Ray Donovan s05e01 Episode Script
Abby
1 [Ray.]
Previously on Ray Donovan I know what I'm asking you to do is dangerous, but I'm out of options.
I got nowhere else to turn but family.
I don't expect your help.
God knows I don't deserve it.
If any of you want to walk out of this room right now, I wouldn't blame you.
[Ray.]
Fuck you, Frank.
You want Sokolov, we do it my way.
Wear the fucking shirt, Ray, or you're done.
Arrest me.
- You want to win this fight? - Yeah.
Win it.
Time! Our business is over, Mr.
Donovan.
You are a very foolish man.
Hello, friend.
Get in.
[man.]
[speaking Russian.]
Here you go, buddy.
Good, now walk away.
You don't want to see this.
[gunshot.]
What the fuck is this? Cocaine, heroin, fentanyl.
The art came in, they loaded it up, the art went back out.
You'll find Sokolov's body in Anaheim.
Nice work, Frank.
Looks like you brought down another crime boss.
It's fucking great to be a Donovan.
[Abby.]
Yesterday I thought everything was over.
I thought that we'd never be able to come home again.
Now, look.
We got a fresh start, Ray.
I told you everything would work out, didn't I? Yeah, you did.
Don't you ever fucking doubt me again, Ray Donovan.
No one can touch us.
[dramatic music.]
[Cat Power's "Sea of Love".]
Come with me [Mickey.]
All right.
My love [Mickey.]
All right.
To the sea The sea of love I want to tell you [woman.]
Morning, Mickey.
I called in an order for ten boutonnieres.
Great, I'll get those for you.
Is someone getting married? Yeah, one of my sons tomorrow afternoon.
That's wonderful.
Yeah, it's a happy occasion.
Happy occasion.
Do you remember When we met? That's the day I knew you were my pet I want to tell you How much I love you Stay here.
Don't chew nothing.
Come with me My love To the sea The sea of love I want to tell you How much I love you Ooh, ooh [door opens.]
Raymond Donovan? [man whistles.]
So you want to tell me what happened? It's in the file, right? In your words.
I got in a fight.
I see that.
Why did you get in a fight? Ah, some stupid stuff, you know? My family.
- Stupid stuff? - Mm-hmm.
Like what? Oh, family thing.
Brothers.
A family thing that led to you getting arrested.
Yeah, well, the cops should've never been there.
But they were.
And you're here, so In your words.
[distorted crying.]
Dad, stop! [crying.]
Stop! [Dr.
Brogan.]
Are you gonna answer my question? I told you.
It was a family thing.
Your 19-year-old daughter called the police.
Your brother and your father were hospitalized.
And what kind of family thing is that? It says you were intoxicated during this family thing.
We all were.
- It was in a bar, so - Mm-hmm.
You think you have a drinking problem? No.
Have you ever been through any kind of therapy before? Yeah.
My wife.
How long were you in couples therapy? About 10 to 15 minutes.
Why were you in couples therapy for only 15 minutes? My wife said what she wanted to say, and we worked it out, so I left.
Yeah.
[sighs.]
Fill this out for me.
Bring it back before the end of business today.
Look, I get it.
I, uh I-I-I know why I'm here.
I'm a grown man.
I shouldn't I shouldn't be fighting in bars.
I You know, it It's not the kind of thing that's gonna happen again.
Is there some other way we can work this out? Twelve sessions completed in 90 days.
Do that, follow the rules of your probation, and you will have fulfilled your obligations to the court.
Come back in two days same time.
We'll pick up where we left off.
[Damon.]
Yo, Terry, you okay in there? Just tying a tie.
[Damon.]
Need any help with that? Fuck off.
I'm fine.
What do you think? Mm, man, you look fresh.
- Yeah? - Yeah.
Does it fit good? How about we lose the hat this time? Yo, take off the hat, Ter.
Oh.
Wow.
- [exhales deeply.]
- What happened? I had surgery for my Parkinson's.
They put a pacemaker in his brain and drilled holes into his head.
You want to see something cool? What? Show her, Ter.
[soft music.]
My God.
[somber music.]
You you okay? Yeah.
I got to go.
So can you get this ready by tomorrow? Yes, Mr.
Donovan.
Damon, you got to get yourself fitted up.
Make sure you look good for Maureen.
All right.
[latin dubstep music.]
[grunts.]
AquÃ.
[groans.]
Ah! [grunting, laughs.]
Come on, let's see what you got.
[roars.]
[giggles.]
[giggles.]
[shouting.]
God damn it, Brenda! It's Brendan.
You got to take two steps forward.
I know.
I fucking know.
- [man.]
[shouting in Spanish.]
- [cell phone ringing.]
[soft groaning.]
By the time they hit her the fourth time, I need you back in the ring with the clothesline.
I got it.
Look, I-I got to get to work.
The audition's at eight.
Let's try not to fuck this up.
[man.]
Ayúdame.
[man groaning.]
[men.]
[speaking Spanish.]
Come on, let's get back to work.
[train squeaking.]
[air hissing.]
[siren wailing, car horn honks in the distance.]
[siren wailing in the distance.]
I got the boutonnieres.
I told you not to bring the fucking dog in here anymore, Mick.
It gets lonely, too.
Beckett.
[Mickey.]
Maureen's aunt is a 12-stepper, so Terry told me to order more nonalcoholic beer, which I did.
What's that? Nothing.
You got a pen? What you doing, Mick? Writing a screenplay.
It's gonna be a killer.
Ooh, writing.
I didn't even know you could read.
And I didn't know gas stations sold women's clothes.
You got a B on your health inspection.
Hmm.
That manager you got He's serving people sandwiches on moldy bread.
- You got to dump him.
- Abby hired him.
I told you I was a front-of-the-house guy.
You wanted me to cook.
So, action, meet consequence.
You're losing 20,000 a month.
Sell now, stop the bleeding.
I got a lead on some self-storage units.
- I'm not selling, Harriet.
- Oh, fine.
[Harriet.]
Just burn the money.
Why the fuck you pay me? All right.
I'll bite.
Oh, you're interested, huh? [Mickey.]
Well, it's sophisticated.
Maybe I can dumb it down for you.
[whiskey pours.]
[Mickey.]
The lead character, Michael He's a tough Boston dockworker, lost his wife, raising four kids on his own.
And when one of the kids gets sick, Michael turns to robbing banks to take care of the little one, 'cause that little sweet girl needs a heart transplant.
