NYPD Blue s04e11 Episode Script

Previously on "NYPD BLUE".
IF YOU DON'T KNOW YOU'RE A GOOD PERSON, UNDERCOVER'S A REAL EASY PLACE TO START THINKING YOU'RE NOT.
- DO YOU WANT ME TO FIND ANOTHER WAY AT LIERY? - NO.
I'M SURE GLAD YOU'RE DOWN HERE.
I FIGURED A ROSE WAS TOO MUCH OF A STATEMENT.
AN APPLE WON'T RAISE NO EYEBROWS.
JIMMY LIERY GOT MURDERED.
SHOT OUTSIDE PATRICK'S BAR.
OH, YEAH? MM-HMM.
O.
C.
C.
B.
HAD THE PLACE UP.
THEY GOT THE WHOLE THING ON TAPE.
SO, EVERYBODY'S HAPPY.
JANE WALLACE SAID O.
C.
C.
B.
HAD YOU AND ANDY ON TAPE TOO.
DID YOU AND ANDY CHAT IT UP IN FRONT OF THE BARTENDER, BOBBY? LET HIM PUT IT OUT? ME AND ANDY, WE JUST HAD A CONVERSATION IN A BAR.
- MORNING.
- HI.
HERE'S MY 49 ON LIERY.
HOW THOROUGH IS THAT, DIANE? IT'S THE VERSION YOU CAN TAKE THE KIDS TO.
WHY? WHO YOU LOOKIN' TO HURT? DIANE, JIMMY LIERY DIED AT THE HANDS OF A CROOK AND A KILLER LIKE HE WAS.
FROM MY POINT OF VIEW, THAT'S THE END OF THE STORY.
I'M SORRY THAT IT CAUSED COMPLICATIONS IN YOUR PERSONAL LIFE.
YOU TOLD ME THAT YOUR RELATIONSHIP WITH BOBBY WAS AT A DIFFICULT POINT.
I WAS WRONG TO THINK WE COULD STEER AROUND THAT.
I WANNA GET TO WORK.
ANY PERMANENT DAMAGE? NOT FROM THIS.
TAKE CARE, DIANE.
HMM.
- MORNIN'.
- OH, HI, BOBBY.
- ANDY.
- [ Sipowicz .]
HEY.
- BOSS CHANGE THE CHART? - NO.
I'M OFF.
UM, I WANTED TO TALK TO YOU ABOUT DINNER.
WHAT'S UP? UH, IF WE HAD TO, WOULD IT BE OKAY EATIN' AT MY PLACE INSTEAD OF GOIN' OUT? SURE.
MY EX-HUSBAND IS BEIN' A JERK ABOUT WHETHER HE'LL TAKE THE BOYS.
- YOU DON'T HAVE TO TALK ME INTO HOME COOKIN'.
-WELL, THE ALTERNATIVE IS WE COULD DO IT ANOTHER NIGHT.
NO, NO.
- THIS IS-- THIS IS GOOD.
- OKAY.
I'LL SEE YOU LATER.
YEAH.
WE SHOOT FOR, LIKE, 7:00.
YEAH.
JUST, UH, GIVE ME A CALL, AND LET ME KNOW.
HI, DIANE.
HI.
MORNING.
HOW'S IT GOIN'? [ Sighs .]
GIVE ME A HEADS-UP WHEN IT'S GONNA COME TO SHOTS.
I'LL MAKE FOR THE FISH TANK.
WE NEED TO TALK TO A DETECTIVE.
I'M DETECTIVE SIMONE.
THIS IS DETECTIVE SIPOWICZ.
HOW'S IT GOIN'? MR.
KOZLER AND I ARE DIAMOND DEALERS.
I'M JERRY SILVERTON.
HIS SISTER IS MISSING WITH A MILLION, FOUR IN STONES.
- WELL, LET'S TALK IN HERE.
- ALL RIGHT.
THAT'S FINE.
THANK YOU.
RIGHT THIS WAY.
HOW LONG HAS YOUR SISTER BEEN MISSING? I LAST HEARD FROM ALICE TWO DAYS AGO.
DAY FOLLOWING MY CONSIGNING THE STONES.
YOUR SISTER GIVE ANY INDICATION SHE WAS WORRIED, FELT LIKE SHE WAS IN DANGER? NO.
CONSIGNING DIAMONDS-- YOU'VE DONE THAT WITH HER IN THE PAST? I'VE BEEN DOING BUSINESS WITH HER BROTHER FOR 15 YEARS.
THIS WAS MY FAVOR TO HIM.
UH, WE BOTH AGREE, THE PERSON RESPONSIBLE FOR THIS IS FRED MORGAN.
MY SISTER'S BEEN SEEING HIM, AND HE TOLD ALICE HE HAD A BUYER.
YESTERDAY, HE CONTACTED A DEALER AT THE DIAMOND EXCHANGE UP 47th STREET WHO'S A FRIEND.
OFFERED TO SELL EXACTLY WHAT I CONSIGNED.
THEY'RE MEETING AT 10:00.
IF THOSE ARE HY'S DIAMONDS, SOMETHING TERRIBLE HAS HAPPENED TO ALICE - BECAUSE SHE WOULDN'T STAND BY.
SHE'S HONORABLE.
- KNOW WHAT MORGAN LOOKS LIKE? COULD YOU POINT HIM OUT TO US? YES.
I CAN.
I'VE SEEN HIM SEVERAL TIMES.
TELL HER WE'RE THINKIN' OF HER.
- YOU GUYS GOT A MINUTE? GINA'S AT THE BELLEVUE E.
R.
- OUR GINA? - YEAH.
SHE GOT ATTACKED ON THE STREET.
- WHAT HAPPENED TO HER? THE COP SAID THE E.
R.
DOC TOLD HIM HER LIFE'S NOT IN DANGER.
SHE WAS SLASHED WITH A KNIFE.
- OH, MY GOD.
- YEAH.
THERE WERE NO WITNESSES AT THE SCENE.
EVIDENTLY, HE DRAGGED HER INTO A VACANT BUILDING.
TAKE DIANE.
GET GINA'S STATEMENT.
YEAH.
SURE, BOSS.
ALL RIGHT.
LIEU, UH, THESE TWO GUYS-- THE TALLER ONE'S SISTER IS MISSING WITH A JEWELRY CONSIGNMENT, BELONGS TO THE OTHER ONE.
NOW BOTH 'EM LIKE A GUY FOR TAKIN' HER OFF, MAYBE HURTING HER.
THEY SET UP A MEETIN' - IN THE DIAMOND DISTRICT IN ABOUT A HALF AN HOUR.
- YEAH.
ALL RIGHT.
- WHAT'S THAT? - GINA THE P.
A.
A.
-- SHE GOT ATTACKED AND SLASHED.
OH, MAN.
IT SERIOUS? SHE ALL RIGHT? I DON'T KNOW.
IF YOU'RE GOING TO DO IT, YOU OUGHT TO GET GOING.
SURE.
