Hudson and Rex (2019) s05e18 Episode Script

1
[SUSPENSEFUL MUSIC]
[INDISTINCT CHATTER]
[BUZZER SOUNDS]
- William Mumford here is a VIP.
- Name's Billy.
William always seemed
a little fancy for me.
I'm so sorry, Billy.
What a fine citizen to meet
your first day on the job.
- Get in.
- MUMFORD: Oh, easy!
No need to be so rough.
Oh, you precious baby.
You'll live.
More's the pity. Hands.
[CUFFS RATTLING]
Sweet dreams.
I'll make sure you're in them.
Mmmm.
[BUZZER SOUNDS]
- MALLORY: Oh hey, Hudson.
- Hey, Mallory.
MALLORY: You remember Rex's
favourite catch, Mr. Mumford?
This is Rawlins. His first day with us.
CHARLIE: Oh, hey, Rawlins.
Welcome to the team.
Obviously, you've never seen Rex before.
No, but sure heard all about him.
- Hey, Rex.
- CHARLIE: That's okay. You can pet him.
He won't bite.
Yeah?
- Rex, say hi to Ben.
- BEN: Awww!
Ahh!
[RAWLINS CHUCKLES] Awww!
- Who's a good boy?
- MALLORY: All right.
Fun's over.
- Got to show this rook around.
- [RAWLINS CHUCKLES]
Come on, Rawlins.
- See you.
- RAWLINS: See you soon.
[DOOR CLOSES]
Still running with that
fleabag eh, Charlie?
[REX GROWLS, BARKS]
You just don't like him
because he knows what
kind of man you are, Billy.
- Yeah.
- So, last night on the rock, huh?
Yeah, not certain this is how
I'd choose to spend it but
Just enjoy it while you can
because it's going to be a
fair bit better than Millbrook.
Why are they sending me
to that hellhole anyway?
That's the whole consequences
of your actions thing.
Right.
But why the stop off here?
You just want to give me a pep talk?
No, there's trouble at the airport.
- No flights going in or out.
- Trouble?
- What kind of trouble?
- That's not your concern.
See you in forty years, Billy.
- [DEVICE BEEPS]
- [BUZZER SOUNDS]
At least your dog will
be dead by then. So,
- that's something.
- [REX GROWLS, BARKS]
[CHARLIE SIGHS]
Let's go, Rex.
- [REX BARKS]
- Come on, partner.
[DOOR CLOSES]
- [DOOR SLAMS]
- [KEYBOARD CLACKING]
Hey.
He's not the most
pleasant overnight guest.
No, fortunately it's just for a night
then we get a killer off the island.
Why are we shipping him out anyway?
Well, Halifax PD wants him.
He's a suspect in a murder there too.
They want to question him
before the Feds take him.
So, you think he's going to spend
the rest of his life behind bars?
This and the next I'd say.
The next one?
You believe that?
Above my pay grade, Jesse.
It's quiet in here.
Yeah, half the crew are at
the airport looking for a bomb.
The other half are
at the holiday parade.
The holiday parade? That's right!
- I wish I was there!
- Oh, really?
You want to go stand
in line to tell Santa
- what you want for Christmas?
- Yeah, maybe.
- Really?
- I've got some pent up things
I want to say to that guy.
[QUIRKY MUSIC]
[REX WHINES]
Okay.
You know what?
I'll settle for the day of boredom.
Come on, pal.
[COMPUTER BEEPS]
[OMINOUS MUSIC]
[BUZZER SOUNDS]
- Come on.
- Easy.
We didn't do nothing wrong.
They have you cited
for public intoxication.
Causing a disturbance.
But, hey, I wasn't there.
- I'm sure you're innocent.
- SKYE: Oh! A smartass.
Don't put him in a cell with me.
- I don't want that neither.
- RAWLINS: Get in.
Which one of us?
You choose!
Get in.
Don't tell me what to do.
All right, fine! I don't care!
Whatever happened to ladies first?
Got to be a lady to have that happen.
[MUMFORD CHUCKLES] Good one, bro'.
When'd this become your business?
I'm just making conversation.
Don't.
[METAL DOOR CLANGS SHUT]
MUMFORD: I don't want to hear
anything from you. Got it?
All I'm looking for is a
quiet night in the cells.
SKYE: Hey, uh
Hey.
Aren't you the guy that killed
those two kids up in Bay Roberts?
Weren't kids.
Grown men.
Still killed them.