[Harriet.]
Does she die? [Mickey.]
Maybe.
It's what you call a tearjerker.
No, she shouldn't die.
People wouldn't like that.
Hey.
We're not open yet.
[mumbles, sniffs.]
Hey, do do I know you? Sloan Kettering.
You're Bridget.
Jake, right? Yeah.
[chuckles.]
- Well well, uh, Smitty.
- Right.
Uh, what are you doing here? Do you live around here? No.
So, um what's what's going on? I found out you work here.
Okay.
That's creepy.
Oh, no, no, I'm [chuckles.]
I'm just I'm just messing with you.
I know it's weird.
I-I called one of the nurses at the hospital.
Uh, how how's your mom? She, um [voice breaking.]
She, um Oh, my Go I'm so sorry.
Aw, man.
I didn't mean to, um I'm gonna go.
I'm sorry.
Well, hey, can can I Can I walk with you for a second? [soft music.]
Don't you have to work? I got time.
Okay.
Yeah? I'm I'm sorry, really.
I-I can't even imagine how you must feel.
[inhales shakily.]
Fuck.
- Sorry.
- Yeah.
Hey.
Thank you.
[exhales deeply, sniffles, chuckles.]
Do do you want to go back to my apartment and and get stoned? It's really close.
It's right by the IKEA.
I'll get you some Swedish meatballs.
[laughs.]
Okay.
Come on.
[Mickey.]
People like a good cry, Harriet.
[Harriet.]
Not over a dead kid.
[Mickey.]
What about this? There's a shootout in a bank.
And, uh, Michael realizes that he could die then and there.
So he runs out, he covers his heart with his hand.
He gets shot, and his heart goes to his little girl.
[Mickey.]
That better? It was better when she died.
- Why? - Write what you know, Mick.
You're late.
I had wrestling practice.
[Daryll, muffled.]
Jay, brah, you and I both know that a rich, powerful black man in America It's a three-hole punch, Bunch.
- [Daryll.]
Huh? - Well, I didn't know.
Yeah, you did, 'cause I told you last time.
So take it back, all right? White paper, no three-hole punch.
Make sure the coffee's whole bean, not ground, 'cause we have a grinder, in case you don't remember.
Fuck you.
I'm sorry? [Daryll.]
If you roll with us, you will get three of the best in Los Angeles at crisis resolution.
- He didn't count me.
- So what? Four fucking people work here.
Not just three.
[rap music playing.]
Fuck this.
What's going on, Bunch? - Daryll's not counting me.
- What? And Lena, bossing me around with paper and fucking coffee.
Jesus fucking I moved my family back from Pismo Beach for you, Ray.
[Bunchy.]
I'm here to help you.
I know you did, Bunch.
All right.
Well, I'ma be a luchador.
What? El Trebol.
What the fuck does that mean? "The Shamrock.
" Three weeks, ten cities.
Lucha on tour.
So fuck this shit.
Fuck this shit! [door closes.]
I miss Avi.
[Lena.]
Have you talked to him? No.
[Daryll.]
Like, I wouldn't set this up unless I knew that we could make something happen.
You know what I mean? Come on.
- Let's do this.
- You're in the right place.
You're in the right place messing with us.
Yes.
Jay White, I'd like to introduce you to the man himself, my brother Ray Donovan.
Respect, man.
I heard a lot about you.
How are you? Hey, Ray, uh, this is, uh, Jay's His sensei, Shoota.
[Jay.]
Come over here.
- He needs to bow.
- No, it's all good.
Hey, uh, Jay's in town doing the remake to the Sonny Chiba movie, G.
I.
Samurai.
- Yeah? - It's about an awesome platoon of tough, black U.
S.
Marines accidentally get sent back in time to the the feudal days of medieval Japan.
- Hey, we got to go.
- All right, my nig.
- You stay up, okay? - Let's go, let's go.
- Huh? - It's good to meet you, Ray.
- [speaks Japanese.]
- [Jay.]
Hey, yo, we out! That's a $400,000 samurai sword.
Yeah? Ray, that was Jay White.
Oh, uh, Ray, uh, Mickey called and said something about a boutonniere.
I got shoes already.
Shoes? Boutonniere? It's a fucking flower, Daryll.
[woman on TV.]
The pictures of The Waterfall star were taken during a trip to Jamaica, but no word yet on who leaked them.
We have reached out to Natalie's reps to confirm, and we'll keep you updated - as we learn more.
- [cell phone rings.]
This is Sandy Gagic reporting [cell phone rings.]
Yeah? I need you over here, now.
Natalie James? [exhales sharply.]
No.
Sam Winslow.
[dramatic music.]
[alternative rock music playing.]
That was pretty good.
Yeah.
[coughs.]
I can't believe that you still smoke.
[coughs.]
Well, it's not lung cancer, man.
[chuckle.]
These might be the best meatballs I've ever tasted.
- Dude, right? - Mm.
So you went through with the surgery? No, I got kicked off the trial.
Mm, what do you mean? I got sick.
Yeah, I was in pre-op, and and they found an infection, so Well, when are you gonna have it? Um, I don't know.
I mean, I got to go through, like, the whole lottery thing again, so it might not happen.
Wait, you, um You got an infection right before? Yeah.
It was a real "fuck you" from Jesus, huh? [both chuckle.]
What kind of an infection? Uh meningitis.
I'm so sorry.
Oh, it's it's okay.
I mean, it's been a-a real nightmare, but If you don't If you don't get it? Well [sighs.]
You're very beautiful.
I'm not trying to make things weird or anything.
I just I think that you're beautiful.
How are you happy like this? Well, I'm with you.
Um I'm high.
There's birds outside chirping.
I never hear birds in New York.
Just got to listen.
[birds chirping.]
See? [chuckles.]
Hey, do Do you do you want to, like, hang out? I could go get a bottle of wine or something or Is is that cool? Do do you have to go? No.
Yeah, no, I can stay.
- Yeah? - Yeah.
All right, cool.
Cool.
[keys jingle.]
[door opens, closes.]
[indistinct chatter.]
[telephone ringing in the distance.]
[indistinct chatter.]
It's getting to be a running bet around here that you don't show up with my coffee.
It's never gonna happen.
[smooches.]
I'm gonna bring you your lunch every day for the rest of your life.
- You get your suit? - Yep.
What about Damon? He's trying his now.
Sweetheart, you just left him there? What if he picks purple or orange? Then he wears purple and orange.