THAT'S PROBABLY THE LAST SCHEDULING ADVICE WE'RE GONNA NEED FROM YOU.
SHE HASN'T BEEN STITCHED.
RESIDENT WANTED TO WAIT FOR THE PLASTIC SURGEON.
OKAY.
BROUGHT YOU SOME VISITORS.
[ Medavoy .]
HEY, GINA.
- [ Russell .]
HOW ARE YOU, GINA? - A MAN ATTACKED ME.
HE TRIED TO RAPE ME, BUT I DIDN'T LET HIM.
HE CUT ME WITH A KNIFE.
- THAT'S WHY THEY WANT A SPECIALIST TO STITCH ON ME.
- YOU'RE GONNA BE FINE, GINA.
DO YOU REMEMBER WHAT HE LOOKED LIKE? HE WAS A-- A BIG, STRONG WHITE GUY.
HE MUST HAVE BEEN FOLLOWING ME.
HE GRABBED ME, AND HE DRAGGED ME INTO THIS EMPTY BUILDING, AND HE STARTED TRYING TO RAPE ME.
I WAS HITTING HIM, AND HE HAD THIS KNIFE, AND HE SAID THAT IF I DIDN'T STOP AND LET HIM DO IT, THAT HE WAS GONNA STAB ME.
BUT I COULDN'T STOP, AND HE STARTED CUTTING ON ME.
AND I KEPT HITTING HIM AND SCREAMING, AND-- AND FINALLY HE RAN OUT.
BEAT THIS GUY'S HEAD IN.
UH, COULD YOU GIVE US, UH, A LITTLE MORE OF A DESCRIPTION, GINA? - UH, YOU SAID HE WAS TALL, WHITE.
- H-HE HAD BAD LIQUOR BREATH.
HE LOOKED AT ME LIKE HE HATED ME.
HUH.
ANYTHING ABOUT HIS CLOTHES? UH, HE HAD A-- A BLUE JACKET, I THINK, A-AND A BLUE WOOL CAP PULLED DOWN OVER HIS HEAD.
- YOU'D RECOGNIZE HIM IF YOU SAW HIM AGAIN.
- I-I DON'T WANNA SEE HIM.
I NEED TO SPEND SOME TIME WITH GINA NOW.
YEAH.
SURE, DOC.
- WE'LL BE BACK TO SEE YOU SOON.
- DOCTORS ARE GONNA TAKE GOOD CARE OF YA.
THAT SON OF A BITCH.
SHE NEVER HURT A SOUL.
I GET MY HANDS ON HIM, HE'S DONE.
HE'S FINISHED.
JAMES, YOU WANNA GET YOURSELF OFF THE CASE? HELL NO.
I WANNA CATCH THIS GUY.
THEN GET A HOLD OF YOURSELF.
YOU KEEP TALKIN' LIKE THAT, YOU'RE OFF.
OKAY.
OKAY.
I'LL WATCH IT, ALL RIGHT? JUST DON'T LET THE BOSS TAKE ME OFF THIS.
I-I GOT A HOLD OF MYSELF, ALL RIGHT? IT'S STRAIGHTENED OUT.
DON'T WORRY.
I'M FINE.
[ Tapping .]
- MORNIN', GABE.
- WHAT'S GOIN' ON, JERRY? NEW YORK CITY DETECTIVES.
WE UNDERSTAND YOU HAVE A MEETING THIS MORNING WITH A FRED MORGAN.
YEAH.
HE SHOULD BE HERE ANY MINUTE.
IS SOMETHIN' WRONG? - WE NEED TO TALK TO HIM.
- WELL, WHAT DID HE DO? JERRY, WHAT'S GOIN' ON HERE? WE HAVE SOME QUESTIONS THAT WE HAVE TO PUT TO MR.
MORGAN.
NOW WE'RE GONNA BE STANDIN' RIGHT OVER HERE.
NOW WHEN HE COMES IN, JUST TRY TO ACT NORMAL, THEN STEP ASIDE WHEN WE MOVE IN TO TALK TO HIM.
LOOK.
LOOK, IT'S HIM.
[ Shouts .]
WHERE'S MY SISTER? - WHERE IS SHE, YOU SON OF A BITCH? - [ Simone .]
UNLOCK THE DOOR! [ Simone .]
HEY.
HEY.
HEY! POLICE! STOP! OUT THE WAY! OUT THE WAY! MOVE OUT THE WAY! HEY! STOP RIGHT THERE.
HEY, HEY, HEY, HEY! "ROBERT, FRANK, DAVID, 960.
" [ Sipowicz Panting .]
OH, THAT'S GREAT.
RFD-960.
ALL RIGHT? RFD-960.
- FORGET ABOUT IT, BOBBY.
- WELL, WHAT POSSESSED YOU TO DO THAT, MR.
SILVERTON? IDIOT! - HUH? -[ Silverton .]
I LOST CONTROL OF MYSELF.
HOW'D YOU DO? MISSING WOMAN'S BROTHER SPOOKED THE GUY.
GOT AWAY IN A CAR.
- YOU GET THE PLATE? - YEAH.
IT'S REGISTERED TO AN "ARTHUR BOYD.
" LIVES HERE IN THE PRECINCT.
BOYD'S ON HIS WAY IN.
THE GUY INVOLVED WITH THE SISTER-- THIS, UH, FRED MORGAN-- B.
C.
I.
SHOWS HIM TAKIN' TWO COLLARS FOR GRAND LARCENY.
A HALF-ASSED CON MAN.
MOST RECENT ADDRESS, LONG ISLAND.
BEST CASE ON THE MISSING GIRL: SHE'S HOLED UP WAITIN' FOR MORGAN.
OTHERWISE, SHE'S DEAD.
YEAH, THIS IS PROBABLY BOYD-- GUY WHO OWNS THE GETAWAY CAR.
MR.
BOYD? WHAT DO YOU WANT WITH ME? COME HERE.
TAKE A SEAT.
WHERE WERE YOU THIS MORNING? OUT.
- YEAH? OUT? - OUT WHERE? DRIVIN' WITH A FRIEND OF MINE.
-WHO'S YOUR FRIEND? - FRED MORGAN.
WHERE'D YOU AND FRED GO? JUST GOT SOME BREAKFAST, THEN HOME.
[ Chuckles .]
WELL, MR.
BOYD, WE GOT A LOT OF WITNESSES THAT PUT YOU AND FRED SOMEWHERES ELSE.
THEY'RE WRONG.
HMM.
THEY'RE ALL WRONG.
MR.
BOYD, YOUR RIGHT MOVE HERE IS TO TELL US WHAT YOU AND FRED MORGAN WERE DOIN' THIS MORNING AND WHERE WE CAN FIND FRED NOW.
OTHERWISE, YOU ARE IN THE WAY OF A FREIGHT TRAIN, YOU UNDERSTAND? - YOU CAN BE AN ACCOMPLICE TO A GRAND LARCENY, MAYBE WORSE.
- WAIT.