That's what they say.
Hey, guard.
Look, it's my last night on the island.
These two have to be here?
Enjoy your evening.
[BUZZER SOUNDS]
[DOOR SLAMS]
[DRAMATIC PERCUSSION]
[UPBEAT THEME MUSIC]
Hey, did Joe say when he'll be back?
Well, I mean, the seminar's
today and tomorrow.
PD for the PD.
Joe's been doing a lot of
professional development lately.
Yeah, I mean when you take
a course, they bump your pay.
I don't know. You sure that's all it is?
What else would it be?
SARAH: That's a lot of days away.
You heard that rumour about the
Chief Superintendent retiring, right?
Really?
Yeah, I don't know.
Maybe Joe is going for it.
Guys, I've been thinking
about this a lot.
So, if Joe leaves Major Crimes,
that means we would get a new boss
who could be fine. Or awful.
- Or not.
- You really don't like change, do you?
SARAH: It's a little too
early to worry, anyway.
If Joe's going anywhere, we'd know.
- Wouldn't we?
- Yeah, I sure hope you're right.
SARAH: Hey. Where are you off to?
- The morgue.
- I hope it's nothing serious.
No, no, it's just
Oh, you're being funny. That's okay.
I'm in the middle of a
game of Snakepit with Karma.
- You're still playing that?
- You won yet?
It's not about winning or
losing. It's about the adventure.
- So, no.
- Tonight's the night.
So, that's where I'll be
if anything comes up, you need me.
Wish me luck.
Mm-hmm.
- Hmm?
- Jesse and Karma?
No. No, no, I doubt that.
They're not really a match.
I don't know! People would
say the same thing about us.
Who would say that about us?
What are you talking
about? We're a great match.
Brains and brawn.
- Which is which?
- Sweet and spicy.
Badass and bookworm.
- Goofy and mature?
- Exactly.
Wait, what?
- Rex knows.
- [REX BARKS]
- See?
- Huh.
- He agrees.
- Yeah, remember where your next meal
- is coming from, pal.
- [SARAH CHUCKLES]
[REX BARKS]
- [QUIRKY MUSIC]
- You see?
I know a way to a dog's heart.
Yeah, bribery.
Exactly.
[OMINOUS MUSIC]
You know, it's your fault we're in here.
- You hit me first.
- SKYE: Because you deserved it.
Will you two shut up?
Ain't your business!
Well, leave me out of it.
You ain't in it!
MUMFORD: If I can hear it, I'm in it.
BLU: Why are you listening anyway?
I don't feel so good.
Lightweight.
[SKYE BREATHING HEAVILY]
No, really.
BLU: Hey, guard!
Guard, we've got a problem here!
[INSTRUMENTS CLINKING]
[KARMA GASPS]
KARMA: Jesse! You shouldn't
sneak up like that!
Oh, I'm sorry. I'm sorry, um
- [KARMA SIGHS]
- You look like you have somewhere to be.
Yeah, just this charity thing tonight.
So, I thought I'd switch
up my look a little bit!
What do you think?
Yeah, you look you look
nice.
Nice?
That's not exactly what I was going for.
Well, no, I mean what I meant to
Well, I mean that's not
It's working.
I'll take it.
Do you need something from me?
Yeah, well, I mean
I was hoping we could finish our game.
- You're a glutton for punishment.
- [JESSE CHUCKLES]
- Sure.
- Nice.
I've got half hour. That
should be all the time I need.
Oh, don't count on it, okay?
I'm set up perfectly for
a classic redemption arc.
- It's my turn, right?
- Yes.
Okay. Get ready.
That's bad.
[QUIRKY MUSIC]
[KARMA CLICKS TONGUE] Oh.
Listen, I admire your
commitment to your strategy,
but at some point, you're
going to have to admit
- that it's not working.
- Never.
Now, would you consider a trade?
I know I might look
like a pushover, Jesse.
But in here,
I am cutthroat.
There will be no handouts.
There will be no mercy.
Ohhh!
That's
That's luck. You're lucky.
The gods of Snakepit are
bountiful to those who deserve it.
[SKYE MOANING]
BLU: Skye. Skye, talk to me.
Let me know you're okay.
Guards, we need help here now!
She's out cold! You've
got to come now! Hurry up!
Skye, Skye! Get in here now!
She's unconscious! Come on! Hurry up!
- [BUZZER SOUNDS]
- What took you so long?
Here he comes! Here
he comes! You're okay.
