW PLAN IN MIND, WE HEADED IN THAT DIRECTION.
WE DECIDED TO SPLIT UP INTO TWO SEPARATE ROOMS, BOTH OF WHICH ARE SAID TO BE VERY ACTIVE HOTSPOTS.
I WAS BY MYSELF IN ROOM 15.
ALL RIGHT, THIS IS WHERE MARY LEE HAS GOTTEN POSSESSED TWICE OR CHANNELED THROUGH TWICE.
SO LET'S SEE IF IT CAN HAPPEN TO ME.
MEANWHILE, AARON AND NICK WERE GOING TO CONDUC AN E.
V.
P.
SESSION WITH A SPECIALLY DESIGNED REAL-TIME DIGITAL RECORDER WHERE THEY CAN HEAR SPIRI RESPONSES LIVE IN THE MOMEN TO THEIR QUESTIONS.
THEY WENT INTO ROOM 20 WHERE EARLIER WE ENCOUNTERED DISTURBING PHYSICAL EXPERIENCES.
I THOUGHT I WAS GONNA THROW UP.
YEAH, THAT'S HOW I FELT.
WHY DO YOU MAKE PEOPLE SICK IN THIS ROOM? JUST SIT HERE, AND JUST, LIKE, RELEASE-- THAT WAS WEIRD.
ARE YOU BY THE RECORDER HERE OR BY US? AT THIS EXACT MOMENT, NICK AND AARON'S DIGITAL RECORDER CAPTURED THIS E.
V.
P.
THAT SOUNDS LIKE A MAN RESPONDING TO THEM.
ARE YOU BY THE RECORDER HERE OR BY US? HOW MANY OF YOU ARE IN THIS ROOM? WHO WAS SICK IN THIS ROOM? SO WHY ARE YOU TRYING TO MAKE THE HOTEL EMPLOYEE SCARED, MARY LEE? HAVE YOU CAME INTO CONTAC WITH HER? CAN YOU SPEAK INTO THIS RIGHT HERE? WHY IN THE HELL ARE YOU SCARING HER? JUST THEN, MY DIGITAL RECORDER CAPTURED THIS DISTURBING E.
V.
P.
WHY IN THE HELL ARE YOU SCARING HER? WAS THIS THE SAME MALEVOLENT SPIRI THAT HAD POSSESSED MARY LEE? AND WAS IT TRYING TO TELL ME THAT IT ENJOYS SCARING HER? WHAT DO YOU DO WHEN PEOPLE STAY IN THIS ROOM? ARE WE FEELING YOUR PAIN AND YOUR SICKNESS THAT YOU FEEL? WHOA.
THIS VOICE NICK AND AARON JUST HEARD MAY BE A SPIRIT TRAPPED HERE FROM THE DAYS WHEN THIS HOTEL FUNCTIONED AS A HOSPITAL FOR THE BORAX MINING COMMUNITY.
ARE WE FEELING YOUR PAIN AND YOUR SICKNESS THAT YOU FEEL? WHAT MADE YOU SICK? DO YOU NOT LIKE PEOPLE IN THIS ROOM? I WANT YOU TO MAKE YOURSELF KNOWN.
COME AND TOUCH ME.
COME ON, SHE WAS MAKING THE BED RIGHT HERE, AND YOU MADE HER FROZE.
CAN YOU DO IT TO ME? ANOTHER HOSTILE VOICE WAS JUST CAPTURED.
COME ON, SHE WAS MAKING THE BED RIGHT HERE, AND YOU MADE HER FROZE.
CAN YOU DO IT TO ME? ME? ME? bleep) RIGHT NOW, WE'RE FEELING JUS SOME CRAZY ENERGY.
DUDE, SOMETHING'S NOT GOOD HAPPENING TO MY BODY RIGHT NOW, MAN, AT ALL.
IN THE EARLY MORNING HOURS, I FOUND MYSELF LITERALLY FROZEN IN MY TRACKS IN THE MIDDLE OF THE DESERT.
OH, MY GOD.
I'M GETTING TOUCHED, LIKE, ALL OVER THE PLACE.
I CAN FEEL I ALL OVER MY BODY, AND THERE'S A WHIRLWIND OF COLD AIR RIGHT HERE.
WHO ARE YOU? WHY ARE YOU DOING THIS? IS THIS YOUR ROOM? WHY DO YOU ALWAYS MAKE PEOPLE FEEL BAD IN HERE? DO YOU HAVE SOMETHING YOU WANT TO TELL US? (wind blowing) DO YOU HEAR THAT, NICK? A MALE'S VOICE DOCUMENTED.