WHOA.
WHOA.
FRED WAS DOIN' LEGITIMATE BUSINESS.
WHAT KINDA BUSINESS? S-SOME DIAMOND THING.
H-HE'S BEEN WORKIN' ON THIS DEAL FOR THE LAST MONTH.
AS FAR AS I KNOW, IT'S LEGIT.
HE WAS RUNNIN' FROM THE COPS THIS MORNING IN THE DIAMOND DISTRICT, AND HE HOPPED INTO YOUR CAR, AND WITH THE DOOR OPEN YOU LAY 50 FEET OF RUBBER-- THAT'S YOU KNOWIN' HOW LEGITIMATE THIS WHOLE THING WAS? I-I DIDN'T KNOW IT WAS THE COPS.
HE SAID SOMEONE WAS TRYIN' TO RIP HIM OFF.
- I SWEAR.
I'M NOT HIS PARTNER, AND I WASN'T HIS WHEEL MAN.
- WHO'S HE WORKIN' WITH NOW? - HIS GIRLFRIEND, ALICE.
- AND WHERE'S SHE AT? - SHE BAILED OUT.
HE SAID THEY WEREN'T GETTIN' ALONG.
- WHEN'S THE LAST YOU SAW HER? - LAST WEEK.
- WHERE'S FRED NOW? HE HOPPED OUT AT A STOP LIGHT.
I SWEAR.
ART, TELL US WHERE TO FIND HIM, OKAY? BECAUSE IF HE GETS AWAY, YOU GO TO JAIL.
LOOK.
HE'S GOT AN APARTMENT ON LUDLOW.
I-I CAN'T HELP YOU WITH THE GIRL, BUT IF HE'S GOT THOSE DIAMONDS STASHED, I COULD SHOW YOU WHERE.
- HE'S GOT A STASH IN HIS APARTMENT? - I HELPED HIM TO PUT IT THERE.
HE SAID IT WAS FOR BEIN' IN THE DIAMOND BUSINESS.
I'M GONNA CALL THE D.
A.
's OFFICE, TRY TO GET A WARRANT.
IF YOU GOT TO KNOW FRED, H-HE'S-- HE'S GOT A GOOD HEART.
OH, I CAN'T WAIT TO MEET HIM.
-I DON'T FEEL NOTHIN' IN THERE.
-YEAH, WELL, MAYBE SOMETHING MAY HAVE FALLEN BEHIND THE WALL? NO.
WE-- W-WE KNOCKED A HOLE FROM INSIDE WHERE THIS CLOSET WAS AND-- AND FIXED A LEDGE, THEN WE SEALED THE HOLE.
BUT HE MUST HAVE SEALED UP THIS CLOSET ALTOGETHER.
THERE WAS A CLOSET HERE? [ Hollow Knocking .]
WAS WHEN I WORKED ON IT.
- YOU GOT A HAMMER AND FLASHLIGHT? - WE'LL MOVE THIS THING.
OKAY.
COME OVER HERE.
-[ Man .]
HEY, WHAT ARE YA DOIN'? -[ Sipowicz .]
SHUT UP.
WHAT THE HELL IS THAT? PULL IT THE WAY OVER THERE.
SH-- OH, MY GOD.
- [ Sighs .]
- OH, MY GOD.
THIS BASTARD-- HE REALLY HAD TO WORK TO GET HER IN THERE.
YEAH.
YOUR FRIEND'S GOT A REAL GOOD HEART.
LIEU, THIS IS WRITTEN UP, "ATTEMPTED PURSE-SNATCH," BUT THE DESCRIPTION FITS WHAT GINA GAVE US: "WHITE MALE, THREE WEEKS AGO.
" - WHERE? - 200 BLOCK OF THIRD STREET.
GOOD.
THAT'S CLOSE ENOUGH.
WE OUGHTA CHECK THAT OUT.
OKAY? YEAH.
SO THE M.
E.
's EARLY CALL IS THAT THE WOMAN WAS STRANGLED 48 HOURS AGO.
HE PUT HER IN THAT CLOSET, PROBABLY THOUGHT SHE WOULDN'T BE FOUND FOR 20 YEARS.
- AND THAT WAS UNDER THE COUCH? - HMM.
STILL IN THE RECORDER, PLUS HE HAD A MINIATURE MIKE TAPED TO THE INSIDE OF ONE OF THE COUCH LEGS.
[ Man .]
MY BUYER'S HAVING TROUBLE WITH THE MONEY TRANSFER.
YOUR CONSIGNOR GETS PAID 10 TIMES FASTER IF I GO TO HIM WITH THE STONES.
[ Woman .]
I DON'T LIKE GOIN' AGAINST MY WORD.
[ Man .]
I GET SO DEPRESSED WHEN YOU DOUBT ME LIKE THIS.
THIS IS WHAT DOES IT.
[ Woman .]
I JUST WANT EVERYTHING TO GO RIGHT.
WELL, THEN STATE THE STONES ARE CONSIGNED TO ME TILL I CAN WORK THIS OUT-- TO REAFFIRM YOU HAVE FAITH IN ME.
LET A LITTLE TIME GO BY, THEN STATE IT, THEN I'M GONNA KISS YOU.
[ Woman Giggles .]
I CONSIGN THESE STONES FREELY TO FRED MORGAN.
OF YOUR OWN FREE WILL.
YES.
[ Clicks Off .]
[ Sipowicz .]
ABOUT A MINUTE LATER, HE CROAKS HER.
-ANYTHING ON MORGAN'S LAST ADDRESS? -HE LIVED AT HIS MOTHER'S HOUSE.
NEIGHBOR SAID THAT, UH, SHE'S BEEN AT HER SISTER'S IN PHILADELPHIA.
SHE'S DUE BACK THIS AFTERNOON.
WE LEFT A MESSAGE FOR THE MOTHER TO COME IN.
- HAS THE GIRLFRIEND'S BROTHER BEEN NOTIFIED? - COMIN' IN FROM STATEN ISLAND.
HAVE HIM IDENTIFY THE VOICES.
AND LEAN ON THE PERP'S MOTHER FOR WHERE WE CAN LOOK FOR THIS ASSHOLE.
YEAH.
[ Russell .]
ALL RIGHT.
EXCUSE ME.
I'M A DETECTIVE.
[ Russell .]
EXCUSE ME.
I'M A DETECTIVE.
THERE WAS AN INCIDENT, TOOK PLACE ABOUT THREE WEEKS AGO, ACROSS THE STREET.
HAPPEN TO SEE ANYTHING? NO.
I DIDN'T SEE ANYTHING.
WHAT WAS IT-- A ROBBERY OR A KILLING OR SOMETHING? MORE LIKE AN ASSAULT.
NO, NO.
BUT I'M NOT SURPRISED THOUGH, 'CAUSE A BAD CROWD HAS MOVED IN THE NEIGHBORHOOD.
THERE WAS TWO MEN BEATING A FELLOW RIGHT DOWN THERE ON THE CORNER JUST THE OTHER DAY.