Roberts needs you back in three.
Are you gonna say hello to Terry? Jesus, Todd.
Terry.
- Todd.
- See you later.
My father's got the boutonnieres for you, your brother, and your uncle.
Yeah? And I was wondering if you'd like to make a toast tomorrow.
I don't know about a toast.
Suit yourself.
I ran a check on you.
Some shit came up.
Well, Maureen knows I was in prison, so that's history.
Yeah, my sister knows about that.
But I don't think you told her about this.
That wasn't so fucking long ago, now, was it? [soft suspenseful music.]
[indistinct shouting.]
[bell ringing, shouting continues.]
Thanks for getting here so quickly.
Sure.
- So what's the problem? - Oh, yeah.
This.
It's coming out by day's end.
Who leaked it? You know Tom and Vicky? Yeah.
Thought they were supposed to be fixing problems, not making them.
We got a board meeting in three weeks.
Is this true? Yeah.
Unfortunately, it is.
Sam brought them in house a few years ago.
They've been good soldiers for us, but Sam overused them.
She built Tom and Vicky a wing in the administrative building, and she's been spending company money trying to fund her personal wars.
Where are they now? After Sam cut ties with them, they took files and disappeared.
[Landry.]
All relevant and Pacific-pertaining materials in their possession must be returned.
Any discussion of their relationship with Samantha Winslow, written or verbal, is strictly forbidden and any further contact with any employees of Pacific Pictures or its holding company ceased.
Sam isn't interested in litigating this thing.
She just wants her stuff back.
So what's she offering? The money will be refreshed annually, so long as Sam is still chairman of Pacific Pictures and its parent company.
Your payment.
[dramatic music.]
[indistinct chatter.]
[Vicky.]
Ray Donovan.
Winslow, Ray, really? Sorry about your wife.
She was a real beauty.
Winslow needs you to return what you took.
What are the terms? Landry gave me two bags, 500 in each.
You get the same every year moving forward.
Landry says no more business with Pacific.
And that means no more business in Hollywood.
That's what he says.
That's what Sam says.
Maybe she'll retire in a year or two.
You can start up shop then.
She's not done.
She's not gonna retire.
She'd rather die than retire, and she'll probably never die.
You taking the money or not? What other choice do we have? That's all of it.
Winslow's not fit, Ray.
What she does, the way she does things.
- Have you met her? - No.
Do yourself a favor, don't.
[cell phone ringing.]
[exhales deeply.]
[cell phone beeps.]
Yeah.
I found a very motivated buyer.
[Deb.]
I have a good feeling about this couple.
Three kids, moving here from Evanston, Illinois.
Can you meet me at the house? Sure.
[cell phone beeps.]
[cell phone beeps.]
[line trilling.]
[Conor.]
Yeah? Hey, Con.
Yeah? [Ray.]
You make varsity? Got to cut weight, but, yeah.
What are you cutting to? One thirty-eight.
[Ray.]
Call Terry.
He'll give you a hand.
It's wrestling, not boxing.
[chuckles.]
It's cutting weight, Con.
You want me to come out there, see the match? [Conor.]
You're busy.
Not that busy.
You talk to Bridget? [brooding music.]
All right, I got to go.
I have class in five.
[cell phone beeps.]
[cell phone beeps.]
[sighs deeply.]
They're looking for good schools and some space for You said you were gonna fix that, Ray.
[dog panting.]
He took a shit so big, I could hardly get it in the bag.
- [dog barks.]
- Oh.
We got a showing? Mm-hmm.
All right.
I'll make myself scarce.
[car alarm beeps.]
[Mazzy Star's "Fade Into You".]
[song playing over radio.]
God, it's all so beautiful.
You go in shadow We should let Mickey move in.
You'll come across and you'll go - He's lonely.
- [sighs.]
We got room.
You're out of your fucking mind.
The kids are growing up.
They're gonna be leaving soon.
Well, that's exactly why we don't need to be letting Mickey in the house.
It's a huge house.
He saved our fucking ass tonight, Ray.
What's not there Fade into you [laughs.]
You know what this song reminds me of? Mm-hmm.
What? Strange Your 25th birthday.
What? Of course I remember.
How come we never have sex in the bath anymore? I don't know.
[cell phone ringing.]
[cell phone ringing.]
- Hey, Bridge.
- I met the kid.
What kid? You know what kid.
[cell phone beeps.]
[somber music.]
[cell phone beeps.]
[doorbell rings.]
[Deb.]
Ray? They're here.
Ray? [door closes.]
- [sighs.]
- You okay? I can't do it, Deb not today not yet.
[sighs.]
Okay.
Okay.
[Deb sighs.]
Hi.
I am so sorry, but, uh, the owner's elderly father hasn't found a new place to live.
But there are three wonderful homes nearby I can show you.
[cell phone ringing.]
[indistinct chatter.]
[door closes.]
Yeah? [Landry.]
Where are the boxes? What? [Landry.]
The boxes from Vicky and Tom.
I got 'em.
[Landry.]
I'm at Sam's house.
I need you to bring them over immediately.
What's the address? [doorbell rings.]
[footsteps approaching.]
I'm Ray Donovan.
Uh, Doug Landry's expecting me.
You an actor? No.
You could be an actor.
Yeah? Oh.
Thanks, George.
He's here for me.
You get everything? Yeah.
It's in the car.
[no audio from television.]
My husband, Roger, used to go on these ridiculous safaris for weeks at a time.
He [chuckles.]
He wanted to be John Huston.
But, uh, actually, he was more like Woody Allen.
Roger used to tell this story about a - [drink pours.]
- man from Australia who was famous for killing lions and a lion from Kenya, who was famous for killing men.
This particular lion had killed and eaten over 25 villagers.
And the hunter thought, Well, this creature must be the fiercest creature he will ever encounter.
When he got to the village, he He built a-a blind right at the edge of the trees.
And he waited.
He was terrified.
He he felt vulnerable.
I mean, what kind of creature was this that could kill 25 men and never be stopped? Night came, and as the hunter looked out into the bush, he didn't realize that behind him the villagers had gathered up their goats inside their huts to keep them safe.
But then there wasn't enough room for everyone to sleep, so they pushed the elderly outside for the lion, you see.
For the lion.
Cheers.
Cheers.
Do you think that there's a moral to this story, Mr.
Donovan? I don't know.
Don't get old.
Don't get pushed out.
Thanks for the drink.