DO YOU HAVE SOMETHING YOU WANT TO TELL US? RIGHT NOW, WE'RE FEELING SOME JUST CRAZY ENERGY, JUST KEEPS THROWING US-- OUR BODY, AND IT IS JUST AND IT IS JUST JUST JUST NICK AND AARON WEREN' THE ONLY ONES WHO HEARD THIS UNEXPLAINED DOOR SLAM SHUT.
WHAT ARE YOU DOING? I COULD HAVE SWORN-- WHAT ARE YOU DOING? WHAT TIME DOES YOUR CLOCK SAY? NOT TIME ENOUGH.
THAT WAS LOUD, BRO.
DID YOU SLAM THE DOOR? I DIDN'T SLAM (bleep) WE QUICKLY HEADED DOWN THE HALLWAY, TRYING TO DETERMINE WHICH DOOR HAD JUST SLAMMED SHUT.
GOING TO 20.
WHAT'S THAT? WE ALL JUST HEARD UNEXPLAINED BANGING AND MOVING AROUND COMING FROM INSIDE ONE OF THE OTHER ROOMS, AND THERE WAS ABSOLUTELY NO ONE ELSE IN THIS HOTEL WITH US.
HERE IS AARON'S ENHANCED CAMERA'S AUDIO.
GOING TO 20.
WHAT'S THAT? I'M GONNA KICK THIS (bleep) DOOR OPEN IN A SECOND.
THE DOOR WAS LOCKED FROM THE INSIDE, BUT I REMEMBERED THAT YOU COULD ALSO ACCESS ROOM NINE BY A DOOR IN THE ADJOINING ROOM'S WASH CLOSET.
NO LUCK, THAT DOOR HAD BECOME MYSTERIOUSLY LOCKED AS WELL.
BUT WHEN WE WENT BACK AROUND, WE WERE SHOCKED TO FIND THAT THE MAIN DOOR HAD BECOME UNLOCKED.
WHAT (bleep) IS GOING ON IN THERE? WHAT ARE YOU TRYING TO DO? YEAH, I KNOW.
WE DECIDED THAT I SHOULD STAY HERE BY MYSELF TO TRY AND COMMUNICATE WITH WHATEVER SPIRI HAD LOCKED THE DOOR AND MADE THOSE NOISES.
BUT WITH ALL THIS AGGRESSIVE ACTIVITY, EVEN I WAS HAVING SECOND THOUGHTS.
ALL RIGHT.
HEY, WHY DON'T YOU GUYS STAY IN HERE WITH ME? NO.
NO, THAT WAS KIND OF-- IT'S EXTREME, BUT KEEP CAPTURING (bleep) (coughs) WE NEED MORE (bleep) WE NEED MORE PROOF.
WE NEED MORE DOCUMENTATION.
(coughs) GET IN THERE.
(Aaron) DID YOU JUST ALMOS THROW UP, DUDE? WHAT IS ABSOLUTELY CHILLING IS THAT WHILE I WAS SITTING THERE THIS SUDDEN FEELING OF DISCOMFORT CONSUMED MY BODY.
I GOT DIZZY, NAUSEOUS AND CONFUSED, BUT WHAT WAS REALLY DISTURBING WAS THE WAY THIS COUGH SOUNDED.
WE NEED MORE DOCUMENTATION.
(coughing) THIS WAS NOT MY VOICE.
IT SOUNDED LIKE SOMEONE OR SOMETHING ELSE'S VOCAL MANIPULATION OF MY VOICE, ALMOST LIKE A CHANNELING, AND MOMENTS EARLIER, WE HAD CAPTURED THIS RELEVANT SPIRIT VOICE RESPONDING TO MY QUESTIONS ABOUT THE FREQUENT CHANNELING GOING ON IN THIS HOTEL.
WAS THE SAME ENTITY THAT JUS SAID "THAT WAS FUN" ALSO MAKING ME FEEL WHATEVER PAIN AND SUFFERING THE SPIRIT EXPERIENCED JUST BEFORE DEATH? DUDE, SOMETHING'S NOT GOOD HAPPENING TO MY BODY RIGHT NOW, MAN, AT ALL.
THIS FINAL VOICE WE CAPTURED IS ONE THA WILL FOREVER HAUNT MY MIND.
DUDE, SOMETHING'S NOT GOOD HAPPENING TO MY BODY RIGHT NOW, MAN, AT ALL AT ALL.
AT ALL.
(coughing) DUDE, SOMETHING'S NO GOOD--I HAVE TO (bleep) GET OUT OF HERE, BRO.