THEY WAS ALL DRUNK.
AND-- AND-- AND BEFORE THAT, THERE WAS, UH, SOME MAN WRESTLING AROUND WITH A WOMAN ACROSS THE STREET OVER THERE.
-YEAH? HOW LONG AGO WAS THAT? - OH, COUPLE WEEKS OR SO.
- CAN YOU DESCRIBE WHAT THEY LOOKED LIKE? -UH, IT WAS A-- UH, A YOUNG, UM-- A WHITE WOMAN.
SHE HAD BLACK HAIR.
THE MAN, HE WAS WHITE TOO AND KINDA BULKY LOOKING, AND, UH, HE HAD ONE OF THOSE, UH, BLUE KNIT CAPS ON.
RIGHT.
HE HAD GOTTEN A HOLD OF HER AND WAS DRAGGING HER, AND THEN TWO MEN CAME AND CHASED HIM AWAY.
- CAN YOU DESCRIBE MORE WHAT HE LOOKED LIKE? UH-- - HE WAS JUST A BIG NOTHING.
I'D SEEN HIM BEFORE.
I THINK HE LIVES RIGHT ACROSS THE STREET THERE.
- HE LIVES ACROSS THE STREET? - YEAH, I THINK SO, IN THAT-- I-I'VE SEEN HIM GO IN THAT BUILDING THERE-- THE ONE WITH ALL THE TRASH OUT FRONT.
- ALL RIGHT.
GREG! - ALL RIGHT.
THANKS.
-CAN I HAVE YOUR NAME? - MY NAME'S MARGARET McCLURG, AND I LIVE RIGHT HERE.
OKAY.
THANK YOU.
YOU'VE BEEN VERY HELPFUL.
OKAY.
THANKS.
WHAT'S UP? GOT A LOCATION ON A SUSPECT ACROSS THE STREET.
YEAH? I DON'T KNOW WHAT TO DO WITH YOU, JAMES.
I'LL JUST BE BACKUP.
I'LL BE OKAY.
- WHAT? YOU JEHOVAH'S WITNESS? - NO.
POLICE.
THERE A YOUNG WHITE GUY LIVING IN THIS BUILDING-- IN HIS 20s, MEDIUM BUILD, WEARS A BLUE NAVY WATCH CAP? YEAH.
AND I HOPE YOU ARREST HIM.
HE'S A HOODLUM.
- WHY DO YOU SAY THAT, SIR? - HE'S GOT NO BUSINESS HERE.
THAT APARTMENT THERE IS VACANT, UNOCCUPIED.
HE BROKE INTO AN EMPTY APARTMENT, AND HE'S LIVING THERE.
HE SAID, IF I GO TO THE POLICE, HE'LL BREAK MY NECK AND KILL EDDIE.
- WHO'S EDDIE? - MY LITTLE BUDDY.
- HE'S NOT IN THERE NOW? - NO.
I SAW HIM GO OUT.
I WOULDN'T BE HERE TALKIN' TO YOU, IF HE WAS IN THERE.
- ALL RIGHT.
THANK YOU VERY MUCH FOR ALL YOUR HELP, SIR.
- DON'T SAY I TOLD YOU ANYTHING.
NO.
WE WON'T.
THANK YOU.
- YOU WANNA SIT ON THE PLACE? -[ Martinez .]
DEFINITELY.
UM, I DON'T THINK YOU OUGHTA STAY WITH US, JAMES.
- I'M AGAINST MY BETTER JUDGMENT ALLOWIN' IT UP TO NOW.
-I'M STAYING.
- I WANNA CATCH THIS GUY.
- THAT'S A RECIPE FOR DISASTER.
AND IF I HAVE TO, I'M CALLIN' THE BOSS.
- YOU'RE A REAL FRIEND, GREG.
- JAMES-- JAMES, WOULDN'T IT BE MORE HELPFUL BEING WITH GINA? - WHAT AM I GONNA DO THERE? - SHE'S LYING THERE, FEELING AWFUL.
YEAH.
ALL RIGHT.
I-I GUESS YOU GOT A POINT.
ANYTHING HAPPENS, YOU KNOW WE'RE GONNA LET YOU KNOW.
- YEAH.
ALL RIGHT.
YOU'LL LET ME KNOW IF THIS IS THE GUY? - [ Medavoy .]
ABSOLUTELY.
ALL RIGHT.
YOU SET UP, AND I'LL RIDE OVER THERE.
[ Man On Tape .]
LET A LITTLE TIME GO BY, THEN STATE IT, THEN I'M GONNA KISS YOU.
[ Woman Giggles .]
I CONSIGN THESE STONES FREELY TO FRED MORGAN.
OF YOUR OWN FREE WILL.
YES.
- I LOVE YOU SO MUCH.
I'M AROUSED.
- [ Woman Giggles .]
[ Silverton .]
PLEASE.
WHY ARE YOU SO AROUSED? - [ Morgan .]
EVERYTHING ABOUT YOU.
-DON'T BE TOO ROUGH WITH ME.
-YOU'RE GETTING TOO ROUGH! - ALL RIGHT.
THAT'S ENOUGH, MR.
SILVERTON.
[ Clicks Off .]
- THAT'S YOUR SISTER AND FRED MORGAN.
- [ Quietly .]
YEAH.
SHE'S THE SWEETEST PERSON.
TRIED TO HELP HIM, AND HE TOOK ADVANTAGE.
HE'S GOING TO PAY.
LET US TAKE CARE OF THAT.
WE GOT A GOOD LINE ON FINDING HIM, PEOPLE COMIN' IN.
IS IT ON THAT TAPE THAT HE KILLS HER? THERE'S SOUNDS OF A STRUGGLE.
THAT'S MY SISTER.
AND I GOT HER THE STONES, AND HE KILLED HER FOR THEM.
[ Sobbing .]
HE'S GONNA PAY.
HE'S GONNA PAY.
HI, JAMES.
HI.
I DIDN'T WANNA WAKE YOU UP.
PLASTIC SURGEON STITCHED ME UP.
I LOOKED TO TALK TO HIM.
HE WAS, UH, DOIN' ANOTHER CASE.
I GUESS THEY KEEP THE GOOD ONES BUSY.
HOPE HE DID A GOOD JOB.
I'M SURE HE DID.
HE SAYS I'M LACERATED ON MY FACE AND MY UPPER BODY.
DON'T WORRY ABOUT NOTHIN', GINA.
YOU'RE GONNA BE ALL RIGHT.
MY SISTER CAME, BUT SHE RAN OUT CRYING.
THEY, UH-- THEY GIVE YOU PAIN MEDICINE? SOMETHING TO STOP WORRYING, BUT I CAN'T STOP THINKING ABOUT IT.
IT HURTS, AND I'M AFRAID WHAT I'M GONNA LOOK LIKE.
YOU'RE GONNA BE FINE.
