My Ghost Story (2010) s06e11 Episode Script

Banks: I TOOK A PHOTOGRAPH, AND THAT'S WHEN I CAUGH MY FIRST GLIMPSE OF MARY.
MY HEART JUST STOPPED.
I WAS SHOCKED.
Yount: WE HEARD A "CLING.
" [ CLING .]
[ GASPS .]
Rodriguez: AND THERE WAS AN ORB THAT ZOOMED FROM THE RIGHT CORNER AND WENT STRAIGHT.
WHOA! AT THAT POINT, I JUST WANTED TO LEAVE.
Peter: SUDDENLY, OUT OF NOWHERE, WE SEE THIS IMAGE OF A YOUNG NATIVE AMERICAN GIRL.
Angie: THIS PARTICULAR SPIRI GAVE ME KNOTS IN MY STOMACH.
Saviano: I SEE THIS 4-FOOT FIGURE OUT OF THE CORNER OF MY EYE AND THIS BIG LIGHT AROUND BELLA.
I WAS SO AFRAID TO EVEN LOOK AT IT.
I ENDED UP RUNNING DOWN THE STAIRS.
Cramer: BUT IT WAS SO DARK, YOU COULDN'T SEE ANYTHING.
Anthony: THAT'S WHEN WE CAUGH THIS THING ON VIDEO.
Cramer: I WAS PAST SCARED AT THAT POINT.
I COULD TELL SOMETHING EVIL MAY HAVE BEEN IN THE BASEMENT.
Anthony: WE CAUGHT THIS THING ON VIDEO.
Cramer: SOMETHING'S NOT RIGHT ABOU WHOEVER OR WHATEVER THAT IS.
Anthony: MY GHOST STORY BEGAN WHEN I VISITED THE EMMITT HOUSE IN WAVERLY, OHIO.
THE EMMITT HOUSE WAS BUIL IN 1861 BY JAMES EMMITT.
I'VE ALWAYS HEARD THE STORIES ABOUT IT.
I'VE TALKED TO A LOT OF PEOPLE THAT WOULD TELL ME ABOU SEEING THINGS IN THE EMMITT HOUSE THAT THEY COULDN'T EXPLAIN -- SMELLING JAMES EMMITT'S CIGAR SMOKE AND SEEING APPARITIONS IN THE HALLWAYS.
SO THAT'S KIND OF WHAT LURED ME TO THE EMMITT HOUSE.
ASHLEY GOES ON EVERY INVESTIGATION WITH ME.
Cramer: I HAVE BEEN A PARANORMAL INVESTIGATOR FOR ABOUT FOUR YEARS NOW.
I WANTED TO SEE IF THERE WAS REALLY SOMETHING OUT THERE FOR MYSELF.
WHEN LEVI AND I FIRST ARRIVED AT THE EMMITT HOUSE, I JUST DIDN'T FEEL COMFORTABLE AT ALL.
THE MOMENT YOU STAR TO WALK AROUND THE LOCATION, IT BECOMES KIND OF CREEPY.
Anthony: I DEFINITELY GET THE CREEPS WHEN I LOOK AT THE EMMITT HOUSE.
THERE'S A LOT OF HOLES IN THE WALL THAT GO INTO DIFFERENT ROOMS.
A LOT OF THE ROOMS CIRCLE BACK INTO THE SAME ROOM.
IT'S ALMOST LIKE THE BUILDING ITSELF IS PARANORMAL.
Cramer: I WAS TAKEN TO THE BASEMENT, AND IT LOOKS LIKE SOMETHING OUT OF A HORROR MOVIE -- VERY DARK, DINGY.
IT WAS A VERY DENSE FEELING.
I STARTED TO FEEL VERY NAUSEATED TO MY STOMACH.
USUALLY, I DON'T FEEL SICK ON CASES.
I DON'T, YOU KNOW, GET THAT KIND OF FEELING.
SO, TO ME, IT INDICATED THAT SOMETHING EVIL MAY HAVE BEEN IN THE BASEMENT.
Anthony: ONE OF THE STORIES THAT WE FIRST EVER HEARD ABOUT THE EMMITT HOUSE IS HOW PEOPLE ARE SEEING THIS PERSON IN THE SAME HALLWAY ALL THE TIME WHEN THE BUILDING WOULD BE CLOSED UP AT NIGHT.
Cramer: A LOT OF PEOPLE HAVE EXPERIENCES TO WHERE THEY FEEL LIKE SOMEONE RUNS THROUGH THEM IN THAT HALLWAY.
TWO YOUNG LADIES DECIDED TO GO UP TO THE SECOND LEVEL AND TO THE HALLWAY WHERE ALL THE CLAIMS WERE ORIGINATING FROM.
THEY WANTED TO TAKE A PICTURE WITH JUST THE TWO GIRLS IN THE HALLWAY.
AND LEVI TOOK A PHOTOGRAPH OF THEM.
WE DIDN'T REALIZE TILL AFTER REVIEW WHAT WAS IN THAT FOOTAGE.
WE WERE IN SHOCK THAT THERE WAS WHAT SEEMS TO BE A MAN STANDING BEHIND THESE TWO YOUNG LADIES.
Anthony: THERE WAS NOBODY IN THE BUILDING THAT LOOKED LIKE THAT.
WHEN I LOOK AT IT, I THINK IT LOOKS LIKE AN OLDER GENTLEMAN.
Cramer: YOU CAN SEE ITS KIND OF HAT.
THE BODY IS KIND OF TRANSPAREN TOWARDS THE LEGS, AND SO IT'S NOT RIGHT.
IT'S NOT RIGHT ABOUT WHOEVER OR WHATEVER THAT IS.
Anthony: WITH ALL THE STORIES OF JAMES EMMITT IN THE BUILDING AND IN THAT CERTAIN AREA, IN MY OPINION, I BELIEVE IT'S DEFINITELY JAMES EMMITT.
A COUPLE HOURS LATER, WE DECIDED TO GO BACK DOWN TO THE BASEMENT.
IT WAS JUST ME AND A FRIEND OF MINE.
AND WE PROCEEDED TO GO ALL THE WAY BACK TO THE FAR CORNER OF THE BASEMENT.
HE SAT DOWN IN A CHAIR IN FRONT OF ME.
I SAT KIND OF LEANED UP AGAINST THE WALL WITH THE CAMERA.
AND THAT'S WHEN WE CAUGH THIS THING ON VIDEO.
Brandon: WHAT? Anthony: AND WHEN I FIRST SEEN IT, I'M LOOKING THROUGH A LITTLE LCD MONITOR.
MY FIRST THOUGHT WAS THAT IT WAS SOME KIND OF FLYING BUG OR SOMETHING.
BUT I'M LOOKING OVER THE CAMERA.
THERE'S NOTHING THERE.
I CAN'T SEE ANYTHING.
AND THEN, WHEN YOU SEE THAT IT GOES ACROSS THE ROOM, IT ACTUALLY DISAPPEARS IN THIN AIR.
Cramer: THAT WAS SHOCKING TO ME BECAUSE THAT WAS THE FIRST TIME I EVER SEEN ANYTHING LIKE THAT.
IT SHOOTS UP, AND THEN IT KIND OF LINGERS, AND THEN IT STARTED TO EMIT ITS OWN LIGH AND GOT CLOSER AND CLOSER TO BRANDON'S LEG AND JUST DISAPPEARED.
Anthony: RIGHT AFTER IT SEEMED TO DISAPPEAR, I WENT DIRECTLY TO THE AREA WHERE IT WAS AT.
I TURNED ON FLASHLIGHTS.
WE LOOKED ALL OVER THE PLACE.