- Is she okay? Get up!
- She can't!
Come on, you've got to help her man.
- Who asked you?
- I'm just saying, look.
Hurry up!
- Help her, man. That's my lady!
- Ma'am.
Ma'am, are you all right?
BLU: She better not die in here.
- [DOOR BEEPS]
- Ma'am, I said are you all right?
BLU: You need to get a medic!
If anything happens
to her, that's on you!
She needs help! You're
not listening to me!
- RAWLINS: Ma'am are you all right?
- Get a medic in here, man!
She needs help!
- His gun! Get his gun!
- Oh!
[SKYE LAUGHS]
- You had no idea!
- [LOUD SMACK]
- Okay, come on!
- We've got the A-Team here!
Cuffs, cuffs! Get his cuffs!
I'm getting them.
You've got a lot of jam for
such a pretty little thing.
Shut up, Billy.
[MUMFORD LAUGHS]
- I will when you let me out!
- [DOOR BEEPS]
- There we go.
- You are a genius.
Give me that. Come on.
Ohhh! Yeah.
Uh, you forgetting about somebody here?
- Sorry, sweetie!
- [DOOR BEEPS]
Hi!
True love.
Oh, nice work.
Hey, hey, hey, hey! [MUMFORD BLOWS]
- [MUMFORD LAUGHS]
- I didn't kill him, did I?
No, he'll be out a
good long while though.
- Back in the cell.
- BLU: What?
[SUSPENSEFUL MUSIC]
SARAH: Left paw, Rex.
No no no. No, other left.
Other paw. Yes! Good boy!
- Good boy.
- CHARLIE: Okay, yeah, thanks for the update.
Well, that's the airport authorities.
Airport's going to be
open in another hour.
- They find anything?
- Couple of unclaimed bags.
- So, normal.
- Yep.
- Any idea who called in the threat?
- No no.
Probably just a prank.
Okay, so once the airport's open,
Mumford is out of here.
Yeah, judging by the time,
that's probably tomorrow morning now.
[CHARLIE TEXTING]
What?
I wonder if that's a coincidence?
It's Charlie Hudson.
[DEVICE BEEPING]
[BUZZER SOUNDS]
MALLORY: Rawlins. Coffee.
- This is a one-time thing.
- [GUN COCKING]
Hope that's a double double.
[ALARM SOUNDS]
No!
What the hell did you just do?
No one is getting out of here.
I guess that includes you too.
Oh, this is exciting.
CHARLIE: Really? Yeah, yeah. Thank you.
The call to the airport
was made by a burner phone.
- No one took credit?
- [MYSTERIOUS MUSIC]
No, no not yet. I mean
it's not unusual, but
burner phones suggest
more planning than prank.
[REX BARKING]
What is it, pal?
[SUSPENSEFUL MUSIC]
You've got to be kidding me.
- What's he saying?
- Hold on.
You'd better get me what I need
or both these cops are going to die!
[REX BARKS]
[DRAMATIC MUSIC]
[SUSPENSEFUL MUSIC]
Okay, how many people
do we have up here?
Uh, at least two up here.
- Jesse and Karma in the morgue.
- Two behind bars.
Yeah but who knows how
many are in the building?
I mean, should we call in SWAT?
No. Not yet. Escalation
might make this worse.
- Define worse.
- Well, nobody's shooting anybody yet.
That's when worse starts.
- Does this thing work?
- Push the button.
CHARLIE: Hey, Billy!
Oh, hi!
Is that your sultry
voice I hear, Charlie?
What in the hell are you doing?
What's your plan here?
MUMFORD: What's my plan? What's my plan?
My plan, Hudson, is to
get the heck out of here.
CHARLIE: Okay. Release the
hostages and we'll talk.
Oh, okay! Yeah, sure, sure,
sure! Yeah, I'll do that!
What do you think I am? An idiot?
What do you want?
Okay, that's better.
That's better. What I want is simple.
I want a half million dollars
and a fully gassed chopper.
Well, that's going
to take a little time.
[MALLORY LAUGHS]
Well, you've got an hour.
[GLASS SMASHING]
[SARAH SIGHS]
Next steps?
[PHONE BUZZING]
One sec.
Charlie. Hi.
You need me up there?
Nice try. You're just saying that
because you're getting smoked.
Don't put your hand at me!
Apologies.
Okay. Okay, yeah.
Karma, we have a problem.
Three prisoners have taken
over the holding cells.