I KNOW WE HAVEN'T REALLY GOT CLOSE ENOUGH I CAN ASK YOU THIS, BUT CAN YOU NOT GO AWAY, JAMES? YEAH.
I'LL STAY AS LONG AS YOU WANT.
ALL RIGHT? I'M GONNA SIT RIGHT HERE.
- FEEL BAD SENDIN' JAMES AWAY.
- IT WAS THE RIGHT THING, GREG.
AH, HE WINDS UP SMACKING SOMEBODY, SOMETHIN' WORSE-- THAT DON'T DO NO ONE ANY GOOD.
YOU'RE RIGHT.
GLAD YOUR UNDERCOVER'S OVER? YEAH.
PUT THE SHORT SKIRT AWAY, HUH? HOW ABOUT THAT OLD MAN, HUH-- WITH THE RAT? IS THIS OUR GUY? YEAH, THAT'S HIM.
LET'S GO.
DON'T MOVE PUT YOUR HANDS UP.
AW! BITCH! KEEP 'EM UP.
I GOT EVERY RIGHT TO LIVE HERE.
AM I SUPPOSED TO FREEZE TO DEATH? THIS IS AN ILLEGAL KNIFE, PAL.
THEY SELL THEM IN THE STORES.
[ Russell .]
TURN AROUND.
WHAT'S THIS, HUH? OH, A CRACK PIPE.
I FOUND THAT.
THAT'S NOT MINE.
YEAH.
NOT ANYMORE.
THIS HAND.
LET'S GO.
I WON'T GO IN THERE NO MORE.
YEP.
LET'S GO.
COME ON.
LET ME GO.
I'M GRACE MORGAN.
SOMEONE LEFT THIS MESSAGE AT MY HOUSE.
YEAH, THAT WAS US.
DETECTIVE SIMONE.
THIS IS DETECTIVE SIPOWICZ.
COME IN AND HAVE A SEAT.
YOU GOT A LOT OF NERVE, TALKIN' TO MY NEIGHBORS.
I WALK OUT, EVERY WINDOW SHADE HAS A BENT-DOWN SLAT.
WE NEED TO TALK TO YOU ABOUT YOUR SON, FRED.
COME HERE.
SIT DOWN.
SURE.
WIND BLOWS STINK FROM THE RIVER, YOU LOOK FOR MY SON.
- YOU KNOW WHERE YOUR SON IS NOW, GRACE? - YOU CAN CALL ME MRS.
MORGAN.
YOU GOT NOTHIN' TO TALK TO FRED ABOUT.
AND DON'T PULL ANY OF YOUR SICK TRICKS.
I KNOW HOW YA PUT PEOPLE IN A CORNER.
LAST SITUATION, FREDDIE HAD TO SAY HE WAS GUILTY JUST TO EVER SEE THE LIGHT OF DAY.
MRS.
MORGAN, YOUR SON HAS COMMITTED A SERIOUS CRIME, AND HE'S GONNA HAVE TO FACE UP TO HIS RESPONSIBILITIES.
OR DIDN'T YOU TEACH HIM THAT GROWIN' UP? WHAT'S HE SUPPOSED TO HAVE DONE THIS TIME-- STOLE THE CROWN JEWELS? HE KILLED A PERSON, MRS.
MORGAN.
YOU'LL SAY ANY DAMN THING, SONS OF BITCHES.
- [ Sucks Teeth .]
- NOW WHERE'S HE GOIN'? MRS.
MORGAN, DO YOU KNOW AN ART BOYD? HE'S A FRIEND OF FREDDIE'S.
WHAT ARE YOU PRESSURIN' HIM INTO? ARTIE.
WHAT DO THEY GOT YOU HERE FOR? HOW YA DOIN', GRACE? WHAT'S GOIN' ON? HAVE YOU GOTHIM IN SOME CORNER? I'M SORRY, GRACE, BUT FREDDIE KILLED THAT GIRL.
- WHO-- WITH THE DIAMONDS? - YEAH.
NO.
SHE-- SHE WAS IN LOVE WITH HIM.
SHE LOANED HIM THOSE DIAMONDS TO SELL.
HE KILLED HER, GRACE.
I-- I SAW THE BODY HID IN HIS APARTMENT.
OH, MY GOD.
- OH, MY GOD.
-[ Boyd .]
FRED NEEDS HELP.
I WOULD'VE GIVEN HIM ANY MONEY HE WANTED.
YOU'RE MESSIN' WITH PEOPLE'S MINDS.
ARTIE LIVED IN MY HOME, AND NOW YOU'RE MAKIN' HIM LIE LIKE FREDDIE HAD TO LIE.
- YOU LIVED IN OUR HOME.
- I KNOW.
I KNOW.
OH, GOD.
OH, GOD, HOW COULD THIS HAPPEN? BETTER CALM DOWN, MRS.
MORGAN.
ARE YOU GONNA HURT HIM? PLEASE DON'T HURT HIM.
IF WE HAVE TO HUNT YOUR SON DOWN, YES, HE MIGHT GET HURT.
IF I SAY WHERE HE IS, W-WILL YA TREAT HIM RIGHT? WE DON'T WANNA HAVE TO USE FORCE ANY MORE THAN YOU WANT US TO.
PLEASE, BECAUSE IT'S MY FAULT.
NO, GRACE.
HE'S AT A CONDOMINIUM AT BREEZY POINT, MY SISTER'S.
YOU WRITE DOWN THE ADDRESS HERE.
ARE YOU SURE THE VICTIM WAS HIS RESPONSIBILITY? YEAH.
POOR THING.
SO WHO-- WHO TURNED ME IN-- THAT OLD FART WITH THE RAT? NAH.
I-I'LL STAY OUTTA THAT BUILDING, OKAY? GOD, IT'S, LIKE, SUCH A BIG DEAL.
TWO OF YOUS-- TWO DETECTIVES.
BEEN DRINKIN', HARVEY? YEAH.
SO? THAT'S STILL LEGAL, ISN'T IT? - WHAT ELSE DO YOU DO WITH YOUR TIME? - I WORK.
WHAT KIND OF WORK? - ADVERTISING.
- YOU'RE AN AD MAN? - I DISTRIBUTE ADVERTISING.
- YOU MEAN YOU HAND OUT CIRCULARS.
- YEAH.
THAT'S WHAT I SAID.
- WHO DO YOU WORK FOR? PLACE ON BROADWAY.
"PLACE.
" GIVE ME A NAME.
THE PINK PARADISE SALON.
I WORK THE STREET.
DRUMMIN' UP TRADE FOR THE PORN INDUSTRY.
IT'S NOT JUST PORN.
- THEY GOT NUDE DANCERS TOO.
- THEY DO ANY DANCIN'? YOU GOT A JOB, WHY ARE YOU SQUATTIN' IN THAT BUILDING? I JUST BEEN IN THERE A FEW WEEKS.
I GOT KICKED OUTTA MY APARTMENT.
I FELL BEHIND ON THE RENT, YOU KNOW? AND BLOWIN' YOUR MONEY ON CRACK.