WE COULD NOT FIND ANYTHING THAT WOULD HAVE CREATED THAT.
I DEFINITELY BELIEVE THERE'S A DARK ENERGY DOWN THERE.
A LITTLE WHILE LATER, WE WENT TO THE BALLROOM.
Cramer: THE MOMENT THAT I WALKED INTO THE BALLROOM, I COULD TELL INSTANTLY THAT SOMETHING WAS GOING TO BE ACTIVE.
Anthony: SOME OF THE FIRST THINGS THAT WE HAPPENED TO NOTICE WERE THESE WHISPERS THAT SOUNDED LIKE THEY CAME FROM THE BACK OF THE ROOM.
AND THEN THEY SEEMED TO BE CIRCULATING US.
[ INDISTINCT WHISPERING .]
Cramer: AS THE VOICES GOT CLOSER, I COULD TELL WHAT THEY WERE WHISPERING -- WHAT THEY WERE SAYING TO ME.
THEY WERE SAYING MY NAME.
IT WAS SAYING "ASHLEY," BUT IT SOUNDED LIKE THREE DIFFERENT VOICES ALL IN ONE.
Anthony: SHE FELT LIKE SHE WAS BEING SINGLED OUT.
Cramer: I WAS PAST SCARED AT THAT POINT.
Anthony: SHE DECIDED TO LEAVE THE ROOM.
SHE WENT DOWNSTAIRS, AND WE ALL WENT DOWN TO MAKE SURE THAT SHE WAS OKAY.
AND WE DECIDED TO SEND UP JUST THREE GUYS THIS TIME TO THE BALLROOM TO SEE IF THEY COULD GE THE SAME REACTION THAT ASHLEY WAS GETTING.
[ INDISTINCT CONVERSATION .]
I HEARD THE "ASHLEY" IN THE SAME VOICE THAT WE'D BEEN HEARING THE WHOLE NIGHT.
BUT THIS TIME, AT THE END OF IT, THERE WAS A "WHERE ARE YOU?" [ INDISTINCT CONVERSATION .]
Cramer: WHEN LEVI PLAYED BACK THE FOOTAGE, WE WERE ALL SHOCKED.
Anthony: WHATEVER WAS THERE WAS LOOKING FOR HER.
[ INDISTINCT CONVERSATION .]
IT'S SINGLING OUT SOMEBODY ON YOUR TEAM.
THAT WAS MY MAIN CONCERN AT THE TIME 'CAUSE I DIDN'T WANT SOMETHING TO ATTACH TO HER.
Cramer: IT WAS CRAZINESS, SO WE ALL DECIDED JUST TO LEAVE THE EMMITT HOUSE.
I THINK FROM THE MOMEN THAT I WALKED INTO THAT BUILDING, SOMETHING HAD ITS EYE ON ME.
[ INDISTINCT CONVERSATION .]
Anthony: I'M CONVINCED THAT THE SPIRIT OF JAMES EMMIT STILL WALKS THE HALLS OF THE EMMITT HOUSE, AND I BELIEVE WHATEVER'S IN THE BASEMENT'S DEFINITELY DARK.
THAT'S THEIR HOME.
THAT'S WHERE THEY STAY.
AND WHO KNOWS HOW LONG THEY'VE BEEN HERE? Cramer: IT'S SOMETHING THAT YOU SHOULDN'T WALK INTO CLOSE-MINDED BECAUSE EVEN CLOSE-MINDED, YOU'LL HAVE EXPERIENCES, AND IF YOU CHOOSE TO IGNORE THOSE EXPERIENCES, SOMETHING BAD WILL HAPPEN TO YOU.
Banks: ONE OF THE MYSTERIOUS DEATHS WAS MARY.
Hume: SHE TOLD ME TO STOP.
Banks: I TOOK A PHOTOGRAPH, AND I CAUGHT MY FIRST GLIMPSE OF MARY.
AND THEN OUR EMF EQUIPMENT JUS STARTED FLASHING LIKE CRAZY.
Hume: I COULD NOT BELIEVE WHAT I WAS SEEING.
SOMETHING BIG IS HAPPENING HERE.
Hume: SHE TOLD ME TO STOP.
Banks: I CAUGHT MY FIRST GLIMPSE OF MARY.
AND THEN OUR EMF EQUIPMENT JUS STARTED FLASHING LIKE CRAZY.
Hume: SOMETHING BIG IS HAPPENING HERE.
MY GHOST STORY BEGAN WHEN I VISITED THE BUNDANOON HOTEL IN NEW SOUTH WALES, AUSTRALIA.
I'VE ALWAYS HAD AN INTEREST IN THE PARANORMAL, HAVING MY FIRS VISUAL EXPERIENCE AT THE AGE OF 16.
IT'S SOMETHING THAT I LOVE.
I MET PEET JANUARY LAST YEAR, AND WE CLICKED IT OFF STRAIGHTAWAY.
Banks: IT WAS LIKE WE'D KNOWN EACH OTHER ALL OUR LIVES, AND WE'VE NEVER LOOKED BACK.
Hume: WE INVESTIGATE A BIT DIFFERENTLY TO OTHER TEAMS IN AUSTRALIA.
WE FOCUS ON LOCATIONS THAT HAVE HISTORICAL VALUE.
Banks: ONE OF THE MYSTERIOUS DEATHS I DISCOVERED FROM A NEWSPAPER ARTICLE WAS A LADY NAMED MARY.
AND MARY WAS APPARENTLY ONCE AN EMPLOYEE OF THE BUNDANOON HOTEL.
HER SON COMMITTED SUICIDE IN THE HOTEL, SO THE STORY IS TOLD.
AND IN A FIT OF GRIEF, MARY ACTUALLY SET FIRE TO THE HOTEL AND DIED HERSELF.
Hume: AND IT IS THOUGHT THAT MARY'S SPIRIT STILL STAYS AT BUNDANOON.
I THINK WHAT DREW US TO THE BUNDANOON HOTEL WAS STORIES OF WHAT STAFF HAD EXPERIENCED THERE.
Banks: MARY HAS BROKEN GLASSES.
SHE HAS THROWN STOOLS OFF THE BAR TABLE.
SHE HAS MESSED WITH HOUSEMAIDS' CARTS.
THE HOUSEMAID WILL GO INTO THE ROOM, COME BACK OUT, AND THE CART WILL BE DOWN THE END OF THE CORRIDOR.
Hume: SO, WE DECIDED TO GO OU AND INVESTIGATE THE HOTEL.
Banks: THE BUNDANOON HOTEL IS A TUDOR-STYLE RESIDENCE IN THE SOUTHERN HIGHLANDS OF SYDNEY.
WE ARRIVED AT THE HOTEL QUITE EARLY, AND WE IMMEDIATELY BEGAN TO INVESTIGATE.
Hume: WE DECIDED TO START OUR INVESTIGATION IN THE CELLAR.
Banks: IT HAD BEEN SAID THAT MARY HAD BEEN SEEN DOWN IN THE BASEMEN OF THE HOTEL.
WE WENT DOWN THERE, AND WE HAD OUR INSTRUMENTS WITH US.
Hume: AS WE'RE SETTING THINGS UP, WE DIDN'T NOTICE ANYTHING TOO OUT OF THE ORDINARY.
WHAT WE DID NOTICE WAS A DROP IN TEMPERATURE.
IT FELT VERY EERIE AND UNEASY.
Banks: NIC HAD A VERY STRONG SENSATION THAT SHE WAS BEING WATCHED, SO WE DIDN'T HANG AROUND THERE VERY LONG.
SO, WE WENT BACK UP, AND WE STARTED IN THE FOYER.