They have two hostages.
The cells in the basement?
Just down the hall from us?
It's a pretty long hallway.
Are they armed?
Yeah.
- Hells bells.
- Correct.
And what does Charlie want us to do?
Well, he wants us to lock
the doors and stay put.
Stay put?
- That's the best he has?
- Well, he's the ranking officer!
We have to do what he says!
Well, technically, I'm not a part
of the police chain of command.
There's a reason I work
with dead bodies, Jesse!
- Plus there's somewhere that I need to be!
- Karma.
Breathe.
- [KARMA BREATHES]
- It's going to be all right.
See?
Let's do this.
[JESSE STAMMERS]
Move. The table.
- Barricade the door!
- Oh, yeah, yeah!
[KARMA AND JESSE GRUNTING]
Looks like I got dressed up for nothing.
Well, I mean, if it's any consolation,
you are the best dressed person
at this whole hostage-taking thing.
[REX BARKS]
It's okay, pal. Nothing to worry about.
- Charlie.
- Okay, something to worry about.
But we've got it under control.
- Heads up!
- [GUNSHOT]
[MORE GUNSHOTS]
[COMPUTER BUZZING]
- [REX BARKING]
- [COMPUTER BUZZING]
Charlie! Charlie, hey, hey.
It looks like he's taking
out the rest of the cameras.
- Were you able to get in touch with Joe yet?
- No, not so far.
It must be one of those check
your cell at the door events.
I'll find out where he
is and get in contact.
Okay, well, there's been shot's
fired. I need to call SWAT.
[SARAH SIGHS]
[PHONE RINGING]
What the hell are you doing?
Taking out their eyes.
What's that matter? We're
still trapped in here!
Well
[DEVICE BEEPING]
[DEVICE BEEPING]
- [DEVICE BEEPING]
- It's not working.
The card's not for that door.
Check that cop's Check his pockets!
- BLU: What am I looking for?
- A fob!
- What's a fob?
- The things that open the door!
The little plastic things!
The magnet, you idiot!
- BLU: Don't call me that!
- Don't be one!
You three are in a world of trouble.
MUMFORD: I'd say you're
in a hell of a lot worse.
BLU: Bingo. Fobby thing.
I just found us our ticket out of here.
Okay.
[DRAMATIC MUSIC]
CHARLIE: Yeah, yeah, we have them
contained in the holding cells now.
Two hostages, both members.
BARRY: Okay, stay where
you are. We're on our way.
Where's your CO?
Joe's at a seminar. I'm ranking officer.
Okay, just stay put. We got this.
- What's the status of the hostages?
- I don't know.
The suspects just took out the cameras.
- But we heard gunshots.
- But we heard gunshots.
Copy that.
We're there in ten.
All right.
Let's go.
So, what do we do now?
We wait.
[REX WHINES]
Rex!
Well, he's not interested in that.
He knows there's
officers in trouble. Hey.
Secure the lobby.
[MALLORY SIGHS]
SKYE: I can't
- Come on, come on.
- [DEVICE BEEPING]
[DEVICE BEEPING]
[DEVICE BEEPING]
These don't work.
What, what do you mean?
- Open this door.
- I can't.
What do you mean you can't?
MALLORY: During a lockdown,
the door can only be
triggered from the outside.
She's lying.
I can tell a liar from a mile away.
I guess it takes one to know one.
What's that supposed to mean?
You know what it means.
Okay, leave the outside
problems on the outside!
You open this door right now
or that rookie's first day
is going to be his last.
I told you I can't.
She told me that you're a liar
and I believe her.
[JESSE SIGHS]
JESSE: No. No, no, no, no, no.
Stay away from the window.
You heard the gunshots, right, Jesse?
Yeah, of course I heard the gunshots.
So, you want to end up a
permanent resident in here?
- Well, no, I no.
- I think we should get out.
There's nothing in here that they want.
Except more hostages!
Wouldn't you rather be with
Charlie and Sarah and Rex?
- Look, Charlie said
- Charlie isn't stuck down here!
And I'm not going to be either.
What are you doing?
I say we make a run for it.
What if they see us?
We don't let them see us.
[JESSE SIGHS]
Yeah. Okay, yeah.
You might want to lose the heels.
[TABLE DRAGGING]
[OMINOUS MUSIC]
- Charlie.
- Yeah.
Rex!
Hopefully he's just
doing reconnaissance.