I DON'T SMOKE CRACK.
WHAT DO I WANT WITH CRACK? HOW IS IT WORKIN' AROUND THOSE NUDE DANCERS? THEY'RE INSIDE.
I'M OUTSIDE.
YOU DON'T MIX? MONEY-GRUBBERS, THEY ARE.
WHERE WERE YOU THIS MORNING AROUND 9:30, 10:00? ASLEEP.
- ANYBODY VOUCH FOR THAT? - NO.
I WAS ALONE.
WHO-- WHO YOU GONNA SHOW THAT PICTURE TO? - GIRL IN A HOSPITAL.
SOMEBODY CUT HER FACE UP.
- WHOA.
WAIT A MINUTE.
YOU DIDN'T-- YOU NEVER SAID NOTHIN' ABOUT THAT.
-I THOUGHT THIS WAS TRESPASSIN'.
-YOU WERE HOPING IT WAS TRESPASSIN'.
IF YOU'RE THE ONE WHO CUT THAT GIRL, YOU CAN DO YOURSELF SOME GOOD BY GETTING YOUR STORY OUT.
BECAUSE MAYBE-- MAYBE THERE WERE CIRCUMSTANCES THAT CAUSED IT TO HAPPEN WITHOUT YOU INTENDING IT TO.
DID SHE LEAD YOU ON? - WHOA.
I WANT A LAWYER.
- YOU'RE REQUESTING A LAWYER? YEAH.
YEAH.
YOU'RE TRYIN' TO FRAME ME.
I WANT MATT NAVARRO, LEGAL AID.
YEAH? HE MUST'VE GOTTEN YOU A WALK ON ONE OF THOSE OTHER COLLARS, HUH? I'M NOT TALKIN' NO MORE.
[ Sighs .]
HEAR THAT, BOSS? GUY LAWYERED UP.
IF GINA PICKS THIS GUY OUT OF A PHOTO ARRAY, I WANT ANDY TO TALK TO HIM.
- YEAH.
SURE.
- [ Quietly .]
OKAY.
[ Medavoy .]
SURE.
BRING IN ANDY.
WHAT'S GOIN' ON? THERE'S BEEN SOME DEVELOPMENTS.
WE NEED GINA TO TAKE A LOOK AT SOME PHOTOGRAPHS.
[ Medavoy .]
YOU UP FOR THAT, GINA? DO YOU THINK YOU HAVE A SUSPECT? GINA, IF YOU COULD I.
D.
SOMEONE FROM THOSE PHOTOS, UH, OUR HOPE WOULD BE THAT WE COULD GET A CONFESSION WITHOUT A TRIAL OR FURTHER CONTACT.
YOU'D FEEL UP TO THAT, GINA? IT'D REALLY ASSIST IN THE CASE.
- ALL RIGHT.
- GOOD.
HIM.
THIS THIRD PHOTO.
HE A-ATTACKED ME AND CUT ME.
ALL RIGHT.
HE CUT ME ALL UP.
ALL RIGHT, GINA.
GOOD FOR YOU.
I CAN UNDERSTAND WHAT YOU'RE SAYING, BUT, UM, THAT DOESN'T AFFECT THE SITUATION WE HAVE HERE.
LOOK.
I'LL CALL YOU BACK.
HUNG HIMSELF, THIS DIAMOND CROOK.
- AND MADE A LOUSY JOB OF IT.
- YEAH.
TOOK AN EIGHT-FOOT DROP, TORE HIS HEAD OFF.
YOU FOUND THE STONES? [ Snaps Fingers .]
THIS CLOSE.
HEADIN' FOR SOUTH AMERICA.
ALL RIGHT.
VOUCHER 'EM.
CALL THE OWNER.
- I'LL CONTACT THE MOTHER FOR THE I.
D.
- UM, LET BOBBY HANDLE THAT.
GREG AND DIANE COLLARED UP ON A SKELL, AND GINA PICKED THE GUY OUT AS HER ATTACKER.
HE NEEDS TO BE REINTERVIEWED.
I DON'T WANT HER TO HAVE TO I.
D.
THIS GUY IN PERSON.
BROUGHT YOU SOME COFFEE.
YOU LIKE IT WITH CREAM AND SUGAR? YEAH.
THAT'S GOOD.
THAT'S A HELL OF A PLACE TO LOCK ANYBODY UP.
GOTTA GO TO THE JOHN? NAH.
I'M OKAY.
I'M DETECTIVE SIPOWICZ.
HAVE A SEAT.
SMOKE? SO, UH-- [ Clears Throat .]
THIS GIRL THAT GOT HER FACE CUT-- KNOW ANYTHING ABOUT IT? NOTHIN'.
SHE PICKED MY PICTURE, SHE'S WRONG.
THAT'S ALL I CAN SAY.
WAITIN' FOR A LAWYER, HUH? RIGHT.
THIS WAIVES YOUR RIGHT TO AN ATTORNEY.
WANNA SIGN IT? NO.
WHY WOULD I DO THAT? AH, MAYBE YOU WANNA CONFESS.
I'M NOT GONNA CONFESS.
I DIDN'T DO IT.
- SO THE GIRL WAS MISTAKEN ABOUT YOU? - YEAH.
OW! OOH! LEAVE ME ALONE.
I'M SORRY.
I, UH-- [ Chuckles .]
SOMETHING CAME OVER ME.
I, UH-- [ Clears Throat .]
SEE, THAT GIRL USED TO WORK RIGHT HERE IN THIS OFFICE.
- SHE DID? - YEAH.
I'M, UH-- UH, LISTEN.
I-I HOPE I DIDN'T HURT YA.
COME ON.
COME ON.
[ Sighs .]
[ Sighs .]
YOU DIDN'T DO IT, HUH? NO.
UM, THAT'S THE TRUTH? THAT'S THE TRUTH.
AH! SORRY.
I DON'T KNOW WHY I DID THAT.
LOOK.
I'M NOT THE ONE, OKAY? YOU GOT THE WRONG GUY.
I BELIEVE YOU.
I BELIEVE YOU.
I DON'T-- I DON'T WANT YOU TO CONFESS.
DON'T SIGN THIS THING.
MM-MMM.
JUST DON'T HIT ME, OKAY? I WON'T HIT YOU.
I SAID I WAS SORRY.
DIDN'T I TELL YOU I WAS SORRY? YOU WANT ANOTHER CIGARETTE? YEAH.
[ Sighs .]
HEY! [ Grunts .]
YOU CUT THIS GIRL JUST FOR FUN, DIDN'T YOU, HUH-- YOU SICK SON OF A BITCH? GET OFF OF ME! YOU SAW A PRETTY FACE, YOU HAD TO MESS IT UP.
NO.
SHE WAS FIGHTIN'.
SHE WENT FOR MY EYES.
YEAH.
YOU WERE GONNA RAPE HER AND KILL HER! SHE SET ME UP.
SHE WANTED IT.