Hume: SO, WE WANDERED THROUGH THE FOYER, AND WE HAVE JUST STARTED TO HEAD UP THE STAIRS, AND SHE TOLD ME TO STOP.
Banks: AND STRAIGHTAWAY, I JUST FEL I NEEDED TO TAKE A PICTURE.
THERE WAS SOMETHING.
SO I TOOK A PHOTOGRAPH.
THE FIRST THING THAT CAME TO MY ATTENTION WAS A BLACK SHADOW IN THE CORNER.
SO, I ZOOMED IN, AND I SAW A FACE.
AND THAT'S WHEN I CAUGH MY FIRST GLIMPSE OF MARY, AND MY HEART JUST STOPPED.
I WAS THAT SHOCKED.
Hume: I COULD NOT BELIEVE WHAT I WAS SEEING -- A WOMAN STANDING THERE WITH WHAT LOOKS TO BE HER HAIR BACK IN A BUN AT THE NAPE OF HER NECK AND IN, LIKE, A TUCKED 18th-CENTURY GOWN.
WE CAN PROBABLY BE 100% SURE THAT WE'VE CAPTURED THE SPIRI OF MARY IN BUNDANOON HOTEL.
Banks: AS THE PICTURE OF MARY SEEMED TO BE POINTING TOWARDS THE DINING ROOM, WE DECIDED THAT WE HAD BEST GO DOWN THERE.
SO WE ENTERED THE DINING ROOM.
I WAS TAKING RANDOM PHOTOGRAPHS, AND I HAVE A PHOTOGRAPH THAT WAS TAKEN, AND IN THE PHOTOGRAPH, THERE IS A VERY DISTINCT MIST.
THIS PHOTOGRAPH WAS TAKEN IN THE MIDDLE OF SUMMER, SO THERE WOULD'VE BEEN NO FOG.
Hume: THE WHOLE BUILDING WAS CLOSED UP.
THERE WERE NO WINDOWS OPEN.
Banks: IT'S VERY POSSIBLE WE COULD BE LOOKING AT MORE EVIDENCE OF MARY.
SO, AFTER THE DINING ROOM, WE DECIDED TO CALL IT A NIGHT, BUT THAT DIDN'T LAST VERY LONG.
WE WERE BOTH STILL WIDE AWAKE AND PUMPED, SO WE THOUGHT, "WE HAVE THE WHOLE HOTEL FOR THE WHOLE NIGHT, SO WHY NOT KEEP EXPLORING?" Hume: NOW, ROOM 33 IS WHERE A LOT OF THE STAFF HAVE EXPERIENCED THE GHOST OF MARY, SO THIS IS A ROOM THAT WE FEL HAD TO BE A FOCUS OF OUR INVESTIGATION.
WE GOT UP, AND WE HEADED TO ROOM 33.
Banks: WE DECIDED TO SET UP SOME EQUIPMEN TO CONDUCT AN EVP SESSION IN THE ROOM, AND WE WERE ASKING SOME QUESTIONS.
I WASN'T REALLY PAYING ATTENTION TO NIC AT THIS TIME, AND THEN I NOTICED THAT SHE'D BECOME VERY QUIET.
Hume: I CAN'T EXPLAIN WHAT HAPPENED.
I FELT QUITE OVERWHELMED AND FEL A SENSE OF IMMENSE SADNESS.
Banks: SHE JUST LOOKED DEVASTATED.
Hume: AND I BECAME EXTREMELY EMOTIONAL.
Banks: SHE STARTED CRYING.
Hume: I'M NOT A CRIER, SO I KNEW THAT THERE WAS SOMETHING WRONG.
AND I'M STARTING TO CHILL.
I'M STARTING TO FEEL REALLY COLD.
Banks: IT WAS FREEZING.
SHE WAS SHIVERING WHILE SHE WAS CRYING.
IT WAS JUST HORRIFIC.
AND THEN OUR EMF EQUIPMENT JUS STARTED FLASHING LIKE CRAZY.
ALL THE LIGHTS WERE GOING OFF.
Hume: I COULD SEE THE LIGHTS FLASHING, AND I CAN FEEL THIS FEELING INSIDE ME -- SOMETHING BIG IS HAPPENING HERE.
Banks: I DECIDED THAT NIC HAD TO LEAVE THE ROOM.
SHE WAS JUST TOO EMOTIONAL.
AND ONCE I HAD HER OUT OF THE ROOM, I SUDDENLY FELT COMPELLED TO TAKE ANOTHER PHOTOGRAPH.
AND IN THE PHOTOGRAPH, THERE IS THIS VERY OBVIOUS PINK STREAK.
IT WAS INTERESTING, AND IT HAPPENED TO HAPPEN AT THE SAME TIME THAT ALL THE OTHER PHENOMENA WAS HAPPENING.
Hume: WE WALKED OUT OF ROOM 33, AND WHAT WE NOTICED WAS A LIGHT ON IN ONE OF THE ROOMS.
ONE THING THAT CONCERNED ME THERE WAS WE HAD LOCKED UP AND SECURED EVERY SINGLE ROOM ON THAT FLOOR.
NOW, TO SEE A LIGHT ON WAS STARTLING.
Banks: SO WE WENT TO THE ROOM TO CHECK OUT TO SEE WHY THIS LIGHT HAD BEEN LEFT ON.
WE OPENED THE DOOR, AND WE NOTICED THAT THE CURTAINS HAD ALSO BEEN LEFT OPEN.
Hume: AND I KNOW THAT I HAD CLOSED ALL OF THE CURTAINS.
SO, I'VE WALKED OVER TO THE WINDOW, AND AS I'VE GLANCED UP, I COULD SEE PEET STANDING BEHIND ME.
I'VE NOTICED ANOTHER FIGURE STANDING NEXT TO HER.
I COULD FEEL MYSELF SHAKING.
IS THIS REALLY HAPPENING? AM I REALLY SEEING WHAT I'M SEEING? AND AS I'VE GONE TO TURN AROUND, THERE WAS NO ONE STANDING NEXT TO PEET.
Banks: WHEN NIC TURNED AROUND, SHE WAS AS WHITE AS A SHEET, AND SHE COULD HARDLY SPEAK TO ME.
SHE WAS ABSOLUTELY STUNNED.
AND THE SECOND SHE LOOKED AT ME, I JUST BURST INTO TEARS.
Hume: SHE BECAME EMOTIONAL HERSELF.
Banks: AND THAT'S WHEN NIC TOLD ME WHAT SHE HAD SEEN.
SHE'D SEEN THE REFLECTION OF MARY IN THE WINDOW.
Hume: I COULD SEE THE WOMAN'S FACE.
I COULD SEE THE OUTLINE OF HER GOWN.
I COULD ALSO TELL THAT HER HAIR WAS PULLED BACK INTO A BUN, WHICH MAKES ME THINK OF THE PHOTOGRAPH OF MARY DOWN IN THE FOYER.
IT REALLY BRINGS BACK TO HOME THAT MARY IS AT THE BUNDANOON HOTEL.
Banks: WE WERE BOTH JUST EMOTIONALLY AND PHYSICALLY EXHAUSTED, SO WE THOUGHT, "WE CAN'T DO ANY MORE TONIGHT.
" WE WENT BACK TO OUR HOTEL ROOM, AND WE'RE LYING IN BED.
AND WE HADN'T BEEN THERE FOR VERY LONG WHEN WE HEARD A VERY LOUD KNOCKING ON OUR DOOR.
IT'S REALLY STRANGE BECAUSE WE WERE THE ONLY PEOPLE STAYING IN THE HOTEL THAT NIGHT.