THIS EXPERIENCE SHOULD SHOW AND WARN HOW EASILY SPIRITS CAN TAKE CONTROL OF YOU, AND IF THIS HAS HAPPENED TO YOU, YOU'RE NOT ALONE.
THERE ARE PEOPLE LIKE HER EVERYWHERE, HUNDREDS, THOUSANDS IN THE U.
S.
, MILLIONS PROBABLY IN THE WORLD THAT ALL HAVE EXPERIENCES LIKE THIS.
(Rich) HERE COMES THE KEY.
BACK IN LAS VEGAS, WALLIE LUNA AND MICHAEL CARRICO PROVIDED EXPERT ANALYSIS OF OUR EVIDENCE.
(Zak) THIS IS, TO US, 100% UNEXPLAINED.
OKAY.
AND DO YOU SEE THAT? LOOK.
SEE THOSE GOOSEBUMPS? YOU GOT A LOT OF 'EM.
OH, MY GOD.
SEE THAT? WHENEVER I EXPLAIN AN AWESOME PIECE OF EVIDENCE, THAT'S WHAT I GET.
GOOSEBUMPS.
RIGHT THERE, YES.
WHAT IS IT DOING? IT ACTUALLY DISAPPEARS JUS IN A MATTER OF SECONDS, THOUGH.
BUT WHAT WAS REALLY WEIRD, REALLY QUICK, UH, THAT WHOLE SPOT, ZAK, REMEMBER I WAS FEELING AROUND YOUR WHOLE BODY AT THAT SPECIFIC TIME.
THAT'S RIGHT.
THAT'S RIGHT.
I FELT IT ALL WARM.
I FEEL IT.
THERE'S NO BREEZE, IS THERE? FELT REALLY WARM ON MY HAND.
WHEN THERE IS HEAT INVOLVED, IT'S USUALLY A MALICIOUS SPIRI OF SOME KIND.
WE ACTUALLY SEE AN OBJEC OR THE HEAT SIGNATURE OF SOMETHING OR SOMEONE COMING OUT OF THE ROOM.
YOU CAN ACTUALLY SEE THE WHOLE DOOR FRAME RIGHT THERE.
I THINK YOU GOT SOMETHING REALLY CREDIBLE, JUST DUE TO THE FACT THA THERE'S NO REFLECTIVE SURFACES.
IT'S ALL DRYWALL.
AND WHAT I LIKE ABOUT IT, MOSTLY, MIKE, IS THAT THEY WENT BACK OVER AND OVER AGAIN TO THE SAME AREA OR IN THE SAME PLACE, AND THERE WAS NEVER THAT SAME IMAGE COMING UP OVER AND OVER AGAIN.
AND ALSO, MIKE, WE ALSO NOTICED THA THOSE PEOPLE WHO STAND UP TO CERTAIN SPIRITS YOU'RE THE NASTY SPIRIT THA LIKES TO PUSH PEOPLE! THOSE SPIRITS TEND TO BACK UP.
OH, YEAH.
THEY DON'T WANT TO MESS WITH IT.
THIS ONE TOOK OFF REALLY QUICK.
RIGHT WHEN YOU BOUGH THE THERMAL AROUND, HE WAS GONE LIKE THAT.
DEFINITELY, THEY CAPTURED SOMETHING REALLY NICE, SOMETHING PARANORMAL, EVEN SOMETHING REALLY NEGATIVE.
DO YOU AGREE WITH THAT? I BELIEVE THEY GOT SOMETHING UNHOLY.
UNHOLY? UNHOLY.
YEAH, BEAUTIFUL.
THIS IS BEAUTIFUL STUFF.
MM-HMM.
THIS IS WHA YOU WANT TO CAPTURE.
ON THE EDGE OF DEATH VALLEY, THE AMARGOSA HOTEL AND OPERA HOUSE SIMMERS UNDER THE DESERT SUN.
DID YOU MURDER SOMEBODY IN HERE? RIGHT NOW, WE'RE FEELING SOME JUST CRAZY ENERGY.
(Aaron) WHOA, WHOA! ONE OF AMARGOSA'S FORMER TENANTS IS KNOWN FOR HIS VIOLEN DISTASTE FOR MEN.
OOH! (bleep, bleep, bleep) THIS WAS THE STORY OF THREE MEN THAT ROLLED INTO TOWN TO FACE THAT SPIRIT DOWN.
I THINK I JUST SAW YOU.
AND NOW THAT TOWN RESTS A LITTLE MORE PEACEFULLY AT NIGHT.