SHE GOT ME IN THERE, THEN SHE STARTED FIGHTIN' AND SCREAMIN'.
NO! YOU LYIN' BASTARD! - AH! - YOU CUT HER 'CAUSE SHE WOULDN'T HAVE NOTHIN' TO DO WITH A STINKIN' TURD LIKE YOU IN A MILLION YEARS.
[ Moans .]
NOW ARE YOU GONNA GIVE IT UP TO ME, HUH? ARE YOU? [ Moans .]
I'M GONNA GIVE IT UP.
I'M GONNA GIVE IT UP.
ALL RIGHT.
ALL RIGHT.
[ Panting, Whimpers .]
THAT ASSHOLE'S READY TO WRITE.
[ Door Closes .]
SO, UH, AM I IN THE WRONG LINE OF WORK, ANDY? YOU KNOW, I SHOULD'VE BEEN A STORE CLERK OR SOMETHIN'.
CUT IT OUT, MEDAVOY.
BOSS TAKES ME OFF OF THAT GUY.
MAYBE HE'S RIGHT.
I-I-- I DON'T INTIMIDATE A SKELL.
YOU THINK WE'RE SUPPOSED TO BE ALL ONE THING, HUH? YOU GOT A WAY THAT WORKS FOR YOU.
SOME SKELLS THEY, UH-- THEY NEED SOMEBODY TO LISTEN TO 'EM, OR THEY'RE LOOKIN' FOR HELP.
-THAT WORKS FOR YOU.
ME-- -[ Faucet Squeaks Off .]
I LOOK LIKE THE KINDA GUY WHO'S GONNA GO NUTS AND JUMP ALL OVER 'EM, SO I USE THAT.
OUR BOSS'S JOB-- PUT THE RIGHT ONE OF US ON THE THING THAT NEEDS DOIN'.
YEAH.
WELL, I-I-I-- I FEEL I WOULD HAVE GOTTEN THERE.
IT JUST HAPPENS I-I-- I GOT OBJECTIONS TO TUNIN' A GUY UP.
- EVERYONE'S GOT HIS METHODS.
- GOD-- GOD FORBID, SOMETHIN'-- SOMETHIN' HAPPENS IN CUSTODY.
DON'T THINK I DON'T LIVE WITH THAT IN THE BACK OF MY MIND.
GOD FORBID, YOU ASK YOURSELF, "DID-- DID HE ONLY GO 'CAUSE-- 'CAUSE HE WAS GETTIN' HIT?" - THAT'S AN ABSOLUTE, ACCURATE CONCERN.
- SO HOW DO YOU DEAL WITH THAT? KELLY HAD RULES: "BEAT NO ONE ON SPEC.
" "KNOW THE GUY'S RIGHT OFF WITNESS STATEMENTS AND PHYSICAL EVIDENCE," PLUS "HE DON'T CONFESS, YOUR WITNESSES GET BEAT OR KILLED FOR TESTIFYING.
" ME, IF I FEEL I GOTTA DO IT, I HIT 'EM.
YOU'RE COMMITTIN' A CRIME.
I'M COMMITTIN' A CRIME.
AND IF I'M CAUGHT, THAT BOSS THAT SENT ME IN-- HIS BOTTOM LINE'S GONNA BE, "ALL I SAID WAS A REINTERVIEW.
" AND THE PEOPLE THAT WANT ME TUNIN' THIS GUY UP-- IF GINA WAS THEIR FAMILY SO SHE WOULDN'T HAVE TO TESTIFY-- THEY'LL SIT ON MY JURY AT TRIAL AND THEY'LL VOTE TO LOCK ME UP.
I BETTER KNOW ALL THAT BEFORE I RAISE A HAND.
- WHO'S THIS GUY WRITIN' FOR? - ME.
[ Quietly .]
YEAH.
[ Door Closes .]
NO.
THAT'S, UH, OKAY, IF YOU PREFER TO MAKE THE I.
D.
TOMORROW.
I'LL PICK YOU UP AT 9:00 TOMORROW.
ALL RIGHT, MA'AM.
[ Handset Settles In Cradle .]
HI.
WORKED OUT WITH YOUR GUY? MM-HMM.
- HE'S WRITING IT UP.
BOY, ANDY'S SCARY.
- YEAH.
BUT IT SEEMS LIKE HE'S ABLE TO CONTROL IT, LIKE, DOWN TO A 10th OF A DEGREE.
THAT'S HOW YOU WANNA DO IT.
OH.
TALK TO ME LIKE I'M A STRANGER.
I LIKE THAT.
SO HAVE A GOOD DINNER.
[ Sighs .]
YOU WANT ME WAITIN' AT MY CRIB UNTIL YOU DECIDE TO COME OVER FOR ANOTHER SOUL-SEARCH, DIANE? I DID THAT THE LAST 10 DAYS.
NOW HOW MANY WAYS YOU THINK IT'S RIGHT TO PLAY THIS? I'M NOT PLAYIN'.
I'LL TALK TO YOU TOMORROW, HMM? [ Knocks .]
I'M BACK.
WHO BEEPED? OH, THAT WAS GREG.
GINA, THAT, UH, GUY YOU I.
D.
'd OFF THE POLAROID? HE CONFESSED.
SO YOU DON'T HAVE TO WORRY ABOUT BEIN' IN CONTACT WITH HIM.
THAT'S A BIG RELIEF.
YEAH.
THE DOCTOR STOPPED WHILE YOU WERE GONE.
SAYS HE'S REASONABLY OPTIMISTIC.
SO THAT'S GREAT.
I'M AFRAID HE'S AVOIDING THE TRUTH-- AFRAID NO ONE'LL HAVE TO DO WITH ME.
- YOU PUT THAT OUTTA YOUR MIND.
- THAT'S MY FEAR.
LISTEN TO ME.
YOU KNOW WHAT WE HAVE TO DO? I GOT HURT.
I WAS RELUCTANT TO CALL MY PARENTS, SAME LIKE YOU.
THEY'RE AFRAID OF HOSPITALS.
SEE, BUT YOU GOTTA TRUST YOUR PARENTS TO SHOW THEIR LOVE FOR YOU.
THEY LOVE THEIR DAUGHTER MORE THAN THEY'RE AFRAID.
AFRAID IF THEY'LL BE UPSET.
I DON'T WANNA CALL TILL MORNING.
SURE.
THAT'S FINE.
YOU DON'T HAVE TO STAY, JAMES.
I WANT TO.
REALLY.
IT'S NOT NECESSARY.
IT'S ALL RIGHT.
REALLY.
SO YOU JUST TOOK THE SHORT COURSE ON HOW MY EX-HUSBAND OPERATES.
EVEN BEIN' NICE, HE'S GOTTA TRY AND MAKE YOU CRY BEFOREHAND.
YOU MEAN, LIKE NOT SAYIN' YES ABOUT YOUR BOYS UNTIL RIGHT TO THE END.
YEAH.
- I'M GLAD THAT SKELL, ATTACKED GINA, GAVE YA A STATEMENT.