Hume: I'VE GOTTEN UP TO CHECK TO SEE WHO WAS AT THE DOOR.
I'VE LOOKED DOWN THE CORRIDOR.
THERE WAS NOBODY THERE.
I HAVE NO IDEA WHO COULD HAVE POSSIBLY KNOCKED AT OUR DOOR AT THE TIME OF THE MORNING.
WITH EVERYTHING THAT WE EXPERIENCED, WE DECIDED TO KEEP SOME EQUIPMENT RUNNING DURING THE NIGHT.
AND UPON AN EVIDENCE REVIEW, WHAT WE NOTICED WAS THE KNOCKING AT THE DOOR HAD ACTUALLY COME UP ON THE DIGITAL VOICE RECORDER.
SO WE WERE PRETTY BLOWN AWAY THAT WE'D ACTUALLY CAPTURED THE KNOCKING AT THE DOOR.
Banks: THERE'S NO DOUBT IN MY MIND THAT MARY WAS FOLLOWING US AROUND THAT NIGH AND TRYING TO GET OUR ATTENTION ANY WAY SHE POSSIBLY COULD.
Hume: OUR INVESTIGATION AT THE BUNDANOON HOTEL WAS FULL OF EVIDENCE.
WE'VE GONE OVER AND OVER THINGS TO TRY AND FIND A RATIONAL EXPLANATION FOR IT, AND WE JUST CAN'T.
SO IT ONLY LEADS US TO COME TO THE ASSUMPTION THAT MARY, THE GHOST, IS PRESENT AT BUNDANOON HOTEL.
Banks: FOR THOSE WHO ARE SKEPTICAL OF THIS STORY, YOU SHOULD GO AND STAY AT THE BUNDANOON HOTEL FOR THE WEEKEND AND MAKE UP YOUR OWN MIND.
I BET YOU'LL FIND MARY.
SHE'LL COME AND INTRODUCE HERSELF TO YOU.
Peter: I'VE GOT A WEIRD FEELING SOMETHING'S FOLLOWING US.
SUDDENLY, OUT OF NOWHERE, WE SEE THIS BLACK MASS.
OH, MY GOD.
THIS IS AN AMAZING PARANORMAL EXPERIENCE.
Peter: I'VE GOT A WEIRD FEELING SOMETHING'S FOLLOWING US.
SUDDENLY, OUT OF NOWHERE, WE SEE THIS BLACK MASS.
Angie: HE JUST REALLY DID NO WANT US THERE.
Peter: MY GHOST STORY BEGAN WHEN I INVESTIGATED THE BROKEN BIT RESTAURANT.
ABOUT EIGHT YEARS AGO, MY BROTHER-IN-LAW AND I DECIDED "LET'S FORM OUR OWN PARANORMAL TEAM.
" ANGIE IS MY MOTHER AS WELL AS A VERY IMPORTANT PAR OF THE TEAM.
Angie: I CONSIDER MYSELF AN ENERGY READER.
I CAN FEEL SPIRIT ENERGY.
THE BROKEN BIT HAS A LONG HISTORY OF HAUNTING.
Peter: THE LAND WAS ORIGINALLY USED AS A GATHERING PLACE FOR ALL THE WESTERN NATIVE AMERICAN TRIBES.
LATER ON, THE BROKEN BIT WAS PURCHASED BY A WHITE INDIVIDUAL NAMED SAMUEL JONES.
AND IN THE EXCHANGE OF THE PURCHASE, SAM JONES WAS ACTUALLY ABLE TO ACQUIRE A NATIVE AMERICAN WOMAN AS HIS WIFE.
Angie: SAM JONES WAS A HORRIBLE PERSON.
HE WOULD ABUSE HIS EMPLOYEES AND THEIR FAMILIES.
Peter: THE STORIES OF HOW SAM JONES DIED -- WHAT IS SAID IS THAT HE'D ACTUALLY HAD SOME SORT OF ILLICIT AFFAIR WITH ONE OF HIS WORKERS' DAUGHTERS, AND THE WORKERS TOOK THEIR REVENGE OUT ON HIM BY LOCKING HIM IN A TOOL SHED BY THE ORCHARD.
THEY SET THE ORCHARD FIELDS ON FIRE [ FIRE CRACKLING .]
THAT ENDED UP BURNING DOWN THE TOOL SHED, KILLING HIM IN THE PROCESS.
Angie: A COUPLE YEARS BEFORE WE GOT INVOLVED WITH THE BROKEN BIT, THE CURRENT OWNERS WAS DIGGING A NEW LEACH LINE AND ACTUALLY UNEARTHED A BODY OF A WOMAN.
THEY CALLED IN THE CORONER'S OFFICE.
THEY JUST SAID SHE'S BEEN THERE FOR OVER 100 YEARS, WHICH WOULD PLACE HER ABOUT THE SAME TIME AS SAM JONES OWNED THE PROPERTY, AND WE REALLY BELIEVE THAT THAT WAS HIS WIFE, MARY.
IT WAS EXCITING THE FIRST TIME I STEPPED FOOT ON THE PROPERTY.
Peter: THE BROKEN BIT IS A VERY IMPOSING BUILDING.
IT LOOKS LIKE A CREEPY, RUNDOWN BUILDING.
Angie: I WAS REALLY DRAWN TO THE FREEZER SECTION IN THE KITCHEN.
AND THERE WAS ONE, IN PARTICULAR, SPIRIT THAT I COULD FEEL THAT I COULD TELL, YOU KNOW, WAS NOT A VERY NICE PERSON.
THE SPIRIT WAS ALMOST FOLLOWING ME.
THIS PARTICULAR SPIRIT GAVE ME KNOTS IN MY STOMACH.
HE JUST REALLY DID NO WANT US THERE.
THE NEXT THING THAT HAPPENED, MY DAUGHTER, JANELLE, AND I WERE IN THE KITCHEN, DOING AN EVP SESSION, AND I FELT THAT SAME ENERGY THAT WAS FOLLOWING ME EARLIER COME UP BESIDE ME.
HE WAS JUST RIGHT THERE AND COMING CLOSER AND CLOSER.
WHEN WE REVIEWED THE EVP RECORDER LATER, WE GOT THE EVP THAT SAYS, "HE'S RIGHT BY YOU.
" Peter: THERE'S ACTUALLY A SOUND OF DESPERATION IN THE VOICE.
IT PUTS A LITTLE BI OF A FEELING OF FEAR IN THE PIT OF YOUR STOMACH.
Angie: I BELIEVE IT WAS MARY, SAM JONES' WIFE, WARNING US -- OR WARNING ME 'CAUSE I THINK HE IS A VERY DANGEROUS AND VIOLENT PERSON IN LIFE AND IN DEATH.
Peter: I HAD BEEN WALKING AROUND THE BUILDING, DOING SAFETY CHECKS.
THERE WAS A GROUP DOING AN EVP SESSION.
AND THEY STARTED TALKING TO ME, SAYING, "WE'RE NOT GETTING MUCH.
"DO YOU THINK YOU COULD SAY SOMETHING OR DO SOMETHING THAT MIGHT GENERATE ACTIVITY?" I SINGLED OUT SAM JONES AS A PERSON OF INTERES THAT I WANTED TO SPEAK TO.
I STARTED MAKING A FEW DEROGATORY COMMENTS.
I CALLED HIM A WOMANIZER.
I SAID HE WAS A COWARD.
AND IT JUST SUDDENLY FELT LIKE SOMEBODY THAT WAS INVISIBLE -- I COULDN'T SEE IT -- JUST SUCKER-PUNCHED ME RIGHT IN THE FOREHEAD.