Did you meet my stepson? Who? George.
When you came in.
Yeah.
He doesn't drive.
He needs a lift.
Do you mind? Sure.
[door opens.]
[dramatic music.]
[exhales deeply.]
You ready? Okay, marido, let's do this.
And in the end And in the You ever been to that hotel in Culver City where all the Munchkins stayed when they were working on The Wizard of Oz? No.
[cell phone ringing.]
[cell phone beeps.]
Yeah.
[Terry.]
We got to talk.
What's up, Ter? It's fucking important.
I can't talk right now.
Yeah, well it's fucking important.
Where are you? I'm in the club.
[cell phone beeps.]
Yeah, so that's where all the little people stayed when when they were doing the movie.
There was, like, drunken Munchkin orgies.
One little fella He killed himself on set.
[George.]
You can you can see it in the movie.
There's a little guy, like, hanging from the tree in the Tin Man scene.
[Mazzy Star's "Fade Into You".]
The strange light comes on slowly A stranger's heart is out of home Your heart's pounding.
- Is it? - Yeah.
- [inhales deeply.]
- What's going on? [exhales deeply.]
Nothing.
I feel good.
- I think.
- [chuckles.]
Barely recognize it, huh? Cover your heart Abs Fade into you - What do you want to do? - I could go for a burger.
No, I mean, you know [breathes deeply.]
Now that the kids are leaving the house and we're getting older.
I'm not getting older.
Seriously.
If you could do anything you want, what would it be? - Anything? - Yeah.
Maybe open a bar? A bar? Yeah.
[scoffs.]
It'd be someplace for the family to get together and someplace for Bunchy to work and Conor.
God knows he's gonna need a job.
[chuckles.]
Abs, you left Boston to get away from running a bar.
[laughing.]
I'm drunk.
You asked me what I wanted, and I don't know It would just It would remind me of home, you know? [chuckles.]
Ray! [gasps.]
[dramatic music.]
[crashing.]
[loud crash.]
[both breathing heavily.]
You okay? [breathing heavily.]
Yeah.
You got a little bump on your head.
All right.
Can you move? - Yeah.
- Okay.
[Mazzy Star's "Fade into You" continues playing on car radio.]
[tender ambient music.]
[George.]
Oh, of course, now they've mastered out the The little dead guy.
But you can't erase things like that from people's minds.
You can't.
Once you see horrible things, you can't erase them.
I-I saw my sister die.
What? "Home is where the heart is.
" That's what Dorothy said.
"There's no place like home.
" Exactly.
Exactly.
That's my point.
[roars.]
[Bunchy.]
Come on, baby! [grunts.]
- [man moaning oddly.]
- [chuckles.]
Shit! [Bunchy.]
Come on.
Come on, get them! Let's go! No! No! [shouting oddly.]
[Bunchy groaning.]
[people.]
[shouting in Spanish.]
[man.]
[shouts in Spanish.]
Oh, shit.
- Um - [man groaning.]
El Tigre.
Kevin.
- Oh, fuck.
- [man.]
[shouting in Spanish.]
- [breathing heavily.]
- [man groaning.]
[man.]
Ayúdalo.
[thunder rumbles.]
Ter? [Andy Kim's "Rock Me Gently".]
[Andy Kim.]
Ain't it good? Ain't it right That you are with me Here tonight? Music playing Our bodies swaying in time [female chorus.]
Intime, in time, in time [Andy Kim.]
Touching you So warm and tender Lord, I feel such a sweet surrender Beautiful is the dream that makes you mine [female chorus.]
Mmm [Andy Kim.]
Rock me gently Rock me slowly Take it easy Don't you know That I have never been Loved like this before? [all.]
Baby, baby Rock me gently Rock me slowly Take it easy Don't you know That I have never been Loved like this before? Music broods [Andy Kim.]
Oh, my darling Oh, my baby You got the moves that drive me crazy [ominous music.]
Ray.
[rain pattering.]
What's going on? Sit down.
What's up, Ter? I got something to tell you.
Ab Abby What? Abby was right.
I shouldn't have lied.
Lied about what? Ah.
You know, it's over between me and Maureen.
What are you talking about? Her brother found out about Nevada.
So? [sniffles.]
You made a mistake, Ter.
It happens.
Take it.
No.
Abby wanted her to have it.
[sniffles.]
Not like this, Ray.
Not like this.
[people.]
[chattering in Spanish.]
[thunder rumbles.]
I'm sorry, babe.
We'll be fine.
You still have your job at Ray's office.
I can stay home and look after Maria.
You go.
You go on the tour.
- Yeah, but what about - Go.
I'll stay home with Maria, all right? At least that's one thing I ain't so bad at.
You ain't so bad at a lot of things, Brendan.
[thunder rumbles.]
[Mickey.]
Michael's got his semiautomatic in one hand and the bag of cash for his daughter's heart in the other.
"Drop the gun," says the cop.
"Drop the gun.
" Michael whispers to himself, "I can't let you down, Angela.
" "Drop the fucking gun.
" Michael drops the money and keeps his gun pointing at the cops, knowing they'll shoot.
"Not in my heart," says Michael moving forward.
"Whatever you do, not in my heart.
You hear me? My little girl needs my heart.
" [imitates crying.]
[exhales deeply.]
You startled me.
Did you tell Terry I got the boutonnieres? They're in the fridge.
[Bridget sobbing.]
[soft music.]
[sobbing continues.]
[sobbing continues.]
[Bridget.]
Dad.
What happened? [Bridget sobbing.]
[rain pattering.]
[music fades.]
[thunder rumbles.]
[Mickey.]
Now the camera is close up, on gurney wheels moving fast.
And the nurse says, "Angela, we have a match.
You're gonna live.
You're gonna live.
" And off Angela's face, not knowing she's getting Michael's heart, we see finally a ray of hope.
Hope.
It's a triumph.
It's a fucking triumph.
[exhales deeply.]
[exhales deeply.]
She was the brightest star in the sky.
You sleep, kid.
I can see Very well There's a boat on the reef With a broken back And I can see it very well There's a joke And I know it very well Take my word, I'm a madman Don't you know? Once a fool Had a good part In the play If it's so, would I still Be here today? It's quite peculiar In a funny sort of way They think it's very funny Everything I say Well, get a load of him He's so insane You better get your coat, dear It looks like rain We'll come again next Thursday afternoon The in-laws hope they'll see you very soon But is it in your conscience That you're after Another glimpse of the madman across the water?