[SARAH SIGHS]
Could Rex actually fit in there?
Are you ready?
[DRAMATIC MUSIC]
JESSE: Hold on. Make
sure the coast is clear.
- KARMA: All clear?
- I don't see anyone.
- [REX GRUNTS]
- Did you hear that?
Yeah, that was my stomach.
Um
I'm sorry. I made you
stay to play Snakepit.
This isn't your fault, Jesse.
Yeah?
Yeah.
Okay, we should go meet the team.
- [PHONE BUZZING]
- Yes.
Oh.
Charlie, yeah. We're heading to you.
- CHARLIE: Jesse I told you to stay put!
- [REX WHINES]
JESSE: Well, someone had other ideas.
[REX WHINES]
You've got ten seconds
to open that door.
What's that going to get you?
Ten seconds of freedom?
Not with you two as human shields.
BLUE: We've got a chopper on the way.
Ain't that right, Billy?
Yeah that's a laugh.
MUMFORD: All right. Ten seconds up.
Stop! All right, all right.
All right!
Fine.
[DEVICE BEEPING]
What are you doing?
It's the override.
I thought you said it was locked down.
MALLORY: Yeah. Well, Red was
right, sweetie. I'm a liar.
- I told you.
- [DEVICE BEEPING]
[DOOR BEEPS, BUZZES]
Grab her.
- RAWLINS: Hey.
- Billy.
- [GUNSHOT]
- Ughhh!
Rawlins!
- Okay.
- What?
Shooting cops now?
We're breaking out of a police station.
You didn't think that was a
possibility when you signed up?
- RAWLINS: Hey!
- MUMFORD: It's just his shoulder!
Aghhh!
[DRAMATIC MUSIC]
Stay sharp and keep
your head on a swivel!
- I want a command centre right there.
- Copy that.
I want all of these
civilians out of here now!
JACKSON: All right, everyone!
Out this way in an orderly fashion.
We're evacuating the building please!
Evacuate the building! Go, go!
[INDISTINCT CLAMOURING]
Hudson, we are in the building.
CHARLIE: Copy that. I'm
with Dr. Sarah Truong.
And the rest of our
staff are coming out now.
- You too, Hudson.
- CHARLIE: Negative, negative.
My partner is still here
and there's two others.
I'm not leaving till they're safe.
This is my scene now
and I want whoever else's in
there to get out immediately!
Yeah, well, I don't answer to you.
- [DIAL TONE]
- [BARRY SIGHS]
God's sakes!
Holy smokes!
Are you guys all right?
Yeah, never better.
You look very nice.
Yeah, that's what I said.
Thanks.
MUMFORD: Check that door.
SKYE: And this one's locked too.
And it has kind of a weird keypad.
I think we need one
that's the square kind.
Like there's a door up there with one.
[KEYBOARD CLACKING]
[COMPUTER BEEPING]
MUMFORD: Yeah, I can see it from here.
That door takes this kind of fob.
BLU: Huh?
[DRAMATIC MUSIC]
Ughh!
- Hey, hey, hey!
- [GUNSHOT]
[MALLORY SCREAMS]
Stop!
[BLU GROANS]
Did you see if Mallory got hit?
- No.
- Me neither.
You want to go after her?
No, no. Uh, go get the other one.
The one you shot?
It don't matter who pulled
the trigger, sweetheart.
We're all in this together now.
Where's Rex?
I lost him.
[SARAH SIGHS]
- BLU: Here you go. I got him.
- [RAWLINS GROANS]
MUMFORD: All right,
all right, all right.
See if you can stop the bleeding.
He's our only ticket out of here.
BLUE: Maybe you should
have thought of that
before you shot him!
What can I say? I live in
the moment. I'm impulsive!
Wrap him up.
Hey, cop!
You hear that?
This one's got about
ten minutes to live.
So, you might want to
put a rush on the chopper!
CHARLIE: Well, things just
went from bad to worse.
- [DRAMATIC MUSIC]
- They're still holding one hostage.
Apparently wounded. Likely gunshot.
What's the status of the other officer?
I don't know. I think she escaped.
We're coming in.
CHARLIE: Non no. We're negotiating.
The situation is stable.
BARRY: You said they
were holding a hostage.
Doesn't make it less stable. Look,
Mumford is a killer
but he's not a dumb man.
What the hell is that supposed to mean?
CHARLIE: Means if I
stall him long enough,
he'll see the hopelessness
of the situation.
I don't think he thinks like us.