AT THAT POINT, MY HEAD JUS KIND OF JERKS BACKWARD AND I SLAM MY HEAD AGAINST THE WALL POST.
APPARENTLY, MY COMMENTS IRRITATED IT, MADE IT ANGRY, MADE IT MAD, AND IT JUST WANTED TO DO SOMETHING TO ME, AND THAT WAS THE RESULT -- I WAS HIT.
I PERSONALLY DO BELIEVE THAT IT WAS THE SPIRI OF SAM JONES THAT ATTACKED ME BECAUSE I WAS DIRECTING THE COMMENT TO HIM.
THEY WERE VERY DEROGATORY COMMENTS.
TO ME, THERE JUST DOESN'T SEEM TO BE ANY OTHER EXPLANATION.
IT WAS JUST A SURREAL EXPERIENCE.
LATER ON IN THE INVESTIGATION, I WAS WITH A TEAM MEMBER OF MINE.
WE WERE HEADING OUTSIDE BECAUSE WE WANTED TO GO AND INVESTIGATE THE BACK SIDE OF THE PROPERTY.
WE WALKED OUT THE BACK DOORS, AND I SAID TO HIM, "I'VE GOT A WEIRD FEELING.
MAYBE SOMETHING'S FOLLOWING US.
" HE'S LIKE, "WELL, LET ME TAKE A PICTURE AND CATCH SOMETHING MAYBE.
" ON THE PICTURE, THERE'S ORANGISH-, REDDISH-COLORED MIST, AND THEY'RE JUST IN A VERY ODD PATTERN.
BASED UPON THE WAY THAT THE OBJECTS ARE SHAPED, I WOULD DEFINITELY SAY THAT THEY WERE SPIRITS OR APPARITIONS.
AND BASED UPON THE FAC THAT THIS LAND WAS OWNED BY INDIANS, I WOULD DEFINITELY SAY THAT THESE WOULD PROBABLY BE SPIRITS OF NATIVE AMERICANS.
JUST AFTER THAT, I WENT TO THE FREEZER AREA TO TAKE PICTURES.
AT FIRST, NOTHING'S GOING ON, NOTHING'S HAPPENING.
AND THEN SUDDENLY, OUT OF NOWHERE, WE SEE THIS BLACK MASS JUST SLOWLY MOVING FROM ONE SIDE OF THE ROOM TO THE OTHER.
IT WAS VERY DARK.
Angie: YOU CAN ACTUALLY SEE THIS BLACK ENTITY OF A SPIRI MOVING FROM ONE SIDE TO THE OTHER IN THE FREEZER AREA.
WHEN I SAW THE STILLS, I KNOW THAT THAT'S ACTUALLY THE SPIRIT OF SAM JONES.
Peter: ON ONE HAND, IT'S ACTUALLY KIND OF TERRIFYING THAT EVIL, MEAN SPIRIT IS STILL IN THE AREA AFTER JUST ASSAULTING ME.
AND ON THE OTHER HAND, IT'S LIKE, "OH, MY GOD.
THIS IS AN AMAZING PARANORMAL EXPERIENCE.
" AT THE END OF THE EVENING, WE LIKE TO MELLOW THINGS OUT.
WE PUT ON A LITTLE MUSIC, WE PUT ON THE LIGHTS, AND WE CLEAN UP OUR EQUIPMENT AND EVERYTHING.
THEN MY MOTHER, ANGIE, WAS SNAPPING PICTURES OF US.
THEN SHE SNAPS ONE, IN PARTICULAR, PICTURE.
AND IT LOOKS LIKE THE IMAGE OF A YOUNG NATIVE AMERICAN GIRL.
IT'S KIND OF LIKE IT'S DANCING WITH US 'CAUSE YOU GO THE MOTION GOING ON.
YOU CAN KIND OF SEE RIGHT THROUGH HER.
YOU LOOK AT HER FACE, AND YOU CAN SEE THE PEOPLE STANDING BEHIND HER.
Angie: I THINK IT'S THE SPIRIT OF MARY, SAM JONES' WIFE -- THE BODY THAT WAS FOUND OUT BACK.
Peter: IN THE PICTURE, THIS SPIRI OF THE NATIVE AMERICAN WOMAN IS ACTUALLY RIGHT UP FRON AND CENTER, SAYING HELLO TO THE CAMERA.
Angie: IT IS VERY COMFORTING KNOWING THAT THERE IS A SECOND SPIRIT THERE, WATCHING OVER US, KEEPING US SAFE.
Peter: PUTTING TOGETHER ALL OF OUR EXPERIENCES FROM THE BROKEN BIT, THIS REALLY ENERGIZES ME, WANTING TO KNOW MORE ABOUT THE AFTERLIFE.
Angie: FOR THOSE WHO DON'T BELIEVE, THERE IS SO MUCH PHYSICAL EVIDENCE OUT THERE -- THE RECORDINGS OF WARNINGS PICTURES OF ACTUAL APPARITIONS.
JUST LOOK AT THE PHYSICAL EVIDENCE.
HOW CAN YOU DENY THAT IT'S REAL? Peter: I WILL BE INVESTIGATING TILL THE MOMENT I JOIN THEM ON THE OTHER SIDE.
Saviano: I WAS SHOCKED AT HOW MANY ORBS WERE IN THE HOUSE.
I HEARD FOOTSTEPS.
BUT THEN NOTHING WAS THERE.
I WAS SO SCARED, I ENDED UP GETTING UP AND JUST RUNNING DOWN THE STAIRS.
IN MY GUT, I KNEW IT WAS SOMETHING PARANORMAL.
Saviano: I WAS SHOCKED AT HOW MANY ORBS WERE IN THE HOUSE.
I WAS SO SCARED, I ENDED UP GETTING UP AND JUST RUNNING DOWN THE STAIRS.
IN MY GUT, I KNEW IT WAS SOMETHING PARANORMAL.
MY GHOST STORY BEGAN WHEN MY PARENTS BOUGH A RIVERFRONT HOME THAT WE BELIEVE IS HAUNTED.
THE HOUSE IS IN MASTIC, NEW YORK, ON THE FORGE RIVER, NEAR THE POOSPATUCK INDIAN RESERVATION.
I WAS REALLY EXCITED WHEN THEY FIRST BOUGHT THE HOUSE 'CAUSE IT'S LITERALLY RIGHT ON THE WATER, SO, INITIALLY, I WAS PSYCHED.
PRETTY MUCH AS SOON AS I PULLED UP THE DRIVEWAY, I STARTED GETTING A FEELING LIKE THERE'S SOMETHING MORE TO THIS HOUSE.
BUT I TRIED TO PUT THAT ASIDE AND BE EXCITED.
BUT WHEN I WENT IN THE HOUSE, THIS FEELING JUST GO A LOT STRONGER.
IT FELT LIKE ALMOST A TIGHTNESS INSIDE, ALMOST LIKE A NERVOUSNESS, AND THE FURTHER INTO THE HOUSE WE WENT, THE STRONGER THAT FEELING GOT, TO THE POIN WHERE I KNEW FOR SURE SOMETHING HAPPENED IN THIS HOUSE.
MY BOYFRIEND, FRANK, HE COMMENTED ON, YOU KNOW, THE VIEW WAS VERY NICE, BUT AFTER THAT, HE WAS VERY QUIET, AND I COULD TELL HE FELT UNCOMFORTABLE.
Fazzino: I THINK MY FEELINGS BEGAN TO CHANGE WHEN I WENT IN THE BATHROOM.
WHEN I LOOKED OUT THE WINDOW IN THE BATHROOM.
I GOT A VIBE THAT SOMETHING WASN'T RIGHT.