- YEAH.
DO THEY KNOW HOW BAD IT'S GONNA BE? NO.
NOT YET.
- SHE GOT FAMILY WITH HER? - I'M NOT SURE.
JAMES MARTINEZ IS OVER SEEIN' HER.
I COULD TELL THEY HAD A LITTLE SOMETHING GOIN' ON.
OH, YOU PICK UP ON THAT KINDA STUFF, HUH? YEAH.
I DO.
WHAT'D YOU WORK TODAY? UM, HOMICIDE OFF A JEWELRY THEFT.
OH.
PERP WENT AND HUNG HIMSELF.
HMM.
- THEY SHOULD POPULARIZE THAT AS AN ALTERNATIVE TO TRIAL.
- [ Chuckles .]
THIS IS SURE FUN.
YEAH? YEAH.
I MEAN, DATING IS SO HARD-- JUST GETTIN' IT ORGANIZED.
AND THEN, UH, THE GUY ALMOST ALWAYS TURNS OUT TO BE A JERK.
BUT I DON'T WANNA QUIT.
I'M A BIG ROMANTIC.
WELL, YOU KNOW, THAT'S GOOD, I MEAN, THAT YOU STILL GOT THAT GOIN' ON.
YEAH.
WELL, DIDN'T COST ANYTHING, RIGHT? DREAMS ARE STILL FREE.
[ Chatter On TV, Indistinct .]
WHAT'S HE DOIN'? HE'S JUST LYING THERE LOOKIN' LIKE HE TOLD HIMSELF A JOKE IN HIS SLEEP.
[ Chuckles .]
YEAH, I'VE SEEN THAT.
LOOKS LIKE HE TOLD IT TO HIMSELF A COUPLE TIMES BEFORE TOO, AND HE STILL THINKS IT'S FUNNY.
[ Chuckles .]
I'M WORRIED ABOUT THIS GIRL.
WHAT GIRL? RUSSELL.
SHE'S NOT DOIN' GOOD.
HOW DO YOU TELL? IT'S LIKE SHE'S STUCK.
ABOUT A WEEK OR SO AGO, BOBBY SAYS SHE SEEMS BETTER, BUT IT'S LIKE IT TRAILED OFF.
DOES "BETTER" MEAN READY TO DO WHAT BOBBY WANTS? HE'S NOT THAT WAY, SYLVIA.
HE LOVES HER, BUT HE'S CONCERNED FOR HER ALSO.
OH, THERE'S ANOTHER GIRL WITH A PROBLEM.
WHAT? ANDY, DO YOU THINK THAT WE COULD REALLY AFFORD ME STOPPING WORK? ABSOLUTELY.
I-- I GET A MARSHAL'S JOB MOONLIGHTING.
IT WON'T EQUAL YOUR INCOME, BUT WE'D HAVE LESS EXPENSES.
YEAH.
WE WOULDN'T NEED A SITTER FOR THEO OR TO BUDGET FOR MY BUSINESS CLOTHES.
DON'T YOU WORRY ABOUT MONEY.
YEAH.
RIGHT.
NO.
I'M-- I'M SAYING IT'S MANAGEABLE.
I MEAN, I NEVER BEEN AFRAID OF WORK.
WE'RE-- WE'RE HIP DEEP IN MOTIONS ON THE SUAREZ CASE, AND THEO JUST KEEPS FLOATIN' INTO MY HEAD.
I HAVE TO RECONNECT WITH WHAT I'M DOING, JUST, KINDA LIKE FROM A-- A STANDING START.
BUT THEN I'LL WIND UP THINKING, "I'M DOINGTHIS "WHEN I COULD BE THINKIN' ABOUT HIS DOPEY MUG WITHOUT FEELING GUILTY OR AT HOME HOLDING HIM.
" DOES ANYBODY HAVE THE RIGHT TO BE THAT HAPPY? HIM AND YOU AND ME TO HELP WHERE YOU COULD DO IT.
WHAT'S GOIN' ON? HI.
- GINGER ALE.
- YEAH.
[ Liquid Pouring .]
YOU KNOW ABOUT JIMMY.
YEAH, I DO.
THAT WAS SOMETHIN', HUH? [ Ice Cubes Clinking .]
THAT WAS AWFUL.
YEP.
WITH JIMMY, YOU NEVER KNEW WHAT WAS COMIN' NEXT.
YOU KNOW WHAT IT WAS ABOUT? JIMMY DIDN'T TELL ME WHAT HE WAS INTO.
I KNEW HIM A LONG TIME.
I NEVER KNEW EITHER.
HMM.
I'LL BELIEVE THAT IF YOU WANT ME TO.
YOU'RE THE CUSTOMER.
[ Door Opens .]
DID JIMMY TALK ABOUT ME? [ Door Closes .]
HE DIDN'T NEED TO SAY ANYTHING.
I COULD TELL HOW FOND HE WAS.
DID HE TELL YOU IF HE SLEPT WITH ME? HE DIDN'T SAY.
IF HE DRUGGED ME? NO, BABE.
THAT PSYCHO SNITCH DIDN'T SAY.
BUT I'LL TELL YA HOW HE HAD CIRCULATION PROBLEMS OFF BEIN' DIABETIC, AND HE DID LIKE TO ADD HIS LITTLE POTIONS TO LADIES' DRINKS.
GIRLS HALF-KNOCKED OUT DON'T CRITICIZE YOUR PERFORMANCE.
AM I TAKING YOU WRONG? ARE YOU LOOKIN' TO, UH, FIND OUT IF HE DRUGGED YOU, OR DID YOU WANNA SCORE SOME MORE FIZZIES? WHAT? SOME GIRLS LIKE TO GET SOMEWHERE WITHOUT HAVING TO SAY THEY WANNA GO.
I DIDN'T KNOW WHETHER YOU HAD FUN WITH JIMMY OR NOT.
YOU THINK I WANTED THAT TO HAPPEN-- FOR HIM TO DO THAT TO ME? MY MISTAKE.
YOU'RE LUCKY I DON'T ARREST YOU.
OH-HO, YEAH.
CALL THE COPS.
TELL 'EM A WACKO SKIRT IN PATRICK'S WANTS ME ARRESTED FOR ASKING WHAT SHE'S DOING HERE.
I JUST NEED TO CALL A FRIEND.
I DON'T CARE WHO YOU CALL.
MAKE IT QUICK, AND GET OUTTA HERE! [ Coin Clinks In Pay Phone .]
[ Tapping Keys .]
[ Chatter On TV, Indistinct .]
[ Phone Rings .]
[ Ringing Continues .]
[ Sighs .]
YEAH.
ALL RIGHT.
I'LL BE RIGHT THERE.
GET OUT THEN.
I'LL-- I'LL MEET YOU AT, UH, THAT SPARTA OR WHATEVER THAT DINER IS.
WHO WAS THAT? RUSSELL.
- YOU WERE RIGHT.
- YEAH.
PIN A ROSE ON ME.