Previously on Ray Donovan I know what I'm asking you to do is dangerous, but I'm out of options.
I got nowhere else to turn but family.
I don't expect your help.
God knows I don't deserve it.
If any of you want to walk out of this room right now, I wouldn't blame you.
[Ray.]
Fuck you, Frank.
You want Sokolov, we do it my way.
Wear the fucking shirt, Ray, or you're done.
Arrest me.
- You want to win this fight? - Yeah.
Win it.
Time! Our business is over, Mr.
Donovan.
You are a very foolish man.
Hello, friend.
Get in.
[man.]
[speaking Russian.]
Here you go, buddy.
Good, now walk away.
You don't want to see this.
[gunshot.]
What the fuck is this? Cocaine, heroin, fentanyl.
The art came in, they loaded it up, the art went back out.
You'll find Sokolov's body in Anaheim.
Nice work, Frank.
Looks like you brought down another crime boss.
It's fucking great to be a Donovan.
[Abby.]
Yesterday I thought everything was over.
I thought that we'd never be able to come home again.
Now, look.
We got a fresh start, Ray.
I told you everything would work out, didn't I? Yeah, you did.
Don't you ever fucking doubt me again, Ray Donovan.
No one can touch us.
[dramatic music.]
[Cat Power's "Sea of Love".]
Come with me [Mickey.]
All right.
My love [Mickey.]
All right.
To the sea The sea of love I want to tell you [woman.]
Morning, Mickey.
I called in an order for ten boutonnieres.
Great, I'll get those for you.
Is someone getting married? Yeah, one of my sons tomorrow afternoon.
That's wonderful.
Yeah, it's a happy occasion.
Happy occasion.
Do you remember When we met? That's the day I knew you were my pet I want to tell you How much I love you Stay here.
Don't chew nothing.
Come with me My love To the sea The sea of love I want to tell you How much I love you Ooh, ooh [door opens.]
Raymond Donovan? [man whistles.]
So you want to tell me what happened? It's in the file, right? In your words.
I got in a fight.
I see that.
Why did you get in a fight? Ah, some stupid stuff, you know? My family.
- Stupid stuff? - Mm-hmm.
Like what? Oh, family thing.
Brothers.
A family thing that led to you getting arrested.
Yeah, well, the cops should've never been there.
But they were.
And you're here, so In your words.
[distorted crying.]
Dad, stop! [crying.]
Stop! [Dr.
Brogan.]
Are you gonna answer my question? I told you.
It was a family thing.
Your 19-year-old daughter called the police.
Your brother and your father were hospitalized.
And what kind of family thing is that? It says you were intoxicated during this family thing.
We all were.
- It was in a bar, so - Mm-hmm.
You think you have a drinking problem? No.
Have you ever been through any kind of therapy before? Yeah.
My wife.
How long were you in couples therapy? About 10 to 15 minutes.
Why were you in couples therapy for only 15 minutes? My wife said what she wanted to say, and we worked it out, so I left.
Yeah.
[sighs.]
Fill this out for me.
Bring it back before the end of business today.
Look, I get it.
I, uh I-I-I know why I'm here.
I'm a grown man.
I shouldn't I shouldn't be fighting in bars.
I You know, it It's not the kind of thing that's gonna happen again.
Is there some other way we can work this out? Twelve sessions completed in 90 days.
Do that, follow the rules of your probation, and you will have fulfilled your obligations to the court.
Come back in two days same time.
We'll pick up where we left off.
[Damon.]
Yo, Terry, you okay in there? Just tying a tie.
[Damon.]
Need any help with that? Fuck off.
I'm fine.
What do you think? Mm, man, you look fresh.
- Yeah? - Yeah.
Does it fit good? How about we lose the hat this time? Yo, take off the hat, Ter.
Oh.
Wow.
- [exhales deeply.]
- What happened? I had surgery for my Parkinson's.
They put a pacemaker in his brain and drilled holes into his head.
You want to see something cool? What? Show her, Ter.
[soft music.]
My God.
[somber music.]
You you okay? Yeah.
I got to go.
So can you get this ready by tomorrow? Yes, Mr.
Donovan.
Damon, you got to get yourself fitted up.
Make sure you look good for Maureen.
All right.
[latin dubstep music.]
[grunts.]
AquÃ.
[groans.]
Ah! [grunting, laughs.]
Come on, let's see what you got.
[roars.]
[giggles.]
[giggles.]
[shouting.]
God damn it, Brenda! It's Brendan.
You got to take two steps forward.
I know.
I fucking know.
- [man.]
[shouting in Spanish.]
- [cell phone ringing.]
[soft groaning.]
By the time they hit her the fourth time, I need you back in the ring with the clothesline.
I got it.
Look, I-I got to get to work.
The audition's at eight.
Let's try not to fuck this up.
[man.]
Ayúdame.
[man groaning.]
[men.]
[speaking Spanish.]
Come on, let's get back to work.
[train squeaking.]
[air hissing.]
[siren wailing, car horn honks in the distance.]
[siren wailing in the distance.]
I got the boutonnieres.
I told you not to bring the fucking dog in here anymore, Mick.
It gets lonely, too.
Beckett.
[Mickey.]
Maureen's aunt is a 12-stepper, so Terry told me to order more nonalcoholic beer, which I did.
What's that? Nothing.
You got a pen? What you doing, Mick? Writing a screenplay.
It's gonna be a killer.
Ooh, writing.
I didn't even know you could read.
And I didn't know gas stations sold women's clothes.
You got a B on your health inspection.
Hmm.
That manager you got He's serving people sandwiches on moldy bread.
- You got to dump him.
- Abby hired him.
I told you I was a front-of-the-house guy.
You wanted me to cook.
So, action, meet consequence.
You're losing 20,000 a month.
Sell now, stop the bleeding.
I got a lead on some self-storage units.
- I'm not selling, Harriet.
- Oh, fine.
[Harriet.]
Just burn the money.
Why the fuck you pay me? All right.
I'll bite.
Oh, you're interested, huh? [Mickey.]
Well, it's sophisticated.
Maybe I can dumb it down for you.
[whiskey pours.]
[Mickey.]
The lead character, Michael He's a tough Boston dockworker, lost his wife, raising four kids on his own.
And when one of the kids gets sick, Michael turns to robbing banks to take care of the little one, 'cause that little sweet girl needs a heart transplant.
[Harriet.]