I JUST WANTED TO GET OUT OF HERE -- THAT'S IT.
Saviano: AFTER SPENDING SOME TIME IN THE HOUSE, I STARTED GETTING SUSPICIOUS.
THERE WAS A CONSTANT FEELING OF BEING WATCHED, EVEN WHEN YOU WERE BY YOURSELF.
IT ALWAYS FELT LIKE THERE WAS SOMEONE OVER YOUR SHOULDER.
Fazzino: I MOVED TO NORTH CAROLINA, AND JEN STAYED TO LIVE WITH HER PARENTS.
Saviano: HE HAD MOVED DOWN, THEN I WOULD COME ONCE HE GOT US A PLACE.
MY PARENTS PUT ME UP IN THE BASEMEN WHERE THEIR EXTRA BEDROOM WAS.
FROM DAY ONE, IT WAS REALLY UNCOMFORTABLE.
THE STAIRCASE LEADING INTO THE BASEMEN WAS REALLY STRANGE.
WHENEVER I WOULD GO UPSTAIRS, THERE WAS THIS ONE PARTICULAR STEP, ABOUT FOUR STEPS UP -- THERE WAS A COLD SPOT.
I SUSPECTED THAT THAT WALL OF COLD WAS A SPIRIT.
Fazzino: SHE HAD TOLD ME THAT SOMETHING HAPPENED ON THE STEPS.
I TRIED TO DISCOUNT IT.
I SAID, "WELL, MAYBE IT'S A VENT.
" I TRIED TO MAKE SENSE OF IT.
Saviano: I FELT AROUND FOR A DRAFT, TRYING, BASICALLY, TO COMFORT MYSELF, LIKE, "THIS ISN'T A GHOST.
THIS ISN'T A GHOST.
THIS ISN'T A" -- BUT I KNEW.
IN MY GUT, I KNEW IT WAS SOMETHING PARANORMAL.
AFTER SPENDING SOME TIME IN THE BASEMENT, I STARTED GETTING THE FEELING THAT THE SPIRIT DOWN THERE WAS FEMALE.
IT WAS JUST A VIBE I GOT.
AND I WOULD TALK TO MY FATHER ABOUT IT, AND HE WOULD GET ANGRY, AND HE WOULDN'T WAN TO TALK ABOUT IT.
HE WAS IN COMPLETE DENIAL.
"YOU'RE CRAZY.
THERE'S NOTHING DOWN THERE.
IT'S WINTER.
IT'S A DRAFT.
" I DECIDED ONE DAY WHEN MY PARENTS WERE OUT, I WAS GONNA GO AROUND WITH A CAMERA AND TAKE PHOTOS.
WHEN I WAS TAKING THE PICTURES, I DIDN'T REALLY NOTICE ANYTHING.
IT WAS WHEN I PUT THEM UP ON THE COMPUTER THAT I WAS SHOCKED AT HOW MANY ORBS WERE IN THE HOUSE, ESPECIALLY IN THE BASEMENT.
IT MADE ME NERVOUS BECAUSE THERE'S NO LIGH IN THE BASEMENT.
THERE'S NOTHING THAT COULD'VE CAUSED THOSE ORBS -- NOTHING.
IT SHOCKED ME.
AND THE PHOTOS, IT WAS KIND OF CONFIRMATION THERE'S SOMETHING GOING ON HERE.
I FOUND OUT LATER FROM MY FATHER THAT THE PREVIOUS OWNER, HER MOTHER HAD PASSED AWAY IN THE BASEMENT, WHERE I WAS STAYING.
I WAS A LITTLE ANNOYED THAT MY FATHER DIDN'T TELL ME.
Fazzino: WHEN SHE LEARNED THAT SOMEONE HAD DIED THERE, SHE WAS DEFINITELY VERY NERVOUS ABOUT THAT.
Saviano: ONE NIGHT, I WENT UPSTAIRS.
IT WAS PROBABLY 1:00 IN THE MORNING.
I COULDN'T SLEEP, SO I DECIDED TO GO UP INTO THE LIVING ROOM TO WATCH TV.
I HAD BEEN UP THERE FOR PROBABLY 45 MINUTES ON THE COUCH BY MYSELF, AND I HEARD FOOTSTEPS.
BUT THEN NOTHING WAS THERE.
AND OUT OF THE CORNER OF MY EYE, I SEE THIS 4-FOOT FIGURE, LIKE A BLACKED-OUT SHADOW FORM.
IT CAME INTO THE ROOM AND SAT ON THE FLOOR.
NO ONE IN MY FAMILY FITS THAT DESCRIPTION.
I WAS SO AFRAID TO EVEN LOOK AT IT -- GOOSE BUMPS LIKE YOU WOULD NOT BELIEVE.
IT HAD THE SHAPE OF A GIRL, AND IT LOOKED LIKE SHE WAS WEARING AN ILL-FITTING, HEAVY DRESS.
AND TO ME, IT FELT NATIVE AMERICAN.
I FINALLY GOT UP THE NERVE TO TURN AND, LIKE, DIRECTLY LOOK AT IT, AND IT JUST VANISHED.
I WAS SO SCARED, I ENDED UP GETTING UP AND JUST RUNNING DOWN THE STAIRS.
THE PROPERTY THAT MY PARENTS' HOUSE IS BUILT ON IS RIGHT NEX TO THE POOSPATUCK NATIVE AMERICAN RESERVATION.
AND ALL ALONG THAT LAND IS WHERE THE NATIVE AMERICANS LIVE -- THE POOSPATUCK TRIBE.
Fazzino: PEOPLE DIED THERE.
THE DUTCH CAME INTO LONG ISLAND, AND THEY STARTED MASSACRING THESE PEOPLE.
Saviano: THOUSANDS OF NATIVE AMERICANS WERE KILLED FOR THE LAND.
Fazzino: IF SOMETHING IS GOING ON NOW, IT'S GOT TO BE BECAUSE THERE'S A BLOODY HISTORY OVER THERE.
Saviano: BETWEEN THE HISTORY OF THE LAND AND THE FORM THAT I SAW, TO ME, IT JUST MADE SENSE THAT MAYBE IT COULD BE A LITTLE NATIVE AMERICAN GIRL.
AFTER I SAW THE LITTLE SPIRIT GIRL, I DECIDED I WAS GONNA TAKE MORE PICTURES.
THERE'S ONE PHOTO SPECIFICALLY THAT I TOOK IN THE KITCHEN.
IN THIS SHOT, THERE'S A MIRROR THAT MY MOTHER MADE.
AND IN THE REFLECTION OF THIS MIRROR, THERE'S A HALLWAY.
THERE'S NO WAY A HALLWAY COULD BE REFLECTING IN THIS MIRROR.
THE MIRROR IS DIRECTLY ACROSS FROM A BLANK WALL.
IT'S FLAT, IT'S WHITE, AND THERE'S NOTHING ON IT.
HOW DID A HALLWAY GE IN THIS MIRROR? WHEN I SAW THAT, I WAS REALLY CONFUSED, AND IT REALLY JUST MADE ME WONDER WHAT COULD THIS BE.
I THOUGH MAYBE IT COULD BE REFLECTING WHAT THE HOUSE LOOKED LIKE BEFORE MY PARENTS' HOUSE WAS BUILT.
MAYBE THIS IS SOME TYPE OF RESIDUAL PARANORMAL ACTIVITY.
Fazzino: WHEN JEN SHOWED ME THE MIRROR PHOTO, I WAS STUNNED.
THAT'S JUST BIZARRE.
Saviano: I WASN'T THE ONLY ONE NOTICING ODD EVENTS.
SO WERE MY PARENTS' DOGS.