He's got nothing to lose.
We can't let him set the agenda.
Charlie, I have to get in there.
- That kid's going to bleed out.
- It's not safe.
Jesse, we know Mumford's
history inside out.
What do we have on the other two?
Okay, one is Skye Gibson.
The other one is Toby Blu.
They've been in and out
of trouble with the law
for most of their lives
but nothing like this.
What's their association with Mumford?
Well, three of them were caught
selling stolen lottery tickets
a few years back but not much else.
And that was enough to
convince them to do this.
- [MUMFORD SIGHS]
- [RAWLINS SHUDDERING]
Where the hell is Blu?
How should I know?
He went off wandering somewhere.
- Probably looking for a way out.
- Go find him!
You think it's a good idea we split up?
It's a hell of a lot better idea
than that bozo running
around on his own!
Go look.
[RAWLINS SHUDDERS]
Hey, hey, hey.
[RAWLINS GASPS]
Hey. Listen.
You know another way out of here?
No.
I don't. It's my first day.
Right.
Well, you get out of this alive,
they might just give you a medal.
Come on.
[RAWLINS MOANS]
Come on.
All right.
This way.
[MALLORY BREATHES HEAVILY]
[MALLORY GROANS]
SKYE: Blu?
Baby?
Baby?
[MALLORY PANTING]
[MALLORY SIGHS DEEPLY]
Where are you?
[REX GRUNTS]
- [OBJECTS CLATTERING]
- BLU: Yeah, here we go.
Oh yes!
What are you doing?
Firearms are locked up tight
but this is wide open!
Billy's going to kill you.
I ain't scared of Billy.
Well, you should be scared of me.
Put it down.
Put that down.
All right. Let's go.
Are you sure, Skye? Like
how about just a little bit?
Not here.
- Not now.
- Not ever?
I didn't say that, sweetie.
- Okay.
- Just not now!
Come on.
[BLU SIGHS]
[TENSE MUSIC]
Charlie!
- Let's go.
- It's Mallory!
Mallory, are you all right?
I am now.
CHARLIE: You two. Can you get
Officer Mallory out of here?
- JESSE AND KARMA: Yeah.
- Sarah, come with me?
SARAH: Okay.
One out. One to go.
- Rex!
- Oh, there he goes again.
[SUSPENSEFUL MUSIC]
Where the hell have you been?
Here you take him!
Just taking a look around.
There's a lot of good stuff in here!
I don't care about that! I
care about a way out! That's it!
You've got to focus, Blu! Focus!
- You understand?
- Got it, man. Sorry.
- Focus.
- Yeah, focus.
Maybe you guys should stop focusing
and actually finding
us a way out of here!
CHARLIE: Hey, Mumford!
Let's talk.
About what?
I want you to let the officer go.
MUMFORD: No can do.
He's the only card I got.
CHARLIE: I'll give you a better one.
You let him go. You take me.
- Charlie?
- MUMFORD: Why the hell would I do that?
So, the kid doesn't bleed
to death. How's that?
The kid don't matter to me.
CHARLIE: All right. How about this?
Wait for the kid to die.
And then I send SWAT in there
to shred all three of you. Hmmm?
How's that sound? Because right now,
I'm the only one preventing
that from happening.
But SWAT won't shoot
you if you're holding me.
Don't do it, Charlie!
All right. You've got a deal.
[PA BEEPS]
[SOFT MUSIC]
MUMFORD: All right. Come on, come on.
We've got to get out of here.
[ELEVATOR PINGS]
[MALLORY GROANS]
- Are you okay?
- Yeah.
What's going on up there?
Detective Hudson has
got it under control.
Yeah. Sure looks like it, doesn't it?
Hey, um
You should go.
Not while they're still up there.
[DRAMATIC MUSIC]
What's the status?
BARRY: There are currently
three armed prisoners
- on the loose inside your station.
- I see.
And Detective Hudson
has denied us entry.
- Can you get him on the horn?
- Yeah, of course.
Hudson?
Hi, this is Sarah Troung.
DONOVAN: Sarah, it's Joe.
I need Charlie.
SARAH: I can't do that, Joe.
Why not?
Charlie is in there with them.
He's been taken hostage?
SARAH: No, he surrendered
himself to them.
- He did what?
- SARAH: Yeah.
Both he and Rex are in a
secured area of the building.
Why did he volunteer himself?
He did it to save Rawlins's life.
- Rawlins is with paramedics now.