Does she die? [Mickey.]
Maybe.
It's what you call a tearjerker.
No, she shouldn't die.
People wouldn't like that.
Hey.
We're not open yet.
[mumbles, sniffs.]
Hey, do do I know you? Sloan Kettering.
You're Bridget.
Jake, right? Yeah.
[chuckles.]
- Well well, uh, Smitty.
- Right.
Uh, what are you doing here? Do you live around here? No.
So, um what's what's going on? I found out you work here.
Okay.
That's creepy.
Oh, no, no, I'm [chuckles.]
I'm just I'm just messing with you.
I know it's weird.
I-I called one of the nurses at the hospital.
Uh, how how's your mom? She, um [voice breaking.]
She, um Oh, my Go I'm so sorry.
Aw, man.
I didn't mean to, um I'm gonna go.
I'm sorry.
Well, hey, can can I Can I walk with you for a second? [soft music.]
Don't you have to work? I got time.
Okay.
Yeah? I'm I'm sorry, really.
I-I can't even imagine how you must feel.
[inhales shakily.]
Fuck.
- Sorry.
- Yeah.
Hey.
Thank you.
[exhales deeply, sniffles, chuckles.]
Do do you want to go back to my apartment and and get stoned? It's really close.
It's right by the IKEA.
I'll get you some Swedish meatballs.
[laughs.]
Okay.
Come on.
[Mickey.]
People like a good cry, Harriet.
[Harriet.]
Not over a dead kid.
[Mickey.]
What about this? There's a shootout in a bank.
And, uh, Michael realizes that he could die then and there.
So he runs out, he covers his heart with his hand.
He gets shot, and his heart goes to his little girl.
[Mickey.]
That better? It was better when she died.
- Why? - Write what you know, Mick.
You're late.
I had wrestling practice.
[Daryll, muffled.]
Jay, brah, you and I both know that a rich, powerful black man in America It's a three-hole punch, Bunch.
- [Daryll.]
Huh? - Well, I didn't know.
Yeah, you did, 'cause I told you last time.
So take it back, all right? White paper, no three-hole punch.
Make sure the coffee's whole bean, not ground, 'cause we have a grinder, in case you don't remember.
Fuck you.
I'm sorry? [Daryll.]
If you roll with us, you will get three of the best in Los Angeles at crisis resolution.
- He didn't count me.
- So what? Four fucking people work here.
Not just three.
[rap music playing.]
Fuck this.
What's going on, Bunch? - Daryll's not counting me.
- What? And Lena, bossing me around with paper and fucking coffee.
Jesus fucking I moved my family back from Pismo Beach for you, Ray.
[Bunchy.]
I'm here to help you.
I know you did, Bunch.
All right.
Well, I'ma be a luchador.
What? El Trebol.
What the fuck does that mean? "The Shamrock.
" Three weeks, ten cities.
Lucha on tour.
So fuck this shit.
Fuck this shit! [door closes.]
I miss Avi.
[Lena.]
Have you talked to him? No.
[Daryll.]
Like, I wouldn't set this up unless I knew that we could make something happen.
You know what I mean? Come on.
- Let's do this.
- You're in the right place.
You're in the right place messing with us.
Yes.
Jay White, I'd like to introduce you to the man himself, my brother Ray Donovan.
Respect, man.
I heard a lot about you.
How are you? Hey, Ray, uh, this is, uh, Jay's His sensei, Shoota.
[Jay.]
Come over here.
- He needs to bow.
- No, it's all good.
Hey, uh, Jay's in town doing the remake to the Sonny Chiba movie, G.
I.
Samurai.
- Yeah? - It's about an awesome platoon of tough, black U.
S.
Marines accidentally get sent back in time to the the feudal days of medieval Japan.
- Hey, we got to go.
- All right, my nig.
- You stay up, okay? - Let's go, let's go.
- Huh? - It's good to meet you, Ray.
- [speaks Japanese.]
- [Jay.]
Hey, yo, we out! That's a $400,000 samurai sword.
Yeah? Ray, that was Jay White.
Oh, uh, Ray, uh, Mickey called and said something about a boutonniere.
I got shoes already.
Shoes? Boutonniere? It's a fucking flower, Daryll.
[woman on TV.]
The pictures of The Waterfall star were taken during a trip to Jamaica, but no word yet on who leaked them.
We have reached out to Natalie's reps to confirm, and we'll keep you updated - as we learn more.
- [cell phone rings.]
This is Sandy Gagic reporting [cell phone rings.]
Yeah? I need you over here, now.
Natalie James? [exhales sharply.]
No.
Sam Winslow.
[dramatic music.]
[alternative rock music playing.]
That was pretty good.
Yeah.
[coughs.]
I can't believe that you still smoke.
[coughs.]
Well, it's not lung cancer, man.
[chuckle.]
These might be the best meatballs I've ever tasted.
- Dude, right? - Mm.
So you went through with the surgery? No, I got kicked off the trial.
Mm, what do you mean? I got sick.
Yeah, I was in pre-op, and and they found an infection, so Well, when are you gonna have it? Um, I don't know.
I mean, I got to go through, like, the whole lottery thing again, so it might not happen.
Wait, you, um You got an infection right before? Yeah.
It was a real "fuck you" from Jesus, huh? [both chuckle.]
What kind of an infection? Uh meningitis.
I'm so sorry.
Oh, it's it's okay.
I mean, it's been a-a real nightmare, but If you don't If you don't get it? Well [sighs.]
You're very beautiful.
I'm not trying to make things weird or anything.
I just I think that you're beautiful.
How are you happy like this? Well, I'm with you.
Um I'm high.
There's birds outside chirping.
I never hear birds in New York.
Just got to listen.
[birds chirping.]
See? [chuckles.]
Hey, do Do you do you want to, like, hang out? I could go get a bottle of wine or something or Is is that cool? Do do you have to go? No.
Yeah, no, I can stay.
- Yeah? - Yeah.
All right, cool.
Cool.
[keys jingle.]
[door opens, closes.]
[indistinct chatter.]
[telephone ringing in the distance.]
[indistinct chatter.]
It's getting to be a running bet around here that you don't show up with my coffee.
It's never gonna happen.
[smooches.]
I'm gonna bring you your lunch every day for the rest of your life.
- You get your suit? - Yep.
What about Damon? He's trying his now.
Sweetheart, you just left him there? What if he picks purple or orange? Then he wears purple and orange.
Roberts needs you back in three.