BELLA, SHE'S A ROTTWEILER, AND SLICE IS A PIT BULL -- TWO BIG, BRAVE DOGS.
I STARTED TO NOTICE THEY WOULD GET UP AND FOLLOW THINGS THAT THE REST OF US COULDN'T SEE.
AND OCCASIONALLY, THE PIT BULL, SLICE, HE'LL GET UP AND JUS ANXIOUSLY START SPINNING.
SO, ONE DAY, ME AND MY SISTER DECIDED, "LET'S TAKE PICTURES OF THE DOGS.
" FIRST PICTURE MY SISTER TOOK WAS ON HER iPHONE.
AND THERE'S THIS BIG LIGH AROUND BELLA.
NO FLASH OR ANYTHING.
HOW DID THIS LIGHT GET THERE? SO, LIKE, "THAT'S IT.
I'M GETTING MY DIGITAL CAMERA.
WE'RE TAKING PICTURES.
" TOOK ANOTHER PICTURE.
BIG LIGHT AROUND BELLA.
BELLA GOES ACROSS THE ROOM.
TAKE ANOTHER PICTURE.
ANOTHER LIGHT AROUND BELLA.
WHAT IS THAT? Fazzino: ARE THEY CHASING THE ORBS? ARE THE ORBS CHASING THEM? I DON'T KNOW.
I HAVE NO IDEA.
I DIDN'T KNOW WHAT TO MAKE OF I WHEN SHE TOLD ME THAT THE DOGS ARE RESPONDING TO THESE ORBS.
Saviano: THE EXPERIENCES IN MY PARENTS' HOUSE HAVE BEEN, I THINK, AMAZING.
I'M NOT AFRAID.
IT'S JUST MORE OF AN UNCOMFORTABLE FEELING, AND IF THEY WANT TO LIVE THERE, THAT'S ON THEM.
Fazzino: WHEN I GO BACK TO THE HOUSE, I LIKE TO STAY AWAY FROM IT.
I'LL GO FISHING.
"WHY DO WE HAVE TO EAT DINNER INSIDE? LET'S EAT DINNER OUTSIDE, YOU KNOW? LET'S STAY OUT OF THE HOUSE.
" Saviano: FRANK AND I NOW LIVE IN NORTH CAROLINA.
BUT WHENEVER WE GO BACK TO VISIT, IT'S A BATTLE TO GET FRANK TO STAY.
AND QUITE FRANKLY, I'M NOT TOO THRILLED ABOUT IT, EITHER.
Fazzino: I'D JUST RATHER STAY AWAY.
Yount: IT SOUNDS LIKE SOMEBODY DOESN'T KNOW THAT THEY'RE DEAD.
THEN WE HEARD A "CLING.
" [ CLING .]
[ GASPS .]
OUR HEARTS WERE STARTING TO RACE.
Rodriguez: AT THAT POINT, I JUST WANTED TO LEAVE.
WHOA! Yount: THE EVP SOUNDS LIKE SOMEBODY DOESN'T KNOW THAT THEY'RE DEAD.
THEN WE HEARD A "CLING.
" [ CLING .]
[ GASPS .]
Rodriguez: AT THAT POINT, I JUST WANTED TO LEAVE.
WHOA! Yount: MY GHOST STORY BEGAN WHEN MY FAMILY MOVED INTO THE HOUSE MY STEPMOM OWNS IN UNION CITY, OHIO.
WE FIRST MOVED INTO THIS HOUSE, EVERYTHING WAS GOING GOOD.
WE LOVED IT.
AND THEN ALL OF A SUDDEN, STUFF STARTED HAPPENING.
I WAS AT HOME BY MYSELF, AND I HAD WENT TO BED EARLY, AND THE GIRLS WERE OUT SHOPPING.
ALL OF A SUDDEN, I HEARD FOOTSTEPS COME INTO THE ROOM.
[ TAPPING .]
AND I THOUGH THAT THEY HAD COME HOME.
I GOT UP AND LOOKED DOWN THE HALLWAY TO SEE IF THEY WERE HOME, AND THEY WEREN'T.
IT KIND OF CREEPED ME OUT.
THAT'S WHEN I DECIDED I WANTED TO FIGURE OUT WHAT IT WAS.
SO, TO FIGURE OU WHAT WAS GOING ON, I STARTED PUTTING UP CAMERAS AT NIGHT.
WHEN I WOULD WATCH THE VIDEOS BACK, I WOULD START TO HEAR VOICES.
[ INDISTINCT WHISPERING .]
I WOULD SEE THE DOG REACTING KIND OF WEIRD IN THE VIDEOS.
[ DOG YELPS .]
I'D LEAVE THE CAMERAS ON DURING THE DAY ALSO, 'CAUSE I FIGURE IF IT'S GOING ON AT NIGHT, IT ALSO GOES ON DURING THE DAY.
AND THEN, AGAIN, STRANGE THINGS WOULD HAPPEN WITH THE DOG.
AT ONE TIME, WE WENT HOME, AND THE DOG WAS UP ON ONE OF THE KIDS' DRESSER.
AND THERE'S NO WAY FOR THE DOG TO HAVE BEEN ABLE TO GET UP THERE BY HERSELF.
I DECIDED THAT I WANTED TO BRING IN MY COUSIN TO SEE IF HE COULD EXPERIENCE THE SAME THING BECAUSE I THOUGHT IF HE WOULD EXPERIENCE SOMETHING, THEN I WOULD KNOW THIS IS PROBABLY PRETTY LEGI BECAUSE HE DIDN'T REALLY BELIEVE IN STUFF LIKE THAT.
Rodriguez: BRIAN CALLED ME ONE DAY, AND HE'S LIKE, "I THINK MY HOUSE IS HAUNTED.
" IN THE BACK OF MY HEAD, I WAS JUST LAUGHING.
"THERE AIN'T NOTHING THERE.
" SO, I WENT THERE.
HE'S LIKE, "WELL, NORMALLY, THE ACTIVITY STARTS AROUND 11:30 AT NIGHT.
" Yount: SO, WE SET UP AN OVERNIGHT INVESTIGATION.
HAD THE GIRLS STAY ALL NIGH SOMEWHERE.
SO, WE THOUGHT IT WAS A PERFECT NIGHT TO DO IT.
I STARTED TO GIVE JAY B.
THE WALK-THROUGH.
AND AS SOON AS HE GOT TOWARDS THE MIDDLE OF THE HALLWAY, HE STARTED TO FEEL SICK.
Rodriguez: I JUST FELT SOMETHING REALLY WEIRD GO INSIDE ME.
I HAD TO GO DOWN TO MY KNEES.
I JUST FELT OVERWHELMED -- LIKE SOMETHING WAS INSIDE ME.
I COULDN'T EVEN SEE.
AT THAT POINT, I JUST WANTED TO LEAVE.
WE WENT OUTSIDE, AND I SUCK IT UP BECAUSE HE'S MY COUSIN.
WE'LL JUS INVESTIGATE IT ANYWAYS AND SEE WHAT'S GOING ON.
Yount: THERE WERE TIMES BEFORE THAT I USED THE GHOST BOX, SO JAY B.
AND I DECIDED TO USE IT THAT NIGHT.
ONE OF THE FIRST REPLIES WE HEARD FROM IT WAS MY NAME AND MY WIFE'S NAME.
Rodriguez: THAT WAS FREAKY.
WHEN SOMETHING SAYS, "BRIAN, BETH," IT JUST BLEW MY MIND AND BLEW HIS.
Yount: IT DIDN'T REALLY SOUND REAL FRIENDLY.
THAT'S WHY IT BOTHERED ME MORE.