- I understand.
All right. This is it, we're going in.
DONOVAN: Hey, hey. You
will do no such thing.
That's my lead man and Rex up there.
I'll not have one of your
trigger happy cowboys
Okay, all right. Watch your mouth.
Who do you think you're talking to?
I am the ranking officer.
- You will stand down.
- I'll go over your head.
You go over my head, I'll
put my foot in your ass
since we're talking anatomy.
[DRAMATIC MUSIC]
[INDISTINCT POLICE RADIO]
[COMPUTER BEEPING]
[SARAH SIGHS]
[COMPUTER BEEPS]
SKYE: Come on.
BLU: Let's go.
[COMPUTER BEEPS]
[COMPUTER BEEPS]
[COMPUTER BEEPING]
BLU: Let's go. Move it.
All right, Hudson.
Where's my chopper? Where's my money?
You know that's not coming, Billy.
What do you mean? We had an arrangement.
- I want my money!
- I can't believe you two
are going along with
this. You really want him
- to drag you all the way down?
- Okay, just
Shut up for a second,
okay? Stop talking.
You're just trying to
distract from the situation.
We had an agreement!
We only let that kid go before he died
so you could get us out of
here! You play games with us,
you're not going to
make it through this!
But if you'd rather be a human shield,
I know just where to shoot
you so you'll bleed out slowly.
Understand?
CHARLIE: You want to do that?
Okay, go ahead.
But think about where that leaves you.
[COMPUTER BEEPING]
I'm not your ticket out of here.
All I did was buy you some time.
If Mumford wants to put
a bullet in me for that,
I can't stop him.
But when he shoots me,
you don't see the light of day again.
He's got nothing to lose.
You do. And you know I'm right.
I warned you.
[GUN COCKS] I know just the spot.
[DRAMATIC MUSIC]
Hey! Ughh!
Get off me!
Ughh!
[SARAH EXHALES]
BLU: Get him!
- [GUNSHOT]
- [SARAH GASPS]
[GUNSHOT]
Let me guess. You missed him?
SKYE: Yeah. Well, you
know how I feel about guns.
Agghhh!
What's going on in there, Sarah?
Everything's under control.
DONOVAN: No. Do not lie to me.
The situation is fluid, Joe.
Charlie and Rex are on it.
Okay, then tell them to get
their butts back in the bullpen
and secure the place.
- I'm sending SWAT in.
- Finally.
SARAH: No I can't tell
him to do that, Joe.
I don't know where they are.
Wait, hold on one sec!
- This is a big time SNAFU!
- Watch it, Blu!
Surrounded by cops but no hostages!
We ain't getting out of this man!
You got us in bad trouble!
Yeah, so what's the plan?
- I'm thinking.
- So, stop thinking and start doing!
I'm thinking! I'm thinking!
- We're going to shoot our way out of here.
- No, no way.
Your life's already over.
You're not ending mine.
- Skye, let's go.
- What are you doing?
What's it look like? We're surrendering.
- MUMFORD: What don't
- You hear me?
I said we're surrendering!
[REX WHINES]
Yeah, I heard it.
Let's see how this plays out.
- Don't do that.
- Skye: Hey!
I'll do whatever I want!
Hudson, we're surrendering!
MUMFORD: You don't make decisions!
SKYE: Stop it!
- BLU: Hudson, we're surrendering!
- Joe!
- Joe, you hear that?
- Copy that.
Just hold your men.
This just may be resolved.
[GUNFIRE]
Damn it.
SKYE: Are you crazy?
- What have you done?
- I'm not surrendering.
- [MUMFORD LAUGHS]
- You shot him!
Don't waste your time! He's a dead man!
You killed him!
He had a job to do and
he just got soft. Look
I have nothing to lose.
So, it's your move.
You hear that out there?
I got nothing to lose!
I got nothing to lose!
[DRAMATIC MUSIC]
[DRAMATIC MUSIC]
DONOVAN: I've got them
standing down for now
but I don't know for
how long. How's Charlie?
SARAH: He and Rex are out of sight.
I'm hoping that they're
cooking something up.
DONOVAN: Okay, so we are down to
what? Two escapees
and no hostages, right?
Not technically. Mumford is
holding his accomplice as a hostage.
Yeah but she's someone who knowingly
put herself into that situation.
What is stopping me
from sending in SWAT?
Charlie and Rex can resolve this.
Yeah, but they're also at risk.