Are you gonna say hello to Terry? Jesus, Todd.
Terry.
- Todd.
- See you later.
My father's got the boutonnieres for you, your brother, and your uncle.
Yeah? And I was wondering if you'd like to make a toast tomorrow.
I don't know about a toast.
Suit yourself.
I ran a check on you.
Some shit came up.
Well, Maureen knows I was in prison, so that's history.
Yeah, my sister knows about that.
But I don't think you told her about this.
That wasn't so fucking long ago, now, was it? [soft suspenseful music.]
[indistinct shouting.]
[bell ringing, shouting continues.]
Thanks for getting here so quickly.
Sure.
- So what's the problem? - Oh, yeah.
This.
It's coming out by day's end.
Who leaked it? You know Tom and Vicky? Yeah.
Thought they were supposed to be fixing problems, not making them.
We got a board meeting in three weeks.
Is this true? Yeah.
Unfortunately, it is.
Sam brought them in house a few years ago.
They've been good soldiers for us, but Sam overused them.
She built Tom and Vicky a wing in the administrative building, and she's been spending company money trying to fund her personal wars.
Where are they now? After Sam cut ties with them, they took files and disappeared.
[Landry.]
All relevant and Pacific-pertaining materials in their possession must be returned.
Any discussion of their relationship with Samantha Winslow, written or verbal, is strictly forbidden and any further contact with any employees of Pacific Pictures or its holding company ceased.
Sam isn't interested in litigating this thing.
She just wants her stuff back.
So what's she offering? The money will be refreshed annually, so long as Sam is still chairman of Pacific Pictures and its parent company.
Your payment.
[dramatic music.]
[indistinct chatter.]
[Vicky.]
Ray Donovan.
Winslow, Ray, really? Sorry about your wife.
She was a real beauty.
Winslow needs you to return what you took.
What are the terms? Landry gave me two bags, 500 in each.
You get the same every year moving forward.
Landry says no more business with Pacific.
And that means no more business in Hollywood.
That's what he says.
That's what Sam says.
Maybe she'll retire in a year or two.
You can start up shop then.
She's not done.
She's not gonna retire.
She'd rather die than retire, and she'll probably never die.
You taking the money or not? What other choice do we have? That's all of it.
Winslow's not fit, Ray.
What she does, the way she does things.
- Have you met her? - No.
Do yourself a favor, don't.
[cell phone ringing.]
[exhales deeply.]
[cell phone beeps.]
Yeah.
I found a very motivated buyer.
[Deb.]
I have a good feeling about this couple.
Three kids, moving here from Evanston, Illinois.
Can you meet me at the house? Sure.
[cell phone beeps.]
[cell phone beeps.]
[line trilling.]
[Conor.]
Yeah? Hey, Con.
Yeah? [Ray.]
You make varsity? Got to cut weight, but, yeah.
What are you cutting to? One thirty-eight.
[Ray.]
Call Terry.
He'll give you a hand.
It's wrestling, not boxing.
[chuckles.]
It's cutting weight, Con.
You want me to come out there, see the match? [Conor.]
You're busy.
Not that busy.
You talk to Bridget? [brooding music.]
All right, I got to go.
I have class in five.
[cell phone beeps.]
[cell phone beeps.]
[sighs deeply.]
They're looking for good schools and some space for You said you were gonna fix that, Ray.
[dog panting.]
He took a shit so big, I could hardly get it in the bag.
- [dog barks.]
- Oh.
We got a showing? Mm-hmm.
All right.
I'll make myself scarce.
[car alarm beeps.]
[Mazzy Star's "Fade Into You".]
[song playing over radio.]
God, it's all so beautiful.
You go in shadow We should let Mickey move in.
You'll come across and you'll go - He's lonely.
- [sighs.]
We got room.
You're out of your fucking mind.
The kids are growing up.
They're gonna be leaving soon.
Well, that's exactly why we don't need to be letting Mickey in the house.
It's a huge house.
He saved our fucking ass tonight, Ray.
What's not there Fade into you [laughs.]
You know what this song reminds me of? Mm-hmm.
What? Strange Your 25th birthday.
What? Of course I remember.
How come we never have sex in the bath anymore? I don't know.
[cell phone ringing.]
[cell phone ringing.]
- Hey, Bridge.
- I met the kid.
What kid? You know what kid.
[cell phone beeps.]
[somber music.]
[cell phone beeps.]
[doorbell rings.]
[Deb.]
Ray? They're here.
Ray? [door closes.]
- [sighs.]
- You okay? I can't do it, Deb not today not yet.
[sighs.]
Okay.
Okay.
[Deb sighs.]
Hi.
I am so sorry, but, uh, the owner's elderly father hasn't found a new place to live.
But there are three wonderful homes nearby I can show you.
[cell phone ringing.]
[indistinct chatter.]
[door closes.]
Yeah? [Landry.]
Where are the boxes? What? [Landry.]
The boxes from Vicky and Tom.
I got 'em.
[Landry.]
I'm at Sam's house.
I need you to bring them over immediately.
What's the address? [doorbell rings.]
[footsteps approaching.]
I'm Ray Donovan.
Uh, Doug Landry's expecting me.
You an actor? No.
You could be an actor.
Yeah? Oh.
Thanks, George.
He's here for me.
You get everything? Yeah.
It's in the car.
[no audio from television.]
My husband, Roger, used to go on these ridiculous safaris for weeks at a time.
He [chuckles.]
He wanted to be John Huston.
But, uh, actually, he was more like Woody Allen.
Roger used to tell this story about a - [drink pours.]
- man from Australia who was famous for killing lions and a lion from Kenya, who was famous for killing men.
This particular lion had killed and eaten over 25 villagers.
And the hunter thought, Well, this creature must be the fiercest creature he will ever encounter.
When he got to the village, he He built a-a blind right at the edge of the trees.
And he waited.
He was terrified.
He he felt vulnerable.
I mean, what kind of creature was this that could kill 25 men and never be stopped? Night came, and as the hunter looked out into the bush, he didn't realize that behind him the villagers had gathered up their goats inside their huts to keep them safe.
But then there wasn't enough room for everyone to sleep, so they pushed the elderly outside for the lion, you see.
For the lion.
Cheers.
Cheers.
Do you think that there's a moral to this story, Mr.
Donovan? I don't know.
Don't get old.
Don't get pushed out.
Thanks for the drink.
Did you meet my stepson? Who? George.