SOMETHING WAS TRYING TO GET MY ATTENTION, TRYING TO PROVE TO ME THAT, "I'M GONNA GIVE YOU THE NAMES "OF THE PEOPLE IN THIS HOUSE SO YOU'RE GONNA BELIEVE THAT I EXIST.
" THE OTHER TWO VOICES THAT HAPPENED NOT SOON AFTER THAT ARE, "ARE WE ALIVE?" AND, "I DON'T KNOW.
" Rodriguez: WHEN I HEARD THAT, WE WERE BOTH FREAKED OUT.
IT WAS THE CREEPIEST THING WE'VE EVER HEARD.
Yount: THAT BOTHERED ME.
IT SOUNDS LIKE SOMEBODY DOESN'T KNOW THAT THEY'RE DEAD, SO IT SOUNDS LIKE THEY'RE CONFUSED.
Rodriguez: I WAS STARTING TO WONDER IF THERE WAS SOMETHING GOING ON HERE.
Yount: LATER ON THAT NIGHT, WE TURNED THE GHOST BOX OFF BECAUSE WE WANTED TO HEAR WHAT WOULD GO ON IF EVERYTHING WAS SILENT.
BEFORE WE SAT DOWN TO LISTEN, I HAD SET A BALL ON A TOWEL TO SEE IF IT WOULD ROLL OFF ON ITS OWN.
WE SAT BACK ON THE COUCH, AND WE TURNED THE RECORDERS ON, AND WE TURNED THE CAMERAS ON, AND WE STARTED TO LISTEN.
Rodriguez: I WAS ABOUT TO GO TO SLEEP, AND BRIAN'S LIKE, "WELL, IF THERE'S ANYBODY IN THE KITCHEN, CAN YOU PLEASE MAKE A NOISE OR MOVE THE BALL OFF THE TOWEL?" Yount: THEN WE HEARD A "CLING.
" [ CLING .]
[ GASPS .]
[ CLING .]
OUR HEARTS ARE STARTING TO RACE.
WE WERE LIKE, "OH, CRAP, WHAT WAS THAT?" [ CLING .]
[ GASPS .]
SO WE SLOWLY GOT UP AND LOOKED INTO THE KITCHEN TO SEE WHAT THE SOUND WAS.
[ CLING .]
Rodriguez: BRIAN'S LIKE, "NO, IT'S NOT.
" AND I WAS LIKE, "YEAH, THE BALL'S GONE.
" Yount: THE BALL WAS BY THE BACK DOOR, WHICH MEANS IT HAD ROLLED PRETTY FAR.
Rodriguez: WE WERE BOTH FREAKED OUT.
AND BRIAN TRIED TO DEBUNK THE BALL MOVING OFF THE TOWEL BY STOMPING NEXT TO IT.
Rodriguez: IT WAS IMPOSSIBLE FOR THE BALL TO MOVE ON THAT TOWEL.
WE SAT BACK DOWN.
THIS WAS PROBABLY FIVE MINUTES AFTER THE BALL MOVED.
I HAD THE CAMERA AIMING STRAIGHT, AND BRIAN HAD THE OTHER CAMERA AIMING THE SAME DIRECTION.
I SAID SOMETHING TO THE SPIRIT, AND FROM THE CORNER OF THE CAMERA, THERE WAS AN ORB THAT ZOOMED FROM THE RIGHT CORNER OF THE LENS, AND IT WENT STRAIGHT.
WHOA! IT SCARED ME, AND I DIDN'T KNOW WHAT TO EXPECT.
Yount: HE'S LIKE, "YOU AREN'T GONNA BELIEVE WHAT I SAW IN THERE.
" SO I STOPPED, AND I LOOKED AT IT.
DEFINITELY, SOMETHING CAME ACROSS THE SCREEN.
Rodriguez: WHOA! Yount: THE REASON THAT IT CONVINCED ME THAT MAYBE IT WAS PARANORMAL IS BECAUSE I HAD ANOTHER CAMERA THAT WAS ANGLED TOWARDS JAY B.
AND ON THAT CAMERA, YOU DON'T SEE ANYTHING.
BUT ON THE CAMERA THAT JAY B.
's HOLDING, YOU SEE IT COME IN FRONT.
Rodriguez: WHOA! Yount: TO ME, IF IT WAS A BUG OR A DUST OR ANYTHING ELSE, THE OTHER CAMERA WOULD HAVE PICKED IT UP.
Rodriguez: WHOA! Yount: ONE NIGHT, I DECIDED TO LEAVE THE CAMERA ON IN THE KIDS' ROOM BECAUSE I WAS WORRIED THAT SOMETHING WOULD DISTURB THEM, AND I JUST WANTED TO MAKE SURE NOTHING WAS GOING ON, SO I PUT IT IN THERE.
AND YOU CAN HEAR THIS WOMAN SINGING A FOREIGN LULLABY.
[ INDISTINCT TALKING .]
THAT'S A SONG NOBODY IN THE HOUSE KNEW.
NOBODY IN MY HOUSE WOULD HAVE BEEN SINGING THAT.
PLUS THERE WAS NOBODY UP AT THAT TIME.
[ INDISTINCT TALKING .]
WE MOVED OUT OF THE HOUSE BECAUSE THE KIDS WERE FEELING UNCOMFORTABLE IN THE HOUSE AND MY WIFE HEARD THE FOOTSTEPS.
[ TAPPING .]
SO, WE WAS MOVING STUFF OUT.
THIS WAS THE LAST DAY THAT WE WERE THERE.
I HAD EVERYTHING MOVED OU EXCEPT FOR MY COMPUTER AND THE TELEPHONE.
I WENT OVER TO THE HOUSE TO CHECK MY E-MAIL, AND THE PHONE RANG AT THE TIME.
[ TELEPHONE RINGS .]
I DECIDED TO STAY ON THE INTERNE INSTEAD OF GETTING IT, AND THE ANSWERING MACHINE PICKS IT UP.
[ CLICK .]
I HEARD SOMETHING THAT SOUNDS STATICKY AND JUST DIDN'T SOUND RIGHT.
SO I PICKED UP THE CAMERA AND WALKED BACK TO THE ANSWERING MACHINE 'CAUSE I WANTED TO RECORD I SO PEOPLE COULD HEAR WHAT IT WAS.
IT WAS A WOMAN THAT SAYS, "BRIAN, I NEED HELP.
" Yount: I WENT BACK TO THE CALLER I.
D.
TO SEE WHAT IT WAS, AND THE NUMBER TRACED BACK TO "NO SERVICE" OR "NOT AVAILABLE.
" I'M GONNA FIND OUT IF SOMEONE ACTUALLY DID PRANK ME, SO I HIT RE-DIAL.
AND NOTHING HAPPENED.
THAT WAS PROBABLY ONE OF THE FREAKIER THINGS THAT I'VE HEARD.
Rodriguez: AFTER SEEING EVERYTHING I SAW AT BRIAN'S HOUSE I'M 100% SURE THAT PLACE IS HAUNTED.
I WAS A SKEPTIC, BUT AT THE END OF THE NIGHT, I WAS A BELIEVER.
Yount: I'M 100% SURE THAT THERE IS PARANORMAL ACTIVITY IN THE HOUSE AND THAT IT IS STILL THERE TO THIS DAY.
Rodriguez: WHOA! Yount: EVEN THOUGH I MOVED OUT OF THE HOUSE, I STILL GO TO BED AT NIGHT, AND I'LL THINK ABOUT THE THINGS THAT HAVE HAPPENED.
JUST HOPE THAT THAT SORT OF THING DOESN'T HAPPEN IN THE HOUSE THAT WE LIVE IN NOW.