Mumford's in high panic mode.
He's going to make a mistake, Joe.
Do you have any sense of the
condition of the man that he shot?
Toby Blu?
From what I can see,
it doesn't look good.
Joe, Charlie just
arrived. He's with Toby.
Charlie.
Charlie, what's your status?
Oh, hey, Joe. How was your seminar?
No time for kidding around Charlie.
We're fine down here.
What's the condition of
the man on the ground?
He's dead.
Do you know where the other two are?
I can't see anything.
Cameras on Hall Three and
morgue level have been disabled.
So, they probably went
down to the basement.
Basement.
SARAH: Possible.
Hey, Sarah.
Did they ever fix that
broken vent in your lab?
Uh, no!
Maybe Rex and I will
drop in through there.
Okay.
Superintendent.
- Charlie, I can't stall SWAT much longer.
- CHARLIE: Yeah I know, Joe.
But I know something about
the girl, Skye Gibson.
- She's not a killer.
- DONOVAN: Yeah.
But Mumford is.
That's why we've got to save her.
Come on, pal.
[SUSPENSEFUL MUSIC]
[METAL BANGING]
[REX WHINES]
[CHARLIE WHISTLES]
[REX WHINES]
Come on, pal.
[REX WHINES]
Yeah, I know you're not allowed in here.
We're going to make
an exception this time.
[REX YELPS]
Come on.
Good job, partner.
[REX BARKS]
[PHONE BUZZING]
Hey, Sarah.
Charlie, you all right?
Yeah, yeah. I'm just
looking for something.
[REX WHINES]
Yeah, I'll start with magnesium.
SKYE: Look, Billy.
It was a good try, okay? But it's over.
- No, it's not.
- [COCKING GUN]
What are you doing?
Just checking I got what's needed.
SKYE: You're shooting your way out?
MUMFORD: No, we're shooting our way out.
Didn't you hear me, man?
- I said this is over!
- No, it's not!
Look, we're in this together
whether you like this or not!
Okay, look! The plan
is we're going to go
out the lobby doors.
We'll grab whoever we can
from the bullpen, and then
That's the plan? How do you
know anyone's even in there?
Well, they've been there all
day. They ain't leaving now!
I think it's a good plan!
Ohhh.
- [REX BARKS]
- [FUZE SIZZLING]
It's that damn dog. You
see his partner back there?
SKYE: Billy!
[CANISTER EXPLODES]
[MUMFORD AND SKYE SCREAM]
- CHARLIE: Rex, go!
- [MUMFORD COUGHING]
Ughh!
- I didn't do it!
- MUMFORD: Get him off of me!
- They made me!
- CHARLIE: Yeah, I'm sure.
- [REX BARKING]
- Okay, okay!
- That's enough, pal!
- [REX BARKS]
Congratulations, Billy.
Now you get to die in prison.
[REX BARKS]
DISPATCH: All units can stand down.
The situation is contained.
[SOFT ELECTRIC GUITAR]
[INDISTINCT POLICE RADIO]
By Saturday ♪
Things will be all right ♪
We're gonna find a way ♪
We'll make it through the night ♪
Everything keeps changing ♪
Changing every day ♪
So, be there when I need you ♪
And I'll be there too ♪
Gone like a dream again ♪
Taking it for granted ♪
And I don't understand it ♪
Gone like a dream again ♪
I'm falling far behind I confess ♪
Yeah, I'm still here ♪
Catching my breath ♪
So, be there when I need you ♪
And I'll be there too ♪
Gone like a dream again ♪
I'm falling far behind I confess ♪
Yeah, I'm still here ♪
Catching my breath ♪
- [REX YELPS]
- CHARLIE: Hey.
How'd it go, Joe?
Well, I don't think SWA
will be sending me a card
- for Kwanzaa this year.
- [THEY LAUGH]
- JESSE: You were expecting that?
- No. No, not really.
But a flash bang!
- Well, done!
- CHARLIE: I had to do something.
I told SWAT I'd get them
out without a shooting.
Mallory and Rawlins?
They'll be good.
I don't think they'll be seeing
duty for a couple of weeks though.
Then they're going to
have a lot of paperwork.
Rough first day for that kid.
- Well, it's not all that bad.
- Come again?
Well, they got to see Rex in action!
[SOFT MUSIC]
[REX BARKS]
- Nice work, Jesse!
- JESSE: You as well!
JESSE: Good night.
[CLOSING THEME MUSIC]