When you came in.
Yeah.
He doesn't drive.
He needs a lift.
Do you mind? Sure.
[door opens.]
[dramatic music.]
[exhales deeply.]
You ready? Okay, marido, let's do this.
And in the end And in the You ever been to that hotel in Culver City where all the Munchkins stayed when they were working on The Wizard of Oz? No.
[cell phone ringing.]
[cell phone beeps.]
Yeah.
[Terry.]
We got to talk.
What's up, Ter? It's fucking important.
I can't talk right now.
Yeah, well it's fucking important.
Where are you? I'm in the club.
[cell phone beeps.]
Yeah, so that's where all the little people stayed when when they were doing the movie.
There was, like, drunken Munchkin orgies.
One little fella He killed himself on set.
[George.]
You can you can see it in the movie.
There's a little guy, like, hanging from the tree in the Tin Man scene.
[Mazzy Star's "Fade Into You".]
The strange light comes on slowly A stranger's heart is out of home Your heart's pounding.
- Is it? - Yeah.
- [inhales deeply.]
- What's going on? [exhales deeply.]
Nothing.
I feel good.
- I think.
- [chuckles.]
Barely recognize it, huh? Cover your heart Abs Fade into you - What do you want to do? - I could go for a burger.
No, I mean, you know [breathes deeply.]
Now that the kids are leaving the house and we're getting older.
I'm not getting older.
Seriously.
If you could do anything you want, what would it be? - Anything? - Yeah.
Maybe open a bar? A bar? Yeah.
[scoffs.]
It'd be someplace for the family to get together and someplace for Bunchy to work and Conor.
God knows he's gonna need a job.
[chuckles.]
Abs, you left Boston to get away from running a bar.
[laughing.]
I'm drunk.
You asked me what I wanted, and I don't know It would just It would remind me of home, you know? [chuckles.]
Ray! [gasps.]
[dramatic music.]
[crashing.]
[loud crash.]
[both breathing heavily.]
You okay? [breathing heavily.]
Yeah.
You got a little bump on your head.
All right.
Can you move? - Yeah.
- Okay.
[Mazzy Star's "Fade into You" continues playing on car radio.]
[tender ambient music.]
[George.]
Oh, of course, now they've mastered out the The little dead guy.
But you can't erase things like that from people's minds.
You can't.
Once you see horrible things, you can't erase them.
I-I saw my sister die.
What? "Home is where the heart is.
" That's what Dorothy said.
"There's no place like home.
" Exactly.
Exactly.
That's my point.
[roars.]
[Bunchy.]
Come on, baby! [grunts.]
- [man moaning oddly.]
- [chuckles.]
Shit! [Bunchy.]
Come on.
Come on, get them! Let's go! No! No! [shouting oddly.]
[Bunchy groaning.]
[people.]
[shouting in Spanish.]
[man.]
[shouts in Spanish.]
Oh, shit.
- Um - [man groaning.]
El Tigre.
Kevin.
- Oh, fuck.
- [man.]
[shouting in Spanish.]
- [breathing heavily.]
- [man groaning.]
[man.]
Ayúdalo.
[thunder rumbles.]
Ter? [Andy Kim's "Rock Me Gently".]
[Andy Kim.]
Ain't it good? Ain't it right That you are with me Here tonight? Music playing Our bodies swaying in time [female chorus.]
Intime, in time, in time [Andy Kim.]
Touching you So warm and tender Lord, I feel such a sweet surrender Beautiful is the dream that makes you mine [female chorus.]
Mmm [Andy Kim.]
Rock me gently Rock me slowly Take it easy Don't you know That I have never been Loved like this before? [all.]
Baby, baby Rock me gently Rock me slowly Take it easy Don't you know That I have never been Loved like this before? Music broods [Andy Kim.]
Oh, my darling Oh, my baby You got the moves that drive me crazy [ominous music.]
Ray.
[rain pattering.]
What's going on? Sit down.
What's up, Ter? I got something to tell you.
Ab Abby What? Abby was right.
I shouldn't have lied.
Lied about what? Ah.
You know, it's over between me and Maureen.
What are you talking about? Her brother found out about Nevada.
So? [sniffles.]
You made a mistake, Ter.
It happens.
Take it.
No.
Abby wanted her to have it.
[sniffles.]
Not like this, Ray.
Not like this.
[people.]
[chattering in Spanish.]
[thunder rumbles.]
I'm sorry, babe.
We'll be fine.
You still have your job at Ray's office.
I can stay home and look after Maria.
You go.
You go on the tour.
- Yeah, but what about - Go.
I'll stay home with Maria, all right? At least that's one thing I ain't so bad at.
You ain't so bad at a lot of things, Brendan.
[thunder rumbles.]
[Mickey.]
Michael's got his semiautomatic in one hand and the bag of cash for his daughter's heart in the other.
"Drop the gun," says the cop.
"Drop the gun.
" Michael whispers to himself, "I can't let you down, Angela.
" "Drop the fucking gun.
" Michael drops the money and keeps his gun pointing at the cops, knowing they'll shoot.
"Not in my heart," says Michael moving forward.
"Whatever you do, not in my heart.
You hear me? My little girl needs my heart.
" [imitates crying.]
[exhales deeply.]
You startled me.
Did you tell Terry I got the boutonnieres? They're in the fridge.
[Bridget sobbing.]
[soft music.]
[sobbing continues.]
[sobbing continues.]
[Bridget.]
Dad.
What happened? [Bridget sobbing.]
[rain pattering.]
[music fades.]
[thunder rumbles.]
[Mickey.]
Now the camera is close up, on gurney wheels moving fast.
And the nurse says, "Angela, we have a match.
You're gonna live.
You're gonna live.
" And off Angela's face, not knowing she's getting Michael's heart, we see finally a ray of hope.
Hope.
It's a triumph.
It's a fucking triumph.
[exhales deeply.]
[exhales deeply.]
She was the brightest star in the sky.
You sleep, kid.
I can see Very well There's a boat on the reef With a broken back And I can see it very well There's a joke And I know it very well Take my word, I'm a madman Don't you know? Once a fool Had a good part In the play If it's so, would I still Be here today? It's quite peculiar In a funny sort of way They think it's very funny Everything I say Well, get a load of him He's so insane You better get your coat, dear It looks like rain We'll come again next Thursday afternoon The in-laws hope they'll see you very soon But is it in your conscience That you're after Another glimpse of the madman across the water?